Lyotard Quotes

Simplifying to the extreme, I define postmodern as incredulity toward metanarratives.

…is postmodernity the pastime of an old man who scrounges in the garbage-heap of finality looking for leftovers, who brandishes unconsciousnesses, lapses, limits, confines, goulags, parataxes, non-senses, or paradoxes, and who turns this into the glory of his novelty, into his promise of change?

I shall call modern that art which ... presents the fact that the unpresentable exists. To make visible that there is something which can be conceived and which can neither be seen nor made visible.

... In the discourse of today's financial backers of research, the only credible goal is power. Scientists, technicians, and instruments are purchased not to find truth, but to augment power.

... Desire baffles knowledge and power.

Whenever science attempts to legitimate itself, it is no longer scientific but narrative, appealing to an orienting myth that is not susceptible to scientific legitimation.

For many scientists, as Lyotard concedes, scientific knowledge is the only form of knowledge there is, but if so, how then do we understand fairy stories and law?

...The sublime feeling is not mere pleasure as taste is – it is a mixture of pleasure and pain... Confronted with objects that are too big according to their magnitude or too violent according to their power, the mind experiences its own limitations.

We all - whether naturalists, atheists, Buddhists, or Christians - see the world through the grid of an interpretive framework - and ultimately this interpretive framework is religious in nature, even if not allied with a particular institutional religion.

There are lots of things I don't understand - say, the latest debates over whether neutrinos have mass or the way that Fermat's last theorem was (apparently) proven recently. But from 50 years in this game, I have learned two things: (1) I can ask friends who work in these areas to explain it to me at a level that I can understand, and they can do so, without particular difficulty; (2) if I'm interested, I can proceed to learn more so that I will come to understand it. Now Derrida, Lacan, Lyotard, Kristeva, etc. -- even Foucault, whom I knew and liked, and who was somewhat different from the rest -- write things that I also don't understand, but (1) and (2) don't hold: no one who says they do understand can explain it to me and I haven't a clue as to how to proceed to overcome my failures. That leaves one of two possibilities: (a) some new advance in intellectual life has been made, perhaps some sudden genetic mutation, which has created a form of "theory" that is beyond quantum theory, topology, etc., in depth and profundity; or (b) ... I won't spell it out.

In his analysis of the sublime effect, Edmund Burke termed 'horror' the state of mind of a person whose participation in speech is threatened. The power which exceeds the capacity of interlocution resembles night.

We confess knowledge without certainty, truth without objectivity.

The unthought hurts because we're comfortable in what's already thought.

Madeline began hearing people saying "Derrida". She heard them saying "Lyotard" and "Foucault" and "Deleuze" and "Baudrillard". That most of these people were those she instinctually disapproved of- upper-middle-class kids who wore Doc Martens and anarchist symbols- made Madeline dubious about the value of their enthusiasm.

He was too tough to experience disappointments and resentments — negative affections. In this nihilist fin de siècle, he was affirmation. Right through to illness and death. Why did I speak of him in the past? He laughed, he is laughing, he is here. It's your sadness, idiot, he'd say.

Artists are men who want to become inhuman.

Saddam Hussein is a product of Western departments of state and big companies, just as Hitler, Mussolini, and Franco were born of the 'peace' imposed on their countries by the victors of the Great War. Saddam is such a product in an even more Flagrant and cynical way. Because the Iraqi dictatorship proceeds, as do the others, from the transfer of aporias in the capitalist system to vanquished, less developed, or simply less resistant countries.

Lyotard has described the postmodern condition succinctly as "incredulity towards metanarratives":' an attitude commendable in itself, no doubt, but also one that can easily be translated into a dogmatic metanarrative of its own. In

In 4.5 billion years there will arrive the demise of your phenomenology and your utopian politics, and there'll be no one there to toll the death knell or hear it.

Discipline is aimed at formation for a specific end, and that end is determined by our founding narrative.

Are we, intellectual sirs, not actively or passively 'producing' more and more words, more books, more articles, ceaselessly refilling the pot-boiler of speech, gorging ourselves on it rather, seizing books and 'experiences', to metamorphose them as quickly as possible into other words, plugging us in here, being plugged in there, just like Mina on her blue squared oilcloth, extending the market and the trade in words of course, but also multiplying the chances of jouissance, scraping up intensities wherever possible, and never being sufficiently dead, for we too are required to go from forty to the hundred a day, and we will never play the whore enough, we will never be dead enough

Science has always been in conflict with narratives. Judged by the yardstick of science, the majority of them prove to be fables. But to the extent that science does not restrict itself to stating useful regularities and seeks truth, it is obliged to legitimate the rules of its own game.

A new problem appears: devices that optimize the performance of the human body for the purpose of producing proof require additional expenditures. No money, no proof - and that means no verification of statements and no truth. The games of scientific language become the games of the rich, in which whoever is the wealthiest has the best chance of being right. An equation between wealth, efficiency, and truth is thus established.

The time of the photograph is [always] after. This imprecision accommodates the numerous successions, the end upon seismic end, in a time without time, un[re]countable: still. In this, it is a perfect crime, “l’anéantissement anéanti, la fin… privée d’elle-même.

…the narratives we tell to justify a single set of laws and stakes are inherently unjust.

... We are in a system that doesn't give a rap about sacredness.

The question of the relation between modernity and postmodernity revolves around the issue of 'legitimation.' Modernity, then, appeals to science to legitimate its claim - and by 'science' we simply mean the notion of a universal, autonomous reason. Science, then, is opposed to narrative, which attempts not to prove its claims but rather to proclaim them within a story.

All discourses and disciplines proceed from commitments and beliefs that are ultimately religious in nature. No scientific discourse (whether natural science or social science) simply discloses to us the facts of reality to which theology must submit; rather, every discourse is, in some sense, religious. The playing field has been leveled. Theology is most persistently postmodern when it rejects a lingering correlational false humility and instead speaks unapologetically from the the primacy of Christian revelation and the church's confessional language.

Modern life, theorists like Derrida explain, is full of atomized individuals, casting about for a center and questioning the engine of their lives. His writing is famously intricate, full of citations and abstruse terminology. Things are always already happening. But reflecting on his own relationships tended to give his thinking and writing a kind of desperate clarity. The intimacy of friendship, he wrote, lies in the sensation of recognizing oneself in the eyes of another. We continue to know our friend, even after they are no longer present to look back at us. From that very first encounter, we are always preparing for the eventuality that we might outlive them, or they us. We are already imagining how we may someday remember them. This isn’t meant to be sad. To love friendship, he writes, “one must love the future.” Writing in the wake of his colleague Jean-François Lyotard’s death, Derrida wonders, “How to leave him alone without abandoning him?” Maybe taking seriously the ideas of our departed friends represents the ultimate expression of friendship, signaling the possibility of a eulogy that doesn’t simply focus attention back on the survivor and their grief. We

Reason and power are one and the same,” Jean-François Lyotard states. Both lead to and are synonymous with “prisons, prohibitions, selection process, the public good.”[6] Postmodernism then becomes an activist strategy against the coalition of reason and power.

Worship, then, needs to be characterized by hospitality; it needs to be inviting. But at the same time, it should be inviting seekers into the church and its unique story and language. Worship should be an occasion of cross-cultural hospitality. Consider an analogy: when I travel to France, I hope to be made to feel welcome. However, I don't expect my French hosts to become Americans in order to make me feel at home. I don't expect them to start speaking English, ordering pizza, talking about the New York Yankees, and so on. Indeed, if I wanted that, I would have just stayed home! Instead, what I'm hoping for is to be welcomed into their unique French culture; that's why I've come to France in the first place. And I know that this will take some work on my part. I'm expecting things to be different; indeed, I'm looking for just this difference. So also, I think, with hospitable worship: seekers are looking for something our culture can't provide. Many don't want a religious version of what they can already get at the mall. And this is especially true of postmodern or Gen X seekers: they are looking for elements of transcendence and challenge that MTV could never give them. Rather than an MTVized version of the gospel, they are searching for the mysterious practices of the ancient gospel.

My professor, he reminded us of Kant: to think by oneself, to think in accordance with oneself. Today they say that's logocentric, not politically correct. Streams must flow in the right direction so that they may converge. Why all this cultural bustling? Just to assure oneself that everyone is speaking of the same thing. Of what? Of Otherness.

If I have so far argued that Foucault is a kind of closet liberal and thus deeply modern, I need to be equally critical of evangelical (and especially American) Christianity's modernity and its appropriation of Enlightenment notions of the autonomous self. Indeed, many otherwise orthodox Christians, who recoil at the notion of theological liberalism, have unwittingly adopted notions of freedom and autonomy that are liberal to the core. Averse to hierarchies and control, contemporary evangelicalism thrives on autonomy: the autonomy of the nondenominational church, at a macrocosmic level, and the autonomy of the individual Christian, at the microcosmic level. And it does not seem to me that the emerging church has changed much on this score; indeed, some elements of emergent spirituality are intensifications of this affirmation of autonomy and a laissez-faire attitude with respect to institutions.

By using repetition, images, and other strategies - all of which communicate truths in ways that are not cognitively or propositional - marketing forms us into the kind of persons who want to buy beer to have meaningful relationships, or to buy a car to be respected, or buy the latest thing to come along simply to satisfy the desire that has been formed and implanted in us. It is important to appreciate that these disciplinary mechanisms transmit values and truth claims, but not via propositions or cognitive means; rather, the values are transmitted more covertly...This covertness of the operation is also what makes it so powerful: the truths are inscribed in us through the powerful instruments of imagination and ritual.

By calling into question the very ideal of a universal, autonomous reason (which was, in the Enlightenment, the basis for rejecting religious thought) and further demonstrating that all knowledge is grounded in narrative or myth, Lyotard relativizes (secular) philosophy's claim to autonomy and so grants the legitimacy of a philosophy that grounds itself in Christian faith. Previously such a distinctly Christian philosophy would have been exiled from the 'pure' arena of philosophy because of its 'infection' with bias and prejudice. Lyotard's critique, however, demonstrates that no philosophy - indeed, no knowledge - is untainted by prejudice or faith commitments. In this way the playing field is leveled, and new opportunities to voice a Christian philosophy are created. Thus Lyotard's postmodern critique of metanarratives, rather than being a formidable foe of Christian faith and thought, can in fact be enlisted as an ally in the construction of a Christian philosophy.

To transform the unconscious into discourse is to bypass the dynamics, to become complicit with the whole of Western ratio, which kills art at the same time as the dream. One does not in the least break with metaphysics by placing language everywhere.

Acknowledging the interpreted status of the gospel should translate into a certain humility in our public theology. It should not, however, translate into skepticism about the truth of the Christian confession. If the interpretive status of the gospel rattles our confidence in its truth, this indicates that we remain haunted by the modern desire for objective certainty. But our confidence rests not on objectivity but rather on the convictional power of the Holy Spirit (which isn't exactly objective).

Why political intellectuals, do you incline towards the proletariat? In commiseration for what? I realize that a proletarian would hate you, you have no hatred because you are bourgeois, privileged, smooth-skinned types, but also because you dare not say that the only important thing there is to say, that one can enjoy swallowing the shit of capital, its materials, its metal bars, its polystyrene, its books, its sausage pâtés, swallowing tonnes of it till you burst – and because instead of saying this, which is also what happens in the desires of those who work with their hands, arses and heads, ah, you become a leader of men, what a leader of pimps, you lean forward and divulge: ah, but that’s alienation, it isn’t pretty, hang on, we’ll save you from it, we will work to liberate you from this wicked affection for servitude, we will give you dignity. And in this way you situate yourselves on the most despicable side, the moralistic side where you desire that our capitalized’s desire be totally ignored, brought to a standstill, you are like priests with sinners, our servile intensities frighten you, you have to tell yourselves: how they must suffer to endure that! And of course we suffer, we the capitalized, but this does not mean that we do not enjoy, nor that what you think you can offer us as a remedy – for what? – does not disgust us, even more. We abhor therapeutics and its vaseline, we prefer to burst under the quantitative excesses that you judge the most stupid. And don’t wait for our spontaneity to rise up in revolt either.

It is precisely this refusal of the Cartesian paradigm that characterizes Radical Orthodoxy, which seeks to reanimate the account of knowledge offered by Augustine and Aquinas. On this ancient-medieval-properly-postmodern model, we rightly give up pretensions to absolute knowledge or certainty, but we do not thereby give up on knowledge altogether. Rather, we can properly confess that we know God was in Christ reconciling the world to himself, but such knowledge rests on the gift of (particular, special) revelation, is not universally objective or demonstrable, and remains a matter of interpretation and perspective (with a significant appreciation for the role of the Spirit's regeneration and illumination as a condition for knowledge). We confess knowledge without certainty, truth without objectivity.

Future generations will struggle to understand how philosophical reactionaries such as Jean-François Lyotard, Richard Rorty and Foucault, working with concepts rummaged from the “basement of bourgeois thought,”27 came to exert such an unwarranted and dangerous influence in the last decades of the twentieth century and the first decade of the twenty-first. I would be very pleased if the lectures and essays in this volume that deal with philosophical issues help future scholars understand the political and social pathology of the postmodernist pandemic.

Our Christian faith - and correlatively, our account of apologetics - is tainted by modernism when we fail to appreciate the effects of sin on reason. When this is ignored, we adopt an Enlightenment optimism about the role of a supposedly neutral reason in the recognition of truth.

Postmodern science - by concerning itself with such things as undecidables, the limits of precise control, conflicts characterized by incomplete information, "fracta", catastrophes, and pragmatic paradoxes - is theorizing its own evolution as discontinuous, catastrophic, nonrectifiable, and paradoxical.

Lyotard develops and extends Weber's argument regarding the disenchantment of art to suggest the Western culture increasingly obeys an instrumental logic of performance and control, one that imposes order on the free play of the imagination and subordinates creative thought to the demands of the capitalist market. And, for Lyotard, the effects of this process are consistent with those outlined in Weber's work, namely the progressive elimination of ritual or religious forms of art, the restriction of creative forms by an instrumental (capitalist) rationality, and with this the denigration of value-rational artistic practice.

Knowledge [savoir] in general cannot be reduced to science, nor even to learning [connaissance]. Learning is the set of statements which, to the exclusion of all other statements, denote or describe objects and may be declared true or false. Science is a subset of learning. It is also composed of denotative statements, but imposes two supplementary conditions on their acceptability: the objects to which they refer must be available for repeated access, in other words, they must be accessible in explicit conditions of observation; and it must be possible to decide whether or not a given statement pertains to the language judged relevant by the experts.

Or, to put it another way, presuppositional apologetics--such as that developed by Francis Schaeffer, but also by Cornelius Van Til and, to a degree, Herman Dooeyeweerd--rejects classical apologetics precisely because presuppositionalism recognizes the truth of Derrida's claim that everything is interpretation (though I am admittedly radicalizing their intuitions).

Because of this Christian materialism, a catholic postmodernism (or postmodern catholicity) affirms sacramentality on two levels. On the one hand, it affirms a general sacramentality: the whole world has potential to function as a window to God and a means of grace from God because God himself affirms materiality as a good thing. We see this not only in creation itself but also in the reaffirmation of it in the incarnation, in which God is happy to inhabit the goodness of flesh. Furthermore, materiality receives an eschatological affirmation in our hope for the resurrection of the body. Even the future kingdom will be a material environment of sacramentality. On the other hand, when an incarnational ontology and anthropology are linked with our earlier affirmation of time and tradition, a catholic postmodernism also affirms a special sacramentality - a special presence and means of grace in the sacraments of baptism and Eucharist.

So you thereby challenge Spinozist or Nietzschean ethics, which separate movements of being-more from those of being-less, of action and reaction? - Yes , let us dread to sec the reappearance of a whole morality or politics under the cover of these dichotomies, their sages , their militants , their tribunals and their prisons . Where there is intensity, there is a labyrinth, and to fi x the meaning of the passage, of suffering or of joy, is the business of consciousnesses and their directors . It is enough for us that the bar turns in order that unpredictable spirals stream out, it is enough for us that it slows down and stops in order to engender representation and clear thought. Not good and bad intensities , then, but intensity or its decompression. And as has been said and will be said again, both dissimulated together, meaning hidden in emotion, vertigo in reason. Therefore no morality at all, rather a theatrics; no politics, rather a conspiracy.

While formally or structurally speaking, there are mechanisms of discipline operative in both the convent and the prison, in both the factory and the monastery, more specifically these disciplines and practices are aimed at very different ends. And here we must make an important distinction: we can distinguish good discipline from bad discipline by its telos, its goal or end. So the difference between the disciplines that form us into disciples of Christ and the disciplines of contemporary culture that produce consumers is precisely the goal they are aiming at. Discipline and formation are good insofar as they are directed toward the end, or telos, that is proper to human beings: to glorify God and enjoy him forever.

The church's theology bought into this ahistoricism in different ways: along a more liberal, post-Kantian trajectory, the historical particularities of Christian faith were reduced to atemporal moral teachings that were universal and unconditioned. Thus it turned out that what Jesus taught was something like Kant's categorical imperative - a universal ethics based on reason rather than a set of concrete practices related to a specific community. Liberal Christianity fostered ahistoricism by reducing Christianity to a universal, rational kernel of moral teaching. Along a more conservative, evangelical trajectory (and the Reformation is not wholly innocent here), it was recognized that Christians could not simply jettison the historical particularities of the Christian event: the birth, life, death and resurrection of Jesus Christ. However, there was still a quasi-Platonic, quasi-gnostic rejection of material history such that evangelicalism, while not devolving to a pure ahistoricism, become dominated by a modified ahistoricism we can call primitivism. Primitivism retains the most minimal commitment to God's action in history (in the life of Christ and usually in the first century of apostolic activity) and seeks to make only this first-century 'New Testament church' normative for contemporary practice. This is usually articulated by a rigid distinction between Scripture and tradition (the latter then usually castigated as 'the traditions of men' as opposed to the 'God-give' realities of Scripture). Such primitivism is thus anticreedal and anticatholic, rejecting any sense that what was unfolded by the church between the first and the twenty-first centuries is at all normative for current faith and practice (the question of the canon's formation being an interesting exception here). Ecumenical creeds and confessions - such as the Apostles' Creed or the Nicene Creed - that unite the church across time and around the globe are not 'live' in primitivist worship practices, which enforce a sense of autonomy or even isolation, while at the same time claiming a direct connection to first-century apostolic practices.

But should we accept this negative view of power? Is power all bad? Specifically, can Christians share in this devaluation of power and discipline as inherently evil? Can we who claim to be disciples - who are called and predestined to be conformed to the likeness of the Son (Rom. 8:29) - be opposed to discipline and formation as such? Can we who are called to be subject to the Lord of life really agree with the liberal Enlightenment notion of the autonomous self? Are we not above all called to subject ourselves to our Domine and conform to his image? Of course, we are called not to conform to the patterns of 'this world' (Rom. 12:2) or to our previous evil desires (1 Peter 1:14), but that is a call not to nonconformity as such but rather to an alternative conformity through a counterformation in Christ, a transformation and renewal directed toward conformity to his image. By appropriating the liberal Enlightenment notion of negative freedom and participating in its nonconformist resistance to discipline (and hence a resistance to the classical spiritual disciplines), Christians are in fact being conformed to the patterns of this world (contra Rom. 12:2).

Open the so-called body and spread out all its surfaces: not only the skin with each of its folds, wrinkles, scars, with its great velvety planes, and contiguous to that, the scalp and its mane of hair, the tender pubic fur, nipples, nails, hard transparent skin under the heel, the light frills of the eyelids, set with lashes - but open and spread, expose the labia majora, so also the labia minora with their blue network bathed in mucus, dilate the diaphragm of the anal sphincter, longitudinally cut and flatten out the black conduit of the rectum, then the colon, then the caecum, now a ribbon with its surface all striated and polluted with shit ; as though your dress maker' s scissors were opening the leg of an old pair of trousers, go on, expose the small intestines' alleged interior, the jejunum, the ileum, the duodenum, or else, at the other end, undo the mouth at its corners, pull out the tongue at its most distant roots and split it, spread out the bats' wings of the palate and its damp basements, open the trachea and make it the skeleton of a boat under construction; armed with scalpels and tweezers, dismantle and lay out the bundles and bodies of the encephalon; and then the whole network of veins and arteries, intact, on an immense mattress, and then the lymphatic network, and the fine bony pieces of the wrist, the ankle, take them apart and put them end to end with all the layers of nerve tissue which surround the aqueous humours and the cavernous body of the penis, and extract the great muscles, the great dorsal nets, spread them out like smooth sleeping dolphins. Work as the sun does when you're sunbathing or taking grass.

jSimplifying to the extreme, I define postmodern as incredulity toward metanarratives.

I define postmodern as incredulity toward meta-narratives

The nineteenth and twentieth centuries have given us as much terror as we can take. We have paid a high enough price for the nostalgia of the whole and the one, for the reconciliation of the concept and the sensible, of the transparent and the communicable experience. Under the general demand for slackening and for appeasement, we can hear the mutterings of the desire for a return of terror, for the realization of the fantasy to seize reality. The answer is: let us wage a war on totality; let us be witnesses to the unpresentable; let us activate the differences.

The postmodern approach to social critique is to make their ideas intangible, because then they’re unfalsifiable—that is, they can’t be disproved. Due to postmodernism’s rejection of objective truth and reason, it can’t be argued with. The postmodern perception, Lyotard writes, makes no claim to be true: “Our hypothesis … should not be accorded predictive value in relation to reality, but strategic value in relation to the question raised.” Postmodern Theory seeks to be strategically useful in bringing about its own aims, not factually true about reality.

The postmodern approach to ethically driven social critique is intangible and unfalsifiable. As the idea of radical skepticism shows, postmodern thought relies upon Theoretical principles and ways of seeing the world, rather than truth claims. Because of its rejection of objective truth and reason, postmodernism refuses to substantiate itself and cannot, therefore, be argued with. The postmodern perception, Lyotard writes, makes no claim to be true: “Our hypotheses, therefore, should not be accorded predictive value in relation to reality, but strategic value in relation to the question raised.”33 In other words, postmodern Theory seeks not to be factually true but to be strategically useful: in order to bring about its own aims, morally virtuous and politically useful by its own definitions. This generalized skepticism about the objectivity of truth and knowledge—and commitment to regarding both as culturally constructed—leads to a preoccupation with four main themes: the blurring of boundaries, the power of language, cultural relativism, and the loss of the individual and the universal in favor of group identity.

In France, Cornelius Castoriadis, Claude Lefort and Jean-François Lyotard left to form Socialisme ou Barbarie, which soon had an energetic presence in Britain as well. SouB, as it was known, envisaged the totalitarian bureaucratic society as a universal threat very much in the same way as Orwell did in 1984.

stories have great social binding power; they make communities out of otherwise disparate bunches of people.[28] The result is that though in postmodernism there is an “incredulity toward metanarratives” (Lyotard), in every culture there is a sufficiently agreed upon story that acts as a metanarrative. So much is this so that these stories, acting as metanarratives, mask a play for power by those in any society who control the details and the propagation of the story.

This is a postmodern characteristic because the process by which the coexistence of countless smaller standards replace the loss of the singular and vast social standard corresponds precisely to the “decline of the grand narrative”4 first identified by the French philosopher Jean-François Lyotard.

Another, more recent, progenitor of postmodernism was philosopher Jean-François Lyotard (1924–1998). Lyotard argues that we should reject all “metanarratives.” A “metanarrative” is any attempt to establish an absolute standard for any value or ideal—truth, rationality, goodness, or justice, for instance. Instead, we must recognize that there is an irreducible plurality of incommensurable narratives, each encompassing its own criteria for goodness, truth, and so on. Lyotard expressed these views most influentially in his work The Postmodern Condition: A Report on Knowledge (1979).

Are we, intellectual sirs, not actively or passively 'producing' more and more words, more books, more articles, ceaselessly refilling the pot-boiler of speech, gorging ourselves on it rather, seizing books and 'experiences', to metamorphose them as quickly as possible into other words, plugging us in here, being plugged in there, just like Mina on her blue squared oilcloth, extending the market and the trade in words of course, but also multiplying the chances of jouissance, scraping up intensities wherever possible, and never being sufficiently dead, for we too are required to go from forty to the hundred a day, and we will never play the whore enough, we will never be dead enough

In The Inhuman... Lyotard, like Weber, reminds us of the distinction between technological development and 'human' progress. He argues, in particular, that the development of technology, or 'techno-science', is driven by the quest for maximum efficiency and performance, and as such leads to the emergence of new 'inhuman' (technological) forms of control rather than to the emancipation of 'humanity'. Lyotard reasserts the instrumental nature of the modern system, arguing that 'All technology ... is an artefact allowing its users to stock more information, to improve their competence and optimize their performances'. In this view, techno-science may be seen to stand against all instances of the unknown, including the aporia of the future anterior, and thus to have little respect for forms which are different or other to itself. This is compounded by the fact that technological development is intimately connected to the drive for profit. Lyotard proposes that this directs the production of knowledge and conditions the nature of knowledge itself, for information, itself a commodity, is increasingly produced in differentiated, digestible forms ('bits') for ease of mass exchange, transmission and consumption, and with the aim of enabling the optimal performance of the global system.

... Lyotard suggests that while discourse operates as a system of representation which defines meanings according to their relation to other concepts in that system, figure is the realm of the singular, of that which refuses to, or simply cannot, be captured and systematized by the concept.

Derrida. Deconstruction’s claim that there is “nothing outside the text” [il n’y a pas de hors-texte] can be considered a radical translation of the Reformation principle sola scrip-tura. In particular, Derrida’s insight should push us to recover two key emphases of the church: (a) the centrality of Scripture for mediating our understanding of the world as a whole and (b) the role of community in the interpretation of Scripture.

Lyotard. The assertion that postmodernity is “incredulity toward metanarratives” is ultimately a claim to be affirmed by the church, pushing us to recover (a) the narrative character of Christian faith, rather than understanding it as a collection of ideas, and (b) the confessional nature of our narrative and the way in which we find ourselves in a world of competing narratives.

Foucault. The seemingly disturbing, even Nietzschean claim that “power is knowledge” should push us to realize what MTV learned long ago: (a) the cultural power of formation and discipline, and hence (b) the necessity of the church to enact counterformation by counterdisciplines. In other words, we need to think about discipline as a creational structure that needs proper direction. Foucault has something to tell us about what it means to be a disciple.

the postmodern critique is not aimed at metanarratives because they are really grounded in narratives; on the contrary, the problem with metanarratives is that they do not own up to their own mythic ground.

classical apologetics operates with a very modern notion of reason; “presuppositional” apologetics, on the other hand, is postmodern (and Augustinian!) insofar as it recognizes the role of presuppositions in both what counts as truth and what is recognized as true.

research suggests that in areas near the U.S.-Mexico border, only one-tenth of paid domestic labor is on the books. The BLS puts the yearly average housekeeping wage at $19,570, which is both below the poverty line for a family of three and no doubt inflated by underreporting. Domestic workers without immigration papers not only lack the so-called protection of the law; they’re constantly vulnerable to deportation. So much for Lyotard’s “doing away with all privileges of place.” As Evan Calder Williams writes, “the days and bodies of humans are still far cheaper than any automation, provided money knows where to look. And it always has.” White supremacy and the gender division aren’t archaisms that capital will puree into a flow of neutered beige singularities; they’re labor relations, and integral ones.

[Concerning Lyotard's ideology:]... Theory ought to be recognized as part of the problem, not as a potential solution.

Lyotard addresses... in Postmodern Fables... [that] ideas of difference, alterity and multiculturalism have become nothing more than streams of cultural capital, streams which themselves fashion, and are fashioned by, the demands of the global market. Hence, the following irony: 'What cultural capitalism has found is the marketplace of singularities'. The result of this discovery, which even reduces the 'postmodern' celebration of difference or otherness to a marketable strategy, is that ideas are stripped of their intrinsic value (value-rationality) and are judged by their value as commodities. This leads to the production of thought that is itself devoid of difference, for streams of cultural capital 'must all go in the right direction' and 'must converge'. Global capitalism, while appearing to affirm the potentiality of cultural differentiation, in fact subordinates difference and alterity to an instrumental logic of exchange, performance and control.

For Lyotard, metanarratives are a distinctly modern phenomenon: they are stories that not only tell a grand story (since even premodern and tribal stories do this) but also claim to be able to legitimate or prove the story's claim by an appeal to universal reason...It is the supposed rationality of modern scientistic stories about the world that makes them a metanarrative.

The crucial question, therefore, is not how to accomplish the final reconciliation. That messianic problem ought not to be taken out of God's hands. The only thing worse than the failure of some modern grand narratives of emancipation would have been their success! Merely by trying to accomplish the messianic task, the have already done too much of the work of the antichrist. In demasking anti-messianic projects that offer universal salvation, Lyotard helps us ask the right kind of question, which is not how to achieve the final reconciliation, but what resources we need to live in peace in the absence of the final reconciliation.

Because of its rejection of objective truth and reason, postmodernism refuses to substantiate itself and cannot, therefore, be argued with. The postmodern perception, Lyotard writes, makes no claim to be true:

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the late 1960s are key, since they witnessed the emergence of French social Theorists such as Michel Foucault, Jacques Derrida, and Jean-François Lyotard, who were the original architects of what later came to be known simply as “Theory.

Lyotard rejected what he called the defining narratives of modern white Western culture, and announced the postmodern age. The postmodern era was to be a time when we could do away with the ideologies upon which modern culture had relied: religious, political, economic, familial, scientific, and others. These ideologies were exposed as so many fables we had created to comfort ourselves or oppress others.

Jennings cites Jean-François Lyotard: “Contemporary society no longer speaks of fraternity at all, whether Christian or republican. It only speaks of the sharing of the wealth and benefits of ‘development.’ Anything is permissible, within the limits of what is defined as distributive justice. We owe nothing other than services, and only among ourselves. We are socioeconomic partners in a very large business, that of development.”8 A just and rightly ordered desire to be emancipated from oppression becomes an overwrought penchant to be liberated from every other, from the obligations of human community, from anything that impinges on the project of what David Brooks calls “The Big Me.”9

The postmodern approach to ethically driven social critique is intangible and unfalsifiable. As the idea of radical skepticism shows, postmodern thought relies upon Theoretical principles and ways of seeing the world, rather than truth claims. Because of its rejection of objective truth and reason, postmodernism refuses to substantiate itself and cannot, therefore, be argued with. The postmodern perception, Lyotard writes, makes no claim to be true: “Our hypotheses, therefore, should not be accorded predictive value in relation to reality, but strategic value in relation to the question raised.”33 In other words, postmodern Theory seeks not to be factually true but to be strategically useful: in order to bring about its own aims, morally virtuous and politically useful by its own definitions.

La sustitución de la historia por la ontología fue, sin embargo, una estación de tránsito: al cabo de pocos años, Lyotard se había pasado a la astrofísica.

El motor último del capitalismo no es, por tanto, la sed de ganancia ni ningún otro deseo humano, sino el desarrollo en cuanto entropía negativa. "El desarrollo no es un invento de los seres humanos. Los seres humanos son un invento del desarrollo" [Lyotard "Une fable postmoderne", en Moralités postmodernes pp. 86-87]

Downstairs I left a candle burning In its light I'll read a few lines when I return By the time I returned the candle had burned out Those few lines had faded like innocence You walk with me The way moon walks along with a child sitting in a train window I stood in the balcony one day Waved a handkerchief toward the sky Those who have gone without saying their goodbyes Will recognize it even from far In my handkerchief they have left behind their tears The way early humans left behind their etchings on cave walls Lyotard said, every sentence is a now No. Actually it's a memory of now Every memory is a poem In our books, the count of the unwritten poems is so much more - Geet Chaturvedi Translated by Anita Gopalan

Lyotard remarked that post-Modern artists often function as philosophers. They may deal with issues of metaphysics, epistemology, and ethics, as many influential critics today approach art through philosophy.