Fauna And Flora Quotes

We've searched our database for all the quotes and captions related to Fauna And Flora. Here they are! All 100 of them:

I would request that my body in death be buried not cremated, so that the energy content contained within it gets returned to the earth, so that flora and fauna can dine upon it, just as I have dined upon flora and fauna during my lifetime
Neil deGrasse Tyson
Sadly, I hate foreigners. And Americans. And animals. And flora, and some fauna. Also the magma that is the very core of this our mother earth. I'm full o' hate!
Joss Whedon
Human beings make a strange fauna and flora. From a distance they appear negligible; close up they are apt to appear ugly and malicious. More than anything they need to be surrounded with sufficient space―space even more than time.
Henry Miller (Tropic of Cancer (Tropic, #1))
So quietly flows the Seine that one hardly notices its presence. It is always there, quiet and unobtrusive, like a great artery running through the human body. In the wonderful peace that fell over me itseemed as if I had climbed to the top of a high mountain; for a little while I would be able to look around me, to take in the meaning of the landscape. Human beings make a strange fauna and flora. From a distance they appear negligible; close up they are apt to appear ugly and malicious. More than anything they need to be surrounded with sufficient space – space even more than time. The sun is setting. I feel this river flowing through meits past, its ancient soil, the changing climate. The hills gently girdle it about: its course is fixed.
Henry Miller (Tropic of Cancer (Tropic, #1))
Este equilibrio entre humanos, flora y fauna empezó a tambalearse cuando los primeros se convirtieron ellos mismos en presa; o, mejor dicho, en mercancía.
Alan Weisman (The World Without Us)
Mr. Kadam asked me many questions about Oregon. He seemed to have an unquenchable thirst for learning new facts and asked me about everything from sports, which I know almost nothing about, to politics, which I know absolutely nothing about, to the flora and fauna of the state, which I know a lot about.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
What in water did Bloom, waterlover, drawer of water, watercarrier, returning to the range, admire? Its universality: its democratic equality and constancy to its nature in seeking its own level: its vastness in the ocean of Mercator's projection: its unplumbed profundity in the Sundam trench of the Pacific exceeding 8000 fathoms: the restlessness of its waves and surface particles visiting in turn all points of its seaboard: the independence of its units: the variability of states of sea: its hydrostatic quiescence in calm: its hydrokinetic turgidity in neap and spring tides: its subsidence after devastation: its sterility in the circumpolar icecaps, arctic and antarctic: its climatic and commercial significance: its preponderance of 3 to 1 over the dry land of the globe: its indisputable hegemony extending in square leagues over all the region below the subequatorial tropic of Capricorn: the multisecular stability of its primeval basin: its luteofulvous bed: its capacity to dissolve and hold in solution all soluble substances including millions of tons of the most precious metals: its slow erosions of peninsulas and islands, its persistent formation of homothetic islands, peninsulas and downwardtending promontories: its alluvial deposits: its weight and volume and density: its imperturbability in lagoons and highland tarns: its gradation of colours in the torrid and temperate and frigid zones: its vehicular ramifications in continental lakecontained streams and confluent oceanflowing rivers with their tributaries and transoceanic currents, gulfstream, north and south equatorial courses: its violence in seaquakes, waterspouts, Artesian wells, eruptions, torrents, eddies, freshets, spates, groundswells, watersheds, waterpartings, geysers, cataracts, whirlpools, maelstroms, inundations, deluges, cloudbursts: its vast circumterrestrial ahorizontal curve: its secrecy in springs and latent humidity, revealed by rhabdomantic or hygrometric instruments and exemplified by the well by the hole in the wall at Ashtown gate, saturation of air, distillation of dew: the simplicity of its composition, two constituent parts of hydrogen with one constituent part of oxygen: its healing virtues: its buoyancy in the waters of the Dead Sea: its persevering penetrativeness in runnels, gullies, inadequate dams, leaks on shipboard: its properties for cleansing, quenching thirst and fire, nourishing vegetation: its infallibility as paradigm and paragon: its metamorphoses as vapour, mist, cloud, rain, sleet, snow, hail: its strength in rigid hydrants: its variety of forms in loughs and bays and gulfs and bights and guts and lagoons and atolls and archipelagos and sounds and fjords and minches and tidal estuaries and arms of sea: its solidity in glaciers, icebergs, icefloes: its docility in working hydraulic millwheels, turbines, dynamos, electric power stations, bleachworks, tanneries, scutchmills: its utility in canals, rivers, if navigable, floating and graving docks: its potentiality derivable from harnessed tides or watercourses falling from level to level: its submarine fauna and flora (anacoustic, photophobe), numerically, if not literally, the inhabitants of the globe: its ubiquity as constituting 90 percent of the human body: the noxiousness of its effluvia in lacustrine marshes, pestilential fens, faded flowerwater, stagnant pools in the waning moon.
James Joyce (Ulysses)
I had no lock that could be picked. If anything, I was the landscape behind the door, and even on that day in the ruin, I was still only beginning to comprehend my own flora and fauna.
Adam McOmber (The White Forest)
There is at the back of every artist’s mind something like a pattern and a type of architecture. The original quality in any man of imagination is imagery. It is a thing like the landscape of his dreams; the sort of world he would like to make or in which he would like to wander, the strange flora and fauna, his own secret planet, the sort of thing he likes to think about. This general atmosphere, and pattern or a structure of growth, governs all his creations, however varied.
G.K. Chesterton
Dreams were the worst. Of course I dreamed of food and love, but they were pleasant rather than otherwise. But then I'd dream of things like slitting a baby's throat, mistaking it for a baby goat. I'd have nightmares of other islands stretching away from mine, infinities of islands, islands spawning islands, like frogs' eggs turning into polliwogs of islands, knowing that I had to live on each and every one, eventually, for ages, registering their flora, their fauna, their geography.
Elizabeth Bishop (Geography III)
Apakah aku sudah keterlaluan menjauhkan diri dari bangsaku? Apakah alasanku benar alasan jujur ataukah dalih menjauhkan diri dari bangsa yang masih hidup di dalam alam masa agrarian kuno ini? Yang masih primitif mendekati flora dan fauna rimba belantara? Itulah penderitaan jiwaku.
Y.B. Mangunwijaya (Burung-Burung Manyar)
There can be no doubt that the existing Fauna and Flora is but the last term of a long series of equally numerous contemporary species, which have succeeded one another, by the slow and gradual substitution of species for species, in the vast interval of time which has elapsed between the deposition of the earliest fossiliferous strata and the present day.
Thomas Henry Huxley (Advance of Science in the Last Half-Century, The)
Embora não nos apercebamos disso, a Terra é um ser vivo constituído por biliões de seres vivos, as células, a Terra é um ser vivo constituído por biliões de seres vivos, a fauna e a flora. Por exemplo, se a temperatura mudar muito na Lua ou em Vénus, isso é indiferente para esses planetas, uma vez que estão ambos mortos, não passam de pedra e poeira. Tanto lhes faz que faça muito frio como muito calor, os planetas mortos são como esculturas de mármore. Mas as alterações térmicas não são indiferentes para a Terra, que se encontra viva e que, por isso, está constantemente a regular a sua temperatura e composição
José Rodrigues dos Santos (O Sétimo Selo)
The only company you should enjoy most is nature’s company, because nature has a way of revealing your individuality.
Michael Bassey Johnson (The Infinity Sign)
But the Count hadn’t the temperament for revenge; he hadn’t the imagination for epics; and he certainly hadn’t the fanciful ego to dram of empires restored. No. His model for mastering his circumstances would be a different sort of captive altogether: an Anglican washed ashore. Like Robinson Crusoe stranded on the Isle of Despair, the count would maintain his resolve by committing to the business of practicalities. Having dispensed with dreams of quick discovery, the world’s Crusoes seek shelter and a source of fresh water; they teach themselves to make fire from flint; they study their island’s topography, it’s climate, its flora and fauna, all the while keeping their eyes trained for sails on the horizon and footprints in the sand.
Amor Towles (A Gentleman in Moscow)
When her lagoon opened before them, the delicate details of every mossy branch and brilliant leaf reflected in the clear dark water. Dragonflies and snowy egrets lifted briefly at his strange boat, then resettled gracefully on silent wings.
Delia Owens (Where the Crawdads Sing)
David had been photographing endangered species in the Hawaiian rainforest and elsewhere for years, and his collections of photographs and Suzie's tarot cards seemed somehow related. Because species disappear when their habitat does, he photographed them against the nowhere of a black backdrop (which sometimes meant propping up a black velvet cloth in the most unlikely places and discouraging climates), and so each creature, each plant, stood as though for a formal portrait alone against the darkness. The photographs looked like cards too, card from the deck of the world in which each creature describes a history, a way of being in the world, a set of possibilities, a deck from which cards are being thrown away, one after another. Plants and animals are a language, even in our reduced, domesticated English, where children grow like weeds or come out smelling like roses, the market is made up of bulls and bears, politics of hawks and doves. Like cards, flora and fauna could be read again and again, not only alone but in combination, in the endlessly shifting combinations of a nature that tells its own stories and colors ours, a nature we are losing without even knowing the extent of that loss.
Rebecca Solnit (A Field Guide to Getting Lost)
The earth is not our home. We came from nothing, and to that condition our nostalgia should turn. Why would anyone care about this dim bulb in the blackness of space? The earth produced us, or at least subsidized our evolution. Is it really entitled to receive a pardon, let alone the sacrifice of human lives, for this original sin—a capital crime in reverse (very much in the same way that reproduction makes one an accessory before the fact to an individual’s death)? Someone once said that nature abhors a vacuum. This is precisely why nature should be abhorred. Instead, the nonhuman environment is simultaneously extolled and ravaged by a company of poor players who can no longer act naturally. It is one thing for the flora and fauna to feed and fight and breed in an unthinking continuance of their existence. It is quite another for us to do so in defiance of our own minds, which over and again pose the same question: “What are we still doing in this horrible place?
Thomas Ligotti (The Conspiracy Against the Human Race)
A mere sixty-five million years ago (less than two percent of Earth’s past), a ten-trillion-ton asteroid hit what is now the Yucatan Peninsula and obliterated more than seventy percent of Earth’s flora and fauna–including all the famous outsized dinosaurs.
Neil deGrasse Tyson (Astrophysics for People in a Hurry)
Manusia dibebani harapan, cita-cita dan tanggungjawab dalam kehidupan. Sejak jejaka hingga tua, mereka berperanan mencipta, mengatur dan membina benda, yang dinamakan peradaban lahiriah. Mereka diasuh dan mengasuh, dalam proses pertumbuhan tamadun fikir. Tetapi mereka itu juga - semua lahir dari ibu - sudah, sedang dan masih akan jadi pemusnah benda dan berbunuhan sesama manusia, membunuh fauna dan menghancurkan flora.
Arena Wati (Rindu Aroma Padi Bunting)
What is needed today is a fundamental re-experience of the oneness of all living things, a comprehensive reality consciousness that ever more infrequently develops spontaneously, the more the primordial flora and fauna of our mother earth must yield to a dead technological environment.
Albert Hoffman
There’s been a right of way through here for centuries – before that house even existed. You’re the ones trespassing. Local people have always walked among these trees … using their wood, their flora and fauna. There’s a unique convergence of ley lines here. Keeping people away from the land
Lucy Foley (The Midnight Feast)
To Nature nothing can be added; from Nature nothing can be taken away; the sum of her energies is constant, and the utmost man can do in the pursuit of physical truth, or in the applications of physical knowledge, is to shift the constituents of the never-varying total. The law of conservation rigidly excludes both creation and annihilation. Waves may change to ripples, and ripples to waves; magnitude may be substituted for number, and number for magnitude; asteroids may aggregate to suns, suns may resolve themselves into florae and faunae, and floras and faunas melt in air: the flux of power is eternally the same. It rolls in music through the ages, and all terrestrial energy—the manifestations of life as well as the display of phenomena—are but the modulations of its rhythm.
John Tyndall
The wind will not stop. Gusts of sand swirl before me, stinging my face. But there is still too much to see and marvel at, the world very much alive in the bright light and wind, exultant with the fever of spring, the delight of morning. Strolling on, it seems to me that the strangeness and wonder of existence are emphasized here, in the desert, by the comparative sparsity of the flora and fauna: life not crowded upon life as in other places but scattered abroad in spareness and simplicity, with a generous gift of space for each herb and bush and tree, each stem of grass, so that the living organism stands out bold and brave and vivid against the lifeless sand and barren rock. The extreme clarity of the desert light is equaled by the extreme individuation of desert life-forms. Love flowers best in openness and freedom.
Edward Abbey (Desert Solitaire)
although we have our compendia of flora, fauna, birds, reptiles and insects, we lack a Terra Britannica, as it were: a gathering of terms for the land and its specificities
Robert Macfarlane (Landmarks)
She had no obligations; she roamed outdoors, sniffing the flora and chasing the fauna, her mind filled with images, smells, colors, and myths borne on the river current.
Isabel Allende (Eva Luna)
He loved Minnesota’s flora and fauna and seemed ill-suited as either a fawner or floorer, a
Mark Steyn (Mark Steyn's Passing Parade: Obituaries & Appreciations expanded edition)
Of strangers asking her over and over again what she was. Like a piece of flora or fauna. Like she was missing her proper taxonomy.
Aminah Mae Safi (Not the Girls You're Looking For)
Imagination is nothing more than a memory transposed.
C.J. Bernstein (The Monarch Papers: Flora & Fauna (The Briar Archive #1))
In 1973 the London Convention was replaced by the Convention on International Trade in Endangered Species of Wild Fauna and Flora, known as CITES, which has 181 signatories. Comprised of three appendices that gauge the severity of threat to various species, CITES protects 35,000 species of plants and animals. Among them are nearly fifteen hundred birds, including Alfred Russel Wallace’s beloved King Bird of Paradise.
Kirk Wallace Johnson (The Feather Thief)
When I got to Crude Sciences at the end of the day, Dante was waiting for me at our table. This time, with no Latin book, no journal. “Hello,” he said, pulling my chair out for me. Surprised, I sat down next to him, trying not to stare at his perfectly formed arms. “Hi,” I said, with an attempt at nonchalance. “How are you?” I could feel his eyes on me. “Fine,” I said carefully, as Professor Starking handed out our lab assignments. Dante frowned. “Not very talkative today, I see.” I thrust a thermometer into the muddy water of the fish tank in front of us, which was supposed to represent an enclosed ecosystem. “So now you want to talk? Now that you’ve finished your Latin homework?” After a prolonged period of silence, he spoke. “It was research.” “Research on what?” “It doesn’t matter anymore.” I threw him a suspicious look. “Why’s that?” “Because I realized I wasn’t paying attention to the right thing.” “Which is?” I asked, looking back at the board as I smoothed out the hem of my skirt. “You.” My lips trembled as the word left his mouth. “I’m not a specimen.” “I just want to know you.” I turned to him, wanting to ask him a million questions. I settled for one. “But I can’t know anything about you?” Dante leaned back in his chair. “My favorite author is Dante, obviously,” he said, his tone mocking me. “Though I’m partial to the Russians. I’m very fond of music. All kinds, really, though I especially enjoy Mussorgsky and Stravinsky or anything involving a violin. They’re a bit dark, no? I used to like opera, but I’ve mostly grown out of it. I have a low tolerance for hot climates. I’ve never enjoyed dessert, though I once loved cherries. My favorite color is red. I often take long walks in the woods to clear my head. As a result, I have a unique knowledge of the flora and fauna of North American. And,” he said, his eyes burning through me as I pretended to focus on our lab, “I remember everything everyone has ever told me. I consider it a special talent.” Overwhelmed by the sudden influx of information, I sat there gaping, unsure of how to respond. Dante frowned. “Did I leave something out?
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
Strolling on, it seems to me that the strangeness and wonder of existence are emphasized here, in the desert, by the comparative sparsity of the flora and fauna: life not crowded upon life as in other places but scattered abroad in spareness and simplicity, with a generous gift of space for each herb and brush and tree, each stem of grass, so that the living organism stands out bold and brave and vivid against the lifeless sand and barren rock.
Edward Abbey (Desert Solitaire)
L'opinione corrente a proposito di queste malattie della terra si riflette nel fatto che le nostre cure sono ancora prevalentemente locali. Perciò quando il terreno perde fertilità usiamo un fertilizzante o, nel migliore dei casi, ne alteriamo la flora e la fauna, senza considerare che le sue specie selvatiche, poiché hanno formato quel particolare terreno, possono essere molto importanti per la sua salvaguardia. Si è scoperto di recente per esempio che un buon raccolto di tabacco dipende per qualche motivo sconosciuto dalla preparazione del terreno fatta dalle piante di senecio selvatico. Non ci rendiamo conto che simili legami di dipendenza possono essere estremamente comuni in natura.
Aldo Leopold (A Sand County Almanac and Sketches Here and There)
She knew the shapes of all the trees; still some seemed to dart here and there, moving with the moon. For a while she was so stiff she couldn't swallow, but on cue, the familiar songs of tree frogs and katydids filled the night. More comforting than three blind mice with a carving knife. The darkness held an odor of sweetness, the earthy breath of frogs and salamanders who'd made it through one more stinky-hot day. The marsh snuggled in closer with a low fog, and she slept.
Delia Owens (Where the Crawdads Sing)
When we Westerners call people 'natives' we implicitly take the colour out of our perception of them. We see them as wild animals infesting the country in which we happen to come across them, as part of the local flora and fauna and not as men of like passions with ourselves. So long as we think of them as 'natives' we may exterminate them or, as is more likely to-day, domesticate them and honestly (perhaps not altogether mistakenly) believe that we are improving the breed, but we do not begin to understand them.
Arnold J. Toynbee (A Study of History, Abridgement of Vols 1-6)
Como es lógico, existe un ritmo constante y básico de extinciones. En nuestra época, las especies se extinguen cada año a consecuencia de las actividades humanas: la urbanización, la caza, la contaminación industrial o la destrucción de los bosques tropicales.
Carl Sagan (Comet)
La naturaleza que nos rodea ha creado un mundo en el que poder crecer y evolucionar. En todos los lugares nos encontramos con elementos comunes: agua, tierra, flora, fauna. Pero quizás debamos nuestra existencia a aquellas fuerzas que no podemos ver, ni  medir… ni tampoco explicar.
Alexander Copperwhite (Reloj de arena: Y otros relatos)
The current Sahara desert was then non-existent. Instead, all of North Africa was covered in lush forests that stretched across the Middle East and on through Asia. Flora and fauna were rich throughout large swathes of the world that are today barren deserts. This ecological-climatological fecundity dramatically contrasts
Daniel L. Everett (How Language Began: The Story of Humanity’s Greatest Invention)
If you like, you could call this the psychology of total equivalence, let’s say neuronics for short, and dismiss it as biological fantasy. However, I am convinced as we move back through geophysical time, so we reenter the amnionic corridor, and move back through spinal and archeopsychic time, recollecting in our unconscious minds the landscapes of each epoch, each with a distinct ecological terrain, its own flora and fauna, as recognizable to anyone else as they would be to a traveller in a Wellsian time machine. Except that this is no scenic railway, but a total reorientation of the personality. If we let these buried phantoms master us as we reappear, we’ll be swept back helplessly in the floodtide like pieces of flotsam.
J.G. Ballard (The Drowned World)
... neither the metaphor of ‘melting pot’ nor of ‘salad bowl’ can accurately explain Indian culture. My preferred metaphor is that of the Rain Forest. The ‘tropical rain forest’ characteristically has a number of layers, each with a variety of flora and fauna adapted for life in that particular layer. The layers include the uppermost ‘emergent’ layer that rises above to form the canopy of the forest, the ‘under-story’ and finally the ‘forest floor’, the foundational core. This emergent layer has its roots in the forest floor that is full of shrubs, vines and fungi... A ‘bird’s-eye view’ cannot reveal this rootedness, the underlying substratum, the under-stories and the forest floor. If the metaphor of ‘tropical rain forest’ is applied to the Indus Valley Civilization, the citadels, the rulers, and the rich merchants with their maritime wealth, the urban structure and its finesse are comparable with the ‘emergent canopy’. Yet the bulk of the demography was at the root – the substratum, from which the mature urban cities emerged... The nature of its religion, the cultural practices, cockfights and bull-vaulting visually represent the ‘under-story’ of the IVC.
R. Balakrishnan (Journey of A Civilization: Indus to Vaigai)
By the time Professor Krutch retired from Columbia, he moved to Arizona and embarked on a new profession: biologist. He studied the ecology of the desert. In his autobiography, he asserts that the ideal would be to change professions every seven years. He started out originally to become a mathematician, was a biographer, writer, critic, professor and, later in life, a biologist. He appeared several times on national T.V. in 1958-9, discussing the fauna and flora of Arizona and of Baja California. It was my privilege to be his student. On T.V. I relished the sight of him and the sound of his voice. His autobiography "More Lives than One" gives the whole picture of this universal man, the life of this extraordinary intellectual, of his unbounded curiosity and depth of observation.
Pearl Fichman (Before Memories Fade)
Thanks to suffering and madness, I have had a finer, richer life than any of you, and I wish to go to my death with dignity, as befits the great moment after which all dignity and majesty cease. Let my body be my ark and my death a long floating on the waves of eternity. A nothing amid nothingness. What defense have I against nothingness but this ark in which I have tried to gather everything that was dear to me, people, birds, animals, and plants, everything that I carry in my eye and in my heart, in the triple-decked ark of my body and soul. Like the pharaohs in the majestic peace of their tombs, I wanted to have all those things with me in death, I wanted everything to be as it was before; I wanted the birds to sing for me forever, I wanted to exchange Charon's bark for another, less desolate and less empty; I wanted to ennoble eternity's unconscionable void with the bitter herbs that spring from the heart of man, to ennoble the soundless emptiness of eternity with the cry of the cuckoo and the song of the lark. All I have done is to develop that bitter poetic metaphor, carry it with passionate logic to its ultimate consequence, which transforms sleep into waking (and the converse); lucidity into madness (and the converse); life into death, as though there were no borderline, and the converse; death into eternity, as if they were not one and the same thing. Thus my egoism is only the egoism of human existence, the egoism of life, counterweight to the egoism of death, and, appearances to the contrary, my consciousness resists nothingness with an egoism that has no equal, resists the outrage of death with the passionate metaphor of the wish to reunite the few people and the bit of love that made up my life. I have wanted and still want to depart this life with specimens of people, flora and fauna, to lodge them all in my heart as in an ark, to shut them up behind my eyelids when they close for the last time. I wanted to smuggle this pure abstraction into nothingness, to sneak it across the threshold of that other abstraction, so crushing in its immensity: the threshold of nothingness. I have therefore tried to condense this abstraction, to condense it by force of will, faith, intelligence, madness, and love (self-love), to condense it so drastically that its specific weight will be such as to life it like a balloon and carry it beyond the reach of darkness and oblivion. If nothing else survives, perhaps my material herbarium or my notes or my letters will live on, and what are they but condensed, materialized idea; materialized life: a paltry, pathetic human victory over immense, eternal, divine nothingness. Or perhaps--if all else is drowned in the great flood--my madness and my dream will remain like a northern light and a distant echo. Perhaps someone will see that light or hear that distant echo, the shadow of a sound that was once, and will grasp the meaning of that light, that echo. Perhaps it will be my son who will someday publish my notes and my herbarium of Pannonian plants (unfinished and incomplete, like all things human). But anything that survives death is a paltry, pathetic victory over the eternity of nothingness--a proof of man's greatness and Yahweh's mercy. Non omnis moriar.
Danilo Kiš (Hourglass)
But life is fragile. Earth’s occasional encounters with large, wayward comets and asteroids, a formerly common event, wreaks intermittent havoc upon our ecosystem. A mere sixty-five million years ago (less than two percent of Earth’s past), a ten-trillion-ton asteroid hit what is now the Yucatan Peninsula and obliterated more than seventy percent of Earth’s flora and fauna—including all the famous outsized dinosaurs. Extinction. This ecological catastrophe enabled our mammal ancestors to fill freshly vacant niches, rather than continue to serve as hors d’oeuvres for T. rex. One big-brained branch of these mammals, that which we call primates, evolved a genus and species (Homo sapiens) with sufficient intelligence to invent methods and tools of science—and to deduce the origin and evolution of the universe.
Neil deGrasse Tyson (Astrophysics for People in a Hurry (Astrophysics for People in a Hurry Series))
Arthur Moore describes the results: “Whole forests of oak, beech, poplar, maple, and walnut, standing since Columbus, collapsed … from girdling and deadening with fire. There was in the heart of the new race no more consideration for the trees than for the game until the best of both were gone; steel conquered the West but chilled the soul of the conqueror. This assault on nature, than which few more frightful spectacles could be imagined, owed much to sheer need, but something also to a compelling desire to destroy conspicuous specimens of the fauna and flora of the wilderness. The origin of this mad destructiveness may be in doubt, but there is no question about its effect. The Ohio Valley today has neither trees nor animals to recall adequately the splendor of the garden of the Indian which the white man found and used so profligately.
Stephen E. Ambrose (Crazy Horse and Custer: The Parallel Lives of Two American Warriors)
Here- instead of the estuaries and enormous sweeps of grass as in her marsh- clear water flowed as far as she could see through a bright and open cypress forest. Brilliant white herons and storks stood among the water lilies and floating plants so green they seemed to glow. Hunched up on cypress knees as large as easy chairs, they ate pimento-cheese sandwiches and potato chips, grinning as geese glided just below their toes.
Delia Owens (Where the Crawdads Sing)
Do you like flora and fauna? How about plants and animals? Because we have more of that beautiful crap than we know what to do with. Charmingly domesticated troops of monkeys swing freely throughout our orchid-laden property. You’re probably thinking that a lot of all-inclusive resorts have monkeys. True, but only one resort packs a monkey for each of their guests to take home. You’ll be showing off more than a tan to your friends, you’ll be showing off a gibbon.
Colin Nissan
The Foundry Man All day, every day; a head that pounds to the rhythm of beating hammers. Feet, numbed from the vibrations of heavy machinery, and skin that glows crimson from the blistering heat of the furnace. Sweat glistens on his furrowed brow, sweat that runs in rivulets to eyes already sore from black, putrid dust. This is the lot of the foundry man. Not for him fresh air, green fields, or the sun on his back. He has a heart of gold, strength of steel. He is a man of iron.
Mrs A. Perry
To make a tarte of strawberyes," wrote Margaret Parker in 1551, "take and strayne theym with the yolkes of four eggs, and a little whyte breade grated, then season it up with suger and swete butter and so bake it." And Jess, who had spent the past year struggling with Kant's Critiques, now luxuriated in language so concrete. Tudor cookbooks did not theorize, nor did they provide separate ingredient lists, or scientific cooking times or temperatures. Recipes were called receipts, and tallied materials and techniques together. Art and alchemy were their themes, instinct and invention. The grandest performed occult transformations: flora into fauna, where, for example, cooks crushed blanched almonds and beat them with sugar, milk, and rose water into a paste to "cast Rabbets, Pigeons, or any other little bird or beast." Or flour into gold, gilding marchpane and festive tarts. Or mutton into venison, or fish to meat, or pig to fawn, one species prepared to stand in for another.
Allegra Goodman (The Cookbook Collector)
What else has changes since 1984? Oil's running our, I say Earth's population is eight billion, mass extinction of flora and fauna are commonplace, climate change is foreclosing the Holocene Era. Aparteid's dead, as are the Castros in Cuba as is privacy. The USSR went bankrupt; the Eastern bloc collapsed; Germany reunified; the EU has gone federal; China's a powerhouse- though their air is industrial effluence in a gaseous state - and North Korea is still a gulag run by a coiffed cannibal. p 500
David Mitchell (The Bone Clocks)
Though witchcraft and science seem like they’re at odds, many who walk a green path have found that technology is an excellent tool for getting in touch with the natural world. You can use your favourite tech to keep a journal of your work with plants, identify flora and fauna in the wild, and do years-worth of research with the click of a button. Green technology like solar or wind power can connect you with the energy of the earth while working to protect the environment and that, to me, is magic.
Paige Vanderbeck (Green Witchcraft: A Practical Guide to Discovering the Magic of Plants, Herbs, Crystals, and Beyond (Practicing Green Witchcraft))
…stand at the foot of a mountain and you may be impressed by how much greater it is than you in degree, how alien it is from you in kind. Climb that mountain and confront limits of endurance beyond which you thought yourself incapable, feel the relation between yourself and the mountain’s flora and fauna as part of one interdependent ecosystem, and discover how the experience of the mountain becomes part of you and changes who you are—then you may draw close to something like transcendence.” - B. T. Newberg
John Halstead (Godless Paganism: Voices of Non-Theistic Pagans)
Stone Age ancestors spread from East Africa to the four corners of the earth, they changed the flora and fauna of every continent and island on which they settled. They drove to extinction all the other human species of the world, 90 per cent of the large animals of Australia, 75 per cent of the large mammals of America and about 50 per cent of all the large land mammals of the planet – and all before they planted the first wheat field, shaped the first metal tool, wrote the first text or struck the first coin.
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
Even those who saw only a part of the country witnessed so much that was new to them—the vast deltas, the astonishingly eroded limestone peaks, the sand-dune coastal forests, the forest mosaics and savannalike grassland. Many wrote home with vivid descriptions of the flora and fauna, the countless species they had never seen before. Many commented on the sheer luster of the place, of the seemingly infinite number of shades of green, in the rice paddies, the grasses, the palms, the rubber trees with their green oval leaves, the pine trees on faraway hills.
Fredrik Logevall (Embers of War: The Fall of an Empire and the Making of America's Vietnam)
Rona soon picked out her own plot of land - one hundred eighty acres that stretched along the bottom of a rocky hill and only a stone's through from the shoreline. Quickly, much more quickly than natural for a man much less a woman - even one of Rona Blackburn's stature - a house appeared. She filled her new home with reminders of her previous one on the Aegean island she had loved so much: pastel seashells and a front door painted a deep cobalt blue - a color the yiayias always claimed had the power to repel evil. Then she set up her bed, made a pit for her fire, and erected two wooden tables. One table she kept bare. The other she covered in tinctures and glass jars of cut herbs and other fermented bits of flora and fauna. On this table, she kept a marble mortar and pestle, the leather sheath in which she wrapped her knives, and copper bowls - some for mixing dry ingredients, some for liquid, and a few small enough to bring to the mouth for sipping. And when the fire was stoked and the table was set, she placed a wooden sign - soon covered in a blanket of late December snow - outside that blue front door. It read one world: Witch.
Leslye Walton (The Price Guide to the Occult)
But the most profound irony is currently on display at the very site of Ford’s most ambitious attempt to realize his pastoralist vision. In the Tapajós valley, three prominent elements of Ford’s vision—lumber, which he hoped to profit from while at the same time finding ways to conserve nature; roads, which he believed would knit small towns together and create sustainable markets; and soybeans, in which he invested millions, hoping that the industrial crop would revive rural life—have become the primary agents of the Amazon’s ruin, not just of its flora and fauna but of many of its communities.
Greg Grandin (Fordlandia: The Rise and Fall of Henry Ford's Forgotten Jungle City)
But the Anthropocene isn’t a novel phenomenon of the last few centuries. Already tens of thousands of years ago, when our Stone Age ancestors spread from East Africa to the four corners of the earth, they changed the flora and fauna of every continent and island on which they settled. They drove to extinction all the other human species of the world, 90 per cent of the large animals of Australia, 75 per cent of the large mammals of America and about 50 per cent of all the large land mammals of the planet – and all before they planted the first wheat field, shaped the first metal tool, wrote the first text or struck the first coin.
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
Runach took the book in hand and went to look for that Bruadarian lass, who was likely having a conversation with the flora and fauna of his grandfather's garden... He just hadn't expected her to be singing. It wasn't loud singing, though he could hear it once he'd wandered the garden long enough to catch sight of her, standing beneath a flowering linden tree, holding a blossom in her hand. Runach came to a skidding halt and gaped at her. Very well, so he had ceased to think of her as plain directly after Gobhann, and he had been struggling to come up with a worthy adjective ever since. He supposed he might spend the rest of his life trying, and never manage it. It was difficult to describe a dream. He had to sit down on the first bench he found, because he couldn't stand any longer. He wondered if the day would come where she ceased to surprise him with the things she did. Her song was nothing he had ever heard before, but for some reason it seemed familiar in a way he couldn't divine. It was enough for the moment to simply sit there and watch as she and the tree--and several of the flowers, it had to be said--engaged in an ethereal bit of music making. It was truthfully the most beautiful thing he had ever heard, and that was saying something, because the musicians who graced his grandfather's hall were unequalled in any Elvish hall he'd ever visited. And then Runach realized why what she was doing sounded so familiar. She was singing in Fadaire. He grasped for the rapidly disappearing shreds of anything resembling coherent thought, but it was useless. All he could do was sit on that very cold bench and listen to a woman who had hardly set foot past her place of incarceration, sing a song in his mother's native tongue, that would have brought any elf in the vicinity to tears if they had heard it. He knew because it was nigh onto bringing him to that place in spite of his sorry, jaded self.
Lynn Kurland (River of Dreams (Nine Kingdoms, #8))
Las mentes de Alexander y Nadia se expandieron de nuevo y percibieron las conexiones entre los seres, el universo entero entrelazado por corrientes de energía, por una red exquisita, fina como seda, fuerte como acero. Entendieron que nada existe aislado; cada cosa que ocurre, desde un pensamiento hasta un huracán, afecta a lo demás. Sintieron la tierra palpitante y viva, un gran organismo acunando en su regazo la flora y la fauna, los montes, los ríos, el viento de las llanuras, la lava de los volcanes las nieves eternas de las más altas montañas. Y esa madre planeta es parte de otros organismos mayores, unida a los infinitos astros del inmenso firmamento.
Isabel Allende (Forest of the Pygmies (Eagle and Jaguar, #3))
A Party for New Year (for Lily and Maisie, the ladies what lunch.) Dear Lily, I have bought something frilly, to wear on New Year’s Eve. You may think it sounds rather silly, and, what I tell you, you will never believe. I met a woman in Primark, I know, not my normal shop. Just heard so much about it inside I had to pop. Well, the top I purchased, sparkles. The frills upon it abound. This woman I met in the changing room. On me, she said it looked sound. It's very, very silver you know. A little bit like Lametta. Oh Lily, I feel quite aglow. On no one could it look any better. Dear Maisie, Things are looking a bit hazy. A silver top, for New Year. Are you really, really that crazy? My word, you batty old dear. I'm wearing my old faithful. The black dress, with the gold trim. It's not like we’re doing anything special. In fact proceedings sound quite grim. Sitting on your old sofa With a Baileys, if I'm lucky. Watching the same old things on the box. I'm not excited Ducky. I want to be in the city and feel the atmosphere. It really is a pity that you want to stay right here. Dear Lily. Now you are being silly. What about your knees? Standing about, feeling chilly, and moaning you're going to freeze. Much better to stay indoors and watch a music show. We'll get the bongs at midnight. This you very well know. I don't have any Baileys. You drank it Christmas Day. But I found some cooking sherry. I want that out of the way. I even have some nibbles, so come on, what do you say? We'll have us a little party. Bring your nightie and then you can stay. Dear Maisie, Do you remember Daisy? Her with the wart on her ear. She thinks she'd like to join us to celebrate New Year. Do we really want her with us? She's quite a moaning Minnie. She always makes such a fuss. I'd hoped she'd celebrate with Winnie. I think I will come over Lil'. I'll even bring the wine. We really should start taking turns. Next year, you can come to mine. We'll have a great time, you and me. Go out in the cold? No fear. We'll be fine indoors, just you see. Friends together, celebrating New Year.
Ann Perry (Flora, Fauna, Fairies and other Favourite Things)
Well, no, if we’re really honest with ourselves, most of us wouldn’t, even in this more politically correct age. For satisfying the claims of justice in this instance would not only disrupt the present and future, but also the past: wouldn’t the Mexicans then have to give it all back to the Spanish, and then the Spanish to the indigenous populations they decimated, and then those peoples to the flora and fauna they displaced after crossing the land bridge from Siberia thousands of years earlier? The argument is absurd, but only because it rejects any coexistence of contradictions in time or space: it thereby confirms Berlin’s claim that not all praiseworthy things are simultaneously possible. And that learning to live within that condition—let’s call it history—requires adaptation to incompatibles.
John Lewis Gaddis (On Grand Strategy)
But you're stuck filming crap now." Hal snorted. "Chased by monsters? Better be damn good at running." "And exactly how do you get hurt filming a landscaping show?" Taggart retorted. "If it can't kill us, we don't film it," Jane said, to stop the fighting before it could start. "There's a lot of dangerous flora and fauna in Pittsburgh and it doesn't stay beyond the Rim. It comes into people's backyards and sets up shop. We teach our viewers how to deal with it, but it means we have to actually get close enough to get hurt." "Deal with, as in kill?" Nigel seemed flabbergasted. "This isn't Earth. These aren't endangered species. This morning we were dealing with a very large strangler vine in a neighborhood with lots of children. There's no way to 'move' it to someplace where it isn’t a danger, especially while it's actively trying to kill anything that stumbles into its path. Pets. Children. Automated lawnmowers." "That one is always amusing to watch but it always ends badly for the lawnmower," Hal said.
Wen Spencer (Pittsburgh Backyard and Garden (Elfhome, #1.5))
I still cherish my childhood memories of the sun opening the dusky eyelids of the west and the misty mornings against the backdrop of of Kgalatlou Mountain. The green prime of summer, twingling leaves of acacia yrees of Manthakge Plains, pure clear sky, the smooth plough fields and lush green meadows. In winter, that green carpet will be replaced by drearily looking land like a dim picture of the drowned past, all signs of life and feeling gone out of it, with the plough fields scorched and naked, the streams of Manyane silent, and the grass of the meadows looking like burned powder.  I still remember and cherish the touch of autumn nights and the ruddy moon leaning over Madibong. When I think about this, a sorrowful silent tear always roll down my cheek, I become sad and gripped by grief because of what has now become of the land of my forefathers. I have known and cherished its distinguished  rocks, fauna, and flora since I could stand and walk. I know its mountain slopes, plains, its rocks, and bushes like the veins and knuckles at the back of my hand. The ever changing beauty of Leolo Mountains, from the aloes of Segodi Boulders to the lilies of Legaletlweng; the imposing Letheleding Boulders towering over Manyane Dale. The interesting contrast of granite ingenious sedimentary rocks of Leolo Mountains and the red sand rock of Seolwane Mountain, the red sandy soil of Leruleng, the dark clay soil of Marakane and the red fertile loom soil of Sehalbeng Plains. The Magnetite rocks Ga - Sethadi and the shale rocks of Malatjane.
Pekwa Nicholas Mohlala
In theory, toppings can include almost anything, but 95 percent of the ramen you consume in Japan will be topped with chashu, Chinese-style roasted pork. In a perfect world, that means luscious slices of marinated belly or shoulder, carefully basted over a low temperature until the fat has rendered and the meat collapses with a hard stare. Beyond the pork, the only other sure bet in a bowl of ramen is negi, thinly sliced green onion, little islands of allium sting in a sea of richness. Pickled bamboo shoots (menma), sheets of nori, bean sprouts, fish cake, raw garlic, and soy-soaked eggs are common constituents, but of course there is a whole world of outlier ingredients that make it into more esoteric bowls, which we'll get into later. While shape and size will vary depending on region and style, ramen noodles all share one thing in common: alkaline salts. Called kansui in Japanese, alkaline salts are what give the noodles a yellow tint and allow them to stand up to the blistering heat of the soup without degrading into a gummy mass. In fact, in the sprawling ecosystem of noodle soups, it may be the alkaline noodle alone that unites the ramen universe: "If it doesn't have kansui, it's not ramen," Kamimura says. Noodles and toppings are paramount in the ramen formula, but the broth is undoubtedly the soul of the bowl, there to unite the disparate tastes and textures at work in the dish. This is where a ramen chef makes his name. Broth can be made from an encyclopedia of flora and fauna: chicken, pork, fish, mushrooms, root vegetables, herbs, spices. Ramen broth isn't about nuance; it's about impact, which is why making most soup involves high heat, long cooking times, and giant heaps of chicken bones, pork bones, or both. Tare is the flavor base that anchors each bowl, that special potion- usually just an ounce or two of concentrated liquid- that bends ramen into one camp or another. In Sapporo, tare is made with miso. In Tokyo, soy sauce takes the lead. At enterprising ramen joints, you'll find tare made with up to two dozen ingredients, an apothecary's stash of dried fish and fungus and esoteric add-ons. The objective of tare is essentially the core objective of Japanese food itself: to pack as much umami as possible into every bite.
Matt Goulding (Rice, Noodle, Fish: Deep Travels Through Japan's Food Culture)
Land and Sea The brilliant colors are the first thing that strike a visitor to the Greek Isles. From the stunning azure waters and blindingly white houses to the deep green-black of cypresses and the sky-blue domes of a thousand churches, saturated hues dominate the landscape. A strong, constant sun brings out all of nature’s colors with great intensity. Basking in sunshine, the Greek Isles enjoy a year-round temperate climate. Lemons grow to the size of grapefruits and grapes hang in heavy clusters from the vines of arbors that shade tables outside the tavernas. The silver leaves of olive trees shiver in the least sea breezes. The Greek Isles boast some of the most spectacular and diverse geography on Earth. From natural hot springs to arcs of soft-sand beaches and secret valleys, the scenery is characterized by dramatic beauty. Volcanic formations send craggy cliffsides plummeting to the sea, cause lone rock formations to emerge from blue waters, and carve beaches of black pebbles. In the Valley of the Butterflies on Rhodes, thousands of radiant winged creatures blanket the sky in summer. Crete’s Samaria Gorge is the longest in Europe, a magnificent natural wonder rife with local flora and fauna. Corfu bursts with lush greenery and wildflowers, nurtured by heavy rainfall and a sultry sun. The mountain ranges, gorges, and riverbeds on Andros recall the mainland more than the islands. Both golden beaches and rocky countrysides make Mykonos distinctive. Around Mount Olympus, in central Cyprus, timeless villages emerge from the morning mist of craggy peaks and scrub vegetation. On Evia and Ikaria, natural hot springs draw those seeking the therapeutic power of healing waters. Caves abound in the Greek Isles; there are some three thousand on Crete alone. The Minoans gathered to worship their gods in the shallow caves that pepper the remotest hilltops and mountain ranges. A cave near the town of Amnissos, a shrine to Eileithyia, goddess of childbirth, once revealed a treasure trove of small idols dedicated to her. Some caves were later transformed into monasteries. On the islands of Halki and Cyprus, wall paintings on the interiors of such natural monasteries survive from the Middle Ages. Above ground, trees and other flora abound on the islands in a stunning variety. ON Crete, a veritable forest of palm trees shades the beaches at Vai and Preveli, while the high, desolate plateaus of the interior gleam in the sunlight. Forest meets sea on the island of Poros, and on Thasos, many species of pine coexist. Cedars, cypress, oak, and chestnut trees blanket the mountainous interiors of Crete, Cyprus, and other large islands. Rhodes overflows with wildflowers during the summer months. Even a single island can be home to disparate natural wonders. Amorgos’ steep, rocky coastline gives way to tranquil bays. The scenery of Crete--the largest of the Greek Isles--ranges from majestic mountains and barren plateaus to expansive coves, fertile valleys, and wooded thickets.
Laura Brooks (Greek Isles (Timeless Places))
In 1995, the gray wolf was reintroduced to Yellowstone National Park after a seventy-year hiatus. Scientists expected an ecological ripple effect, but the size and scope of the trophic cascade took them by surprise.7 Wolves are predators that kill certain species of animals, but they indirectly give life to others. When the wolves reentered the ecological equation, it radically changed the behavioral patterns of other wildlife. As the wolves began killing coyotes, the rabbit and mouse populations increased, thereby attracting more hawks, weasels, foxes, and badgers. In the absence of predators, deer had overpopulated the park and overgrazed parts of Yellowstone. Their new traffic patterns, however, allowed the flora and fauna to regenerate. The berries on those regenerated shrubs caused a spike in the bear population. In six years’ time, the trees in overgrazed parts of the park had quintupled in height. Bare valleys were reforested with aspen, willow, and cottonwood trees. And as soon as that happened, songbirds started nesting in the trees. Then beavers started chewing them down. Beavers are ecosystem engineers, building dams that create natural habitats for otters, muskrats, and ducks, as well as fish, reptiles, and amphibians. One last ripple effect. The wolves even changed the behavior of rivers—they meandered less because of less soil erosion. The channels narrowed and pools formed as the regenerated forests stabilized the riverbanks. My point? We need wolves! When you take the wolf out of the equation, there are unintended consequences. In the absence of danger, a sheep remains a sheep. And the same is true of men. The way we play the man is by overcoming overwhelming obstacles, by meeting daunting challenges. We may fear the wolf, but we also crave it. It’s what we want. It’s what we need. Picture a cage fight between a sheep and a wolf. The sheep doesn’t stand a chance, right? Unless there is a Shepherd. And I wonder if that’s why we play it safe instead of playing the man—we don’t trust the Shepherd. Playing the man starts there! Ecologists recently coined a wonderful new word. Invented in 2011, rewilding has a multiplicity of meanings. It’s resisting the urge to control nature. It’s the restoration of wilderness. It’s the reintroduction of animals back into their natural habitat. It’s an ecological term, but rewilding has spiritual implications. As I look at the Gospels, rewilding seems to be a subplot. The Pharisees were so civilized—too civilized. Their religion was nothing more than a stage play. They were wolves in sheep’s clothing.8 But Jesus taught a very different brand of spirituality. “Foxes have dens and birds have nests,” said Jesus, “but the Son of Man has no place to lay his head.”9 So Jesus spent the better part of three years camping, fishing, and hiking with His disciples. It seems to me Jesus was rewilding them. Jesus didn’t just teach them how to be fishers of men. Jesus taught them how to play the man! That was my goal with the Year of Discipleship,
Mark Batterson (Play the Man: Becoming the Man God Created You to Be)
Before the time of Allan and Delair, Comyns Beaumont reviewed the work of Establishment geologists, Charles Lyell, Louis Agassiz and James Geikie. He exposed their scientific palaver for the nonsense it is, and wrote of the Ice Age theory in these words: What! No Ice Age which came and went, spreading over hundreds of thousands of years as all good geologists proclaim? No smothering ice sheets which enveloped the British Isles and much of the northern parts of the continent, changed the climate to Arctic conditions – although, strangely enough, much of our fauna and flora survived despite it – and compelled all the survivors to flee? No lengthy periods of ice alternated with warm and even sub-tropical climatic interludes? No. Nothing of the sort. There was admittedly a tremendous convulsion of nature, which had the most direful effect upon the inhabitants of Scandinavia, the British Isles, and those in Northern Asia. It resulted in giving us, it is true, bitter cold, tremendous floods, and cruel dampness. That it affected the climate in the north adversely and permanently cannot be denied. It did other things as well. But no Ice Age – (Riddle of Prehistoric Britain) It was an event…sudden, rapid, devastating, and appalling in its magnitude, and destructiveness. It was a celestial impact of an immense cometary body…It rained or distributed rocks, stones, boulder clay, till, gravel, sand, and other material over great areas, utterly obliterating certain parts, elevating others, and entirely missing some regions. It created islands, drowned others, caused immense tidal waves which swallowed up coastal lands, consumed huge spaces with electric waves, set up volcanoes, and swept away cities and largely populated districts almost in a flash
Michael Tsarion (Atlantis, Alien Visitation and Genetic Manipulation)
The actual Beryl was written by Sangye Gyamtso, regent to the fifth Dalai Lama.  It was based on the Tantras, but Gyamtso did something that had never been done before, something that would change medicine forever: he commissioned drawings, based on the cures in the Beryl, depicting all aspects of human anatomy, all the flora and fauna used in the cures, and directions on their application. “This makes the Blue Beryl the first illustrated medical ‘how to’ manual ever written.  It’s a beautifully illustrated encyclopedia with diagnoses and treatments.  It actually showed the reader, using pictures and text, which herbs to combine and in what quantities.
Hunt Kingsbury (Book of Cures (A Thomas McAlister Adventure 2))
The discovery of America was the foundational event of the Scientific Revolution. It not only taught Europeans to favour present observations over past traditions, but the desire to conquer America also obliged Europeans to search for new knowledge at breakneck speed. If they really wanted to control the vast new territories, they had to gather enormous amounts of new data about the geography, climate, flora, fauna, languages, cultures and history of the new continent. Christian Scriptures, old geography books and ancient oral traditions were of little help.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
I worship nature. The moon and the tides. The sun and the stars. The energies that surround us and dwell within us. The esoteric knowledge of our natural world and its flora and fauna.
Dacha Avelin
One leading French naturalist, the Comte de Buffon, famously proposed that climate and other conditions in the New World had led to the inevitable degeneration of its fauna and flora. Buffon’s more enthusiastic readers extrapolated from this argument to call into question the virility and intelligence of both America’s European settlers and its native inhabitants, the Indians. That sparked a rousing defense of American virtue and vigor from Jefferson, spelled out in his only published book, Notes on the State of Virginia.20
Jonathan Lyons (The Society for Useful Knowledge: How Benjamin Franklin and Friends Brought the Enlightenment to America)
Bhutan was the first nation to establish a permanent fund to finance the long-term protection of its native and rare flora and fauna.
Eric Dinerstein (The Kingdom of Rarities)
The Bull Ants love to eat other small insects, as well as seeds, sweet nectar and fruit.
Leanne Annett (12 Australian Insects! Kids Book About Insects: Fun Animal Facts Picture Book for Kids with Native Wildlife Photos (Kid’s Aussie Flora and Fauna Series 4))
Novels are theoretically comparable to a ‘biological’ organism with the mysterious capability of adapting to the present in the astonishing ‘tradition’ of diverse Adrianite fauna and flora that have miraculously metamorphosed, with ‘Ovidian’ panache, within their immediate Jordenian environs throughout the cavalcade of Hesronedonian cyclepochs.” Emperor Baron Francis Cosmicus [The Dromernaut Odyssey Anno Domini 3193]
Charlie Cotayo (The Astronedon Stallion (the Dromernaut Odyssey, #2))
Sobretudo, ele gostava do mar. Mergulhava, boiava, velejava, navegava, saltava, nadava, deixava-se submergir. Desenhava-o, pintava-o, estudava-lhe correntes, profundidades, marés, faunas e floras. Fazia praia e a praia fazia-se aos que queriam segui-lo. Outubro ia avançado e a corte em Cascais, e D. Carlos com a mão pousada na amurada do veleiro, cabeça muito redonda virada ao vento norte. Quem lhe dera que a política fosse assim gélida e frontal.
Marina Tavares Dias (D. Carlos)
own. Save a parrot’s tree. Save ten. Without our help, without needed legislative protection and worldwide consciousness-raising on their behalf, parrots will be lost in short years to come. It is fitting to end this book with this succinct summation from Wayne Pacelle, president of the Humane Society of the United States:   We are at an odd moment in history. There are more people in this country sensitized to animal protection issues than ever before. The Humane Society of the United States alone has 8 million members, and in addition, there are more than 5,000 other groups devoted to animal protection. At the same time, there are more animals being harmed than ever before—in industrial agriculture, research and testing, and the trade in wild animals. It is pitiful that our society still condones keeping millions of parrots and other wild birds as pets—wild animals that should be free to fly and instead are languishing in cages, with more being bred every day. It’s an issue of supply and demand and it’s also an issue of right and wrong. Animals suffer in confinement, and we have a moral obligation to spare them from needless suffering. Every person can make a difference every day for animals by making compassionate choices in the marketplace: don’t buy wild animals as pets, whether they are caught from the wild or bred in captivity. If we spare the life of just one animal, it’s a 100% positive impact for that creature. If we can solve the larger bird trade problem, it will be 100% positive for all parrots and other wild birds in the U.S. and beyond our borders. I believe we will look back in 50 -75 years and say “How could we as a society countenance things like the decades long imprisonment of extraordinarily intelligent animals like parrots?” Acknowledgments For this work, which took more than two and a half years to research and write, I amassed thousands of documents and conducted several hundred interviews with leading scientists, environmentalists, paleontologists, ecological economists, conservationists, global warming experts, federal law enforcement officers, animal control officers, avian researchers, avian rescuers, veterinarians, breeders, pet bird owners, bird clubs, pet bird industry executives and employees, sanctuaries and welfare organizations, legislators, and officials with the Convention on International Trade in Endangered Species of Wild Fauna and Flora (CITES), and other sources in the United States and around the world.
Mira Tweti (Of Parrots and People: The Sometimes Funny, Always Fascinating, and Often Catastrophic Collision of Two Intelligent Species)
By not letting places be themselves we show our contempt for them. We bury them in sentiment, then suffocate them to death in one way or another. I can ruin both the desert and the Museum of Modern Art in New York by carrying to them an insufferable load of distinctions that disallows actually seeing the flora and fauna or the paintings. Children are usually better at finding mushrooms and arrowheads because they are either ignorant of or unwilling to carry the load.
Jim Harrison (Dalva)
Having acknowledged that a man must master his circumstances or otherwise be mastered by them, the Count thought it worth considering how one was most likely to achieve this aim when one had been sentenced to a life of confinement. For Edmond Dantes in the Chateau d'If, it was thoughts of revenge that kept him clear minded. Unjustly imprisoned, he sustained himself by plotting the systematic undoing of his personal agents of villainy. For Cervantes, enslaved by pirates in Algiers, it was the promise of pages as yet unwritten that spurred him on. While for Napoleon on Elba, strolling among chickens, fending off flies, and sidestepping puddles of mud, it was visions of a triumphal return to Paris that galvanized his will to persevere. But the Count hadn't the temperament for revenge; he hadn't the imagination for epics; and he certainly hadn't the fanciful ego to dream of empires restored. No. His model for mastering his circumstances would be a different sort of captive altogether: an Anglican washed ashore. Like Robinson Crusoe stranded on the Isle of Despair, the Count would maintain his resolve by committing to the business of PRACTICALITIES. Having dispensed with dreams of quick discovery, the world's Crusoes seek shelter and a source of fresh water; they teacher themselves to make fire from flint; they study their island's topography, its climate, its flora and fauna, all the while keeping their eyes trained for sails on the horizon and footprints in the sand.
Amor Towles (A Gentleman in Moscow)
Lilian?” Kevin needed a moment to register that, indeed, Lilian was standing before him. “What are you doing here? I thought you were taking a bath with the others.” “I was going to,” Lilian admitted, “but then I realized that my mate and I haven’t been able to spend much time alone together because my family kept getting in the way, and I thought this would be the perfect opportunity for us to bond.” “Bond?” He studied the girl, and eventually realized that she wasn’t looking at his face. Feeling a sense of unease growing in the pit of his stomach, Kevin looked down. His face grew red. He let out a loud “eep!” and tried to cover himself with his hands. “Ufufufu,” Lilian chuckled. “You’re still too cute when you get embarrassed like that.” Kevin tried to glare at her, but the blush on his face lessened the effect. “It’s got nothing to do with being embarrassed and everything to do with common decency,” he insisted, lying through his teeth. “Most people don’t stand around in the nude while someone else is present, not even if they’re dating that person.” “Most people aren’t mated to a kitsune.” “Ugh…” She had him there. “Kevin” Lilian’s eyes were warm and so incredibly earnest that Kevin was unable to look away, “you are my mate; the person I love more than anyone else in this world.” Delicate hands reached up and cupped his face. “This isn’t some random person wanting to see you naked. This is me, your mate, who wants to become more intimate with you. If it helps, I promise not to touch anything below the belt.” Staring at the girl with an uncomprehending gaze, Kevin’s mind became a warzone, a battle the likes of which no one had ever seen before—mostly because it was all happening in his mind. *** The desolate wasteland spread out for miles, its borders traveling far beyond the distant horizon. Cracks traversed the ground like a myriad system of interconnecting spiderwebs. There was no flora or fauna in this wasteland. It was the perfect place… for war. Two forces stood on opposite ends of each other, armies of nearly equal might. Multi-segmented plates clicked together as figures moved and jostled each other. Horned helms adorned the many heads, their faceplates masking their identities. Hands gripped massive halberds with leaf-shaped blades that gleamed like a thousand suns. The army on the northern border wore white armor, while those in the southern quadrant wore red. A moment of silence swept through the clearing. A tumbleweed rolled across the ground. It was the unspoken signal for the battle to start, and the two forces rushed in toward the center, yelling out their battle cries. “For Lilian!!” “For chastity!!” Thunder struck the earth as these two titanic armies fought. Bodies were thrown into the air with impunity. Halberds clashed, the sound of metal on metal, steel ringing against steel, rang out in a symphony of chaos. Sparks flew and shouts accompanied the maelstrom of combat. It was, indeed, a battle worthy of being placed within the annals of history. A third party soon entered the fray. From one of the many cliffs surrounding the battlefield, an army appeared. Unlike the two forces duking it out down below, this army was bereft of nearly all their clothes. Wearing nothing but simple loincloths and bandoleers similar to Tarzan’s, the group of individuals looked identical. Messy blond hair framed bright blue eyes that glared down at the battlefield. With nary a thought, this force surged down the cliff, their own battle cry echoing across the land. “DEATH TO THE CHERRY!!” And so more chaos was unleashed upon the battlefield. ***
Brandon Varnell (A Fox's Family (American Kitsune #4))
That’s banana DNA [...] There is a 60% compatibility [with humans], would you believe? Life has similar basic building blocks, whether it’s flora or fauna.
Dani J. Caile (Radnoti X : Book 2 (Humanity H20))
Diamond pythons in the roof, bats nesting in my cupboard, satin bowerbirds at the fruit bowl, green tree frogs in the toilet, goanna chasing me on the verandah. That green on green on green. Ferns mark soggy bits of ground, a crossing in the creek, the cool place I like to sit. When it rains the house fills with huntsmans and mole crickets.
Tilly Lawless (Nothing but My Body)
This is the Season of the new waxing light. Earth’s tilt has begun taking us in this region back towards the Sun. Traditionally this Seasonal Point has been a time of nurturing the new life that is beginning to show itself – around us in flora and fauna, and within. It is a time of committing one’s self to the new life and to inspiration – in the garden, in the soul, and in the Cosmos. We may celebrate the new young Cosmos – that time in our Cosmic story when She was only a billion years old and galaxies were forming, as well as the new that is ever coming forth. This first Seasonal transition of the light part of the cycle has been named “Imbolc” – Imbolc is thought to mean “ewe’s milk” from the word “Oimelc,” as it is the time when lambs were/are born, and milk was in plentiful supply. It is also known as “the Feast of Brigid,” Brigid being the Great Goddess of the Celtic (and likely pre-Celtic) peoples, who in Christian times was made into a saint. The Great Goddess Brigid is classically associated with early Spring since the earliest of times, but her symbology has evolved with the changing eras – sea, grain, cow. In our times we could associate Her also with the Milky Way, our own galaxy that nurtures our life – Brigid’s jurisdiction has been extended.
Glenys Livingstone (A Poiesis of the Creative Cosmos: Celebrating Her)
It had preserved nearly 50,000 acres of land in 23 countries, which had had a tremendous positive effect on the enviroment and the communities of northeast Ohio. It has permanently preserved meadows, streams, wetlands, forests, camps, parks, and family farms, enabling flora and fauna to flourish.
Michele Hunt (DreamMakers: Innovating for the Greater Good)
Suppose that the conventionally measured global economic output, now at about $31 trillion, were to expand at a healthy 3 percent annually. By 2050 it would in theory reach $138 trillion. With only a small leveling adjustment of this income, the entire world population would be prosperous by current standards. Utopia at last, it would seem! What is the flaw in the argument? It is the environment crumbling beneath us. If natural resources, particularly fresh water and arable land, continue to diminish at their present per-capita rate, the economic boom will lose steam, in the course of which—and this worries me even if it doesn’t worry you—the effort to enlarge productive land will wipe out a large part of the world’s fauna and flora. “The appropriation of productive land—the ecological footprint—is already too large for the planet to sustain, and it’s growing larger. A recent study building on this concept estimated that the human population exceeded Earth’s sustainable capacity around the year 1978. By 2000 it had overshot by 1.4 times that capacity. If 12 percent of land were now to be set aside in order to protect the natural environment, as recommended in the 1987 Brundtland Report, Earth’s sustainable capacity will have been exceeded still earlier, around 1972. In short, Earth has lost its ability to regenerate—unless global consumption is reduced, or global production is increased, or both.
Edward O. Wilson (The Future of Life: ALA Notable Books for Adults)
The Sangam Corpus is one body of literature that could possibly represent the ethos of the IVC [Indus Valley Civilization] such as maritime trade, eminence of crafts and skills, technology and knowledge, spread of literacy, Mother Goddess worship, participatory festivals and pass-time activities, secular orientation, enjoyment associated with group-bathing, place of flora and fauna in narratives, writing and graffiti skills.
R. Balakrishnan (Journey of A Civilization: Indus to Vaigai)
I found the newly launched Government of Balochistan’s website a user-friendly browsing experience for those people who need a single window to get quick and useful information about the diversity of the Province including its rich History, Culture, Civilization, Ethinic Diversity, Tourism, Coast Belt, Flora and Fauna etc. It also highlights the initiatives.
Jam Kamal Khan, Chief Minister Balochistan
Annamaria Belloni usa la fotografia non solo come forma d’arte, quindi, ma come rito sociale, difesa dall’angoscia, e, appunto, fonte di ispirazione. Ci vuole raccontare che chiunque vive in una società industrializzata deve, prima o poi, fare i conti con la Natura, fermarsi ad osservarla, raggiungere il suo spazio vitale per non rinunciare ad una visione estetica di ciò che lo circonda, consapevole che la fauna e la flora possono prendere il sopravvento. Scatti d'autore | SUPERNATURA, di Annamaria Belloni Medium @ Sight, Touch, and Imagination
Elisa Pierandrei
Any asshole can fall in love on a private beach in a tropical locale, surrounded by lush flora and adorable fauna, shining suns and chirping birds. Give me ten uninterrupted minutes without some ding-dong demanding something or subtweeting me or making me do work and I could fall in love with my worst fucking enemy. Seriously. What’s not to love about being expertly lit and drunk at two in the afternoon? But I’m going to need you to love me on the bus, dude. And first thing in the morning. Also, when I’m drunk and refuse to shut up about getting McNuggets from the drive-thru. When I fall asleep in the middle of that movie you paid extra to see in IMAX. When I wear the flowered robe I got at Walmart and the sweatpants I made into sweatshorts to bed. When I am blasting “More and More” by Blood Sweat & Tears at seven on a Sunday morning while cleaning the kitchen and fucking up your mom’s frittata recipe. When I bring a half dozen gross, mangled kittens home to foster for a few nights and they shit everywhere and pee on your side of the bed. When I go “grocery shopping” and come back with only a bag of Fritos and five pounds of pork tenderloin. When I’m sick and stumbling around the crib with half a roll of toilet paper shoved in each nostril. When I beg you fourteen times to read something I’ve written, then get mad when you tell me what you don’t like about it and I call you an uneducated idiot piece of shit. Lovebird city.
Samantha Irby (We Are Never Meeting in Real Life.)
Having dispensed with dreams of quick discovery, the world’s Crusoes seek shelter and a source of fresh water; they teach themselves to make fire from flint; they study their island’s topography, its climate, its flora and fauna, all the while keeping their eyes trained for sails on the horizon and footprints in the sand.
Amor Towles (A Gentleman in Moscow)
Why did countless creatures and plants of dinosaur eras have to be made giant? The enormous amount of bio-organic matter was needed for forming the proper terra firma of the Earth. When the required vast layers of rich outer crust and soil were formed, the huge-sized species of fauna and flora were carefully removed from the scene of life, by adjusting the planet's climate ‘settings.’ Isn't it obvious that it’s done intentionally? It created that perfect basis for smaller and more intelligent species to evolve and thrive; slowly but steadily leading to the appearance and progress of the humanity.
Sahara Sanders (INDIGO DIARIES: A Series of Novels)
Having a poor memory or inability to focus can be just as much a blessing [as a curse]. Each X has a purpose.
Monaristw
Cuando el agua se aclara, empieza a poblarse de plantas y peces. Supe también, con más tiempo y determinación aún, que esa flora y fauna interiores se enriquecen cuanto más se observan. Y ahora, cuando escribo este testimonio, estoy maravillado de cómo podía haber tanto fango donde ahora descubro una vida tan variada y exuberante
Pablo d'Ors (Biografía del silencio)
By examining these settlers’ decisions about agricultural, architectural, and cultural policy, Cronon demonstrates persuasively that one of their primary goals was in fact “to reproduce the mosaic of the Old World in the American environment.”10 Indigenous fauna and flora were to be replaced by European imports; cows, pigs, and horses to supplant beavers, bears, and buffalo; and wheat and rye to substitute for maize and acorns. Despite the fact that these decisions were detrimental to the health of these settlers (European architecture was ill-suited to the American climate, and native foods were far more productive than imported grain crops), they perversely insisted upon this doomed experiment of re-creating Europe in America. This fear of “Americanness” thus was paradoxically linked with the earliest phases of European expansion into the New World.
Andrei S. Markovits (Uncouth Nation: Why Europe Dislikes America (The Public Square Book 5))
Any asshole can fall in love on a private beach in a tropical locale, surrounded by lush flora and adorable fauna, shining suns and chirping birds.
Samantha Irby (We Are Never Meeting in Real Life.)
The newsfeeds were awash with information, but very little of it matched up. Four billion were dead on Earth. Or seven. The ash and vapor that had turned the blue marble to white was starting to thin already—much sooner than the models predicted. Or the surface of the Earth wouldn’t see daylight and blue skies for years. It was the dawn of a resurgence of natural flora and fauna driven by the human dieback or it was the final insult that would crash a perennially overstressed ecosystem.
James S.A. Corey (Nemesis Games (The Expanse, #5))
I do not recommend taking the risks that I have. I do recommend spending time in nature appreciating all the fauna and flora with confidence – and caution where needed. I also recommend taking care of our water – conserving use and reducing pollution, and recognizing its essential nature.
Diana K Kanoy
Rhysand at last released my hand, only to lay his once more on the bare stone. It rippled beneath his palm, forming- a door. Like the gates above, it was of ivory- bone. And in its surface were etched countless images: flora and fauna, seas and clouds, stars and moons, infants and skeletons, creatures fair and foul-
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
People used to say Evie was weird, but she didn't care. She said she liked weird things." This professed love of the weird might go some way to explaining Evie's particular interests in the world of fauna and flora. Not for her the "obvious" choices like koalas and kangaroos; her favorite animals were monotremes. And while she loved the smells and sights of gums and banksias and wattles, it was the primeval expanse of the forest floor that excited her. Evie was mystified when her classmates spoke of magic and make-believe, and by the stories Reverend Lawson told in church on Sundays of water turning to wine and angels appearing to men. Why, she puzzled, did people seek refuge in such fantasies, when the natural world offered endless wonder? She delighted in entering the cool, dark realm of the bush after rain, searching through sopping leaf muck to discover that a whole new variety of fungi had sprouted overnight, an array of unimaginable shapes and sizes and colors waiting to be explored and catalogued.
Kate Morton (Homecoming)
the dwarven god is Drome, the elvish god is Ferrol, and the human god is Maribor. Their sister, the goddess of flora and fauna, is… Muriel, right? And her son, Uberlin, is the god of darkness.
Michael J. Sullivan (Theft of Swords (The Riyria Revelations, #1-2))
A tender fan of white threads surfaced up through the dirt, speaking in a hundred tiny whispers. 'It's true. My god, your ignorance about the flora and fauna of the Amazon -- staggering. Do you know there are four thousand species of trees alone that none of your scientists have even named, much less analyzed? You have any idea how many fungi? I heard you finally 'found' a few new species of electric eels, that cobalt-blue tarantula, a couple of new river dolphins. I think also a tree that's a hundred feet taller than the tallest tree you thought you knew of. At what point do you rethink your whole idea that these are 'discoveries?' How does that word even have any meaning for you? Something exists just because you finally 'found' it? You 'discovered' it?
Lidia Yuknavitch (Thrust)
This is a true story. Unfortunately, the twenty-four rabbits released by Mr. Austin in Australia in 1859 did produce ten billion rabbits by 1925 and wreaked havoc on the flora and fauna of the continent.10 Despite more than one hundred fifty years of government efforts ranging from building fences, trapping, shooting, and conducting biological warfare (by releasing flies with the deadly myxoma virus), Australia has been unable to eliminate this pest.
Pulak Prasad (What I Learned About Investing from Darwin)