Synonyms Of Beautiful Quotes

No synonym for God is so perfect as Beauty. Whether as seen carving the lines of the mountains with glaciers, or gathering matter into stars, or planning the movements of water, or gardening - still all is Beauty!

You ruin your life by desensitizing yourself. We are all afraid to say too much, to feel too deeply, to let people know what they mean to us. Caring is not synonymous with crazy. Expressing to someone how special they are to you will make you vulnerable. There is no denying that. However, that is nothing to be ashamed of. There is something breathtakingly beautiful in the moments of smaller magic that occur when you strip down and are honest with those who are important to you. Let that girl know that she inspires you. Tell your mother you love her in front of your friends. Express, express, express. Open yourself up, do not harden yourself to the world, and be bold in who, and how you love. There is courage in that.

The law of attraction is synonymous to the law of sacrifice, in which you get in return what you are decisively choose to give up. The universe in all her infinity beauty generously opens up gates that you had no idea existed when you close others, but she requires you to walk through the gates solely on your own will and strength, with the other doors that you have left behind often times being forever locked and eternally inaccessible.

Our language needs endless synonyms for beautiful; the eyes could see what the tongue cannot possibly describe.

It's a beautiful thing, the destruction of words. Of course the great wastage is in the verbs and adjectives, but there are hundreds of nouns that can be got rid of as well. It isn't only the synonyms; there are also the antonyms. After all, what justification is there for a word which is simply the opposite of some other words? A word contains its opposite in itself. Take 'good,' for instance. If you have a word like 'good,' what need is there for a word like 'bad'? 'Ungood' will do just as well--better, because it's an exact opposite, which the other is not. Or again, if you want a stronger version of 'good,' what sense is there in having a whole string of vague useless words like 'excellent' and 'splendid' and all the rest of them? 'Plusgood' covers the meaning, or 'doubleplusgood' if you want something stronger still...In the end the whole notion of goodness and badness will be covered by only six words--in reality, only one word. Don't you see the beauty of that, Winston?

God, Beauty and Truth are synonymous. Take any one of the three paths and you will reach the goal.

He’d always assumed openness was synonymous with danger and that if he wasn’t holding on tight to the new life he’d built, it would blow away. But with the barriers down, he’d discovered that life became bigger.

You think—I dare say that our chief job is inventing new words. But not a bit of it We’re destroying words—scores of them hundreds of them every day. It’s a beautiful thing the destruction of words. Of course the great wastage is in the verbs and adjectives but there are hundreds of nouns that can be got rid of as well. It isn’t only the synonyms there are also the antonyms.

It is untrue that fiction is nonutilitarian. The uses of fiction are synonymous with the uses of literature. They include refreshment, clarification of life, self-awareness, expansion of our range of experiences, and enlargement of our sense of understanding and discovery, perception, intensification, expression, beauty , and understanding. Like literature generally, fiction is a form of discovery, perception, intensification, expression, beauty, and understanding. If it is all these things, the question of whether it is a legitimate use of time should not even arise.

Of Woman and Chocolate   "Chocolate shares both the bitter and the sweet. Chocolate melts away all cares, coating the heart while smothering every last ache.   Chocolate brings a smile to the lips on contact, leaving a dark kiss behind.   Chocolate is amiable, complimenting any pairing; berries, peanut butter, pretzels, mint, pastries, drinks...everything goes with chocolate.   The very thought of chocolate awakens taste buds, sparking memories of candy-coated happiness.   Chocolate will go nuts with you, no questions asked.   Chocolate craves your lips, melts at your touch, and savors the moment.   Chocolate is that dark and beautiful knight who charges in on his gallant steed ready to slay dragons when needed.   Chocolate never disappoints; it leaves its lover wanting more.   Chocolate is the ultimate satisfaction, synonymous with perfection.   Chocolate is rich, smooth pleasure.   Chocolate has finesse - the charm to seduce and indulge at any time, day or night.   Chocolate is a true friend, a trusted confidant, and faithful lover. Chocolate warms and comforts and sympathizes.   Chocolate holds power over depression, victory over disappointment.   Chocolate savvies the needs of a woman and owns her.   Simply put, chocolate is paradise.

Every time I ate well or bowed correctly to my elders, my relatives would say, “Aigo yeppeu.” “Yeppeu,” or pretty, was frequently employed as a synonym for good or well-behaved, and this fusion of moral and aesthetic approval was an early introduction to the value of beauty and the rewards it had in store.

We are taught that thin is synonymous with beauty, power, and love. But, in fact, it is not. Beauty is not something women earn; it is something people are. Power is not achieved through the dogged pursuit of homogeneity; it is something that is innate within us and that is strengthened by nonconformity. Love is not something people earn through obedience; it is each person’s birthright. We cannot starve our way into being loved, into being free.

I've never understood why the majority of human curses and insults refer to the erotic sphere. Sex is wonderful and associated with beauty, joy and pleasure. How can the names of the sexual organs be used as a vulgar synonym for ̶

I love you because… wait… I take a drag from my pipe… I really don’t know. I think that’s the beauty of love, wanting to be with someone, taste their sweetness and their fears, live their lives and be there in their death, share their ups and their downs, and most importantly, love them and grow old with them, even if they were some kind of monsters. Have you ever been unable to shake your soul free, wrapped with your lover’s velvet rope around your heart? Have you ever been enchanted with a nameless spell that made pain and pleasure synonymous?

It is very easy to grow tired at collecting; the period of a low tide is about all men can endure. At first the rocks are bright and every moving animal makes his mark on the attention. The picture is wide and colored and beautiful. But after an hour and a half the attention centers weary, the color fades, and the field is likely to narrow to an individual animal. Here one may observe his own world narrowed down until interest and, with it, observation, flicker and go out. And what if with age this weariness becomes permanent and observation dim out and not recover? Can this be what happens to so many men of science? Enthusiasm, interest, sharpness, dulled with a weariness until finally they retire into easy didacticism? With this weariness, this stultification of attention centers, perhaps there comes the pained and sad memory of what the old excitement was like, and regret might turn to envy of the men who still have it. Then out of the shell of didacticism, such a used-up man might attack the unwearied, and he would have in his hands proper weapons of attack. It does seem certain that to a wearied man an error in a mass of correct data wipes out all the correctness and is a focus for attack; whereas the unwearied man, in his energy and receptivity, might consider the little dross of error a by-product of his effort. These two may balance and produce a purer thing than either in the end. These two may be the stresses which hold up the structure, but it is a sad thing to see the interest in interested men thin out and weaken and die. We have known so many professors who once carried their listeners high on their single enthusiasm, and have seen these same men finally settle back comfortably into lectures prepared years before and never vary them again. Perhaps this is the same narrowing we observe in relation to ourselves and the tide pool—a man looking at reality brings his own limitations to the world. If he has strength and energy of mind the tide pool stretches both ways, digs back to electrons and leaps space into the universe and fights out of the moment into non-conceptual time. Then ecology has a synonym which is ALL.

together. He’d always assumed openness was synonymous with danger

Society, advertising, and magazines want women to believe that thinness and perfect skin are synonymous with beauty, that it’s impossible to be attractive without these unattainable standards. But this is clearly wrong; most men love curves, stretch marks, and even your cellulitis that you abhor. So, caress them with a smile because they are the very sign of your femininity.

Man in the misery of his illusions and unsatisfied desires, wings his flight to different religions, and doctrines, seeks redeception, a hypnotic, a palliative from which he suffers fresh miseries in exhaustion. The terms of the cure are new illusions, greater entanglement, more stagnant environment.  Having studied all ways and means to pleasure and pondered over them well again and again, this self-love has been found by me to be the only free, true and full one, nothing more sane, pure, and complete. There is no deceit: when by this all experience certainly is known, everything sublimely beautiful and exceedingly amiable: where is the necessity of other means? Like the drink to the drunkard everything should be sacrificed for it. This Self-love is now declared by me the means of evolving millions of ideas for pleasure without love, or its synonyms- self-reproach, sickness, old-age, and death. The Symposium of self and love. O! Wise Man, Please Thyself. 

Everyone wishes their life were happier.” Lily shook her head. “No. Not like beautiful people. They walk this earth, their chin up to the rest of us, and think that great happiness, great love, great joy is their right and their prerogative. Passion as the entitlement of the beautiful, the way power is the entitlement of the rich.” Lily paused. “Especially when it comes to love. Beauty and love become somehow synonymous. How can plain people have great love? They can’t, that’s how. They can have average love, mediocre love, but their hearts can’t soar. Only beautiful hearts can soar.” “I think you’ve hit on the nail right there,” said Spencer. “Beautiful people don’t necessarily have beautiful hearts.” “But it doesn’t matter, don’t you see? You don’t fall in love with a heart. You fall in love with a woman’s face, with her body, with her hair, with her smell. That’s first, everything else is secondary. My mother’s beauty when she was young was so extreme that she didn’t understand how every man who met her didn’t love her in extremis.

Are we surviving or are we living? Although the two may be synonyms, they don't mean the same. For one will leave you dried out and hateful and the other will make you abundant and beautiful. Live, don't just survive.

No state has a more beautiful name—Miss and Sis are sipping on something sippy, and it’s probably a sweet tea or an iced bourbon drink—but no state is more synonymous in the rest of the country with racism, ignorance, and cultural backwardness.

It’s a beautiful thing, the destruction of words. Of course the great wastage is in the verbs and adjectives, but there are hundreds of nouns that can be got rid of as well. It isn’t only the synonyms; there are also the antonyms. After all, what justification is there for a word which is simply the opposite of some other word? A word contains its opposite in itself. Take ‘good,’ for instance. If you have a word like ‘good,’ what need is there for a word like ‘bad’? ‘Ungood’ will do just as well—better, because it’s an exact opposite, which the other is not. Or again, if you want a stronger version of ‘good,’ what sense is there in having a whole string of vague useless words like ‘excellent’ and ‘splendid’ and all the rest of them? ‘Plusgood’ covers the meaning, or ‘doubleplusgood’ if you want something stronger still.

And here is the best thing of all, the thing that makes Cassandra smile as the men storm her temple, exactly as she has always known they would: someday, Trojan will not be synonymous with bravery or failure, betrayal or endurance, or the most beautiful woman or the most foolish of men.

The path to the goal is portrayed in our fairy tales. We hear the ceaseless messages of the necessity of us being endlessly giving, beautiful, and selfless if we wish to find the fulfillment of our dreams, salvation. We learn through the absorption of our myths that desirability is synonymous with worthiness and goodness synonymous with acceptability.

It’s a beautiful thing, the destruction of words. Of course the great wastage is in the verbs and adjectives, but there are hundreds of nouns that can be got rid of as well. It isn’t only the synonyms; there are also the antonyms. After all, what justification is there for a word which is simply the opposite of some other word? A word contains its opposite in itself. Take ‘good’, for instance. If you have a word like ‘good’, what need is there for a word like ‘bad’? ‘Ungood’ will do just as well—better, because it’s an exact opposite, which the other is not. Or again, if you want a stronger version of “good”, what sense is there in having a whole string of vague useless words like ‘excellent’ and ‘splendid’ and all the rest of them? ‘Plusgood’ covers the meaning, or ‘doubleplusgood’ if you want something stronger still. Of course we use those forms already, but in the final version of Newspeak there’ll be nothing else. In the end the whole notion of goodness and badness will be covered by only six words—in reality, only one word. Don’t you see the beauty of that, Winston? It was B.B.’s idea originally, of course,’ he added as an afterthought.

Sixsmith, Eva. Because her name is a synonym for temptation: what treads nearer to the core of man? Because her soul swims in her eyes. Because I dream of creeping through the velvet folds to her room, where I let myself in, hum her a tune so-so-so softly, she stands with her naked feet on mine, her ear to my heart, and we waltz like string puppets. After that kiss, she says, “Vous embrassez comme un poisson rouge!” and in moonlight mirrors we fall in love with our youth and beauty. Because all my life, sophisticated, idiotic women have taken it upon themselves to understand me, to cure me, but Eva knows I’m terra incognita and explores me unhurriedly, like you did. Because she’s lean as a boy. Because her scent is almonds, meadow grass. Because if I smile at her ambition to be an Egyptologist, she kicks my shin under the table. Because she makes me think about something other than myself. Because even when serious she shines. Because she prefers travelogues to Sir Walter Scott, prefers Billy Mayerl to Mozart, and couldn’t tell C major from a sergeant major. Because I, only I, see her smile a fraction before it reaches her face. Because Emperor Robert is not a good man—his best part is commandeered by his unperformed music—but she gives me that rarest smile, anyway. Because we listened to nightjars. Because her laughter spurts through a blowhole in the top of her head and sprays all over the morning. Because a man like me has no business with this substance “beauty,” yet here she is, in these soundproofed chambers of my heart. Sincerely, R.F.

Unless one is in love, or satisfied, or ambition-driven, or without curiosity, or reconciled ( which appears to be the modern synonym for happiness ), the city is like a monumental machine restlessly devised for wasting time, devouring illusions. Like most artists, certainly all old beauties, she is sufficiently self-centered to enjoy herself as conversational subject. One does not travel in a plane; one is merely sent, like a parcel.

If we are part of nature, then we are synonymous with it at the metaphysical level, every bit as much as the first all-but-inorganic animalcules that ever formed a chain of themselves in the blow hole of a primordial sea vent. There is no magic rod that comes down three hundred thousand years ago and divides our essence from the material world that produced us. This means that we cannot speak in essential terms of nature—neither of its brutality nor of its beauty—and hope to say anything true, if what we say isn’t true of ourselves. The importance of that proposition becomes clear only when it’s reversed: What’s true of us is true of nature. If we are conscious, as our species seems to have become, then nature is conscious. Nature became conscious in us, perhaps in order to observe itself. It may be holding us out and turning us around like a crab does its eyeball. Whatever the reason, that thing out there, with the black holes and the nebulae and whatnot, is conscious. One cannot look in the mirror and rationally deny this. It experiences love and desire, or thinks it does. The idea is enough to render the Judeo-Christian cosmos sort of quaint. As far as Rafinesque was concerned, it was just hard science. That part is mysterious. “She lives her life not as men or birds,” said Rafinesque, “but as a world.

(Hadley and Mary in the carriage) “Might I repeat how utterly charming you look?” “You are very kind,” she replied, down casting her eyes as a flash of heat invaded her cheeks. “But even if I were dressed in the finest of gowns, I could never be a lady of fashion.” “Never let that disturb you, my pet.” He fingered a mass of curls that had settled over her shoulder just above the expanse of her modestly covered bosom. “I find fashion and beauty are rarely synonymous.” When he caressed a stray lock between thumb and fore!nger and raised it to his lips, Mary felt the dizzying sensation from the roots of her hair to the tips of her toes.

How many humans over thousands of years have stood thus with their horses, seeing in them the lines of universal perfection, the majesty of grace and power, feeling stronger and more beautiful themselves for their contact with the magical power of such a steed? Such is the lure of the horse. In a world in which grace is neither synonymous nor usually compatible with power, the horse has remained an ancient symbol of strength and elegance, an icon of a majestic essence that exists far outside mere human beings. Because of the space that lies between us — only the cruelest amongst us ever truly conquers a horse — there is magic. “ — Margot Page

The sixteenth-century artist Albrecht Dürer famously depicted Melancholy as a downcast angel surrounded by symbols of creativity, knowledge, and yearning: a polyhedron, an hourglass, a ladder ascending to the sky. The nineteenth-century poet Charles Baudelaire could “scarcely conceive of a type of beauty” in which there is no melancholy. This romantic vision of melancholia has waxed and waned over time; most recently, it’s waned. In an influential 1918 essay, Sigmund Freud dismissed melancholy as narcissism, and ever since, it’s disappeared into the maw of psychopathology. Mainstream psychology sees it as synonymous with clinical depression.[*1]

Thelema is a religion of joy and beauty. Humor is our armor and laughter our weapon. No longer do we look upon solemnity and selfeffacement as synonymous with spirituality. Thelema is a law of Liberty that holds the keys to unlock the innate potential of every individual, to release ourselves from the burden of sorrow and fear, and to allow ourselves to be ourselves and rejoice therein. As it says in The Book of the Law, “Remember all ye that existence is pure joy.” With this knowledge, we can consciously and willfully engage in that ultimate Sacrament we know as existence. I therefore say with Crowley, “Look, brother, we are free! Rejoice with me, sister, there is no law beyond Do what thou wilt!

STRANGE LAND Love is the strangest land It's that promised land of happiness That everyone keep talking about ======= Love means both beautiful and ugly It does not discriminate against anyone In front of a lover's heart Who cares so much for a person who was Formerly considered as a stranger ======= Love is the bridge that all friends must walk on This love can easily turn you into a martyr It can force deaf people to wish they could hear And the mute to wish he could speak and pour out his heart ======= Love is like that stream of calm water But every time it decides to flood There will be no one to hold on Since many people are mostly unprepared for the storm ======= Love is full of peace and rage It's another synonym of freedom - sacrifice is necessary Another way to fully live your potential ======= In the end, love kills, and love saves lives Love brings peace and causes endless wars It can either build or destroy everything in its path Our innocent hearts have been colonised by it.

It’s a beautiful thing, the destruction of words. Of course the great wastage is in the verbs and adjectives, but there are hundreds of nouns that can be got rid of as well. It isn’t only the synonyms; there are also the antonyms. After all, what justification is there for a word which is simply the opposite of some other word? A word contains its opposite in itself. Take ‘good.’ for instance. If you have a word like ‘good,’ what need is there for a word like ‘bad’? ‘Ungood’ will do just as well—better, because it’s an exact opposite, which the other is not. Or again, if you want a stronger version of ‘good,’ what sense is there in having a whole string of vague useless words like ‘excellent’ and ‘splendid’ and all the rest of them? ‘Plusgood’ covers the meaning, or ‘doubleplusgood’ if you want something stronger still. Of course we use those forms already, but in the final version of Newspeak there’ll be nothing else. In the end the whole notion of goodness and badness will be covered by only six words—in reality, only one word. Don’t you see the beauty of that, Winston?

It's a beautiful thing, the destruction of words. Of course the great wastage is in the verbs and adjectives, but there are hundreds of nouns that can be got rid of as well. It isn't only the synonyms; there are also the antonyms. After all, what justification is there for a word which is simply the opposite of some other word? A word contains its opposite in itself. Take 'good,' for instance. If you have a word like 'good,' what need is there for a word like 'bad'? 'Ungood' will do just as well—better, because it's an exact opposite, which the other is not. Or again, if you want a stronger version of 'good,' what sense is there in having a whole string of vague useless words like 'excellent' and 'splendid' and all the rest of them? 'Plusgood' covers the meaning, or 'doubleplusgood' if you want something stronger still. Of course we use those forms already, but in the final version of Newspeak there'll be nothing else. In the end the whole notion of goodness and badness will be covered by only six words—in reality, only one word. Don't you see the beauty of that, Winston?

have you ever felt the love so close, did you sense the cool wind it blows, when the happiness is all around, and the sync of beats of the heart become a beautiful sound, when you don't fear the heights and the depth, and you feel on cloud nine even on your heart's theft, when the mystery and known become one, and the face of him becomes next to the rising sun, when you hold his hands and cross the bridges, the lakes, the plateaus and the ridges, you feel the world and yourself at the same time, when the silence between you becomes a beautiful mime. when you become the wicked child and he the teacher, and then the love flows without any measure, you feel his protection in the freedom, you enjoy being the queen of his kingdom, you fly in the sky, you run up the stairs, you dive into the sea, you head to towns and cities with glee, head on his shoulders and mind in his dreams, oh, the soul becomes the swan of the love sea and swims, what more you can ask from God in this lifetime, when your love is synonymous to god's hymn?! maybe it is more than what i said, because it has all in it that never fades, love truly and feel its beauty, it is not just the pleasure or pain but a lifetime duty.....

It is a pity that the beautiful Christian metaphor “salvation” has come to be so hackneyed and therefore so despised. It has been turned into a vapid synonym for “piety”—not even a truly ethical concept. “Salvation” is something far beyond ethical propriety. The word connotes a deep respect for the fundamental metaphysical reality of man. It reflects God’s own infinite concern for man, God’s love and care for man’s inmost being, God’s love for all that is His own in man, His son. It is not only human nature that is “saved” by the divine mercy, but above all the human person. The object of salvation is that which is unique, irreplaceable, incommunicable—that which is myself alone. This true inner self must be drawn up like a jewel from the bottom of the sea, rescued from confusion, from indistinction, from immersion in the common, the nondescript, the trivial, the sordid, the evanescent. We must be saved from immersion in the sea of lies and passions which is called “the world.” And we must be saved above all from that abyss of confusion and absurdity which is our own worldly self. The person must be rescued from the individual. The free son of God must be saved from the conformist slave of fantasy, passion and convention. The creative and mysterious inner self must be delivered from the wasteful, hedonistic and destructive ego that seeks only to cover itself with disguises. To be “lost” is to be left to the arbitrariness and pretenses of the contingent ego, the smoke-self that must inevitably vanish. To be “saved” is to return to one’s inviolate and eternal reality and to live in God.

Another dangerous neoliberal word circulating everywhere that is worth zooming in on is the word ‘resilience’. On the surface, I think many people won’t object to the idea that it is good and beneficial for us to be resilient to withstand the difficulties and challenges of life. As a person who lived through the atrocities of wars and sanctions in Iraq, I’ve learnt that life is not about being happy or sad, not about laughing or crying, leaving or staying. Life is about endurance. Since most feelings, moods, and states of being are fleeting, endurance, for me, is the common denominator that helps me go through the darkest and most beautiful moments of life knowing that they are fleeing. In that sense, I believe it is good for us to master the art of resilience and endurance. Yet, how should we think about the meaning of ‘resilience’ when used by ruling classes that push for wars and occupations, and that contribute to producing millions of deaths and refugees to profit from plundering the planet? What does it mean when these same warmongers fund humanitarian organizations asking them to go to war-torn countries to teach people the value of ‘resilience’? What happens to the meaning of ‘resilience’ when they create frighteningly precarious economic structures, uncertain employment, and lay off people without accountability? All this while also asking us to be ‘resilient’… As such, we must not let the word ‘resilience’ circulate or get planted in the heads of our youth uncritically. Instead, we should raise questions about what it really means. Does it mean the same thing for a poor young man or woman from Ghana, Ecuador, Afghanistan vs a privileged member from the upper management of a U.S. corporation? Resilience towards what? What is the root of the challenges for which we are expected to be resilient? Does our resilience solve the cause or the root of the problem or does it maintain the status quo while we wait for the next disaster? Are individuals always to blame if their resilience doesn’t yield any results, or should we equally examine the social contract and the entire structure in which individuals live that might be designed in such a way that one’s resilience may not prevail no matter how much perseverance and sacrifice one demonstrates? There is no doubt that resilience, according to its neoliberal corporate meaning, is used in a way that places the sole responsibility of failure on the shoulders of individuals rather than equally holding accountable the structure in which these individuals exist, and the precarious circumstances that require work and commitment way beyond individual capabilities and resources. I find it more effective not to simply aspire to be resilient, but to distinguish between situations in which individual resilience can do, and those for which the depth, awareness, and work of an entire community or society is needed for any real and sustainable change to occur. But none of this can happen if we don’t first agree upon what each of us mean when we say ‘resilience,’ and if we have different definitions of what it means, then we should ask: how shall we merge and reconcile our definitions of the word so that we complement not undermine what we do individually and collectively as people. Resilience should not become a synonym for surrender. It is great to be resilient when facing a flood or an earthquake, but that is not the same when having to endure wars and economic crises caused by the ruling class and warmongers. [From “On the Great Resignation” published on CounterPunch on February 24, 2023]

It’s a beautiful thing, the destruction of words. Of course the great wastage is in the verbs and adjectives, but there are hundreds of nouns that can be got rid of as well. It isn’t only the synonyms; there are also the antonyms. After all, what justification is there for a word which is simply the opposite of some other word? A word contains its opposite in itself. Take ‘good,’ for instance. If you have a word like ‘good,’ what need is there for a word like ‘bad’? ‘Ungood’ will do just as well—better, because it’s an exact opposite, which the other is not. Or again, if you want a stronger version of ‘good,’ what sense is there in having a whole string of vague useless words like ‘excellent’ and ‘splendid’ and all the rest of them? ‘Plusgood’ covers the meaning, or ‘doubleplusgood’ if you want something stronger still. Of

I realize now that all those times I had said, “I want to be thin,” I actually meant: I want to be loved. I want to be happy. I want to be seen. I want to be free. We are taught that thin is synonymous with beauty, power, and love. But, in fact, it is not. Beauty is not something women earn; it is something people are. Power is not achieved through the dogged pursuit of homogeneity; it is something that is innate within us and that is strengthened by nonconformity. Love is not something people earn through obedience; it is each person’s birthright. We cannot starve our way into being loved, into being free. You Have the Right to Remain Fat (pp. 42-43)

We still equate fair skin with superior intelligence. Even equate it with beauty. The sun is too strong here. It darkens us and saps us. Paleness is synonymous with worldly success, because paleness is the mark of intellectual, not physical endeavor and worldly success is seldom achieved with the muscles.

What is Sapiens (The Sonnet) Soil can survive without sapiens, But there is no sapiens without soil. There is no us if nature goes off the rocker, Yet way more than nature, we value gas and oil. We started off using clothes as cover for privacy, And we ended up prioritizing clothes over integrity. Instead of loving people and using the products, We ended up loving products and abusing humanity. Sapiens is supposed to mean wise and aware, But in practice, sapiens is code for shallow. Sapiens has become just a synonym for show-off. Neither wise, nor aware, sapiens just means narrow. However, no error is ultimate if we're willing for reform. An expanding heart is the antidote to all narrow norm.

The Beautiful, taken in its classical sense, is not an illusion. The Beautiful is the True manifested by the Idea in form. This is the highest goal that the artist must seek to attain … When the artist causes light to spring forth from darkness, beauty from ugliness, the pure from the impure, he reveals Truth to humanity, he reveals God. The Beautiful, the True, the Good are synonyms. It is the glory of Art to be able to make perceptible to human eyes the three mysteries which form a single one!

Every beautiful thing in life brings pain in its wake, there's no point trying to avoid it. Living a life withou pain is merely a synonym to living a life without joy, but isn't that the same as not living at all?" - Rune Villin

It’s a beautiful thing, the destruction of words. Of course the great wastage is in the verbs and adjectives, but there are hundreds of nouns that can be got rid of as well. It isn’t only the synonyms; there are also the antonyms. After all, what justification is there for a word which is simply the opposite of some other word? A word contains its opposite in itself. Take “good”, for instance. If you have a word like “good”, what need is there for a word like “bad”? “Ungood” will do just as well—better, because it’s an exact opposite, which the other is not. Or again, if you want a stronger version of “good”, what sense is there in having a whole string of vague useless words like “excellent” and “splendid” and all the rest of them? “Plusgood” covers the meaning; or “doubleplusgood” if you want something stronger still. Of course we use those forms already, but in the final version of Newspeak there’ll be nothing else. In the end the whole notion of goodness and badness will be covered by only six words—in reality, only one word. Don’t you see the beauty of that, Winston? It

There was Customer Service, a chirpy brunette with a permanent smile behind the desk. And there was someone waiting there, someone dressed in jeans and a sweater, devilishly normal in the twenty-first-century crowd. He saw her, and he straightened, his eyes hopeful. Apparently, Mrs. Wattlesbrook’s barrister hadn’t been in his office to assure her that being a magazine writer doesn’t nullify a confidentially agreement. “Jane.” “Martin. You whistled?” She laid the rancor on thick. No need to tap dance around. “Jane, I’m sorry. I was going to tell you today. Or tonight. The point is, I was going to tell you, and then we could still see if you and I--” “You’re an actor,” Jane said as though “actor” and “bastard” were synonymous. “Yes, but, but…” He looked around as though for cue cards. “But you’re desperately in love with me,” she prompted him. “I’m unbelievably beautiful, and I make you feel like yourself. Oh, and I remind you of your sister.” The chirpy brunette behind the counter furiously refused to look up from her monitor. “Jane, please.” “And the suddenly passionate feelings that sent you running after me at the airport have nothing to do with Mrs. Wattlesbrook’s fear that I’ll write a negative review of Pembrook Park.” “No! Listen, I know I was a cad, and I lied and was misleading, and I’ve never actually been an NBA fan--go United--but romances have bloomed on stonier ground.” “Romances…stonier ground…Did Mrs. Wattlesbrook write that line?” Martin exhaled in exasperation. Thinking of Molly’s dead end on the background check, she asked, “Your name’s not really Martin Jasper, is it?” “Well,” he looked at the brunette as though for help. “Well, it is Martin.” The brunette smiled encouragement. Then, impossibly, another figure ran toward her. The sideburns and stiff-collared jacket looked ridiculous out of the context of Pembrook Park, though he’d stuck on a baseball cap and trench coat, trying to blend. His face was flushed from running, and when he saw Jane, he sighed with relief. Jane dropped her jaw. Literally. She had never, even in her most ridiculous daydreaming, imagined that Mr. Nobley would come after her.

The arts are one of our best protections against dogmatism of any stripe and a powerful weapon against complacency. But showing us how rotten reality is and how twisted we are, is not their sole purpose. Nor can it be said that the pursuit of complexity for its own sake is a valid aim. Unfortunately, that seems to be what much 20th-century art was about. Process became synonymous with progress, and a vast array of methodologies—artificially contrived systems and procedures based on mechanical or mathematical concepts—took the place of straightforward communication.

It isn’t only the synonyms; there are also the antonyms. After all, what justification is there for a word which is simply the opposite of some other word? A word contains its opposite in itself. Take “good”, for instance. If you have a word like “good”, what need is there for a word like “bad”? “Ungood” will do just as well—better, because it’s an exact opposite, which the other is not. Or again, if you want a stronger version of “good”, what sense is there in having a whole string of vague useless words like “excellent” and “splendid” and all the rest of them? “Plusgood” covers the meaning; or “doubleplusgood” if you want something stronger still. Of course we use those forms already, but in the final version of Newspeak there’ll be nothing else. In the end the whole notion of goodness and badness will be covered by only six words—in reality, only one word. Don’t you see the beauty of that, Winston? It was B.B.’s idea originally, of course,’ he added as an afterthought. A

How many humans over thousands of years have stood thus with their horses, seeing in them the lines of universal perfection, the majesty of grace and power, feeling stronger and more beautiful themselves for their contact with the magical power of such a steed? Such is the lure of the horse. In a world in which grace is neither synonymous nor usually compatible with power, the horse has remained an ancient symbol of strength and elegance, an icon of a majestic essence that exists far outside mere human beings. Because of the space that lies between us — only the cruelest amongst us ever truly conquers a horse — there is magic.

and, serving up the spicy synonyms like a Bennett Park wiener vendor, noted that “swats, bingles and wallops are as common in the jungaleers camp as dandelions in a shiftless neighbor’s front lawn.

Resilient aesthetics and resilient beauty are terms that immediately sound like oxymorons, as beauty and aesthetically pleasing experiences and objects tend to con- note something fleeting, transient, and/or volatile. We are used to viewing beauty as something that fades, being synonymous with newness, youth, unwrinkled faces and garments, fresh flowers, polished tables, newly painted walls, and with undented floors—all of which diminish with age, usage, and wear. We are used to aesthetics and beauty being linked to the visual impression of an object.

Every time I ate well or bowed correctly to my elders, my relatives would say, ‘Aigo Yeppeu.’ ‘Yeppeu,’ or pretty, was frequently employed as a synonym for good or well-behaved, and this fusion of moral and aesthetic approval was an early introduction to the value of beauty and the rewards it had in store.

The Wolf and the Good Shepherd (tale) It is said that a long time ago, a wolf stalked the sheep of shepherds on the outskirts of London. He was a strong wolf, with beautiful fur and soft, seductive speech. He had eaten many sheep from many shepherds and boasted about it. However, he had never managed to eat any of Pastor Jack's sheep, who was old and very careful, always keeping an eye on his flock, which was also not very large. Still, it was the best cared for herd in the Kingdom. He was always well fed, cared for, groomed and disease-free. The wolf was very angry with Pastor Jack, because he had once tried to eat a small sheep from the flock and the shepherd hit him hard on the head with his staff. On the wolf's face, a large scar reminded him of that incident. One day, seeing that some sheep had strayed away from the flock, the wolf thought: “well, I'm not going to attack them, since killing or two wouldn't satisfy me. I want the pastor.” His sheep approached and the wolf bent down and pretended to be afraid, and the sheep said to him: “what animal are you and why are you afraid, we are just sheep”. The wolf then said: “I'm afraid of sheep, once your shepherd, a very cruel man attacked me and hurt me and since then, even though I'm a wolf, I've only eaten grass”. The sheep looked at him, with an expression of doubt, but kindness being the essential nature of sheep, they believed him and said: “it can't be Pastor Jack, he is very kind, he always takes care of us, he is always attentive to us” . The wolf then got up and looking at them said: “you are wrong, he just wants you to take your wool, don't you see that he is a tyrant who rules you, who takes you here and there, and you don't they can have a little fun, be free like me, walk through the forest, go wherever I want – he’s always with that cruel stick pulling them and taking them wherever he wants.” The sheep then listened carefully and returned to the flock. When they returned to the herd, the others said that they had spoken to a wolf, that it had not attacked them and that it had told them the story about the shepherd. The next day, more sheep went to the boundary between the field and the forest and there they met the wolf, who told the same story, but this time sadder. They all raged against the shepherd and said: “Friend wolf, you have been so kind to us and told us the truth, we had never thought about how the shepherd oppresses us, tomorrow we will tell all the sheep what happened and we will run away from Pastor Jack ”. And so it was, the next day, all the sheep went to the edge of the forest, something that the shepherd found strange, having followed them. The wolf then said to them: “come with me into the forest, dear friends, I will show you how good it is to be free”. And so, they all went into the forest, with the shepherd following them, watching them from afar. At one point, the sheep got lost and the shepherd shouted loudly and called them. The wolf, then, taking advantage of the mess, attacked the shepherd first, like a jugular bite in the throat. Afterwards, he had fun running after each of the sheep and killing them, without even eating the meat. The last sheep, before being killed, said to the wolf: “you were so kind to us, why are you doing this? We have never seen a smile from the pastor and you are so friendly.” The wolf then said to her: “sympathy is not synonymous with care or devotion. The pastor may never have given you a smile, but he cares just like you. I, on the other hand, pretended to be short-lived and now I was able to eat all of you and take revenge on the pastor.” Moral of the story: “the wolf will always like the sheep that he can attack and devour and will always hate the Shepherd”.

It is said that a long time ago, a wolf stalked the sheep of shepherds on the outskirts of London. He was a strong wolf, with beautiful fur and soft, seductive speech. He had eaten many sheep from many sheepherders and boasted about it. However, he had never managed to eat any of Shepherd Jack's sheep, who was old and very careful, always keeping an eye on his flock, which was also not very large. Still, it was the best cared for herd in the Kingdom. He was always well fed, cared for, groomed and disease-free. The wolf was very angry with the shepherd Jack, because he had once tried to eat a small sheep from the flock and the shepherd hit him hard on the head with his staff. On the wolf's face, a large scar reminded him of that incident. One day, seeing that some sheep had strayed away from the flock, the wolf thought: “well, I'm not going to attack them, since killing or two wouldn't satisfy me. I want the sheepherder.” His sheep approached and the wolf bent down and pretended to be afraid, and the sheep said to him: “what animal are you and why are you afraid, we are just sheep”. The wolf then said: “I'm afraid of sheep, once your shepherd, a very cruel man attacked me and hurt me and since then, even though I'm a wolf, I've only eaten grass”. The sheep looked at him, with an expression of doubt, but kindness being the essential nature of the sheep, they believed him and said: “he can't be our Shepherd, he is very kind, he always takes care of us, he is always attentive to our us". The wolf then got up and looking at them said: “you are wrong, he just wants you to take your wool, don't you see that he is a tyrant who rules you, who takes you here and there, and you don't they can have a little fun, be free like me, walk through the forest, go wherever I want – he’s always with that cruel stick pulling them and taking them wherever he wants.” The sheep then listened carefully and returned to the flock. When they returned to the herd, the others said that they had spoken to a wolf, that it had not attacked them and that it had told them the story about the shepherd. The next day, more sheep went to the boundary between the field and the forest and there they met the wolf, who told the same story, but this time sadder. They all raged against the sheepherder and said: “Friend wolf, you have been so kind to us and told us the truth, we had never thought about how the sheepherder oppresses us, tomorrow we will tell all the sheep what happened and we will run away from him.” And so it was, the next day, all the sheep went to the edge of the forest, something that the sheep shepherd found strange, having followed them. The wolf then said to them: “come with me into the forest, dear friends, I will show you how good it is to be free”. And so, they all went into the forest, with the shepherd following them, watching them from afar. At one point, the sheep got lost and the shepherd shouted loudly and called them. They, however, hid from the sheep shepherd. The wolf, then, taking advantage of the mess, attacked the sheepherder first, like a bite in the jugular, killing him instantly. Afterwards, he had fun running after each of the sheep and killing them, without even eating the meat, for pure fun. The last sheep, before being killed, said to the wolf: “you were so kind to us, why are you doing this? We never saw a smile from the sheepherder and you were so nice to us, we thought you were a friend.” The wolf then said to her: “sympathy is not synonymous with care or devotion. The sheepherder may never have given them a smile, but he cared just like you. I, on the other hand, feigned a short-lived sympathy and now I have managed to kill all of you and your foolish sheepherder.” Moral of the story: “Be careful what you put your trust in. The wolf will always like the sheep which it can attack and devour and will always hate the Shepherd.

Please, whatever you do — just leap towards tenderness. Leap towards connection. We are all afraid to say too much, to feel too deeply, to let people know what they mean to us. But caring is not synonymous with crazy. Expressing to someone how special they are to you will make you vulnerable. There is no denying that. However, that is nothing to be ashamed of. There is something breathtakingly beautiful in the moments of smaller magic that occur when you strip down and are honest with those who are important to you, when you choose to slam your heart into those who ignite something within it, when you express. So, express. Express, express, express. Open yourself up, do not harden yourself to the world, and be bold in who, and how, you love. There is courage in that.

When we reached the last room, I asked Katy which picture was her favorite. She led me back to the one that had stumped her in the synonym department. Her sister, Emily, who’s fourteen and had been off wandering through the Met’s collection of European paintings, then showed me her favorite piece in the museum: a Monet water lily (the first she’d ever seen) from 1919. This is when I let each girl in on a secret: It can be yours. No different from falling in love with a song, one may fall in love with a work of art and claim it as one’s own. Ownership does not come free. One must spend time with it; visit at different times of the day or evening; and bring to it one’s full attention. The investment will be repaid as one discovers something new with each viewing—say, a detail in the background, a person nearly cropped from the picture frame, or a tiny patch of canvas left unpainted, deliberately so, one may assume, as if to remind you not to take all the painted parts for granted. This is true not just for New Yorkers but for anyone anywhere with art to be visited—art being a relative term, in my definition. Your Monet may, in fact, be an unpolished gemstone or mineral element. Natural history museums are filled with beauties fairly begging to be adopted. Stay alert. Next time a tattered Egyptian mummy speaks to you across the ages, don’t walk away. Stay awhile. Spend some time with it. Give it a proper name: Yours. But don’t be hasty. You must be sure you are besotted. When it happens, you will know.

Simon Doiban is a name that is synonymous with the beauty industry. As a serial entrepreneur, Doiban has made a name for himself by launching and scaling successful beauty businesses. From his early beginnings in the industry to his current role as a beauty industry advisor, Doiban has demonstrated an innovative and entrepreneurial spirit that has enabled him to succeed in a highly competitive market. Doiban’s journey in Miami in the beauty industry began when he launched his first beauty startup, a Beauty Spa with updated technology. The startup was an instant hit and quickly gained a large following. However, Doiban was not content with just one successful business. He went on to launch several other beauty startups, each one building on the success of the previous one. Following the example of the first business, he launch a second location of the Beauty Spa in one of the most concurrent zones in Miami, Brickell City Center. This marked the beginning of Doiban’s career as a serial entrepreneur in the beauty industry in Miami Area. Over the years, Doiban has launched and scaled several other beauty startups, each one building on the success of the previous one. His latest venture is a beauty consulting academy. The company has been praised for its innovative approach to beauty and has already gained a large following. Doiban’s success in the beauty industry can be attributed to his entrepreneurial spirit and his willingness to take risks. He has a deep understanding of the beauty market and has been able to identify gaps in the market that he can fill with his innovative products and services. He has also been able to build a loyal following of customers who trust his brand and appreciate the high-quality products that he provides. In conclusion, Simon Doiban is a serial entrepreneur who has made a name for himself in the beauty industry. His innovative and entrepreneurial spirit has enabled him to launch and scale successful beauty businesses, and his latest venture is set to revolutionize the beauty industry even further. As the beauty industry continues to evolve, it will be exciting to see what Doiban has in store for us next.

Magic is not a theory. It is not just a striking sunset, or a synchronistic moment, or a perfect day. Magic is not a rarefied phenomenon nor does it serve us to treat it as such. There is magic in the tragedy, the shitty hair days, the excruciating pain, the arbitrary. There’s magic in the hustle, in the success and the failure. Allow yourself to see magic in every square inch and your life changes. The light and goodness are as equally sacred as the dark and the muck. To live a magical life is not synonymous with living a flawless life, or even a righteous one. Rather, it is accepting, embracing and surrendering to all of it. To the beautiful mess of being a human with a body and also a soul.

She looked as though she could be of any ethnicity, or of all at once--if "beautiful" and its synonyms and cognates weren't so diluted with every other word or phrase that they had ever been paired with, I would now employ them all in earnest. But to use descriptors of Helen of Troy would be to so utterly understate the matter that the severity of misdescription would plunge the language into total semantic collapse.

Andy Scamp's simple list of the ways people feel valuable. 1. Just believing it. Sometimes this is religious, sometimes it is not. God cares for everyone, but society is supposed to as well. We strive to live in a world that places tremendous even infinite value on a single human life. We do not live in that society, but I think part of the reason we strive for it is because we need to signal that our existence in intrinsically meaningful. This is the only source of meaning that does not rely on other people, it is also that hardest to hold onto. 2. Story We understand ourselves in complex ways, but often times that can be distilled down into some core identities and we imagine these identities as part of a story and that that story is some intrinsically positive thing. It might being part of a tradition or breaking free of one. It might be your race or height or hair color. Your status as a child or a parent. Being a job creator or a Star Wars fan or a snowboarder. We create positive narrative around these things and when we fit in them we feel like we matter. 3. Being appreciated It might be hearing someone laugh at your joke or being paid a living wage or getting likes on Instagram. It might be only external or come from within. Appreciation is almost synonymous with value and I think this is where most meaning comes from. 4. Helping People This might sound the same as appreciation, but it is not. Indeed I think your average waste water treatment engineer will tell you that you can help a lot of people and not get a ton of thanks for it, but we are empathy machines and one of the most lasting and true ways of finding meaning is to actually be of service. 5. Comparison You know, keeping up with the Jones. Also, every sport, but it is more than just comparing ourselves to other people. We also compare our current selves to our past selves which is why getting better at something makes us feel valuable. Even if we are the only ones who really understand how much we are improving. 6. Impacting the World This one is simple, but so dangerous. If the world is different because you were in it then you must matter. You must be important if things changed because you exist, but if that is what you believe then the bigger the impact the more you matter and that can lead to some bad places.