Magazine Front Cover Quotes

He did look like an ancient Viking. If they'd had a Viking Vogue magazine in their day, he'd have been on the front cover.

Two weeks later, after Robert and I had gone home to Aldiz, Connor sent me a magazine with the image of me at Harry's grave on the cover. She had attached a note on the front. It said, simply, "I love you".

Billy was displayed there in the zoo in a simulated Earthling habitat. Most of the furnishings had been stolen from the Sears & Roebuck warehouse in Iowa City, Iowa. There was a color television set and a couch that could be converted into a bed. There were end tables with lamps and ashtrays on them by the couch. There was a home bar and two stools. There was a little pool table. There was wall-to-wall carpeting in federal gold, except in the kitchen and bathroom areas and over the iron manhole cover in the center of the floor. There were magazines arranged in a fan on the coffee table in front of the couch. There was a stereophonic phonograph. The phonograph worked. The television didn't. There was a picture of one cowboy shooting another one pasted to the television tube. So it goes. There were no wall in the dome, nor place for Billy to hide. The mint green bathroom fixtures were right out in the open. Billy got off his lounge chair now, went into the bathroom and took a leak. The crowd went wild.

The modeling gig is paying off in major Martha points. They all want to be Heather's New Best Friend. But she asks me to go with her for the bathing suit shoot. I think she's afraid to screw up in front of them. Heather's mother drives us. She asks if I want to be a model. Heather says I am too shy. I look at her mother's eyes watching me in the rearview mirror and hide my mouth with my fingers. The scabs on my lips are especially gross in that little rectangle mirror. Of course I want to be a model. I want to paint my eyelids gold. I saw that on a magazine cover and it looked amazing - turned the model into a sexy alien that everyone would look at but nobody dared touch.

The bookstore is owned by septuagenarian nudist Paul Winer, who has skin like burnished leather and wanders the aisles in nothing but a knit codpiece. When it’s cold, he dons a sweater. Paul can afford to keep his bookstore going because, technically, it isn’t a permanent structure, and that keeps the taxes down. It has no real walls—just a ramada roof above a concrete slab. Tarps span the space between them. Shipping containers and a trailer are annexes. Trailer Life magazine called it “the ultimate in Quartzsite architecture.” In an earlier career Paul toured as Sweet Pie, a nude boogie-woogie pianist known for his sing-along anthem “Fuck ’Em If They Can’t Take a Joke,” and he still performs spontaneously on a baby grand near the front of the shop, not far from a discreetly covered adult book section. There’s a Christian section, too, but it’s in the back and Paul usually has to help people find it. “They follow my bare ass to the Bible,” he declares.

And what is the popular color for gowns this Season?” he asked with a smile when it became necessary to announce himself. She gave a little start, and when she raised her face to look up at him, her cheeks were pink, her eyes wide. She looked, for lack of a better comparison, like a child caught doing something she oughtn’t. “Oh! Hello, Grey.” She glanced away. “Um, blue seems to be very favorable this year.” Arching a brow, he nodded at the periodical in her hand. “Beg pardon. I thought you were reading a ladies’ magazine.” “I am,” she replied with a coy smile. “But fashion is not one of its main areas of interest.” With an expression like hers-very much like the Cheshire cat in that book by Lewis Carroll-he doubted it was an article on housekeeping that put such becoming color in her cheeks. “May I?” he asked, holding out his hand. Her grip on the magazine tightened, reluctant to give it up. “Only if you promise not to tell Mama you saw me reading it.” Oh, this was trouble. Still, it was none of his business what a grown woman of three and twenty read. He was curious, that was all. “I promise.” She hesitated, then put the pages into his hand. Placing his fingers between the thin sheaves to mark her spot, Grey flipped to the cover. Christ on a pony! The magazine looked fairly harmless-the sketch on the front showed a demure young lady in a stylish gown and hat, sitting on a park bench. Only upon closer inspection could one notice that the object of her attention-and rapturous smile-was the young man bathing in the lake just on the edge of the page. He was bare-chested-quite possibly bare everywhere, but that key part of anatomy was carefully hidden with a line of text that read, “Ten ways to keep a gentleman at home-and in bed.” He didn’t want to see what she was reading. He had heard of this magazine before. Voluptuous was a racy publication for women, filled with erotic stories, advice, and articles about sexual relationships, how to conduct oneself to avoid scandal, etc. He could take her to task for reading it, but what would be the point? No doubt the information in it would serve her wisely someday. He gave the magazine back to her. “I have to confess, I’m a little surprised to find you reading such…material.” She shrugged. “I was curious. My parents were so happy in their marriage, so very much the opposite of most of what I’ve heard. If I’m to make a match as good as theirs, I need to know as much as I can about how to have a satisfying marriage.” Grey almost groaned. The image of Rose “satisfying” herself filled his mind with such clarity it was difficult to remember he’d never actually seen such a delightful sight. His body stiffened at the delectable images his mind conjured, and he had to fold his hands in front of him to hide his growing arousal.

Bakushan had only been open for a couple of months, but expectations were already sky-high. Still, few people had mentioned the food. Instead, everyone was writing about the up-and-coming chef, Pascal Fox. According to nearly every article, he'd dropped out of college and worked at top French restaurants around the world. Then, at twenty-five and on every "30 under 30" list in existence, he had received an offer to take over L'Escalier, a cathedral-ceilinged white-tablecloth institution in Midtown. But just as New York was ready to inaugurate him into a realm of Immortal Chefs synonymous with a certain level of luxurious precision, Pascal had said he would open a place on his own. He didn't have a location or a concept- or so he'd said in his interviews- just a conviction that he didn't want to fall into the trap of being yet another French chef at another fancy restaurant. So there we were, in front of his brand-new place. It was hard to label it. I had read neo-modernist and Asian-American eclectic. The food was hard to pin down, but the inside was just cool, at least from my sidewalk vantage point. It was 5:45 and already there was a forty-five-minute wait for a spot at one of the communal, no-reservation tables. I looked at the crowd while we waited and saw a couple of girls dressed in tight, short dresses. One of them held a food magazine with Pascal Fox's face on the cover against a blurred kitchen background. I stole a peek at the photo. His eyes were a deep black-brown with a streak of gold. His hair was charmingly messed up, longish bits going every which way, casting shadows on his sculpted cheekbones. That was the other thing. Pascal was exceedingly good-looking. I hadn't paid attention to the hype around his looks, but seeing these girls swoon over his photo made his handsomeness hard to ignore. And... the pictures. I'm only human.

carry-on bag with some clothing and a toothbrush. The room was a wreck and he was sick of it. After spending nine nights there he saw no need to check out at the front desk. The room charges were covered for two more days. So he walked away, leaving behind dirty clothing that belonged to both him and Todd, stacks of paperwork, none of which was incriminating, some magazines, discarded toiletries, and the rented printer, from which he had removed the memory chip. He walked a few blocks, hailed a cab, and rode to JFK, where he paid $650 cash for a round-trip ticket to Bridgetown, Barbados. The guard

How do I rack it one-handed?” He pointed to a magazine-covered end table between two sets of chairs. “Put the area near the front sight on the table edge and push down. You can do it with the edge of something hard—a counter, holster, or the heel of your boot.

One particular contribution, featured on the cover of Time in 2016, shows a nearly naked Sudanese teenager, pregnant with her rapist’s child—an image that no magazine would feature of an American girl. Discussing her 2018 photo book, Of Love & War, Addario’s own bravery at going out into a war zone is front and center, while the heroism of the civilians actually enduring war, imposed by the United States and its allies, never comes up.

The store smelled of old books and woodsmoke. A counter stood on the wall to his left, flanked by bookshelves and magazine racks. Photographs hung over the counter—pictures of authors, it looked like. Bookcases jutted out from the wall to his right, and bookshelves covered every wall, even under the windows. On the shelf before him, books ran in a proper row for half a shelf, then a stack of books on their sides. More books rested in front of the row, on top, wherever they fit. New books with crisp dust jackets stood beside older titles with spines shiny from wear. More books covered a table by the window, circled by two mismatched wooden chairs and a stuffed armchair.

Soon we began to collect a little group of odd people who would drink with us every cocktail hour. Brigitte, who was a 22-year-old German, very beautiful, could have been on the cover of Stern magazine. Her boyfriend Volker was one of the most beautiful men I'd ever met - people said he looked like James Hunt, the English racecar driver. He was like Billy Budd. He was from Germany and had been a cowboy in Wyoming. Then there was Elford Elliot from England, who had something to do with producing garden gnomes. He was tripping on acid all the time and going out to Delos, this little island off Mykonos, chipping little pieces off the ancient ruins, which he then brought back in the pocket of his jumpsuit. Then there was Bryan, an IBM operator from Australia, who fancied himself as a kind of Oscar Wilde figure. I don't know why. The only story of his I remember was about some Australians who stole a garden gnome from the front lawn of a very elegant mansion and took it for a trip around the world. They would send postcards back to the owner saying things like, 'Having a lovely time in the Fiji Islands' and sign it, 'The Garden Gnome.' After six weeks, they brought the garden gnome back and left it on the lawn with little suitcases full of tiny clothing they'd knitted for it.

They had to ring a bell to be buzzed in to the main showroom, where a faded violet couch sat against one wall, a beat-up coffee table covered with magazines in front of it. Instruments hung from everywhere, including the ceiling: violins, violas, and cellos shone with a gorgeous luster like nothing he’d ever seen. These were the instruments of princes and kings, the violins for the best violinists in the world. On the counter rested an old-fashioned cash register. No electronics, no card reader. Behind the counter, a staircase carpeted in red damask led up into darkness. On one side of the steps hung an

On 8 September 1947, Lewis appeared on the front cover of Time magazine, which declared this “best-selling author,” who was also “the most popular lecturer in [Oxford] University,” to be “one of the most influential spokesmen for Christianity in the English-speaking world.” Screwtape had taken England and America by storm. (America, it must be recalled, had not heard Lewis’s broadcast talks on the BBC.) The opening paragraph helps capture the tone of the piece: a quirky and slightly weird Oxford academic—“a short, thickset man with a ruddy face and a big voice”—unexpectedly hits the big time.[524] Were there more bestsellers on the way? Time cautioned its excited readers that they would just have to wait: “He has no immediate plans for further ‘popular’ books, fantastic or theological.” The Time article of 1947 can be seen as a tipping point—both signaling Lewis’s arrival on the broader cultural scene, and extending his reach by drawing wider attention to his works.

looked at it a dozen times since it landed on the doormat. An elderly white woman with her arm around a beautiful black girl. The magazine has put us on its front cover with the line: “Mixed Blessings—Rhiannon’s White Family.” The article is to help publicize her new show. I understand that, of course, but I was worried when she told me about it. Afraid of what she would say about me. She knows only the bare bones of what happened because I didn’t want to tell

From the same Badiou piece: Strange is the rage reserved by so many feminist ladies for the few girls wearing the hijab. They have begged poor president Chirac… to crack down on them in the name of the Law. Meanwhile the prostituted female body is everywhere. The most humiliating pornography is universally sold. Advice on sexually exposing bodies lavishes teen magazines day in and day out. A single explanation: a girl must show what she’s got to sell. She’s got to show her goods. She’s got to indicate that, henceforth, the circulation of women abides by the generalized model, and not by restricted exchange. Too bad for bearded fathers and elder brothers! Long live the planetary market! The generalized model is the top fashion model. It used to be taken for granted that an intangible female right is to only have to get undressed in front of the person of her choosing. But no. It is vital to hint at undressing at every instant. Whoever covers up what she puts on the market is not a loyal merchant. Let’s argue the following, then, a pretty strange point: the law on the hijab is a pure capitalist law. It orders femininity to be exposed. In other words, having the female body circulate according to the market paradigm is obligatory. For teenagers, i.e. the teeming center of the entire subjective universe, the law bans any holding back.16

Piers Morgan Piers Morgan is a British journalist best known for his editorial work for the Daily Mirror from 1995 through 2004. He is also a successful author and television personality whose recent credits include a recurring role as a judge on NBC’s America’s Got Talent. A controversial member of the tabloid press during Diana’s lifetime, Piers Morgan established a uniquely close relationship with the Princess during the 1990s. Lunch with Diana. A big day--a massive, humongous day, in fact. I got there ten minutes early, feeling decidedly nervous. The Kensington Palace front door was opened by her beaming butler. He walked me up the stairs, chatting cheerfully about the weather and my journey, as if a tabloid editor prowling around Diana’s home was a perfectly normal occurrence. He said that the “Boss” was running a bit late, joking that “she’ll be furious you are here first!” and invited me to have a drink. “What does she have?” I asked. “Water, usually,” he replied, “but wouldn’t you rather have a nice glass of wine? She won’t mind in the slightest.” I readily agreed, if only to calm my racing heartbeat. He then left me alone in the suitably regal sitting room. Diana had a perfectly normal piano covered in perfectly normal family snaps. It’s just that this family was the most photographed on the planet. Lots of pictures of her boys, the young heirs, perhaps the men who will kill off, or secure, the very future of the monarchy. To us, they were just soap opera stars, semi-real figments of tabloid headlines and the occasional palace balcony wave. But here they were, her boys, in picture frames, like any other adored sons. Just sitting in her private room was fascinating. Her magazines lay on the table, from Vogue to Hello, as well as her newspapers--the Daily Mail at the top of the pile, obviously, if distressingly. After I had spent ten minutes on my own, she swept in, gushing: “I’m so sorry to have kept you, Piers. I hope Paul has been looking after you all right.” And then came what was surely one of the most needless requests of all time: “Would you mind awfully if William joins us for lunch? He’s on an exeat from Eton, and I just thought that given you are a bit younger than most editors, it might be good for both of you to get to know each other.” “I’m sorry, but that would be terribly inconvenient,” I replied sternly. Diana blushed slightly and started a stuttering “Yes, of course, I’m so sorry…” apology, when I burst out laughing. “Yes, ma’am, I think I can stretch to allowing the future king to join us for lunch.” The absurdity of this conversation held no apparent bounds.

While reading some old articles to jog my memory for this book, I came across an article in the Chicago Sun-Times by Rick Kogan, a reporter who traveled with Styx for a few concert dates in 1979. I remember him. When we played the Long Beach Civic Center’s 12,000-seat sports arena in California, he rode in the car with JY and me as we approached the stadium. His recounting of the scene made me smile. It’s also a great snapshot of what life was like for us back in the day. The article from 1980 was called, “The Band That Styx It To ‘Em.” Here’s what he wrote: “At once, a sleek, gray Cadillac limousine glides toward the back stage area. Small groups of girls rush from under trees and other hiding places like a pack of lions attacking an antelope. They bang on the windows, try to halt the driver’s progress by standing in front of the car. They are a desperate bunch. Rain soaks their makeup and ruins their clothes. Some are crying. “Tommy, Tommmmmmmmmy! I love you!” one girl yells as she bangs against the limousine’s window. Inside the gray limousine, James Young, the tall, blond guitarist for Styx who likes to be called J.Y. looks out the window. “It sure is raining,” he says. Next to him, bass player Chuck Panozzo, finishing the last part of a cover story on Styx in a recent issue of Record World magazine, nods his head in agreement. Then he chuckles, and says, “They think you’re Tommy.” “I’m not Tommy Shaw,” J.Y. screams. “I’m Rod Stewart.” “Tommy, Tommmmmmmmmy! I love you! I love you!” the girl persists, now trying desperately to jump on the hood of the slippery auto. “Oh brother,” sighs J.Y. And the limousine rolls through the now fully raised backstage door and he hurries to get out and head for the dressing room. This scene is repeated twice, as two more limousines make their way into the stadium, five and ten minutes later. The second car carries young guitarist Tommy Shaw, drummer John Panozzo and his wife Debbie. The groupies muster their greatest energy for this car. As the youngest member of Styx and because of his good looks and flowing blond hair, Tommy Shaw is extremely popular with young girls. Some of his fans are now demonstrating their affection by covering his car with their bodies. John and Debbie Panozzo pay no attention to the frenzy. Tommy Shaw merely smiles, and shortly all of them are inside the sports arena dressing room. By the time the last and final car appears, spectacularly black in the California rain, the groupies’ enthusiasm has waned. Most of them have started tiptoeing through the puddles back to their hiding places to regroup for the band’s departure in a couple of hours.” Tommy

Wait. Your mom is Victoria Lane!?” Lucky asked. Holy shit! That’s where he knew her from. That’s why her lips looked so familiar. That’s why he’d felt like he’d looked into her eyes before. He had. “Yep.” “You were in a perfume or clothing ad with her when you were a teenager!” Lucky had ripped out every ad he’d found in magazines his senior year. He’d never particularly thought that Victoria was that hot, but when he’d seen her daughter beside her, Lucky had been one smitten kitten. In fact, Deanna had been his first and only crush. He just hadn’t known it was her. Deanna didn’t share his enthusiasm. “Yeah, I was.” “I knew you looked familiar. God, I was obsessed with you. I stole every ad I could find and I would fold it in half and pin it up on my wall so only you were showing.” Her head spun around, and she looked…mad. “No, you didn’t.” Oh well. He wasn’t about to try to dig himself out of this one. His only move was to dig in deeper. “Yes. I did. I thought you were so damn hot—” Her hand rose defensively. “Lucky, stop. I know that’s not true—” “You don’t know shit,” he snapped back, still feeling the adrenaline from earlier. His tone made him cringe, so he softened his voice. “Sorry, but you don’t.” “Whatever.” She crossed her arms in front of her. Lucky saw it for what it was: a protective stance. But he’d be damned if she was going to feel she had to protect herself from him. He would never hurt her. “Look, I’m sorry if it pisses you off that I had hundreds of pictures of you all over my wall and I used to jack it to you morning and night—” “What!?” she screeched. Glancing over, he saw the horror in her beautiful expressive eyes, but her lips were curled a little at the edges and not set in a grim expression. So he hadn’t pissed her off that bad by his oh-so-shocking admission. “Sorry to burst your bubble, but I don’t think there was a red-blooded teenage boy who wasn’t jerking it to those pictures.” He’d said it to lighten the mood, but he was getting the same feeling he’d gotten when he’d seen Casey heading towards Deanna on the dance floor. One word filled his mind. Mine. Deanna let out a harsh laugh. “Yeah, maybe, but it wasn’t me they were looking at.” Lucky took his eyes off the road just long enough to see in the set of her jaw and her protective body language that she wasn’t joking. She really believed that she wasn’t hot. Or beautiful. And her mom was. Then it hit him. She’d grown up the daughter of a supermodel and a professional baseball player. Maybe living in the shadows all of those years had caused her not to see herself for who she really was. It was time to shed some light on that subject. Instead of arguing with her, Lucky decided to enlighten her. “My favorite was the one with you wearing a white tank top and jeans. Just a tiny sliver of your stomach was showing, and I used to imagine running my finger along that area and how soft your skin would feel. I loved how that one piece of your hair fell over your shoulder. Your eyes were looking right in the camera, and your lips were so full and… I won’t even tell you what I pictured you doing with them.” Deanna sounded breathless as she said, “Oh.” “Do you believe me now?” he asked as he kept his eyes on the winding, dark highway illuminated only by his headlights. “Yes,” she said quietly. Then he felt her turn towards him, and her voice sounded lighter and hell of a lot sassier as she asked, “You know I was only thirteen when I shot that, right?” “You were what!?” Lucky’s voice rose in shock, and it took everything in his power not to swerve the truck into the other lane. Now, he was the one who didn’t believe her. “No way. There is no way you were thirteen!” “Yep. I really was. Whatever you were picturing me doi—” “Stop!” If Lucky could’ve, he would have covered his ears and said, “Na-na-na-na-na! I’m not listening to you.

They spent three more long days in the whitened mountain ash trees on the whitened bay. Tatiana baked pies in Nellie’s big kitchen. Alexander read all the papers and magazines from stem to stern and talked post-war politics to Tatiana and Jimmy, and even to indifferent Nellie. In Nellie’s potato fields, Alexander built snowmen for Anthony. After the pies were in the oven, Tatiana came out of the house and saw six snowmen arrayed like soldiers from big to little. She tutted, rolled her eyes and dragged Anthony away to fall down and make angels in the snow instead. They made thirty of them, all in a row, arrayed like soldiers. On the third night of winter, Anthony was in their bed restfully asleep, and they were wide awake. Alexander was rubbing her bare buttocks under her gown. The only window in their room was blizzarded over. She assumed the blue moon was shining beyond. His hands were becoming very insistent. Alexander moved one of the blankets onto the floor, silently; moved her onto the blanket, silently; laid her flat onto her stomach, silently, and made love to her in stealth like they were doughboys on the ground, crawling to the frontline, his belly to her back, keeping her in a straight line, completely covering her tiny frame with his body, clasping her wrists above her head with one hand. As he confined her, he was kissing her shoulders, and the back of her neck, and her jawline, and when she turned her face to him, he kissed her lips, his free hand roaming over her legs and ribs while he moved deep and slow! amazing enough by itself, but even more amazingly he turned her to him to finish, still restraining her arms above her head, and even made a brief noise not just a raw exhale at the feverish end...and then they lay still, under the blankets, and Tatiana started to cry underneath him, and he said shh, shh, come on, but didn’t instantly move off her, like usual. “I’m so afraid,” she whispered. “Of what?” “Of everything. Of you.” He said nothing. She said, “So you want to get the heck out of here?” “Oh, God. I thought you’d never ask.” “Where do you think you’re going?” Jimmy asked when he saw them packing up the next morning. “We’re leaving,” Alexander replied. “Well, you know what they say,” Jim said. “Man proposes and God disposes. The bridge over Deer Isle is iced over. Hasn’t been plowed in weeks and won’t be. Nowhere to go until the snow melts.” “And when do you think that might be?” “April,” Jimmy said, and both he and Nellie laughed. Jimmy hugged her with his one good arm and Nellie, gazing brightly at him, didn’t look as if she cared that he had just the one. Tatiana and Alexander glanced at each other. April! He said to Jim, “You know what, we’ll take our chances.” Tatiana started to speak up, started to say, “Maybe they’re right—” and Alexander fixed her with such a stare that she instantly shut up, ashamed of questioning him in front of other people, and hurried on with the packing. They said goodbye to a regretful Jimmy and Nellie, said goodbye to Stonington and took their Nomad Deluxe across Deer Isle onto the mainland. In this one instant, man disposed. The bridge had been kept clear by the snow crews on Deer Isle. Because if the bridge was iced over, no one could get any produce shipments to the people in Stonington. “What a country,” said Alexander, as he drove out onto the mainland and south.

I glanced at Aphrodite, who sat next to Hera and could have easily graced the front cover of every magazine and newspaper in the world ever. Hell, Gardeners World would have put her on the cover to sell a few copies.

Remove all the books from your bookcases. You cannot judge whether or not a book really grabs you when it’s still on the shelf. Like clothes or any other belongings, books that have been left untouched on the shelf for a long time are dormant. Or perhaps I should say they’re “invisible.” Although in plain sight, they remain unseen, just like a praying mantis still in the grass, merging with its surroundings. (Have you ever experienced that jolt of surprise when you suddenly notice it there?) If you ask yourself, “Does this spark joy?” when you are just looking at the things on your shelves or in your drawers, the question won’t mean much to you. To truly decide whether you want to keep something or to dispose of it, you must take your things out of hibernation. Even the piles of books already on the floor will be easier to assess if you move them to a different part of the floor or restack them. Just like the gentle shake we use to wake someone up, we can stimulate our belongings by physically moving them, exposing them to fresh air and making them “conscious.” While helping my clients tidy their homes or offices, I stand in front of the mound of books they have piled on the floor and clap my hands, or I gently stroke the book covers. Although my clients look at me strangely at first, they are inevitably surprised at how quickly and precisely they are able to choose after this. They can see exactly what they need and don’t need. It is much harder to choose books when they are still on the shelf, which means you will have to repeat the process later. If there are too many books to arrange on the floor all at one time, I ask my clients to divide them into four broad categories: General (books you read for pleasure) Practical (references, cookbooks, etc.) Visual (photograph collections, etc.) Magazines Once you have piled your books, take

We spend hours obsessing in front of mirrors when our ancient ancestors never in their lives saw a full image of their own reflection. We compare ourselves to digitally enhanced people on magazine covers, who in reality have no connection to our lives. We secretly eye the count of Facebook friends of people we know, convinced our own social circles must be lacking.

While Diana looked to her husband for a lead and guidance, the way the press and public reacted to the royal couple merely served to drive a wedge between them. As in Wales, the crowds complained when Prince Charles went over to their side of the street during a walkabout. Press coverage focused on the Princess; Charles was confined to a walk-on role. It was the same later that year when they visited Canada for three weeks. As a former member of his Household explained: “He never expected this kind of reaction. After all, he was the Prince of Wales. When he got out of the car people would groan. It hurt his pride and inevitably he became jealous. In the end it was rather like working for two pop stars. It was all very sad and is one reason why now they do everything separately.” In public Charles accepted the revised status quo with good grace; in private he blamed Diana. Naturally she pointed out that she never sought this adulation, quite the opposite, and was frankly horrified by media attention. Indeed, for a woman suffering from an illness directly related to self-image, her smiling face on the front cover of every newspaper and magazine did little to help.

Mum sat on the end of my bed, her hair in a shower cap. I was home sick from school and rereading old magazines. Mum looked around the room. ‘It’s a mess in here.’ ‘That’s why we made a path.’ Mum smiled and I felt amusing. ‘Instead of making a path through the shite, could you not pick up the shite?’ ‘It’s Jacinta’s stuff too.’ Pete called out something and shut the front door before Mum could respond. She shouted out anyway: ‘Bye, pet!’ She stood up and collected the clothes from the floor, sitting back down at the end of my bed to fold everything, whether it was clean or not. I continued to read a magazine and was surprised she didn’t ask me to help her fold. I worried she might tell me to do my homework or change the duvet cover. She said, ‘What was happening last night? When I came in?’ ‘What do you mean?’ ‘Come on now.’ The quiz I was reading seemed to spin on the page. ‘Nothing.’ ‘You see, if something was happening and Pete found out, do you know what he’d do?’ ‘Leave.’ ‘He’d murder someone, Dolores. So whatever didn’t happen stays between us, OK?’ ‘OK.’ ‘Are you hurt?’ ‘No.’ ‘And you understand what I’m talking about?’ ‘I think so.’ ‘I’ll talk to him.’ ‘OK.’ ‘OK. Now if you’re feeling a bit better, you can come downstairs and help me with the dinner.

I was standing in line at the grocery store. (Yes, I shop for my own groceries often.) The woman in front of me was looking at the tabloid magazine covers, then turned around and looked me straight in the eyes. There was no "OMG, Tyra, I can't believe you do your own grocery shopping!" look on her face. Instead she said, "if they're calling you fat, what am I?" And she said it through tears. That was when it hit me - - this whole incident wasn't funny, and it wasn't just about me. No pun intended, but it was bigger than me. Much bigger.

White did try his hand at a few stories outside of actual noir. At the beginning of his career, his first book appeared as a Rainbow Books digest magazine called Seven Hungry Men! in 1952. The cover featured several taboos of the time, including a shirtless black man playing with a knife, a nasty expression on his face, alone in a cabin with a haughty white women wearing a high-slitted skirt and tipping a bottle of booze. The back cover is almost equally scandalous—it shows a black and white photograph of a woman resembling the one from the front cover wearing nothing but a matching set of underwear and a wide open lacy peignoir. Shocking stuff for 1952’s America.

To this day the Reform Club still shudders at the memory of when they agreed to rent out the premises for a fashion shoot for a few hours in 1978. The following year, they were rather astonished to find that a string of nude photographs featuring a nineteen-year-old Paula Yates made the front cover, centrefold and main feature of Penthouse magazine, all making extensive use of the Reform Club’s furniture, architecture and statues.

ALL THE WHILE, we carried on with business as usual at the White House. I was tracking the situation in Libya, the war in Afghanistan, and the Greek debt crisis, which had flared up again and was once more starting to affect U.S. markets. One day, on the way back from the Situation Room, I ran into Jay Carney, who’d succeeded Robert Gibbs as my press secretary. Jay was a former journalist who’d had a front-row seat for all sorts of historic moments. He’d covered the breakup of the Soviet Union as Time magazine’s Moscow correspondent and had been on Air Force One with President Bush on the morning of 9/11. Now he was telling me he’d just spent part of his daily press briefing fielding questions about whether my birth certificate was valid.

I followed a link from Wikipedia to the Pabel Moewig Verlag website. They seem to publish popular magazines: gossip mags, astrology, crossword puzzle mags. The cover for Perry Rhodan displayed on the front of the publisher’s website, shows an attractive young woman in a metallic jacket staring up, perhaps to the stars. You can tell she is futuristic by the white lip gloss she has smeared on her lips.

Sometime in 1959 my father walked downstairs from his attic office at our house on Grove Street in Berkeley with the completed manuscript for The High Crusade. It’s not called Grove Street anymore and he and the house are both gone now, but the book remains. This rollicking romp of medieval mayhem first appeared in Analog magazine as a serial, as many SF novels did in those days. The issue with the first installment (July, 1960) had a cover by Richard Van Dongen, showing knights in chain mail standing in front of a space ship, the blurring of SF/history boundaries mimicking the blurring of the magazine’s logo as the blue letters saying Astounding receded and the bold red letters saying Analog moved forward.