Fauna And Flora Quotes

I would request that my body in death be buried not cremated, so that the energy content contained within it gets returned to the earth, so that flora and fauna can dine upon it, just as I have dined upon flora and fauna during my lifetime

Sadly, I hate foreigners. And Americans. And animals. And flora, and some fauna. Also the magma that is the very core of this our mother earth. I'm full o' hate!

Human beings make a strange fauna and flora. From a distance they appear negligible; close up they are apt to appear ugly and malicious. More than anything they need to be surrounded with sufficient space―space even more than time.

Este equilibrio entre humanos, flora y fauna empezó a tambalearse cuando los primeros se convirtieron ellos mismos en presa; o, mejor dicho, en mercancía.

So quietly flows the Seine that one hardly notices its presence. It is always there, quiet and unobtrusive, like a great artery running through the human body. In the wonderful peace that fell over me itseemed as if I had climbed to the top of a high mountain; for a little while I would be able to look around me, to take in the meaning of the landscape. Human beings make a strange fauna and flora. From a distance they appear negligible; close up they are apt to appear ugly and malicious. More than anything they need to be surrounded with sufficient space – space even more than time. The sun is setting. I feel this river flowing through meits past, its ancient soil, the changing climate. The hills gently girdle it about: its course is fixed.

Mr. Kadam asked me many questions about Oregon. He seemed to have an unquenchable thirst for learning new facts and asked me about everything from sports, which I know almost nothing about, to politics, which I know absolutely nothing about, to the flora and fauna of the state, which I know a lot about.

What in water did Bloom, waterlover, drawer of water, watercarrier, returning to the range, admire? Its universality: its democratic equality and constancy to its nature in seeking its own level: its vastness in the ocean of Mercator's projection: its unplumbed profundity in the Sundam trench of the Pacific exceeding 8000 fathoms: the restlessness of its waves and surface particles visiting in turn all points of its seaboard: the independence of its units: the variability of states of sea: its hydrostatic quiescence in calm: its hydrokinetic turgidity in neap and spring tides: its subsidence after devastation: its sterility in the circumpolar icecaps, arctic and antarctic: its climatic and commercial significance: its preponderance of 3 to 1 over the dry land of the globe: its indisputable hegemony extending in square leagues over all the region below the subequatorial tropic of Capricorn: the multisecular stability of its primeval basin: its luteofulvous bed: its capacity to dissolve and hold in solution all soluble substances including millions of tons of the most precious metals: its slow erosions of peninsulas and islands, its persistent formation of homothetic islands, peninsulas and downwardtending promontories: its alluvial deposits: its weight and volume and density: its imperturbability in lagoons and highland tarns: its gradation of colours in the torrid and temperate and frigid zones: its vehicular ramifications in continental lakecontained streams and confluent oceanflowing rivers with their tributaries and transoceanic currents, gulfstream, north and south equatorial courses: its violence in seaquakes, waterspouts, Artesian wells, eruptions, torrents, eddies, freshets, spates, groundswells, watersheds, waterpartings, geysers, cataracts, whirlpools, maelstroms, inundations, deluges, cloudbursts: its vast circumterrestrial ahorizontal curve: its secrecy in springs and latent humidity, revealed by rhabdomantic or hygrometric instruments and exemplified by the well by the hole in the wall at Ashtown gate, saturation of air, distillation of dew: the simplicity of its composition, two constituent parts of hydrogen with one constituent part of oxygen: its healing virtues: its buoyancy in the waters of the Dead Sea: its persevering penetrativeness in runnels, gullies, inadequate dams, leaks on shipboard: its properties for cleansing, quenching thirst and fire, nourishing vegetation: its infallibility as paradigm and paragon: its metamorphoses as vapour, mist, cloud, rain, sleet, snow, hail: its strength in rigid hydrants: its variety of forms in loughs and bays and gulfs and bights and guts and lagoons and atolls and archipelagos and sounds and fjords and minches and tidal estuaries and arms of sea: its solidity in glaciers, icebergs, icefloes: its docility in working hydraulic millwheels, turbines, dynamos, electric power stations, bleachworks, tanneries, scutchmills: its utility in canals, rivers, if navigable, floating and graving docks: its potentiality derivable from harnessed tides or watercourses falling from level to level: its submarine fauna and flora (anacoustic, photophobe), numerically, if not literally, the inhabitants of the globe: its ubiquity as constituting 90 percent of the human body: the noxiousness of its effluvia in lacustrine marshes, pestilential fens, faded flowerwater, stagnant pools in the waning moon.

I had no lock that could be picked. If anything, I was the landscape behind the door, and even on that day in the ruin, I was still only beginning to comprehend my own flora and fauna.

There is at the back of every artist’s mind something like a pattern and a type of architecture. The original quality in any man of imagination is imagery. It is a thing like the landscape of his dreams; the sort of world he would like to make or in which he would like to wander, the strange flora and fauna, his own secret planet, the sort of thing he likes to think about. This general atmosphere, and pattern or a structure of growth, governs all his creations, however varied.

Dreams were the worst. Of course I dreamed of food and love, but they were pleasant rather than otherwise. But then I'd dream of things like slitting a baby's throat, mistaking it for a baby goat. I'd have nightmares of other islands stretching away from mine, infinities of islands, islands spawning islands, like frogs' eggs turning into polliwogs of islands, knowing that I had to live on each and every one, eventually, for ages, registering their flora, their fauna, their geography.

Apakah aku sudah keterlaluan menjauhkan diri dari bangsaku? Apakah alasanku benar alasan jujur ataukah dalih menjauhkan diri dari bangsa yang masih hidup di dalam alam masa agrarian kuno ini? Yang masih primitif mendekati flora dan fauna rimba belantara? Itulah penderitaan jiwaku.

There can be no doubt that the existing Fauna and Flora is but the last term of a long series of equally numerous contemporary species, which have succeeded one another, by the slow and gradual substitution of species for species, in the vast interval of time which has elapsed between the deposition of the earliest fossiliferous strata and the present day.

Embora não nos apercebamos disso, a Terra é um ser vivo constituído por biliões de seres vivos, as células, a Terra é um ser vivo constituído por biliões de seres vivos, a fauna e a flora. Por exemplo, se a temperatura mudar muito na Lua ou em Vénus, isso é indiferente para esses planetas, uma vez que estão ambos mortos, não passam de pedra e poeira. Tanto lhes faz que faça muito frio como muito calor, os planetas mortos são como esculturas de mármore. Mas as alterações térmicas não são indiferentes para a Terra, que se encontra viva e que, por isso, está constantemente a regular a sua temperatura e composição

The only company you should enjoy most is nature’s company, because nature has a way of revealing your individuality.

The earth is not our home. We came from nothing, and to that condition our nostalgia should turn. Why would anyone care about this dim bulb in the blackness of space? The earth produced us, or at least subsidized our evolution. Is it really entitled to receive a pardon, let alone the sacrifice of human lives, for this original sin—a capital crime in reverse (very much in the same way that reproduction makes one an accessory before the fact to an individual’s death)? Someone once said that nature abhors a vacuum. This is precisely why nature should be abhorred. Instead, the nonhuman environment is simultaneously extolled and ravaged by a company of poor players who can no longer act naturally. It is one thing for the flora and fauna to feed and fight and breed in an unthinking continuance of their existence. It is quite another for us to do so in defiance of our own minds, which over and again pose the same question: “What are we still doing in this horrible place?

But the Count hadn’t the temperament for revenge; he hadn’t the imagination for epics; and he certainly hadn’t the fanciful ego to dram of empires restored. No. His model for mastering his circumstances would be a different sort of captive altogether: an Anglican washed ashore. Like Robinson Crusoe stranded on the Isle of Despair, the count would maintain his resolve by committing to the business of practicalities. Having dispensed with dreams of quick discovery, the world’s Crusoes seek shelter and a source of fresh water; they teach themselves to make fire from flint; they study their island’s topography, it’s climate, its flora and fauna, all the while keeping their eyes trained for sails on the horizon and footprints in the sand.

When her lagoon opened before them, the delicate details of every mossy branch and brilliant leaf reflected in the clear dark water. Dragonflies and snowy egrets lifted briefly at his strange boat, then resettled gracefully on silent wings.

David had been photographing endangered species in the Hawaiian rainforest and elsewhere for years, and his collections of photographs and Suzie's tarot cards seemed somehow related. Because species disappear when their habitat does, he photographed them against the nowhere of a black backdrop (which sometimes meant propping up a black velvet cloth in the most unlikely places and discouraging climates), and so each creature, each plant, stood as though for a formal portrait alone against the darkness. The photographs looked like cards too, card from the deck of the world in which each creature describes a history, a way of being in the world, a set of possibilities, a deck from which cards are being thrown away, one after another. Plants and animals are a language, even in our reduced, domesticated English, where children grow like weeds or come out smelling like roses, the market is made up of bulls and bears, politics of hawks and doves. Like cards, flora and fauna could be read again and again, not only alone but in combination, in the endlessly shifting combinations of a nature that tells its own stories and colors ours, a nature we are losing without even knowing the extent of that loss.

A mere sixty-five million years ago (less than two percent of Earth’s past), a ten-trillion-ton asteroid hit what is now the Yucatan Peninsula and obliterated more than seventy percent of Earth’s flora and fauna–including all the famous outsized dinosaurs.

Manusia dibebani harapan, cita-cita dan tanggungjawab dalam kehidupan. Sejak jejaka hingga tua, mereka berperanan mencipta, mengatur dan membina benda, yang dinamakan peradaban lahiriah. Mereka diasuh dan mengasuh, dalam proses pertumbuhan tamadun fikir. Tetapi mereka itu juga - semua lahir dari ibu - sudah, sedang dan masih akan jadi pemusnah benda dan berbunuhan sesama manusia, membunuh fauna dan menghancurkan flora.

What is needed today is a fundamental re-experience of the oneness of all living things, a comprehensive reality consciousness that ever more infrequently develops spontaneously, the more the primordial flora and fauna of our mother earth must yield to a dead technological environment.

There’s been a right of way through here for centuries – before that house even existed. You’re the ones trespassing. Local people have always walked among these trees … using their wood, their flora and fauna. There’s a unique convergence of ley lines here. Keeping people away from the land

To Nature nothing can be added; from Nature nothing can be taken away; the sum of her energies is constant, and the utmost man can do in the pursuit of physical truth, or in the applications of physical knowledge, is to shift the constituents of the never-varying total. The law of conservation rigidly excludes both creation and annihilation. Waves may change to ripples, and ripples to waves; magnitude may be substituted for number, and number for magnitude; asteroids may aggregate to suns, suns may resolve themselves into florae and faunae, and floras and faunas melt in air: the flux of power is eternally the same. It rolls in music through the ages, and all terrestrial energy—the manifestations of life as well as the display of phenomena—are but the modulations of its rhythm.

The wind will not stop. Gusts of sand swirl before me, stinging my face. But there is still too much to see and marvel at, the world very much alive in the bright light and wind, exultant with the fever of spring, the delight of morning. Strolling on, it seems to me that the strangeness and wonder of existence are emphasized here, in the desert, by the comparative sparsity of the flora and fauna: life not crowded upon life as in other places but scattered abroad in spareness and simplicity, with a generous gift of space for each herb and bush and tree, each stem of grass, so that the living organism stands out bold and brave and vivid against the lifeless sand and barren rock. The extreme clarity of the desert light is equaled by the extreme individuation of desert life-forms. Love flowers best in openness and freedom.

He loved Minnesota’s flora and fauna and seemed ill-suited as either a fawner or floorer, a

Of strangers asking her over and over again what she was. Like a piece of flora or fauna. Like she was missing her proper taxonomy.

Imagination is nothing more than a memory transposed.

although we have our compendia of flora, fauna, birds, reptiles and insects, we lack a Terra Britannica, as it were: a gathering of terms for the land and its specificities

She had no obligations; she roamed outdoors, sniffing the flora and chasing the fauna, her mind filled with images, smells, colors, and myths borne on the river current.

In 1973 the London Convention was replaced by the Convention on International Trade in Endangered Species of Wild Fauna and Flora, known as CITES, which has 181 signatories. Comprised of three appendices that gauge the severity of threat to various species, CITES protects 35,000 species of plants and animals. Among them are nearly fifteen hundred birds, including Alfred Russel Wallace’s beloved King Bird of Paradise.

When I got to Crude Sciences at the end of the day, Dante was waiting for me at our table. This time, with no Latin book, no journal. “Hello,” he said, pulling my chair out for me. Surprised, I sat down next to him, trying not to stare at his perfectly formed arms. “Hi,” I said, with an attempt at nonchalance. “How are you?” I could feel his eyes on me. “Fine,” I said carefully, as Professor Starking handed out our lab assignments. Dante frowned. “Not very talkative today, I see.” I thrust a thermometer into the muddy water of the fish tank in front of us, which was supposed to represent an enclosed ecosystem. “So now you want to talk? Now that you’ve finished your Latin homework?” After a prolonged period of silence, he spoke. “It was research.” “Research on what?” “It doesn’t matter anymore.” I threw him a suspicious look. “Why’s that?” “Because I realized I wasn’t paying attention to the right thing.” “Which is?” I asked, looking back at the board as I smoothed out the hem of my skirt. “You.” My lips trembled as the word left his mouth. “I’m not a specimen.” “I just want to know you.” I turned to him, wanting to ask him a million questions. I settled for one. “But I can’t know anything about you?” Dante leaned back in his chair. “My favorite author is Dante, obviously,” he said, his tone mocking me. “Though I’m partial to the Russians. I’m very fond of music. All kinds, really, though I especially enjoy Mussorgsky and Stravinsky or anything involving a violin. They’re a bit dark, no? I used to like opera, but I’ve mostly grown out of it. I have a low tolerance for hot climates. I’ve never enjoyed dessert, though I once loved cherries. My favorite color is red. I often take long walks in the woods to clear my head. As a result, I have a unique knowledge of the flora and fauna of North American. And,” he said, his eyes burning through me as I pretended to focus on our lab, “I remember everything everyone has ever told me. I consider it a special talent.” Overwhelmed by the sudden influx of information, I sat there gaping, unsure of how to respond. Dante frowned. “Did I leave something out?

Strolling on, it seems to me that the strangeness and wonder of existence are emphasized here, in the desert, by the comparative sparsity of the flora and fauna: life not crowded upon life as in other places but scattered abroad in spareness and simplicity, with a generous gift of space for each herb and brush and tree, each stem of grass, so that the living organism stands out bold and brave and vivid against the lifeless sand and barren rock.

L'opinione corrente a proposito di queste malattie della terra si riflette nel fatto che le nostre cure sono ancora prevalentemente locali. Perciò quando il terreno perde fertilità usiamo un fertilizzante o, nel migliore dei casi, ne alteriamo la flora e la fauna, senza considerare che le sue specie selvatiche, poiché hanno formato quel particolare terreno, possono essere molto importanti per la sua salvaguardia. Si è scoperto di recente per esempio che un buon raccolto di tabacco dipende per qualche motivo sconosciuto dalla preparazione del terreno fatta dalle piante di senecio selvatico. Non ci rendiamo conto che simili legami di dipendenza possono essere estremamente comuni in natura.

She knew the shapes of all the trees; still some seemed to dart here and there, moving with the moon. For a while she was so stiff she couldn't swallow, but on cue, the familiar songs of tree frogs and katydids filled the night. More comforting than three blind mice with a carving knife. The darkness held an odor of sweetness, the earthy breath of frogs and salamanders who'd made it through one more stinky-hot day. The marsh snuggled in closer with a low fog, and she slept.

When we Westerners call people 'natives' we implicitly take the colour out of our perception of them. We see them as wild animals infesting the country in which we happen to come across them, as part of the local flora and fauna and not as men of like passions with ourselves. So long as we think of them as 'natives' we may exterminate them or, as is more likely to-day, domesticate them and honestly (perhaps not altogether mistakenly) believe that we are improving the breed, but we do not begin to understand them.

Como es lógico, existe un ritmo constante y básico de extinciones. En nuestra época, las especies se extinguen cada año a consecuencia de las actividades humanas: la urbanización, la caza, la contaminación industrial o la destrucción de los bosques tropicales.

La naturaleza que nos rodea ha creado un mundo en el que poder crecer y evolucionar. En todos los lugares nos encontramos con elementos comunes: agua, tierra, flora, fauna. Pero quizás debamos nuestra existencia a aquellas fuerzas que no podemos ver, ni  medir… ni tampoco explicar.

The current Sahara desert was then non-existent. Instead, all of North Africa was covered in lush forests that stretched across the Middle East and on through Asia. Flora and fauna were rich throughout large swathes of the world that are today barren deserts. This ecological-climatological fecundity dramatically contrasts

Thanks to suffering and madness, I have had a finer, richer life than any of you, and I wish to go to my death with dignity, as befits the great moment after which all dignity and majesty cease. Let my body be my ark and my death a long floating on the waves of eternity. A nothing amid nothingness. What defense have I against nothingness but this ark in which I have tried to gather everything that was dear to me, people, birds, animals, and plants, everything that I carry in my eye and in my heart, in the triple-decked ark of my body and soul. Like the pharaohs in the majestic peace of their tombs, I wanted to have all those things with me in death, I wanted everything to be as it was before; I wanted the birds to sing for me forever, I wanted to exchange Charon's bark for another, less desolate and less empty; I wanted to ennoble eternity's unconscionable void with the bitter herbs that spring from the heart of man, to ennoble the soundless emptiness of eternity with the cry of the cuckoo and the song of the lark. All I have done is to develop that bitter poetic metaphor, carry it with passionate logic to its ultimate consequence, which transforms sleep into waking (and the converse); lucidity into madness (and the converse); life into death, as though there were no borderline, and the converse; death into eternity, as if they were not one and the same thing. Thus my egoism is only the egoism of human existence, the egoism of life, counterweight to the egoism of death, and, appearances to the contrary, my consciousness resists nothingness with an egoism that has no equal, resists the outrage of death with the passionate metaphor of the wish to reunite the few people and the bit of love that made up my life. I have wanted and still want to depart this life with specimens of people, flora and fauna, to lodge them all in my heart as in an ark, to shut them up behind my eyelids when they close for the last time. I wanted to smuggle this pure abstraction into nothingness, to sneak it across the threshold of that other abstraction, so crushing in its immensity: the threshold of nothingness. I have therefore tried to condense this abstraction, to condense it by force of will, faith, intelligence, madness, and love (self-love), to condense it so drastically that its specific weight will be such as to life it like a balloon and carry it beyond the reach of darkness and oblivion. If nothing else survives, perhaps my material herbarium or my notes or my letters will live on, and what are they but condensed, materialized idea; materialized life: a paltry, pathetic human victory over immense, eternal, divine nothingness. Or perhaps--if all else is drowned in the great flood--my madness and my dream will remain like a northern light and a distant echo. Perhaps someone will see that light or hear that distant echo, the shadow of a sound that was once, and will grasp the meaning of that light, that echo. Perhaps it will be my son who will someday publish my notes and my herbarium of Pannonian plants (unfinished and incomplete, like all things human). But anything that survives death is a paltry, pathetic victory over the eternity of nothingness--a proof of man's greatness and Yahweh's mercy. Non omnis moriar.

If you like, you could call this the psychology of total equivalence, let’s say neuronics for short, and dismiss it as biological fantasy. However, I am convinced as we move back through geophysical time, so we reenter the amnionic corridor, and move back through spinal and archeopsychic time, recollecting in our unconscious minds the landscapes of each epoch, each with a distinct ecological terrain, its own flora and fauna, as recognizable to anyone else as they would be to a traveller in a Wellsian time machine. Except that this is no scenic railway, but a total reorientation of the personality. If we let these buried phantoms master us as we reappear, we’ll be swept back helplessly in the floodtide like pieces of flotsam.

... neither the metaphor of ‘melting pot’ nor of ‘salad bowl’ can accurately explain Indian culture. My preferred metaphor is that of the Rain Forest. The ‘tropical rain forest’ characteristically has a number of layers, each with a variety of flora and fauna adapted for life in that particular layer. The layers include the uppermost ‘emergent’ layer that rises above to form the canopy of the forest, the ‘under-story’ and finally the ‘forest floor’, the foundational core. This emergent layer has its roots in the forest floor that is full of shrubs, vines and fungi... A ‘bird’s-eye view’ cannot reveal this rootedness, the underlying substratum, the under-stories and the forest floor. If the metaphor of ‘tropical rain forest’ is applied to the Indus Valley Civilization, the citadels, the rulers, and the rich merchants with their maritime wealth, the urban structure and its finesse are comparable with the ‘emergent canopy’. Yet the bulk of the demography was at the root – the substratum, from which the mature urban cities emerged... The nature of its religion, the cultural practices, cockfights and bull-vaulting visually represent the ‘under-story’ of the IVC.

By the time Professor Krutch retired from Columbia, he moved to Arizona and embarked on a new profession: biologist. He studied the ecology of the desert. In his autobiography, he asserts that the ideal would be to change professions every seven years. He started out originally to become a mathematician, was a biographer, writer, critic, professor and, later in life, a biologist. He appeared several times on national T.V. in 1958-9, discussing the fauna and flora of Arizona and of Baja California. It was my privilege to be his student. On T.V. I relished the sight of him and the sound of his voice. His autobiography "More Lives than One" gives the whole picture of this universal man, the life of this extraordinary intellectual, of his unbounded curiosity and depth of observation.

Well, no, if we’re really honest with ourselves, most of us wouldn’t, even in this more politically correct age. For satisfying the claims of justice in this instance would not only disrupt the present and future, but also the past: wouldn’t the Mexicans then have to give it all back to the Spanish, and then the Spanish to the indigenous populations they decimated, and then those peoples to the flora and fauna they displaced after crossing the land bridge from Siberia thousands of years earlier? The argument is absurd, but only because it rejects any coexistence of contradictions in time or space: it thereby confirms Berlin’s claim that not all praiseworthy things are simultaneously possible. And that learning to live within that condition—let’s call it history—requires adaptation to incompatibles.

But life is fragile. Earth’s occasional encounters with large, wayward comets and asteroids, a formerly common event, wreaks intermittent havoc upon our ecosystem. A mere sixty-five million years ago (less than two percent of Earth’s past), a ten-trillion-ton asteroid hit what is now the Yucatan Peninsula and obliterated more than seventy percent of Earth’s flora and fauna—including all the famous outsized dinosaurs. Extinction. This ecological catastrophe enabled our mammal ancestors to fill freshly vacant niches, rather than continue to serve as hors d’oeuvres for T. rex. One big-brained branch of these mammals, that which we call primates, evolved a genus and species (Homo sapiens) with sufficient intelligence to invent methods and tools of science—and to deduce the origin and evolution of the universe.

Arthur Moore describes the results: “Whole forests of oak, beech, poplar, maple, and walnut, standing since Columbus, collapsed … from girdling and deadening with fire. There was in the heart of the new race no more consideration for the trees than for the game until the best of both were gone; steel conquered the West but chilled the soul of the conqueror. This assault on nature, than which few more frightful spectacles could be imagined, owed much to sheer need, but something also to a compelling desire to destroy conspicuous specimens of the fauna and flora of the wilderness. The origin of this mad destructiveness may be in doubt, but there is no question about its effect. The Ohio Valley today has neither trees nor animals to recall adequately the splendor of the garden of the Indian which the white man found and used so profligately.

Here- instead of the estuaries and enormous sweeps of grass as in her marsh- clear water flowed as far as she could see through a bright and open cypress forest. Brilliant white herons and storks stood among the water lilies and floating plants so green they seemed to glow. Hunched up on cypress knees as large as easy chairs, they ate pimento-cheese sandwiches and potato chips, grinning as geese glided just below their toes.

Do you like flora and fauna? How about plants and animals? Because we have more of that beautiful crap than we know what to do with. Charmingly domesticated troops of monkeys swing freely throughout our orchid-laden property. You’re probably thinking that a lot of all-inclusive resorts have monkeys. True, but only one resort packs a monkey for each of their guests to take home. You’ll be showing off more than a tan to your friends, you’ll be showing off a gibbon.

The Foundry Man All day, every day; a head that pounds to the rhythm of beating hammers. Feet, numbed from the vibrations of heavy machinery, and skin that glows crimson from the blistering heat of the furnace. Sweat glistens on his furrowed brow, sweat that runs in rivulets to eyes already sore from black, putrid dust. This is the lot of the foundry man. Not for him fresh air, green fields, or the sun on his back. He has a heart of gold, strength of steel. He is a man of iron.

To make a tarte of strawberyes," wrote Margaret Parker in 1551, "take and strayne theym with the yolkes of four eggs, and a little whyte breade grated, then season it up with suger and swete butter and so bake it." And Jess, who had spent the past year struggling with Kant's Critiques, now luxuriated in language so concrete. Tudor cookbooks did not theorize, nor did they provide separate ingredient lists, or scientific cooking times or temperatures. Recipes were called receipts, and tallied materials and techniques together. Art and alchemy were their themes, instinct and invention. The grandest performed occult transformations: flora into fauna, where, for example, cooks crushed blanched almonds and beat them with sugar, milk, and rose water into a paste to "cast Rabbets, Pigeons, or any other little bird or beast." Or flour into gold, gilding marchpane and festive tarts. Or mutton into venison, or fish to meat, or pig to fawn, one species prepared to stand in for another.

What else has changes since 1984? Oil's running our, I say Earth's population is eight billion, mass extinction of flora and fauna are commonplace, climate change is foreclosing the Holocene Era. Aparteid's dead, as are the Castros in Cuba as is privacy. The USSR went bankrupt; the Eastern bloc collapsed; Germany reunified; the EU has gone federal; China's a powerhouse- though their air is industrial effluence in a gaseous state - and North Korea is still a gulag run by a coiffed cannibal. p 500

Though witchcraft and science seem like they’re at odds, many who walk a green path have found that technology is an excellent tool for getting in touch with the natural world. You can use your favourite tech to keep a journal of your work with plants, identify flora and fauna in the wild, and do years-worth of research with the click of a button. Green technology like solar or wind power can connect you with the energy of the earth while working to protect the environment and that, to me, is magic.

…stand at the foot of a mountain and you may be impressed by how much greater it is than you in degree, how alien it is from you in kind. Climb that mountain and confront limits of endurance beyond which you thought yourself incapable, feel the relation between yourself and the mountain’s flora and fauna as part of one interdependent ecosystem, and discover how the experience of the mountain becomes part of you and changes who you are—then you may draw close to something like transcendence.” - B. T. Newberg

Stone Age ancestors spread from East Africa to the four corners of the earth, they changed the flora and fauna of every continent and island on which they settled. They drove to extinction all the other human species of the world, 90 per cent of the large animals of Australia, 75 per cent of the large mammals of America and about 50 per cent of all the large land mammals of the planet – and all before they planted the first wheat field, shaped the first metal tool, wrote the first text or struck the first coin.

Even those who saw only a part of the country witnessed so much that was new to them—the vast deltas, the astonishingly eroded limestone peaks, the sand-dune coastal forests, the forest mosaics and savannalike grassland. Many wrote home with vivid descriptions of the flora and fauna, the countless species they had never seen before. Many commented on the sheer luster of the place, of the seemingly infinite number of shades of green, in the rice paddies, the grasses, the palms, the rubber trees with their green oval leaves, the pine trees on faraway hills.

Rona soon picked out her own plot of land - one hundred eighty acres that stretched along the bottom of a rocky hill and only a stone's through from the shoreline. Quickly, much more quickly than natural for a man much less a woman - even one of Rona Blackburn's stature - a house appeared. She filled her new home with reminders of her previous one on the Aegean island she had loved so much: pastel seashells and a front door painted a deep cobalt blue - a color the yiayias always claimed had the power to repel evil. Then she set up her bed, made a pit for her fire, and erected two wooden tables. One table she kept bare. The other she covered in tinctures and glass jars of cut herbs and other fermented bits of flora and fauna. On this table, she kept a marble mortar and pestle, the leather sheath in which she wrapped her knives, and copper bowls - some for mixing dry ingredients, some for liquid, and a few small enough to bring to the mouth for sipping. And when the fire was stoked and the table was set, she placed a wooden sign - soon covered in a blanket of late December snow - outside that blue front door. It read one world: Witch.

But the most profound irony is currently on display at the very site of Ford’s most ambitious attempt to realize his pastoralist vision. In the Tapajós valley, three prominent elements of Ford’s vision—lumber, which he hoped to profit from while at the same time finding ways to conserve nature; roads, which he believed would knit small towns together and create sustainable markets; and soybeans, in which he invested millions, hoping that the industrial crop would revive rural life—have become the primary agents of the Amazon’s ruin, not just of its flora and fauna but of many of its communities.

But the Anthropocene isn’t a novel phenomenon of the last few centuries. Already tens of thousands of years ago, when our Stone Age ancestors spread from East Africa to the four corners of the earth, they changed the flora and fauna of every continent and island on which they settled. They drove to extinction all the other human species of the world, 90 per cent of the large animals of Australia, 75 per cent of the large mammals of America and about 50 per cent of all the large land mammals of the planet – and all before they planted the first wheat field, shaped the first metal tool, wrote the first text or struck the first coin.

Runach took the book in hand and went to look for that Bruadarian lass, who was likely having a conversation with the flora and fauna of his grandfather's garden... He just hadn't expected her to be singing. It wasn't loud singing, though he could hear it once he'd wandered the garden long enough to catch sight of her, standing beneath a flowering linden tree, holding a blossom in her hand. Runach came to a skidding halt and gaped at her. Very well, so he had ceased to think of her as plain directly after Gobhann, and he had been struggling to come up with a worthy adjective ever since. He supposed he might spend the rest of his life trying, and never manage it. It was difficult to describe a dream. He had to sit down on the first bench he found, because he couldn't stand any longer. He wondered if the day would come where she ceased to surprise him with the things she did. Her song was nothing he had ever heard before, but for some reason it seemed familiar in a way he couldn't divine. It was enough for the moment to simply sit there and watch as she and the tree--and several of the flowers, it had to be said--engaged in an ethereal bit of music making. It was truthfully the most beautiful thing he had ever heard, and that was saying something, because the musicians who graced his grandfather's hall were unequalled in any Elvish hall he'd ever visited. And then Runach realized why what she was doing sounded so familiar. She was singing in Fadaire. He grasped for the rapidly disappearing shreds of anything resembling coherent thought, but it was useless. All he could do was sit on that very cold bench and listen to a woman who had hardly set foot past her place of incarceration, sing a song in his mother's native tongue, that would have brought any elf in the vicinity to tears if they had heard it. He knew because it was nigh onto bringing him to that place in spite of his sorry, jaded self.

Las mentes de Alexander y Nadia se expandieron de nuevo y percibieron las conexiones entre los seres, el universo entero entrelazado por corrientes de energía, por una red exquisita, fina como seda, fuerte como acero. Entendieron que nada existe aislado; cada cosa que ocurre, desde un pensamiento hasta un huracán, afecta a lo demás. Sintieron la tierra palpitante y viva, un gran organismo acunando en su regazo la flora y la fauna, los montes, los ríos, el viento de las llanuras, la lava de los volcanes las nieves eternas de las más altas montañas. Y esa madre planeta es parte de otros organismos mayores, unida a los infinitos astros del inmenso firmamento.

A Party for New Year (for Lily and Maisie, the ladies what lunch.) Dear Lily, I have bought something frilly, to wear on New Year’s Eve. You may think it sounds rather silly, and, what I tell you, you will never believe. I met a woman in Primark, I know, not my normal shop. Just heard so much about it inside I had to pop. Well, the top I purchased, sparkles. The frills upon it abound. This woman I met in the changing room. On me, she said it looked sound. It's very, very silver you know. A little bit like Lametta. Oh Lily, I feel quite aglow. On no one could it look any better. Dear Maisie, Things are looking a bit hazy. A silver top, for New Year. Are you really, really that crazy? My word, you batty old dear. I'm wearing my old faithful. The black dress, with the gold trim. It's not like we’re doing anything special. In fact proceedings sound quite grim. Sitting on your old sofa With a Baileys, if I'm lucky. Watching the same old things on the box. I'm not excited Ducky. I want to be in the city and feel the atmosphere. It really is a pity that you want to stay right here. Dear Lily. Now you are being silly. What about your knees? Standing about, feeling chilly, and moaning you're going to freeze. Much better to stay indoors and watch a music show. We'll get the bongs at midnight. This you very well know. I don't have any Baileys. You drank it Christmas Day. But I found some cooking sherry. I want that out of the way. I even have some nibbles, so come on, what do you say? We'll have us a little party. Bring your nightie and then you can stay. Dear Maisie, Do you remember Daisy? Her with the wart on her ear. She thinks she'd like to join us to celebrate New Year. Do we really want her with us? She's quite a moaning Minnie. She always makes such a fuss. I'd hoped she'd celebrate with Winnie. I think I will come over Lil'. I'll even bring the wine. We really should start taking turns. Next year, you can come to mine. We'll have a great time, you and me. Go out in the cold? No fear. We'll be fine indoors, just you see. Friends together, celebrating New Year.

A tender fan of white threads surfaced up through the dirt, speaking in a hundred tiny whispers. 'It's true. My god, your ignorance about the flora and fauna of the Amazon -- staggering. Do you know there are four thousand species of trees alone that none of your scientists have even named, much less analyzed? You have any idea how many fungi? I heard you finally 'found' a few new species of electric eels, that cobalt-blue tarantula, a couple of new river dolphins. I think also a tree that's a hundred feet taller than the tallest tree you thought you knew of. At what point do you rethink your whole idea that these are 'discoveries?' How does that word even have any meaning for you? Something exists just because you finally 'found' it? You 'discovered' it?

But you're stuck filming crap now." Hal snorted. "Chased by monsters? Better be damn good at running." "And exactly how do you get hurt filming a landscaping show?" Taggart retorted. "If it can't kill us, we don't film it," Jane said, to stop the fighting before it could start. "There's a lot of dangerous flora and fauna in Pittsburgh and it doesn't stay beyond the Rim. It comes into people's backyards and sets up shop. We teach our viewers how to deal with it, but it means we have to actually get close enough to get hurt." "Deal with, as in kill?" Nigel seemed flabbergasted. "This isn't Earth. These aren't endangered species. This morning we were dealing with a very large strangler vine in a neighborhood with lots of children. There's no way to 'move' it to someplace where it isn’t a danger, especially while it's actively trying to kill anything that stumbles into its path. Pets. Children. Automated lawnmowers." "That one is always amusing to watch but it always ends badly for the lawnmower," Hal said.

I still cherish my childhood memories of the sun opening the dusky eyelids of the west and the misty mornings against the backdrop of of Kgalatlou Mountain. The green prime of summer, twingling leaves of acacia yrees of Manthakge Plains, pure clear sky, the smooth plough fields and lush green meadows. In winter, that green carpet will be replaced by drearily looking land like a dim picture of the drowned past, all signs of life and feeling gone out of it, with the plough fields scorched and naked, the streams of Manyane silent, and the grass of the meadows looking like burned powder.  I still remember and cherish the touch of autumn nights and the ruddy moon leaning over Madibong. When I think about this, a sorrowful silent tear always roll down my cheek, I become sad and gripped by grief because of what has now become of the land of my forefathers. I have known and cherished its distinguished  rocks, fauna, and flora since I could stand and walk. I know its mountain slopes, plains, its rocks, and bushes like the veins and knuckles at the back of my hand. The ever changing beauty of Leolo Mountains, from the aloes of Segodi Boulders to the lilies of Legaletlweng; the imposing Letheleding Boulders towering over Manyane Dale. The interesting contrast of granite ingenious sedimentary rocks of Leolo Mountains and the red sand rock of Seolwane Mountain, the red sandy soil of Leruleng, the dark clay soil of Marakane and the red fertile loom soil of Sehalbeng Plains. The Magnetite rocks Ga - Sethadi and the shale rocks of Malatjane.

In theory, toppings can include almost anything, but 95 percent of the ramen you consume in Japan will be topped with chashu, Chinese-style roasted pork. In a perfect world, that means luscious slices of marinated belly or shoulder, carefully basted over a low temperature until the fat has rendered and the meat collapses with a hard stare. Beyond the pork, the only other sure bet in a bowl of ramen is negi, thinly sliced green onion, little islands of allium sting in a sea of richness. Pickled bamboo shoots (menma), sheets of nori, bean sprouts, fish cake, raw garlic, and soy-soaked eggs are common constituents, but of course there is a whole world of outlier ingredients that make it into more esoteric bowls, which we'll get into later. While shape and size will vary depending on region and style, ramen noodles all share one thing in common: alkaline salts. Called kansui in Japanese, alkaline salts are what give the noodles a yellow tint and allow them to stand up to the blistering heat of the soup without degrading into a gummy mass. In fact, in the sprawling ecosystem of noodle soups, it may be the alkaline noodle alone that unites the ramen universe: "If it doesn't have kansui, it's not ramen," Kamimura says. Noodles and toppings are paramount in the ramen formula, but the broth is undoubtedly the soul of the bowl, there to unite the disparate tastes and textures at work in the dish. This is where a ramen chef makes his name. Broth can be made from an encyclopedia of flora and fauna: chicken, pork, fish, mushrooms, root vegetables, herbs, spices. Ramen broth isn't about nuance; it's about impact, which is why making most soup involves high heat, long cooking times, and giant heaps of chicken bones, pork bones, or both. Tare is the flavor base that anchors each bowl, that special potion- usually just an ounce or two of concentrated liquid- that bends ramen into one camp or another. In Sapporo, tare is made with miso. In Tokyo, soy sauce takes the lead. At enterprising ramen joints, you'll find tare made with up to two dozen ingredients, an apothecary's stash of dried fish and fungus and esoteric add-ons. The objective of tare is essentially the core objective of Japanese food itself: to pack as much umami as possible into every bite.

Land and Sea The brilliant colors are the first thing that strike a visitor to the Greek Isles. From the stunning azure waters and blindingly white houses to the deep green-black of cypresses and the sky-blue domes of a thousand churches, saturated hues dominate the landscape. A strong, constant sun brings out all of nature’s colors with great intensity. Basking in sunshine, the Greek Isles enjoy a year-round temperate climate. Lemons grow to the size of grapefruits and grapes hang in heavy clusters from the vines of arbors that shade tables outside the tavernas. The silver leaves of olive trees shiver in the least sea breezes. The Greek Isles boast some of the most spectacular and diverse geography on Earth. From natural hot springs to arcs of soft-sand beaches and secret valleys, the scenery is characterized by dramatic beauty. Volcanic formations send craggy cliffsides plummeting to the sea, cause lone rock formations to emerge from blue waters, and carve beaches of black pebbles. In the Valley of the Butterflies on Rhodes, thousands of radiant winged creatures blanket the sky in summer. Crete’s Samaria Gorge is the longest in Europe, a magnificent natural wonder rife with local flora and fauna. Corfu bursts with lush greenery and wildflowers, nurtured by heavy rainfall and a sultry sun. The mountain ranges, gorges, and riverbeds on Andros recall the mainland more than the islands. Both golden beaches and rocky countrysides make Mykonos distinctive. Around Mount Olympus, in central Cyprus, timeless villages emerge from the morning mist of craggy peaks and scrub vegetation. On Evia and Ikaria, natural hot springs draw those seeking the therapeutic power of healing waters. Caves abound in the Greek Isles; there are some three thousand on Crete alone. The Minoans gathered to worship their gods in the shallow caves that pepper the remotest hilltops and mountain ranges. A cave near the town of Amnissos, a shrine to Eileithyia, goddess of childbirth, once revealed a treasure trove of small idols dedicated to her. Some caves were later transformed into monasteries. On the islands of Halki and Cyprus, wall paintings on the interiors of such natural monasteries survive from the Middle Ages. Above ground, trees and other flora abound on the islands in a stunning variety. ON Crete, a veritable forest of palm trees shades the beaches at Vai and Preveli, while the high, desolate plateaus of the interior gleam in the sunlight. Forest meets sea on the island of Poros, and on Thasos, many species of pine coexist. Cedars, cypress, oak, and chestnut trees blanket the mountainous interiors of Crete, Cyprus, and other large islands. Rhodes overflows with wildflowers during the summer months. Even a single island can be home to disparate natural wonders. Amorgos’ steep, rocky coastline gives way to tranquil bays. The scenery of Crete--the largest of the Greek Isles--ranges from majestic mountains and barren plateaus to expansive coves, fertile valleys, and wooded thickets.

In 1995, the gray wolf was reintroduced to Yellowstone National Park after a seventy-year hiatus. Scientists expected an ecological ripple effect, but the size and scope of the trophic cascade took them by surprise.7 Wolves are predators that kill certain species of animals, but they indirectly give life to others. When the wolves reentered the ecological equation, it radically changed the behavioral patterns of other wildlife. As the wolves began killing coyotes, the rabbit and mouse populations increased, thereby attracting more hawks, weasels, foxes, and badgers. In the absence of predators, deer had overpopulated the park and overgrazed parts of Yellowstone. Their new traffic patterns, however, allowed the flora and fauna to regenerate. The berries on those regenerated shrubs caused a spike in the bear population. In six years’ time, the trees in overgrazed parts of the park had quintupled in height. Bare valleys were reforested with aspen, willow, and cottonwood trees. And as soon as that happened, songbirds started nesting in the trees. Then beavers started chewing them down. Beavers are ecosystem engineers, building dams that create natural habitats for otters, muskrats, and ducks, as well as fish, reptiles, and amphibians. One last ripple effect. The wolves even changed the behavior of rivers—they meandered less because of less soil erosion. The channels narrowed and pools formed as the regenerated forests stabilized the riverbanks. My point? We need wolves! When you take the wolf out of the equation, there are unintended consequences. In the absence of danger, a sheep remains a sheep. And the same is true of men. The way we play the man is by overcoming overwhelming obstacles, by meeting daunting challenges. We may fear the wolf, but we also crave it. It’s what we want. It’s what we need. Picture a cage fight between a sheep and a wolf. The sheep doesn’t stand a chance, right? Unless there is a Shepherd. And I wonder if that’s why we play it safe instead of playing the man—we don’t trust the Shepherd. Playing the man starts there! Ecologists recently coined a wonderful new word. Invented in 2011, rewilding has a multiplicity of meanings. It’s resisting the urge to control nature. It’s the restoration of wilderness. It’s the reintroduction of animals back into their natural habitat. It’s an ecological term, but rewilding has spiritual implications. As I look at the Gospels, rewilding seems to be a subplot. The Pharisees were so civilized—too civilized. Their religion was nothing more than a stage play. They were wolves in sheep’s clothing.8 But Jesus taught a very different brand of spirituality. “Foxes have dens and birds have nests,” said Jesus, “but the Son of Man has no place to lay his head.”9 So Jesus spent the better part of three years camping, fishing, and hiking with His disciples. It seems to me Jesus was rewilding them. Jesus didn’t just teach them how to be fishers of men. Jesus taught them how to play the man! That was my goal with the Year of Discipleship,

The civilizations evolved in India or China, Persia or Judaea, Greece or Rome, are like several mountain peaks having different altitude, temperature, flora and fauna, and yet belonging to the same chain of hills. There are no absolute barriers of communication between them; their foundation is the same and they affect the meteorology of an atmosphere which is common to us all. This is at the root of the meaning of the great teacher who said he would not seek his own salvation if all men were not saved; for we all belong to a divine unity, from which our great-souled men have their direct inspiration; they feel it immediately in their own personality, and they proclaim in their life, “I am one with the Supreme, with the Deathless, with the Perfect”.

...whenever you find a clearing like this," Beatrix said, leading Christopher to a small, sun-dappled meadow, "it's most likely an ancient field enclosure from the Bronze Age. They knew nothing about fertilizing, so when a patch of land became unproductive, they simply cleared a new area. And the old areas became covered with gorse and bracken and heather. And here-" she showed him the cavity of an oak tree near the clearing- "is where I watched a hobby chick hatch in early summer. Hobbies don't build their own nests, they use ones made by other birds. They're so fast when they fly, they look like sickles cutting through the air." Christopher listened attentively. With the breeze playing lightly in his dark gold hair, and a slight smile on his lips, he was so handsome that it was difficult not to gape at him. "You know all the secrets of this forest, don't you?" he asked gently. "There's so much to learn, I've only scratched the surface. I've filled books with sketches of animals and plants, and I keep finding new ones to study.

Onward and upward he pushed until rock, ground, and forest came to an end, until there was nothing but a sharp edge of blunt earth protruding in the late light of the range, where he could see well beyond the park boundaries to national forest land that he had once scouted on foot and horseback. He remembered it then as roadless, the only trails being those hacked by Indians and prospectors. He had taken notes on the flora and fauna, commented on the age of the bristlecone pine trees at the highest elevations, the scrub oak in the valleys, the condors overhead, the trout in alpine tarns. He had lassoed that wild land in ink, returned to Washington, and sent the sketch to the president, who preserved it for posterity. What did Michelangelo feel at the end of his life, staring at a ceiling in the Vatican or a marble figure in Florence? Pinchot knew. And those who followed him, his great-great-grandchildren, Teddy's great-great-grandchildren, people living in a nation one day of five hundred million people, could find their niche as well. Pinchot felt God in his soul, and thanked him, and weariness in his bones. He sensed he had come full circle.

What we have here is a very basic problem. The only way to make use of underground resources is to mine them, and if you mine them, they're going to damage the local flora and fauna. That's as true under the water as it is on land, but it hasn't stopped us - that is, mankind - from doing it over and over again. That's a fact. You just need to make a choice.

Aurora Rose looked back and forth among the three women, gladly distracted from the sad events by the puzzle before her. The fairies in real life had their own personalities, of course, despite their superficial similarities as ageless, chatty, loving aunt figures. Flora tended to try to lead and make decisions for them. Merryweather seemed to understand the basic workings of the world better, although she rarely acted on this knowledge and instead chose to comment snarkily on it. Sometimes she got sneaky and went behind Flora's back. Fauna was the one who hugged the princess the most and often acted as an intermediary between the other two. The green one, "Fauna," seemed more concerned with how Aurora Rose was feeling- how 'everyone' was feeling. She was the one who had been waiting outside the cottage for the prince and princess. Like she was the one who 'cared.' And the blue one- "Merryweather"- seemed 'incredibly' quick-minded and brilliant. And even snarkier. "Flora" was brave and powerful and ready to plunge into any physical combat. And not for nothing, she was built like a gladiator. They were 'all' acting like extreme versions of their real selves.

I could see into the shadows, where the very blades of grass and the leaves and buds of plants were sharply defined though it was a dark night. I was acutely aware of my ears, hot, pulsing, and humming. Now fragrance took command, and I was struck with the scents of the evening. Unable to resist, I rolled on the ground, breathing in the wet tang of dewy grass and the musk of the mud in which it grew. I glided my muzzle through the blades, letting each soft edge tickle my nose. When I lifted it, I caught the delicate fragrance of wildflowers and the powdery sweetness of red clover. The aromas permeated my body as if I could smell with my eyes, my toes, and my tail. I detected the essence of living fowl on the feathers of a fallen bird, but was quickly distracted by the blood-warm effluvia of rabbits and voles wafting up from a small hole in the ground. The air carried the scent of wet leaves after a forest rain. My senses were torn in two, with one thing calling my attention into the air and another, even more compelling, back down to the earth. The miasma of fetid earth, God's creatures, and the aromatic night air swirled in my head and through my body, competing with a cacophony of noises that grew louder and louder. The muffled sound of my paws as they made contact with the ground resonated in my ears. I felt in my body the vibration of all things touching the earth- animals small and large, as they interacted with the same soil that I was treading. The rustle of leaves in the trees, the screech of the wind blowing the hairs on my face, the fluttering of bees' wings, the distant cry of an owl- I heard each as a distinct, sharp sound. My senses were in control of my body. I was a living machine that processed sights, smells, and sounds.

Scientific Revolution. It not only taught Europeans to favour present observations over past traditions, but the desire to conquer America also obliged Europeans to search for new knowledge at breakneck speed. If they really wanted to control the vast new territories, they had to gather enormous amounts of new data about the geography, climate, flora, fauna, languages, cultures and history of the new continent. Christian Scriptures, old geography books and ancient oral traditions were of little help. Henceforth not only European geographers, but European scholars in almost all other fields of knowledge began to draw maps with spaces left to fill in. They began to admit that their theories were not perfect and that there were important things that they did not know.

I named you Fauna because I loved Robinson Jeffers’ poem about Flora and Fauna. I asked that they keep that name. I wanted only two things, I didn’t think they’d let me have what I wanted, but one was that you be named Fauna, and the other was that you at least have on your birth certificate that your father was Negro. Because in my little world I believed that black people were made of far superior stuff than the whites I knew. All the great men that I knew, all the great girls that I knew were black: Paul Robeson, Marian Anderson, Josh White,

The guidebooks aren't wrong; Osaka is not a textbook beautiful city. Not a seamless stretch of civilization, but a patchwork of skyscrapers and smokestacks, Gucci and ghettos, that better approximates life as most of us know it. With all this in mind, it's not surprising that Osaka is a center of casual food culture. Its two most famous foods, okonomiyaki (a thick, savory pancake stuffed with all manners of flora and fauna) and takoyaki (a golf-ball-sized fritter with a single chewy nugget of octopus deposited at its molten core), are the kind of carb, fatty, belly-padding drinking food that can sustain a city with Osaka's voracious appetite for mischief.

Mountains are for me, a conservatory. It's there, that I am able to exist in the presence of transcendent sentient and symbiotic beings. From the mountains to the flora and fauna that lives on the mountains, I am both an awed witness to, and a humble beneficiary of their sprits. Sprits which are filled with life enriching light.

El biólogo E. O. Wilson escribió que Colombia debería contarse como «uno de los países de la megadiversidad de la Tierra, con una fauna y una flora cuya riqueza solo es comparable a la de Brasil».

Si la historia hubiera tomado un camino diferente, la palabra Colombia evocaría instantáneamente orquídeas, colibríes y anfibios de colores brillantes. El biólogo E. O. Wilson escribió que Colombia debería contarse como «uno de los países de la megadiversidad de la Tierra, con una fauna y una flora cuya riqueza solo es comparable a la de Brasil».

This is the Season of the new waxing light. Earth’s tilt has begun taking us in this region back towards the Sun. Traditionally this Seasonal Point has been a time of nurturing the new life that is beginning to show itself – around us in flora and fauna, and within. It is a time of committing one’s self to the new life and to inspiration – in the garden, in the soul, and in the Cosmos. We may celebrate the new young Cosmos – that time in our Cosmic story when She was only a billion years old and galaxies were forming, as well as the new that is ever coming forth. This first Seasonal transition of the light part of the cycle has been named “Imbolc” – Imbolc is thought to mean “ewe’s milk” from the word “Oimelc,” as it is the time when lambs were/are born, and milk was in plentiful supply. It is also known as “the Feast of Brigid,” Brigid being the Great Goddess of the Celtic (and likely pre-Celtic) peoples, who in Christian times was made into a saint. The Great Goddess Brigid is classically associated with early Spring since the earliest of times, but her symbology has evolved with the changing eras – sea, grain, cow. In our times we could associate Her also with the Milky Way, our own galaxy that nurtures our life – Brigid’s jurisdiction has been extended.

Suppose that the conventionally measured global economic output, now at about $31 trillion, were to expand at a healthy 3 percent annually. By 2050 it would in theory reach $138 trillion. With only a small leveling adjustment of this income, the entire world population would be prosperous by current standards. Utopia at last, it would seem! What is the flaw in the argument? It is the environment crumbling beneath us. If natural resources, particularly fresh water and arable land, continue to diminish at their present per-capita rate, the economic boom will lose steam, in the course of which—and this worries me even if it doesn’t worry you—the effort to enlarge productive land will wipe out a large part of the world’s fauna and flora. “The appropriation of productive land—the ecological footprint—is already too large for the planet to sustain, and it’s growing larger. A recent study building on this concept estimated that the human population exceeded Earth’s sustainable capacity around the year 1978. By 2000 it had overshot by 1.4 times that capacity. If 12 percent of land were now to be set aside in order to protect the natural environment, as recommended in the 1987 Brundtland Report, Earth’s sustainable capacity will have been exceeded still earlier, around 1972. In short, Earth has lost its ability to regenerate—unless global consumption is reduced, or global production is increased, or both.

On the quantum level, down at the subatomic bottom of everything, there is no such thing as matter. Matter as we know it—everything from rocks to water, bone and blood, flora and fauna, everything, everything—arises out of nothing tangible. The universe appears to be woven from something as immaterial as thought waves. Everything is at base impalpable, discarnate, transmundane. Furthermore, the smallest and most fundamental subatomic particles seem not to exist until they are observed in the process of human inquiry. And so it seems that, as a reader collaborates with an author to envision the story being told in a novel, so all of us collaborate with some author unknown to imagine what occurs in our world as it is and as it will become. In that case, to at least some extent, to a degree we cannot know, we possess the power to weave the lives that will bring us happiness if we’re wise enough to be nice, but not so nice that we’re foolish, and if we realize that our free will and creativity should be used with humility rather than to acquire power to oppress others.

To think there was a time I thought birds were kind of boring. Brown bird. Gray bird. Black bird. Blah blah blah bird. Then, I started to learn their names by the ocean, and the person I was dating said, That’s the problem with you, Limón, you’re all fauna and no flora. And I began to learn the names of trees. I like to call things as they are. Before, the only thing I was interested in was love, how it grips you, how it terrifies you, how it annihilates and resuscitates you. I didn’t know then that it wasn’t even love that I was interested in but my own suffering. I thought suffering kept things interesting. How funny that I called it love and the whole time it was pain.

BARTON CENTRE, 912, 9th Floor, Mahatma Gandhi Rd, Bengaluru, Karnataka - 560 001 +91 8884400919 Introduction to the Bangalore-Surfnxt Tour Package Welcome to the exclusive New Zealand Tour Package From Bangalore -Surfnxt Tour Package, an unforgettable journey through New Zealand's hidden treasures. You will be taken on a virtual tour of the breathtaking landscapes, cultural treasures, and thrilling adventures that await you on this immersive tour by the author of this article. Prepare to embark on a once-in-a-lifetime adventure in the land of the Long White Cloud, where you'll find treasures off the beaten path, culinary delights, and unforgettable experiences. On the Bangalore-Surfnxt tour package, we'll show you the beauty and charm of New Zealand's hidden gems. Join us as we do so. 1. Introduction to the Bangalore-Surfnxt Tour Package Have you ever wanted to see New Zealand's breathtaking landscapes while enjoying the old-fashioned charm of Bangalore? The Bangalore-Surfnxt tour package is here to fulfill your dreams, so buckle up! Travelers will have an unforgettable time on this one-of-a-kind tour because it combines the excitement of India with the excitement of New Zealand. Overview of the Tour Itinerary This tour promises an exciting journey filled with picturesque landscapes, thrilling activities, and cultural discoveries from the bustling streets of Bangalore to the tranquil shores of New Zealand. Prepare yourself for a once-in-a-lifetime adventure that will leave you with lasting memories. Highlights of the New Zealand Experience Get ready to be mesmerized by New Zealand's breathtaking beauty as you discover its hidden gems, meet welcoming locals, and immerse yourself in its rich Maori culture. This tour has something for everyone, whether you're a nature lover, an adventurer, or a culture buff. 2. Exploring New Zealand's Unspoiled Beauty Are you ready to immerse yourself in the unspoiled beauty of New Zealand while escaping the bustle of everyday life? Prepare to be awestruck by the country's stunning scenery, which includes pristine beaches, snow-capped mountains, and natural wonders that will take your breath away. New Zealand's diverse landscapes, which include imposing fjords, lush forests, and crystal-clear lakes, offer a magical experience. Nature's wonders will surround you at every turn, whether you're hiking through Mount Cook National Park or sailing through Milford Sound. Unique Flora and Fauna Experiencings Get up close and personal with the unique flora and fauna of New Zealand, including curious kiwi birds and ancient kauri trees. Be prepared to encounter some of the most fascinating plant and animal species in the world as you explore the country's wilderness. 3. Exploring Undiscovered Treasures Are you sick of crowded tourist attractions and experiences that are the same every time? It's time to discover New Zealand's off-the-beaten-path treasures, where you can meet real people, see lesser-known sights, and connect with the country's soul. Lesser-Known Attractions and Hidden Spots Go off the beaten path to discover hidden beaches and charming small towns that will surprise and delight you. You'll feel like you're finding a well-kept secret when you discover a local treasure or a hidden waterfall. Connecting with the locals and immersing yourself in their way of life is one of the best ways to truly experience a destination. The Bangalore-Surfnxt tour gives you authentic opportunities to learn traditional dances and eat dinner with a Maori family. These opportunities will make you appreciate New Zealand more. 4. Immersing Oneself in the Rich Tapestry of Maori Culture and Traditions No trip to New Zealand is complete without experiencing the local culture and traditions. Get ready to interact with the locals, take part in traditional activities, and learn more about the country's history.

In the genre of philosophical nature writing, academic science is sometimes suspect. Philosopher and wilderness guide Jack Turner writes that “science disembeds individual context, people, flora, fauna.

Bhutan was the first nation to establish a permanent fund to finance the long-term protection of its native and rare flora and fauna.

The Bull Ants love to eat other small insects, as well as seeds, sweet nectar and fruit.

Before the time of Allan and Delair, Comyns Beaumont reviewed the work of Establishment geologists, Charles Lyell, Louis Agassiz and James Geikie. He exposed their scientific palaver for the nonsense it is, and wrote of the Ice Age theory in these words: What! No Ice Age which came and went, spreading over hundreds of thousands of years as all good geologists proclaim? No smothering ice sheets which enveloped the British Isles and much of the northern parts of the continent, changed the climate to Arctic conditions – although, strangely enough, much of our fauna and flora survived despite it – and compelled all the survivors to flee? No lengthy periods of ice alternated with warm and even sub-tropical climatic interludes? No. Nothing of the sort. There was admittedly a tremendous convulsion of nature, which had the most direful effect upon the inhabitants of Scandinavia, the British Isles, and those in Northern Asia. It resulted in giving us, it is true, bitter cold, tremendous floods, and cruel dampness. That it affected the climate in the north adversely and permanently cannot be denied. It did other things as well. But no Ice Age – (Riddle of Prehistoric Britain) It was an event…sudden, rapid, devastating, and appalling in its magnitude, and destructiveness. It was a celestial impact of an immense cometary body…It rained or distributed rocks, stones, boulder clay, till, gravel, sand, and other material over great areas, utterly obliterating certain parts, elevating others, and entirely missing some regions. It created islands, drowned others, caused immense tidal waves which swallowed up coastal lands, consumed huge spaces with electric waves, set up volcanoes, and swept away cities and largely populated districts almost in a flash

One leading French naturalist, the Comte de Buffon, famously proposed that climate and other conditions in the New World had led to the inevitable degeneration of its fauna and flora. Buffon’s more enthusiastic readers extrapolated from this argument to call into question the virility and intelligence of both America’s European settlers and its native inhabitants, the Indians. That sparked a rousing defense of American virtue and vigor from Jefferson, spelled out in his only published book, Notes on the State of Virginia.20

The discovery of America was the foundational event of the Scientific Revolution. It not only taught Europeans to favour present observations over past traditions, but the desire to conquer America also obliged Europeans to search for new knowledge at breakneck speed. If they really wanted to control the vast new territories, they had to gather enormous amounts of new data about the geography, climate, flora, fauna, languages, cultures and history of the new continent. Christian Scriptures, old geography books and ancient oral traditions were of little help.

I worship nature. The moon and the tides. The sun and the stars. The energies that surround us and dwell within us. The esoteric knowledge of our natural world and its flora and fauna.

Instead of more consumerism – the buying of experiences, the accumulation of things, of eating the ‘other’ – perhaps writers should name their own environment. What is the shape of your watershed? How is your electricity produced? Where is your water treated? Where is your food produced and by whom and how does it travel to your local market? What are the names of the rocks under your feet and around you? What formed those geological features? Who were the first humans here? What flora and fauna live upon it and what are their habits and interfaces? What stars whirl above you and what names have they been given, what lore? How can one trace the relations, find the slippages between histories, the linkages, to find the complexities in naming and of the named? Travel as one’s carbon footprint; travel as a footstep, travel as a naming in a landscape in all its complexity. Homing as a way to place oneself in a constellation of process and being.

Where the makers of modern dictionaries strive for uniformity, Johnson was quite happy to vary the size of his entries. Although some of his definitions of natural phenomena are lean, many are lengthy, even opulent, reflecting the contemporary love affair with unusual flora and fauna. Here more than anywhere he strays towards an encyclopedic approach, and the Dictionary begins to resemble, at least fleetingly, a herbal and a bestiary.

Which smells more—one piece of shit or two? Take deforestation. You cut down the forests, and you destroy the flora, the fauna, the rivers. Gold extraction is concentrated along the rivers. It pollutes the water, kills off the fish. It’s all the same shit. It all stinks equally.” Tomorrow

The flora and fauna and land that we protect are for the nourishment and shelter of the indigenous groups who live here—period.

He pulled Lucetta forward. “Have you met Miss Fauna yet?” “Fremont,” Lucetta corrected. “Exactly, Miss Flora Fremont,” Bram corrected. “It’s Fauna,” Lucetta whispered, even though she knew Miss Cooper wasn’t paying a bit of attention, given that the lady was gawking at the wart on Lucetta’s face. “It’s a pleasure to meet you, Miss Cooper,” Lucetta finally said when Miss Cooper actually leaned forward, with a finger raised, as if she was about to touch the wart on Lucetta’s face. Pausing with her finger only inches away from Lucetta’s wart, Miss Cooper scrunched her brows together. “It’s a pleasure to meet you as well, Miss, uh . . .” “Fremont,” Bram supplied. “She’s Miss Fauna Fremont, a dear friend of the family.” “I’m your distant cousin,” Lucetta said, smiling back at Miss Cooper, who blinked and immediately took to looking a little queasy. “Perhaps the two of you should go find a seat, before they’re all taken,” Miss Cooper said as she edged ever so slowly away from Lucetta. “Thank you, dear,” Lucetta said. Ushering her quickly into the ballroom, Bram laughed. “You’re a very odd woman, Miss Fauna Fremont,” he said before he walked her across what was normally the ballroom floor, but was now lined with a few rows of chairs.

Alejandro de Humboldt National Park Outside of the major cities, the great majority of Cuba is agricultural or undeveloped. Cuba has a number of national parks where it is possible to see and enjoy some plants and animals that are truly unique to the region. Because it is relatively remote and limited in size, the Cuban Government has recognized the significance and sensitivity of the island’s biodiversity. It is for these reasons many of these parks have been set aside as protected areas and for the enjoyment of the people. One of these parks is the Alejandro de Humboldt National Park, named for Alexander von Humboldt a Prussian geographer, naturalist and explorer who traveled extensively in Latin America between 1799 and 1804. He explored the island of Cuba in 1800 and 1801. In the 1950’s during its time of the Cuban Embargo, the concept of nature reserves, on the island, was conceived with development on them continuing into the 1980’s, when a final sighting of the Royal Woodpecker, a Cuban subspecies of the ivory-billed woodpecker known as the “Campephilus principalis,” happened in this area. The Royal Woodpecker was already extinct in its former American habitats. This sighting in 1996, prompted these protected areas to form into a national park that was named Alejandro de Humboldt National Park. Unfortunately no further substantiated sightings of this species has bird has occurred and the species is now most likely extinct. The park, located on the eastern end of Cuba, is tropical and mostly considered a rain forest with mountains and some of the largest rivers in the Caribbean. Because it is the most humid place in Cuba it can be challenging to hike. The park has an area of 274.67 square miles and the elevation ranges from sea level to 3,832 feet at top of El Toldo Peak. In 2001 the park was declared a UNESCO World Natural Heritage Site. Tours are available for those interested in learning more about the flora & fauna, wild life and the natural medicines that are indigenous to these jungles. “The Exciting Story of Cuba” by award winning Captain Hank Bracker is available from Amazon.com, Barnes&Noble.com, BooksAMillion.com and Independent Book Vendors. Read, Like & Share the daily blogs & weekly "From the Bridge" commentaries found on Facebook, Goodreads, Twitter and Captain Hank Bracker’s Webpage.

Sobretudo, ele gostava do mar. Mergulhava, boiava, velejava, navegava, saltava, nadava, deixava-se submergir. Desenhava-o, pintava-o, estudava-lhe correntes, profundidades, marés, faunas e floras. Fazia praia e a praia fazia-se aos que queriam segui-lo. Outubro ia avançado e a corte em Cascais, e D. Carlos com a mão pousada na amurada do veleiro, cabeça muito redonda virada ao vento norte. Quem lhe dera que a política fosse assim gélida e frontal.

The actual Beryl was written by Sangye Gyamtso, regent to the fifth Dalai Lama.  It was based on the Tantras, but Gyamtso did something that had never been done before, something that would change medicine forever: he commissioned drawings, based on the cures in the Beryl, depicting all aspects of human anatomy, all the flora and fauna used in the cures, and directions on their application. “This makes the Blue Beryl the first illustrated medical ‘how to’ manual ever written.  It’s a beautifully illustrated encyclopedia with diagnoses and treatments.  It actually showed the reader, using pictures and text, which herbs to combine and in what quantities.

• Whether it is Godse or Savarkar, what they broadly wanted was unity of the Hindus of India. A unity that ignores the inherent diversity, and silences those who do not consider India their punyabhoomi. Without this unity it is impossible to build a strong nation. Some Muslims in Pakistan also think along these lines. But Bangladesh separated primarily because of language. Blood was shed. • The unity that Gandhi desired was one in which everyone retained their faith, preserved their own unique cultures and accepted ahimsa. Unity comes naturally to those who live in harmony despite their differences. This becomes possible when ahimsa is the basis of their lives. The life force of every community lies in its uniqueness. Whether it is food, games, worship, dress, concept of God, differing methods of prayer, the many climates that nurture mountains, forests, valleys, flora and fauna – they are all part of a chain. This multiplicity is the warp and weft of the ecological system of the living world.

Novels are theoretically comparable to a ‘biological’ organism with the mysterious capability of adapting to the present in the astonishing ‘tradition’ of diverse Adrianite fauna and flora that have miraculously metamorphosed, with ‘Ovidian’ panache, within their immediate Jordenian environs throughout the cavalcade of Hesronedonian cyclepochs.” Emperor Baron Francis Cosmicus [The Dromernaut Odyssey Anno Domini 3193]