Slightly Cynical Quotes

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Piers took a leisurely look at Linnet. There was the beauty, sure enough. But it didn't detract from the intelligence in her eyes. And in his opinion the slightly cynical lilt in her voice just made her all the more beautiful, as if Aphrodite had been crossed with Athena.
Eloisa James (When Beauty Tamed the Beast (Fairy Tales, #2))
His mouth said: "Would you like to have dinner tonight?" For just the skin of a second, Miss Dearheart was surprised, but not half as surprised as Moist. Then her natural cynicism reinflated. "I like to have dinner every night. With you? No. I have things to do. Thank you for asking." "No problem," said Moist, slightly relieved.
Terry Pratchett (Going Postal (Discworld, #33; Moist von Lipwig, #1))
Must love decorating for holidays, mischief, kissing in cars, and wind chimes. No specific height, weight, hair color, or political affiliation required but would prefer a warm spirited non racist. Cynics, critics, pessimists, and “stick in the muds” need not apply. Voluptuous figures a plus. Any similarity in look, mind set, or fashion sense to Mary Poppins, Claire Huxtable, Snow White, or Elvira wholeheartedly welcomed. I am dubious of actresses, fellons and lesbians but dont want to rule them out entirely. Must be tolerant of whistling, tickle torture, James Taylor, and sleeping late. I have a slight limp, eerily soft hands, and a preternatural love of autumn. I once misinterpreted being called a coal-eyed dandy as a compliment when it was intended as an insult. I wiggle my feet in my sleep, am scared of the dark, and think the Muppets Christmas Carol is one of the greatest films of all time. All I want is butterfly kisses in the morning, peanut butter sandwiches shaped like a heart, and to make you smile until it hurts.
Matthew Grey Gubler
This gave rise to another of Kornblum’s impromptu and slightly cynical maxims. “People notice only what you tell them to notice,” he said. “And then only if you remind them.
Michael Chabon (The Amazing Adventures of Kavalier & Clay)
The man was of fine figure, swarthy, and stern in aspect; and he showed in profile a facial angle so slightly inclined as to be almost perpendicular. He wore a short jacket of brown corduroy, newer than the remainder of his suit, which was a fustian waistcoat with white horn buttons, breeches of the same, tanned leggings, and a straw hat overlaid with black glazed canvas. At his back he carried by a looped strap a rush basket, from which protruded at one end the crutch of a hay-knife, a wimble for hay-bonds being also visible in the aperture. His measured, springless walk was the walk of the skilled countryman as distinct from the desultory shamble of the general labourer; while in the turn and plant of each foot there was, further, a dogged and cynical indifference personal to himself, showing its presence even in the regularly interchanging fustian folds, now in the left leg, now in the right, as he paced along.
Thomas Hardy (The Mayor of Casterbridge)
At my age one's seldom amazed," he said, smiling. "Marriage is too absurd in any case. It begins and continues for such very slight reasons. The social business props it up on one side, and the theological business on the other, but neither of them are marriage, are they? I've friends who can't remember why they married, no more can their wives. I suspect that it mostly happens haphazard, though afterwards various noble reasons are invented. About marriage I am cynical.
E.M. Forster (A Passage to India)
I felt slightl superior to student politics, for instance. I had no reason to think this, but I thought of myself as slightly more seasoned. I became quite cynical talking to my student friends.
Kazuo Ishiguro
After that, we weren't the same anymore. We'd become men. Disillusioned and cynical. Slightly bitter too. We had nothing. We hadn't even learned a trade. No future. Nothing but life. But life without a future is worse than no life at all.
Jean-Claude Izzo (Total Chaos (Marseilles Trilogy, #1))
It may be that you, my dear X, recognise something of yourself in these instances; a disposition to resistance, however slight, against arbitrary authority or witless mass opinion, or a thrill of recognition when you encounter some well-wrought phrase from a free intelligence. If so, let us continue to correspond so that I may draw from your experience even as you flatter me by asking to draw upon mine. For the moment, do bear in mind that the cynics have a point, of a sort, when they speak of the “professional nay-sayer.” To be in opposition is not to be a nihilist. And there is no decent or charted way of making a living at it. It is something you are, and not something you do.
Christopher Hitchens (Letters to a Young Contrarian)
. . . When is the right time to give up on people's general ability to understand any slightly complicated statement that they don't agree with? When do you declare that the political process, or the press, no longer has the power to facilitate comprehension? When is the right time to act from skepticism and cynicism, rather than from faith in a society you have always believed in.
Andrew G. McCabe (The Threat: How the FBI Protects America in the Age of Terror and Trump)
But in an age of selfishness and cynicism, when empathy and generosity seem to be in short supply, it’s enough in the real world just to be a good guy, someone who doesn’t battle supervillains but who simply goes out of his or her way to make the world a slightly more decent place. Superheroes take the good and bad we can do and just magnify it to larger-than-life perspectives. Still, we find inspiration in them, just like we have since storytelling began.
Liesa Mignogna (Last Night, a Superhero Saved My Life: Neil Gaiman!! Jodi Picoult!! Brad Meltzer!! . . . and an All-Star Roster on the Caped Crusaders That Changed Their Lives)
We were always looking for the perfect man. Even those of us who were not signed up for the traditional, heteronormative experience were nevertheless fascinated with the anthropological, unicorn-like search for one. Married or single, we were either searching for him or trying to mold him from one we already had. This perfect specimen would consist of the following essential attributes: He shared his food and always ordered dessert. When we recommended a book, he bought it without needing a friend to second our suggestion first. He knew how to pack a diaper bag without being told. He was a Southern gentleman with a mother from the East Coast who fostered his quietly progressive sensibilities. He said “I love you” after 2.5 months. He didn’t get drunk. He knew how to do taxes. He never questioned our feminist ideals when we refused to squish bugs or change oil. He didn’t sit down to put on his shoes. He had enough money for retirement. He wished vehemently for male-hormonal birth control. He had a slight unease with the concept of women’s shaved vaginas, but not enough to take a stance one way or another. He thought Mindy Kaling was funny. He liked throw pillows. He didn’t care if we made more money than him. He liked women his own age. We were reasonable and irrational, cynical and naïve, but always, always on the hunt. Of course, this story isn’t about perfect men, but Ardie Valdez unfortunately didn’t know that yet when, the day after Desmond’s untimely death, Ardie’s phone lit up: a notification from her dating app.
Chandler Baker (Whisper Network)
Part of what kept him standing in the restive group of men awaiting authorization to enter the airport was a kind of paralysis that resulted from Sylvanshine’s reflecting on the logistics of getting to the Peoria 047 REC—the issue of whether the REC sent a van for transfers or whether Sylvanshine would have to take a cab from the little airport had not been conclusively resolved—and then how to arrive and check in and where to store his three bags while he checked in and filled out his arrival and Post-code payroll and withholding forms and orientational materials then somehow get directions and proceed to the apartment that Systems had rented for him at government rates and get there in time to find someplace to eat that was either in walking distance or would require getting another cab—except the telephone in the alleged apartment wasn’t connected yet and he considered the prospects of being able to hail a cab from outside an apartment complex were at best iffy, and if he told the original cab he’d taken to the apartment to wait for him, there would be difficulties because how exactly would he reassure the cabbie that he really was coming right back out after dropping his bags and doing a quick spot check of the apartment’s condition and suitability instead of it being a ruse designed to defraud the driver of his fare, Sylvanshine ducking out the back of the Angler’s Cove apartment complex or even conceivably barricading himself in the apartment and not responding to the driver’s knock, or his ring if the apartment had a doorbell, which his and Reynolds’s current apartment in Martinsburg most assuredly did not, or the driver’s queries/threats through the apartment door, a scam that resided in Claude Sylvanshine’s awareness only because a number of independent Philadelphia commercial carriage operators had proposed heavy Schedule C losses under the proviso ‘Losses Through Theft of Service’ and detailed this type of scam as prevalent on the poorly typed or sometimes even handwritten attachments required to explain unusual or specific C-deductions like this, whereas were Sylvanshine to pay the fare and the tip and perhaps even a certain amount in advance on account so as to help assure the driver of his honorable intentions re the second leg of the sojourn there was no tangible guarantee that the average taxi driver—a cynical and ethically marginal species, hustlers, as even their smudged returns’ very low tip-income-vs.-number-of-fares-in-an-average-shift ratios in Philly had indicated—wouldn’t simply speed away with Sylvanshine’s money, creating enormous hassles in terms of filling out the internal forms for getting a percentage of his travel per diem reimbursed and also leaving Sylvanshine alone, famished (he was unable to eat before travel), phoneless, devoid of Reynolds’s counsel and logistical savvy in the sterile new unfurnished apartment, his stomach roiling in on itself in such a way that it would be all Sylvanshine could do to unpack in any kind of half-organized fashion and get to sleep on the nylon travel pallet on the unfinished floor in the possible presence of exotic Midwest bugs, to say nothing of putting in the hour of CPA exam review he’d promised himself this morning when he’d overslept slightly and then encountered last-minute packing problems that had canceled out the firmly scheduled hour of morning CPA review before one of the unmarked Systems vans arrived to take him and his bags out through Harpers Ferry and Ball’s Bluff to the airport, to say even less about any kind of systematic organization and mastery of the voluminous Post, Duty, Personnel, and Systems Protocols materials he should be receiving promptly after check-in and forms processing at the Post, which any reasonable Personnel Director would expect a new examiner to have thoroughly internalized before reporting for the first actual day interacting with REC examiners, and which there was no way in any real world that Sylvanshine could expect
David Foster Wallace (The Pale King)
It is not the critic who counts; not the man who points out how the strong man stumbles, or where the doer of deeds could have done them better. The credit belongs to the man who is actually in the arena, whose face in marred by dust and sweat and blood; who strives valiantly; who errs, who comes short again and again, because there is no effort without error and shortcoming; but who does actually strive to do the deeds; who knows great enthusiasms, the great devotions; who spends himself in a worthy cause; who at the best knows in the end the triumph of high achievement, and who at the worst, if he fails, at least fails while daring greatly, so that his place shall never be with those cold and timid souls who neither know victory nor defeat. Shame on the man of cultivated taste who permits refinement to develop into fastidiousness that unfits him for doing the rough work of a workaday world. Among the free peoples who govern themselves there is but a small field of usefulness open for the men of cloistered life who shrink from contact with their fellows. Still less room is there for those who deride of slight what is done by those who actually bear the brunt of the day; nor yet for those others who always profess that they would like to take action, if only the conditions of life were not exactly what they actually are. The man who does nothing cuts the same sordid figure in the pages of history, whether he be a cynic, or fop, or voluptuary. There is little use for the being whose tepid soul knows nothing of great and generous emotion, of the high pride, the stern belief, the lofty enthusiasm, of the men who quell the storm and ride the thunder. Well for these men if they succeed; well also, though not so well, if they fail, given only that they have nobly ventured, and have put forth all their heart and strength. It is war-worn Hotspur, spent with hard fighting, he of the many errors and valiant end, over whose memory we love to linger, not over the memory of the young lord who 'but for the vile guns would have been a valiant soldier.
Theodore Roosevelt
Housman would not have appealed so deeply to the people who were young in 1920 if it had not been for another strain in him, and that was his blasphemous, antinomian, "cynical" strain. The fight that always occurs between the generations was exceptionally bitter at the end of the Great War; this was partly due to the war itself, and partly it was an indirect result of the Russian Revolution, but an intellectual struggle was in any case due at about that date. Owing probably to the ease and security of life in England, which even the war hardly disturbed, many people whose ideas were formed in the 'eighties or earlier had carried them quite unmodified into the nineteen-twenties. Meanwhile, so far as the younger generation was concerned, the official beliefs were dissolving like sand-castles. The slump in religious belief, for instance, was spectacular. For several years the old—young antagonism took on a quality of real hatred. What was left of the war generation had crept out of the massacre to find their elders still bellowing the slogans of 1914, and a slightly younger generation of boys were writhing under dirty-minded celibate schoolmasters. It was to these that Housman appealed, with his implied sexual revolt and his personal grievance against God. He was patriotic, it was true, but in a harmless old-fashioned way, to the tune of red coats and "God save the Queen" rather than steel helmets and "Hang the Kaiser." And he was satisfyingly anti-Christian—he stood for a kind of bitter, defiant paganism, a conviction that life is short and the gods are against you, which exactly fitted the prevailing mood of the young; and all in charming fragile verse that was composed almost entirely of words of one syllable.
George Orwell (All Art is Propaganda: Critical Essays)
Few things once seemed to me more frigid and far-fetched than those interpretations […] of the Song of Songs, which identify the Bridegroom with Christ and the bride with the Church. Indeed, as we read the frank erotic poetry of the latter and contrast it with the edifying headlines in our Bibles, it is easy to be moved to a smile, even a cynically knowing smile, as if the pious interpreters were feigning an absurd innocence. […] First, the language of nearly all great mystics, not even in a common tradition, some of them Pagan, some Islamic, most Christian, confronts us with evidence that the image of marriage, of sexual union, is not only profoundly natural but almost inevitable as a means of expressing the desired union between God and man. The very word ‘union’ has already entailed some such idea. Secondly, the god as bridegroom, his ‘holy marriage’ with the goddess, is a recurrent theme and a recurrent ritual in many forms of Paganism […] And if, as I believe, Christ, in transcending and thus abrogating, also fulfils, both Paganism and Judaism, then we may expect that He fulfils this side of it too. This, as well as all else, is to be ‘summed up’ in Him. Thirdly, the idea appears, in a slightly different form, within Judaism. For the mystics God is the Bridegroom of the individual soul. For the Pagans, the god is the bridegroom of the mother-goddess, the earth, but his union with her also makes fertile the whole tribe and its livestock, so that in a sense he is their bridegroom too. The Judaic conception is in some ways closer to the Pagan than to that of the mystics, for in it the Bride of God is the whole nation, Israel. This is worked out in one of the most moving and graphic chapters of the whole Old Testament (Ezek. 16). Finally, this is transferred in the Apocalypse from the old Israel to the new, and the Bride becomes the Church, ‘the whole blessed company of faithful people’. It is this which has, like the unworthy bride in Ezekiel, been rescued, washed, clothed, and married by God—a marriage like King Cophetua’s.
C.S. Lewis (Reflections on the Psalms)
She did not answer. Or, rather, she answered by sliding long fingers across Kassad’s chest, ripping away the leather thongs which bound the rough vest. Her hands found his shirt. It was soaked with blood and ripped halfway down the front. The woman ripped it open the rest of the way. She moved against him now, her fingers and lips on his chest, hips already beginning to move. Her right hand found the cords to his trouser front, ripped them free. Kassad helped her pull off the rest of his clothes, removed hers with three fluid movements. She wore nothing under her shirt and coarse-cloth trousers. Kassad’s hand slid between her thighs, behind her, cupped her moving buttocks, pulled her closer, and slid to the moist roughness in front. She opened to him, her mouth closing on his. Somehow, with all of their motion and disrobing, their skin never lost contact. Kassad felt his own excitement rubbing against the cusp of her belly. She rolled above him then, her thighs astride his hips, her gaze still locked with his. Kassad had never been so excited. He gasped as her right hand went behind her, found him, guided him into her. When he opened his eyes again she was moving slowly, her head back, eyes closed. Kassad’s hands moved up her sides to cup her perfect breasts. Nipples hardened against his palms. They made love then. Kassad, at twenty-three standard years, had been in love once and had enjoyed sex many times. He thought he knew the way and the why of it. There was nothing in his experience to that moment which he could not have described with a phrase and a laugh to his squadmates in the hold of a troop transport With the calm, sure cynicism of a twenty-three-year-old veteran he was sure that he would never experience anything that could not be so described, so dismissed. He was wrong. He could never adequately share the sense of the next few minutes with anyone else. He would never try. They made love in a sudden shaft of late October light with a carpet of leaves and clothes beneath them and a film of blood and sweat oiling the sweet friction between them. Her green eyes stared down at Kassad, widening slightly when he began moving quickly, closing at the same second he closed his. They moved together then in the sudden tide of sensation as old and inevitable as the movement of worlds: pulses racing, flesh quickening with its own moist purposes, a further, final rising together, the world receding to nothing at all—and then, still joined by touch and heartbeat and the fading thrill of passion, allowing consciousness to slide back to separate flesh while the world flowed in through forgotten senses. They lay next to each other.
Dan Simmons (The Hyperion Cantos 4-Book Bundle: Hyperion, The Fall of Hyperion, Endymion, The Rise of Endymion)
When next Eve woke, the sun was shining through the windows. She blinked and realized a large male arm was thrown across her stomach, pinning her in place. Oddly, she didn't panic. Instead she gingerly removed the arm and slowly, carefully levered herself up to peer at her sleeping bedmate. Asa Makepeace was on his back, his arms and legs spread wide and taking up most of the bed. A sunbeam struck his hair, making gold and red strands glint in the brown. Dark reddish brown hair stubbled his jaw. His lips were slightly parted and on each exhalation was the faintest suggestion of a snore. Eve smiled at the sound and reached for the small sketchbook and pencil that always sat on the table beside her bed. She settled back against the pillows and began drawing him: the slightly overlarge nose, the eyes unlined in sleep, the slack, beautiful mouth. How was it possible that this man she'd at first found merely irritating, overwhelmingly male- 'frightening'- should turn out to have so many sides to him? A lover of opera. A fighter of highwaymen. A shouter of arguments. A savior of stray dogs. Stubborn, cynical, violent, and sometimes mean. And yet a man who had tenderly shown her how to love. No one had ever cared so much for her.
Elizabeth Hoyt (Sweetest Scoundrel (Maiden Lane, #9))
may not sound like the most compassionate philosophy in the world, but let me tell you, there’s nothing compassionate about letting yourself get sucked into a vortex of negativity. The best thing I can do to serve the world around me is to keep myself in a state where I can best contribute—and I can’t do that if I’m being dragged down by an environment of cynicism and self-pitying complaint. I want to spend my time with people who have an infectiously positive attitude, who bring energy and vitality to the table, and who brighten the room. There may be some people with whom you’re now spending two days a week where you might decide you need to take that down to two hours. There may also be people with whom you’re spending only two minutes, where you’ll realize you need to spend far more time with them—two hours or two days. And you will find times when what you really need to do is simply disassociate yourself from someone. That’s a part of the Law of Association, too.
Jeff Olson (The Slight Edge: Turning Simple Disciplines into Massive Success and Happiness)
The duke was standing before the open windows…stark naked. Her lips parted, but no sound emerged, and Jules could only stare as the silvery beam from the moonlight painted itself over his body. His thighs and calves were thick and powerful, stomach and buttocks lean and delineated with muscle. Though they stood several feet apart, she was all too aware of the breadth of his shoulders, his height, and the inherent power in his body. You are so beautifully formed, Your Grace. Alarmingly, her cheeks went hot, then her throat and belly. He was so compelling she stared helplessly, absurdly grateful for the darkened room. Jules drew a soft breath, trying to calm the wild pounding of her heart. The duke tilted his head, baring to her gaze the strong column of his throat. She refused to look lower than his shoulders, not wanting to feel that baffling heat stabbing her belly. He inhaled, and it came on a soft growl when he released his breath. She bit into her lower lip, hard, for that thumping heat low in her belly responded viscerally to that low growl. The corner of the duke’s mouth curled upward and seemed mocking and cynical. Still, she was struck by the incredible sensual beauty of that small smile. Unexpectedly he turned his head and stared directly at her. Jules froze, even her breathing suspended. Though she held herself astonishingly still, her heart jerked with more erratic force. Surely he could not see her. It is impossible. Yet she felt way down inside her, every nuance of his stare. Perilous tension coated the air, and she waited for him to move closer to her, but he turned away and padded over to the bed, the darkness hiding him from her entirely. Jules could not say how long she waited, listening for sounds that he slept. It could have been a few minutes or an hour. She heard nothing, and again she couldn’t escape the feeling the duke knew someone was in the room with him. But why did he not say or do something if he suspects it? She closed her eyes and drew strength for calm, allowing that she might be panicking in vain. There was no peril, and she only had to leave his chamber without being noticed. Jules waited a few more minutes before softly moving from behind the drapes. She paused, then lowered herself to her knees and crawled on her hands and knees to the door. She almost smiled at her absurdity but marshaled her reaction and ventured forward as fast as possible. At the door, she reached up and gently eased open the latch, grateful the hallway was also dark. Perhaps if the duke was awake, he might not notice the slight opening of his door. She crawled through the small space created, and once in the hallway, she lurched to her feet and hurried toward her door.
Stacy Reid (The Wolf and the Wildflower)
Something wrong with short men, is there?” Roger inquired. “They tend to turn mean if they don’t get their way,” Claire answered. “Like small yapping dogs. Cute and fluffy, but cross them and you’re likely to get a nasty nip in the ankle.” Roger laughed. “This observation is the result of years of experience, I take it?” “Oh, yes.” She nodded, glancing up at him. “I’ve never met an orchestra conductor over five feet tall. Vicious specimens, practically all of them. But tall men”—her lips curved slightly as she surveyed his six-feet-three-inch frame—“tall men are almost always very sweet and gentle.” “Sweet, eh?” said Roger, with a cynical glance at the barman, who was cutting up a jellied eel for Brianna. Her face expressed a wary distaste, but she leaned forward, wrinkling her nose as she took the bite offered on a fork. “With women,” Claire amplified. “I’ve always thought it’s because they realize that they don’t have anything to prove; when it’s perfectly obvious that they can do anything they like whether you want them to or not, they don’t need to try to prove it.” “While a short man—” Roger prompted. “While a short one knows he can’t do anything unless you let him, and the knowledge drives him mad, so he’s always trying something on, just to prove he can.
Diana Gabaldon (Voyager (Outlander, #3))
Peace. Warm yourself, warrior, while I tell you of peace. History is unerring, and even the least observant mortal can be made to understand, through innumerable repetition. Do you see peace as little more than the absence of war? Perhaps, on a surface level, it is just that. But let me describe the characteristics of peace, my young friend. A pervasive dulling of the senses, a decadence afflicting the culture, evinced by a growing obsession with low entertainment. The virtues of extremity — honour, loyalty, sacrifice — are lifted high as shoddy icons, currency for the cheapest of labours. The longer peace lasts, the more those words are used, and the weaker they become. Sentimentality pervades daily life. All becomes a mockery of itself, and the spirit grows… restless. Is this a singular pessimism? Allow me to continue with a description of what follows a period of peace. Old warriors sit in taverns, telling tales of vigorous youth, their pasts when all things were simpler, clearer cut. They are not blind to the decay all around them, are not immune to the loss of respect for themselves, for all that they gave for their king, their land, their fellow citizens. The young must not be abandoned to forgetfulness. There are always enemies beyond the borders, and if none exist in truth, then one must be fashioned. Old crimes dug out of the indifferent earth. Slights and open insults, or the rumours thereof. A suddenly perceived threat where none existed before. The reasons matter not — what matters is that war is fashioned from peace, and once the journey is begun, an irresistible momentum is born. The old warriors are satisfied. The young are on fire with zeal. The king fears yet is relieved of domestic pressures. the army draws its oil and whetstone. Forges blast with molten iron, the anvils ring like temple bells. Grain-sellers and armourers and clothiers and horse-sellers and countless other suppliers smile with the pleasure of impending wealth. A new energy has gripped the kingdom, and those few voices raised in objection are quickly silenced. Charges of treason and summary execution soon persuade the doubters. Peace, my young warrior, is born of relief, endured in exhaustion, and dies with false remembrance. False? Ah, perhaps I am too cynical. Too old, witness to far too much. Do honour, loyalty and sacrifice truly exist? Are such virtues born only from extremity? What transforms them into empty words, words devalued by their overuse? What are the rules of the economy of the spirit, that civilization repeatedly twists and mocks? Withal of the Third City. You have fought wars. You have forged weapons. You have seen loyalty, and honour. You have seen courage and sacrifice. What say you to all this?" "Nothing," Hacking laughter. "You fear angering me, yes? No need. I give you leave to speak your mind." "I have sat in my share of taverns, in the company of fellow veterans. A select company, perhaps, not grown so blind with sentimentality as to fashion nostalgia from times of horror and terror. Did we spin out those days of our youth? No. Did we speak of war? Not if we could avoid it, and we worked hard at avoiding it." "Why?" "Why? Because the faces come back. So young, one after another. A flash of life, an eternity of death, there in our minds. Because loyalty is not to be spoken of, and honour is to be endured. Whilst courage is to be survived. Those virtues, Chained One, belong to silence." "Indeed. Yet how they proliferate in peace! Crowed again and again, as if solemn pronouncement bestows those very qualities upon the speaker. Do they not make you wince, every time you hear them? Do they not twist in your gut, grip hard your throat? Do you not feel a building rage—" "Aye. When I hear them used to raise a people once more to war.
Steven Erikson (Midnight Tides (Malazan Book of the Fallen, #5))
Cas sighed. ‘I guess,’ he shrugged. ‘Ever heard of the academic voice?’ The door opened. Jasper was dressed in stained clothes – day clothes. Gone was the robe and crusty night shirt. His bushy eyebrows shaded his milky eyes. ‘The academic voice?’ Jasper seemed to chew the bitter words. He squared his shoulders and cleared his throat. He raised his hand in front of him, moving it as he spoke as if he was conducting some invisible orchestra. ‘Hear my voice from on-high and tremble all ye oppressors of good sense and intellectual advancement. Heed my words, students: relinquish thine will and let me oppress thee instead, for he who is not under my heel cannot learn.’ His arm dropped to his side, and he seem to shrink slightly, as if elocution was the air in his lungs. ‘This voice you are looking for,’ he said quietly, ‘sounds like the slap of mortar on brick. It builds walls between those who think they know and those who thirst to know.
Marcel M. du Plessis (The Silent Symphony)
And then I forget to keep my guard up or shield myself with cynicism, because his mouth is as lush as plums, and he shifts slightly to fit us together more perfectly.
Barbara O'Neal (When We Believed in Mermaids)
After Tehran, Murrow reported that there had indeed been dissension at the conference. He criticized what he saw as the draining away of the Western Allies' principles and idealism--statements for which he was heavily criticized by sponsors and listeners. "People seem to want to be misled, want to believe that things are going to easy, that three leaders can sit down in four days and reach fundamental conclusions," he wrote a friend in New York. "Any slight effort at realism is immediately labeled weariness, cynicism and pessimism. I have been getting a lot of that from home recently.
Lynne Olson (Citizens of London: The Americans Who Stood with Britain in Its Darkest, Finest Hour)
Often when the desire for the happy-go-lucky, jovial good-fellowship of the Negroes came upon him strongly, he would go down to Auburn Avenue and stroll around the vicinity, looking at the dark folk and listening to their conversation and banter. But no one down there wanted him around. He was a white man and thus suspect. Only the black women who ran the “Call Houses” on the hill wanted his company. There was nothing left for him except the hard, materialistic, grasping, ill-bred society of the whites. Sometimes a slight feeling of regret that he had left his people forever would cross his mind, but it fled before the painful memories of past experiences in this, his home town. The unreasoning and illogical color prejudice of most of the people with whom he was forced to associate, infuriated him. He often laughed cynically when some coarse, ignorant white man voiced his opinion concerning the inferior mentality and morality of the Negroes.
George S. Schuyler (Black No More)
I should've understood that whatever we concluded about Midyear [Exam] was not going to be thoughtfully considered, but rather ground to powder for political warfare. Or should I have known that? When is the right time to give up on people's general ability to understand any slightly complicated statement that they don't agree with? When do you declare that the political process or the press no longer has the power to facilitate comprehension? When is the right time to act from skepticism and cynicism, rather than from faith in a society that you have always believed in?
Andrew G. McCabe (The Threat: How the FBI Protects America in the Age of Terror and Trump)