Hes Special Quotes

We've searched our database for all the quotes and captions related to Hes Special. Here they are! All 100 of them:

Alec isn’t happy,” said Magnus, as if she hadn’t spoken. “Of course he isn’t,” Isabelle snapped. “Jace—” “Jace,” said Magnus, and his hands made fists at his sides. Isabelle stared at him. She had always thought that he didn’t mind Jace; liked him, even, once the question of Alec’s affections had been settled. Out loud, she said: “I thought you were friends.” “It’s not that,” said Magnus. “There are some people — people the universe seems to have singled out for special destinies. Special favors and special torments. God knows we’re all drawn toward what’s beautiful and broken; I have been, but some people cannot be fixed. Or if they can be, it’s only by love and sacrifice so great it destroys the giver.” Isabelle shook her head slowly. “You’ve lost me. Jace is our brother, but for Alec — he’s Jace’s parabatai too —” “I know about parabatai,” said Magnus, his voice rising in pitch. “I’ve known parabatai so close they were almost the same person; do you know what happens, when one of them dies, to the one that’s left—” “Stop it!” Isabelle clapped her hands over her ears, then lowered them slowly. “How dare you, Magnus Bane,” she said. “How dare you make this worse than it is —” “Isabelle.” Magnus’ hands loosened; he looked a little wide-eyed, as if his outburst had startled even him. “I am sorry. I forget, sometimes . . . that with all your self-control and strength, you possess the same vulnerability that Alec does.” “There is nothing weak about Alec,” said Isabelle. “No,” said Magnus. “To love as you choose, that takes strength. The thing is, I wanted you here for him. There are things I can’t do for him, can’t give him . . .” For a moment Magnus looked oddly vulnerable. “You have known Jace as long as he has. You can give him understanding I can’t. And he loves you.” “Of course he loves me. I’m his sister.” “Blood isn’t love,” said Magnus, and his voice was bitter. “Just ask Clary.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
You know Twilight?” He blinks. “Excuse me?” “Twilight. The vampire book.” His wary eyes study my face. “What about it?” “Okay, so you know how Bella’s blood is extra special? Like how it gives Edward a raging boner every time he’s around her?
Elle Kennedy (The Score (Off-Campus, #3))
Okay, so you know how Bella’s blood is extra special? Like how it gives Edward a raging boner every time he’s around her?
Elle Kennedy (The Score (Off-Campus, #3))
Actions talk. Words are worthless. You think to discover in me a vein of vulnerability, a marbling of sensitivity glimpsed only by you because you’re special, so you can proclaim, “Look, Barrons’ torturous past has made him a monster but only because he’s suffered so much. It’s understandable that he lives by no law but his own—a violent, bloody, conscienceless law—but the healing power of my love will restore his demolished humanity!” Restore means to return a thing that was taken. Mine was not.
Karen Marie Moning (Burned (Fever, #7))
When a guy like that kisses you, it doesn’t matter if you’re important or special. All that matters is that it’s you he’s kissing, and man, was he kissing the shit out of you.
Jay Crownover (Better When He's Bad (Welcome to the Point, #1))
I like your T-shirt. So much. It’s magnificent on you.” He’s mystified as he looks down at himself. “It’s nothing special. I . . . like yours too. It’s as big as a dress.” The
Sally Thorne (The Hating Game)
Yes, he’s like a rash for which there’s no cure. It only goes away for a bit before returning unexpectedly to ruin every pleasurable experience. He should have been named Herpes rather than ZT. Or maybe just Herpes Z, since he’s a very special irritant. (Arik)
Sherrilyn Kenyon (The Dream-Hunter (Dark-Hunter, #10; Dream-Hunter, #1))
Dear Josh, Thank you for giving me the most amazing memories. My life growing up was so full because you were in it. Having your love and loving you was always just right. It made sense. You were my home. When I was with you I knew everything would be okay. You dried my tears for me when I was sad. You held my hand when we buried my mother. You made me laugh when the world seemed like it was falling apart. You were every special memory a girl could have. That first kiss will forever be embedded in my brain. It was as funny as it was sweet. Our life together molded me into the woman I’ve become. I understand what it feels like to be loved and cherished because I had that with you. I never doubted my worth because you taught me I was worthy. When you said that one day I would heal I didn’t believe that was possible. Life couldn’t go one without my best friend. There was no room for another guy in my heart. It turns out you were right. You always were. I found him. He is incredible. He is nothing at all like I would have planned. He doesn’t fit into a perfect package. He managed to wiggle into my heart and take over before I knew what was happening. I found that happiness you told me would come along. I’m going to go live that life. I’m sure it will be a wilder ride than I ever imagined and I can’t wait to live it. He’s my home now. I’ll always love you. I’ll never forget you. But this is my goodbye. I wasn’t ready before to let you go. Now, I can move on. Your memory will live on in my heart always. Love, Your Eva Blue
Abbi Glines (While It Lasts (Sea Breeze, #3))
A boy was watching his grandmother write a letter. At one point he asked: ‘Are you writing a story about what we’ve done? Is it a story about me?’ His grandmother stopped writing her letter and said to her grandson: I am writing about you, actually, but more important than the words is the pencil I’m using. I hope you will be like this pencil when you grow up.’ Intrigued, the boy looked at the pencil. It didn’t seem very special. ‘But it’s just like any other pencil I’ve ever seen!’ ‘That depends on how you look at things. It has five qualities which, if you manage to hang on them, will make you a person who is always at peace with the world.’ ‘First quality: you are capable of great things, but you must never forget that there is a hand guiding your steps. We call that hand God, and He always guides us according to His will.’ ‘Second quality: now and then, I have to stop writing and use a sharpner. That makes the pencil suffer a little, but afterwards, he’s much sharper. So you, too, must learn to bear certain pains and sorrows, because they will make you a better person. ‘Third quality: the pencil always allows us to use an eraser to rub out any mistakes. This means that correcting something we did is not necessarily a bad thing; it helps to keep us on the road to justice.’ ‘Fourth quality: what really matters in a pencil is not its wooden exterior, but the graphite inside. So always pay attention to what is happening inside you.’ ‘Finally, the pencil’s fifth quality: it always leaves a mark. in just the same way, you should know that everything you do in life will leave a mark, so try to be conscious of that in your every action
Paulo Coelho (Like the Flowing River)
Rose, I’m sorry I had to leave so quickly, but when the Alchemists tell me to jump … well, I jump. I’ve hitched a ride back to that farm town we stayed in so that I can pick up the Red Hurricane, and then I’m off to Saint Petersburg. Apparently, now that you’ve been delivered to Baia, they don’t need me to stick around anymore. I wish I could tell you more about Abe and what he wants from you. Even if I was allowed to, there isn’t much to say. In some ways, he’s as much a mystery to me as he is to you. Like I said, a lot of the business he deals in is illegal—both among humans and Moroi. The only time he gets directly involved with people is when something relates to that business—or if it’s a very, very special case. I think you’re one of those cases, and even if he doesn’t intend you harm, he might want to use you for his own purposes. It could be as simple as him wanting to contract you as a bodyguard, seeing as you’re rogue. Maybe he wants to use you to get to others. Maybe this is all part of someone else’s plan, someone who’s even more mysterious than him. Maybe he’s doing someone a favor. Zmey can be dangerous or kind, all depending on what he needs to accomplish. I never thought I’d care enough to say this to a dhampir, but be careful. I don’t know what your plans are now, but I have a feeling trouble follows you around. Call me if there’s anything I can help with, but if you go back to the big cities to hunt Strigoi, don’t leave any more bodies unattended! All the best, Sydney P.S. “The Red Hurricane” is what I named the car. P.P.S. Just because I like you, it doesn’t mean I still don’t think you’re an evil creature of the night. You are.
Richelle Mead (Blood Promise (Vampire Academy, #4))
Just because a hot guy likes you doesn’t mean you owe him anything. You don’t have to like him back and you don’t have to feel bad that you don’t like him back. Being friends is already pretty special because it means you trust him. If he’s worth keeping in your life, he’ll respect your choice either way.
Emma Raveling (Crest (Ondine Quartet, #3))
We don’t know each other, but I know that you must be very special. I can’t be there today, to watch my baby boy promise his love to you, but there are a few things that I think I might say to you if I were. First, thank you for loving my son. Of all my boys, Travis is the most tender hearted. He is also the strongest. He will love you with everything he has for as long as you let him. Tragedies in life sometimes change us, but some things never change. A boy without a mother is a very curious creature. If Travis is anything like his father, and I know that he is, he’s a deep ocean of fragility, protected by a thick wall of swear words and feigned indifference. A Maddox boy will take you all the way to the edge, but if you go with him, he’ll follow you anywhere. I wish more than anything that I could be there today. I wish I could see his face when he takes this step with you, and that I could stand there with my husband and experience this day with all of you. I think that’s one of the things I’ll miss the most. But today isn’t about me. You reading this letter means that my son loves you. And when a Maddox boy falls in love, he loves forever. Please give my baby boy a kiss for me. My wish for both of you is that the biggest fight you have is over who is the most forgiving. Love, Diane
Jamie McGuire (A Beautiful Wedding (Beautiful, #2.5))
You know what, the jacket’s like the car.” "“Is this a riddle?” " , "“No,” Peabody said as Eve swiped the master.","“It’s an", "ordinary thing—well, special, but a jacket, right? And the car, it’s ordinary, it even looks it. But both of them have the special inside. Cop special especially, you know? He so gets you. That’s even better than a just-because present.”", "“You’re right. He does. And it is.” Inside, Eve paused another moment. “He’s worried about me.”", [J.D. Robb, Celebrity In Death]
J.D. Robb
Hey. You know Twilight?” He blinks. “Excuse me?” “Twilight. The vampire book.” His wary eyes study my face. “What about it?” “Okay, so you know how Bella’s blood is extra special? Like how it gives Edward a raging boner every time he’s around her?” “Are you f*cking with me right now?” I ignore that. “Do you think it happens in real life? Pheromones and all that crap. Is it a bullshit theory some horndog dreamed up so he could justify why he’s attracted to his mother or some shit? Or is there actually a biological reason why we’re drawn to certain people? Like goddamn Twilight. Edward wants her on a biological level, right?” “Are you seriously dissecting Twilight right now?
Elle Kennedy (The Score (Off-Campus, #3))
Looks like he recovered from the wood chipper pretty well. Want me to kick his ass?” “No, I don’t want you to kick his ass.” “You sure? Because I specialize in deassholization.” This time she smiles. “Deassholization?” “Yeah. Just think of me as the Orkin man of assholes—utting assholes in their place.” “Well, I appreciate the offer, but he’s not worth it.” I reach forward to tuck a stray lock of raven hair behind her ear. “If he hurt you, he’s worth it.
M. Leighton (Down to You (The Bad Boys, #1))
He’s heart-stoppingly handsome, and he has this brooding sense about him whenever I see his pictures. As if he rarely cracks a smile, so when he does you know it must be special...
Lauren Blakely (Playing With Her Heart (Caught Up In Love, #5))
concerted cultivation. He gets taken to museums and gets enrolled in special programs and goes to summer camp, where he takes classes. When he’s bored at home, there are plenty of books to read, and his parents see it as their responsibility to keep him actively engaged in the world around him. It’s not hard to see how Alex would get better at reading and math over the summer.
Malcolm Gladwell (Outliers: The Story of Success)
You say I haven’t any orginality. But mark this, dear Prince, there’s nothing more annoying for a man of our time and race than to tell him he’s not original, a weak character with no special talents, ordinary in other words. You didn’t even deign to regard me as a genuine rogue, I felt like killing you for that just now, you know that?
Fyodor Dostoevsky (The Idiot)
A little voice in the back of my head said: don’t trust him! You’re not special! You’re weird and awkward and a big-headed Neanderthal freak with Medusa hair!!! He’s confused you with someone else!!!! Almost immediately I told that voice to go eat shit and die.
Penny Reid (Neanderthal Seeks Human (Knitting in the City, #1))
What the hell does liberty mean anyhow? It’s just a word like house or table or any other word. Only it’s a special kind of word. A guy says house and he can point to a house to prove it. But a guy says come on let’s fight for liberty and he can’t show you liberty. He can’t prove the thing he’s talking about so how in the hell can he be telling you to fight for it?
Dalton Trumbo (Johnny Got His Gun)
He’s like all the PE teachers I’ve ever had rolled up into one and sprinkled with Nazi dust.
Spencer Kope (Collecting the Dead (Special Tracking Unit #1))
Hey, comrade,” Dima said, tone, choice of words, everything exactly as it would have been in the eighties, in that forsaken country. Vadim peered at him in the mirror. “Yes?” “Are you guys in trouble?” Dima moved closer, stood within touching distance. “I don’t mean your little crusade a while back. I mean the rest.” Vadim inhaled and lowered his gaze for a few moments. “Life isn’t easy, Dima. That’s our set of rules.” “You know you can change them. If he’s fucking around….” “So am I.” “But you’re not happy with it?” “It’s just sex, Dima.” Dima looked at him for a long time. “It’s never just sex for you, though. Am I wrong?” “No. You’re right.” Vadim shook his head. “Rules, Dima. We’re a different case.” Dima reached out and took him by the shoulders, pulling him up and back against him, which made Vadim look at himself in the mirror. “It’s not easy. I wish it was.
Aleksandr Voinov (Special Forces - Mercenaries Part II (Special Forces, #2 part 2))
Do yourself a favor—wait for someone special. Trust me, he’s not roaming the halls of your high school. And if he were, he wouldn’t be sleeping with some girl named Tracy, or Stacy, or anybody else. He’d only have eyes for you. Don’t give away something you can never get back, save it for someone you love and who really loves you, too.
Addison Moore (Someone to Love (Someone to Love, #1))
What’s the good of that if I’m not on the House team?” said Malfoy, looking sulky and bad-tempered. “Harry Potter got a Nimbus Two Thousand last year. Special permission from Dumbledore so he could play for Gryffindor. He’s not even that good, it’s just because he’s famous … famous for having a stupid scar on his forehead. …” Malfoy bent down to examine a shelf full of skulls. “… everyone thinks he’s so smart, wonderful Potter with his scar and his broomstick —” “You have told me this at least a dozen times already,” said Mr. Malfoy, with a quelling look at his son.
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
You think I like this?” I say defensively. “Trust me, I don’t need this headache in my life.” I swallow a mouthful of beer. “Hey. You know Twilight?” He blinks. “Excuse me?” “Twilight. The vampire book.” His wary eyes study my face. “What about it?” “Okay, so you know how Bella’s blood is extra special? Like how it gives Edward a raging boner every time he’s around her?” “Are you fucking with me right now?” I ignore that. “Do you think it happens in real life? Pheromones and all that crap. Is it a bullshit theory some horndog dreamed up so he could justify why he’s attracted to his mother or some shit? Or is there actually a biological reason why we’re drawn to certain people? Like goddamn Twilight. Edward wants her on a biological level, right?” “Are you seriously dissecting Twilight right now?” God, I am. This is what Allie has reduced me to. A sad, pathetic loser who goes to a bar and forces his friend to participate in a Twilight book club.
Elle Kennedy (The Score (Off-Campus, #3))
They’re special. Adam’s tied to the ley line. Ronan’s a dreamer. Blue amplifies all of that.” “Richie Rich is just a person,” Orla said. “Yes, and he’s going to die.” The
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
Now that I know he’s Ezra’s new maybe-special friend, I pay a little more attention to him than I would have before. He kind of reminds me of a golden retriever, with his floppy blond hair and blue eyes. The first time I saw him in acrylics class, I kind of immediately hated the guy. He’s the sort of person the world adores, just based on the way he looks, a little like the way people obsess over men like Chris Hemsworth and Chris Evans and Chris Pine and all the other famous Chrises, plus Ryan Gosling, claiming that they’re liberal and that they aren’t racist and that they’re feminists, but not really thinking about why they’re so obsessed with white men, and why they don’t love any people of color the same way.
Kacen Callender (Felix Ever After)
I’m Tekchin,” he said, exchanging an empty gourd for a full one. “The handsomest and most skilled of the Galantians.” This brought an immediate and loud moan from the other Fhrey. “That scar suggests otherwise,” Moya replied. “On both counts.” More laughter, louder this time. “Pretty and smart,” Tekchin said to the others in Fhrey. Persephone was thankful Moya couldn’t understand their language. A comment like that would have been tantamount to putting torch to tinder. “This?” Tekchin returned to Rhunic and touched his cheek. “Naw, this is a beauty mark given to me by a special friend. He’s dead now, of course, but he was a gifted opponent and aiming for my throat. I can assure you it proves my skill. So what’s your name, or shall I call you Doe-Eyes?” “Doe-Eyes? Seriously?” Moya rolled her same-said eyes in disbelief. “I would have expected something less sappy from a god. My name is Moya. Call me anything else and you’ll receive a second beauty mark.” Tekchin struggled but failed to resist smiling. Behind him, the rest of the Fhrey laughed once more. “God, eh?” Tekchin said. “Don’t get too excited. Apparently it’s only a rumor.” “I like you, Moya.” “Most people do,” she replied.
Michael J. Sullivan (Age of Myth (The Legends of the First Empire, #1))
That’s what makes us special,” she continues. “This isn’t just a courtship of boy meets girl. They fall in love, yadda, yadda. This is a lifelong commitment to men who aren’t satisfied living ordinary lives. It sometimes seems more of an obsession than a mission. One that can test a woman to her absolute limits.” She grins over at me, “But for him, for that man, I’ll do it. I’ll be there when he fucks up so badly he can’t celebrate how good he is or what he’s done. I’ll be there whenever he doubts himself and our relationship suffers because of those doubts. I’ll be there with my hair done, and my lipstick on, in my best heels, with my head held high on his darkest days, because that’s what he needs. And I don’t want him changing. I don’t want him to stop being who he is, not ever, not for me, and not for any baby we make.” She turns her gaze to me. “But I will use the tips of these heels to pierce and pin his brass balls down if he ever stops giving me what I need.
Kate Stewart (The Finish Line (The Ravenhood, #3))
Travis doesn’t remember much about it, but he was close to his mom, and after we lost her he was never the same. I thought he’d grow out of it, you know, with him being so young. It was hard on all of us, but Trav…he quit trying to love people after that. I was surprised that he brought you here. The way he acts around you, the way he looks at you; “That’s what I thought. You have to be patient with him. Travis doesn’t remember much about it, but he was close to his mom, and after we lost her he was never the same. I thought he’d grow out of it, you know, with him being so young. It was hard on all of us, but Trav…he quit trying to love people after that. I was surprised that he brought you here. The way he acts around you, the way he looks at you; I knew you were somethin’ special.” “I know it’s hard not to blame him, but you have to love him, anyway, Abby. You’re the only woman he’s loved besides his mother. I don’t know what it’ll do to him if you left him, too.” “I’ve never seen him smile the way he does when he’s with you. I hope all my boys have an Abby one day.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
There’s something almost magical dancing around us, like I’m inside a cloud nebula and we’re creating our own star. I think he feels it too. Maybe it’s just wishful thinking, but I see twinkling in his eyes, like he’s looking at something special, like the vast, sparkling sky that hosts planets and stars. But he’s just looking at me.
N.K. Smith (Are You Mine?)
People are obsessed with spectacle. We live in the society of the spectacle. People are addicted to the spectacular. They want bigger and better spectacles. They need more and more to keep them stimulated. They crave entertainment. They crave more powerful simulations, more breathtaking special effects, more everything. No one wants POR – plain old reality. Simulation – hyperreality – the simulacrum – these are what the people desire. We all live in Disneyland now – an utter fantasy world. Our true God is Mickey Mouse. At least he’s a lot nicer than Yahweh.
Adam Weishaupt (Hypersex)
I think it’s time to go ahead and start, don’t you? We don’t want them to have enough time to make a trip back to shore with her.” Galen swims to within an inch of my face. His lazy grin sends a thousand butterflies whipping up a tornado in my stomach. “Start what? The rescue, or the rest of our lives together?” Just the words make my heart jump, let alone the look he gives me when he says it. We haven’t had much time to talk about what all this means for us, but at least I know we can be together. On our own terms, in our own time. Finally. “Both,” I breathe. “This is not the time to be all mushy,” Rayna calls from below us. “I swear you two are expert time wasters. So inconsiderate.” Galen winks at me and dives to his sister. “Wait,” I call to him. He stops. “I just wanted to say, I like your big fin. I think it’s sexy.” Which is the truth. Now t’s more than double the size of any other Syrena. I know he’s self-conscious about it; he thinks it makes him stand out more. What Galen doesn’t realize is that he already stood out. He was already special. This new fin doesn’t change anything. Well, except for making me hotter for him than I already was. “Really?” Galen says. I nod and blow him a kiss. By his confused expression, he has no idea what I’m doing. My Syrena human ambassador still has a lot to learn about the intimate details of the human world. And I’ll be happy to assist him with that.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Syn was inching towards the back but hit the deck hard when bangs as loud as grenades pierced the night. He and Ro both flinched and gripped each other firmly. Day knew who it was. His fiancé’s presence was almost frightening – even to him. Knew the sound of that overwhelming, chest-rattling firepower. The sound of Desert Eagle handguns. “You hear that, Ro? Hang in there. He’s here.” Day
A.E. Via (Nothing Special V (Nothing Special, #5))
Hey. You know Twilight?” He blinks.“Excuse me?” “Twilight. The vampire book.” His wary eyes study my face. “What about it?” “Okay, so you know how Bella’s blood is extra special? Like how it gives Edward a raging boner every time he’s around her?” “Are you fucking with me right now?” I ignore that. “Do you think it happens in real life? Pheromones and all that crap. Is it a bullshit theory some horndog dreamed up so he could justify why he’s attracted to his mother or some shit? Or is there actually a biological reason why we’re drawn to certain people? Like goddamn Twilight. Edward wants her on a biological level, right?” “Are you seriously dissecting Twilight right now?
Elle Kennedy (The Score (Off-Campus, #3))
He looks at me funny, and I pull my head back up, staring at the ceiling. He had good dreams, because of me. He said I was special. And he’s right—it’s not just about being ourselves, about being who we can’t be out in the rest of the world. It’s about being who we want to be.
Lev A.C. Rosen (Camp)
I’m going downstairs to get them, lover.” Day kissed God on his lips. When he turned, God grabbed Day’s arm and spun him back around. He looked down into his eyes for a few long seconds, neither of them saying a word. “He’s going to want to fuck you.” God looked at him seriously. “Babe,
A.E. Via (Nothing Special)
modern Western culture, you’ve been brainwashed by what is called “the secular worldview.” In this view of the world, what’s real, or at least what’s important, is the physical here-and-now. When we’re brainwashed by this worldview, we experience the world as though God did not exist, for we habitually exclude him from our awareness. We may still believe in God, of course, but he’s not real to us most of the time. Because of this we go about our day-to-day lives as functional atheists. We may pray and worship God on occasion, but these are “special times,” isolated from our “normal,” secular day-to-day life. So thoroughly are we brainwashed by the secular mind-set that the very suggestion that we could routinely experience the world in a way that includes God strikes us as impossible.
Gregory A. Boyd (Present Perfect: Finding God in the Now)
My mother said no woman should get married until they’ve had at least three…” She waves her hand as if I know how to finish that sentence. “Three…?” my father prompts her. “Lovers,” she blurts out. “Boyfriends, whatever.” I pinch my eyebrows together. “What the hell are you talking about?” She lets out a sigh, straightening her spine and looking visibly uncomfortable. Finally, she takes the ketchup, Heinz sauce, and A.1. bottle, moving them one next to the other. “Lust, learn, and love,” she says, placing the condiments and touching her finger to the ketchup. “My mother said the first boy—or man—is a crush. You think you love them, but what you really love is how they make you feel. It’s not love. It’s lust. Lust for attention. Lust for danger. Lust to feel special.” She looks between us. “You’re needy with number one. Needy for someone to love you.” My father forgets the food he’s chewing as he gapes at her. “The second is to learn about yourself.” She touches the Heinz. “Your first crush has been crushed. You’re sad, but most of all, you’re angry. Angry
Penelope Douglas (Credence)
He’s not from Ulthar. I thought I said: he was special. He’s from the waking world. That’s where he’s taking her.
Kij Johnson (The Dream-Quest of Vellitt Boe)
He’s forbidden fruit in hot brooding Italian man form, and just like Eve before me, I can’t resist taking a bite or two.
Seanan McGuire (Midnight Blue-Light Special (Incryptid, #2))
You know that man’s story already. He’s just starting to believe what Day’s been saying to him for years, but he’s scared as fuck. If you hurt him in any way, Day will hurt you.” Johnson stopped grinning and looked back at God. “I thought Day hated him?” “Day is complex, Johnson. He’s crazy about Ronowski, that’s why he rides the man so hard.” “I get that,” Johnson responded. “All right. I don’t mind doing the slow thing. We’ll start with wings and a game tonight.” Johnson shrugged and started inching toward his car. “Next week, maybe dinner and a movie.” “Sounds good, bro.” God waved and climbed in his truck. Now that he was done playing Chuck Woolery and there were no more love connections to be made. He was going home to his sweetheart.    
A.E. Via (Nothing Special)
Svetlana said that I thought of myself as a robot who could act only negatively. She said I had cynical ideas about language. “You think language is an end in itself. You don’t believe it stands for anything. No, it’s not that you don’t believe—it’s that you don’t care. For you, language itself is a self-sufficient system.” “But it is a self-sufficient system.” “Do you see what you’re saying? This is how you get yourself involved with the devil incarnate. Ivan sensed this attitude in you. He’s cynical in the same way you are only more so, because of math. It’s like you said: math is a language that started out so abstract, more abstract than words, and then suddenly it turned out to be the most real, the most physical thing there was. With math they built the atomic bomb. Suddenly this abstract language is leaving third-degree burns on your skin. Now there’s this special language that can control everything, and manipulate everything, and if you’re the elite who speaks it—you can control everything. “Ivan wanted to try an experiment, a game. It would never have worked with someone different, on someone like me. But you, you’re so disconnected from truth, you were so ready to jump into a reality the two of you made up, just through language. Naturally, it made him want to see how far he could go. You went further and further—and then something went wrong. It couldn’t continue in the same way. It had to develop into something else—into sex, or something else. But for some reason, it didn’t. The experiment didn’t work. But by now you’re so, so far from all the landmarks. You’re just drifting in space.
Elif Batuman (The Idiot)
There’s nothing but what’s bearable as long as a man can work,” he said to himself; “the natur o’ things doesn’t change, though it seems as if one’s own life was nothing but change. The square o’ four is sixteen, and you must lengthen your lever in proportion to your weight, is as true when a man’s miserable as when he’s happy; and the best o’ working is, it gives you a grip hold o’ things outside your own lot.
George Eliot (THE COMPLETE NOVELS OF GEORGE ELIOT (Special Kindle Illustrated and Annotated Edition) All of George Eliot's Unabridged Novels AND Complete Book-Length ... (The Complete Works of George Eliot Book 1))
Cal cares about you. And he’s a really good guy. And even though I want to hate him for being betrothed to you…” He gave a helpless shrug. “I can’t. Which must mean he’s extra-special dreamy.” “Stop it,” I said, jerking our joined hands. “Cal’s my friend. That’s it. You’re the guy I-“ Love, I wanted to say. But the word froze on my tongue, and I ended up just saying, “Want. Chose. Whatever.” He held my gaze, and his dark eyes were as serious as I’d ever seen them. “Maybe I shouldn’t be.” Shocked, I leaned away from him. “What does that mean?” “It’s just…If you were with him, you’d be happier. Better off.” Okay, now I was getting angry. “That’s really not for you to decide. And if you feel that way, maybe you should just go ahead and give me the ‘It’s Not You, It’s Me’ speech right now.” To my surprise, Archer smiled. “That’s the thing, though,” he said. “I can’t. I could stand it if you left me, but I don’t think there’s any way I could leave you.” I blinked at him. “You are so screwed up.” “That’s what I’ve been trying to tell you.” Wrapping my hand around the back of his neck, I pulled his face to mine. “I happen to like screwed up,” I whispered, our lips nearly touching. “So don’t ever say crap like that again, okay?” I could tell there was more he wanted to say. Instead he just sighed. “Okay.” “Well, this is a lovely moment.” I whipped my head around. Lara stood just inside the room, smiling beautifically at us. “So glad to have found you, Miss Mercer,” she said to me. “I think it’s time we two had a little chat.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
I’ve tried to make sense of how someone who didn’t stalk his victims in advance ended up going after the best and the brightest. And I think that’s it, the thing they all had in common—a light that outshone his. He targets college campuses and sorority houses because he’s looking for the cream of the crop. He wants to extinguish us—we are the ones who remind him that he’s not that smart, not that good-looking, that there’s nothing particularly special about him.
Jessica Knoll (Bright Young Women)
In that moment, I wanted to tell this stranger, this Merle, this girl from the tiny island of Montserrat, that I had commensurate preferences too, but I couldn’t be a brave warrior like her. I wanted to tell her about Morris. I wanted to sing his name out into the night. His name is Morris. He is my Morris and he always been my Morris. He’s a good-hearted man, a special man, a sexy man, a history-loving man, a loyal man, a man who appreciates a good joke, a man of many moods, a drinking man, and a man with whom I can be myself completely. Yes, I was in the throes of a Malibu-and-Coke-soaked madness, a madness that could lead to the demise of my life as I’d hitherto known it. But I was on the verge.
Bernardine Evaristo (Mr Loverman)
He’s an immortal from Brazil,” Chris said. “His mortal lover, whom he thought was completely trustworthy, videotaped them having sex—” “Awesome!” Sheldon interjected with a grin. Everyone looked at him. “What? I like porn.” Still they stared. He frowned. “I have to give up booze, parties, and porn? Can’t a Second have any vices?” Chris sighed. “Anyway. She videotaped them having sex and intended to auction it off to news outlets once it had been authenticated by an expert who would swear the glowing eyes, fangs, and . . . ah . . . unusual speed and other things demonstrated were not special effects produced by a post-production house.” “Maybe they were,” Sheldon suggested somberly. “Maybe she was out to discredit him. I think we should all watch it and—” “The tape has been destroyed,” Seth cut in. “Damn.” Sheldon slumped down in his seat. Chris met Richart’s gaze. “Anytime you want me to get rid of him . . .” Richart shook his head. “He amuses me.
Dianne Duvall (Darkness Rises (Immortal Guardians, #4))
Hal Incandenza, though he has no idea yet of why his father really put his head in a specially-dickied microwave in the Year of the Trial-Size Dove Bar, is pretty sure that it wasn’t because of standard U.S. anhedonia. Hal himself hasn’t had a bona fide intensity-of-interior-life-type emotion since he was tiny; he finds terms like joie and value to be like so many variables in rarified equations, and he can manipulate them well enough to satisfy everyone but himself that he’s in there, inside his own hull, as a human being – but in fact he is far more robotic than John Wayne. One of his troubles with his Moms is the fact that Avril Incandenza believes she knows him inside and out as a human being, and an internally worthy one at that, when in fact inside Hal there’s pretty much nothing at all, he knows. His Moms Avril hears her own echoes inside him and thinks what she hears is him, and this makes Hal feel the one thing he feels to the limit, lately: he is lonely.
David Foster Wallace (Infinite Jest)
I couldn’t very well make a special delivery to the door of the constabulary now could I? And he’d have made the perfect scapegoat. That aura of misery he wraps himself in. So Byronesque. He’s too immersed in his own guilt to ever suspect it in another.
Ella J. Fraser (A Tricky Lie (Sutherland Mystery Series, #1))
Drew is the opening song on my favorite album. He’s the song that everyone loves, the song that draws me in and makes me want to listen to the whole album without stopping. He’s the catchy song with the great hook, fancy guitar solo, and soaring vocals. But Shane … Shane’s the hidden track. He’s the song I don’t listen to until I’ve devoured the whole album. He’s that quiet song with the unbelievable melody. The song that makes me understand myself a bit better. Once I discover a truly special hidden track, I never get sick of it.
Jennie Wexler (Where It All Lands)
The bartender is Irish. Jumped a student visa about ten years ago but nothing for him to worry about. The cook, though, is Mexican. Some poor bastard at ten dollars an hour—and probably has to wash the dishes, too. La Migra take notice of his immigration status—they catch sight of his bowl cut on the way home to Queens and he’ll have a problem. He looks different than the Irish and the Canadians—and he’s got Lou Dobbs calling specifically for his head every night on the radio. (You notice, by the way, that you never hear Dobbs wringing his hands over our border to the North. Maybe the “white” in Great White North makes that particular “alien superhighway” more palatable.) The cook at the Irish bar, meanwhile, has the added difficulty of predators waiting by the subway exit for him (and any other Mexican cooks or dishwashers) when he comes home on Friday payday. He’s invariably cashed his check at a check-cashing store; he’s relatively small—and is unlikely to call the cops. The perfect victim. The guy serving my drinks, on the other hand, as most English-speaking illegal aliens, has been smartly gaming the system for years, a time-honored process everybody at the INS is fully familiar with: a couple of continuing education classes now and again (while working off the books) to get those student visas. Extensions. A work visa. A “farm” visa. Weekend across the border and repeat. Articulate, well-connected friends—the type of guys who own, for instance, lots of Irish bars—who can write letters of support lauding your invaluable and “specialized” skills, unavailable from homegrown bartenders. And nobody’s looking anyway. But I digress…
Anthony Bourdain (Medium Raw: A Bloody Valentine to the World of Food and the People Who Cook)
Hey. You know Twilight?” He blinks. “Excuse me?” “Twilight. The vampire book.” His wary eyes study my face. “What about it?” “Okay, so you know how Bella’s blood is extra special? Like how it gives Edward a raging boner every time he’s around her?” “Are you fucking with me right now?” I ignore that. “Do you think it happens in real life? Pheromones and all that crap. Is it a bullshit theory some horndog dreamed up so he could justify why he’s attracted to his mother or some shit? Or is there actually a biological reason why we’re drawn to certain people? Like goddamn Twilight. Edward wants her on a biological level, right?” “Are you seriously dissecting Twilight right now?” God, I am. This is what Allie has reduced me to. A sad, pathetic loser who goes to a bar and forces his friend to participate in a Twilight book club.
Elle Kennedy (The Score (Off-Campus, #3))
I don’t know what you consider special, but a man I like who I’m glad likes me taking one look at my outfit and making it clear he’s struggling not to caveman me to bed, then he semi-cavemans me to bed and gives me the best orgasm of my life, is a very special date in my books. And we’re not even an hour into it.
Kristen Ashley (Smoke and Steel (Wild West MC, #2))
Our entire society’s based on discontent: people wanting more and more and more, being constantly dissatisfied with their homes, their bodies, their decor, their clothes, everything. Taking it for granted that that’s the whole point of life, never to be satisfied. If you’re perfectly happy with what you’ve got—specially if what you’ve got isn’t even all that spectacular—then you’re dangerous. You’re breaking all the rules, you’re undermining the sacred economy, you’re challenging every assumption that society’s built on. That’s why Rafe’s dad throws a mickey fit whenever Rafe says he’s happy where he is. The way he sees it, we’re all subversives. We’re traitors.
Tana French (The Likeness (Dublin Murder Squad #2))
Patriotism,” said Lymond, “like honesty is a luxury with a very high face value which is quickly pricing itself out of the spiritual market altogether. [...] It is an emotion as well, and of course the emotion comes first. A child’s home and the ways of its life are sacrosanct, perfect, inviolate to the child. Add age; add security; add experience. In time we all admit our relatives and our neighbours, our fellow townsmen and even, perhaps, at last our fellow nationals to the threshold of tolerance. But the man living one inch beyond the boundary is an inveterate foe. [...] Patriotism is a fine hothouse for maggots. It breeds intolerance; it forces a spindle-legged, spurious riot of colour.… A man of only moderate powers enjoys the special sanction of purpose, the sense of ceremony; the echo of mysterious, lost and royal things; a trace of the broad, plain childish virtues of myth and legend and ballad. He wants advancement—what simpler way is there? He’s tired of the little seasons and looks for movement and change and an edge of peril and excitement; he enjoys the flowering of small talents lost in the dry courses of daily life. For all these reasons, men at least once in their lives move the finger which will take them to battle for their country.… “Patriotism,” said Lymond again. “It’s an opulent word, a mighty key to a royal Cloud-Cuckoo-Land. Patriotism; loyalty; a true conviction that of all the troubled and striving world, the soil of one’s fathers is noblest and best. A celestial competition for the best breed of man; a vehicle for shedding boredom and exercising surplus power or surplus talents or surplus money; an immature and bigoted intolerance which becomes the coin of barter in the markets of power— [...] These are not patriots but martyrs, dying in cheerful self-interest as the Christians died in the pleasant conviction of grace, leaving their example by chance to brood beneath the water and rise, miraculously, to refresh the centuries. The cry is raised: Our land is glorious under the sun. I have a need to believe it, they say. It is a virtue to believe it; and therefore I shall wring from this unassuming clod a passion and a power and a selflessness that otherwise would be laid unquickened in the grave. [...] “And who shall say they are wrong?” said Lymond. “There are those who will always cleave to the living country, and who with their uprooted imaginations might well make of it an instrument for good. Is it quite beyond us in this land? Is there no one will take up this priceless thing and say, Here is a nation, with such a soul; with such talents; with these failings and this native worth? In what fashion can this one people be brought to live in full vigour and serenity, and who, in their compassion and wisdom, will take it and lead it into the path?
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
[Paul Olum] was president of the University of Oregon when he heard of [Richard] Feynman’s death. He realized that the young genius he had met at Princeton had become a part of him, impossible to extricate. “My wife died three years ago, also of cancer,” he said. ... I think about her a lot. I have to admit I have Dick’s books and other things of Dick’s. I have all of the Feynman lectures and other stuff. And there are things that have pictures of Dick on them. The article in Science about the Challenger episode. And also some of the recent books. I get a terrible feeling every time I look at them. How could someone like Dick Feynman be dead? This great and wonderful mind. This extraordinary feeling for things and ability is in the ground and there’s nothing there anymore. It’s an awful feeling. And I feel it—— A lot of people have died and I know about it. My parents are both dead and I had a younger brother who is dead. But I have this feeling about just two people. About my wife and about Dick. I suppose, although this wasn’t quite like childhood, it was graduate students together, and I do have more—— I don’t know, romantic, or something, feelings about Dick, and I have trouble realizing that he’s dead. He was such an extraordinarily special person in the universe. Gleick, James (2011-02-22). Genius: The Life and Science of Richard Feynman (p. 145). Open Road Media. Kindle Edition.
Jame Gleick quoting Paul Olum
would be funny if Mr. Piccolo resembled a piccolo, but he doesn’t. Actually, he’s quite round. More like a bass fiddle. He has a big pouch of a belly that stretches the oversized turtleneck sweaters he always wears. He has a round face, too. He’s mostly bald and his scalp shines like a bowling ball. He wears square eyeglasses, which are always sliding down
R.L. Stine (The 12 Screams of Christmas (Goosebumps Most Wanted Special Edition, #2))
Ah, I believe Schacht. Only too willingly; that’s to say, I think what he says is absolutely true, for the world is incomprehensibly crass, tyrannical, moody, and cruel to sickly and sensitive people. Well, Schacht will stay here for the time being. We laughed at him a bit, when he arrived, that can’t be helped either, Schacht is young and after all can’t be allowed to think there are special degrees, advantages, methods, and considerations for him. He has now had his first disappointment, and I’m convinced that he’ll have twenty disappointments, one after the other. Life with its savage laws is in any case for certain people a succession of discouragements and terrifying bad impressions. People like Schacht are born to feel and suffer a continuous sense of aversion. He would like to admit and welcome things, but he just can’t. Hardness and lack of compassion strike him with tenfold force, he just feels them more acutely. Poor Schacht. He’s a child and he should be able to revel in melodies and bed himself in kind, soft, carefree things. For him there should be secret splashings and birdsong. Pale and delicate evening clouds should waft him away in the kingdom of Ah, What’s Happening to Me? His hands are made for light gestures, not for work. Before him breezes should blow, and behind him sweet, friendly voices should be whispering. His eyes should be allowed to remain blissfully closed, and Schacht should be allowed to go quietly to sleep again, after being wakened in the morning in the warm, sensuous cushions. For him there is, at root, no proper activity, for every activity is for him, the way he is, improper, unnatural, and unsuitable. Compared with Schacht I’m the trueblue rawboned laborer. Ah, he’ll be crushed, and one day he’ll die in a hospital. or he’ll perish, ruined in body and soul, inside one of our modern prisons.
Robert Walser (Jakob von Gunten)
I can’t read Tess of the d’Urbervilles!” I cried. “It’s too hard!” “YOU MEAN IT’S HARD TO MAKE YOURSELF READ IT, YOU MEAN IT’S HARD TO MAKE YOURSELF PAY ATTENTION,” he said. “BUT IT’S NOT TESS OF THE D’URBERVILLES THAT’S HARD. THOMAS HARDY MAY BORE YOU BUT HE’S VERY EASY TO UNDERSTAND—HE’S OBVIOUS, HE TELLS YOU EVERYTHING YOU HAVE TO KNOW.” “He tells me more than I want to know!” I cried. “YOUR BOREDOM IS YOUR PROBLEM,” said Owen Meany. “IT’S YOUR LACK OF IMAGINATION THAT BORES YOU. HARDY HAS THE WORLD FIGURED OUT. TESS IS DOOMED. FATE HAS IT IN FOR HER. SHE’S A VICTIM; IF YOU’RE A VICTIM, THE WORLD WILL USE YOU. WHY SHOULD SOMEONE WHO’S GOT SUCH A WORKED-OUT WAY OF SEEING THE WORLD BORE YOU? WHY SHOULDN’T YOU BE INTERESTED IN SOMEONE WHO’S WORKED OUT A WAY TO SEE THE WORLD? THAT’S WHAT MAKES WRITERS INTERESTING! MAYBE YOU SHOULD BE AN ENGLISH MAJOR. AT LEAST, YOU GET TO READ STUFF THAT’S WRITTEN BY PEOPLE WHO CAN WRITE! YOU DON’T HAVE TO DO ANYTHING TO BE AN ENGLISH MAJOR, YOU DON’T NEED ANY SPECIAL TALENT, YOU JUST HAVE TO PAY ATTENTION TO WHAT SOMEONE WANTS YOU TO SEE—TO WHAT MAKES SOMEONE ANGRIEST, OR THE MOST EXCITED IN SOME OTHER WAY. IT’S SO EASY; I THINK THAT’S WHY THERE ARE SO MANY ENGLISH MAJORS.” “It’s not easy for me!” I cried. “I hate reading this book!” “DO YOU HATE TO READ MOST BOOKS?” Owen asked me. “Yes!” I said. “DO YOU SEE THAT THE PROBLEM IS NOT TESS?” he asked me. “Yes,” I admitted. “NOW WE’RE GETTING SOMEWHERE,” said Owen Meany—my friend, my teacher. Standing on the sidewalk with Mrs.
John Irving (A Prayer for Owen Meany)
Then Toraf opens the passenger side door…Wait. That’s not Toraf. I’ve never seen this man before, yet he’s eerily familiar. His silhouette sitting next to Galen was definitely classic Syrena male, but the glare from the sun had hidden his face. I’d naturally just assumed that where there’s a Galen, there’s a Toraf. Now that his face is in full view though, I see that this man looks like a slightly older version of Galen. Slightly older as in slightly more jaded. Other than that, he could be his twin brother. It may be because he’s wearing some of Galen’s clothes, a wrinkled brown polo shirt and plaid shorts. But he shares other things, too, besides clothes. He’s handsome like Galen, with the same strong jaw and the same eyebrow shape and the way he’s wearing the same expression on his face that Galen is-that he’s found what he’s been looking for. Only, the stranger’s expression clearly divulges that he’s been looking for a lot longer than Galen has-and this man is not looking at me. And that’s when I know just exactly who he is. That’s when I believe the look in Galen’s eyes. That he didn’t lie to me, that he loves me. Because this man has to be Grom. Mom confirms it with a half cry, half growl. “No. No. It can’t be.” Even if she weren’t handcuffed to Rachel right now, I’m not sure she’d actually be able to move. Disbelief has a special way of paralyzing you. With every step the man takes toward Rachel’s car, he shakes his head more vigorously. It’s like he’s deliberately taking his time, drinking in the moment, or maybe he just can’t believe this moment is actually happening. Yep, disbelief is a cruel hag.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Ranger was the second biggest complication in my life, and now that Morelli was out of the picture, I supposed Ranger was elevated to numero uno. He’s close to six foot, one way or the other, is Latino, with medium brown skin and dark brown hair cut short. His teeth are white and even, and he has a killer smile that is seen only on special occasions. He dresses in black, and today he was wearing a black T-shirt and black cargo pants.
Janet Evanovich (Finger Lickin' Fifteen (Stephanie Plum, #15))
Trump said he wished he had fired Comey at the beginning of the administration but now he wanted Comey out. Bannon disagreed and offered this argument to Trump alone in the Oval Office: “Seventy-five percent of the agents do hate Comey. No doubt. The moment you fire him he’s J. fucking Edgar Hoover. The day you fire him, he’s the greatest martyr in American history. A weapon to come and get you. They’re going to name a special fucking counsel. You can fire Comey. You can’t fire the FBI. The minute you fire him, the FBI as an institution, they have to destroy you and they will destroy you.” Bannon thought Trump did not understand the power of the permanent institutions—the FBI, CIA, the Pentagon and the broader military establishment. He also did not understand the sweeping powers of a special counsel who could be appointed to investigate everything a president touched.
Bob Woodward (Fear: Trump in the White House)
I love her!” he roars, knocking every person back in the room. “I fucking love her!” Tears burst from my eyes, and I fall into his side. He immediately grabs me and pulls me close. “I love her. I love everything she stands for and I love how much she loves me. It’s more than you love me. It’s more than any of you claim to love me! It’s pure and light. It’s made me feel. It’s made me want more. If any fucker tries to take her away from me, I’ll fucking kill them.” Pulling up for a second, he gathers a long breath. “Slowly,” he adds, shaking beside me, clinging to me tightly, like he’s afraid someone will try right now. “I don’t care what he says. I don’t care what he thinks he can do to me. It’ll be him sleeping with one eye open, Sophia, not me. So tell him. Fucking run to him and confirm what he already knows. I don’t want to fuck for a living anymore. Tell him I don’t want to line his pockets anymore. You’re not holding me for ransom. Miller Hart is out of the game. The Special One has quit!” He withdraws and takes a few moments to suck in another calming gulp of air, while everyone looks at him, shocked. Including me. “I love her. Go to him. Tell him I love her. Tell him I’m Olivia’s now. And tell him if he even thinks about touching a hair on her precious head, it’ll be the last thing he ever does.
Jodi Ellen Malpas (Unveiled (One Night, #3))
Women often make communication mistakes that undermine their irresistibility and send men running faster than you can say, “Marriage and kids!” First of all, most of us don’t really listen. What we do is judge whether we like or dislike what a man is saying to us, decide whether we agree or disagree with what he’s saying, or determine whether we know it already. We also listen to see if what he is saying fits our agenda (like our agenda to have a boyfriend, get married, or have kids). This is not true listening. True listening happens when you drop those internal conversations in your mind and simply hear what a man is saying to you from his perspective, as though what he is saying is the most important thing on earth and you need to hear every single word. You don’t interpret, analyze, or read into it. You don’t say, “In other words . . .,” and go on to put into words what you think he means. You just take it in. When you truly listen, you become instantly attractive. By really hearing a man, you make him feel special and cared for in a very powerful way. If there’s genuine chemistry between you, he’ll continue to share more and more of himself because of how open and receptive you are to who he actually is (not who you are trying to get him to be). I cannot emphasize this point enough. If you really want to make every man want you, become a masterful listener.
Marie Forleo (Make Every Man Want You: How to Be So Irresistible You'll Barely Keep from Dating Yourself!)
Where is everybody?” “Hiding,” she said. “Except for Doolittle. He was excused from the chewing-out due to having been kidnapped. He’s napping now like he doesn’t have a care in the world. I got to hear all sorts of interesting stuff through the door.” “Give.” She shot me a sly smile. “First, I got to listen to Jim’s ‘it’s all my fault; I did it all by myself’ speech. Then I got to listen to Derek’s ‘it’s all my fault and I did it all by myself’ speech. Then Curran promised that the next person who wanted to be a martyr would get to be one. Then Raphael made a very growling speech about how he was here for a blood debt. It was his right to have restitution for the injury caused to the friend of the boudas; it was in the damn clan charter on such and such page. And if Curran wanted to have an issue with it, they could take it outside. It was terribly dramatic and ridiculous. I loved it.” I could actually picture Curran sitting there, his hand on his forehead above his closed eyes, growling quietly in his throat. “Then Dali told him that she was sick and tired of being treated like she was made out of glass and she wanted blood and to kick ass.” That would do him in. “So what did he say?” “He didn’t say anything for about a minute and then he chewed them out. He told Derek that he’d been irresponsible with Livie’s life, and that if he was going to rescue somebody, the least he could do is to have a workable plan, instead of a poorly thought-out mess that backfired and broke just about every Pack law and got his face smashed in. He told Dali that if she wanted to be taken seriously, she had to accept responsibility for her own actions instead of pretending to be weak and helpless every time she got in trouble and that this was definitely not the venue to prove one’s toughness. Apparently he didn’t think her behavior was cute when she was fifteen and he’s not inclined to tolerate it now that she’s twenty-eight.” I was cracking up. “He told Raphael that the blood debt overrode Pack law only in cases of murder or life-threatening injury and quoted the page of the clan charter and the section number where that could be found. He said that frivolous challenges to the alpha also violated Pack law and were punishable by isolation. It was an awesome smackdown. They had no asses left when he was done.” Andrea began snapping the gun parts together. “Then he sentenced the three of them and himself to eight weeks of hard labor, building the north wing addition to the Keep, and dismissed them. They ran out of there like their hair was on fire.” “He sentenced himself?” “He’s broken Pack law by participating in our silliness, apparently.” That’s Beast Lord for you. “And Jim?” “Oh, he got a special chewing-out after everybody else was dismissed. It was a very quiet and angry conversation, and I didn’t hear most of it. I heard the end, though—he got three months of Keep building. Also, when he opened the door to leave, Curran told him very casually that if Jim wanted to pick fights with his future mate, he was welcome to do so, but he should keep in mind that Curran wouldn’t come and rescue him when you beat his ass. You should’ve seen Jim’s face.” “His what?” “His mate. M-A-T-E.” I cursed. Andrea grinned. “I thought that would make your day. And now you’re stuck with him in here for three days and you get to fight together in the Arena. It’s so romantic. Like a honeymoon.” Once again my mental conditioning came in handy. I didn’t strangle her on the spot.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
The technology has proven so valuable that SpaceX’s competitors have started to copy it and have tried to poach some of the company’s experts in the field. Blue Origin, Jeff Bezos’s secretive rocket company, has been particularly aggressive, hiring away Ray Miryekta, one of the world’s foremost friction stir welding experts and igniting a major rift with Musk. “Blue Origin does these surgical strikes on specialized talent* offering like double their salaries. I think it’s unnecessary and a bit rude,” Musk said. Within SpaceX, Blue Origin is mockingly referred to as BO and at one point the company created an e-mail filter to detect messages with “blue” and “origin” to block the poaching. The relationship between Musk and Bezos has soured, and they no longer chat about their shared ambition of getting to Mars. “I do think Bezos has an insatiable desire to be King Bezos,” Musk said. “He has a relentless work ethic and wants to kill everything in e-commerce. But he’s not the most fun guy, honestly.
Ashlee Vance (Elon Musk: Inventing the Future)
But before I got in the ring, I’d won it out here on the road. Some people think a Heavyweight Championship fight is decided during the fifteen rounds the two fighters face each other under hot blazing lights, in front of thousands of screaming witnesses, and part of it is. But a prizefight is like a war: the real part is won or lost somewhere far away from witnesses, behind the lines, in the gym and out here on the road long before I dance under those lights. I’ve got another mile to go. My heart is about to break through my chest, sweat is pouring off me. I want to stop but I’ve marked this as the day to test myself, to find out what kind of shape I’m in, how much work I have to do. Whenever I feel I want to stop, I look around and I see George Foreman running, coming up next to me. And I run a little harder. I’ve got a half-mile more to go and each yard is draining me, I’m running on my reserve tank now, but I know each step I take after I’m exhausted builds up special stamina and it’s worth all the other running put together. I need something to push me on, to keep me from stopping, until I get to the farmer’s stable up ahead, five miles from where I started. George is helping me. I fix my mind on him and I see him right on my heels. I push harder, he’s catching up. It’s hard for me to get my breath, I feel like I’m going to faint. He’s starting to pull ahead of me. This is the spark I need. I keep pushing harder till I pull even with him. His sweat shirt’s soaking wet and I hear him breathing fast and hard. My heart is pounding like it’s going to explode, but I drive myself on. I glance over at him and he’s throwing himself in the wind, going all out. My legs are heavy and tight with pain but I manage to drive, drive, drive till I pass him, Till he slowly fades away. I’ve won, but I’m not in shape. I’ve still got a long way to go. I’m gasping for breath. My throat’s dry and I feel like I’m going to throw up. I want to fall on my face but I must stay up, keep walking, keep standing. I’m not there yet but I know I’m winning. I’m winning the fight on the road . . .
Muhammad Ali (The Greatest: My Own Story)
The raid comes without warning, like a team of Juvie-rounders in the night. A real special-ops team—nothing like the playacting kids Starkey calls special ops. The invaders tranq the storks guarding the entrance to the mine before they can even raise their weapons and flood into the tunnels, tranq’ing anyone who comes into view. Their directive is simple: Get to Mason Starkey. The commotion wakes kids deeper in the mine in time for them to scramble for weapons, which they’ve learned to use without hesitation and without fear. They bring several of the intruders down, but there are more behind them—and this force is armed with weapons the storks have never seen: squad machine guns that spray tiny tranq-tipped darts at such an alarming rate, they create an inescapable wall of unconsciousness before them. The layers of protection surrounding Starkey peel away until he’s exposed and vulnerable before the invading force. Starkey swings his own weapon up, but fumbles with it just long enough for his attackers to grab it and grab him. The entire operation is over in less than five minutes.
Neal Shusterman (UnSouled (Unwind, #3))
Everything is being torn up and destroyed and if you want to be honest, you have to admit that you can’t figure things out anymore. And particularly an educated man can’t build anything for himself anymore, and everything is uncertain. The whole world is uncertain and life and the future and what we used to believe in and what we believe in now, and work isn’t fun anymore, because you always have a bad conscience because there are so many people who don’t have any. And so a man has nothing but his wife and he’s very dependent on her because he wants to be able to believe in something, and that’s the love for his wife — and then she doesn’t want all that love and that way you’re not worth anything at all anymore. And because you’re nothing but a burden on humanity these days — that’s why you need that special someone so badly to whom you can be a joy. And then all of a sudden you’re no joy anymore. And true elegance is disappearing in this day and age and in times like that, women are the first ones to slide, and men are held by the law and they hold women too — and once all the laws of humanity have disappeared, man has nothing more to hold onto,
Irmgard Keun (The Artificial Silk Girl)
The fiddle game was a con. The way they’d explained it to Ben, a guy goes into a restaurant carrying a fiddle, orders food, eats, and then claims he can’t pay because he left his wallet somewhere else. So he offers to leave his fiddle behind as collateral while he goes to get his money. The restaurant owner agrees, and the guy leaves. After that, a second guy, who’s in on the game, comes up and tells the restaurant owner that the fiddle is special, it’s worth a lot of money, and he wants to buy it. Then, all of a sudden, the second guy has to go to an appointment or something, but he leaves his business card behind. So now the restaurant owner starts thinking he’s got something really valuable on his hands, this fiddle, and when the owner of the instrument comes back, the restaurant owner offers to buy it. The guy says he couldn’t possibly part with it, it’s his livelihood, so the restaurant owner offers more money, knowing he can make it back when he sells it. They haggle, and finally agree on a price, and the fiddle owner leaves with the money. Trouble is, when the restaurant owner goes to call the fake buyer, he can’t find him. The two guys split the money, and the restaurant owner is left with a piece-of-crap fiddle.
Matthew J. Kirby (Spell Robbers (The Quantum League, #1))
Want a sandwich?” Mac shook her head. “I’m going to have dinner with Gage when he gets home.” Who said anything about dinner? This was more like an appetizer. That was another perk that came with being a werewolf. She could eat whatever she wanted and not have to worry about extra calories ending up where they shouldn’t. Khaki set everything on the counter. “I asked Xander flat-out when I went over to his place last night. He insisted he liked me just fine, but I knew he was lying. I could tell he was really uncomfortable around me. He was tense and on edge the whole time. Which is nothing new. He’s like that all the time around me. I think he finds me irritating and a nuisance.” Mac gave her a dubious look. “If you say so. But either way, you’d better be careful. If being with Gage has taught me anything, it’s that werewolves are extremely affected by certain pheromones. If you go walking around lusting over Xander, he’s going to pick up on it— and so is every other guy on the team. Then things will get really complicated. I learned that the hard way. Those guys can pick up on arousal like it’s barbecue and they aren’t shy about letting you know it.” Khaki groaned as she grabbed a plate from the cabinet. “Oh, God. I never thought about that.” “Yeah. And it gets worse.” Mac shook her head. “If I’m even slightly aroused and Gage picks up on it, he gets crazy horny— like he-can’t-control-it horny. What do you think is going to happen to if all the guys on the team pick up on the fact that the one and only female werewolf on the team is aroused? You’ll find yourself getting chased by fifteen out-of-control, horny werewolves going crazy with lust. And while there are some women who might find that entertaining, something tells me you wouldn’t.” Khaki set the plate on the counter with a thud. “Oh, crap. What the hell am I going to do?” Mac offered her a small smile. “Take a lot of baths?
Paige Tyler (Wolf Trouble (SWAT: Special Wolf Alpha Team, #2))
He watched a two-hour block of Fox News, and then most of the two-hour-long blocks of MSNBC and CNN that he had TiVo’d. He raged at the coverage as top aides came in and out—Priebus, Bannon, Kushner, McGahn, Cohn, Hicks and Porter. Why was Mueller picked? Trump asked. “He was just in here and I didn’t hire him for the FBI,” Trump raged. “Of course he’s got an axe to grind with me.” “Everybody’s trying to get me,” the president said. “It’s unfair. Now everybody’s saying I’m going to be impeached.” What are the powers of a special counsel? he asked. A special counsel had virtually unlimited power to investigate any possible crime, Porter said.
Bob Woodward (Fear: Trump in the White House)
Has he invited you to dinner, dear? Gifts, flowers, the usual?” I had to put my cup down, because my hand was shaking too much. When I stopped laughing, I said, “Curran? He isn’t exactly Mr. Smooth. He handed me a bowl of soup, that’s as far as we got.” “He fed you?” Raphael stopped rubbing Andrea. “How did this happen?” Aunt B stared at me. “Be very specific, this is important.” “He didn’t actually feed me. I was injured and he handed me a bowl of chicken soup. Actually I think he handed me two or three. And he called me an idiot.” “Did you accept?” Aunt B asked. “Yes, I was starving. Why are the three of you looking at me like that?” “For crying out loud.” Andrea set her cup down, spilling some tea. “The Beast Lord’s feeding you soup. Think about that for a second.” Raphael coughed. Aunt B leaned forward. “Was there anybody else in the room?” “No. He chased everyone out.” Raphael nodded. “At least he hasn’t gone public yet.” “He might never,” Andrea said. “It would jeopardize her position with the Order.” Aunt B’s face was grave. “It doesn’t go past this room. You hear me, Raphael? No gossip, no pillow talk, not a word. We don’t want any trouble with Curran.” “If you don’t explain it all to me, I will strangle somebody.” Of course, Raphael might like that . . . “Food has a special significance,” Aunt D said. I nodded. “Food indicates hierarchy. Nobody eats before the alpha, unless permission is given, and no alpha eats in Curran’s presence until Curran takes a bite.” “There is more,” Aunt B said. “Animals express love through food. When a cat loves you, he’ll leave dead mice on your porch, because you’re a lousy hunter and he wants to take care of you. When a shapeshifter boy likes a girl, he’ll bring her food and if she likes him back, she might make him lunch. When Curran wants to show interest in a woman, he buys her dinner.” “In public,” Raphael added, “the shapeshifter fathers always put the first bite on the plates of their wives and children. It signals that if someone wants to challenge the wife or the child, they would have to challenge the male first.” “If you put all of Curran’s girls together, you could have a parade,” Aunt B said. “But I’ve never seen him physically put food into a woman’s hands. He’s a very private man, so he might have done it in an intimate moment, but I would’ve found out eventually. Something like that doesn’t stay hidden in the Keep. Do you understand now? That’s a sign of a very serious interest, dear.” “But I didn’t know what it meant!” Aunt B frowned. “Doesn’t matter. You need to be very careful right now. When Curran wants something, he doesn’t become distracted. He goes after it and he doesn’t stop until he obtains his goal no matter what it takes. That tenacity is what makes him an alpha.” “You’re scaring me.” “Scared might be too strong a word, but in your place, I would definitely be concerned.” I wished I were back home, where I could get to my bottle of sangria. This clearly counted as a dire emergency. As if reading my thoughts, Aunt B rose, took a small bottle from a cabinet, and poured me a shot. I took it, and drained it in one gulp, letting tequila slide down my throat like liquid fire. “Feel better?” “It helped.” Curran had driven me to drinking. At least I wasn’t contemplating suicide.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
I guess he’s kind of hot, for a Therian. I bet he’s huge.” “Oh my God, Lou!” Dex nearly spit out his beer. He wiped his mouth with the back of his hand and stared at his ex-boyfriend. Lou gave a delicate snort. “You’re such a prude. Well, is he?” He knew Lou wasn’t going to let up until he got his answer. Dex had never been shy about this sort of thing, but talking about Sloane’s sexy parts with his ex was wrong on so many levels. “It is proportionate to the rest of him.” “In other words, he’s hung.” Dex pinched the bridge of his nose, resigned to the absurdity that was this evening. “Yes. I can’t believe I’m discussing my guy’s dick with my ex.” Lou’s face went beet red, and Dex wished he’d ordered Bradley’s “special” instead of beer. Over
Charlie Cochet (Blood & Thunder (THIRDS, #2))
Galen doesn’t get truly nervous until he senses the size of the Syrena mass coming toward them. Up until this point, he’d been worried about Emma. What she thought about all this. Her mother’s reunion with Grom. What she planned to do while they were gone. Whether or not she was going to keep her promise and stay out of the water. And…his thoughts keep wandering back to their kiss between the sand dunes. It was an exquisite torture, the way she tasted like a mixture of salt water and herself. A combination of two things he’s come to cherish. Water and land. Syrena world and human world. Love for his kind and love for Emma. Only now, as the party of Syrena approaches, its presence seems to encroach on Galen’s options. For some reason, it feels like a choice between water or land, Syrena world or human world, love for his kind or love for Emma. According to the law, there never was a choice. But that was before Emma. And Galen has the feeling that the time for truly deciding between the two is closing in on him. But haven’t I already made that decision? He steals a glance at Toraf, who’s been wearing the same grim expression since they left Emma’s house. Toraf is never grim. Since they were fingerlings, he’s always had a special talent for finding the positive in a situation, and if not the positive, then he can certainly find mischief in a situation. But not now. Now he’s keeping to himself. Toraf never keeps to himself. Even Grom, the usual sealed-up clam, has become boisterous and enlivened while he and Nalia chatter to each other, laughing and whispering and holding hands, all the while speculating over the events that separated them so long ago. But Toraf seems oblivious to the chatter and to Galen’s internal war of emotions and to the swarm of jellyfish he just narrowly avoided. Galen had thought Toraf might have been anxious about leaving Rayna behind. Usually, though, he comforts himself by talking about her until Galen wishes he’d had a twin brother instead of a twin sister. No, what’s troubling Toraf has nothing to do with leaving Rayna behind. He even persuaded her to stay. Which means he thinks it’s safer for her on land right now. Toraf’s motives are always simple: do what’s best for Rayna, in spite of Rayna.
Anna Banks (Of Triton (The Syrena Legacy, #2))
As far as one journeys, as much as a man sees, from the turrets of the Taj Mahal to the Siberian wilds, he may eventually come to an unfortunate conclusion—usually while he’s lying in bed, staring at the thatched ceiling of some substandard accommodation in Indochina,” writes Swithin in his last book, the posthumously published Whereabouts, 1917 (1918). “It is impossible to rid himself of the relentless, cloying fever commonly known as Home. After seventy-three years of anguish I have found a cure, however. You must go home again, grit your teeth and however arduous the exercise, determine, without embellishment, your exact coordinates at Home, your longitudes and latitudes. Only then, will you stop looking back and see the spectacular view in front of you.
Marisha Pessl (Special Topics in Calamity Physics)
We are not doing it for Jagen. We are doing it for our kind.” “We?” Rayna snaps. “What Gift do you have, Grom? Oh, that’s right. You and Nalia get to stay safely behind while me and Galen and Emma drown an entire island.” Oh, heck no. “Um, I’m not killing anyone,” I say, raising my hand. “Not humans, not Syrena.” “It’s a good thing your Gift isn’t deadly then, isn’t it?” Rayna sneers. “I have an idea. You can give the humans their last meal. That would be special, wouldn’t it?” “How would you like to go without eating for a while?” I shoot back. I could use my Gift to send the fish away from her, or I could just bust all her teeth out. Maturity seems to be evaporating into the air. I wonder if her Gift includes pushing all my buttons in rapid-point-five seconds. But then, I know her animosity is really toward Grom, not me. All I’m doing is feeding her anxiety. Galen tucks a tendril of my hair behind my ear. It’s enough to distract me and he knows it. I give him a sour look for interfering, but he grins. “You don’t have to kill anyone, angelfish. In fact, we need your help to save them.” He seems to be telling me something with his eyes, but I’m not picking up on it. I’d love to blame it on the pain meds. “Doesn’t that kind of miss the point?” Rayna says. “Of course not,” Galen says. “Our objective is to rescue our kind, not kill the humans. We can do that without destroying them.” Everyone is all ears, but Galen is not ready to divulge his plan just yet. He stands. “Highness, tell the Archives we will meet with them to discuss our terms.” “Terms?” Grom says. “This isn’t negotiable, Galen. They need us. It’s our duty as Royals.” Galen shrugs. “As far as I’m concerned, it’s entirely negotiable. And we’re not Royals anymore, not until I hear it from their lips.” He turns to Antonis. “And tell them that in view of recent events, the council must come here, on land. There is no reason for us to doubt that this is a trap to recapture us.” Antonis chuckles. I get the feeling that this is all an amusing game to him. But then, old people have earned the right to be amused by everything. And I’m pretty sure he’s the oldest person I know. “Young Prince Galen, I am at your service.” With that, my grandfather leaves. I turn away as he begins to finagle the shorts from his skinny waist on his way down the beach.
Anna Banks (Of Triton (The Syrena Legacy, #2))
My brothers woke me when the sun was beginning to set. “What’s the matter with you, Helen?” Castor cried, shaking me by the shoulder. “How can you sleep at a time like this?” “Are you all right?” Polydeuces put in. “You’re not ill, are you?” He touched my forehead to check for fever. I brushed his hand away gently. “I’m fine, ‘Ione’. You don’t need to fuss over me just because I’m smart enough to catch some sleep before the feast. I’ll still be awake when the two of you are snoring with your heads on the table.” “Ha! If not for us, you’d’ve slept right through the feast,” Castor countered. “I’ll build a temple in your honor to show my thanks,” I said, straight-faced. “Now if you really want to lend a hand, go find a servant to help me get ready. This is a special occasion and I want to look my best.” “Ooooooh, our little sister wants to look nice, does she?” Polydeuces crooned. “I wonder why?” I saw him wink at Castor and knew I was doomed to be teased to death. “Don’t you mean, ‘I wonder who?’” Castor replied. He tried to look sly and all-knowing, but his tendency to go cross-eyed ruined the effect. “Do you think it’s Meleager himself?” “He’s the hero of the day, but I think she’d rather have a brawnier man,” Polydeuces said. “I’ll bet I can guess who. I saw how you looked at him the first night we were here.” He flung his arms around his twin, pitched his voice high, and cried, “Oh, Theseus, you’re sooooooo strong! Make me queen of Athens too!” “Out!” I shouted, snatching up my nearly empty water jug. My brothers retreated at a run, laughing.
Esther M. Friesner (Nobody's Princess (Nobody's Princess, #1))
I can’t stop thinking about what we’ve been doing together. All the practicing. Can’t stop wondering why it’s me that keeps you human.” My heart pounds heavier in my chest, but I shrug. “One of life’s mysteries,” I say. I turn my attention back to the clothing in front of me, but his footsteps grow closer. He stops before me, putting himself between me and the view of my clothes. Suddenly, any desire for sleep vanishes. “I think you have an idea,” he says. “Why won’t you share it with me?” “I don’t know why,” I whisper. But it’s a lie. Such a lie. “Why me?” he whispers back, so gently. So invitingly. Unbidden, the truth rises to my mind. Because you love me, I realize, but don’t say aloud. That’s why. That special relationship—the one more powerful than anything else. The most human thing there is. That’s what does it. “Alosa?” he prompts. “I have a—different relationship with you than I do anyone else.” “Different,” he repeats, amused. “Different how?” “You know.” “I want to hear you say it.” Maybe it’s the thrill of being able to stay myself while under the water. Maybe it’s the realization of why he is able to keep me human. Or the realization that whether or not I call it what it is, that relationship between us is there. I only need to choose whether or not I want it. He’s been so open with me. If I want to take this jump with him, it’s my turn. “I think you love me,” I say. “I do.” “And I think I love you.” “You think?” “I know.” He steps even closer to me. One hand slides up my arm from my wrist to my shoulder. He grabs a strand of my hair and twirls it around one of his fingers before bringing it up to his lips. “What are you thinking about right now?” he asks. “Just you.
Tricia Levenseller (Daughter of the Siren Queen (Daughter of the Pirate King, #2))
During mission planning, we had intelligence concerning dogs that might impede our goal and were part of the target’s contingencies. The exact method used to neutralize aggressive dogs in the field is classified information. However, Special Ops has some really incredible dogs. In fact, during the raid to kill Osama bin Laden, the highly trained men of SEAL Team Six had with them a uniquely trained dog as part of the mission. SEAL canines are not your standard bomb-sniffing dogs. The dog on the bin Laden mission was specially trained to jump from planes and rappel from helicopters while attached to its handler. The dog wore ballistic body armor, had a head-mounted infrared (night-vision) camera, and wore earpieces to take commands from the handler. The dog also had reinforced teeth, capped with titanium. I would not want to try the techniques this book recommends on this dog. Thank God he’s on our side.
Cade Courtley (SEAL Survival Guide: A Navy SEAL's Secrets to Surviving Any Disaster)
It is not that modern people are less intelligent than their grandparents: only that, being busier, they are less careful. They must learn to take short cuts, skimming through the columns of a newspaper, flicking over the pages of a book or magazine, deciding at each new paragraph or page whether to read it either attentively or cursorily, or whether to let it go unread. There is a running commentary in the mind. For example, in reading a Life of Napoleon: ‘page 9 … yes, he is still talking about Napoleon’s childhood and the romantic scenery of Corsica … something about James Boswell and Corsican independence … tradition of banditry … now back to the family origins again … wait a minute … no … his mother … more about her … yes … French Revolution … page 24, more about the French Revolution … still more … page 31, not interested … ah … Chapter 2, now he’s at the military school … I can begin here … but oughtn’t to waste time over this early part … in the artillery, was he? … but when do we get to the Italian campaign?’ And even when the reader does get to the Italian compaign and settles down comfortably to the story, he seldom reads a sentence through, word by word. Usually, he takes it in either with a single comprehensive glance as he would a stream or a field of cows that he was passing in the train, or with a series of glances, four or five words to a glance. And unless he has some special reason for studying the narrative closely, or is in an unusually industrious mood, he will not trouble about any tactical and geographical niceties of the campaign that are not presented with lively emphasis and perfect clarity. And, more serious still from the author’s point of view, he will not stop when the eye is checked by some obscurity or fancifulness of language, but will leave the point unresolved and pass on. If there are many such obstructions he will skim over them until his eye alights on a clear passage again.
Robert Graves (The Reader Over Your Shoulder: A Handbook for Writers of English Prose)
I didn’t want you to apply just because I’m going to be in New York. Or hell, even worse, not apply because I’m going to be there. I was going to tell you in person. And then the scout shows up at the game tonight, and what was I supposed to do? My mom is freaking out; you’re freaking out.” He throws his hands in the air in frustration. “I’ve totally fucked this up.” It hits me then, the truth of the situation. He made his decision about Columbia on his own, and he wanted me to be able to do the same. Of course. Hell, if it hadn’t been for the storm bringing us together like it did, I probably would have turned down NYU rather than risk going off to New York with him, and that’s the truth. I drop my gaze to the ground and take a deep breath, cursing myself for being such an idiot. “No, you haven’t,” I say at last, raising my eyes to meet his confused ones. “Haven’t what?” “Fucked it up.” I take a tentative step toward him. “I get it now. God, Ryder. Why do you have to be so perfect?” “Perfect? I’ve been in love with you for so long now, and I’ve never managed to get it right, not once.” I have to bite my lip to keep from grinning. “News flash--I think you’ve finally got it this time.” His smile makes my heart leap. “Do you have any idea what was going through my head when you first told me about NYU? I couldn’t believe it. It was like…like a gift fell right into my lap. Like winning the lottery. All this time I thought going off to New York would mean leaving you behind. And now--” “Now we both better get in,” I finish for him, though it probably wasn’t what he was going to say. I mean, he’s a shoo-in for Columbia. Perfect grades, high SATs, and a superstar quarterback the likes of which the Ivy League rarely sees. He’s every college admissions director’s dream. But me? If I get into NYU, it’ll be by the skin of my teeth. Because they want geographic diversity or something lame like that. I’m nothing special. “Where will you go if you don’t get into NYU?” he asks. “Where else?” I say. “Ole Miss, with Lucy and Morgan.” “Then Ole Miss is my backup too. Here’s the thing, Jem. I’m going wherever you’re going--whether it’s New York or Oxford. I’m not missing my chance this time.
Kristi Cook (Magnolia (Magnolia Branch, #1))
Mr. Haverstrom closes the door, leaving Patrick and me alone in the hallway. Pat smiles slickly, leaning in toward me. I step back until I press against the wall. It’s uncomfortable—but not threatening. Mostly because in addition to racquetball I’ve practiced aikido for years. So if Patrick tries anything funny, he’s in for a very painful surprise. “Let’s be honest, Sarah: you know and I know the last thing you want to do is give a presentation in front of hundreds of people—your colleagues.” My heart tries to crawl into my throat. “So, how about this? You do the research portion, slides and such that I don’t really have time for, and I’ll take care of the presentation, giving you half the credit of course.” Of course. I’ve heard this song before—in school “group projects” where I, the quiet girl, did all the work, but the smoothest, loudest talker took all the glory. “I’ll get Haverstrom to agree on Saturday—I’m like a son to him,” Pat explains before leaning close enough that I can smell the garlic on his breath. “Let Big Pat take care of it. What do you say?” I say there’s a special place in hell for people who refer to themselves in the third person. But before I can respond, Willard’s firm, sure voice travels down the hall. “I think you should back off, Nolan. Sarah’s not just ‘up for it,’ she’ll be fantastic at it.” Pat waves his hand. “Quiet, midge—the adults are talking.” And the adrenaline comes rushing back, but this time it’s not anxiety-induced—it’s anger. Indignation. I push off the wall. “Don’t call him that.” “He doesn’t mind.” “I mind.” He stares at me with something akin to surprise. Then scoffs and turns to Willard. “You always let a woman fight your battles?” I take another step forward, forcing him to move back. “You think I can’t fight a battle because I’m a woman?” “No, I think you can’t fight a battle because you’re a woman who can barely string three words together if more than two people are in the room.” I’m not hurt by the observation. For the most part, it’s true. But not this time. I smile slowly, devilishly. Suddenly, I’m Cathy Linton come to life—headstrong and proud. “There are more than two people standing here right now. And I’ve got more than three words for you: fuck off, you arrogant, self-righteous swamp donkey.” His expression is almost funny. Like he can’t decide if he’s more shocked that I know the word fuck or that I said it out loud to him—and not in the good way. Then his face hardens and he points at me. “That’s what I get for trying to help your mute arse? Have fun making a fool of yourself.” I don’t blink until he’s down the stairs and gone. Willard slow-claps as he walks down the hall to me. “Swamp donkey?” I shrug. “It just came to me.” “Impressive.” Then he bows and kisses the back of my hand. “You were magnificent.” “Not half bad, right? It felt good.” “And you didn’t blush once.” I push my dark hair out of my face, laughing self-consciously. “Seems like I forget all about being nervous when I’m defending someone else.” Willard nods. “Good. And though I hate to be the twat who points it out, there’s something else you should probably start thinking about straight away.” “What’s that?” “The presentation in front of hundreds of people.” And just like that, the tight, sickly feeling washes back over me. So this is what doomed feels like. I lean against the wall. “Oh, broccoli balls.
Emma Chase (Royally Matched (Royally, #2))
Colby was quietly shocked to find Tate not only at his door the next morning, but smiling. He was expecting an armed assault following their recent telephone conversation. “I’m here with a job offer.” Colby’s dark eyes narrowed. “Does it come with a cyanide capsule?” he asked warily. Tate clapped the other man on the shoulder. “I’m sorry about the way I’ve treated you. I haven’t been thinking straight. I’m obliged to you for telling me the truth about Cecily.” “You know the baby’s yours, I gather?” Tate nodded. “I’m on my way to Tennessee to bring her home,” he replied. Colby’s eyes twinkled. “Does she know this?” “Not yet. I’m saving it for a surprise.” “I imagine you’re the one who’s going to get the surprise,” Colby informed him. “She’s changed a lot in the past few weeks.” “I noticed.” Tate leaned against the wall near the door. “I’ve got a job for you.” “You want me to go to Tennessee?” Colby murmured dryly. “In your dreams, Lane,” Tate returned. “No, not that. I want you to head up my security force for Pierce Hutton while I’m away.” Colby looked around the room. “Maybe I’m hallucinating.” “You and my father,” Tate muttered, shaking his head. “Listen, I’ve changed.” “Into what?” “Pay attention. It’s a good job. You’ll have regular hours. You can learn to sleep without a gun under your pillow. You won’t lose any more arms.” He added thoughtfully, “I’ve been a bad friend. I was jealous of you.” “But why?” Colby wanted to know. “Cecily is special. I look out for her, period. There’s never been a day since I met her when she wasn’t in love with you, or a time when I didn’t know it.” Tate felt warmth spread through his body at the remark. “I’ve given her hell. She may not feel that way, now.” “You can’t kill love,” Colby said heavily. “I know. I’ve tried.” Tate felt sorry for the man. He didn’t know how to put it into words. Colby shrugged. “Anyway, I’ve learned to live with my ghosts, thanks to that psychologist Cecily pushed me into seeing.” He scowled. “She keeps snakes, can you imagine? I used to see mine crawling out of whiskey bottles, but hers are real.” “Maybe she’s allergic to fur,” Tate pointed out. Colby chuckled. “Who knows. When do I start?” he added. “Today.” He produced a mobile phone and dialed a number. “I’m sending Colby Lane over. He’s my relief while I’m away. If you have any problems, report them to him.” He nodded as the person on the other end of the line replied in the affirmative. He closed up the phone. “Okay, here’s what you need to do…
Diana Palmer (Paper Rose (Hutton & Co. #2))
Luigi, the art teacher, holds up his brush, and we all do the same. I’m not quite sure why we’re mirroring his action, but Luigi is very compelling, more than capable of making four excited girls calm down and concentrate on what he’s telling us. I think it’s partly because he’s very serious. Either he doesn’t have a sense of humor, or it’s extremely well hidden. This, as I’m perfectly aware from years of a girls-only school, is a crucially important quality for male teachers. There aren’t that many of them in a girls’ school, and unless they look like the back of a bus, they inevitably become huge crush-objects. Little girls follow them around in packs, giggling madly, turning bright red and running away when the teacher turns to look at them; older girls wear the shortest skirts and tightest tops they can get away with, and do a lot of what Kelly calls hair-flirting. Male teachers are usually pretty good at coping with the flirting techniques: the best way to get under their skin, forge a special bond with them, is to share their sense of humor, make them laugh. The clever girls know this; the pretty ones usually don’t, because they tend to rely too much on their looks. Of course, the ones who are both clever and pretty do especially well, but that’s true for everything in life.
Lauren Henderson (Flirting in Italian (Flirting in Italian #1))
Close to midnight, I gather up Kitty and the puppy and the sparklers. We put on heavy coats and I make Kitty wear a hat. “Should we put a hat on Jamie too?” she asks me. “He doesn’t need one,” I tell her. “He’s already got on a fur coat.” The stars are out by the dozen; they look like faraway gems. We’re so lucky to live by the mountains the way we do. You just feel closer to the stars. To heaven. I light up sparklers for each of us, and Kitty starts dancing around the snow making a ring of fire with hers. She’s trying to coax Jamie to jump through but he isn’t having it. Al he wants to do is pee around the yard. It’s lucky we have a fence, or I bet he’d pee his way down this whole block. Josh’s bedroom light is on. I see him in the window just as he opens it and calls out, “Song girls!” Kitty hollers, “Wanna light a sparkler?” “Maybe next year,” Josh calls back. I look up at him and wave my sparkler, and he smiles, and there’s just this feeling of all rightness between us. One way or another, Josh will be in our lives. And I’m certain, I’m so suddenly certain that everything is exactly the way it’s supposed to be, that I don’t have to be so afraid of good-bye, because good-bye doesn’t have to be forever. When I’m back in my room in my flannel nightgown, I get out my special flowy pen and my good thick stationery, and I start to write. Not a good-bye letter. Just a plain old love letter. Dear Peter…
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
For years I’ve been asking myself (and my readers) whether these propagandists—commonly called corporate or capitalist journalists—are evil or stupid. I vacillate day by day. Most often I think both. But today I’m thinking evil. Here’s why. You may have heard of John Stossel. He’s a long-term analyst, now anchor, on a television program called 20/20, and is most famous for his segment called “Give Me A Break,” in which, to use his language, he debunks commonly held myths. Most of the rest of us would call what he does “lying to serve corporations.” For example, in one of his segments, he claimed that “buying organic [vegetables] could kill you.” He stated that specially commissioned studies had found no pesticide residues on either organically grown or pesticide-grown fruits and vegetables, and had found further that organic foods are covered with dangerous strains of E. coli. But the researchers Stossel cited later stated he misrepresented their research. The reason they didn’t find any pesticides is because they never tested for them (they were never asked to). Further, they said Stossel misrepresented the tests on E. coli. Stossel refused to issue a retraction. Worse, the network aired the piece two more times. And still worse, it came out later that 20/20’s executive director Victor Neufeld knew about the test results and knew that Stossel was lying a full three months before the original broadcast.391 This is not unusual for Stossel and company.
Derrick Jensen (Endgame, Vol. 1: The Problem of Civilization)
The summer king customarily delivers a brief poem or statement before he convenes the special sessions. Enki gives them quite a bit more than that. “In the verde,” says Enki, as serious as I’ve ever seen him, “we love the storms. Sometimes, when we see one come in, the blocos will set up in the terraces and play until the rain drives us inside.” He pauses here, as though considering his next words, though I can tell he’s just savoring the moment. My last present from the verde must have gone through. Everyone in the audience shuffles uncomfortably. Nostrils flair, discreet coughs echo through the chamber. Some look at Enki, others at one another or the doorways. Enki takes a deep breath, as though he doesn’t notice a thing. “We have a saying,” he says as murmurs from his audience rise to a wave, “you can’t smell the catinga until it comes back home.” In the background, I can just make out several guards hurrying through the doors. Enki surveys his work and smiles, a sun breaking through clouds. “I hereby convene parliament.” As he saunters back to his seat, Auntie Isa rushes the podium with a handkerchief covering her nose and murder in her eyes. People stand up and hurry to the doors. They don’t know the smell will be even worse in the hallway. Our transport pods are all connected to the ventilation system. It’s meant to help refresh the air supply in the tunnels, but it can go the other direction. It can carry the fetid stink of the verde straight to the noses of people who pretend it doesn’t exist.
Alaya Dawn Johnson (The Summer Prince)
He’s a murdering chud,” Zil was yelling. “What do you want to do? Lynch him?” Astrid demanded. That stopped the flow for a second as kids tried to figure out what “lynch” meant. But Zil quickly recovered. “I saw him do it. He used his powers to kill Harry.” “I was trying to stop you from smashing my head in!” Hunter shouted. “You’re a lying mutant freak!” “They think they can do anything they want,” another voice shouted. Astrid said, as calmly as she could while still pitching her voice to be heard, “We are not going down that path, people, dividing up between freaks and normals.” “They already did it!” Zil cried. “It’s the freaks acting all special and like their farts don’t stink.” That earned a laugh. “And now they’re starting to kill us,” Zil cried. Angry cheers. Edilio squared his shoulders and stepped into the crowd. He went first to Hank, the kid with the shotgun. He tapped him on the shoulder and said, “Give me that thing.” “No way,” Hank said. But he didn’t seem too certain. “You want to have that thing fire by accident and blow someone’s face off?” Edilio held his hand out. “Give it to me, man.” Zil rounded on Edilio. “You going to make Hunter give up his weapon? Huh? He’s got powers, man, and that’s okay, but the normals can’t have any weapon? How are we supposed to defend ourselves from the freaks?” “Man, give it a rest, huh?” Edilio said. He was doing his best to sound more weary than angry or scared. Things were already bad enough. “Zil, you want to be responsible if that gauge goes off and kills Astrid? You want to maybe give that some thought?” Zil blinked. But he said, “Dude, I’m not scared of Sam.” “Sam won’t be your problem, I will be,” Edilio snapped, losing patience. “Anything happens to her, I’ll take you down before Sam ever gets the chance.” Zil snorted derisively. “Ah, good little boy, Edilio, kissing up to the chuds. I got news for you, dilly dilly, you’re a lowly normal, just like me and the rest of us." “I’m going to let that go,” Edilio said evenly, striving to regain his cool, trying to sound calm and in control, even though he could hardly take his eyes off the twin barrels of the shotgun. “But now I’m taking that shotgun.” “No way!” Hank cried, and the next thing was an explosion so loud, Edilio thought a bomb had gone off. The muzzle flash blinded him, like camera flash going off in his face. Someone yelled in pain. Edilio staggered back, squeezed his eyes shut, trying to adjust. When he opened them again the shotgun was on the ground and the boy who’d accidentally fired it was holding his bruised hand, obviously shocked. Zil bent to grab the gun. Edilio took two steps forward and kicked Zil in the face. As Zil fell back Edilio made a grab for the shotgun. He never saw the blow that turned his knees to water and filled his head with stars. He fell like a sack of bricks, but even as he fell he lurched forward to cover the shotgun. Astrid screamed and launched herself down the stairs to protect Edilio. Antoine, the one who had hit Edilio, was raising his bat to hit Edilio again, but on the back swing he caught Astrid in the face. Antoine cursed, suddenly fearful. Zil yelled, “No, no, no!” There was a sudden rush of running feet. Down the walkway, into the street, echoing down the block.
Michael Grant (Hunger (Gone, #2))
Thanks again, sir.” Jules shook his hand again. “You’re welcome again,” the captain said, his smile warm. “I’ll be back aboard the ship myself at around nineteen hundred. If it’s okay with you, I’ll, uh, stop in, see how you’re doing.” Son of a bitch. Was Jules getting hit on? Max looked at Webster again. He looked like a Marine. Muscles, meticulous uniform, well-groomed hair. That didn’t make him gay. And he’d smiled warmly at Max, too. The man was friendly, personable. And yet . . . Jules was flustered. “Thanks,” he said. “That would be . . . That’d be nice. Would you excuse me, though, for a sec? I’ve got to speak to Max, before I, uh . . . But I’ll head over to the ship right away.” Webster shook Max’s hand. “It was an honor meeting you, sir.” He smiled again at Jules. Okay, he hadn’t smiled at Max like that. Max waited until the captain and the medic both were out of earshot. “Is he—” “Don’t ask, don’t tell.” Jules said. “But, oh my God.” “He seems nice,” Max said. “Yes,” Jules said. “Yes, he does.” “So. The White House?” “Yeah. About that . . .” Jules took a deep breath. “I need to let you know that you might be getting a call from President Bryant.” “Might be,” Max repeated. “Yes,” Jules said. “In a very definite way.” He spoke quickly, trying to run his words together: “I had a very interesting conversation with him in which I kind of let slip that you’d resigned again and he was unhappy about that so I told him I might be able to persuade you to come back to work if he’d order three choppers filled with Marines to Meda Island as soon as possible.” “You called the President of the United States,” Max said. “During a time of international crisis, and basically blackmailed him into sending Marines.” Jules thought about that. “Yeah. Yup. Although it was a pretty weird phone call, because I was talking via radio to some grunt in the CIA office. I had him put the call to the President for me, and we did this kind of relay thing.” “You called the President,” Max repeated. “And you got through . . .?” “Yeah, see, I had your cell phone. I’d accidently switched them, and . . . The President’s direct line was in your address book, so . . .” Max nodded. “Okay,” he said. “That’s it?” Jules said. “Just, okay, you’ll come back? Can I call Alan to tell him? We’re on a first-name basis now, me and the Pres.” “No,” Max said. “There’s more. When you call your pal Alan, tell him I’m interested, but I’m looking to make a deal for a former Special Forces NCO.” “Grady Morant,” Jules said. “He’s got info on Heru Nusantra that the president will find interesting. In return, we want a full pardon and a new identity.” Jules nodded. “I think I could set that up.” He started for the helicopter, but then turned back. “What’s Webster’s first name? Do you know?” “Ben,” Max told him. “Have a nice vacation.” “Recovering from a gunshot wound is not a vacation. You need to write that, like, on your hand or something. Jeez.” Max laughed. “Hey, Jules?” He turned back again. “Yes, sir?” “Thanks for being such a good friend.” Jules’s smile was beautiful. “You’re welcome, Max.” But that smile faded far too quickly. “Uh-oh, heads up—crying girlfriend on your six.” Ah, God, no . . . Max turned to see Gina, running toward him. Please God, let those be tears of joy. “What’s the verdict?” he asked her. Gina said the word he’d been praying for. “Benign.” Max took her in his arms, this woman who was the love of his life, and kissed her. Right in front of the Marines.
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
They taught him how to milk cows and now they expected him to tame lions. Perhaps they expected him to behave like all good lion tamers. Use a whip and a chair. But what happens to the best lion tamer when he puts down his whip and his chair. Goddamnit! It was wrong. He felt cheated, he felt almost violated. He felt cheated for himself, and he felt cheated for guys like Joshua Edwards who wanted to teach and who didn’t know how to teach because he’d been pumped full of manure and theoretical hogwash. Why hadn’t anyone told them, in plain, frank English, just what to do? Couldn’t someone, somewhere along the line, have told them? Not one single college instructor? Not someone from the board of Ed, someone to orientate them after they’d passed the emergency exam? Not anyone? Now one sonofabitch somewhere who gave a good goddamn? Not even Stanley? Not even Small? Did they have to figure it out for themselves, sink and swim, kill or be killed? Rick had never been told how to stop in his class. He’d never been told what to do with a second term student who doesn’t even know how to write down his own goddamn name on a sheet of paper. He didn’t know, he’d never been advised on the proper tactics for dealing with a boy whose I.Q. was 66, a big, fat, round, moronic 66. He hadn’t been taught about kids’ yelling out in class, not one kid, not the occasional “difficult child” the ed courses had loftily philosophized about, not him. But a whole goddamn, shouting, screaming class load of them all yelling their sonofbitching heads off. What do you do with a kid who can’t read even though he’s fifteen years old? Recommend him for special reading classes, sure. And what do you do when those special reading classes are loaded to the asshole, packed because there are kids who can’t read in abundance, and you have to take only those who can’t read the worst, dumping them onto a teacher who’s already overloaded and those who doesn’t want to teach a remedial class to begin with? And what do you with that poor ignorant jerk? Do you call him on class, knowing damn well he hasn’t read the assignment because he doesn’t know how to read? Or do you ignore him? Or do you ask him to stop by after school, knowing he would prefer playing stickball to learning how to read. And knowing he considers himself liberated the moment the bell sounds at the end of the eighth period. What do you do when you’ve explained something patiently and fully, explained it just the way you were taught to explain in your education courses, explained in minute detail, and you look out at your class and see that stretching, vacant wall of blank, blank faces and you know nothing has penetrated, not a goddamn thing has sunk in? What do you do then? Give them all board erasers to clean. What do you do when you call on a kid and ask “What did that last passage mean?”and the kid stands there without any idea of what the passage meant , and you know that he’s not alone, you know every other kid in the class hasn’t the faintest idea either? What the hell do you do then? Do you go home and browse through the philosophy of education books the G.I bill generously provided. Do you scratch your ugly head and seek enlightenment from the educational psychology texts? Do you consult Dewey? And who the hell do you condemn, just who? Do you condemn elementary schools for sending a kid on to high school without knowing how to read, without knowing how to write his own name on a piece of paper? Do you condemn the masterminds who plot the education systems of a nation, or a state or a city?
Evan Hunter (The Blackboard Jungle)
Where’s Sam?” Brianna asked. “He’s out. So is Edilio,” Dekka said. “You going to tell us what’s in the bag or do we have to guess?” Brianna stopped. She was disappointed. In her imagination the big revelation would have been to an admiring Sam Temple. He was the one she wanted to impress. Failing that, Edilio, who was generally warm and sweet to her. But she was tired and wanted to put the bag down. Also, she couldn’t keep the secret any longer. She climbed nimbly up to the top deck of the boat, grinned, and said, “Is it anyone’s birthday? Because I have a present.” “Breeze,” Dekka warned. So Brianna opened the bag. Dekka looked inside. “What is it?” So Brianna upended the bag. Dead lizards, broken eggs, and Drake’s head landed on the antiskid flooring. “Ahhhh!” Astrid screamed. “Ah, Jesus!” Dekka yelled. “I know,” Brianna said proudly. What lay there was something to strike envy into the heart of a horror movie special-effects expert. The two halves of Drake’s head had started to rejoin. But because the halves had been tossed wildly together, the process was very incomplete. Very. In fact at the moment the halves were backward, so that the left half was looking one direction and the right half another. Sections of neck and spine stuck both up and down. The part that held most of Drake’s mouth was stuffed with hair from the back of his head. And, somehow, bits of dead lizard were squeezed in between. But the dead lizards thus incorporated were no longer dead. And there was egg white smeared across one eye. The mouth was trying to speak and not managing it. A lizard tail whipped one eye—hard to tell if it was left or right—a parody of Drake’s whip arm. The three of them stared: Astrid with blue eyes wide, hand over mouth; Dekka with mouth wide open and brow furrowed; Brianna like a proud school kid showing off her art project. “Ta-da!” Brianna said.
Michael Grant (Light (Gone, #6))
How’d you get the job?” says Lynn. “You’re not that special.” “It was more because of where I was after the simulation attack. Smack-dab in a pack of Dauntless traitors. I decided to go with it,” he says. “Not sure about Tori, though.” “She transferred from Erudite,” I say. What I don’t say, because I’m sure she wouldn’t want everyone to know, is that Tori probably seemed explosive in Erudite headquarters because they murdered her brother for being Divergent. She told me once that she was waiting for an opportunity to get revenge. “Oh,” says Zeke. “How do you know that?” “Well, all the faction transfers have a secret club,” I say, leaning back in my chair. “We meet every third Thursday.” Zeke snorts. “Where’s Four?” says Uriah, checking his watch. “Should we start without him?” “We can’t,” says Zeke. “He’s getting The Info.” Uriah nods like that means something. Then he pauses and says, “What info, again?” “The info about Kang’s little peacemaking meeting with Jeanine,” says Zeke. “Obviously.” Across the room, I see Christina sitting at a table with her sister. They are both reading something. My entire body tenses. Cara, Will’s older sister, is walking across the room toward Christina’s table. I duck my head. “What?” Uriah says, looking over his shoulder. I want to punch him. “Stop it!” I say. “Could you be any more obvious?” I lean forward, holding my arms on the table. “Will’s sister is over there.” “Yeah, I talked to her about getting out of Erudite once, while I was there,” says Zeke. “Said she saw an Abnegation woman get killed while she was on a mission for Jeanine and couldn’t stomach it anymore.” “Are we sure she’s not just an Erudite spy?” Lynn says. “Lynn, she saved half our faction from this stuff,” says Marlene, tapping the bandage on her arm from where the Dauntless traitors shot her. “Well, half of half of our faction.” “In some circles they call that a quarter, Mar,” Lynn says.
Veronica Roth (Insurgent (Divergent, #2))
Suddenly, Coach Spinks’s face mellowed. There was a dissociation of form and substance. His eyes glistened; his gaze became beatific. “Let us pray,” he said and all the heads on the team dropped floorward as though they were puppets strung to the same wire. “O sweet Jesus, we come again to ask your blessings and your forgiveness for our many trespasses against you and our fellow neighbor. We are playin’ West Charleston High School tonight, Lord, but there’s no need to tell you that since you knew about it two or three million years before I did. We ask, good Jesus, not that we beat West Charleston High but that we do our best before our God, our family, and our country. We do ask, Lord, if you see it befitting, that we score a point or two more than West Charleston even though I know that Coach Warners is a God-fearin’ man and a deacon in the Baptist Church besides. But you know as well as I, Lord, he’s one of the mouthiest so-and-so’s that ever wore socks. I’m also aware, dear Jesus, that their players are all clean cut boys and also pleasant to your sight. We don’t want to ask for anything special, Lord, but help my rebounders get off their feet. Help Pinkie and Jim Don control their tempers. Give Philip and Art a little more temper. And get Ben to quit throwin’ those big city behind-the-back passes. And, Lord, please help this high school if I got to make any substitutions. My scrubs is good boys but they’ve been havin’ a devil of a time puttin’ that ball into the hole. The real thing I want to ask, Lord, is that all these boys make the first team in that great game of life. If they make mistakes, Lord, blow the whistle because you’re the great referee. Call time out and bring them to center court for another jump ball. Don’t let them go out of bounds, Lord. If they bust a play, make ’em run wind-sprints and figure eights but stay with ’em, Lord. Coach ’em all the way to the championship of life. A-men.” “A-men,” the team echoed in relief.
Pat Conroy (The Great Santini)
Why are you treating me like this? What did I do?” “Nothing!” “So this is what you do then? You make girls feel like they’re special for a few days, then treat them like they’re nothing?” He turned on me right before he got to his room, “You’re really gonna put this on me? One minute you’re kissing me, the next you’re talking to your boyfriend and telling him you love him!” “What did you want me to do, not answer it?” “It doesn’t even matter Harper,” He laughed humorlessly, “drop it.” “It does to me! I’m so tired of this roller coaster with you. I never know which Chase I’m going to meet up with that day. Is it going to be the cold or the funny and caring Chase? Will it be the one that’s with four girls in one night, or the one that tells me how beautiful I am, does amazingly sweet things for me and notices stuff about me that no one else does?” Okay so Brandon noticed, but that wouldn’t help my argument right now. He just continued to glare at me. “You’re all over the place, I don’t know how to act around you, I don’t know what you want!” “I want you! All I’ve ever wanted is you.” “Then why are you trying to hurt me again?” “Because it’s easier that way.” His voice was soft now, and I could see the pain in his eyes, “You’re with Brandon. Do you know what it’s like watching you with him? Wanting you so bad, but knowing he’s who you should be with?” “But what if I want you?” “Harper, don’t.” “I’m so in love with Brandon, but I can’t help what I feel for you, and I know you know what I’m talking about. Whatever this is between us … it’s been there since we met. It’s like I can’t get enough of you, but all you do is push me away. It’s all you’ve ever done!” “Because I’m not what you need Harper!” I stepped closer towards him, “Then why did you kiss me Chase? You knew it would change everything, and it did. So tell me, why did you do it?” He ran a hand through his hair and blew out a frustrated breath, “I needed to.” He closed the distance between us, “You’re all I can think about and it drives me crazy! I would have given anything for that kiss, and I knew I wouldn’t get that chance again, so I had to. I had to know if you felt something too.” I threw out my hands in exasperation, “Was that not obvious? Is it not obvious that I’m in love with you?” His
Molly McAdams (Taking Chances (Taking Chances, #1))
Tim Tigner began his career in Soviet Counterintelligence with the US Army Special Forces, the Green Berets. That was back in the Cold War days when, “We learned Russian so you didn't have to,” something he did at the Presidio of Monterey alongside Recon Marines and Navy SEALs. With the fall of the Berlin Wall, Tim switched from espionage to arbitrage. Armed with a Wharton MBA rather than a Colt M16, he moved to Moscow in the midst of Perestroika. There, he led prominent multinational medical companies, worked with cosmonauts on the MIR Space Station (from Earth, alas), chaired the Association of International Pharmaceutical Manufacturers, and helped write Russia’s first law on healthcare. Moving to Brussels during the formation of the EU, Tim ran Europe, Middle East, and Africa for a Johnson & Johnson company and traveled like a character in a Robert Ludlum novel. He eventually landed in Silicon Valley, where he launched new medical technologies as a startup CEO. In his free time, Tim has climbed the peaks of Mount Olympus, hang glided from the cliffs of Rio de Janeiro, and ballooned over Belgium. He earned scuba certification in Turkey, learned to ski in Slovenia, and ran the Serengeti with a Maasai warrior. He acted on stage in Portugal, taught negotiations in Germany, and chaired a healthcare conference in Holland. Tim studied psychology in France, radiology in England, and philosophy in Greece. He has enjoyed ballet at the Bolshoi, the opera on Lake Como, and the symphony in Vienna. He’s been a marathoner, paratrooper, triathlete, and yogi.  Intent on combining his creativity with his experience, Tim began writing thrillers in 1996 from an apartment overlooking Moscow’s Gorky Park. Decades later, his passion for creative writing continues to grow every day. His home office now overlooks a vineyard in Northern California, where he lives with his wife Elena and their two daughters. Tim grew up in the Midwest, and graduated from Hanover College with a BA in Philosophy and Mathematics. After military service and work as a financial analyst and foreign-exchange trader, he earned an MBA in Finance and an MA in International Studies from the University of Pennsylvania’s Wharton and Lauder Schools.  Thank you for taking the time to read about the author. Tim is most grateful for his loyal fans, and loves to correspond with readers like you. You are welcome to reach him directly at tim@timtigner.com.
Tim Tigner (Falling Stars (Kyle Achilles, #3))
For a moment we just sit there silently, our heads tipped back as we stare at the sky. A minute passes, maybe two. And then Ryder’s hand grazes mine before settling on the ground, our pinkies touching. I suck in a breath, my entire body going rigid. I’m wondering if he realizes it, if he even knows he’s touching me, when just like that, he draws away. Ryder clears his throat. “So…I hear you’re going out with Patrick on Friday.” “And?” I ask. That brief connection that we’d shared is suddenly gone--poof, just like that. “And what?” he answers with a shrug. “Oh, I’m sure you’ve got an opinion on this--one you’re just dying to share.” Because Ryder has an opinion on everything. “Well, it’s just that Patrick…” He shakes his head. “Never mind. Forget I brought it up.” “No, go on. It’s just that Patrick what?” “Seriously, Jemma. It’s none of my business.” “C’mon, Ryder, get it out of your system. What? Patrick is looking to get a piece? Is using me? Is planning on standing me up?” I can’t help myself; the words just tumble out. “I was going to say that I think he really likes you,” he says, his voice flat. I bite back my retort, forcing myself to take a deep, calming breath instead. That was not what I had expected him to say--not at all--and it takes me completely by surprise. Patrick really likes me? I’m not sure how I feel about that--not sure I want it to be true. “What do you mean, he really likes me?” I ask stupidly. “Just what I said. It’s pretty simple stuff, Jemma. He likes you. I think he always has.” “And you know this how?” He levels a stare at me. “Trust me on this, okay? He’s got problems, sure, but he’s a decent guy. Don’t break his heart.” I scramble to my feet. “I agreed to go out with him--once. And I’m probably going to cancel, anyway, because after today’s news, I’m really not in the mood. But the last thing I need is dating advice from you.” “How come every conversation we have ends like this--with you going off on me? You didn’t use to be like this. What happened?” He’s right, and I hate myself for it--hate the way he makes me feel inside, as if I’m not good enough. I mean, let’s face it--I know I’m nothing special. I’m not beauty-pageant perfect like Morgan, or fashion-model gorgeous like Lucy. Unlike Ryder and Nan, I don’t have state-championship trophies lining my walls. My singing voice is only so-so, I can’t draw or play a musical instrument, and if the school plays are any indicator, I can’t act for shit, either.
Kristi Cook (Magnolia (Magnolia Branch, #1))
In the year after Chris died, a friend organized a trip for the kids and me to use the time-share at Disney World in Florida. I felt exceptionally lonely the night we arrived in our rental car, exhausted from our flight. Getting our suitcases out, I mentioned something along the lines of “I wish we had Dad here.” “Me, too,” said both of the kids. “But he’s still with us,” I told them, forcing myself to sound as optimistic as possible. “He’s always here.” It’s one thing to say that and another to feel it, and as we walked toward the building I didn’t feel that way at all. We went upstairs--our apartment was on the second floor--and went to the door. A tiny frog was sitting on the door handle. A frog, really? Talk about strange. Anyone who knows the history of the SEALs will realize they trace their history to World War II combat divers: “frogmen” specially trained to infiltrate and scout enemy beaches before invasions (among other duties). They’re very proud of that heritage, and they still occasionally refer to themselves as frogmen or frogs. SEALs often feature frogs in various tattoos and other art related to the brotherhood. As a matter of fact, Chris had a frog skeleton tattoo as a tribute to fallen SEALs. (The term frogman is thought to derive from the gear the combat divers wore, as well as their ability to work both on land and at sea.) But for some reason, I didn’t make the connection. I was just consumed by the weirdness--who finds a frog, even a tiny one, on a door handle? The kids gathered round. Call me squeamish, but I didn’t want to touch it. “Get it off, Bubba!” I said. “No way.” We hunted around and found a little tree branch on the grounds. I held it up to the doorknob, hoping it would hop on. It was reluctant at first, but finally it toddled over to the outside of the door jam. I left it to do whatever frogs do in the middle of the night. Inside the apartment, we got settled. I took out my cell phone and called my mom to say we’d arrived safely. “There was one strange thing,” I told her. “There was a frog on the door handle when we arrived.” “A…frog?” “Yes, it’s like a jungle down here, so hot and humid.” “A frog?” “Yeah.” “And you don’t think there’s anything interesting about that?” “Oh my God,” I said, suddenly realizing the connection. I know, I know: just a bizarre coincidence. Probably. I did sleep really well that night. The next morning I woke up before the kids and went into the living room. I could have sworn Chris was sitting on the couch waiting for me when I came out. I can’t keep seeing you everywhere. Maybe I’m crazy. I’m sorry. It’s too painful. I went and made myself a cup of coffee. I didn’t see him anymore that week.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
It’s more an affliction than the expression of any high-minded ideals. I watch Mark Bittman enjoy a perfectly and authentically prepared Spanish paella on TV, after which he demonstrates how his viewers can do it at home—in an aluminum saucepot—and I want to shove my head through the glass of my TV screen and take a giant bite out of his skull, scoop the soft, slurry-like material inside into my paw, and then throw it right back into his smug, fireplug face. The notion that anyone would believe Catherine Zeta-Jones as an obsessively perfectionist chef (particularly given the ridiculously clumsy, 1980s-looking food) in the wretched film No Reservations made me want to vomit blood, hunt down the producers, and kick them slowly to death. (Worse was the fact that the damn thing was a remake of the unusually excellent German chef flick Mostly Martha.) On Hell’s Kitchen, when Gordon Ramsay pretends that the criminally inept, desperately unhealthy gland case in front of him could ever stand a chance in hell of surviving even three minutes as “executive chef of the new Gordon Ramsay restaurant” (the putative grand prize for the finalist), I’m inexplicably actually angry on Gordon’s behalf. And he’s the one making a quarter-million dollars an episode—very contentedly, too, from all reports. The eye-searing “Kwanzaa Cake” clip on YouTube, of Sandra Lee doing things with store-bought angel food cake, canned frosting, and corn nuts, instead of being simply the unintentionally hilarious viral video it should be, makes me mad for all humanity. I. Just. Can’t. Help it. I wish, really, that I was so far up my own ass that I could somehow believe myself to be some kind of standard-bearer for good eating—or ombudsman, or even the deliverer of thoughtful critique. But that wouldn’t be true, would it? I’m just a cranky old fuck with what, I guess, could charitably be called “issues.” And I’m still angry. But eat the fucking fish on Monday already. Okay? I wrote those immortal words about not going for the Monday fish, the ones that’ll haunt me long after I’m crumbs in a can, knowing nothing other than New York City. And times, to be fair, have changed. Okay, I still would advise against the fish special at T.G.I. McSweenigan’s, “A Place for Beer,” on a Monday. Fresh fish, I’d guess, is probably not the main thrust of their business. But things are different now for chefs and cooks. The odds are better than ever that the guy slinging fish and chips back there in the kitchen actually gives a shit about what he’s doing. And even if he doesn’t, these days he has to figure that you might actually know the difference. Back when I wrote the book that changed my life, I was angriest—like a lot of chefs and cooks of my middling abilities—at my customers. They’ve changed. I’ve changed. About them, I’m not angry anymore.
Anthony Bourdain (Medium Raw: A Bloody Valentine to the World of Food and the People Who Cook)