Electra Quotes

Death is not the worst thing; rather, when one who craves death cannot attain even that wish.

Electra weeping for the dead Orestes. If we love God while thinking that he does not exist, he will manifest his existence.

I ask this one thing: let me go mad in my own way.

When he endures nothing but endless miseries-- What pleasure is there in living the day after day, Edging slowly back and forth toward death? Anyone who warms their heart with the glow Of flickering hope is worth nothing at all. The noble man should either live with honor or die with honor. That's all there is to be said.

ORESTES: Never shall I see you again. ELECTRA: Nor I see myself in your eyes. ORESTES: This, the last time I'll talk with you ever. ELECTRA: O my homeland, goodbye. Goodbye to you, women of home. ORESTES: Most loyal of sisters, do you leave now? ELECTRA: I leave with tears blurring all that I see.

Yes it will be a grace if I die. To exist is pain. Life is no desire of mine anymore.

ORESTES: Just to see the outline of your suffering ELECTRA: Yet this is only a fraction of it you see.

The Naming of Cats is a difficult matter, It isn't just one of your holiday games; You may think at first I'm as mad as a hatter When I tell you, a cat must have THREE DIFFERENT NAMES. First of all, there's the name that the family use daily, Such as Peter, Augustus, Alonzo or James, Such as Victor or Jonathan, or George or Bill Bailey - All of them sensible everyday names. There are fancier names if you think they sound sweeter, Some for the gentlemen, some for the dames: Such as Plato, Admetus, Electra, Demeter - But all of them sensible everyday names. But I tell you, a cat needs a name that's particular, A name that's peculiar, and more dignified, Else how can he keep up his tail perpendicular, Or spread out his whiskers, or cherish his pride? Of names of this kind, I can give you a quorum, Such as Munkustrap, Quaxo, or Coricopat, Such as Bombalurina, or else Jellylorum - Names that never belong to more than one cat. But above and beyond there's still one name left over, And that is the name that you never will guess; The name that no human research can discover - But THE CAT HIMSELF KNOWS, and will never confess. When you notice a cat in profound meditation, The reason, I tell you, is always the same: His mind is engaged in a rapt contemplation Of the thought, of the thought, of the thought of his name: His ineffable effable Effanineffable Deep and inscrutable singular Name.

Think again, Electra. Don't say anymore. Don't you see what you're doing? You make your own pain. Why keep wounding yourself? With so much evil stored up in that cold dark soul of yours you breed enemies everywhere you touch.

For Time calls only once, and that determines all.

You said they had found the secret of happiness because they had never heard that love can be a sin.

You're dreaming, girl, lost in a moving dream.

I am at the end. I exist no more.

Not from Hades' black and universal lake can you lift him. Not by groaning, not by prayers. Yet you run yourself out in a grief with no cure, no time-limit, no measure. It is a knot no one can untie. Why are you so in love with things unbearable?

Yes, blood for blood, his bitter loan came due. He paid with death.

This is Electra. Brilliant no more.

There is a kind of excellence in me and you—born in us—and it cannot live in shame.

What an ugly, loveless life for a girl.

Of most dreadful suffering, I am the cause.

The magnificent thing about her [Amelia Earhart] is, in the eyes of the world, she simply never died. Her fear never witnessed, her failure never recorded, her shiny twin-engine Electra never recovered. Earhart's legacy of inspiration is amplified because her adventure is perpetual. We don't think of her as dead; we think of her as missing. She is forever flying, somewhere beyond Lae, over that limitless blue horizon.

Yet censure strikes hard at women, while men, the true agents of trouble, hear no reproach.

Well, you wanted me to be a hero in blue, so you better be resigned! Murdering doesn’t improve one’s manners!

Shame I do feel. And I know there is something all wrong about me—believe me. Sometimes I shock myself.

Orestes: How could you recognize me after all these years? Elektra: What a stupid question. I was born knowing you.

Electra, grieving for death, for her father, as a nightingale grieving always.

ELECTRA: Oh but my love—now that you have travelled back down all those years to meet my heart, over all this grief of mine, do not oh love— ORESTES: What are you asking? ELECTRA: Do not turn your face from me. Don't take yourself away.

I will not live by rules like those.

Maia, the beauty; Ally, the leader; Star, the peacemaker; CeCe, the pragmatist; Tiggy, the nurturer; and Electra, the fireball.

I HAD known him as a bulldozer, as a samurai, as an android programmed to kill, as Plastic Man and Titanium Man and Matter-Eater Lad, as a Buick Electra, as a Peterbilt truck, and even, for a week, as the Mackinac Bridge, but it was as a werewolf that Timothy Stokes finally went too far.

I wish you joy. To spend life's fleeting days mid joy that never meets an evil hour is to be blessed beyond compare.

Friendship is a tension. It makes delicate demands.

You are a woman marked for sorrow.

Yes I know sorrow. Know it far too well. My life is a tunnel choked by the sweepings of dread.

LAVINIA: He made me feel for the first time in my life that everything about love could be sweet and natural... I have a right to love!

Orestes beloved. as you die you destroy me. You have torn away the part of my mind where hope was .

Charley looked like someone from a Greek play, Electra, or Cassandra. She looked like someone had just set her favorite city on fire.

Because she—you hear her—she's calling, and is always going to call, and it's better both of us die by the dagger without anyone seeing us, Orestes, and die a fit death.

You gave birth to your own death.

By dread things I am compelled. I know that. I see the trap closing. I know what I am. But while life is in me I will not stop this violence. No. Oh my friends who is there to comfort me? Who understands? Leave me be, let me go, do not soothe me. This is a knot no one can untie. There will be no rest, there is no retrieval. No number exists for griefs like these.

It's your weakness gives them their strength. Mark how they dare not speak to me. A nameless horror has descended on you, keeping us apart. And yet why should this be? What have you lived through that I have not shared? Do you imagine that my mother's cries will ever cease ringing in my ears? Or that my eyes will ever cease to see her great sad eyes, lakes of lambent darkness in the pallor of it will ever cease ravaging my heart? But what matter? I am free. Beyond anguish, beyond remorse. Free. And at one with myself. No, you must not loathe yourself, Electra. Give me your hand. I shall never forsake you.

Give me a man, for his sons make courageous soldiers while pretty boys can only decorate the dance.

What greater sorrow than being forced to leave behind my native earth?

Hurry, come hold me, though I am dead. Shed tears on my body as on my grave.

I live in a place of tears.

Oh my love take me there. Let me dwell where you are. I am already nothing, I am already burning. Oh my love, I was once part of you—take me too!

Yes, I can endure guilt, however horrible; The laughter of my enemies I will not endure. Now

But when a god sends harm, no man can sidestep it, no matter how strong he may be.

Voice-cry. Agony--the spoken “word” exploded, blown to bits by suffering and anger, demolishing discourse: this is how she has always been heard before, ever since the time when masculine society began to push her offstage, expulsing her, plundering her. Ever since Medea, ever since Electra.

Where am I? What the hell difference is it? There’s plenty o’ fresh air and the moon fur a glim. Don’t be so damn pertic’lar!

All my love gone for nothing. Days of my love, years of my love.

Az a fura érzésem támadt, hogy a háborúban mindig ugyanazt az embert kell újra meg újra meggyilkolnunk, míg végül rá fogok ébredni, hogy én magam vagyok az az ember!

LAVINIA: I love everything that grows simply-- up toward the sun-- everything that's straight and strong! I hate what's warped and twists and eats into itself and dies for a lifetime in shadow...

And me all the while having to pee—coughing into the mike when my throat was tired and raw—eyes stinging and lips and chin crumpling in grief at his anger. The sweet tinkle of Electra on the bass and Iphy on the treble with Mama’s voice counting, “One and two and …” as the twins had their piano lesson inside the trailer. The gurgle and hum of the pumps that filtered my brother Arty’s “Aqua Boy” tank. And the dim round moon of baby Fortunato’s face peering at me from the dark of the risers above Papa.

And instead my beloved, luck sent you back to me colder than ashes, later than shadow.

There is something bad here, growing. Day and night I watch it. Growing. —Sophocles, Electra

Remember: women may not be too weak To strike a blow. -Sophocles, Electra

Superheroes don’t use swords?” Diehl said gleefully. “What about Nightcrawler? Deadpool? Electra, Shatterstar, Green Arrow, Hawkeye—oh, and then there’s Blade and Katana! Two superheroes who are actually named after swords! Oh, and Wolverine had that idiotic Muramasa Blade made with part of his soul. Which, while incredibly lame, was still a far cooler magical weapon than Sting!

Electra spends the entirety of Sophocles's play in a doorway, I say to my students, when we read his Theban trilogy in my Adaptations course. She is unable to return home and unable to venture into the world. Pay attention to doorways, to paths, to in-between spaces, I tell them, these are the places of transformation.

You are nothing at all. Just a crack where the light slipped through.

Bear witness for one who is loved and not loved: we cast the cloak gently around her, an end of great woe for our house.

The hounds snap fierce at your heels. Turn toward Athens. I hear them pelting hard on you, I see black flesh and snake-hands coiling round a fruit of agonizing pain.

Anger, The spring of all life's horror. - Medea

Did you know that when Dave Navarro first met Carmen Electra, rumor has it that he was so taken with her beautiful eyes that he went out and bought over a hundred pairs of sunglasses for her to wear to cover her eyes whenever she left her house so no one would fall in love the way he did?

LAVINIA: I want to feel love! Love is all beautiful! I never used to know that! I was a fool! We'll be married soon... We'll make an island for ourselves on land and we'll have children and love them and teach them to love life so that they can never be possessed by hate and death!

But when a god             strikes harm, a worse man often foils his better.

Here he comes like a stealing shadow, like a footprint of death into the rooms, stalking the past with freshcut blood in his hands.

I need one food: I must not violate Elektra

Harsh ways are taught by harshness.

There is no justice in the world's censorious eyes. They will not wait to learn a man's true character; Though no wrong has been done them, one look - and they hate. - Medea

Again, again your mind has changed course with the wind. For you think now of godly things ignored when you worked dreadful deeds on your brother against his will.

Now is no time to delay. This is the edge of action.

Euripides,” she said “Electra. ‘No god hearkens to my helpless cry.’ You know—the class just ended.

I believe in prophetic speech . . . still. I believe in Cassandra, I believe in Electra and in the charming Antigone. . . . For me, they’re more alive than the [Institute for] Intellectual Cooperation and its choice group of old men.

ODYSSEUS             I cannot recommend a rigid spirit.

What men have seen they know;             but what shall come hereafter             no man before the event can see, 1420    nor what end waits for him.

Not long now: the blazing dream of my head is crawling out.

You can have your rich table and life flowing over the cup. I need one food: I must not violate Elektra.

Last night was a night of bad dreams and ambiguous visions.

What man’s not guilty? It’s taken you a long time to learn That everybody loves himself more than his neighbour.

Apollo, Apollo—but he is my lord. I will keep silence. He is wise forever, though his oracle spoke brutal words. We are bound to acquiesce. And you must do now as Fate and Zeus ordain.

Growing older I descend November. The asymptotic cycle of the year plummets to now. In crystal reveries I pass beneath a fixed white line of trees where dry leaves lie for footsteps to dismember. They crackle with a muted sound like fear. That and the wind are all that I can hear. I ask cold air, “What is the word that frees?” The wind says, “Change,” and the white sun, “Remember.” —from Electra

None but a fool or an infant could forget a father gone so far and cold. No. Lament is a pattern cut and fitted around my mind—like the bird who calls Itys! Itys! endlessly, bird of grief, angel of Zeus. O heartdragging Niobe, I count you a god: buried in rock yet always you weep.

Only fools think that they alone Are wise, and hear no other point of view. À wise man is never ashamed to learn, To listen, and bend when the time is right. When a flood sweeps through a forest, the trees That bend survive, keep every leaf intact; The ones that don't snap off and are swept away. A wise man knows when to slacken sail; À fool refuses and overturns his ship.

Apollo, your voice hymned a justice I could not see clear, but all too clear the anguish you caused, the bloodhaunted, homeless future you've doled out.

No pity for these things, there is no pity but mine, oh father, for the pity of your butchering rawblood death.

Never since that time has this house got itself clear of rawblood butchery.

Long have we lived in shadows and shuddering: today I think our future is opening out.

But death was a wind too strong for that.

Careful! There is war in women too, as you know by experience, I think.

You drive me back down my desperation—that unclouded incurable never forgotten evil growing inside my life.

[H]ave my miseries a measure?

We live in a strange time,’ Electra said. ‘A time when the gods are fading. Some of us still see them but there are times when we don’t. Their power is waning. Soon, it will be a different world. It will be ruled by the light of day. Soon it will be a world barely worth inhabiting. You should feel lucky that you were touched by the old world, that in that house it brushed you with its wings.

Twas dire oppression taught me my complaint. I know my rage a quenchless fire: But nought, however dire, Shall visit this my frenzy with restraint; Or check my lamentation while I live. Dear friend, kind women of true Argive breed, Say, who can timely counsel give Or word of comfort suited to my need? Beyond all care shall this my cause be known. No counsels more! Ah leave, Vain comforters, and let me grieve With ceaseless pain, unmeasured in my moan.

Look well at this, and speak no towering word             yourself against the gods, nor walk too grandly             because your hand is weightier than another’s, 130      or your great wealth deeper founded. One short day             inclines the balance of all human things             to sink or rise again. Know that the gods             love men of steady sense and hate the wicked.

(This is from a tribute poem to Ronnie James Dio: Former lead vocalist of the band Rainbow, Black Sabbath. This is written with all the titles of the hit songs of DIO. The titles are all in upper case) You can “CATCH THE RAINBOW” – “A RAINBOW IN THE DARK” Through “ROCK & ROLL CHILDREN” “HOLY DIVER” will lurk “BEFORE THE FALL” of “ELECTRA” “ALL THE FOOLS SAILED AWAY” “JESUS,MARY AND THE HOLY GHOST”- “LORD OF THE LAST DAY” “MASTER OF THE MOON” you are When my “ONE FOOT IN THE GRAVE” With our “BLACK”, “COLD FEET”, “MYSTERY” of “PAIN” you crave You’re “CAUGHT IN THE MIDDLE”, “BETWEEN TWO HEARTS” When “HUNGRY FOR HEAVEN” “HUNTER OF THE HEART” hurts “FALLEN ANGELS” “FEED MY HEART” “FEVER DREAMS” “FEED MY HEAD” “I AM” “ANOTHER LIE” “AFTER ALL (THE DEAD)” Not “GUILTY” if you “HIDE IN THE RAINBOW’’ With your perfect “GUITAR SOLO” “DON’T TELL THE KIDS” to “DREAM EVIL” Don’t “GIVE HER THE GUN” to follow “DON’T TALK TO STRANGERS” Those “EVIL EYES” can see “LORD OF THE NIGHT” “MISTREATED”; “MY EYES” hate to fancy “SHAME ON THE NIGHT” “TURN UP THE NIGHT” Now it’s “TIME TO BURN” “TWISTED” “VOODOO” does “WALK ON WATER” And today its our turn “BLOOD FROM A STONE” “BORN ON THE SUN” I’m “BETTER IN THE DARK” “BREATHLESS” The “PRISONER OF PARADISE” you are! Forever you are deathless “SACRED HEART” “SHIVERS” Laying “NAKED IN THE RAIN” “THIS IS YOUR LIFE”- “ WILD ONE”! Your “GOLDEN RULES” we gain “IN DREAMS” “I SPEED AT NIGHT” I’m “LOSING MY INSANITY” “ANOTHER LIE”: “COMPUTER GOD” Your “HEAVEN AND HELL”- my vanity! By “KILLING THE DRAGON” “I COULD HAVE BEEN A DREAMER” I’m “THE LAST IN LINE” To “SCREAM” Like an “INVISIBLE” screamer Now that you are gone “THE END OF THE WORLD” is here “STRAIGHT THROUGH THE HEART” “PUSH” “JUST ANOTHER DAY” in fear “CHILDREN OF THE SEA” “ DYING IN AMERICA” Is it “DEATH BY LOVE”? “FACES IN THE WINDOW” looking for A “GYPSY” from above Dear “STARGAZER” from “STRANGE HIGHWAYS” Our love “HERE’S TO YOU” “WE ROCK” “ONE MORE FOR THE ROAD” The “OTHER WORLD” anew “ONE NIGHT IN THE CITY” with “NEON KNIGHTS” “THE EYES” “STAY OUT OF MY MIND” The “STARSTRUCK” “SUNSET SUPERMAN” Is what we long to find “THE MAN WHO WOULD BE KING” Is the “INSTITUTIONAL MAN” “SHOOT SHOOT” to “TURN TO STONE” “WHEN A WOMAN CRIES” to plan To “STAND UP AND SHOUT” before “ THE KING OF ROCK AND ROLL” Though “GOD HATES HEAVY METAL” “EAT YOUR HEART OUT” to reach the goal. From the poem- Holy Dio: the Diver (A tribute to Ronnie James Dio)

Daylight cannot take the place of Sunlight, which gives us strength and energy. Moonlight is of value when Daylight, worn out with her long watch, retires to rest. If the moon in its course is hidden behind the earth's rim, and my sweet Moonlight cannot cheer us, Starlight takes her place, for the skies always lend her power. Without Firelight we should miss much of our warmth and comfort, as well as much cheer when the walls of houses encompass us. But always, when other lights forsake us, our glorious Electra is ready to flood us with bright rays. As Queen of Light, I love all my maidens, for I know them to be faithful and true.

His wife, Electra, was a capable helpmeet, although—like himself— a dreamer of dreams and a private dabbler in romance. The first thing she did, after her marriage—child as she was, aged only nineteen— was to buy an acre of ground on the edge of the town, and pay down the cash for it—twenty-five dollars, all her fortune. Saladin had less, by fifteen. She instituted a vegetable garden there, got it farmed on shares by the nearest neighbor, and made it pay her a hundred per cent. a year. Out of Saladin's first year's wage she put thirty dollars in the savings-bank, sixty out of his second, a hundred out of his third, a hundred and fifty out of his fourth. His wage went to eight hundred a year, then, and meantime two children had arrived and increased the expenses, but she banked two hundred a year from the salary, nevertheless, thenceforth. When she had been married seven years she built and furnished a pretty and comfortable two-thousand-dollar house in the midst of her garden-acre, paid half of the money down and moved her family in. Seven years later she was out of debt and had several hundred dollars out earning its living.

Sevro, swarmed by his daughters, makes faces at them as they eat. But when the air cracks with a sonic boom, he bolts upright, looks at the sky, and runs off into the house, urging his children to stay put. He returns a whole half an hour later arm in arm with his wife, hair a mess, two jacket buttons missing, touching a white napkin to a bloodied, split lip. My old friend Victra, immaculate in a high-collared green jacket threaded with gemstones, beams devilishly across the patio at me. She’s seven months pregnant with their fourth daughter. “Well, if it isn’t the Reaper in the leathery flesh. Apologies, my goodman. I’m dreadfully late.” Her long legs cover the distance in three strides. I greet her with a hug. She squeezes my butt hard enough to make me jump. She kisses Mustang on the head and slides into a chair, dominating the table. “Hello, gloomy one,” she says to Electra.

But a child who was merely pushed aside and disciplined, who never experienced soothing caresses, is not aware that anything like nonexploitative caresses can exist. She has no choice but to accept any closeness she is offered rather than be destroyed. Under certain circumstances she will even accept sexual abuse for the sake of finding at least some affection rather than freezing up entirely. When, as an adult woman, she comes to realize that she was cheated out of love, she may be ashamed of her former need and hence feel guilty. She will blame herself because she dare not blame her mother, who failed to satisfy the child’s need or perhaps even condemned it. Psychoanalysts protect the father and embroider the sexual abuse of the child with the Oedipus, or Electra, complex, while some feminist therapists idealize the mother, thus hindering access to the child’s first traumatic experiences with the mother. Both approaches can lead to a dead end, since the dissolving of pain and fear is not possible until the full truth of the facts can be seen and accepted.

But doctor, even you, a Hittite, saw what our Mycenaean shields were like! Oh, don’t smile, I may be an old woman, but I known what I am talking about, and if you will be patient, you will understand, too… You do not see the wholeness of things, the Virtue, the arête. You observe one fact, the single symptom, like the Hittite doctor you are, but your eyes are blind to the Ananke, the whole Order of things which even the gods cannot infringe. The shield is formed on a frame, and that frame is the will of man. But after the sun and rain have been on it a week, its shape has changed beyond man’s guiding; and that is Ananke… though I began upon a firm frame, the hide of my experience has tautened and twisted until now I am as Ananke will me to be. I am not what I wished, or others wished for me: I am what it was ordained for me to become ever the seed passed from my father to my mother. I am the cow’s hide, tormented to the only shape it can be. Now do you see? Do you see that there may be no anger, no regret, no remorse?