Gull Quotes

You are the gull, Jo, strong and wild, fond of the storm and the wind, flying far out to sea, and happy all alone.

I have been feeling very clearheaded lately and what I want to write about today is the sea. It contains so many colors. Silver at dawn, green at noon, dark blue in the evening. Sometimes it looks almost red. Or it will turn the color of old coins. Right now the shadows of clouds are dragging across it, and patches of sunlight are touching down everywhere. White strings of gulls drag over it like beads. It is my favorite thing, I think, that I have ever seen. Sometimes I catch myself staring at it and forget my duties. It seems big enough to contain everything anyone could ever feel.

Somebody has to go polish the stars, They're looking a little bit dull. Somebody has to go polish the stars, For the eagles and starlings and gulls Have all been complaining they're tarnished and worn, They say they want new ones we cannot afford. So please get your rags And your polishing jars, Somebody has to go polish the stars.

(on grief) And you do come out of it, that’s true. After a year, after five. But you don’t come out of it like a train coming out of a tunnel, bursting through the downs into sunshine and that swift, rattling descent to the Channel; you come out of it as a gull comes out of an oil-slick. You are tarred and feathered for life.

Jonathan Seagull discovered that boredom and fear and anger are the reasons that a gull's life is so short, and with those gone from his thought, he lived a long fine life indeed.

The gull sees farthest who flies highest

You don't love hatred and evil, of course. You have to practice and see the real gull, the good in every one of them, and to help them see it in themselves. That's what I mean by love.

To the sea, to the sea! The white gulls are crying, The wind is blowing, and the white foam is flying. West, west away, the round sun is falling, Grey ship, grey ship, do you hear them calling, The voices of my people that have gone before me? I will leave, I will leave the woods that bore me; For our days are ending and our years failing. I will pass the wide waters lonely sailing. Long are the waves on the Last Shore falling, Sweet are the voices in the Lost Isle calling, In Eressea, in Elvenhome that no man can discover, Where the leaves fall not: land of my people forever!

Sea-fever I must down to the seas again, to the lonely sea and the sky, And all I ask is a tall ship and a star to steer her by, And the wheel's kick and the wind's song and the white sail's shaking, And a grey mist on the sea's face, and a grey dawn breaking. I must down to the seas again, for the call of the running tide Is a wild call and a clear call that may not be denied; And all I ask is a windy day with the white clouds flying, And the flung spray and the blown spume, and the sea-gulls crying. I must down to the seas again, to the vagrant gypsy life, To the gull's way and the whale's way where the wind's like a whetted knife; And all I ask is a merry yarn from a laughing fellow-rover And quiet sleep and a sweet dream when the long trick's over.

Let me tell you about love, that silly word you believe is about whether you like somebody or whether somebody likes you or whether you can put up with somebody in order to get something or someplace you want or you believe it has to do with how your body responds to another body like robins or bison or maybe you believe love is how forces or nature or luck is benign to you in particular not maiming or killing you but if so doing it for your own good. Love is none of that. There is nothing in nature like it. Not in robins or bison or in the banging tails of your hunting dogs and not in blossoms or suckling foal. Love is divine only and difficult always. If you think it is easy you are a fool. If you think it is natural you are blind. It is a learned application without reason or motive except that it is God. You do not deserve love regardless of the suffering you have endured. You do not deserve love because somebody did you wrong. You do not deserve love just because you want it. You can only earn - by practice and careful contemplations - the right to express it and you have to learn how to accept it. Which is to say you have to earn God. You have to practice God. You have to think God-carefully. And if you are a good and diligent student you may secure the right to show love. Love is not a gift. It is a diploma. A diploma conferring certain privileges: the privilege of expressing love and the privilege of receiving it. How do you know you have graduated? You don't. What you do know is that you are human and therefore educable, and therefore capable of learning how to learn, and therefore interesting to God, who is interested only in Himself which is to say He is interested only in love. Do you understand me? God is not interested in you. He is interested in love and the bliss it brings to those who understand and share the interest. Couples that enter the sacrament of marriage and are not prepared to go the distance or are not willing to get right with the real love of God cannot thrive. They may cleave together like robins or gulls or anything else that mates for life. But if they eschew this mighty course, at the moment when all are judged for the disposition of their eternal lives, their cleaving won't mean a thing. God bless the pure and holy. Amen.

For most gulls it was not flying that matters, but eating. For this gull, though, it was not eating that mattered, but flight.

He spoke of very simple things- that it is right for a gull to fly, that freedom is the very nature of his being, that whatever stands against that freedom must be set aside, be it ritual or superstition or limitation in any form. "Set aside," came a voice from the multitude, "even if it be the Law of the Flock?" "The only true law is that which leads to freedom," Jonathan said. "There is no other.

Most gulls don't bother to learn more than the simplest facts of flight - how to get from shore to food and back again

On rocky islands gulls woke.

Below me Rontu was running along the cliffs barking at the screaming gulls. Pelicans were chattering as they finished the blue water. But suddenly I thought of Tutok, and the island seemed very quiet.

As the sun shines low and red across the water, I wade into the ocean. The water is still high and brown and murky with the memory of the storm, so if there’s something below it, I won’t know it. But that’s part of this, the not knowing. The surrender to the possibilities beneath the surface. It wasn’t the ocean that killed my father, in the end. The water is so cold that my feet go numb almost at once. I stretch my arms out to either side of me and close my eyes. I listen to the sound of water hitting water. The raucous cries of the terns and the guillemots in the rocks of the shore, the piercing, hoarse questions of the gulls above me. I smell seaweed and fish and the dusky scent of the nesting birds onshore. Salt coats my lips, crusts my eyelashes. I feel the cold press against my body. The sand shifts and sucks out from under my feet in the tide. I’m perfectly still. The sun is red behind my eyelids. The ocean will not shift me and the cold will not take me.

Despite popular belief to the contrary, there is absolutely no power in intention. The seagull may intend to fly away, may decide to do so, may talk with the other seagulls about how wonderful it is to fly, but until the seagull flaps his wings and takes to the air, he is still on the dock. There’s no difference between that gull and all the others. Likewise, there is no difference in the person who intends to do things differently and the one who never thinks about it in the first place. Have you ever considered how often we judge ourselves by our intentions while we judge others by their actions? Yet intention without action is an insult to those who expect the best from you.

I think it takes an amazing amount of energy to convince oneself that the Forever Person isn't just around the corner. In the end I believe we never do convince ourselves. I know that I found it increasingly hard to maintain the pose of emotional self-sufficiency lying on my bed and sitting at my desk, watching the gulls cartwheeling in the clouds over the bridges, cradling myself in my own arms, breathing warm chocolate-and-vodka breath on a rose I had found on a street corner, trying to force it to bloom.

Why you fool, it's the educated reader who CAN be gulled. All our difficulty comes with the others. When did you meet a workman who believes the papers? He takes it for granted that they're all propaganda and skips the leading articles. He buys his paper for the football results and the little paragraphs about girls falling out of windows and corpses found in Mayfair flats. He is our problem. We have to recondition him. But the educated public, the people who read the high-brow weeklies, don't need reconditioning. They're all right already. They'll believe anything.

Money, you think, is the sole motive to pains and hazard, deception and devilry, in this world. How much money did the devil make by gulling Eve?

A falcon hovers at the edge of the sky. Two gulls drift slowly up the river. Vulnerable while they ride the wind, they coast and glide with ease. Dew is heavy on the grass below, the spider's web is ready. Heaven's ways include the human: among a thousand sorrows, I stand alone.

His one sorrow was not solitude, it was that other gulls refused to believe the glory of flight that awaited them; they refused to open their eyes and see.

Grey morning dulled the bay. Banks of clouds, Howth just one more bank, rolled to sea, where other Howths grumbled to greet them. Swollen spumeless tide. Heads that bobbed like floating gulls and gulls that floating bobbed like heads. Two heads. At swim, two boys.

On Sunday mornings, as the dawn burned into day, swarms of gulls descended on the uncollected trash, hovering and dropping in the cold clear light.

But he sleeps on the top of his mast with his eyes closed tight. The gull inquired into his dream, which was, "I must not fall. The spangled sea below wants me to fall. It is hard as diamonds; it wants to destroy us all.

EDMUND: It was a great mistake, my being born a man, I would have been much more successful as a sea gull or a fish. As it is, I will always be a stranger who never feels at home, who does not really want and is not really wanted, who can never belong, who must always be a little in love with death!

To begin with, you've got to understand that a seagull is an unlimited idea of freedom, an image of the Great Gull, and your whole body, from wingtip to wingtip, is nothing more than your thought itself.

I should think this a gull, but that the white-bearded fellow speaks it; knavery cannot, sure, hide himself in such reverence.

Jonahtan Seagull discovered that boredom and fear and anger are the reasons that a gull's life is so short,and with these gone from his thought,he lived a long life indeed.

I feel as if I had been in the world a thousand years, and I trail my life behind me like an endless scarf.

Your weak side, my diabolic friend, is that you have always been a gull: you take Man at his own valuation. Nothing would flatter him more than your opinion of him. He loves to think of himself as bold and bad. He is neither one nor the other: he is only a coward. Call him tyrant, murderer, pirate, bully; and he will adore you, and swagger about with the consciousness of having the blood of the old sea kings in his veins. Call him liar and thief; and he will only take an action against you for libel. But call him coward; and he will go mad with rage: he will face death to outface that stinging truth. Man gives every reason for his conduct save one, every excuse for his crimes save one, every plea for his safety save one: and that one is his cowardice. Yet all his civilization is founded on his cowardice, on his abject tameness, which he calls his respectability. There are limits to what a mule or an ass will stand; but Man will suffer himself to be degraded until his vileness becomes so loathsome to his oppressors that they themselves are forced to reform it.

Happy? Most of the time? Happiness is always a fleeting thing," he said, "It never rests upon anyone as a permanent state, though many of us persist in believing in the foolish idea that if this would just happen or that we would be happy for the rest of our lives. I know moments of happiness just as most other people do. Perhaps I have learned to find it in ways that would pass some people by. I feel the summer heat here at this moment and see the trees and the water and hear that invisible gull overhead. I feel the novelty of having company when I usually come here alone. And this moment brings me happiness.

Jonathan Seagull discovered that boredom and fear and anger are the reasons that a gull’s life is so short, and with these gone from his thought, he lived a long fine life indeed.

Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunch-backed makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed form kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries' vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers, heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters' sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etiolated lacquerers; mottle-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men's wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of Last Chrysanthemum, where a puddle from last night's rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.

Through Rohan over fen and field where the long grass grows The West Wind goes walking, and about the walls it goes. What news from the West, oh wandering wind, do you bring to me tonight? Have you seen Boromir the Tall by moon or by starlight? ‘I saw him ride over seven streams, over waters wide and grey; I saw him walk in empty lands, until he passed away Into the shadows of the North. I saw him then no more. The North Wind may have heard the horn of the son of Denethor.’ Oh, Boromir! From the high walls westward I looked afar. But you came not from the empty lands where no men are. From the mouth of the sea the South Wind flies, From the sand hills and the stones; The wailing of the gulls it bears, and at the gate it moans What news from the South, oh sighing wind, do you bring to me at eve? Where now is Boromir the Fair? He tarries and I grieve. ‘Ask me not where he doth dwell--so many bones there lie On the white shores and on the black shores under the stormy sky; So many have passed down Anduin to find the flowing sea. Ask of the North Wind news of them the North Wind sends to me!’ Oh Boromir! Beyond the gate the Seaward road runs South, But you came not with the wailing gulls from the grey seas mouth. From the Gate of Kings the North Wind rides, And past the roaring falls And loud and cold about the Tower its loud horn calls. What news from the North, oh mighty wind, do you bring to me today? What news of Boromir the Bold? For he is long away. ‘Beneath Amon Hen I heard his cry. There many foes he fought His cloven shield, his broken sword, they to the water brought. His head so proud, his face so fair, his limbs they laid to rest; And Rauros, Golden Rauros Falls, bore him upon its breast.’ Oh Boromir! The Tower of Guard shall ever northward gaze To Rauros, Golden Rauros Falls until the end of days.

It is never too late to go quietly to our lakes, rivers, oceans, even our small streams, and say to the sea gulls, the great blue herons, the bald eagles, the salmon, that we are sorry.

I am a sea-gull—no—no, I am an actress.

This couldn’t be just a lake. No real water was ever blue like that. A light breeze stirred the pin-cherry tree beside the window, ruffled the feathers of a fat sea gull promenading on the pink rocks below. The breeze was full of evergreen spice.

Little Crazy Love Song” I don’t want eventual, I want soon. It’s 5 a.m. It’s noon. It’s dusk falling to dark. I listen to music. I eat up a few wild poems while time creeps along as though it’s got all day. This is what I have. The dull hangover of waiting, the blush of my heart on the damp grass, the flower-faced moon. A gull broods on the shore where a moment ago there were two. Softly my right hand fondles my left hand as though it were you.

Oh, Fletch, you don't love that! You don't love hatred and evil,of course. You have to practice and see the real gull, the good in every one of them, and help them to see it in themselves. That's what I mean by love. It's fun, when you get the knack of it.

A gull on an invisible wire attached through space dragged. You carry the symbol of your frustration into eternity. Then the wings are bigger Father said only who can play a harp.

you have the freedom to be yourself, your true self, here and now, and nothing can stand in your way. It is the Law of the Great Gull, the Law that Is.

He knew then what it was that Liz had given him; the thing that he would have to go back and find if ever he got home to England; it was the caring about little things - the faith in ordinary life; the simplicity that made you break up a bit of bread into a paper bag, walk down to the beach and throw it to the gulls. It was this respect for triviality which he had never been allowed to possess; whether it was bread of the seagulls or love

So. Avelaval. My leaves have drifted from me. All. But one clings still. I'll bear it on me. To remind me of. Lff! So soft this morning, ours. Yes. Carry me along, taddy, like you done through the toy fair! If I seen him bearing down on me now under whitespread wings like he'd come from Arkangels, I sink I'd die down over his feet, humbly dumbly, only to washup. Yes, tid. There's where. First. We pass through grass behush the bush to. Whish! A gull. Gulls. Far calls. Coming, far! End here. Us then. Finn, again! Take. Bussoftlhee, mememormee! Till thousendsthee. Lps. The keys to. Given! A way a lone a last a loved a long the—riverrun, past Eve and Adam's, from swerve of shore to bend of bay, brings us by a commodius vicus of recirculation back to Howth Castle and Environs.

This is what I have. The dull hangover of waiting, the blush of my heart on the damp grass, the flower-faced moon. A gull broods on the shore where a moment ago there were two. Softly my right hand fondles my left hand as though it were you.

Hark to the sky of a seagull! He cries because he's not an eagle. Oh, what if you were you silly he-gull? What would you say to your she-gull?

Here is the solitude from which you are absent. It is raining. The sea wind is hunting stray gulls. The water walks barefoot in the wet streets. From that tree the leaves complain as though they were sick. White bee, even when you are gone, you live in my soul. You live again in time, slender and silent. Ah, you who are silent.

The wind blustered in from the sea, setting the horses’ manes streaming sideways, and the gulls wheeled mewing against the blue-and-grey tumble of the sky; and Aquila, riding a little aside from the rest as usual, caught for a moment from the wind and the gulls and the wet sand and the living, leaping power of the young red mare under him, something of the joy of simply being alive that he had taken for granted in the old days.

A Song I wish you were here, dear, I wish you were here. I wish you sat on the sofa and I sat near. The handkerchief could be yours, the tear could be mine, chin-bound. Though it could be, of course, the other way around. I wish you were here, dear, I wish you were here. I wish we were in my car and you'd shift the gear. We'd find ourselves elsewhere, on an unknown shore. Or else we'd repair to where we've been before. I wish you were here, dear, I wish you were here. I wish I knew no astronomy when stars appear, when the moon skims the water that sighs and shifts in its slumber. I wish it were still a quarter to dial your number. I wish you were here, dear, in this hemisphere, as I sit on the porch sipping a beer. It's evening, the sun is setting; boys shout and gulls are crying. What's the point of forgetting if it's followed by dying?

I love ports. I love the smell of tar and sea air, and the scream of the gulls. Maybe it's years of taking the ferry to France for summer holidays, but a harbor gives me a feeling of freedom in a way that an airport never does. Airports say work and security checks and delays. Ports say... I don't know. Something completely different. Escape, maybe.

The wind was picking up off the ocean now and the whole coastal scene had a bleak, abandoned look, as though Maine in November really belonged to the ragged gulls who wheeled over the sun-worn pier, and the humans had just gotten the news and taken a powder.

Come to the beach with me And watch the pelicans die, Hear their feeble screams Calling to an empty sky Where once they played And scouted for food, Not scavenging like the gulls But plummeting unafraid Into friendly waters. Come to the beach with me And watch the pelicans die, Listen to their feeble screams Calling to an empty sky. Maybe Christ will walk by And save them in their final toil Or work a miracle from the shore, A courtesy of Union Oil. Come to the beach with me And watch the pelicans die. My God! They'll never fly again. It's worse than Normandy somehow, For there we only murdered men.

Sometimes the gulls came nearer, screaming noisily as they quarreled over small fish in the pools, and sometimes they cried mournfully far away along the beach. Then Anna felt like crying too - not actually, but quietly - inside. They made a sad, and beautiful, and long-ago sound that seemed to remind her of something lovely she had once known - and lost, and never found again. But she did not know what it was.

Strolling down a white-graveled walk to the cliff above the ocean, he let his eyes rove aimlessly over the expanse of sea and sand: The icy-looking whitecaps, the blinking, faraway sails of boats, the sweeping, constantly searching gulls. Desolation. Eternal, infinite. Like Dostoevski’s conception of eternity, a fly circling about a privy, the few signs of life only emphasized the loneliness.

Sleep on your stone pillow, and let the gulls peck out your eyes while the crabs feast on your flesh. You've feasted on enough of them, you owe them.

Acts have consequences, Dixon, they must. These Louts believe all's right now,-- that they are free to get on with Lives that to them are no doubt important,-- with no Glimmer at all of the Debt they have taken on. That is what I smell'd,-- Lethe-Water. One of the things the newly-born forget, is how terrible its Taste, and Smell. In Time, these People are able to forget ev'rything. Be willing but to wait a little, and ye may gull them again and again, however ye wish,-- even unto their own Dissolution. In America, as I apprehend, Time is the true River that runs 'round Hell.

Good-bye, Jon, my friend.” “Good-bye, Sully. We’ll meet again.” And with that, Jonathan held in thought an image of the great gull-flocks on the shore of another time, and he knew with practiced ease that he was not bone and feather but a perfect idea of freedom and flight, limited by nothing at all.

England was alive, throbbing through all her estuaries, crying for joy through the mouths of all her gulls, and the north wind, with contrary motion, blew stronger against her rising seas. What did it mean? For what end are her fair complexities, her changes of soil, her sinuous coast? Does she belong to those who have moulded her and made her feared by other lands, or to those who have added nothing to her power, but have somehow seen her, seen the whole island at once, lying as a jewel in a silver sea, sailing as a ship of souls, with all the brave world's fleet accompanying her towards eternity?

The Nantucketer, he alone resides and riots on the sea; he alone, in Bible language, goes down to it in ships; to and fro ploughing it as his own special plantation. There is his home; there lies his business, which a Noah's flood would not interrupt, though it overwhelmed all the millions in China. He lives on the sea, as prairie cocks in the prairie; he hides among the waves, he climbs them as chamois hunters climb the Alps. For years he knows not the land; so that when he comes to it at last, it smells like another world, more strangely than the moon would to an Earthman. With the landless gull, that at sunset folds her wings and is rocked to sleep between billows; so at nightfall the Nantucketer, out of sight of land, furls his sails, and lays him to his rest, while under his very pillow rush herds of walruses and whales.

As long as it's a regular day, not too rough to begin with, the ocean is pretty smooth once you make it out past the first set of waves. That's why people are afriad to swim in the ocean. They try to jump over those waves and get slammed down to the bottom and pulled across the sand like a piece of shell. You've got to go throught them, dive under just when they're rising up for you, set your direction, close your eyes, and just swim like hell. Once you get throught that, you'll find there isn't a better place for swimming because it's the ocean and it goes on forever. You don't have to see anyone if you don't want to. If you look out, away from the beach, it's easy to imagine that there's no one else but you in the whole world, you and maybe a couple of sea gulls.

NINA: ...what's important is...the ability to endure. To be able to bear one's cross and have faith. I have faith, and it's not so painful now, and when I think of my vocation, I'm not afraid of life.

With favoring winds, o'er sunlit seas, We sailed for the Hesperides, The land where golden apples grow; But that, ah! that was long ago. How far, since then, the ocean streams Have swept us from that land of dreams, That land of fiction and of truth, The lost Atlantis of our youth! Whither, ah, whither? Are not these The tempest-haunted Orcades, Where sea-gulls scream, and breakers roar, And wreck and sea-weed line the shore? Ultima Thule! Utmost Isle! Here in thy harbors for a while We lower our sails; a while we rest From the unending, endless quest.

He knew the terrible tales of sea otters choking on polyethylene rings from beer six-packs; of swans and gulls strangled by nylon nets and fishing lines; of a green sea turtle in Hawaii dead with a pocket comb, a foot of nylon rope, and a toy truck wheel lodged in its gut. His personal worst

There may be coarse hypocrites, who consciously affect beliefs and emotions for the sake of gulling the world, but Bulstrode was not one of them. He was simply a man whose desires had been stronger than his theoretic beliefs, and who had gradually explained the gratification of his desires into satisfactory agreement with those beliefs. If this be hypocrisy, it is a process which shows itself occasionally in us all....

I observed with disillusioned clarity the despicable nonentity of the street; its porches; its window curtains; the drab clothes, the cupidity and complacency of shopping women; and old men taking the air in comforters; the caution of people crossing; the universal determination to go on living, when really, fools and gulls that you are, I said, any slate may fly from a roof, any car may swerve, for there is neither rhyme nor reason when a drunk man staggers about with a club in his hand - that is all.

Hannah searches the clouds, the gulls, the sun. She wants to leave and she wants to stay. She wants to raise her hand to the heavens and command that everything top, that time stills, that the rules and the laws retract their grip so nature can have her way. Hannah wants to sit up off her towel and look across her friend's lined-up bodies, frozen in time beneath the sky, and she wants to pull Baker out of their midst, out of time, and walk with her along the shoreline, following the infinite ocean, nothing moving on the whole green earth except for the two of them and the water and the sky.

EDMUND *Then with alcoholic talkativeness You've just told me some high spots in your memories. Want to hear mine? They're all connected with the sea. Here's one. When I was on the Squarehead square rigger, bound for Buenos Aires. Full moon in the Trades. The old hooker driving fourteen knots. I lay on the bowsprit, facing astern, with the water foaming into spume under me, the masts with every sail white in the moonlight, towering high above me. I became drunk with the beauty and signing rhythm of it, and for a moment I lost myself -- actually lost my life. I was set free! I dissolved in the sea, became white sails and flying spray, became beauty and rhythm, became moonlight and the ship and the high dim-starred sky! I belonged, without past or future, within peace and unity and a wild joy, within something greater than my own life, or the life of Man, to Life itself! To God, if you want to put it that way. Then another time, on the American Line, when I was lookout on the crow's nest in the dawn watch. A calm sea, that time. Only a lazy ground swell and a slow drowsy roll of the ship. The passengers asleep and none of the crew in sight. No sound of man. Black smoke pouring from the funnels behind and beneath me. Dreaming, not keeping looking, feeling alone, and above, and apart, watching the dawn creep like a painted dream over the sky and sea which slept together. Then the moment of ecstatic freedom came. the peace, the end of the quest, the last harbor, the joy of belonging to a fulfillment beyond men's lousy, pitiful, greedy fears and hopes and dreams! And several other times in my life, when I was swimming far out, or lying alone on a beach, I have had the same experience. Became the sun, the hot sand, green seaweed anchored to a rock, swaying in the tide. Like a saint's vision of beatitude. Like a veil of things as they seem drawn back by an unseen hand. For a second you see -- and seeing the secret, are the secret. For a second there is meaning! Then the hand lets the veil fall and you are alone, lost in the fog again, and you stumble on toward nowhere, for no good reason! *He grins wryly. It was a great mistake, my being born a man, I would have been much more successful as a sea gull or a fish. As it is, I will always be a stranger who never feels at home, who does not really want and is not really wanted, who can never belong, who must always be a a little in love with death! TYRONE *Stares at him -- impressed. Yes, there's the makings of a poet in you all right. *Then protesting uneasily. But that's morbid craziness about not being wanted and loving death. EDMUND *Sardonically The *makings of a poet. No, I'm afraid I'm like the guy who is always panhandling for a smoke. He hasn't even got the makings. He's got only the habit. I couldn't touch what I tried to tell you just now. I just stammered. That's the best I'll ever do, I mean, if I live. Well, it will be faithful realism, at least. Stammering is the native eloquence of us fog people.

Alone in her shelter, she allowed herself tears. When her shelter cooled to the touch she called to Gull, “Coming out!” She eased her head out into the smoky air, looked over at Gull. She imaged they both looked like a couple of sweaty, parboiled turtles climbing out of their shells. “Hello, gorgeous.” She laughed. It hurt her throat, but she laughed. “Hey, handsome.

White-crested waves crash on the shore. The masts sway violently, every which way. In the gray sky the gulls are circling like white flakes. Rain squalls blow past like gray slanting sails, and blue gaps open in the sky. The air brightens. A cold silvery evening. The moon is overhead, and down below, in the water; and all around it-a wide frame of old, hammered, scaly silver. Etched on the silver-silent black fishing boats, tiny black needles of masts, little black men casting invisible lines into the silver. And the only sounds are the occasional plashing of an oar, the creaking of an oarlock, the springlike leap and flip-flop of a fish. ("The North")

I don’t understand how you manage to love a mob of birds that has just tried to kill you.” “Oh, Fletch, you don’t love that! You don’t love hatred and evil, of course. You have to practice and see the real gull, the good in every one of them, and to help them see it in themselves. That’s what I mean by love. It’s fun, when you get the knack of it.

There is darkness on your lantern and pumpkins in your wind. and Oh, they clutter up your mind with their senseless bumping while your heart is like a sea gull frozen into a long distance telephone call. I’d like to take the darkness off your lantern and change the pumpkins into sky fields of ordered comets and disconnect the refrigerator telephone that frightens your heart into standing still.

...a new day was starting, the things of the garden were not concerned with our troubles. A blackbird ran across the rose-garden to the lawns in swift, short rushes, stopping now and again to stab at the earth with his yellow beak. A thrush, too, went about his business, and two stout, little wagtails, following one another, and a little cluster of twittering sparrows. A gull poised himself high in the air, silent and alone, and then spread his wings wide and swooped beyond the lawns to the woods and the Happy Valley. These things continued, our worries and anxieties had no power to alter them.

...ce vieux Grec...prophétisant l'avenir de cette nation, qui fut toujours un moyen ou un prétexte dans les mains des puissances européennes

So that you will hear me my words sometimes grow thin as the tracks of the gulls on the beaches. Necklace, drunken bell for your hands smooth as grapes. And I watch my words from a long way off. They are more yours than mine. They climb on my old suffering like ivy. It climbs the same way on damp walls. You are to blame for this cruel sport. They are fleeing from my dark lair. You fill everything, you fill everything. Before you they peopled the solitude that you occupy, and they are more used to my sadness than you are. Now I want them to say what I want to say to you to make you hear as I want you to hear me. The wind of anguish still hauls on them as usual. Sometimes hurricanes of dreams still knock them over. You listen to other voices in my painful voice. Lament of old mouths, blood of old supplications. Love me, companion. Don't forsake me. Follow me. Follow me, companion, on this wave of anguish. But my words become stained with your love. You occupy everything, you occupy everything. I am making them into an endless necklace for your white hands, smooth as grapes.

Part of love is preparing for death... Afterwards comes the madness. And then the loneliness... [People say] you'll come out of it... And you do come out of it, that's true. But you don't come out of it like a train coming out of a tunnel, bursting through the Downs into sunshine and that swift, rattling descent to the Channel; you come out of it as a gull comes out of an oil slick; you are tarred and feathered for life.

Girl in the wind blowing wide open the closed doors of my life - which way are we going? Standing against the lurid sky on the stark brink of ocean arms outstretched as if your love and hunger would embrace the world and I in my inner room playing my poetic premutations can only look and ask the unanswerable. Brave and cunning I speak to my typewriter knowing it will not answer back knowing it will not reply what I ask and do not want to hear as you with the vast sunset merge a multitude of dreams away uniquely alone and outside of me in the purity and rarity of this moment immeasurably beyond my love and my rage and with the dying call of gulls the echo resounds: Girl in the wind throwing aside the tight shutters of my life - which way are we going?

As summer neared, as the evening lengthened there came to the wakeful, the hopeful, walking the beach, stirring the pool, imaginations of the strangest kind- of flesh turned to atoms which drove before the wind, of stars flashing in their hearts, of outwardly the scattered parts of the vision within. In those mirrors, the minds of men, in those pools of uneasy water, in which cloud forever and shadows form, dreams persisted; and it was impossible to resist the strange intimation which every gull, flower, tree, man and woman, and the white earth itself seemed to declare (but if you questioned at once to withdraw) that good triumph, happiness prevails, order rules, or to resist the extra ordinary stimulus to range hither and thither in search of some absolute good, some crystal of intensity remote from the known pleasures and familiar virtues, something alien to the processes of domestic life, single, hard, bright, like a diamond in the sand which would render the possessor secure. Moreover softened and acquiescent, the spring with their bees humming and gnats dancing threw her cloud about her, veiled her eyes, averted her head, and among passing shadows and fights of small rain seemed to have taken upon her knowledge of the sorrows of mankind.

Here I love you. In the dark pines the wind disentangles itself. The moon glows like phosphorous on the vagrant waters. Days, all one kind, go chasing each other. The snow unfurls in dancing figures. A silver gull slips down from the west. Sometimes a sail. High, high stars. Oh the black cross of a ship. Alone. Sometimes I get up early and even my soul is wet. Far away the sea sounds and resounds. This is a port. Here I love you. Here I love you and the horizon hides you in vain. I love you still among these cold things. Sometimes my kisses go on those heavy vessels that cross the sea towards no arrival. I see myself forgotten like those old anchors. The piers sadden when the afternoon moors there. My life grows tired, hungry to no purpose. I love what I do not have. You are so far. My loathing wrestles with the slow twilights. But night comes and starts to sing to me. The moon turns its clockwork dream. The biggest stars look at me with your eyes. And as I love you, the pines in the wind want to sing your name with their leaves of wire. Pablo Neruda

Amanda Hamilton poem: Broken Gull of Brandon Beach Winged soul, you danced the skies, And startled dawn with shrilling cries. You followed sails and braved the sea, Then caught the wind back to me. You broke your wing; it dragged the land And etched your mark upon the sand. When feathers break, you cannot fly, But who decides the time to die? . . .

The Sea Still Sounds (Già da più notti s’ode ancora il mare) Even more so at night the sea still sounds, Lightly, up and down, along the smooth sands. Echo of an enclosed voice in the mind, that returns in time; and also that assiduous lament of the gulls; birds perhaps of the summits that April drives towards the plain; already you are near to me in that voice; and I wish there might yet come to you from me, an echo of memory, like this dark murmur of the sea.

The wind was off shore, and only broke the sea's surface in to long, silvery ripples, and sent sheeny shadows flying out across it, from every point and headland, like transparent wings. The dusk was hanging a curtain of violet gloom over the sand-dunes and the headlands where gulls were huddling. The sky was faintly filmed over with scarfs of silken vapor. Cloud fleets rode at anchor along the horizons. An evening star was watching over the bar.

You can’t tell half a tale, Poison. You can’t write half a book. Whatever you choose to do next will completely change the aspect of what has gone before. if you decided to suddenly kill your friends as they slept –“ Why would I do that?” Poison interjected. Bear with me,” Fleet said patiently. “If you did, then the tale would take on a whole new light. Instead of being the journey of Poison from Gull to save her sister, it would be the terrible story of how a young girl became a cold-blooded killer. They way it would be written would be different. Do you see? Or you might die right now, and it would turn out that it wasn’t your tale all along it was Bram’s or Peppercorn’s, and you were just one of the sideline characters. The whole story has to be known before it can be recorded; otherwise it might suddenly change. That’s the beauty, Poison. You never know what’s going to happen next. When the tale is ended, then the writing will be visible to your eyes; until then it is unwritten.

In 1963, when I assigned the name "quark" to the fundamental constituents of the nucleon, I had the sound first, without the spelling, which could have been "kwork." Then, in one of my occasional perusals of Finnegans Wake, by James Joyce, I came across the word "quark" in the phrase "Three quarks for Muster Mark." Since "quark" (meaning, for one thing, the cry of a gull) was clearly intended to rhyme with "Mark," as well as "bark" and other such words, I had to find an excuse to pronounce it as "kwork." But the book represents the dreams of a publican named Humphrey Chimpden Earwicker. Words in the text are typically drawn from several sources at once, like the "portmanteau words" in Through the Looking Glass. From time to time, phrases occur in the book that are partially determined by calls for drinks at the bar. I argued, therefore, that perhaps one of the multiple sources of the cry "Three quarks for Muster Mark" might be "Three quarts for Mister Mark," in which case the pronunciation "kwork" would not be totally unjustified. In any case, the number three fitted perfectly the way quarks occur in nature.

WE DASH THE BLACK RIVER, ITS flats smooth as stone. Not a ship, not a dinghy, not one cry of white. The water lies broken, cracked from the wind. This great estuary is wide, endless. The river is brackish, blue with the cold. It passes beneath us blurring. The sea birds hang above it, they wheel, disappear. We flash the wide river, a dream of the past. The deeps fall behind, the bottom is paling the surface, we rush by the shallows, boats beached for winter, desolate piers. And on wings like the gulls, soar up, turn, look back.

of her favorites was John Masefield’s “Sea Fever”: . . . all I ask is a windy day with the white clouds flying, And the flung spray and the blown spume, and the sea-gulls crying. Kya recalled a poem written by a lesser-known poet, Amanda Hamilton, published recently in the local newspaper she’d bought at the Piggly Wiggly: Trapped inside, Love is a caged beast, Eating its own flesh. Love must be free to wander, To land upon its chosen shore And breathe.

Have you really not noticed, then, that here of all places, in this private, personal solitude that surrounds me, I have turned to you? All the memories of my youth speak to me as I walk, just as the sea shells crunch under my feet on the beach. The crash of every wave awakens far-distant reverberations within me... I hear the rumble of bygone days, and in my mind the whole endless series of old passions surges forward like the billows. I remember my spasms, my sorrows, gusts of desire that whistled like wind in the rigging, and vast vague longings that swirled in the dark like a flock of wild gulls in a stormcloud... On whom should I lean, if not on you? My weary mind turns for refreshment to the thought of you as a dusty traveler might sink onto a soft and grassy bank...

Then he saw them. The gulls. Out there, riding the seas. What he had thought at first to be the white caps of the waves were gulls. Hundreds, thousands, tens of thousands... They rose and fell in the trough of the seas, heads to the wind, like a mighty fleet at anchor, waiting on the tide. To eastward, and to the west, the gulls were there. They stretched as far as his eye could reach, in close formation, line upon line. Had the sea been still they would have covered the bay like a white cloud, head to head, body packed to body. Only the east wind, whipping the sea to breakers, hid them from the shore.

.... So Cu Chulainn asked and he asked, and at length he learned that the best teacher of the arts of war was a woman, Scathach, a strange creature who lived on a tiny island off the coast of Alba." "A woman?" someone echoed scornfully. "How could that be?" "Ah, well, this was no ordinary woman, as our hero soon found out for himself. When he came to the wild shore of Alba and looked across the raging waters to the island where she lived with her warrior women, he saw that there could be a difficulty before he even set foot there. For the only way across was by means of a high, narrow bridge, just wide enough for one man to walk on. And the instant he set his foot upon its span, the bridge began to shake and flex and bounce up and down, all along its considerable length, so that anyone foolish enough to venture farther along it would straightaway be tossed down onto the knife-sharp rocks or into the boiling surf." "Why didn't he use a boat?" asked Spider with a perplexed frown. "Didn't you hear what Liadan said?" Gull responded with derision. "Raging waters? Boiling surf? No boat could have crossed that sea, I'd wager.

Each such cycle is a unique event; diet, choice, selection, season, weather, digestion, decomposition and regeneration differ each time it happens. Thus, it is the number of such cycles, great and small, that decide the potential for diversity. We should feel ourselves privileged to be part of such eternal renewal. Just by living we have achieved immortality - as grass, grasshoppers, gulls, geese and other people. We are of the diversity we experience in every real sense. If, as physical scientists assure us, we all contain a few molecules of Einstein, and if the atomic particles of our physical body reach to the outermost bounds of the universe, then we are all de facto components of all things. There is nowhere left for us to go if we are already everywhere, and this is, in truth, all we will ever have or need. If we love ourselves at all, we should respect all things equally, and not claim any superiority over what are, in effect, our other parts. Is the hand superior to the eye? The bishop to the goose? The son to the mother?

Sea Longing" A thousand miles beyond this sun-steeped wall Somewhere the waves creep cool along the sand, The ebbing tide forsakes the listless land With the old murmur, long and musical; The windy waves mount up and curve and fall, And round the rocks the foam blows up like snow,-- Tho' I am inland far, I hear and know, For I was born the sea's eternal thrall. I would that I were there and over me The cold insistence of the tide would roll, Quenching this burning thing men call the soul,-- Then with the ebbing I should drift and be Less than the smallest shell along the shoal, Less than the sea-gulls calling to the sea.

Tides Every day the sea blue gray green lavender pulls away leaving the harbor’s dark-cobbled undercoat slick and rutted and worm-riddled, the gulls walk there among old whalebones, the white spines of fish blink from the strandy stew as the hours tick over; and then far out the faint, sheer line turns, rustling over the slack, the outer bars, over the green-furred flats, over the clam beds, slippery logs, barnacle-studded stones, dragging the shining sheets forward, deepening, pushing, wreathing together wave and seaweed, their piled curvatures spilling over themselves, lapping blue gray green lavender, never resting, not ever but fashioning shore, continent, everything. And here you may find me on almost any morning walking along the shore so light-footed so casual.

He said he would be back and we'd drink wine together He said that everything would be better than before He said we were on the edge of a new relation He said he would never again cringe before his father He said that he was going to invent full-time He said he loved me that going into me He said was going into the world and the sky He said all the buckles were very firm He said the wax was the best wax He said Wait for me here on the beach He said Just don't cry I remember the gulls and the waves I remember the islands going dark on the sea I remember the girls laughing I remember they said he only wanted to get away from me I remember mother saying : Inventors are like poets, a trashy lot I remember she told me those who try out inventions are worse I remember she added : Women who love such are the worst of all I have been waiting all day, or perhaps longer. I would have liked to try those wings myself. It would have been better than this.

How soon, indeed, are human things forgotten! As we meet here this morning, the Southern sun is shining on their place of burial, and the waves sparkling and the sea-gulls circling around Fort Wagner's ancient site. But the great earthworks and their thundering cannon, the commanders and their followers, the wild assault and repulse that for a brief space made night hideous on that far-off evening, have all sunk into the blue gulf of the past, and for the majority of this generation are hardly more than an abstract name, a picture, a tale that is told. Only when some yellow-bleached photograph of a soldier of the 'sixties comes into our hands, with that odd and vivid look of individuality due to the moment when it was taken, do we realize the concreteness of that by-gone history, and feel how interminable to the actors in them were those leaden-footed hours and years.

Pandora launched into a detailed account of her conversation with the hermit crab, reporting that his name was Shelley, after the poet, whose works he admired. He was a well-traveled crustacean, having flown to distant lands while clinging to the pink leg of a herring gull who had no taste for shellfish, preferring hazelnuts and bread crumbs. One day, the herring gull, who possessed the transmigrated soul of an Elizabethan stage actor, had taken Shelley to see Hamlet at the Drury Lane theater. During the performance, they had alighted on the scenery and played the part of a castle gargoyle for the entire second act. Shelley had enjoyed the experience but had no wish to pursue a theatrical career, as the hot stage lights had nearly fricasseed him. Gabriel stopped digging and listened, transported by the wonder and whimsy of Pandora's imagination. Out of thin air, she created a fantasy world in which animals could talk and anything was possible. He was charmed out of all reason as he watched her, this sandy, disheveled, storytelling mermaid, who seemed already to belong to him and yet wanted nothing to do with him. His heart worked in strange rhythms, as if it were struggling to adjust to a brand new metronome. What was happening to him?

Et puis le beau rayon s'arrêtait à la surface du fleuve, s'y réfléchissait, jouait un instant, sur des nénufars blancs, des campanules bleues, asiles parfumés et flottants d'une myriade d'insectes dont les corselets diaprés chatoyaient comme autant de rubis et d'émeraudes. Enfin il s'éteignait comme à regret, le beau rayon, en laissant sur la surface du fleuve une éblouissante auréole qui contrastait avec les ombres vertes et transparentes, projetées par l'épaisseur des arbres de la rive.

Summer came whirling out of the night and stuck fast. One morning late in November everybody got up at Cloudstreet and saw the white heat washing in through the windows. The wild oats and buffalo grass were brown and crisp. The sky was the color of kerosene. The air was thin and volatile. Smoke rolled along the tracks as men began to burn off on the embankment. Birds cut singing down to a few necessary phrases, and beneath them in the streets, the tar began to bubble. The city was full of Yank soldiers; the trams were crammed to standing with them. The river sucked up the sky and went flat and glittery right down the middle of the place and people went to it in boats and britches and barebacked. Where the river met the sea, the beaches ran north and south, white and broad as highways in a dream, and men and babies stood in the surf while gulls hung in the haze above, casting shadows on the immodest backs of the oilslicked women.

She didn’t note the time of moonrise or when a great horned owl took a diurnal dive at a blue jay. From bed, she heard the marsh beyond in the lifting of blackbird wings, but didn’t go to it. She hurt from the crying songs of the gulls above the beach, calling to her. But for the first time in her life, did not go to them. She hoped the pain from ignoring them would displace the tear in her heart. It did not. Listless, she wondered what she had done to send everyone away. Her own ma. Her sisters. Her whole family. Jodie. And now Tate. Her most poignant memories were unknown dates of family members disappearing down the lane. The last of a white scarf trailing through the leaves. A pile of socks left on a floor mattress. Tate and life and love had been the same thing. Now there was no Tate. “Why, Tate, why?” She mumbled into the sheets, “You were supposed to be different. To stay. You said you loved me, but there is no such thing. There is no one on Earth you can count on.” From somewhere very deep, she made herself a promise never to trust or love anyone again. She’d always found the muscle and heart to pull herself from the mire, to take the next step, no matter how shaky. But where had all that grit brought her? She drifted in and out of thin sleep.

The world of conspiracy theories is one where stupid people dismiss the expertise of highly qualified people, and attribute to these experts a wicked desire to lie to and gull the masses. In other words, they portray experts as sinister enemies of the people. Conspiracy theories reflect the increasingly prevalent notion that the average, uneducated person is always right – can always see the real truth of a situation – while the educated experts are always wrong because they are deliberately lying to the people to further a conspiracy by the elite against the people. It is increasingly being perceived as a “sin”, a crime, to be smart, to be an expert. Average people do not like smart people, do not trust them, and are happy to regard them as nefarious conspirators. They are constructing a fantasy world where the idiot is always right and honest, and anyone who opposes the idiot always wrong and dishonest. A global Confederacy of Dunces is being established, whose cretinous values are transmitted by bizarre memes that crisscross the internet at a dizzying speed, and which are always accepted uncritically as the finest nuggets of truth. Woe betide anyone who challenges the Confederacy. They will be immediately trolled.

Mack and the boys, too, spinning in their orbits. They are the Virtues, the Graces, the Beauties of the hurried mangled craziness of Monterey and the cosmic Monterey where men in fear and hunger destroy their stomachs in the fight to secure certain food, where men hungering for love destroy everthing lovable about them. Mack and the boys are the Beauties, the Virtues, the Graces. In a world ruled by tigers with ulcers, rutted by strictured bulls, scavenged by blind jackals, Mack and the boys dine delicately with the tigers, fondle the frantic heifers, and wrap up the crumbs to feed the sea gulls of Cannery Row. What can it profit a man to gain the whole world and come to his property with a gastric ulcer, a blown prostate, and bifocals? Mack and the boys avoid the trap, walk around the poison, step over the noose while a generation of trapped, poisoned, and trussed-up men scream at them and call them no-goods, come-to-bad-ends, blots-on-the-town, thieves, rascals, bums. Our father who art in nature, who has given the gift of survival to the coyote, the common brown rat, the English sparrow, the house fly and the moth, must have a great and overwhelming love for no-goods and blots-on-the-town and bums, and Mack and the boys. Virtues and graces and laziness and zest. Our Father who art in nature.

When she dies, you are not at first surprised. Part of love is preparing for death. You feel confirmed in your love when she dies. You got it right. This is part of it all. Afterward comes the madness. And then the loneliness: not the spectacular solitude you had anticipated, not the interesting martyrdom of widowhood, but just loneliness. You expect something almost geological-- vertigo in a shelving canyon -- but it's not like that; it's just misery as regular as a job. What do we doctors say? I'm deeply sorry, Mrs Blank; there will of course be a period of mourning but rest assured you will come out of it; two of these each evening, I would suggest; perhaps a new interst, Mrs Blank; can maintenance, formation dancing?; don't worry, six months will see you back on the roundabout; come and see me again any time; oh nurse, when she calls, just give her this repeat will you, no I don't need to see her, well it's not her that's dead is it, look on the bright side. What did she say her name was? And then it happens to you. There's no glory in it. Mourning is full of time; nothing but time.... you should eat stuffed sow's heart. I might yet have to fall back on this remedy. I've tried drink, but what does that do? Drink makes you drunk, that's all it's ever been able to do. Work, they say, cures everything. It doesn't; often, it doesn't even induce tiredness: the nearest you get to it is a neurotic lethargy. And there is always time. Have some more time. Take your time. Extra time. Time on your hands. Other people think you want to talk. 'Do you want to talk about Ellen?' they ask, hinting that they won't be embarrassed if you break down. Sometimes you talk, sometimes you don't; it makes little difference. The word aren't the right ones; or rather, the right words don't exist. 'Language is like a cracked kettle on which we beat out tunes for bears to dance to, while all the time we long to move the stars to pity.' You talk, and you find the language of bereavement foolishly inadequate. You seem to be talking about other people's griefs. I loved her; we were happy; I miss her. She didn't love me; we were unhappy; I miss her. There is a limited choice of prayers on offer: gabble the syllables. And you do come out of it, that's true. After a year, after five. But your don't come out of it like a train coming out of a tunnel, bursting through the Downs into sunshine and that swift, rattling descent to the Channel; you come out of it as a gull comes out of an oil-slick. You are tarred and feathered for life.