Juggling Too Many Things Quotes

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I glimpsed a huge beyond when I became a mother, the enormity of an abyss or the opposite of an abyss, the idea of complete fullness, the anti-death, tiny gods everywhere. But now all the world wants to hear of me is how I juggle children and career, how I manage to get the kids to eat their veggies, how I lost the weight. I will never lose this weight. When one encounters a mother doing too many things perfectly, smiling as if it is all so easy, so natural, we should feel a civic responsibility to slap her hard across the face, to scream the word Stop! Stop! So many times the woman begins to chant or whimper the word along with us. Once she has been broken, take her in your arms until the trembling and self-hatred leave her body. It is our duty. I used to think it was motherhood that loosens a woman’s grasp on sanity. Now I see it is the surplus and affluence of America. Plus something else, something toxic, leaking poison, fear. Something we can’t yet see.
Samantha Hunt (The Dark Dark)
Now imagine that we offer you a highly subsidized daycare program. What exactly are you getting for it? Surely, we are saving you time shuttling your kids back and forth. We might be saving you money as well...But we would be giving you something else, even more precious. Something you could spend on many things. We would be giving you back all that mental bandwidth that you currently use to fret, worry, and juggle these arrangements. We'd be taking a cognitive load off. As we've seen, this would help your executive control, your self-control more broadly, even your parenting. It would increase your general cognitive capacity, your ability to focus, the quality of your work, or whatever else you chose to turn your mind to. From this perspective, help with child care is much more than that. It is a way to build human capital of the deepest kind: it creates bandwidth.
Eldar Shafir (Scarcity: Why Having Too Little Means So Much)
Graegar told me that any power expended to Change What Was could alert the enemy to my presence, so I held that in reserve and tried a different tactic. I didn't know I could do it until I was forced to do it, either. I placed Kathleen Rome in a short, temporary stasis too many times to count so the surgeon and his staff could save her life. I had to do it remotely, too, as my physical body sat in a cold waiting room, seemingly anticipating an update on Kathleen's condition. The poor girl who got burned was dying, too. Should I save her if I could? It was her fault she'd been injured, but then people make dumb mistakes all the time. I learned that I could juggle several balls at once. Between Kathleen's stasis treatment, I bent power similar to that of a Larentii toward a burned girl in another hospital, repairing charred and damaged tissue. I did what I considered the important things first, lessening the injury and giving her a fighting chance before going back to Kathleen and what she needed to survive. Yes, I'd expended power to save four million people. I was still weary and in need of rest from that. Graegar had said it would take weeks to recuperate; I'd taken only a few days. By the time I knew the burned girl would live and Kathleen would survive and have no lasting damage to her heart, I was worn out. The sun dipped below the horizon when I rose to lean against the window frame and stare out at the Pacific in the distance.
Connie Suttle (Blood Trouble (God Wars, #2))
Until this night, this awful night, he’d had a little joke about himself. He didn’t know who he was, or where he’d come from, but he knew what he liked. And what he liked was all around him-the flower stands on the corners, the big steel and glass buildings filled with milky evening light, the trees, of course, the grass beneath his feet. And the telephones-it didn’t matter. He liked to figure them out, master them, then crush them into tiny hard multicolored balls which he could then juggle or toss through plate glass windows when nobody was about. He liked piano music, the motion pictures, and the poems he found in books. He also liked the automobiles that burnt oil from the earth like lamps. And the great jet planes that flew on the same scientific principles, above the clouds. He always stopped and listened to the people laughing and talking up there when one of the people laughing and talking up there when one of the planes flew overhead. Driving was an extraordinary pleasure. In a silver Mercedes-Benz, he had sped on smooth empty roads from Rome to Florence to Venice in one night. He also liked television-the entire electric process of it, with tiny bits of lights. How soothing it was to have the company of the television, the intimacy with so many artfully painted faces speaking to you in friendship from the glowing screen. The rock and roll, he liked that too. He liked the music. He liked the Vampire Lestat singing “Requiem for the Marquise”. He didn’t pay attention to the words much. It was the melancholy and the dark undertone of drums and cymbals. Made him want to dance. He liked the giant yellow machines that dug into the earth late at night in the big cities with men in uniforms, crawling all over them; he liked the double-decker buses of London, and the people-the clever mortals everywhere-he liked, too, of course. He liked walking in Damascus during the evening, and seeing in sudden flashes of disconnected memory the city of the ancients. Romans, Greeks, Persians, Egyptians in these streets. He liked the libraries where he could find photographs of ancient monuments in big smooth good-smelling books. He took his own photographs of the new cities around him and sometimes he could put images on those pictures which came from his thoughts. For example, in his photograph of Rome there were Roman people in tunics and sandals superimposed upon the modern versions in their thick ungraceful clothes. Oh, yes, much to like around him always-the violin music of Bartók, little girls in snow white dresses coming out of the church at midnight having sung at the Christmas mass. He liked the blood of his victims too, of course. That went without saying. It was no part of his little joke. Death was not funny to him. He stalked his prey in silence; he didn’t want to know his victims. All a mortal had to do was speak to him and he was turned away. Not proper, as he saw it, to talk to these sweet, soft-eyed things and then gobble their blood, break their bones and lick the marrow, squeeze their limbs to dripping pulp. And that was the way he feasted now, so violently. He felt no great need for blood anymore; but he wanted it. And the desire overpowered him in all its ravening purity, quite apart from the thirst. He could have feasted upon three or four mortals a night.
Anne Rice (The Queen of the Damned (The Vampire Chronicles, #3))