High Ropes Quotes

Of course I would fall for Captain Emotionally Constipated. I could train a rock to hold more affection for me.

And it was always the stories that needed the telling that gave us the rope we could cross any river with. They balanced us high above any crevasse. They made us be natural acrobats. They made us brave. They met us well. They changed us. It was in their nature to.

Non-attachment is not complacency. It doesn't imply a lack of caring and commitment. The philosophy of non-attachment is based in the understanding that holding on too tightly to those things, which in any case are always going to be slipping through our fingers, hurts and gives us rope burn.

Beautiful Hannah. If you were mine, I'd lay you on silk sheets and wrap you up in ropes of pearls, and feed you honey from a silver spoon. Of course, you wouldn't be able to make all your high-minded judgments if you were a fallen woman...but you wouldn't care. Because I would pleasure you, Hannah, every night, all night, until you forgot your own name. Until you were willing to do things that would shock you in the light of day. I would debauch you from your head down to your innocent little toes-" "Oh, I despise you...

The main hallway of the Sternwood place was two stories high. Over the entrance doors, which would have let in a troop of Indian elephants, there was a broad stained-glass panel showing a knight in dark armor rescuing a lady who was tied to a tree and didn’t have any clothes on but some very long and convenient hair. The knight had pushed the vizor of his helmet back to be sociable, and he was fiddling with the knots on the ropes that tied the lady to the tree and not getting anywhere. I stood there and thought that if I lived in the house, I would sooner or later have to climb up there and help him. He didn’t seem to be really trying.

Here you sit on your high-backed chair Wonder how the view is from there I wouldn't know 'cause I like to sit Upon the floor, yeah upon the floor If you like we could play a game Let's pretend that we are the same But you will have to look much closer Than you do, closer than you do And I'm far too tired to stay here anymore And I don't care what you think anyway 'Cause I think you were wrong about me Yeah what if you were, what if you were And what if I'm a snowstorm burning What if I'm a world unturning What if I'm an ocean, far too shallow, much too deep What if I'm the kindest demon Something you may not believe in What if I'm a siren singing gentlemen to sleep I know you've got it figured out Tell me what I am all about And I just might learn a thing or two Hundred about you, maybe about you I'm the end of your telescope I don't change just to suit your vision 'Cause I am bound by a fraying rope Around my hands, tied around my hands And you close your eyes when I say I'm breaking free And put your hands over both your ears Because you cannot stand to believe I'm not The perfect girl you thought Well what have I got to lose And what if I'm a weeping willow Laughing tears upon my pillow What if I'm a socialite who wants to be alone What if I'm a toothless leopard What if I'm a sheepless shepherd What if I'm an angel without wings to take me home You don't know me Never will, never will I'm outside your picture frame And the glass is breaking now You can't see me Never will, never will If you're never gonna see What if I'm a crowded desert Too much pain with little pleasure What if I'm the nicest place you never want to go What if I don't know who I am Will that keep us both from trying To find out and when you have Be sure to let me know What if I'm a snowstorm burning What if I'm a world unturning What if I'm an ocean, far too shallow, much too deep What if I'm the kindest demon Something you may not believe in What if I'm a siren singing gentlemen to sleep Sleep... Sleep...

I needed to wander… whenever and wherever I wanted! I’d found myself at the end of my rope as far as school was concerned; there seemed no particular reason for me to stay. The teachers didn’t want to teach, and I didn’t want to learn—from them. I wanted my education to come from living life, getting out there in the world, seeing and doing and moving amongst the other vagabonds who had had the same sneaking suspicion that I did, that there would be no great need for high-end mathematics, nope… I was not going to be doing other people’s taxes and going home at 5:37 p.m. to pat my dog’s head and sit down to my one meat and two vegetable table waiting for Jeopardy to pop on the glass tit, the Pat Sajak of my own private game show, in the bellybutton of the universe, Miramar, Florida.

Like how stars might sound. Or moons But not mountains. Too floaty for mountains. It's a sound like one planet singing to another, high stretched and full of different voices starting at different notes and sloping down to other different notes but all weaving together in a rope of sound that's sad but not sad and slow but not slow and all singing one word. One word.

If all I can say is I'm not in this swamp, I'm not in this swamp then there is not a rope in front of me and there is not an alligator behind me and there is not a girl sitting at the edge eating a hot dog and if I believe that, then dying would be the only answer because then Death couldn't come and say Peachy to me anymore and after all she has a brother who believes in hope.

As they walked, the subtle lamplight of a dirigible washed over them. Finley glanced up, watching the light grow closer, slowly descending from the sky in a whirl of propellers as the ship made its way into the London air dock just a few miles away. How amazing it must be to float so high, to travel so quickly. Dandy followed her gaze, but they didn’t stop walking. “I was up in one of them flyers once,” he told her. “I climbed over the rail and hung on to one of the ropes. Freeing it was. I almost let go.” She whipped her head around to gape at him. “The fall would kill you.” He smiled ever so slightly. “Not afore I flew. Worse ways to go.

I wanted to get out and walk eastward toward the park through the soft twilight, but each time I tried to go I became entangled in some wild, strident argument which pulled me back, as if with ropes, into my chair. Yet high over the city our line of yellow windows must have contributed their share of human secrecy to the casual watcher in the darkening streets... I saw him too, looking up and wondering. I was within and without, simultaneously enchanted and repelled by the inexhaustible variety of life

With a gentle push, and a mild arc, the old cowhide globe hits home.” Yo-yoing” Leapin’ leaner” Hippity-hop” Good if it goes!” Frozen rope” Belt-high dribble” It’s in the ol’ refrigerator.” Looking down the barrel” You gotta love it, baby!

Deep Throat stamped his foot. “A conspiracy like this . . . a conspiracy investigation . . . the rope has to tighten slowly around everyone’s neck. You build convincingly from the outer edges in, you get ten times the evidence you need against the Hunts and Liddys. They feel hopelessly finished—they may not talk right away, but the grip is on them. Then you move up and do the same thing at the next level. If you shoot too high and miss, then everybody feels more secure. Lawyers work this way. I’m sure smart reporters must, too. You

A rich man’s body is like a premium cotton pillow, white and soft and blank. Ours are different. My father’s spine was a knotted rope, the kind that women use in villages to pull water from wells; the clavicle curved around his neck in high relief, like a dog’s collar; cuts and knicks and scars, like little whip marks in his flesh, ran down his chest and waist, reaching down below his hip bones into his buttocks. The story of a poor man’s life is written on his body, in a sharp pen.

Tarinthali Ringali, I am, without regrets, your devoted servant. Your wit and intelligence stun me. Your beauty eclipses the sun itself. Your warm personality is enticing, and I highly prize your ability to disembowel anyone stupid enough to wrong you. I want to spend the rest of my life with you, and I selfishly want every part of you. It would be an honor, and my greatest desire, if you would allow me to protect, love, and serve you for the rest of our lives. And if you ever flirt with Eric or drink with another man again, I am going to slaughter them without hesitation.” “I accept. I love you, Captain Arion Herycian.” “And I love you, Tarinthali Ringali.

Deep Throat stamped his foot. “A conspiracy like this . . . a conspiracy investigation . . . the rope has to tighten slowly around everyone’s neck. You build convincingly from the outer edges in, you get ten times the evidence you need against the Hunts and Liddys. They feel hopelessly finished—they may not talk right away, but the grip is on them. Then you move up and do the same thing at the next level. If you shoot too high and miss, then everybody feels more secure. Lawyers work this way. I’m sure smart reporters must, too. You’ve put the investigation back months. It puts everyone on the defensive—editors, FBI agents, everybody has to go into a crouch after this.” Woodward swallowed hard. He deserved the lecture.

The bells gave tongue: Gaude, Sabaoth, John, Jericho, Jubilee, Dimity, Batty Thomas and Tailor Paul, rioting and exulting high up in the dark tower, wide mouths rising and falling, brazen tongues clamouring, huge wheels turning to the dance of the leaping ropes. Tin tan din dan bim bam bom bo--tan tin din dan bam bim bo bom--tan dan tin bam din bo bim bom--every bell in her place striking tuneably, hunting up, hunting down, dodging, snapping, laying her blows behind, making her thirds and fourths, working down to lead the dance again. Out over the flat, white wastes of fen, over the spear-straight, steel-dark dykes and the wind-bent, groaning poplar trees, bursting from the snow-choked louvres of the belfry, whirled away southward and westward in gusty blasts of clamour to the sleeping counties went the music of the bells--little Gaude, silver Sabaoth, strong John and Jericho, glad Jubilee, sweet Dimity and old Batty Thomas, with great Tailor Paul bawling and striding like a giant in the midst of them. Up and down went the shadows of the ringers upon the walls, up and down went the scarlet sallies flickering roofwards and floorwards, and up and down, hunting in their courses, went the bells of Fenchurch St. Paul.

Deep Throat stamped his foot. 'A conspiracy like this...a conspiracy investigation...the rope has to tighten slowly around everyone's neck. You build convincingly from the outer edges in, you get ten times the evidence you need against the Hunts and the Liddys. They feel hopelessly finished - they may not talk right away, but the grip is on them. Then you move up and do the same thing at the next level. If you shoot too high and miss, the everyone feels more secure. Lawyers work this way. I'm sure smart reporters must, too. You've put the investigation back months. It puts everyone on the defensive - editors, FBI agents, everybody has to go into a crouch after this.' Woodward swallowed hard. He deserved the lecture. -- Carl Bernstein, Bob Woodward

I’m here to take him into custody and deliver him to the Council. (Celena) Well, that sucks. Bank robbery, handing out the passwords for the Dark-Hunter Web site, carjacking, mugging, cats mixing with dogs, and now this…writing a short story. High crimes all. You get the rope and we’ll hang him for it. God forbid the whole twelve subscribers of that magazine should actually read a fictional story and think it real. (Rafael)

high ropes course,

No one wants to occupy a black hole of sadness and despair or slip on the tight rope that separates sanity from insanity, and reside in a vortex devoid of reality. I entered the world as a freeman and desire to escape a state of existential vertigo. I yearn to discover a synthesizing spirit of my being and hold my head high, free of doubt, and devoid of fear. I wish to foment the cerebral energy to stave off premature destruction and forevermore blunt an intolerable state of anguish.

The bottle of whiskey--a second one--was now in constant demand by all present, excepting Catherine who 'felt just as good on nothing at all.' Tom rang for the janitor and sent him for some celebrated sandwiches, which were a complete supper in themselves. I wanted to get out and walk eastward toward the park through the soft twilight but each time I tried to go I became entangled in some wild strident argument which pulled me back, as if with ropes, into my chair. Yet high over the city our line of yellow windows must have contributed their share of human secrecy to the casual watcher in the darkening streets, and I was him too, looking up and wondering. I was within and without, simultaneously enchanted and repelled by the inexhaustible variety of life.

Unable to swim, he had maneuvered to fall off an old-timers’ party yacht in the Hudson River. His departure was not remarked by the revelers. They motored on toward the Atlantic and he bobbed around in the wash. He couldn’t swim. But he did. He learned how. Before he knew it, he was making time and nearing the dock where a small Italian liner sat dead still, white, three stories high. Nobody was around when he pulled up on a stray rope on the wharf and walked erect to the street, where cars were flashing. Day after tomorrow was his seventieth birthday. What a past, he said. I’ve survived. Further, I’m horny and vindictive. Does the fire never stop?

Why spend your whole life on the high seas looking for treasure,' Peter asked, talking to the clouds as he scaled a rope up what remained of the half-crumbled mast, 'when you could have a promised pay check in exchange for all the life you'd live between nine-and-five.

High-voltage wires stretched between steel towers like giants holding jump ropes into the distance.

And so saw, by a trick, an angle, a flaring of torchlight far down the dark river, how the arrow—white-feathered, she would remember, white as innocence, as winter in midsummer, as death—fell from the summit of its long, high arc to take the coran in the shoulder, driving him, slack and helpless, from the rope into the river amid laughter turned to screaming in the night.

IT ALL BEGAN with the High Court case about the madman and the watermelons. The man in question, named Ivan, lived along the River Dell in an eastern section of the city near the merchant docks. To one side of his house resided a cutter and engraver of gravestones, and to the other side was a neighbor’s watermelon patch. Ivan had contrived somehow in the dark of night to replace every watermelon in the watermelon patch with a gravestone, and every gravestone in the engraver’s lot with a watermelon. He’d then shoved cryptic instructions under each neighbor’s door with the intention of setting each on a scavenger hunt to find his missing items, a move useless in one case and unnecessary in the other, as the watermelon-grower could not read and the gravestone-carver could see her gravestones from her doorstep quite plainly, planted in the watermelon patch two lots down. Both had guessed the culprit immediately, for Ivan’s antics were not uncommon. Only a month ago, Ivan had stolen a neighbor’s cow and perched her atop yet another neighbor’s candle shop, where she mooed mournfully until someone climbed the roof to milk her, and where she was compelled to live for several days, the kingdom’s most elevated and probably most mystified cow, while the few literate neighbors on the street worked through Ivan’s cryptic clues for how to build the rope and pulley device to bring her down.

An Indian told them the mountain didn’t want to be climbed—that it cut the rope itself in some mystic way, to keep from being explored—that it grudged anyone discovering its summit. And ‘Grudge Mountain’ it has been, from that day.

You should have seen him. Such a kind smile. He said you would be delighted to help me.’ ‘He did, eh?’ ‘He spoke most highly of you.’ ‘Really?’ ‘Oh, yes, he thinks a lot of you. I remember his very words. “Mr Wooster, miss,” he said, “is, perhaps, mentally somewhat negligible, but he has a heart of gold.” He said that as he was lowering me from the side of the boat by a rope, having first made sure that the coast was clear. I couldn’t dive, you see, because of the splash.

A good way to fall in love is to turn off the headlights and drive very fast down dark roads. Another way to fall in love is to say they are only mints and swallow them with a strong drink. Then it is autumn in the body. Your hands are cold. Then it is winter and we are still at war. The gold-haired girl is singing into your ear about how we live in a beautiful country. Snow sifts from the clouds into your drink. It doesn’t matter about the war. A good way to fall in love is to close up the garage and turn the engine on, then down you’ll fall through lovely mists as a body might fall early one morning from a high window into love. Love, the broken glass. Love, the scissors and the water basin. A good way to fall is with a rope to catch you. A good way is with something to drink to help you march forward. The gold-haired girl says, Don’t worry about the armies, says, We live in a time full of love. You’re thinking about this too much. Slow down. Nothing bad will happen.

BOWLS OF FOOD Moon and evening star do their slow tambourine dance to praise this universe. The purpose of every gathering is discovered: to recognize beauty and love what’s beautiful. “Once it was like that, now it’s like this,” the saying goes around town, and serious consequences too. Men and women turn their faces to the wall in grief. They lose appetite. Then they start eating the fire of pleasure, as camels chew pungent grass for the sake of their souls. Winter blocks the road. Flowers are taken prisoner underground. Then green justice tenders a spear. Go outside to the orchard. These visitors came a long way, past all the houses of the zodiac, learning Something new at each stop. And they’re here for such a short time, sitting at these tables set on the prow of the wind. Bowls of food are brought out as answers, but still no one knows the answer. Food for the soul stays secret. Body food gets put out in the open like us. Those who work at a bakery don’t know the taste of bread like the hungry beggars do. Because the beloved wants to know, unseen things become manifest. Hiding is the hidden purpose of creation: bury your seed and wait. After you die, All the thoughts you had will throng around like children. The heart is the secret inside the secret. Call the secret language, and never be sure what you conceal. It’s unsure people who get the blessing. Climbing cypress, opening rose, Nightingale song, fruit, these are inside the chill November wind. They are its secret. We climb and fall so often. Plants have an inner Being, and separate ways of talking and feeling. An ear of corn bends in thought. Tulip, so embarrassed. Pink rose deciding to open a competing store. A bunch of grapes sits with its feet stuck out. Narcissus gossiping about iris. Willow, what do you learn from running water? Humility. Red apple, what has the Friend taught you? To be sour. Peach tree, why so low? To let you reach. Look at the poplar, tall but without fruit or flower. Yes, if I had those, I’d be self-absorbed like you. I gave up self to watch the enlightened ones. Pomegranate questions quince, Why so pale? For the pearl you hid inside me. How did you discover my secret? Your laugh. The core of the seen and unseen universes smiles, but remember, smiles come best from those who weep. Lightning, then the rain-laughter. Dark earth receives that clear and grows a trunk. Melon and cucumber come dragging along on pilgrimage. You have to be to be blessed! Pumpkin begins climbing a rope! Where did he learn that? Grass, thorns, a hundred thousand ants and snakes, everything is looking for food. Don’t you hear the noise? Every herb cures some illness. Camels delight to eat thorns. We prefer the inside of a walnut, not the shell. The inside of an egg, the outside of a date. What about your inside and outside? The same way a branch draws water up many feet, God is pulling your soul along. Wind carries pollen from blossom to ground. Wings and Arabian stallions gallop toward the warmth of spring. They visit; they sing and tell what they think they know: so-and-so will travel to such-and-such. The hoopoe carries a letter to Solomon. The wise stork says lek-lek. Please translate. It’s time to go to the high plain, to leave the winter house. Be your own watchman as birds are. Let the remembering beads encircle you. I make promises to myself and break them. Words are coins: the vein of ore and the mine shaft, what they speak of. Now consider the sun. It’s neither oriental nor occidental. Only the soul knows what love is. This moment in time and space is an eggshell with an embryo crumpled inside, soaked in belief-yolk, under the wing of grace, until it breaks free of mind to become the song of an actual bird, and God.

From her bag, she removes the cord of rope with a noose on one end. She throws it up over the lowest-hanging branch, a good four meters above ground—about thirteen feet high. It takes her three tries to get the noose end over the branch. Then she raises up the other side of the rope as the noose side lowers down to her. Once she has it in her hand, she slides the straight end of the rope through the noose. Then she pulls down on the straight end slowly, careful to avoid any snags, as the noose end slowly rises again. On the branch, the two sides come together in a knot.

Tarinthali Ringali, I am, without regrets, your devoted servant. Your wit and intelligence stun me. Your beauty eclipses the sun itself. Your warm personality is enticing, and I highly prize your ability to disembowel anyone stupid enough to wrong you. I want to spend the rest of my life with you, and I selfishly want every part of you. It would be an honor, and my greatest desire, if you would allow me to protect, love, and serve you for the rest of our lives. And if you ever flirt with Eric or drink with another man again, I am going to slaughter them without hesitation.

The more south we were, the more deep a sky it seemed, till, in the Valley of Mexico, I thought it held back an element too strong for life, and that the flamy brilliance of blue stood off this menace and sometimes, like a sheath or silk membrane, shoed the weight it held in sags. So when later he would fly high over the old craters on the plain, coaly bubbles of the underworld, dangerous red everywhere from the sun, and then coats of snow on the peak of the cones—gliding like a Satan—well, it was here the old priests, before the Spaniards, waited for Aldebaran to come into the middle of heaven to tell them whether or not life would go on for another cycle, and when they received their astronomical sign built their new fire inside the split and emptied chest of a human sacrifice. And also, hereabouts, worshipers disguised as gods and as gods in the disguise of birds, jumped from platforms fixed on long poles, and glided as they spun by the ropes—feathered serpents, and eagles too, the voladores, or fliers. There still are such plummeters, in market places, as there seem to be remnants or conversions or equivalents of all the old things. Instead of racks or pyramids of skulls still in their hair and raining down scraps of flesh there are corpses of dogs, rats, horses, asses, by the roads; the bones dug out of the rented graves are thrown on a pile when the lease is up; and there are the coffins looking like such a rough joke on the female form, sold in the open shops, black, white, gray, and in all sizes, with their heavy death fringes daubed in Sapolio silver on the black. Beggars in dog voices on the church steps enact the last feebleness for you with ancient Church Spanish, and show their old flails of stump and their sores. The burden carriers with the long lines, hemp lines they wind over their foreheads to hold the loads on their backs, lie in the garbage at siesta and give themselves the same exhibited neglect the dead are shown. Which is all to emphasize how openly death is received everywhere, in the beauty of the place, and how it is acknowledged that anyone may be roughly handled—the proudest—pinched, slapped, and set down, thrown down; for death throws even worse in men’s faces and makes it horrible and absurd that one never touched should be roughly dumped under, dumped upon.

Vulnerability is usually attacked, not with fists but with shaming. Many children learn quickly to cover up any signs of weakness, sensitivity, and fragility, as well as alarm, fear, eagerness, neediness, or even curiosity. Above all, they must never disclose that the teasing has hit its mark. Carl Jung explained that we tend to attack in others what we are most uncomfortable with in ourselves. When vulnerability is the enemy, it is attacked wherever it is perceived, even in a best friend. Signs of alarm may provoke verbal taunts such as “fraidy cat” or “chicken.” Tears evoke ridicule. Expressions of curiosity can precipitate the rolling of eyes and accusations of being weird or nerdy. Manifestations of tenderness can result in incessant teasing. Revealing that something caused hurt or really caring about something is risky around someone uncomfortable with his vulnerability. In the company of the desensitized, any show of emotional openness is likely to be targeted. The vulnerability engendered by peer orientation can be overwhelming even when children are not hurting one another. This vulnerability is built into the highly insecure nature of peer-oriented relationships. Vulnerability does not have to do only with what is happening but with what could happen — with the inherent insecurity of attachment. What we have, we can lose, and the greater the value of what we have, the greater the potential loss. We may be able to achieve closeness in a relationship, but we cannot secure it in the sense of holding on to it — not like securing a rope or a boat or a fixed interest-bearing government bond. One has very little control over what happens in a relationship, whether we will still be wanted and loved tomorrow. Although the possibility of loss is present in any relationship, we parents strive to give our children what they are constitutionally unable to give to one another: a connection that is not based on their pleasing us, making us feel good, or reciprocating in any way. In other words, we offer our children precisely what is missing in peer attachments: unconditional acceptance.

With rope-ladders learned I to reach many a window, with nimble legs did I climb high masts: to sit on high masts of perception seemed to me no small bliss; To flicker like small flames on high masts: a small light, certainly, but a great comfort to cast-away sailors and shipwrecked ones! By diverse ways and wendings did I arrive at my truth; not by one ladder did I mount to the height where mine eye roveth into my remoteness. And unwillingly only did I ask my way - that was always counter to my taste! Rather did I question and test the ways themselves. A testing and a questioning hath been all my travelling: and verily, one must also learn to answer such questioning! That, however - is my taste: Neither a good nor a bad taste, but my taste, of which I have no longer either shame or secrecy. "This is now my way - where is yours?" Thus did I answer those who asked me "the way." For "the way" - it doth not exist!

Soon the river would narrow and carve through water rushes and overhanging trees still dripping with weed and flotsam from the previous high tide; it was the stretch I never trusted, the stretch of river that pulled my imagination as taut as rope around a cleat, and where I saw thick gnarled roots crawling across the mudflats

Dear lady, ... dear gentleman, reader, [it's] not right ... to put down this writer on his writing ... And I'll tell you why, too: it hurts, that's why.... People try to understand why writers commit suicide by jumping off boats or by alcoholism or by being heroic continuously or by rope or gun or drug or knife or water, and ... I can tell you straight out, ... it is reading slurring remarks about their writing that drives writers to the grave. Dirty remarks passed by ... dirty but damned nicely educated and very highly-paid ladies and gentlemen have the effect of killing writers. Yes, that's right. Dirty words ... in slick paper magazines read by smart people do assassinate writers. ... And boy let me tell you I am all for it, even when by some ... misunderstanding the dirty words are directed to me rather than to the party really deserving them. Accidents happen, dear clever reviewer or critic, and let it not be said that William Saroyan is one not to see a situation from the point of view of the other party, ... and I shall be the first to defend your right to be critical and even sarcastic, knowing full well that it is not about me and my writing, although my name is by mistake taken in vain by you. ... But go on, go on, do your good clever writing, every one of you, I am home, your are home, and we are each of us not yet on Variety's Necrology list, so if we can't take it, who can?

When I asked him what he thought, Neal said, 'Anatoli, many of our members are at high altitude for the first time, and they don't understand many of the simple things. They want us to hold their hands through everything.' I replied simply, saying that was an absurd position. I repeated again my concerns that we had to encourage self-reliance, and that our contributions to fixing ropes, getting the route ready, were just as important. About this Neal disagreed, saying that we had enough Sherpas to do this job. I told Neal that I thought, judging by our current situation, we were going to fall behind in the establishment of our high-altitude camps and our acclimatization routines could be compromised.

Opposite the Half-Axe was the narrow-fronted entrance to a shop devoted to short lengths of rope and wooden poles a man and a half high. Tehol had no idea how such a specialized enterprise could survive, especially in this unravelled, truncated market, yet its door had remained open for almost six centuries, locked up each night by a short length of rope and a wooden pole.

She waited for some time without hearing anything more: at last came a rumbling of little cart-wheels, and the sound of a good many voices all talking together: she made out the words: “Where’s the other ladder?—Why, I hadn’t to bring but one. Bill's got the other—Bill! Fetch it here, lad!—Here, put ’em up at this corner—No, tie ’em together first—they don't reach half high enough yet—Oh! they’ll do well enough. Don’t be particular—Here, Bill! catch hold of this rope—Will the roof bear?—Mind that loose slate—Oh, it’s coming down! Heads below!” (a loud crash)—“Now, who did that?—It was Bill, I fancy—Who’s to go down the chimney?—Nay, I shan’t! You do it!—That I wo’n’t, then!—Bill’s got to go down—Here, Bill! The master says you’ve got to go down the chimney!

I was thinning the hellebore when I saw a woman in an oversize suit jacket and a fedora trying to throw a rope into a window two stories high to rescue her friend in the dark and rain. I've traveled all over the world and I've seen many things, but I've never seen anything like that. And then the alarm went off and she didn't run. She didn't give up. She refused to leave her friend and tried to scale a sheer brick wall with her bare hands. I didn't know love and loyalty like that existed. I only knew what it meant to be alone. I had to meet her." "We didn't meet," I said. "You grabbed me and dragged me into the bushes." "That's what you do when you find the love of your life," he said. "You love me?" His voice was soft as he turned away. "I think I loved you from the moment you threw that rope.

People like my father preach love but are filled with hate. Anyone who threatens their narrow beliefs cannot be tolerated. The day my mother caught my brother holding hands with another boy, that was it. After a year of hearing that he was an aberration and didn’t deserve to live, he went out to the shed with a rope.” She said it in a too-high voice, the way one does when one is trying very hard not to cry.

All of us believe you belong here,” I’d said to the Elizabeth Garrett Anderson girls as they sat, many of them looking a little awestruck, in the Gothic old-world dining hall at Oxford, surrounded by university professors and students who’d come out for the day to mentor them. I said something similar anytime we had kids visit the White House—teens we invited from the Standing Rock Sioux Reservation; children from local schools who showed up to work in the garden; high schoolers who came for our career days and workshops in fashion, music, and poetry; even kids I only got to give a quick but emphatic hug to in a rope line. The message was always the same. You belong. You matter. I think highly of you. An economist from a British university would later put out a study that looked at the test performances of Elizabeth Garrett Anderson students, finding that their overall scores jumped significantly after I’d started connecting with them—the equivalent of moving from a C average to an A. Any credit for improvement really belonged to the girls, their teachers, and the daily work they did together, but it also affirmed the idea that kids will invest more when they feel they’re being invested in. I understood that there was power in showing children my regard.

While you're alive it's shameful to worm your way into the Calendar of Saints. Disbelief in yourself is more saintly. It takes real talent not to dread being terrified by your own agonizing lack of talent. Disbelief in yourself is indispensable. Indispensable to us is the loneliness of being gripped in the vise, so that in the darkest night the sky will enter you and skin your temples with the stars, so that streetcars will crash into the room, wheels cutting across your face, so the dangling rope, terrible and alive, will float into the room and dance invitingly in the air. Indispensable is any mangy ghost in tattered, overplayed stage rags, and if even the ghosts are capricious, I swear, they are no more capricious than those who are alive. Indispensable amidst babbling boredom are the deadly fear of uttering the right words and the fear of shaving, because across your cheekbone graveyard grass already grows. It is indispensable to be sleeplessly delirious, to fail, to leap into emptiness. Probably, only in despair is it possible to speak all the truth to this age. It is indispensable, after throwing out dirty drafts, to explode yourself and crawl before ridicule, to reassemble your shattered hands from fingers that rolled under the dresser. Indispensable is the cowardice to be cruel and the observation of the small mercies, when a step toward falsely high goals makes the trampled stars squeal out. It's indispensable, with a misfit's hunger, to gnaw a verb right down to the bone. Only one who is by nature from the naked poor is neither naked nor poor before fastidious eternity. And if from out of the dirt, you have become a prince, but without principles, unprince yourself and consider how much less dirt there was before, when you were in the real, pure dirt. Our self-esteem is such baseness.... The Creator raises to the heights only those who, even with tiny movements, tremble with the fear of uncertainty. Better to cut open your veins with a can opener, to lie like a wino on a spit-spattered bench in the park, than to come to that very comfortable belief in your own special significance. Blessed is the madcap artist, who smashes his sculpture with relish- hungry and cold-but free from degrading belief in himself.

The third gentleman now stepped forth.  A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people’s too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England.  To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer.  He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly.  He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time.  And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth.   ‘Very

The Gauls’ own ships were built and rigged in a different manner from ours. They were made with much flatter bottoms, to help them to ride shallow water caused by shoals or ebb-tides. Exceptionally high bows and sterns fitted them for use in heavy seas and violent gales, and the hulls were made entirely of oak, to enable them to stand any amount of shocks and rough usage. The cross-timbers, which consisted of beams a foot wide, were fastened with iron bolts as thick as a man’s thumb. The anchors were secured with iron chains instead of ropes. They used sails made of raw hides or thin leather, either because they had no flax and were ignorant of its use, or more probably because they thought that ordinary sails would not stand the violent storms and squalls of the Atlantic and were not suitable for such heavy vessels. In meeting them the only advantage our ships possessed was that they were faster and could be propelled by oars; in other respects the enemy’s were much better adapted for sailing such treacherous and stormy waters. We could not injure them by ramming because they were so solidly built, and their height made it difficult to reach them with missiles or board them with grappling-irons. Moreover, when it began to blow hard and they were running before the wind, they weathered the storm more easily; they could bring in to shallow water with greater safety, and when left aground by the tide had nothing to fear from reefs or pointed rocks – whereas to our ships all these risks were formidable.

I wanted to get out and walk southward toward the park through the soft twilight, but each time I tried to go I became entangled in some wild, strident argument which pulled me back, as if with ropes, into my chair. Yet high over the city our line of yellow windows must have contributed their share of human secrecy to the casual watcher in the darkening streets, and I was him too, looking up and wondering. I was within and without, simultaneously enchanted and repelled by the inexhaustible variety of life.

THE INFERNAL NAMES Abaddon - (Hebrew) the destroyer ... Asmodeus - Hebrew devil of sensuality and luxury, originally "creature of judgement" ... Azazel - (Hebrew) taught men to make weapons of war, introduced cosmetics ... Bast - Egyptian goddess of pleasure represented by the cat Beelzebub - (Hebrew) Lord of the Flies, taken from symbolism of the scarab Behemoth - Hebrew personification of Satan in the form of an elephant ... Coyote - American Indian Devil Dagon - Philistine avenging devil of the sea ... Dracula - Romanian name for devil ... Fenriz - Son of Loki, depicted as a wolf ... Hecate - Greek goddess of underworld and witchcraft ... Kali - (Hindu) daughter of Shiva, high priestess of Thuggees ... Lilith - Hebrew female devil, Adam's first wife who taught him the ropes Loki - Teutonic devil ... Mania - Etruscan goddess of Hell ... Midgard - son of Loki, depicted as a serpent ... Pluto - Greek god of the underworld Proserpine - Greek queen of the underworld ... Sammael - (Hebrew) "venom of God" ... Shiva - (Hindu) the destroyer ...

He remembered the time hi fished the female of a pair of swordfish. The male always lets the female eat first, and she, by biting the hook, struggled in a wild, desperate and panicky battle that soon exhausted her. All the time the male stayed with her, crossing the line and circling her partner on the surface. He was so close that the old man had been afraid that he would cut the rope with his tail, which was sharpened like a scythe and almost of that shape and size. The old man put the hook in, hit her, caught the sword, edge like sandpaper and pounded on the tip of the head until her color became almost like the back of a mirror, and then, with the boy's help, lifted her up to put her on board. The male stayed on the side of the boat. Later, when the old man cleaned the strings and prepared the harpoon, the male jumped very high in the air, next to the boat, to see where his partner where, and finally he plunged into the deepest, with blue-reddish wings, that were his pectoral fins, spread wide and with all stripes of the same color in sight. "He was beautiful," recalled the old man, "and he stayed until the end.

mesmerizing -- gold, red, orange, black -- the colors of the dragons that had promised so much: prosperity, love, good health, a second chance, a new start. The fire began to pop, the small sounds lost in the constant boom of firecrackers going off in the streets of San Francisco in celebration of the Chinese New Year. No one would notice another noise, another spark of light, until it was too late. In the confusion of the smoke and the crowds, the dragons and the box they guarded would disappear. No one would ever know what had really happened. The flame reached the end of the gasoline-soaked rope and suddenly burst forth in a flash of intense, deadly heat. More explosions followed as the fire caught the cardboard boxes holding precious inventory and jumped toward the basement ceiling. A questioning cry came from somewhere, followed by the sound of footsteps running down the halls of the building that had once been their sanctuary, their dream for the future, where the treasures of the past were turned into cold, hard cash. The cost of betrayal would be high. They would be brothers no more. But then, their ties had never been of blood, only of friendship --

Epigrams These four Epigrams were published—numbers 2 and 4 without title—by Mrs. Shelley, "Poetical Works", 1839, 1st edition. To Stella From the Greek of Plato Thou wert the morning star among the living, Ere thy fair light had fled;— Now, having died, thou art as Hesperus, giving New splendour to the dead. Kissing Helena From the Greek of Plato Kissing Helena, together With my kiss, my soul beside it Came to my lips, and there I kept it,— For the poor thing had wandered thither, To follow where the kiss should guide it, Oh, cruel I, to intercept it! Spirit of Plato From the Greek Eagle! why soarest thou above that tomb? To what sublime and star-ypaven home Floatest thou?— I am the image of swift Plato's spirit, Ascending heaven; Athens doth inherit His corpse below. NOTE: _5 doth Boscombe manuscript; does edition 1839. Circumstance From the Greek A man who was about to hang himself, Finding a purse, then threw away his rope; The owner, coming to reclaim his pelf, The halter found; and used it. So is Hope Changed for Despair—one laid upon the shelf, We take the other. Under Heaven's high cope Fortune is God—all you endure and do Depends on circumstance as much as you

A snap and roar of fury echoed across the lands, scattering the birds. When I climbed out of the tree and walked into the little clearing, I merely crossed my arms and looked up at the High Lord, dangling by his legs from the snare I’d laid. Even upside down, he smiled lazily at me as I approached. “Cruel human.” “That’s what you get for stalking someone.” He chuckled, and I came close enough to dare stroke a finger along the silken golden hair dangling just above my face, admiring the many colors within it—the hues of yellow and brown and wheat. My heart thundered, and I knew he could probably hear it. But he leaned his head toward me, a silent invitation, and I ran my fingers through his hair—gently, carefully. He purred, the sound rumbling through my fingers, arms, legs, and core. I wondered how that sound would feel if he were fully pressed up against me, skin-to-skin. I stepped back. He curled upward in a smooth, powerful motion and swiped with a single claw at the creeping vine I’d used for rope. I took a breath to shout, but he flipped as he fell, landing smoothly on his feet. It would be impossible for me to ever forget what he was, and what he was capable of. He took a step closer to me, the laughter still dancing on his face. “Feeling better today?” I

Elliot opens the gate to the top paddock and leads him in. “You are now grounded to the top paddock.” “Bahahaha,” Billy bleats. “Seeing that you can’t be trusted.” Oh my lord, this is priceless. Tough guy Elliot Miles grounding his goat. He undoes the rope around Billy’s neck. “I’m watching you, fucker. One wrong move and it’s off to . . .” He pauses as he thinks of the right wording. “The knackers.” “Bahahaha.” “Do you know what they do to naughty goats there?” he asks. I burst out laughing. “Go inside,” Elliot snaps. I turn and walk inside as I continue to laugh. “Bahahaha,” Billy bleats. “Stop making that noise, too,” Elliot barks.

Miriam was amused that he took a swing so seriously... She felt the accuracy with which he caught her, exactly at the right moment, and the exactly proportionate strength of his thrust, and she was afraid. Down to her bowels when the hot wave of fear. She was in his hands. Again, firm and inevitable came the thrust at the right moment. She gripped the rope, almost swooning. "Ha!" she laughed in fear. "No higher!" "But you're not a bit high," he remonstrated. "But no higher." He heard the fear in her voice and desisted. Her heart melted in hot pain when the moment came for him to thrust her forward again. But he left her alone. She began to breathe.

You can't work in the library without going into the Old Levels," said Mirelle somberly. "At least some of the time. I wouldn't be keen on going to some parts of the Library, myself." Lirael listened, wondering what they were talking about. The Great Library of the Clayr was enormous, but she had never heard of the Old Levels. She knew the general layout well. The Library was shaped like a nautilus shell, a continuous tunnel that wound down into the mountain in an ever-tightening spiral. This main spiral was an enormously long, twisting ramp that took you from the high reaches of the mountain down past the level of the valley floor, several thousand feet below. Off the main spiral, there were countless other corridors, rooms, halls, and strange chambers. Many were full of the Clayr's written records, mainly documenting the prophesies and visions of many generations of seers. But they also contained books and papers from all over the Kingdom. Books of magic and mystery, knowledge both ancient and new. Scrolls, maps, spells, recipes, inventories, stories, true tales, and Charter knew what else. In addition to all these written works, the Great Library also housed other things. There were old armories within it, containing weapons and armor that had not been used for centuries but still stayed bright and new. There were rooms full of odd paraphernalia that no one now knew how to use. There were chambers where dressmakers' dummies stood fully clothed, displaying the fashions of bygone Clayr or the wildly different costumes of the barbaric North. There were greenhouses tended by sendings, with Charter marks for light as bright as the sun. There were rooms of total darkness, swallowing up the light and anyone foolish enough to enter unprepared. Lirael had seen some of the Library, on carefully escorted excursions with the rest of her year gathering. She had always hankered to enter the doors they passed, to step across the red rope barriers that marked corridors or tunnels where only authorized librarians might pass.

Then eventually Westwood arrived. He looked nothing like Reacher expected, but the reality fit the bill just as well as the preconceptions had. He was an outdoors type, not a lab rat, and sturdy rather than pencil-necked. He looked like a naturalist or an explorer. He had short but unruly hair, fair going gray, and a beard of the same length and color. He was red in the face from sunburn and had squint lines around his eyes. He was forty-five, maybe. He was wearing clothing put together from high-tech fabrics and many zippers, but it was all old and creased. He had hiking boots on his feet, with speckled laces like miniature mountain-climbing ropes. He was toting a canvas bag about as big as a mail carrier’s.

The flower-covered grave of the saint in the inner room could be seen dimly through the narrow doorway. In front of it was a wide vestibule where about two dozen people were seated in a circle. One of them was singing lustily some Persian verses, while others kept the time by clapping their hands; they joined in the refrain which was sung in chorus. Like rising tidal waves, the tempo of the singing was getting faster and faster, the clapping became more frantic and heads rolled from side to side, keeping time with the tempestuous melody. Eyes were closed and everyone was lost in the surging waves of emotion that seemed to flow out of the Sufistic poetry of the great Roomi. Then, to his amazement Anwar saw a man in the centre of the crowd open his eyes and stare vacantly. For a moment this man was silent, ominously silent and motionless in the midst of the emotional storm that raged around him. Then he was caught by a sudden frenzy, his whole body quivered and moved, beating time to the song which by now had reached a weird and frightening crescendo, faster and faster, louder and louder. The man's hands rose high in the air and as if clutching at an unseen rope, he raised himself and started to dance, wildly, ecstatically, tearing his clothes and pulling his hair, completely unselfconscious and unrestrained, oblivious of everything by some mysterious inner urge that demanded expression in this wild manner. And then the song died on the lips of the singer, the waves of emotion receded and in the ghostly silence that descended upon the assembly the standing figure of the man in the centre which looked inspired and hallowed a moment ago, suddenly appeared ridiculous and grotesque. For a few moments he stood as if poised for another outburst of frenzy. Then, deprived of the emotional support of the song, his knees sagged and he collapsed to the ground. For several minutes Anwar was speechless; so great had the effect of this spectacle been on him. His pulse beat faster, his mind was in a whirl and, as the song stopped, he felt a gnawing emptiness in his bowels. This then was Qawwali, the ecastatic ritual of the Persian Sufis.

Jeffrey woke up, tied to the high-backed chair in his bedroom, nude. He could hear his wife giggling in the hallway, the hardwood floors creaking with her footsteps with what must have been someone else too. He was gagged, a tight cloth wrapped around his mouth, hurting his jaw when he tried to call for help. He looked down at his body, seeing that he was tied with an intricate rope pattern - a pentagram - on his chest, the hemp fibers tight. He could breathe fine, and he recognized his wife’s rigging skills instantly. They’d practiced Kinbaku, a rope bondage before, on multiple occasions, but this rigging was different. It seemed to be tighter than normal, and he knew that something new was being introduced tonight.

They were still quite near the ship; she saw its green side towering high above them, and people looking at her from the deck. Then, as one might have expected, Eustace clutched at her in a panic and down they both went. When they came up again she saw a white figure diving off the ship’s side. Edmund was close beside her now, treading water, and had caught the arms of the howling Eustace. Then someone else, whose face was vaguely familiar, slipped an arm under her from the other side. There was a lot of shouting going on from the ship, heads crowding together above the bulwarks, ropes being thrown. Edmund and the stranger were fastening ropes round her. After that followed what seemed a very long delay during which her face got blue and her teeth began chattering. In reality the delay was not very long; they were waiting till the moment when she could be got on board the ship without being dashed against its side. Even with all their best endeavors she had a bruised knee when she finally stood, dripping and shivering, on the deck. After her Edmund was heaved up, and then the miserable Eustace. Last of all came the stranger--a golden-headed boy some years older than herself. “Ca--Ca--Caspian!” gasped Lucy as soon as she had breath enough. For Caspian it was; Caspian, the boy king of Narnia whom they had helped to set on the throne during their last visit. Immediately Edmund recognized him too. All three shook hands and clapped one another on the back with great delight.

Because there’s a silent, shrugging, stoical acceptance of all the things in the world we can never be part of: shorts, swimming pools, strappy dresses, country walks, roller-skating, ra-ra skirts, vest tops, high heels, rope climbing, sitting on a high stool, walking past building sites, flirting, being kissed, feeling confident. And ever losing weight, ever. The idea of suggesting we don’t have to be fat –that things could change –is the most distant and alien prospect of all. We’re fat now and we’ll be fat forever and we must never, ever mention it, and that is the end of it. It’s like Harry Potter’s Sorting Hat. We were pulled from the hat marked ‘Fat’ and that is what we must now remain, until we die. Fat is our race. Our species. Our mode. As a result, there is very little of the outside world –and very little of the year –we can enjoy. Summer is sweaty under self-conscious layers. On stormy days, wind flattens skirts against thighs, and alarms both us and, we think, onlookers and passers-by. Winter is the only time we feel truly comfortable: covered head to toe in jumpers, coats, boots and hat. I develop a crush on Father Christmas. If I married him, not only would I be expected to stay fat, but I’d look thin standing next to him, in comparison. Perspective would be my friend. We all dream of moving to Norway, or Alaska, where we could wear massive padded coats all the time, and never reveal an inch of flesh. When it rains, we’re happiest of all. Then we can just stay in, away from everyone, in our pyjamas, and not worry about anything. The brains in jars can stay inside, nice and dry.

There's always a rotation of submissives in their stables. Most of them are returners—you know, their partner stables them there for a week or a month, or they present themselves for a term. A small percentage are there just to do a brief stint, and some are open to play with members, not just the trainers. After law school I spent a couple months at Reservation as a trainer, but now I'm just a member." Mark smiled. "A wet, yielding woman in leather straps, hobbled and half-blinded and doing her best to high-step for you while you do your damnedest to make her buttocks quiver under the whip and her tits dance as she flies across the pen? And then taking her down in the soft dirt and riding her hard, then putting her away wet so she's eager and hungry every damn time you walk into her stall and show her the ropes again. Few things are better in life.

The eight-man expedition was pinned down in a ferocious blizzard high on K2, waiting to make an assault on the summit, when a team member named Art Gilkey developed thrombophlebitis, a life-threatening altitude-induced blood clot. Realising that they would have to get Gilkey down immediately to have any hope of saving him, Schoening and the others started lowering him down the mountain's steep Abruzzi Ridge as the storm raged. At 25,000 feet, a climber named George Bell slipped and pulled four others off with him. Reflexively wrapping the rope around his shoulders and ice ax, Schoening somehow managed to single-handedly hold on to Gilkey and simultaneously arrest the slide of the five falling climbers without being pulled off the mountain himself. One of the more incredible feats in the annals of mountaineering, it was known forever after simply as The Belay.

Piracy, Hollywood Style: An Ode to Errol Flynn His galleon emblazoned and beckoned to the coral’s black mire, And ol’ wispy eyed Errol, the pirate, stiffened his lip: Her Majesty’s Rogue Navy may have set ol’ Bessie afire— But I’d be a fool to go down and drown with me ship!” “Fer, a pirate I am, and A pirate I’ll be, I don’t need to die ‘proper’ with false dignity— All I need is a new ship, and a flagon of ale. The latter to drown in, the former to sail! “Aye! Give me a strong wind, and twenty good men, And I’ll take to the high seas, and pirate again! And should I be lucky to spot a Royal ship in me scope— I’ll hang her good captain from ten yards of rope! “Aye! And when her cowardly crew gives me their lip, I’ll give them the ‘dignity’ to go down with their ship! Aye! Give me a strong wind and twenty good men, And I’ll take to the high seas, and pirate again!

Again the water rose, they both took a breath; again they were submerged and his leg hooked over something, an old pipe, unmoving. The next time, they both reached their heads high as the water rushed back, another breath taken. He heard Mrs. Kitteridge yelling from above. He couldn't hear the words, but he understood that help was coming. He had only to keep Patty from falling away, and as they went again beneath the swirling, sucking water, he strengthened his grip on her arm to let her known: He would not let her go. Even though, staring into her open eyes in the swirling salt-filled water, with sun flashing through each wave, he thought he would like this moment to be forever: the dark-haired woman on shore calling for their safety, the girl who had once jumped rope like a queen, now holding him with a fierceness that matched the power of the ocean - oh, insane, ludicrous, unknowable world! Look how she wanted to live, look she wanted to hold on.

Letter You can see it already: chalks and ochers; Country crossed with a thousand furrow-lines; Ground-level rooftops hidden by the shrubbery; Sporadic haystacks standing on the grass; Smoky old rooftops tarnishing the landscape; A river (not Cayster or Ganges, though: A feeble Norman salt-infested watercourse); On the right, to the north, bizarre terrain All angular--you'd think a shovel did it. So that's the foreground. An old chapel adds Its antique spire, and gathers alongside it A few gnarled elms with grumpy silhouettes; Seemingly tired of all the frisky breezes, They carp at every gust that stirs them up. At one side of my house a big wheelbarrow Is rusting; and before me lies the vast Horizon, all its notches filled with ocean blue; Cocks and hens spread their gildings, and converse Beneath my window; and the rooftop attics, Now and then, toss me songs in dialect. In my lane dwells a patriarchal rope-maker; The old man makes his wheel run loud, and goes Retrograde, hemp wreathed tightly round the midriff. I like these waters where the wild gale scuds; All day the country tempts me to go strolling; The little village urchins, book in hand, Envy me, at the schoolmaster's (my lodging), As a big schoolboy sneaking a day off. The air is pure, the sky smiles; there's a constant Soft noise of children spelling things aloud. The waters flow; a linnet flies; and I say: "Thank you! Thank you, Almighty God!"--So, then, I live: Peacefully, hour by hour, with little fuss, I shed My days, and think of you, my lady fair! I hear the children chattering; and I see, at times, Sailing across the high seas in its pride, Over the gables of the tranquil village, Some winged ship which is traveling far away, Flying across the ocean, hounded by all the winds. Lately it slept in port beside the quay. Nothing has kept it from the jealous sea-surge: No tears of relatives, nor fears of wives, Nor reefs dimly reflected in the waters, Nor importunity of sinister birds.

For a start, we should recognise that the idea of being deeply in love with one special partner over a whole lifetime, what we can call Romantic love, is a very new, ambitious and odd concept, which is at best 250 years old. Before then, people lived together of course but without any very high expectations of being blissfully content doing so. It was a purely practical arrangement, entered into for the sake of survival and the children. We should recognise the sheer historical strangeness of the idea of happy coupledom. A good Romantic marriage is evidently theoretically possible, but it may also be extremely unlikely, something only some 5 or 10 per cent of us can ever properly succeed at – which should make any failure feel a good deal less shameful. As a society, we’ve made something normal that’s in fact a profound anomaly. It is as though we’d set up high altitude tight rope walking as a popular sport. No wonder most of us fall off – and might not want to, or be able to, face getting back on.

Fallin" I got the feelin I'm fallin' Like a star up in the blue Like I was fallin' off Niagara In a paddle boat canoe I got the feelin' I'm a fallin' And it's all because of you Like I was walkin' on a tight rope Swingin' in the breeze And though I tried to keep my balance When I weaken in my knees I got the feelin' I'm a fallin' Lover, help me please Like a leaf falls from the branch Like a rock from an avalanche Like the rain on a stormy day I never thought I'd fall this way I thought that love could never touch me Yeah, I was ridin' high And then my ivory tower toppled And I tumbled from the sky I got the feelin' that I'm fallin' And you're the reason why Like a life that he married for Like the walls of Jericho Like Delilah's holy town And Samson tore it down I thought that love could never touch me Yeah, I was ridin' high And then my ivory tower toppled And I tumbled from the sky I got the feelin' that I'm fallin' And you're the reason why And you're the reason why And you're the reason why And you're the reason why

In 1996 the disasters on the mountain had robbed Neil of the chance to go above camp four. Two years on he was here again--only this time the summit was within his reach. He felt strong and waited anxiously for Mick to arrive. They would need to be together to manage the last ridge and the Hillary Step. Something told Neil that things were not going right. As the precious minutes slipped by, as he waited for Mick and the others to reach him, he sensed that the dream that had eluded him once was going to do so again. Somewhere along the way, there had been a misunderstanding between the climbers over who had what rope. It happens at high altitude. It is a simple mistake. But mistakes have consequences. Suddenly, here, at four hundred feet beneath the summit of Mount Everest, it dawned on them all that they had run out of rope. They would have no choice now but to retreat. Continuing was not even an option. Neil stared through his goggles at the summit: so close, yet so very far. All he felt was emptiness. He turned and never looked back.

I forgot the maid who works in my P.G. and struggles to make money, every day, who is in fear that one day her cruel husband will find her out eventually and beat her and her son to death. I forgot that auto driver I met on my way to M.G. road metro station, and who wanted to be in the army but gave up study due to the financial crisis. I forgot that security guard I met at IIT Delhi, and who was forced to leave the study and marry at the age of 15. I forgot those little kids I generally encounter at Railway stations and trains selling packets of pens @ Rs.25 per packet. I forgot that 75 years old ricksha wala I met in sector 23 market with only one eye and high power lens I forgot that washroom cleaning staff at my office who always welcomes me with a broad smile. I forgot the dead body of that martyred soldier I saw at the Kashmir airport, laden with garlands of marigold and people shouting," jawan amar rahe!" I forgot the scream of that pig near my office when a thick rope was brutally tied in its nose and it was forcefully taken by some people on a bike. I almost forgot everything!

Then eventually Westwood arrived. He looked nothing like Reacher expected, but the reality fit the bill just as well as the preconceptions had. He was an outdoors type, not a lab rat, and sturdy rather than pencil-necked. He looked like a naturalist or an explorer. He had short but unruly hair, fair going gray, and a beard of the same length and color. He was red in the face from sunburn and had squint lines around his eyes. He was forty-five, maybe. He was wearing clothing put together from high-tech fabrics and many zippers, but it was all old and creased. He had hiking boots on his feet, with speckled laces like miniature mountain-climbing ropes. He was toting a canvas bag about as big as a mail carrier’s. He paused inside the door, and identified Chang instantly, because she was the only woman in the place. He slid in opposite, across the worn vinyl, and hauled his bag after him. He put his forearm on the table and said, “I assume your other colleague is still missing. Mr. Keever, was it?” Chang nodded and said, “We hit the wall, as far as he’s concerned. We’re dead-ended. We can trace him so far, but no further.

Torminster in A City of Bells is Wells. If the houses in the Close, hidden behind their high walls, could be seen with the eyes of imagination as fortresses, the Palace was one in actual fact. Grey, battlemented walls, with loopholes for arrows, surrounded it and its gardens, completely hiding them from sight, and a wide moat, brimful of water, surrounded the walls. The portcullis was still there, and the drawbridge that linked this warlike island to the peace of Torminster. As they stood watching, the swans obligingly rounded the curve of the moat and sailed royally towards the drawbridge… The foremost swan…pulled with his beak the bell-rope that hung from the Palace wall. He rang it once, imperiously…and instantly a human menial showered bread from a window. This ringing of the bell was the superb accomplishment of the swans of Torminster, an accomplishment that had made them world-famous.36 Small wonder that Elizabeth said, linking her own childhood experience with that of Robert Louis Stevenson: Looking back from such a different world, through such a length of time, it seems that the sheltered happy childhoods of Victorian and Edwardian days had a very special magic.37

Confiding Julie, the first to get breasts, was cynical by Thanksgiving. Since no one else looked like the class slut, she was given the position, and she soon capitulated. She bleached her hair with Sun In, and started to mess around with boys who played in garage rock bands. Marianne, because she had long legs and a stem neck, rushed from school to her pliés at the barre, her hair in a bun, her head held high, to arch and sweep and bow toward the mirror until night fell. Cara delivered her audition piece flat, but since she had a wheat-colored rope of braid that brushed her waist, she would be Titania in the school play. Emily, bluntnosed and loud, could outact Cara in her sleep; when she saw the cast list she turned silently to her best friend, who handed her a box of milk chocolate creams. Tall, strong, bony Evvy watched Elise try out her maddening dimple. She cornered her outside class to ask her if she thought she was cute. Elise said yes, and Evvy threw a pipette of acid, stolen from the biology lab, in her face. Dodie hated her tight black hair that wouldn’t grow. She crept up behind blond Karen in home ec class and hacked out a fistful with pinking shears. Even Karen understood that it wasn’t personal.

Thus, I have always been more of an envious observer than a participant in physical activities, but there have been glowing exceptions, such as what happened at the end of a summer-solstice celebration I attended in California, on a ranch in the foothills of the Sierras. The women at the event were of all ages. But in the evening, when they had found a swing, they became a group of young girls. The swing was on a long rope and swept out over a slope. In the twilight, it was like flying to the stars. Or so they said. Everyone had tried it except me. When the others had wandered indoors, I stayed, looking at the swing and feeling that old shame of being the scaredy-cat, even though probably no one had noticed. Then a woman much younger than I appeared and offered to show me how to use the swing. I said no, I didn’t want to. But she ignored that. She promised she would never push me harder than I wanted. And she held out the swing. It took some time. But somehow I felt safe with her, and I built up the courage to swing out toward the stars like the others. I never saw that young woman again, but I will always be grateful not only for the experience but for the respect and understanding she showed as she taught me how—one gentle swing at a time.

In addition to these international climbers, we were supported by a climbing team of Nepalese Sherpas, led by their Sirdar boss, Kami. Raised in the lower Himalayan foothills, these Sherpas know Everest better than anyone. Many had climbed on the mountain for years, assisting expeditions by carrying food, oxygen, extra tents, and supplies to stock the higher camps. As climbers, we would each carry substantial-sized packs every day on Everest, laden with food, water, cooker, gas canisters, sleeping bag, roll mat, head torch, batteries, mittens, gloves, hat, down jacket, crampons, multitool, rope, and ice axes. The Sherpas would then add an extra sack of rice or two oxygen tanks to that standard load. Their strength was extraordinary, and their pride was in their ability to help transport those life-giving necessities that normal climbers could not carry for themselves. It is why the Sherpas are, without doubt, the real heroes on Everest. Born and brought up at around twelve thousand feet, altitude is literally in their blood. Yet up high, above twenty-five thousand feet, even the Sherpas start to slow, the way everyone, gradually and inevitably, does. Reduced to a slow, agonizing, lung-splitting crawl. Two paces, then a rest. Two paces, then a rest. It is known as the “Everest shuffle.

As many as three characters were murdered in a single quarter-hour ILAM episode. People were killed in ghoulish, imaginative, and sometimes mystifying ways. Throats were ripped out by wolves; there were garrotings and poisonings and mysterious slashings. In the story Monster in the Mansion, a headless black cat was found in a lady’s bed, and a man had his arm amputated while he slept; in The Thing That Cries in the Night, a slasher was at work in an old mansion, and murder was done to the cry of a baby, while everyone insisted that there had been no baby in the house for twenty years. Temple of Vampires was considered so vivid in its Hollywood heyday that the Nicaraguan government lodged a protest. The show was framed with unforgettable signatures: the wail of a train, the sting of an organ, and the haunting Valse Triste, a shimmering theme suggesting death. The chime of a clock brought listeners back to the hour when last they left their heroes. The theme played under the ominous recap: Twelve midnight, high on the ledge above the floor of the Temple of Vampires, somewhere in the jungles of Central America. Jack and Doc Long are facing one of the strangest, most hair-raising moments in their experience. They’re out in the center of the temple, each clinging to separate ropes 50 feet in the air. There is only one chance for Jack and Doc.

When Hodges was presented to Harmon the next morning for a positive ID, Harmon reportedly couldn’t be sure he was her attacker. “I can’t tell,” she said. “I can’t say he is the negro, but I can’t say he is not the negro.” Unfortunately, many citizens of Tyler subscribed to the guilty until proven innocent philosophy where African Americans were concerned. At approximately 11:15 a.m., a white mob three to four thousand strong broke into the county jail and seized Hodges. The lynch mob transported Hodges to the site of the new Smith County Courthouse, which was then under construction. A few members threw a rope up over an enormous derrick—which was being utilized at the site for hoisting large stones for the new courthouse—and fashioned a noose on one end, placing it around Hodges’s neck. Several men then took hold of the other end and, with one simultaneous pull, jerked Hodges up into the sky. Hodges squirmed as he swung back and forth high above the mob, and then his movements dwindled to a twitch or two before he grew still. Within ten minutes, the construction site was empty, save the deceased, whose gruesome figure hung motionless in midair. No one involved in the crime even attempted to conceal his identity. As the May 7, 1909 edition of the Alto Herald put it, “Those who took part in the lynching went about it just as they went about their daily business.

NOVA SLUNG THE BAG over her shoulder and reached for one of the weighted ropes she’d set up in the alley the night before. She wrapped her arm around the rope and untied the sailor’s knot from the weights holding it to the ground. The weights attached to the opposite end dropped, dragging it through the pulley on the rooftop above. Nova jerked upward, holding tight as the rope whistled past the building’s concrete wall. The second set of weights crashed into the ground below. She stopped with a shudder, her hand only a few inches shy of the pulley, her body swinging six stories in the air. Nova threw her bag onto the rooftop, then grabbed the ledge and hauled herself over. She dropped down into a crouch and riffled through the bag, pulling out the uniform she had designed with Queen Bee’s help. She slung the weaponry belt across her hips, where it hung comfortably, outfitted with specially crafted pockets and hooks for all of her favorite inventions. Next, the snug black hooded jacket: waterproof and flame-retardant, yet lightweight enough to keep from inhibiting her movements. She zipped it up to her neck and tugged the sleeves past her knuckles before pulling up the hood, where a couple of small weights stitched into the hem held it in place over her brow. The mask came last. A hard metallic shell perfectly molded to the bridge of her nose that disappeared into the high collar of the jacket, disguising the lower half of her face. Transformation complete, she stooped and pulled the rifle and a single poisoned dart from the bag.

Or think of the tale of the blind men who encounter an elephant for the first time. One wise man, touching the ear of the elephant, declares the elephant is flat and two-dimensional like a fan. Another wise man touches the tail and assumes the elephant is like rope or a one-dimensional string. Another, touching a leg, concludes the elephant is a three-dimensional drum or a cylinder. But actually, if we step back and rise into the third dimension, we can see the elephant as a three-dimensional animal. In the same way, the five different string theories are like the ear, tail, and leg, but we still have yet to reveal the full elephant, M-theory. Holographic Universe As we mentioned, with time new layers have been uncovered in string theory. Soon after M-theory was proposed in 1995, another astonishing discovery was made by Juan Maldacena in 1997. He jolted the entire physics community by showing something that was once considered impossible: that a supersymmetric Yang-Mills theory, which describes the behavior of subatomic particles in four dimensions, was dual, or mathematically equivalent, to a certain string theory in ten dimensions. This sent the physics world into a tizzy. By 2015, there were ten thousand papers that referred to this paper, making it by far the most influential paper in high-energy physics. (Symmetry and duality are related but different. Symmetry arises when we rearrange the components of a single equation and it remains the same. Duality arises when we show that two entirely different theories are actually mathematically equivalent. Remarkably, string theory has both of these highly nontrivial features.)

Why Roses are Red......      (a poem on a little artist girl, who lived with her mother on a remote Hill)    A little girl painted...  with the brush of imagination...  and with the colours borrowed from Spring...  on the paper of time  a picture  a picture of a tiny glittering star  and gave it the name... innocence    next hour  with the brush of imagination  with artificial colours  she painted... a picture  a picture of sharp edged knife  and gave it the name... experience    she picked both the pictures  and hung them on a rope  in the middle of her rose garden  And left the garden to attend her ailing mother    As the wind of fate blew  and the element of chance entered  from the door of cruelty  the knife attacked the tiny star  and the innocent star bled, bled, and bled    the drops of blood fell on...fell on...and fell on...  the roses beneath  And....................  the roses turned red    when little girl came back  she looked ,looked and looked...  at both...  the tiny star and the red roses    Benumbed and shocked  she dressed the little, the beautiful star  and threw it high in the sky  and it got fixed there  and it gave direction to humanity  and we call it pole star    with anger she threw the picture of knife  down the hill...  and there was...                          strife,                          conspiracy                          violence                         murders                          and revolts                          in the plains    Today when I look at  red roses in someone's hands  they remind me of the....    Two ideas of a single artist  which gave the world  direction and destruction           The

I remember the case of a man who was inextricably involved in a number of shady affairs. He developed an almost morbid passion for dangerous mountain climbing, as a sort of compensation. he was seeking "to get above himself." In a dream one night, he saw himself stepping off the summit of a high mountain into empty space. When he told me his dream, I instantly saw his danger and tried to emphasize the warning and persuade him to restrain himself. I even told him that the dream foreshadowed his death in a mountain accident. It was in vain. Six months later he "stepped off into space." A mountain guide watched him and a friend letting themselves down a rope in a difficult place. The friend had found a temporary foothold on a ledge, and the dreamer was following him down. Suddenly he let go of the rope, according to the guide, "as if he were jumping into the air." He fell upon his friend, and both went down and were killed. Another typical case was that of a lady who was living above herself. She was high and mighty in her daily life, but she had shocking dreams, reminding her of all sorts of unsavory things. When I uncovered them, she indignantly refused to acknowledge them. The dreams then became menacing, and full of references to the walks she used to take by herself in the woods, where she indulged in soulful fantasies. I saw her danger, but she would not listen to my many warnings. Soon afterwards, she was savagely attacked in the woods by a sexual pervert; but for the intervention of some people who heard her screams, she would have been killed. There was no magic in this. What her dreams had told me was that this woman had a secret longing for such an adventure-just as the mountain climber unconsciously sought the satisfaction of finding a definite way out of this difficulties. Obviously, neither of them expected the stiff price involved: She had several bones broken, and he paid with his life.

The next day’s call would be vital. Then at 12:02 P.M., the radio came to life. “Bear at camp two, it’s Neil. All okay?” I heard the voice loud and clear. “Hungry for news,” I replied, smiling. He knew exactly what I meant. “Now listen, I’ve got a forecast and an e-mail that’s come through for you from your family. Do you want to hear the good news or the bad news first?” “Go on, then, let’s get the bad news over with,” I replied. “Well, the weather’s still lousy. The typhoon is now on the move again, and heading this way. If it’s still on course tomorrow you’ve got to get down, and fast. Sorry.” “And the good news?” I asked hopefully. “Your mother sent a message via the weather guys. She says all the animals at home are well.” Click. “Well, go on, that can’t be it. What else?” “Well, they think you’re still at base camp. Probably best that way. I’ll speak to you tomorrow.” “Thanks, buddy. Oh, and pray for change. It will be our last chance.” “Roger that, Bear. Don’t start talking to yourself. Out.” I had another twenty-four hours to wait. It was hell. Knowingly feeling my body get weaker and weaker in the vain hope of a shot at the top. I was beginning to doubt both myself and my decision to stay so high. I crept outside long before dawn. It was 4:30 A.M. I sat huddled, waiting for the sun to rise while sitting in the porch of my tent. My mind wandered to being up there--up higher on this unforgiving mountain of attrition. Would I ever get a shot at climbing in that deathly land above camp three? By 10:00 A.M. I was ready on the radio. This time, though, they called early. “Bear, your God is shining on you. It’s come!” Henry’s voice was excited. “The cyclone has spun off to the east. We’ve got a break. A small break. They say the jet-stream winds are lifting again in two days. How do you think you feel? Do you have any strength left?” “We’re rocking, yeah, good, I mean fine. I can’t believe it.” I leapt to my feet, tripped over the tent’s guy ropes, and let out a squeal of sheer joy. These last five days had been the longest of my life.

we neared Liverpool’s Lime Street station, we passed through a culvert with walls that appeared to rise up at least thirty feet, high enough to block out the sun. They were as smooth as Navajo sandstone. This had been bored out in 1836 and had been in continuous use ever since, the conductor told me. “All the more impressive,” he said, “when you consider it was all done by Irish navvies working with wheelbarrows and picks.” I couldn’t place his accent and asked if he himself was Irish, but he gave me a disapproving look and told me he was a native of Liverpool. He had been talking about the ragged class of nineteenth-century laborers, usually illiterate farmhands, known as “navvies”—hard-drinking and risk-taking men who were hired in gangs to smash the right-of-way in a direct line from station to station. Many of them had experienced digging canals and were known by the euphemism “navigators.” They wore the diminutive “navvy” as a term of pride. Polite society shunned them, but these magnificent railways would have been impossible without their contributions of sweat and blood. Their primary task was cleaving the hillsides so that tracks could be laid on a level plain for the weak locomotive engines of the day. Teams of navvies known as “butty gangs” blasted a route with gunpowder and then hauled the dirt out with the same kind of harness that so many children were then using in the coal mines: a man at the back of a full wheelbarrow would buckle a thick belt around his waist, then attach that to a rope dangling from the top of the slope and allow himself to be pulled up by a horse. This was how the Lime Street approach had been dug out, and it was dangerous. One 1827 fatality happened as “the poor fellow was in the act of undermining a heavy head of clay, fourteen or fifteen feet high, when the mass fell upon him and literally crushed his bowels out of his body,” as a Liverpool paper told it. The navvies wrecked old England along with themselves, erecting a bizarre new kingdom of tracks. In a passage from his 1848 novel Dombey and Son, Charles Dickens gives a snapshot of the scene outside London: Everywhere

I’m telling you, you bastard, you’re going to pay for that rum. In gold or goods, I don’t care which.” “Captain Mallory.” Gray’s baritone was forbidding. “And I apply that title loosely, as you are no manner of captain in my estimation…I have no intention of compensating you for the loss of your cargo. I will, however, accept your thanks.” “My thanks? For what?” “For what?” Now O’Shea entered the mix. “For saving that heap of a ship and your worthless, rum-soaked arse, that’s what.” “I’ll thank you to go to hell,” the gravelly voice answered. Mallory, she presumed. “You can’t just board a man’s craft and pitch a hold full of spirits into the sea. Right knaves, you lot.” “Oh, now we’re the knaves, are we?” Gray asked. “I should have let that ship explode around your ears, you despicable sot. Knaves, indeed.” “Well, if you’re such virtuous, charitable gents, then how come I’m trussed like a pig?” Sophia craned her neck and pushed the hatch open a bit further. Across the deck, she saw a pair of split-toed boots tied together with rope. Gray answered, “We had to bind you last night because you were drunk out of your skull. And we’re keeping you bound now because you’re sober and still out of your skull.” The lashed boots shuffled across the deck, toward Gray. “Let me loose of these ropes, you blackguard, and I’ll pound you straight out of your skull into oblivion.” O’Shea responded with a stream of colorful profanity, which Captain Grayson cut short. “Captain Mallory,” he said, his own highly polished boots pacing slowly, deliberately to halt between Mallory’s and Gray’s. “I understand your concern over losing your cargo. But surely you or your investor can recoup the loss with an insurance claim. You could not have sailed without a policy against fire.” Gray gave an ironic laugh. “Joss, I’ll wager you anything, that rum wasn’t on any bill of lading or insurance policy. Can’t you see the man’s nothing but a smuggler? Probably wasn’t bound for any port at all. What was your destination, Mallory? A hidden cove off the coast of Cornwall, perhaps?” He clucked his tongue. “That ship was overloaded and undermanned, and it would have been a miracle if you’d made it as far as Portugal. As for the rum, take up your complaint with the Vice Admiralty court after you follow us to Tortola. I’d welcome it.

What’s he doing?” I asked, leaning over the side of the boat, searching for him beneath the water. If the tow rope had gotten tangled, he might need help. And someone would need to go in the water with him, perhaps accidentally sliding against him down where no one else could see. “Boo!” A handful of bryozoa rushed up at me from the lake. I screamed (for once I didn’t have to think about this girl-reaction) and fell backward into the boat. Sean hefted himself over the side with one arm, holding the bryozoan high in the other hand. It dripped green slime through his fingers. “Bwa-ha-ha!” He came after me. I squealed again. It was so unbelievably fantastic that he was flirting with me, but bryozoa was involved. Was it worth it? No. I paused on the side of the boat, ready to jump back into the water myself. He might chase me around the lake with the bryozoa, but at least it would be diluted. On second thought, I didn’t particularly want to jump into the very waters the bryozoa had come from. Sean solved the problem for me. He slipped behind me and showed me he was holding the ties of my bikini in his free hand. If I jumped, Sean would take possession of my bikini top. I had thought about double knotting my bikini. I’d hoped against hope that Stage Two: Bikini would work, and that Sean might try something like this. Of course, I didn’t really want my top to come off in front of everyone. Nay, in front of anyone. But I’d checked the double knots in the mirror. They’d looked…well, double knotted, for protection, sort of like wearing a turtleneck to the prom. I’d re-tied the strings normally. Now I wished I’d double knotted after all. Sean brought the dripping slime close to my shoulder. “Go ahead and jump,” he said, twisting my bikini ties in his finges. “Sean,” came McGullicuddy’s voice in warning. This surprised me. My brother had never taken up for me before. Of course, none of the boys had ever crossed this particular line. But that was nothing compared with my surprise when the bryozoa suddenly lobbed out of Sean’s hand, sailed through the air, and plopped into the lake. Adam, standing behind him, must have shoved his arm. Which meant I owed Adam my gratitude for saving me. Except I didn’t want him to save me from Sean, and I thought I’d made that clear. Saving me from Sean with bryozoa…that was a more iffy proposition. I wasn’t sure whether I should give Adam the little dolphin look again when our eyes met. But it didn’t matter. When I turned around, he was already stepping over Cameron’s legs to return to the driver’s seat.

newer marshals,” Newman added. “I was glad when they invited them to teach you new guys. That much field experience shouldn’t go to waste.” “A lot of them are stake-and-hammer guys though,” Newman said. “Old-fashioned doesn’t begin to cover their methods.” “The hunter that taught me the ropes was like that.” “I thought Forrester was your mentor. He’s known for his gun knowledge,” Livingston said. “You get that off his Wikipedia page?” I asked. “No, he worked a case that a buddy of mine was on. My friend is a gun nut, and he loved Forrester’s arsenal. He said that Forrester even used a flamethrower.” “Yep, that’s Ted,” I said, shaking my head. “So, he wasn’t your first mentor?” “No, Manny Rodriguez was. He taught me how to raise zombies and how to kill vampires.” “What happened to him?” Newman asked. “His wife thought he was getting too old and forced him to retire from the hunting side of things.” “It is not a job for old men,” Olaf said. “I guess it isn’t, but I wasn’t ready to fly solo when Manny retired. I was lucky I didn’t get killed doing jobs on my own at first.” “When did Forrester start training you?” Livingston asked. “Soon enough to help me stay alive.” “Ted spoke highly of you from the beginning,” Olaf said. “He does not give unearned praise. Are you being humble?” “No, I don’t . . . I really did have some close calls when Manny first retired, or maybe I just missed having backup.” Hazel brought our coffee and my Coke. “I’ll be back to fill those waters up, and with the juice,” she said before she left again. I so wanted to start questioning her, but this was Newman’s warrant and everyone else besides Olaf was local. They knew Hazel. I didn’t. I’d let them play it for now. The coffee was fresh and hot and surprisingly good for a mass-produced cup. I did add sugar and cream, so it wasn’t great coffee, but I didn’t add much, so it wasn’t bad either. Olaf put in way more sugar than I did, so his cup would have been too sweet for me. He didn’t take cream. I guessed we could be snobby about each other’s coffee habits later. “But it was Forrester who taught you how to fight empty hand?” Livingston asked. “I had some martial arts when we met, but he started me on more real-world training that worked outside of a judo mat or a martial arts tournament.” “I thought he was out of New Mexico,” Livingston said. “He is.” “And you’re in St. Louis, Missouri.” “I am.” “Hard to train long-distance.” “I have people I train with at home.” “How often do you train?” Kaitlin asked. “At least three times a week in hand-to-hand and blade.” “Really that often?” Newman asked. “Yeah. How often do you train?” “I go to the range two, three times a month.” “Any martial arts?” I asked. “I go to the gym three times a week.

She stayed with buses after that, getting off only now and then to walk so she'd keep awake. What fragments of dreams came had to do with the post horn. Later, possibly, she would have trouble sorting the night into real and dreamed. At some indefinite passage in night's sonorous score, it also came to her that she would be safe, that something, perhaps only her linearly fading drunkenness, would protect her. The city was hers, as, made up and sleeked so with the customary words and images (cosmopolitan, culture, cable cars) it had not been before: she had safe-passage tonight to its far blood's branchings, be they capillaries too small for more than peering into, or vessels mashed together in shameless municipal hickeys, out on the skin for all but tourists to see. Nothing of the night's could touch her; nothing did. The repetition of symbols was to be enough, without trauma as well perhaps to attenuate it or even jar it altogether loose from her memory. She was meant to remember. She faced that possibility as she might the toy street from a high balcony, roller-coaster ride, feeding-time among the beasts in a zoo-any death-wish that can be consummated by some minimum gesture. She touched the edge of its voluptuous field, knowing it would be lovely beyond dreams simply to submit to it; that not gravity's pull, laws of ballistics, feral ravening, promised more delight. She tested it, shivering: I am meant to remember. Each clue that comes is supposed to have its own clarity, its fine chances for permanence. But then she wondered if the gemlike "clues" were only some kind of compensation. To make up for her having lost the direct, epileptic Word, the cry that might abolish the night. In Golden Gate Park she came on a circle of children in their nightclothes, who told her they were dreaming the gathering. But that the dream was really no different from being awake, because in the mornings when they got up they felt tired, as if they'd been up most of the night. When their mothers thought they were out playing they were really curled in cupboards of neighbors' houses, in platforms up in trees, in secretly-hollowed nests inside hedges, sleeping, making up for these hours. The night was empty of all terror for them, they had inside their circle an imaginary fire, and needed nothing but their own unpenetrated sense of community. They knew about the post horn, but nothing of the chalked game Oedipa had seen on the sidewalk. You used only one image and it was a jump-rope game, a little girl explained: you stepped alternately in the loop, the bell, and the mute, while your girlfriend sang: Tristoe, Tristoe, one, two, three, Turning taxi from across the sea… "Thurn and Taxis, you mean?" They'd never heard it that way. Went on warming their hands at an invisible fire. Oedipa, to retaliate, stopped believing in them.

His choice had to be swift as the wind. Should he take cover behind the row in front of him and toss the bit of metal in the snow (it'd be noticed but they wouldn't know who the culprit was) or keep it on him? For that strip of hacksaw he could get ten days in the cells, if they classed it as a knife. But a cobbler's knife was money, it was bread. A pity to throw it away. He slipped it into his left mitten. At that moment the next row was ordered to step forward and be searched. Now the last three men stood in full view-- Senka, Shukhov, and the man from the 32nd squad who had gone to look for the Moldavian. Because they were three and the guards facing them were five, Shukhov could try a ruse. He could choose which of the two guards on the right to present himself to. He decided against a young pink-faced one and plumped for an older man with a gray mustache. The older one, of course, was experienced and could find the blade easily if he wanted to, but because of his age he would be fed up with the job. It must stink in his nose now like burning sulfur. Meanwhile Shukhov had removed both mittens, the empty one and the one with the hacksaw, and held them in one hand (the empty one in front) together with the untied rope belt. He fully unbuttoned his jacket, lifted high the edges of his coat and jacket (never had he been so servile at the search but now he wanted to show he was innocent--Come on, frisk me!), and at the word of command stepped forward. The guard slapped Shukhov's sides and back, and the outside of his pants pocket. Nothing there. He kneaded the edges of coat and jacket. Nothing there either. He was about to pass him through when, for safety's sake, he crushed the mitten that Shukhov held out to him--the empty one. The guard crushed it in his band, and Shukhov felt as though pincers of iron were crushing everything inside him. One such squeeze on the other mitten and he'd be sunk--the cells on nine ounces of bread a day and hot stew one day in three. He imagined how weak he'd grow, how difficult he'd find it to get back to his present condition, neither fed nor starving. And an urgent prayer rose in his heart: "Oh Lord, save me! Don't let them send me to the cells." And while all this raced through his mind, the guard, after finishing with the right-hand mitten, stretched a hand out to deal with the other (he would have squeezed them at the same moment if Shukhov had held them in separate hands). Just then the guard heard his chief, who was in a hurry to get on, shout to the escort: "Come on, bring up the machine-works column." And instead of examining the other mitten the old guard waved Shukhov on. He was through. He ran off to catch up with the others. They had already formed fives in a sort of corridor between long beams, like horse stalls in a market, a sort of paddock for prisoners. He ran lightly; hardly feeling the ground. He didn't say a prayer of thanksgiving because he hadn't time, and anyway it would have been out of place. The escort now drew aside.

Or think of the tale of the blind men who encounter an elephant for the first time. One wise man, touching the ear of the elephant, declares the elephant is flat and two-dimensional like a fan. Another wise man touches the tail and assumes the elephant is like rope or a one-dimensional string. Another, touching a leg, concludes the elephant is a three-dimensional drum or a cylinder. But actually, if we step back and rise into the third dimension, we can see the elephant as a three-dimensional animal. In the same way, the five different string theories are like the ear, tail, and leg, but we still have yet to reveal the full elephant, M-theory. Holographic Universe As we mentioned, with time new layers have been uncovered in string theory. Soon after M-theory was proposed in 1995, another astonishing discovery was made by Juan Maldacena in 1997. He jolted the entire physics community by showing something that was once considered impossible: that a supersymmetric Yang-Mills theory, which describes the behavior of subatomic particles in four dimensions, was dual, or mathematically equivalent, to a certain string theory in ten dimensions. This sent the physics world into a tizzy. By 2015, there were ten thousand papers that referred to this paper, making it by far the most influential paper in high-energy physics. (Symmetry and duality are related but different. Symmetry arises when we rearrange the components of a single equation and it remains the same. Duality arises when we show that two entirely different theories are actually mathematically equivalent. Remarkably, string theory has both of these highly nontrivial features.) As we saw, Maxwell’s equations have a duality between electric and magnetic fields—that is, the equations remain the same if we reverse the two fields, turning electric fields into magnetic fields. (We can see this mathematically, because the EM equations often contain terms like E2 + B2, which remain the same when we rotate the two fields into each other, like in the Pythagorean theorem). Similarly, there are five distinct string theories in ten dimensions, which can be proven to be dual to each other, so they are really a single eleven-dimensional M-theory in disguise. So remarkably, duality shows that two different theories are actually two aspects of the same theory. Maldacena, however, showed that there was yet another duality between strings in ten dimensions and Yang-Mills theory in four dimensions. This was a totally unexpected development but one that has profound implications. It meant that there were deep, unexpected connections between the gravitational force and the nuclear force defined in totally different dimensions. Usually, dualities can be found between strings in the same dimension. By rearranging the terms describing those strings, for example, we can often change one string theory into another. This creates a web of dualities between different string theories, all defined in the same dimension. But a duality between two objects defined in different dimensions was unheard of.

Robert.” It was a sigh and a call at the same time. She ignored the lump in her throat and called again. In an instant, her view was obscured. “Lydia!” They were eye-to-eye, and neither said anything for a moment or two. Finally, after an audible gulp, Robert spoke in a whisper. “Are you all right?” “I’ve had better days,” she said in seriousness, and then realized the absurdity of her words and chuckled. “I’m covered in dirt, cuts, and bruises and sporting a lovely goose egg above my ear. One of my favorite gowns is nothing but a ruin, but other than that, I am fine. And now that you are here, I am better.” “Thank the Lord. I cannot tell you how relieved I am to hear you say so. I have been imagining all sorts … well, let’s talk about this later.” “Yes, when we don’t have to whisper through a wall.” “Indeed.” “So what is the plan?” “Hmm … well, plans are a little lacking at this moment. I had expected to rush in and simply grab you, but there are three guards by the door. I procured a thick stick, but three to one … well, not good odds. My second idea was to loosen some of these boards and pull you out. I have also acquired a horse. So once out, we can sneak or run, whichever is the most prudent.” “Yes, but the getting-out part seems to be the problem. For, if I am not mistaken, none of the boards on this side of the barn are loose, and the other sides are too close to the villains.” “There does seem to be a decided lack of cooperation on the part of the building. I have, however, noticed something that might offer another possibility. It would require a great deal of trust on your part.” “Oh?” Lydia was almost certain she was not going to like this new possibility. “Yes. There is a hay door above me. Is there a loft inside?” “Are you thinking that I should climb a rickety ladder to the loft and then try to escape through the hay door?” “Just a thought.” “How would I get down?” “That would be the trust part.” “Ahh. I would jump, and you would catch me.” Lydia visualized her descent, skirts every which way, and a very hard landing that might produce a broken body part. “Yes. Not a brilliant plan. Do you have another?” Robert sounded hopeful. “Not really. But might I suggest a variation to yours?” “By all means.” “I will return to my cell and get the rope that the thugs used to tie me up.” “They tied you up?” “Yes. But don’t let it bother you.…” “No?” “No. Because if they hadn’t, then I wouldn’t have a rope to lower myself from the hay door. I can use the one they used on my feet; it’s thick and long.” “I like that so much better than watching you fling yourself from a high perch.” “Me too. It might take a few minutes as I must return to my original cell—I escaped, you know.” “I didn’t. That is quite impressive.” “Thank you. Anyway, I must return to my cell for the rope, climb the ladder, cross the loft to the door … et cetera, et cetera. All in silence, of course.” “Of course.” “It might take as much as twenty minutes.” “I promise to wait. Won’t wander off … pick flowers or party with the thugs.” “Good to know.” “Just warn me before you jump.” “Oh, yes. I will most certainly let you know.” With a deep sigh, Lydia headed back to her cell, slowly and quietly.

Wherever you go, Provincetown will always take you back, at whatever age and in whatever condition. Because time moves somewhat differently there, it is possible to return after ten years or more and run into an acquaintance, on Commercial or at the A&P, who will ask mildly, as if he’d seen you the day before yesterday, what you’ve been doing with yourself. The streets of Provincetown are not in any way threatening, at least not to those with an appetite for the full range of human passions. If you grow deaf and blind and lame in Provincetown, some younger person with a civic conscience will wheel you wherever you need to go; if you die there, the marshes and dunes are ready to receive your ashes. While you’re alive and healthy, for as long as it lasts, the golden hands of the clock tower at Town Hall will note each hour with an electric bell as we below, on our purchase of land, buy or sell, paint or write or fish for bass, or trade gossip on the post office steps. The old bayfront houses will go on dreaming, at least until the emptiness between their boards proves more durable than the boards themselves. The sands will continue their slow devouring of the forests that were the Pilgrims’ first sight of North America, where man, as Fitzgerald put it, “must have held his breath in the presence of this continent, compelled into an aesthetic contemplation he neither understood nor desired, face to face for the last time in history with something commensurate to his capacity for wonder.” The ghost of Dorothy Bradford will walk the ocean floor off Herring Cove, draped in seaweed, surrounded by the fleeting silver lights of fish, and the ghost of Guglielmo Marconi will tap out his messages to those even longer dead than he. The whales will breach and loll in their offshore world, dive deep into black canyons, and swim south when the time comes. Herons will browse the tidal pools; crabs with blue claws tipped in scarlet will scramble sideways over their own shadows. At sunset the dunes will take on their pink-orange light, and just after sunset the boats will go luminous in the harbor. Ashes of the dead, bits of their bones, will mingle with the sand in the salt marsh, and wind and water will further disperse the scraps of wood, shell, and rope I’ve used for Billy’s various memorials. After dark the raccoons and opossums will start on their rounds; the skunks will rouse from their burrows and head into town. In summer music will rise up. The old man with the portable organ will play for passing change in front of the public library. People in finery will sing the anthems of vanished goddesses; people who are still trying to live by fishing will pump quarters into jukeboxes that play the songs of their high school days. As night progresses, people in diminishing numbers will wander the streets (where whaling captains and their wives once promenaded, where O’Neill strode in drunken furies, where Radio Girl—who knows where she is now?—announced the news), hoping for surprises or just hoping for what the night can be counted on to provide, always, in any weather: the smell of water and its sound; the little houses standing square against immensities of ocean and sky; and the shapes of gulls gliding overhead, white as bone china, searching from their high silence for whatever they might be able to eat down there among the dunes and marshes, the black rooftops, the little lights tossing on the water as the tides move out or in.

Her, though! Once when I was in high school she caught me doing something or other, imitating my Spanish teacher, perhaps with a pair of tights on my head, and said, like someone at the end of her rope, “What are you, a queer?” I’d been called a sissy before, not by her but by plenty of other people. That was different, though, as the word was less potent, something used by children. When my mother called me a queer, my face turned scarlet and I exploded. “Me? What are you talking about? Why would you even say a thing like that?” Then I ran down to my room, which was spotless, everything just so, the Gustav Klimt posters on the walls, the cornflower-blue vase I’d bought with the money I earned babysitting. The veil had been lifted, and now I saw this for what it was: the lair of a blatant homosexual. That would have been as good a time as any to say, “Yes, you’re right. Get me some help!” But I was still hoping that it might be a phase, that I’d wake up the next day and be normal. In the best of times, it seemed like such a short leap. I did fantasize about having a girlfriend—never the sex part, but the rest of it I had down. I knew what she’d

The boy was gripping a lantern in his right hand. Perhaps he had taken it from the butler’s office. He might have looked awkward, but he moved like a cat. Cristian didn’t even sense him approach. The boy raised the lantern high above his head. Cristian fumbled with the lock on the door, his shaking left hand trying to work the mechanism while his right arm held the dagger to Flora’s throat. The boy took a step. Then another. He was almost within reach. The door swung open. Cristian started to turn. “Now!” Cass screamed. The boy slammed the lantern hard against Cristian’s skull, and Cass heard the same crunching sound she’d heard when she’d hit him with the fireplace poker. He slumped to the ground, unconscious. The dagger fell to the floor with a clatter. Flora landed on her hands and knees, shaking and sobbing. Luca thundered down the servants’ stairs, skidding to a stop as he witnessed the chaos. Bortolo and Narissa were right behind him. “Cass, what happened?” Luca asked. The servants were weeping. The boy who had knocked out Cristian looked a bit dazed himself. The lantern hung limply from his right hand. “He saved us.” Cass gestured at the boy. Luca only then recognized the crumpled form on the floor. “Cristian,” he said. Turning to Narissa, he added, “Send for the Town Guard immediately.” Narissa hurried toward the front of the house. Cristian groaned, his eyelids fluttering. Flora stumbled back from him, one hand clutching her throat. Luca placed the sole of his boot on Cristian’s neck. “Someone get some rope,” he barked. Turning to the sandy-haired boy, he asked, “Who are you?” “Matteo Querini.” The boy set the lantern on the kitchen counter and frowned at Cristian. “Where I come from, a man does not hold a blade to a lady’s throat.” He turned to Cass. “Signorina Caravello, I presume? I’m here to assume control of the estate. Sorry. I was a bit delayed in my arrival.” “On the contrary.” Cass dipped into a shallow curtsy. “I’d say you arrived just in time.

wall while swinging from the rope bridge. At the top of the wall was a zip line with handlebars you had to grab. After that point, it was difficult to see the rest of the course. There were walls among walls blocking the view. It looked like there were spinning pillars scattered throughout it. I saw other pools of water and mud that the runner would have to avoid or worse yet, swim across. At the end of the course, there was a flat open space with barriers scattered throughout. High above the open space was a gun that shot tennis balls the runner had to avoid. The course was a monster. “Beauty, ain’t she?” Mr. Cooper said proudly as he approached us. “Just got her imported from Norway. The pamphlet said it was something that the Vikings themselves trained with, but somehow I doubt that. It also says ninety nine percent of students who attempt it can’t make it past the first rope bridge.” “What’s it doing here?” Carlyle asked. “Will students be running it today?” Mr. Cooper shook his head. “Oh no, it’s not ready by any means, legally I mean, buuuuut…,” the gym teacher trailed off as he glanced over his shoulder. “I didn’t see nothin’.” “Race ya,” Brayden said as he smiled at me. “How can I possibly say no?” I asked as I started running toward the obstacle course at full speed. When I reached the rope bridge, I didn’t hesitate and started climbing. Grabbing the ropes, I balanced myself and walked as quickly as possible over the pool of water. I

Secrets are strange wild things that fight against their very existence. Try to contain them and they will strain the seams, weaken the ropes, wear down their jailer until they are revealed.

10 Best Weight Loss Exercises The best exercises to lose weight in the gym are aerobics, for example: 1. Hiit Training The hit workout burns about 400 calories per hour and consists of a set of high intensity workouts that eliminate localized fat in just 30 minutes per day in a faster and fun way. The exercises are performed intensively to raise your heart rate a lot and so it is more suitable for those who already practice some kind of physical activity, although there are beginner hit exercises, but they consist of a series of exercises 'easier'. 2. Cross fit Training Cross fit training is also quite intense and burns about 700 calories per hour, however, this type of workout is quite different from the bodybuilding workout that people are more accustomed to seeing in gyms. Different weights are used, ropes, tires and often the exercises are performed, outside the gym, outdoors. 3. Dance Classes Dancing is a great way to strengthen muscles and burn some calories, 1 hour of ballroom dancing burns approximately 300 calories, and the person still increases flexibility and has fun, having a greater contact with other students. In this type of activity besides cardio respiratory benefits, and to lose weight, it is still possible to promote socialization. The university is a very lively type of dance, where you can burn about 400 calories per hour, in a fun way. In the buzz you can burn up to 800 kcal per hour. 5. Muay Thai Muay Thai is a type of intense martial art, where you can burn about 700 calories per hour. The workouts are very intense and also strengthen the muscles, as well as help increase self-esteem and self-defense. 6. Spinning The spinning classes are done in different intensities, but always on top of a bicycle, in a classroom with at least 5 bikes. The classes are very intense and promote the burning of about 600 calories per hour, and still strengthens the legs very much, being great to burn the fat of the legs and strengthen the thighs. 7. Swimming A swimming lesson can burn up to 400 calories per hour as long as the student does not slow down and keeps moving. Although the strokes are not too strong to reach the other side of the pool faster, it takes a constant effort, with few stops. When the goal is to lose weight, one should not only reach the other side of the pool, it is necessary to maintain a constant and strong rhythm, that is, one can cross the swimming pool crawl and turn back, for example, as a form of 'rest' . 8. Hydrogeology Water aerobics is also great for slimming, but to burn about 500 calories per hour you should always keep moving, enough to keep your breath away. As the water relaxes the tendency is to slow down, but if you want to lose weight, the ideal is to be in a group with this same purpose, because doing exercises at a pace for the elderly to stay healthy may not be enough to burn fat. 9. Race The workouts are excellent to burn fat, being possible to burn about 600 to 700 calories per hour, provided that a good pace is respected, without pauses, and with an effort able to leave the person breathless, unable to talk during the race . You can start at a slower pace, on the treadmill or outdoors, but each week you must increase the intensity to achieve better goals. Here's how to start running to lose weight. 10. Body pump Body pump classes are a great way to burn fat because it burns about 500 calories per hour. This is a class made with weights and step, which strengthens the muscles, working the main muscle groups. These are some examples of exercises that help you to lose weight fast, but that should be performed under professional guidance, to be performed correctly and to avoid injuries to muscles and joints.

44. Let The Mountain Give You Strength This is something I couldn’t quite get my head round when I was younger. One of my heroes, Sir Edmund Hillary, used to say that he drew strength from the mountain, and I just couldn’t understand what he meant. Then one day I experienced it for myself. Let me explain… Mountains - and all the natural struggles and obstacles they present - are also arenas to find out what we are made of. Inside every challenge, high on every mountain, is the opportunity to find a strength within us to survive and thrive. It just takes us to be willing to dig deep and push on hard enough and long enough to find that strength. But most people give up before they find it. This is why most people never reach the summit of their goals. They quit when the winds pick up. They let their heads dip when it gets hard. But I have learnt that on the mountains, the winds invariably pick up as you near the summit. (There is a scientific reason for this called the venturi effect, which means that as the wind hits the steep faces it gets squeezed, and when wind is compressed it speeds up. Hence windswept mountaintops.) So don’t be daunted or downhearted when it gets tough, don’t shy away - step up to the plate, rise up to the challenge, and embrace the mountain. When we do this, the mountain will reward you, it will ‘give’ you the strength to overcome. I don’t always know where this strength comes from but I have often felt it within me. The tougher it becomes, the more I have felt this strength welling up inside. So embrace that push, don’t hide from the squeeze, but push on and allow the mountain to give you that strength. Edmund Hillary found it, many explorers when really up against the ropes have found it, and I have found it. The key to its discovery is a willingness to push on and feed off the scale of the climb or the obstacle. Do this and the strength will come. Dig a little deeper, keep going a little longer, and somehow the summit will eventually come into view. It might not be until dawn, when the sun rises, but if you hang on in there long enough, it will inevitably come. And so often the darkest hour is just before the dawn. You just have to hang on in there through those dark hours - don’t give up, let the mountain sustain you and empower you, and you will experience the mountain within you.

Ken sos tu? I am Rebecca (Rivka, Rebekah) from my mother’s mother and the wife of Isaac in the Bible. The name means “to tie firmly” or “to snare,” which is why—or so her mother used to tell her when she struggled at sewing—she could, with practice, become skilled with a needle and thread. I am Camayor, from my mother’s father, Behor Camayor of blessed memory, and also Cohen, high priests descended from the sons of Aaron, a name she feels she must live up to, though she’ll hide it as needed and may God forgive her. I am from the pomegranate tree my father planted at my birth, from my nuns in white habits, my staircase with the worn ninth tread, the candlelight reflected in my fingernails. I am a gypsy girl, because to have no home place had once seemed romantic and she could do the dance, just as she could climb ropes at gymnastics, rising and lowering at will. Or was it actually that home, back then, was everywhere?

There are reasons it’s not encouraged,” Will said, understanding. “What is not encouraged?” Murchaud was looking down now, leaning ever so slightly forward into the put and watching the light flicker on its damp mortared wall. “For elf-princes to love mortal men.” The lantern swung lower, revealing a blessedly empty pit. Will breathed a shuddering sigh and let the rope go slack, his hand falling to rest at his waist. A faint smile softened the elf-Prince’s face, half concealed by his fine black bard. “So our Kit is learning,” Murchaud said, turning to look at Will. “You are breaking his heart, Master Shakespeare.” Will began pulling the lantern up. “And I should leave such tasks to you, Your Highness?” “It’s a heart, I think, has been broken enough.

escape, to cope, to numb, to forget. It’s a spiral all addicts are caught in. We’re addicts because our shame and our guilt keep us getting high. Every addict, every alcoholic has a self-loathing; we bathe ourselves in that. It’s the way for the addiction to keep us on the ropes, keep us connected to the darkness. It fuels off of it.