Head Gasket Quotes

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Tyson charged at the Cyclops leader, Ma Gasket, her chain-mail dress spattered with mud and decorated with broken spears. She gawked at Tyson and started to say, “Who—?” Tyson hit her in the head so hard, she spun in a circle and landed on her rump. “Bad Cyclops Lady!” he bell owed. “General Tyson says GO AWAY!” He hit her again, and Ma Gasket broke into dust.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
he breathed like an old Ford with a leaky head gasket.
Raymond Chandler (The Little Sister (Philip Marlowe #5))
The role of race cannot be understated in an era of fervent social Darwinism. For decades the Balkans had enacted in microcosm the racial hatreds at great-power level. In consequence the Balkan states were likely, indeed expected, periodically to blow a head gasket over racial and religious differences and threaten a major confrontation by dragging their powerful sponsors into the local mess.
Paul Ham (1913: The Eve of War)
I could feel the warmth of the dog through my nightgown; I must have gotten hot during the night and thrown off the sheet. I drowsily patted the animal's head and began to stroke his fur, my fingers running idly through the thick hair. He wriggled even closer, sniffed my face, put his arm around me. His *arm*? I was off the bed and shrieking in one move. In my bed, Sam propped himself on his elbows, sunny side up, and looked at me with some amusement. "Oh, ohmyGod! Sam, how'd you get here? What are you doing? Where's Dean?" I covered my face with my hands and turned back, but I'd certainly seen all there was to see of Sam. "Woof," said Sam, from a human throat, and the truth stomped over me in combat boots. I whirled back to face him, so angry I felt like I was going to blow a gasket. "You watched me undress last night, you ... you ... damn dog!
Charlaine Harris (Dead Until Dark (Sookie Stackhouse, #1))
Menopause feels like a slow leak: thoughts leaking out of your head; flesh leaking out of your skin; fluid leaking out of your joints. You need a lube job, is how you feel. Bodywork. Whatever you need, it sounds like a mechanic might be required, since something is seriously amiss with your head gasket.
Catherine Newman (Sandwich)
VEBLEN HAD RISEN UP the ranks of the temp agency, and nowadays made eighteen dollars an hour, just enough for rent and food and a few small items of need. Keeping a low overhead was part of her mind-set. It made for an existence that was lean and challenging, like life on the frontier. She believed it was important to be fairly compensated for your time and work, but that it was also important not to earn a bunch of money just to play a predetermined role in the marketplace. When unforeseen expenses came up, such as when her 1982 Volvo 244 blew its head gasket, she discovered how vulnerable she was—and had to take a second job for a while, packing candles into boxes in a factory in Milpitas on the night shift. But for the most part, her life worked. She was getting better at Norwegian, and her translations came more easily. She’d accomplished things, hadn’t she? All kinds of things you couldn’t put on a résumé, such as deciphering the cryptic actions of family members, and taking care of them until the day they died.
Elizabeth Mckenzie (The Portable Veblen)
Your new car has all-wheel drive, winter tires, a V-8 engine, and a ski rack. It’s perfect for going up to the mountains on winter weekends, except the damn doors keep freezing shut overnight. SOLUTION: Before you head up to the winter wonderland, spray the rubber gaskets between the doors and the car body with nonstick cooking spray. This is most effective when applied to a dry surface, so remember to do it before you plunge into the snowstorm. WHY THIS WORKS: Nonstick cooking spray is oily, and the thin film lubricates the surfaces, preventing water from collecting on the rubber and the metal and freezing them together. It’s kind of like coating the surface of a pan with oil—once you do that, when you sprinkle the pan with droplets of water, they’ll just bead up. -HOW TO- BOOST A CAR BATTERY
Lisa Katayama (Urawaza: Secret Everyday Tips and Tricks from Japan)
Let’s stop playing this game, Gasket.” “What game?” “The no-strings one. I’m in love with you. Can’t you see that? Baggy clothes. No clothes. A Mount Everest of clothes, I don’t fucking care. You’re it for me, Camilla. The kind of it I never expected, I never wanted. I thought love was for weak men and saps. I’ll be the first to admit I was wrong. Hands down. Head over heels wrong. You drive me crazy but fuck if that madness doesn’t make me love you more. You challenge me. You make me the kind of man who would give up his dream because it’s the right thing to do. And that’s fucking saying a lot. Because I would. I did. And I’d do it a million times over if that’s what you needed, because I’m in fucking love with you.
K. Bromberg (Off the Grid (Full Throttle, #1))
You take one step toward her and I’m going to fry myself up some Alpha.” Roth’s voice was low and deadly calm. “Extra-crispy style.” One Alpha stepped back, but Bob looked like he would blow a gasket. “You dare to threaten us?” “I dare a lot more than that.” Roth’s skin seemed to thin, his face becoming sharp angles. “I will not stand for one hair on her head to be harmed. If you want her, you’re going to have to come through me.” Bob smiled widely at that, and my stomach plummeted. Roth was bound and determined to get himself killed because of me. He’d sacrificed himself to the pits, come back from that, and then gone against his Boss and saved my life. There was no way I could allow him to stand between me and danger again. “Stop!” I broke free of Zayne’s hold, but Thumper shifted. His tail swung back, stopping not even an inch from my hips. I could go no further. My panicked gaze darted from Roth to the Alphas. “Whatever problem you have, you have it with me. Not them. So can we—” Even as I spoke, Bob the Alpha moved toward Roth, lifting the fiery sword, and Thumper didn’t like that. Rearing back, he stretched out his long neck and opened his mouth, revealing fist-size fangs. The scent of sulfur increased, and then a burst of fire shot out of Thumper’s mouth. A pain-filled shriek ended abruptly, and where Bob once stood was just a charred pile of ashes. Everyone stood perfectly still. No one spoke or even appeared to breathe. And then, “Make that extra-extra-crispy style,” Roth said, studying the mess. My knees went weak as I lifted my hands helplessly. Thumper spun on the other Alpha. There was a series of sickening crunches, and then the dragon looked over its shoulder, its golden eyes finding mine as it opened its mouth. A shimmery blue liquid stained its teeth as it huffed out a sound that really sounded like a throaty chuckle. Bambi had eaten a Warden. Thumper had eaten an Alpha. These familiars were really low on manners.
Jennifer L. Armentrout (Every Last Breath (The Dark Elements, #3))
OUR KITCHEN TABLE WAS ROUND and made of oak. One afternoon when we were in grade school, my sister and I carved our names in it with steak knives. We hadn’t finished when we heard the door open—our mother was home from work—so we threw the steak knives back in the drawer. My sister grabbed the biggest thing she could find, a half gallon of apple juice, and plopped it down. When my mother entered, wearing her nurse’s outfit, her arms full of magazines, we must have said, “Hi, Mom” too quickly, because she immediately became suspicious. You can see that in your mother’s face right away, that “What did you kids do?” look. Maybe because we were sitting at an otherwise empty table at 5:30 in the afternoon with a half gallon of apple juice between us. Anyhow, without letting go of her magazines, she nudged the juice aside and saw CHAR and ROBER—which was as far as we got—and she let out a loud, exasperated sound, something like “uhhhhch.” Then she screamed, “Great, just great!” and in my childish mind, I thought maybe it wasn’t so bad. Great was great, right? My father was traveling in those days, and my mother threatened his wrath when he got home. But that night as we sat at the table eating a meat loaf with a hard-boiled egg inside it—a recipe she had read somewhere, perhaps in one of those magazines she carried—my sister and I kept glancing at our work. “You know you’ve completely ruined this table,” my mother said. “Sorry,” we mumbled. “And you could have cut your fingers off with those knives.” We sat there, admonished, lowering our heads to the obligatory level for penance. But we were both thinking the same thing. Only my sister said it. “Should we finish, so at least we spell our names right?” I stopped breathing for a moment, astonished at her courage. My mother shot her a dagger-like stare. Then she burst out laughing. And my sister burst out laughing. And I spit out a mouthful of meatloaf. We never finished the names. They remained there always as CHAR and ROBER. My father, of course, blew a gasket when he got home. But I think over the years, long after we’d departed Pepperville Beach, my mother came to like the idea that we had left something behind, even if we were a few letters short.
Mitch Albom (For One More Day)