β
Rise, red as the dawn.
β
β
Victoria Aveyard (Red Queen (Red Queen, #1))
β
Home isn't where you're from, it's where you find light when all grows dark.
β
β
Pierce Brown (Golden Son (Red Rising Saga, #2))
β
Out of the ash
I rise with my red hair
and I eat men like air.
β
β
Sylvia Plath (Ariel: The Restored Edition)
β
You do not follow me because I am the strongest. Pax is. You do not follow me because I am the brightest. Mustang is. You follow me because you do not know where you are going. I do.
β
β
Pierce Brown (Red Rising (Red Rising Saga, #1))
β
I would have lived in peace. But my enemies brought me war.
β
β
Pierce Brown (Red Rising (Red Rising Saga, #1))
β
Man cannot be freed by the same injustice that enslaved it.
β
β
Pierce Brown (Red Rising (Red Rising Saga, #1))
β
Oh no." I said panic rising in my chest. "No, no, no, Somebody get a can opener. I've got a god in my head!!
β
β
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
β
There is no greater plague to an introvert than the extrovert.
β
β
Pierce Brown (Golden Son (Red Rising Saga, #2))
β
Friendships take minutes to make, moments to break, years to repair.
β
β
Pierce Brown (Golden Son (Red Rising Saga, #2))
β
The measure of a man is what he does when he has power.
β
β
Pierce Brown (Red Rising (Red Rising Saga, #1))
β
I will die. You will die. We will all die and the universe will carry on without care. All that we have is that shout into the wind - how we live. How we go. And how we stand before we fall.
β
β
Pierce Brown (Golden Son (Red Rising Saga, #2))
β
Funny thing, watching gods realize theyβve been mortal all along.
β
β
Pierce Brown (Red Rising (Red Rising Saga, #1))
β
I am the Reaper and death is my shadow.
β
β
Pierce Brown (Red Rising (Red Rising Saga, #1))
β
Out of doubt, out of dark to the day's rising
I came singing into the sun, sword unsheathing.
To hope's end I rode and to heart's breaking:
Now for wrath, now for ruin and a red nightfall!
β
β
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
β
Liars make the best promises.
β
β
Pierce Brown (Golden Son (Red Rising Saga, #2))
β
A man thinks he can fly, but he is afraid to jump. A poor friend pushes him from behind.β He looks up at me. βA good friend jumps with.
β
β
Pierce Brown (Morning Star (Red Rising, #3))
β
Love and war are two different battlefields.
β
β
Pierce Brown (Red Rising (Red Rising Saga, #1))
β
I live for the dream that my children will be born free. That they will be what they like. That they will own the land their father gave them.'
'I live for you,' I say sadly.
She kisses my cheek. 'Then you must live for more.
β
β
Pierce Brown (Red Rising (Red Rising Saga, #1))
β
Wise men read books about history. Strong men write them.
β
β
Pierce Brown (Golden Son (Red Rising Saga, #2))
β
Funny how a single word can change everything in your life."
"It is not funny at all. Steel is power. Money is power. But of all the things in all the worlds, words are power.
β
β
Pierce Brown (Red Rising (Red Rising Saga, #1))
β
It's not victory that makes a man. It's his defeats.
β
β
Pierce Brown (Golden Son (Red Rising Saga, #2))
β
Forget a manβs name and heβll forgive you. Remember it, and heβll defend you forever.
β
β
Pierce Brown (Morning Star (Red Rising, #3))
β
Break the chains, my love.
β
β
Pierce Brown (Red Rising (Red Rising Saga, #1))
β
Sharpened by hate. Strengthened by love.
β
β
Pierce Brown (Red Rising (Red Rising Saga, #1))
β
He always thinks because Iβm reading, Iβm not doing anything. There is no greater plague to an introvert than the extroverted.
β
β
Pierce Brown (Golden Son (Red Rising Saga, #2))
β
She is something new, something hopeful. Like spring to my deep winter.
β
β
Pierce Brown (Red Rising (Red Rising Saga, #1))
β
You're a sinister little shit, aren't you?" Victra asks.
"I'm Gold, bitch. What'd you expect? Warm milk and cookies just because I'm pocket sized?
β
β
Pierce Brown (Golden Son (Red Rising Saga, #2))
β
justice isnβt about fixing the past, itβs about fixing the future. Weβre not fighting for the dead. Weβre fighting for the living. And for those who arenβt yet born.
β
β
Pierce Brown (Morning Star (Red Rising, #3))
β
Personally, I do not want to make you a man. Men are so very frail. Men break. Men die. No, Iβve always wished to make a god.
β
β
Pierce Brown (Red Rising (Red Rising Saga, #1))
β
Bye, Felicia.
β
β
Pierce Brown (Morning Star (Red Rising, #3))
β
Hic sunt leones. Here be lions.
β
β
Pierce Brown (Golden Son (Red Rising Saga, #2))
β
Arise, arise, Riders of ThΓ©oden!
Fell deeds awake, fire and slaughter!
spear shall be shaken, shield be splintered,
a sword-day, a red day, ere the sun rises!
Ride now, ride now! Ride to Gondor!
β
β
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
β
You and I keep looking for light in the darkness, expecting it to appear. But it already has.β I touch his shoulder. βWeβre it, boyo. Broken and cracked and stupid as we are, weβre the light, and weβre spreading.
β
β
Pierce Brown (Morning Star (Red Rising, #3))
β
If your heart beats like a drum, and your legs a little wet, itβs because the Reaperβs come to collect a little debt.
β
β
Pierce Brown (Morning Star (Red Rising, #3))
β
A red sun rises. Blood has been spilled this night.
β
β
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
β
I'm a sheep wearing wolves' clothing in a pack of wolves.
β
β
Pierce Brown (Red Rising (Red Rising Saga, #1))
β
Without me, she would not eat. Without her, I would not live.
β
β
Pierce Brown (Red Rising (Red Rising Saga, #1))
β
I will love you until the sun dies. And when it does, I will love you in the darkness.
β
β
Pierce Brown (Iron Gold (Red Rising Saga, #4))
β
Rise so high, in mud you lie.
β
β
Pierce Brown (Golden Son (Red Rising Saga, #2))
β
Man is no island. We need those who love us. We need those who hate us. We need others to tether us to life, to give us a reason to live, to feel.
β
β
Pierce Brown (Morning Star (Red Rising, #3))
β
Promises are just chains," she rasps. "Both are meant for breaking.
β
β
Pierce Brown (Red Rising (Red Rising Saga, #1))
β
The Reaper has come. And heβs brought hell with him.
β
β
Pierce Brown (Morning Star (Red Rising, #3))
β
The girl who'd taken on a Pirate Lord and his entire island, the girl who'd stolen Asterion horses and raced along the beach in the Red Desert, the girl who'd sat on her own rooftop, watching the sun rise over Avery, the girl who'd felt alive with possibility...that girl was gone.
β
β
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
β
They say a kingdom divided against itself cannot stand. They made no mention of the heart.
β
β
Pierce Brown (Golden Son (Red Rising Saga, #2))
β
Everyone's honest till they're caught in a lie.
β
β
Pierce Brown (Golden Son (Red Rising Saga, #2))
β
We grew together, and now are grown. In her eyes, I see my heart. In her breath, I hear my soul. She is my land. She is my kin. My love.
β
β
Pierce Brown (Red Rising (Red Rising Saga, #1))
β
I am Cassius Bellona, son of Tiberius, son of Julia, brother of Darrow, Morning Knight of the Solar Republic, and my honor remains.
β
β
Pierce Brown (Light Bringer (Red Rising Saga, #6))
β
We are not our station in life. We are us - the sum of what we've done, what we want to do, and the people who we keep close.
β
β
Pierce Brown (Golden Son (Red Rising Saga, #2))
β
A fool pulls the leaves. A brute chops the trunk. A sage digs the roots.
β
β
Pierce Brown (Golden Son (Red Rising Saga, #2))
β
In war, men lose what makes them great. Their creativity. Their wisdom. Their joy. All thatβs left is their utility.
β
β
Pierce Brown (Morning Star (Red Rising, #3))
β
You meet a man, you know him. You meet a woman, she knows you.
β
β
Pierce Brown (Golden Son (Red Rising Saga, #2))
β
Attend to your own fate, Mare Barrow.β βAnd that is?β βTo rise. And rise alone.
β
β
Victoria Aveyard (Glass Sword (Red Queen, #2))
β
Look into yourself, Darrow, and youβll
realize that you are a good man who will have to do bad things."....
βSee. Thatβs what I donβt get. If I am a good man, then why do I want to do bad
things?
β
β
Pierce Brown (Red Rising (Red Rising Saga, #1))
β
You know a people have given up when they stop teaching their children.
β
β
Pierce Brown (Morning Star (Red Rising, #3))
β
What is pride without honor? What is honor without truth? Honor is not what you say. It is not what you read.β Romulus thumps his chest. βHonor is what you do.
β
β
Pierce Brown (Morning Star (Red Rising, #3))
β
Tactics win battles. Strategy wins wars," I say.
"Oooo. I am Reaper. God of wolves. King of strategy." Mustang pinches my cheek. "You are just too adorable.
β
β
Pierce Brown (Red Rising (Red Rising Saga, #1))
β
If you're a fox, play the hare. If you're the hare, play the fox.
β
β
Pierce Brown (Golden Son (Red Rising Saga, #2))
β
My love, my love
Remember the cries
When winter died for spring skies
They roared and roared
But we grabbed our seed
And sowed a song
Against their greed
And
Down in the vale
Hear the reaper swing, the reaper swing
the reaper swing
Down in the vale
Hear the reaper sing
A tale of winter done
My son, my son
Remember the chains
When gold ruled with iron reins
We roared and roared
And twisted and screamed
For ours, a vale
of better dreams
β
β
Pierce Brown (Red Rising (Red Rising Saga, #1))
β
If this is the end, I will rage toward it.
β
β
Pierce Brown (Morning Star (Red Rising, #3))
β
A heap of broken images, where the sun beats,
And the dead tree gives no shelter, the cricket no relief,
And the dry stone no sound of water. Only
There is shadow under this red rock,
(Come in under the shadow of this red rock),
And I will show you something different from either
Your shadow at morning striding behind you
Or your shadow at evening rising to meet you;
I will show you fear in a handful of dust.
β
β
T.S. Eliot (The Waste Land)
β
In the face of cold power, she is fire.
β
β
Pierce Brown (Red Rising (Red Rising Saga, #1))
β
I am no martyr. I am not vengeance. I am Eo's dream.
β
β
Pierce Brown (Red Rising (Red Rising Saga, #1))
β
Death is easy when you've already tried to find it.
β
β
Pierce Brown (Red Rising (Red Rising Saga, #1))
β
'I killed their pack leader,' Sevro says when I ask why the wolves follow him. He looks me up and down and flashes me an impish grin from beneath the wolf pelt. 'Don't worry, I wouldn't fit in your skin.'
β
β
Pierce Brown (Red Rising (Red Rising Saga, #1))
β
You! Troll!" Sevro shouts. "I'm a terrorist warlord! Stop throwing me. You made me drop by candy!
β
β
Pierce Brown (Morning Star (Red Rising Saga, #3))
β
For seven hundred years, my people have been enslaved without voice, without hope. Now I am their sword. And I do not forgive. I do not forget. So let him lead me onto his shuttle. Let him think he owns me. Let him welcome me into his house, so I might burn it down.
β
β
Pierce Brown (Golden Son (Red Rising Saga, #2))
β
They pushed and pushed for so long. They knew I was something dangerous, something different. Sooner or later, they had to know I would snap and come to cut them down. Or perhaps they think I'm still a child. The fools. Alexander was a child when he ruined his first nation.
β
β
Pierce Brown (Red Rising (Red Rising Saga, #1))
β
To rise. And rise alone.
β
β
Victoria Aveyard (War Storm (Red Queen, #4))
β
Benedicto: May your trails be crooked, winding, lonesome, dangerous, leading to the most amazing view. May your mountains rise into and above the clouds. May your rivers flow without end, meandering through pastoral valleys tinkling with bells, past temples and castles and poets towers into a dark primeval forest where tigers belch and monkeys howl, through miasmal and mysterious swamps and down into a desert of red rock, blue mesas, domes and pinnacles and grottos of endless stone, and down again into a deep vast ancient unknown chasm where bars of sunlight blaze on profiled cliffs, where deer walk across the white sand beaches, where storms come and go as lightning clangs upon the high crags, where something strange and more beautiful and more full of wonder than your deepest dreams waits for you -- beyond that next turning of the canyon walls.
β
β
Edward Abbey
β
Better than any argument is to rise at dawn and pick dew-wet red berries in a cup.
β
β
Wendell Berry
β
Life is meant to be felt. Else why live? Valleys make the mountains.
β
β
Pierce Brown (Dark Age (Red Rising Saga, #5))
β
And what is the bloodydamn point of surviving in this cold world if I run from the only warmth it has to offer?
β
β
Pierce Brown (Golden Son (Red Rising Saga, #2))
β
Well, here I am, you deviant bitch. Here I bloody am. The motherfucking consequence.
β
β
Pierce Brown (Dark Age (Red Rising Saga #5))
β
He always thinks because I'm reading, I'm not doing anything. There is no greater plague to an introvert than the extroverted.
β
β
Pierce Brown (Golden Son (Red Rising Saga, #2))
β
If you're watching, Eo, it's time to close your eyes. The Reaper has come. And he's brought hell with him.
β
β
Pierce Brown (Morning Star (Red Rising Saga, #3))
β
This is always how the story would end,β he says to me. βNot with your screams. Not with your rage. But with your silence.
β
β
Pierce Brown (Morning Star (Red Rising, #3))
β
It takes more to hope than to remember.
β
β
Pierce Brown (Morning Star (Red Rising, #3))
β
Let him think he owns me. Let him welcome me into his house, so I might burn it down.
β
β
Pierce Brown (Golden Son (Red Rising Saga, #2))
β
I will give Eo your love. I will make a house for you in the Vale of your fathers. It will be beside my own. Join me there when you die.β He grins. βBut I am no builder. So take your time. We will wait.
β
β
Pierce Brown (Morning Star (Red Rising, #3))
β
Iβm a bloodydamn Helldiver with an army of giant, mildly psychotic women behind me and a fleet of state-of-the-art warships crewed by pissed-off pirates, engineers, techs, and former slaves.
β
β
Pierce Brown (Morning Star (Red Rising, #3))
β
And I wonder, in my last moments, if the planet does not mind that we wound her surface or pillage her bounty, because she knows we silly warm things are not even a breath in her cosmic life. We have grown and spread, and will rage and die. And when all that remains of us is our steel monuments and plastic idols, her winds will whisper, her sands will shift, and she will spin on and on, forgetting about the bold, hairless apes who thought they deserved immortality.
β
β
Pierce Brown (Morning Star (Red Rising, #3))
β
And this is the east shore?" Sadie asked. "You said something about that in London--my grandparents living on the east shore."
Amos smiled. "Yes. Very good, Sadie. In ancient times, the east bank of the Nile was always the side of the living, the side where the sun rises. The dead were buried west of the river. It was considered bad luck, even dangerous, to live there. The tradition is still strong among... our people."
Our people?" I asked, but Sadie muscled in with another question.
So you can't live in Manhattan?" she asked.
Amos's brow furrowed as he looked across at the Empire State Building. "Manhattan has other problems. Other gods. It's best we stay separate.
β
β
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
β
I know it may be impossible to believe now, when everything is dark and broken, but you will survive this pain, little one. Pain is a memory. You will live and you will struggle and you will find joy. And you will remember your family from this breath to your dying days, because love does not fade. Love is the stars, and its light carries on long after death.
β
β
Pierce Brown (Iron Gold (Red Rising Saga, #4))
β
I look at him for a moment. Words are a weapon stronger than he knows. And songs are even greater. The words wake the mind. The melody wakes the heart. I come from a people of song and dance. I donβt need him to tell me the power of words. But I smile nonetheless.
β
β
Pierce Brown (Red Rising (Red Rising Saga, #1))
β
Through it all, I stare at the boy on the throne. He maintains his mask. Jaw clenched, lips pressed into a thin, unforgiving line. Still fingers, straight back. But his gaze wavers. Something in his eyes has gone far away. And at his collar, the slightest gray flush rises, painting his neck and the tips of his ears.
He's terrified.
For a second, it makes me happy. Then I rememberβmonsters are most dangerous when they're afraid.
β
β
Victoria Aveyard (King's Cage (Red Queen, #3))
β
Some catastrophic moments invite clarity, explode in split moments: You smash your hand through a windowpane and then there is blood and shattered glass stained with red all over the place; you fall out a window and break some bones and scrape some skin. Stitches and casts and bandages and antiseptic solve and salve the wounds. But depression is not a sudden disaster. It is more like a cancer: At first its tumorous mass is not even noticeable to the careful eye, and then one day -- wham! -- there is a huge, deadly seven-pound lump lodged in your brain or your stomach or your shoulder blade, and this thing that your own body has produced is actually trying to kill you. Depression is a lot like that: Slowly, over the years, the data will accumulate in your heart and mind, a computer program for total negativity will build into your system, making life feel more and more unbearable. But you won't even notice it coming on, thinking that it is somehow normal, something about getting older, about turning eight or turning twelve or turning fifteen, and then one day you realize that your entire life is just awful, not worth living, a horror and a black blot on the white terrain of human existence. One morning you wake up afraid you are going to live.
In my case, I was not frightened in the least bit at the thought that I might live because I was certain, quite certain, that I was already dead. The actual dying part, the withering away of my physical body, was a mere formality. My spirit, my emotional being, whatever you want to call all that inner turmoil that has nothing to do with physical existence, were long gone, dead and gone, and only a mass of the most fucking god-awful excruciating pain like a pair of boiling hot tongs clamped tight around my spine and pressing on all my nerves was left in its wake.
That's the thing I want to make clear about depression: It's got nothing at all to do with life. In the course of life, there is sadness and pain and sorrow, all of which, in their right time and season, are normal -- unpleasant, but normal. Depression is an altogether different zone because it involves a complete absence: absence of affect, absence of feeling, absence of response, absence of interest. The pain you feel in the course of a major clinical depression is an attempt on nature's part (nature, after all, abhors a vacuum) to fill up the empty space. But for all intents and purposes, the deeply depressed are just the walking, waking dead.
And the scariest part is that if you ask anyone in the throes of depression how he got there, to pin down the turning point, he'll never know. There is a classic moment in The Sun Also Rises when someone asks Mike Campbell how he went bankrupt, and all he can say in response is, 'Gradually and then suddenly.' When someone asks how I love my mind, that is all I can say too
β
β
Elizabeth Wurtzel (Prozac Nation)
β
Sevro." I lean forward. "Your eyes..."
He leans in close. "Do you like 'em?"
"Bloodydamn. Did you get Carved?"
"By the best in the business. Do you like 'em?"
"They're bloodydamn marvelous. Fit you like a glove."
He punches his hands together. "Glad you said that. Cuz they're yours."
I blanch. "What?"
"They're yours."
"My what?"
"Your eyes!"
"My eyes..."
"Do you want the eyes back?" Sevro asks, suddenly worried. "I can give them back."
"No!" I say. "It's just I forgot how crazy you are."
"Oh." He laughs and slaps my shoulder. "Good. I thought it might be something serious. So I'm prime keeping them?"
"Finders keepers," I say with a shrug.
β
β
Pierce Brown (Morning Star (Red Rising Saga, #3))
β
LADY LAZARUS
I have done it again.
One year in every ten
I manage it--
A sort of walking miracle, my skin
Bright as a Nazi lampshade,
My right foot
A paperweight,
My face a featureless, fine
Jew linen.
Peel off the napkin
O my enemy.
Do I terrify?--
The nose, the eye pits, the full set of teeth?
The sour breath
Will vanish in a day.
Soon, soon the flesh
The grave cave ate will be
At home on me
And I a smiling woman.
I am only thirty.
And like the cat I have nine times to die.
This is Number Three.
What a trash
To annihilate each decade.
What a million filaments.
The peanut-crunching crowd
Shoves in to see
Them unwrap me hand and foot--
The big strip tease.
Gentlemen, ladies
These are my hands
My knees.
I may be skin and bone,
Nevertheless, I am the same, identical woman.
The first time it happened I was ten.
It was an accident.
The second time I meant
To last it out and not come back at all.
I rocked shut
As a seashell.
They had to call and call
And pick the worms off me like sticky pearls.
Dying
Is an art, like everything else.
I do it exceptionally well.
I do it so it feels like hell.
I do it so it feels real.
I guess you could say I've a call.
It's easy enough to do it in a cell.
It's easy enough to do it and stay put.
It's the theatrical
Comeback in broad day
To the same place, the same face, the same brute
Amused shout:
'A miracle!'
That knocks me out.
There is a charge
For the eyeing of my scars, there is a charge
For the hearing of my heart--
It really goes.
And there is a charge, a very large charge
For a word or a touch
Or a bit of blood
Or a piece of my hair or my clothes.
So, so, Herr Doktor.
So, Herr Enemy.
I am your opus,
I am your valuable,
The pure gold baby
That melts to a shriek.
I turn and burn.
Do not think I underestimate your great concern.
Ash, ash--
You poke and stir.
Flesh, bone, there is nothing there--
A cake of soap,
A wedding ring,
A gold filling.
Herr God, Herr Lucifer
Beware
Beware.
Out of the ash
I rise with my red hair
And I eat men like air.
-- written 23-29 October 1962
β
β
Sylvia Plath (Ariel)
β
Her magic sent him sprawling, and it then hurled into Rhysand again - so hard that his head cracked against the stones and the knife dropped from his splayed fingers. No one made a move to help him, and she struck him once more with her power. The red marble splintered where he hit it, spiderwebbing toward me. With wave after wave she hit him. Rhys groaned.
"Stop," I breathed, blood filling my mouth as I strained a hand to reach her feet. "Please."
Rhys's arms buckled as he fought to rise, and blood dripped from his nose, splattering on the marble. His eyes met mine.
The bond between us went taut. I flashed between my body and his, seeing myself through his eyes, bleeding and broken and sobbing.
I snapped back into my own mind as Amarantha turned to me again. "Stop? Stop? Don't pretend you care, human," she crooned, and curled her finger. I arched my back, my spine straining to the point of cracking, and Rhysand bellowed my name as I lost my grip on the room.
β
β
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
β
O CAPTAIN! my Captain! our fearful trip is done,
The ship has weather'd every rack, the prize we sought is won,
The port is near, the bells I hear, the people all exulting,
While follow eyes the steady keel, the vessel grim and daring;
But O heart! heart! heart!
O the bleeding drops of red,
Where on the deck my Captain lies,
Fallen cold and dead.
O Captain! my Captain! rise up and hear the bells;
Rise up - for you the flag is flung - for you the bugle trills,
For you bouquets and ribbon'd wreaths - for you the shores
a-crowding,
For you they call, the swaying mass, their eager faces turning;
Here Captain! dear father!
This arm beneath your head!
It is some dream that on the deck,
You've fallen cold and dead.
My Captain does not answer, his lips are pale and still,
My father does not feel my arm, he has no pulse nor will,
The ship is anchor'd safe and sound, its voyage closed and done,
From fearful trip the victor ship comes in with object won;
Exult O shores, and ring O bells!
But I with mournful tread,
Walk the deck my Captain lies,
Fallen cold and dead.
β
β
Walt Whitman (Leaves of Grass)
β
Got it all scheduled,β he noted.
βYes,β I returned.
βWhatβs a huge-ass wedding?β
βDonβt ask that,β I advised. βJust show up.β
His grin turned wicked and I liked it. That was, I liked it until he enquired, βYou askinβ me to marry you, Red?β
I wasnβt even sipping coffee and, still, I chocked. Then I pushed out, βWhat?β
βI accept.β
I shook my head and kept shaking it when I requested clarification, βLet me get this straight. Did you just accept my non-marriage offer?β
βNon-marriage?β
βI didnβt ask!β My voice was rising.
βSo you just wanna shack up?β he asked but didnβt wait on my answer. βIβm good with that too.β
Gah!
βIβm getting my huge-ass wedding,β I declared.
βSo you are askinβ me to marry you,β he noted.
Gah! Gah! Gah!!
Sharp as a tack.
Someone kill me.
β
β
Kristen Ashley (Motorcycle Man (Dream Man, #4))
β
I have a dream that one day this nation will rise up and live out the true meaning of its creed: "We hold these truths to be self-evident, that all men are created equal."
I have a dream that one day on the red hills of Georgia, the sons of former slaves and the sons of former slave owners will be able to sit down together at the table of brotherhood.
I have a dream that one day even the state of Mississippi, a state sweltering with the heat of injustice, sweltering with the heat of oppression, will be transformed into an oasis of freedom and justice.
I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin but by the content of their character.
I have a dream today!
I have a dream that one day, down in Alabama, with its vicious racists, with its governor having his lips dripping with the words of "interposition" and "nullification" -- one day right there in Alabama little black boys and black girls will be able to join hands with little white boys and white girls as sisters and brothers.
I have a dream today!
I have a dream that one day every valley shall be exalted, and every hill and mountain shall be made low, the rough places will be made plain, and the crooked places will be made straight; "and the glory of the Lord shall be revealed and all flesh shall see it together.
β
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Martin Luther King Jr.
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Sought we the Scrivani word-work of Surthur
Long-lost in ledger all hope forgotten.
Yet fast-found for friendship fair the book-bringer
Hot comes the huntress Fela, flushed with finding
Breathless her breast her high blood rising
To ripen the red-cheek rouge-bloom of beauty.
βThat sort of thing,β Simmon said absently, his eyes still scanning the pages in front of him.
I saw Fela turn her head to look at Simmon, almost as if she were surprised to see him sitting there.
No, it was almost as if up until that point, heβd just been occupying space around her, like a piece of furniture. But this time when she looked at him, she took all of him in. His sandy hair, the line of his jaw, the span of his shoulders beneath his shirt. This time when she looked, she actually saw him.
Let me say this. It was worth the whole awful, irritating time spent searching the Archives just to watch that moment happen. It was worth blood and the fear of death to see her fall in love with him. Just a little. Just the first faint breath of love, so light she probably didnβt notice it herself. It wasnβt dramatic, like some bolt of lightning with a crack of thunder following. It was more like when flint strikes steel and the spark fades almost too fast for you to see. But still, you know itβs there, down where you canβt see, kindling.
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Patrick Rothfuss (The Wise Manβs Fear (The Kingkiller Chronicle, #2))
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[The Old Astronomer to His Pupil]
Reach me down my Tycho Brahe, I would know him when we meet,
When I share my later science, sitting humbly at his feet;
He may know the law of all things, yet be ignorant of how
We are working to completion, working on from then to now.
Pray remember that I leave you all my theory complete,
Lacking only certain data for your adding, as is meet,
And remember men will scorn it, 'tis original and true,
And the obloquy of newness may fall bitterly on you.
But, my pupil, as my pupil you have learned the worth of scorn,
You have laughed with me at pity, we have joyed to be forlorn,
What for us are all distractions of men's fellowship and smiles;
What for us the Goddess Pleasure with her meretricious smiles.
You may tell that German College that their honor comes too late,
But they must not waste repentance on the grizzly savant's fate.
Though my soul may set in darkness, it will rise in perfect light;
I have loved the stars too fondly to be fearful of the night.
What, my boy, you are not weeping? You should save your eyes for sight;
You will need them, mine observer, yet for many another night.
I leave none but you, my pupil, unto whom my plans are known.
You 'have none but me,' you murmur, and I 'leave you quite alone'?
Well then, kiss me, -- since my mother left her blessing on my brow,
There has been a something wanting in my nature until now;
I can dimly comprehend it, -- that I might have been more kind,
Might have cherished you more wisely, as the one I leave behind.
I 'have never failed in kindness'? No, we lived too high for strife,--
Calmest coldness was the error which has crept into our life;
But your spirit is untainted, I can dedicate you still
To the service of our science: you will further it? you will!
There are certain calculations I should like to make with you,
To be sure that your deductions will be logical and true;
And remember, 'Patience, Patience,' is the watchword of a sage,
Not to-day nor yet to-morrow can complete a perfect age.
I have sown, like Tycho Brahe, that a greater man may reap;
But if none should do my reaping, 'twill disturb me in my sleep
So be careful and be faithful, though, like me, you leave no name;
See, my boy, that nothing turn you to the mere pursuit of fame.
I must say Good-bye, my pupil, for I cannot longer speak;
Draw the curtain back for Venus, ere my vision grows too weak:
It is strange the pearly planet should look red as fiery Mars,--
God will mercifully guide me on my way amongst the stars.
β
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Sarah Williams (Twilight Hours: A Legacy of Verse)
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Dear Child,
Sometimes on your travel through hell, you meet people that think they are in heaven because of their cleverness and ability to get away with things. Travel past them because they don't understand who they have become and never will. These type of people feel justified in revenge and will never learn mercy or forgiveness because they live by comparison. They are the people that don't care about anyone, other than who is making them feel confident. They donβt understand that their deity is not rejoicing with them because of their actions, rather he is trying to free them from their insecurities, by softening their heart. They rather put out your light than find their own. They don't have the ability to see beyond the false sense of happiness they get from destroying others. You know what happiness is and it isnβt this. Donβt see their success as their deliverance. It is a mask of vindication which has no audience, other than their own kind. They have joined countless others that call themselves βsurvivorsβ. They believe that they are entitled to win because life didnβt go as planned for them. You are not like them. You were not meant to stay in hell and follow their belief system. You were bound for greatness. You were born to help them by leading. Rise up and be the light home. You were given the gift to see the truth. They will have an army of people that are like them and you are going to feel alone. However, your family in heaven stands beside you now. They are your strength and as countless as the stars. It is time to let go!
Love,
Your Guardian Angel
β
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Shannon L. Alder
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I hear the question upon your lips: What is it to be a colour?
Colour is the touch of the eye, music to the deaf, a word out of the darkness. Because Iβve listened to souls whispering β like the susurrus of the wind β from book to book and object to object for tens or thousands of years, allow me to say that my touch resembles the touch of angels. Part of me, the serious half, calls out to your vision while the mirthful half sours through the air with your glances.
Iβm so fortunate to be red! Iβm fiery. Iβm strong. I know men take notice of me and that I cannot be resisted.
I do not conceal myself: For me, delicacy manifests itself neither in weakness nor in subtlety, but through determination and will. So, I draw attention to myself. Iβm not afraid of other colours, shadows, crowds or even of loneliness. How wonderful it is to cover a surface that awaits me with my own victorious being! Wherever Iβm spread, I see eyes shine, passions increase, eyebrows rise and heartbeats quicken. Behold how wonderful it is to live! Behold how wonderful to see. I am everywhere. Life begins with and returns to me. Have faith in what I tell you.
β
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Orhan Pamuk (My Name Is Red)
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Death isn't empty like you say it is. Emptiness is life without freedom, Darrow. Emptiness is living chained by fear, fear of loss, of death. I say we break those chains. Break the chains of fear and you break the chains that bind us to the Golds, to the Society. Could you imagine it? Mars could be ours. It could belong to the colonists who slaved here, died here." Her face is easier to see as the night fades through the clear roof. It is alive, on fire. "If you led the others to freedom. The things you could do, Darrow. The things you could make happen." She pauses and I see her eyes are glistening. "It chills me. You have been given so, so much, but you set your sights so low."
"You repeat the same damn points," I say bitterly. "You think a dream is worth dying for. I say it isn't. You say it's better to die on your feet. I say it's better to live on our knees."
"You're not even listening!" she snaps. "We are machine men with machine minds, machine lives β¦"
"And machine hearts?" I ask. "That's what I am?"
"Darrow β¦"
"What do you live for?" I ask her suddenly. "Is it for me? Is it for family and love? Or is it just for some dream?"
"It's not just some dream, Darrow. I live for the dream that my children will be born free. That they will be what they like. That they will own the land their father gave them."
"I live for you," I say sadly.
She kisses my cheek. "Then you must live for more.
β
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Pierce Brown (Red Rising (Red Rising Saga, #1))
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Ruby, what does the future look like?β Nico asked. βI canβt picture it. I try all the time, but I canβt imagine it. Jude said it looked like an open road just after a rainstorm.β
I turned back toward the board, eyes tracing those eight letters, trying to take their power away; change them from a place, a name, to just another word. Certain memories trap you; you relive their thousand tiny details. The damp, cool spring air, swinging between snow flurries and light rain. The hum of the electric fence. The way Sam used to let out a small sigh each morning we left the cabin. I remembered the path to the Factory the way you never forgot the story behind a scar. The black mud would splatter over my shoes, momentarily hiding the numbers written there. 3285. Not a name.
You learned to look up, craning your neck back to gaze over the razor wire curled around the top of the fence. Otherwise, it was too easy to forget that there was a world beyond the rusting metal pen theyβd thrown all of us animals into.
βI see it in colors,β I said. βA deep blue, fading into golds and redsβlike fire on a horizon. Afterlight. Itβs a sky that wants you to guess if the sun is about to rise or set.β
Nico shook his head. βI think I like Judeβs better.β
βMe too,β I said softly. βMe too.
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Alexandra Bracken (In the Afterlight (The Darkest Minds, #3))
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Nix and Lothaire:
When the collar dropped to the ground, Lothaire rolled his head on his neck. But instead of disappearing immediately, he traced to stand mere feet from NΓ―x.
A towering vampire with skin like marble and chillingly flawless features was staring down a petite Valkyrie with crazed eyes and a cryptic smile.
The tension between the two was palpable. Even on the verge of flipping the fuck out, Regin couldnβt look away.
βThe Accession grinds on, does it not?β Lothaire said.
βJust like old times.β NΓ―x winked. βAlas, Dorada will come for you once she rises again.β
βIβll be ready.β He narrowed his red eyes. βYouβve likely foreseen this moment. Tell me, are we to fight now? As in the past?β
βYou defy foresight, Lothaire.β
βThatβs only fair, PhenΓ―x, since youβve long defied insight.β PhenΓ―x?
NΓ―x canted her head. βWhat does your Endgame tell you?β
βThat white queen will never take black king.β He gave her a formal bow. βUntil our next match.β
βThere wonβt be a next match, vampire.β
His brow creased into a frown, the Enemy of Old disappeared.
β
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Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
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For Jenn
At 12 years old I started bleeding with the moon
and beating up boys who dreamed of becoming astronauts.
I fought with my knuckles white as stars,
and left bruises the shape of Salem.
There are things we know by heart,
and things we don't.
At 13 my friend Jen tried to teach me how to blow rings of smoke.
I'd watch the nicotine rising from her lips like halos,
but I could never make dying beautiful.
The sky didn't fill with colors the night I convinced myself
veins are kite strings you can only cut free.
I suppose I love this life,
in spite of my clenched fist.
I open my palm and my lifelines look like branches from an Aspen tree,
and there are songbirds perched on the tips of my fingers,
and I wonder if Beethoven held his breath
the first time his fingers touched the keys
the same way a soldier holds his breath
the first time his finger clicks the trigger.
We all have different reasons for forgetting to breathe.
But my lungs remember
the day my mother took my hand and placed it on her belly
and told me the symphony beneath was my baby sister's heartbeat.
And I knew life would tremble
like the first tear on a prison guard's hardened cheek,
like a prayer on a dying man's lips,
like a vet holding a full bottle of whisky like an empty gun in a war zoneβ¦
just take me just take me
Sometimes the scales themselves weigh far too much,
the heaviness of forever balancing blue sky with red blood.
We were all born on days when too many people died in terrible ways,
but you still have to call it a birthday.
You still have to fall for the prettiest girl on the playground at recess
and hope she knows you can hit a baseball
further than any boy in the whole third grade
and I've been running for home
through the windpipe of a man who sings
while his hands playing washboard with a spoon
on a street corner in New Orleans
where every boarded up window is still painted with the words
We're Coming Back
like a promise to the ocean
that we will always keep moving towards the music,
the way Basquait slept in a cardboard box to be closer to the rain.
Beauty, catch me on your tongue.
Thunder, clap us open.
The pupils in our eyes were not born to hide beneath their desks.
Tonight lay us down to rest in the Arizona desert,
then wake us washing the feet of pregnant women
who climbed across the border with their bellies aimed towards the sun.
I know a thousand things louder than a soldier's gun.
I know the heartbeat of his mother.
Don't cover your ears, Love.
Don't cover your ears, Life.
There is a boy writing poems in Central Park
and as he writes he moves
and his bones become the bars of Mandela's jail cell stretching apart,
and there are men playing chess in the December cold
who can't tell if the breath rising from the board
is their opponents or their own,
and there's a woman on the stairwell of the subway
swearing she can hear Niagara Falls from her rooftop in Brooklyn,
and I'm remembering how Niagara Falls is a city overrun
with strip malls and traffic and vendors
and one incredibly brave river that makes it all worth it.
Ya'll, I know this world is far from perfect.
I am not the type to mistake a streetlight for the moon.
I know our wounds are deep as the Atlantic.
But every ocean has a shoreline
and every shoreline has a tide
that is constantly returning
to wake the songbirds in our hands,
to wake the music in our bones,
to place one fearless kiss on the mouth of that brave river
that has to run through the center of our hearts
to find its way home.
β
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Andrea Gibson