Girl Garment Quotes

[Looking like a straight girl] means wearing clothes that seek and destroy comfort. These are garments designed by gay men to attract heterosexual men. The straight girl is simply the hanger for an inside joke.

Any girl with a grin never looks grim.

Some days you feel so discouraged you want to cry. Go ahead and cry. Rend your garments and wail to the heavens like some biblical mourner. Get it all out. Then dry your eyes and wash your face and keep on going.

He wanted to peel the garment from her, cast it aside, and offer himself instead. Chase wasn’t good for much, but he could stand between her body and the world.

TO A CHILD, BEHELD IN SUMMER RAIMENT Little girl, one lesser garment will suffice to clothe your crotch, Hide that undiscovered cavern Where old Time will wind his watch.

A doll is among the most pressing needs as well as the most charming instincts of feminine childhood. To care for it, adorn it, dress and undress it, give it lessons, scold it a little, put it to bed and sing it to sleep, pretend that the object is a living person - all the future of the woman resides in this. Dreaming and murmuring, tending, cossetting, sewing small garments, the child grows into girlhood, from girlhood into womanhood, from womanhood into wifehood, and the first baby is the successor of the last doll. A little girl without a doll is nearly as deprived and quite as unnatural as a woman without a child.

This is the stuff dreams are made of, right?" I could've pointed out the misquotation; everybody goes for Humphrey Bogarst's famous like from The Maltese Falcon, when the words actually are "We are such stuff as dreams are made on" and they belong to Master Shakespeare, but you know what? With all due to respect to the women's movement, the fact is that, on rare occasions, silence really is a girl's best garment. So I just smiled instead.

I have to admit that I'm up to my neck in frivolity, buried in dresses to the point of ruin! Fifteen different garments! My wardrobe jam-packed! My girl, this is not the way for an old woman to behave - particularly since you never wear anything but black and white, or a little grey, so that you always look as though you were in the same dress. Why fritter away your money so absurdly? (22 August 1919)

Sometimes it seems that bad luck always flows like the sea to me. Hardly has one wave of bad luck subsided, when another washed into my life.

Little lonely one, You clung to me as a garment clings; my girl.

Even skeptical Dan prayed, his skepticism falling away from him like a discarded garment in this valley of the shadow, which sifts out hearts and tries souls, until we all, grown-up or children, realize our weakness, and, finding that our own puny strength is as a reed shaken in the wind, creep back humbly to the God we have vainly dreamed we could do without.

Remember - the fault is in the garment, certainly not the girl. There is nothing whatsoever wrong with the shape of her. Some designers cut their clothes for certain body types and others for others. Occasionally the pattern will make her ass look strangely square or the fabric will cling in an unflattering way, but Not Cut Well is always the answer, and it has the extremely delightful quality of saving your ass and being completely true at the same time. Use it wisely.

The new fashions sold in department stores had thrown skilled American seamstresses out of work, you see. They’d been displaced by immigrant girls doing piecework for a pittance in terrible sweatshops. I refused to patronize a garment industry that exploited its desperately poor workers so heartlessly. And if that wasn’t enough to keep me out of stores, there was this as well: I was determined to resist that shameless sister of war propaganda— the advertising industry.

I pause for the poor girl who owns these garments. Not only did I sleep with her big fat man last night, but worse, her personal taste is appalling.

Whether they come from Brooks Brothers or a thrift store, the sweaters we wear have a magnificent ancestry. Their history spans the worlds of Irish fishermen, French knights, World War I soldiers, busty Hollywood 'sweater girls,' and the television saint Mr. Rogers. That history lives in each garment. By being aware of it, we can better appreciate what we have.

Even skeptical Dan prayed, his skepticism falling away from him like a discarded garment in this valley of the shadow, which sifts out hearts and tries souls, until we all, grown-up or children, realize our weakness, and, finding that our own puny strength is as a reed shaken in the wind, creep back humbly to the God we have vainly dreamed we could do without. Peter

BEATRICE: They are the clothing of the New Woman. They are meant not to be feminine, but practical. CATHERINE: On women they look like men’s clothing, on men they look like women’s clothing. That’s where the New Woman meets the Dandy. BEATRICE: Why is it necessary to categorize people in that fashion? Why can we not all wear whatever we wish, whatever is useful and aesthetically pleasing? I believe that someday we shall all wear garments that are light and of a pleasing texture, easy to put on and take off. At the same time, they will express the aspirations of the spirit. They will be like the garments of the Greeks, both graceful and functional. Why can we not dress in such a fashion now? MRS. POOLE: Because this is England, and you would all catch your deaths of cold.

I really knew nothing about the dancing habits of the Scottish. But I wanted to help. "I could teach them Indian folk dances," I offered, scrounging my mind for school dances in gaudy garments. "Well, I'm not sure that they would be complex enough for competitions," she said. Pursing her lips, she blushed a dark, deep red. I knew I had said something wrong, but it took me a few days to understand the reason for Miss Manson's disapproval and discomfort. She blushed a beetroot red because I had unwittingly questioned the core belief of the school: British was Better.

More than anything though, I wanted to have a man's suit, male in every particular. Was I 'butch' as a little girl? No - I simply wanted not to have to wear dresses. Now, I adore the little summer frocks I have, always made to the same pattern. There is a subtle difference between a frock and a dress. Mine are all 'frocks'. They've all been made for me by various wardrobe mistresses on every film and play I've ever done. I look like a throwback to the 1950s but they're comfy and suit me and they ALL have pockets. Pockets are essential in my life, and every garment I own must have them.

Ever since I’d met Edna Parker Watson, I tried to wear suits whenever possible. Among other lessons, that woman had taught me that a suit will always make you look more chic and important than a dress. And not too much jewelry! “A majority of the time,” Edna said, “jewelry is an attempt to cover up a badly chosen or ill-fitting garment.

The natural elements of sunlight, water and air were not permitted to touch a woman’s bare skin. At the seaside, women made their laborious way through the water in heavy bathing costumes, covered from neck to ankles. Young girls in boarding schools and convents even had to take baths in long white garments, forgetting that they had bodies at all.

Gran Gran recalled the bloodstained dress she had taken off the girl. It was made of blue silk muslin and finely embroidered, stitched by somebody who knew what they were doing. She hated having to toss the ruined garment into the stove. The smell had sickened her. Since she was a girl, she had never forgotten the odor of beautiful things set afire. Such a waste!

Daemon picked her up, took her into the bathroom, and filled the tub with hot water. She’d been unnaturally quiet all day, and he’d feared she was becoming ill. Now he feared she was in shock. There were dark smudges beneath her eyes, and she didn’t seem to know where she was. She struggled when he tried to lift the nightgown over her head. “No,” she said feebly as she attempted to hold the garment down. “I know what girls look like,” Daemon snapped as he pulled off the nightgown and lifted her into the tub. “Sit there.” He pointed a finger at her. She stopped trying to get out of the tub. Daemon went into the bedroom and got the brandy and glass he kept tucked in the bottom drawer of the nightstand. Returning to the bathroom, he sat on the edge of the tub, poured a healthy dose into the glass, and handed it to her. “Drink this.” He watched her take a small taste and grimace before he put the bottle to his own lips and took a long swallow. “Drink it,” he said angrily when she tried to hand him the glass. “I don’t like it.” It was the first time he’d ever heard her sound so young and vulnerable. He wanted to scream. “What—” He knew. Suddenly, all too clearly, he knew. The mud, the dirge, her hands cut up from digging in the hard ground, the dirt beneath her fingernails. He knew. Daemon took another long swallow of brandy. “Who?” “Rose,” Jaenelle replied in a hollow voice. “He killed my friend Rose.

The nymphs in green? Delightful girls.’ ‘It is clear you have been a great while at sea, to call those sandy-haired coarse-featured pimply short-necked thick-fingered vulgar-minded lubricious blockheads by such a name. Nymphs, forsooth. If they were nymphs, they must have had their being in a tolerably rank and stagnant pool: the wench on my left had an ill breath, and turning for relief I found her sister had a worse; and the upper garment of neither was free from reproach. Worse lay below, I make no doubt. “La, sister,” cries the one to the other, breathing across me – vile teeth; and “La, sister,” cries the other. I have no notion of two sisters wearing the same clothes, the same flaunting meretricious gawds, the same tortured Gorgon curls low over their brutish criminal foreheads; it bespeaks a superfetation of vulgarity, both innate and studiously acquired. And when I think that their teeming loins will people the East . . . Pray pour me out another cup of coffee. Confident brutes.

The sky of my day is blue in a way that hurts all the unblueness inside me & there are thousands of lines that I could write next but I’m waiting to figure out which one is the best. I woke up in a puddle of sun & my soul was maybe raptured; if it was a garment it was undone like a girl & those parts of my heart. It’s impossible to predict when something you don’t want to forget will happen. I’d rather not miss it right away. I’d rather be struck by how necessary this is. —Nate Pritts, “Notes on the Morning,” Sweet Nothing (Lowbrow Press LLC, 2011)

(And so, although, or rather because her family looked upon her as an ally of demons, the girl from then on led a pampered life, and came to consider her blood as superior to theirs, and played shamelessly on their fear of the Mouser and Fafhrd and Black-beard, and finally made them give her all the golden coins, and with them purchased seductive garments after fortunate passage to a faraway city, where by clever stratagem she became the wife of a satrap and lived sumptuously ever afterwards—something that is often the fate of romantic people, if only they are romantic enough.)

Should the girls decide to go for a walk, they would need to change into a different outfit, a light woollen tweed suit and sturdier boots - but on simpler days, such as for the garden party, they make mercifully few changes. Cora, like many married ladies in her position, takes the opportunity on quiet afternoons to take off her corset and wear a teagown for an hour or two before getting into her evening dress. Its huge advantage was that it was always ornately decorated but simply cut, meaning it was the only garment a woman could conceivably get in and out of alone, as it could be worn without a corset underneath. Worn between five and seven o'clock, it gave rise to the French phrase 'cinq a sept'. This referred to the hours when lovers were received, the only time of day when a maid wouldn't need to be there to help you undress and therefore discover your secret. Lady Colin Campbell's divorce had hinged on the fact that her clothes had clearly been fastened by a man who didn't know what he was doing; when her lady's maid saw her for the next change, the fastenings were higgledy-piggledy. But for Cora, the teagown is not for any illicit behaviour, just for respite from her underpinnings.

Even from behind the screen, it was possible from certain angles for Sabbath to catch a glimpse of the audience, and whenever he spotted an attractive girl among the twenty or so students who had stopped to watch, he would break off the drama in progress or wind it down, and the fingers would start in whispering together. Then the boldest finger - a middle finger - would edge nonchalantly forward, lean graciously out over the screen, and beckon her to approach. And girls did come forward, some laughing or grinning like good sports, others serious, poker-faced, as though already mildly hypnotized. After an exchange of polite chitchat, the finger would begin a serious interrogation, asking if the girl had ever dated a finger, if her family approved of fingers, if she herself could find a finger desirable, if she could imagine living happily with only a finger... and the other hand, meanwhile, stealthily began to unbutton or unzip her outer garment. Usually the hand went no further than that; Sabbath knew enough not to press on and the interlude ended as a harmless farce. But sometimes, when Sabbath gauged from her answers that his consort was more playful than most or uncommonly spellbound, the interrogation would abruptly turn wanton and the fingers proceed to undo her blouse. Only twice did the fingers undo a brasserie catch and only once did they endeavor to caress the nipples exposed. And it was then that Sabbath was arrested.

It is now time to face the fact that English is a crazy language — the most loopy and wiggy of all tongues. In what other language do people drive in a parkway and park in a driveway? In what other language do people play at a recital and recite at a play? Why does night fall but never break and day break but never fall? Why is it that when we transport something by car, it’s called a shipment, but when we transport something by ship, it’s called cargo? Why does a man get a hernia and a woman a hysterectomy? Why do we pack suits in a garment bag and garments in a suitcase? Why do privates eat in the general mess and generals eat in the private mess? Why do we call it newsprint when it contains no printing but when we put print on it, we call it a newspaper? Why are people who ride motorcycles called bikers and people who ride bikes called cyclists? Why — in our crazy language — can your nose run and your feet smell?Language is like the air we breathe. It’s invisible, inescapable, indispensable, and we take it for granted. But, when we take the time to step back and listen to the sounds that escape from the holes in people’s faces and to explore the paradoxes and vagaries of English, we find that hot dogs can be cold, darkrooms can be lit, homework can be done in school, nightmares can take place in broad daylight while morning sickness and daydreaming can take place at night, tomboys are girls and midwives can be men, hours — especially happy hours and rush hours — often last longer than sixty minutes, quicksand works very slowly, boxing rings are square, silverware and glasses can be made of plastic and tablecloths of paper, most telephones are dialed by being punched (or pushed?), and most bathrooms don’t have any baths in them. In fact, a dog can go to the bathroom under a tree —no bath, no room; it’s still going to the bathroom. And doesn’t it seem a little bizarre that we go to the bathroom in order to go to the bathroom? Why is it that a woman can man a station but a man can’t woman one, that a man can father a movement but a woman can’t mother one, and that a king rules a kingdom but a queen doesn’t rule a queendom? How did all those Renaissance men reproduce when there don’t seem to have been any Renaissance women? Sometimes you have to believe that all English speakers should be committed to an asylum for the verbally insane: In what other language do they call the third hand on the clock the second hand? Why do they call them apartments when they’re all together? Why do we call them buildings, when they’re already built? Why it is called a TV set when you get only one? Why is phonetic not spelled phonetically? Why is it so hard to remember how to spell mnemonic? Why doesn’t onomatopoeia sound like what it is? Why is the word abbreviation so long? Why is diminutive so undiminutive? Why does the word monosyllabic consist of five syllables? Why is there no synonym for synonym or thesaurus? And why, pray tell, does lisp have an s in it? If adults commit adultery, do infants commit infantry? If olive oil is made from olives, what do they make baby oil from? If a vegetarian eats vegetables, what does a humanitarian consume? If pro and con are opposites, is congress the opposite of progress? ...

Faithful I have sought to be in all my ways Since my conception in fire and in water. “To be a fount of wisdom and purity of spirit Far more prized than veins of gold and silver And to this my soul has aspired. “Not due to my own pursuits That man named me the Faithful Elder. A Higher Oath than mine has fixed My pleasant boundaries And the times of my bursting forth into the open Not of my choosing. “The countenances of multitudes I have beheld And have seen them take delight in my greeting. They throng close to my doorway Men, women and children Eager witnesses of my mystery. “From every corner of the earth, bringing The languages of ancient lands upon their lips And their spices upon their garments. “And what they find takes on a meaning of its own Within each Amidst the resplendent pillar.

This is a dagger,” Bo said, drawing a dark blade as long as his forearm from a sheath hidden somewhere in the back of his armor. “No, this is a dagger,” Tarina countered, pulling an even longer silver weapon from somewhere among the tangled threads of her mossy garment, with a blade that spiraled like a corkscrew. “And those are not for beginners,” Sandor argued. “Let’s also not forget that Sophie is training with her weaker hand.” “But I have Tinker’s bracelet,” Sophie reminded him. “Which improves your strength, not your coordination,” he corrected. “I’d like you to get through today’s lesson without losing any fingers. Besides, any soldier worth the air they’re breathing can fight with any weapon.” “I’d be more willing to believe you,” Sophie noted, “if you weren’t holding that.” She pointed to Sandor’s dagger, which looked more like half a sword. Tarina snorted. “I like this girl.

He came softly, unobserved, and yet, strange to say, every one recognized Him. That might be one of the best passages in the poem. I mean, why they recognized Him. The people are irresistibly drawn to Him, they surround Him, they flock about Him, follow Him. He moves silently in their midst with a gentle smile of infinite compassion. The sun of love burns in His heart, light and power shine from His eyes, and their radiance, shed on the people, stirs their hearts with responsive love. He holds out His hands to them, blesses them, and a healing virtue comes from contact with Him, even with His garments. An old man in the crowd, blind from childhood, cries out, ‘O Lord, heal me and I shall see Thee!’ and, as it were, scales fall from his eyes and the blind man sees Him. The crowd weeps and kisses the earth under His feet. Children throw flowers before Him, sing, and cry hosannah. ‘It is He—it is He!’ all repeat. ‘It must be He, it can be no one but Him!’ He stops at the steps of the Seville cathedral at the moment when the weeping mourners are bringing in a little open white coffin. In it lies a child of seven, the only daughter of a prominent citizen. The dead child lies hidden in flowers. ‘He will raise your child,’ the crowd shouts to the weeping mother. The priest, coming to meet the coffin, looks perplexed, and frowns, but the mother of the dead child throws herself at His feet with a wail. ‘If it is Thou, raise my child!’ she cries, holding out her hands to Him. The procession halts, the coffin is laid on the steps at His feet. He looks with compassion, and His lips once more softly pronounce, ‘Maiden, arise!’ and the maiden arises. The little girl sits up in the coffin and looks round, smiling with wide-open wondering eyes, holding a bunch of white roses they had put in her hand.

She held up three hangers inside a vinyl garment bag and hooked them sideways on the coatrack to unzip. "Raw silk. Vintage. Sort of a purple-black." "Aubergine," he declared and cracked the opening wider. "I love a man who can make colors sound dirty." She grinned. "Cross-dyed." He wondered if Trip had helped pick this out, if he'd seen her model it and convinced her to splurge. "Great suit." "I gotta stand next to J.R. Ward. Feel me?" She fluttered her short nails at him. "Baby, I went and bought a pair of Givenchy boots I cannot even afford because the Warden is gonna be there in full effect, and you know what that means!" He didn't really, but he got the gist. "So you want nighttime for daytime." "Extra vampy, hold the trampy. Like, more Lust For Dracula than Breaking Dawn." Rina squeezed her shoulders together to amp her cleavage. "If I'm hauling the girls out, no way can I do sparkly anorexia.

But I never forgot Shosha. I dreamed of her at night. In my dreams she was both dead and alive. I played with her in a garden which was also a cemetery. Dead girls joined us there, wearing garments that were ornate shrouds. They danced in circles and sang songs. They swung, skated, occasionally hovered in the air. The birds there were different from any I knew. They were as big as eagles, as colorful as parrots. They spoke Yiddish. From the thickets surrounding the garden, beasts with human faces showed themselves. Shosha was at home in this garden, and instead of my pointing out and explaining to her as I had done in the past, she revealed to me things I hadn't known and whispered secrets in my ear. Her hair had grown long enough to reach her loins, and her flesh glowed like mother-of-pearl. I always awoke from this dream with a sweet taste in my mouth and the impression that Shosha was on longer living.

But I never forgot Shosha. I dreamed of her at night. In my dreams she was both dead and alive. I played with her in a garden which was also a cemetery. Dead girls joined us there, wearing garments that were ornate shrouds. They danced in circles and sang songs. They swung, skated, occasionally hovered in the air. I strolled with Shosha in a forest of gigantic trees that reached the sky. The birds there were different from any I knew. They were as big as eagles, as colorful as parrots. They spoke Yiddish. From the thickets surrounding the garden, beasts with human faces showed themselves. Shosha was at home in this garden, and instead of my pointing out and explaining to her as I had done in the past, she revealed to me things I hadn't known and whispered secrets in my ear. Her hair had grown long enough to reach her loins, and her flesh glowed like mother-of-pearl. I always awoke from this dream with a sweet taste in my mouth and the impression that Shosha was on longer living.

It was also then that the women of Ak&‌ccedil;ah started a new custom. Underneath their garments they wrapped cloth bands around their waists to squeeze them tight. They were so awed by Zekiye's thin waist that, for a while, they ignored Atiye when she reminded them that this waist-thinning method wouldn't work unless they had started very young. But the women kept their waistbands on until the sheep-mating season to see what would happeend. Then they all began to wheeze. They found that in their zeal for having thin waists they had afflicted themselves with shortness of breath, coughing, flushes and sweating. A few had sores on their hands, faces and other parts of their bodies. Three women had problems with their eyes and speech. And when their waists started to swell up like logs, they all took off the cloth bands. "We're well past the age of waist-thinning," they said. All the same, they considered it their duty as mothers to raise their daughters to be as slender as Zekiye. They took lessons in the art of waist-thinning from Atiye and soon discovered that plastic bags were more effective than cloth bands. Thereafter, whenever they had girl babies, they would wash them with three bowls of water as soon as the umbilical cord was cut and then wrap plastic bags around their waists, blowing prayers on them all the while.

She hadn’t always been obsessed with babies. There was a time she believed she would change the world, lead a movement, follow Dolores Huerta and Sylvia Mendez, Ellen Ochoa and Sonia Sotomayor. Where her bisabuela had picked pecans and oranges in the orchards, climbing the tallest trees with her small girlbody, dropping the fruit to the baskets below where her tías and tíos and primos stooped to pick those that had fallen on the ground, where her abuela had sewn in the garment district in downtown Los Angeles with her bisabuela, both women taking the bus each morning and evening, making the beautiful dresses to be sold in Beverly Hills and maybe worn by a movie star, and where her mother had cared for the ill, had gone to their crumbling homes, those diabetic elderly dying in the heat in the Valley—Bianca would grow and tend to the broken world, would find where it ached and heal it, would locate its source of ugliness and make it beautiful. Only, since she’d met Gabe and become La Llorona, she’d been growing the ugliness inside her. She could sense it warping the roots from within. The cactus flower had dropped from her when she should have been having a quinceañera, blooming across the dance floor in a bright, sequined dress, not spending the night at her boyfriend’s nana’s across town so that her mama wouldn’t know what she’d done, not taking a Tylenol for the cramping and eating the caldo de rez they’d made for her. They’d taken such good care of her. Had they done it for her? Or for their son’s chance at a football scholarship? She’d never know. What she did know: She was blessed with a safe procedure. She was blessed with women to check her for bleeding. She was blessed with choice. Only, she hadn’t chosen for herself. She hadn’t. Awareness must come. And it did. Too late. If she’d chosen for herself, she would have chosen the cactus spines. She would’ve chosen the one night a year the night-blooming cereus uncoils its moon-white skirt, opens its opalescent throat, and allows the bats who’ve flown hundreds of miles with their young clutching to their fur as they swim through the air, half-starved from waiting, to drink their fill and feed their next generation of creatures who can see through the dark. She’d have been a Queen of the Night and taught her daughter to give her body to no Gabe. She knew that, deep inside. Where Anzaldúa and Castillo dwelled, where she fed on the nectar of their toughest blossoms. These truths would moonstone in her palm and she would grasp her hand shut, hold it tight to her heart, and try to carry it with her toward the front door, out onto the walkway, into the world. Until Gabe would bend her over. And call her gordita or cochina. Chubby girl. Dirty girl. She’d open her palm, and the stone had turned to dust. She swept it away on her jeans. A daughter doesn’t solve anything; she needed her mama to tell her this. But she makes the world a lot less lonely. A lot less ugly.  

VIN RESISTED THE URGE TO PICK at her noblewoman’s dress. Even after a half week of being forced to wear one—Sazed’s suggestion—she found the bulky garment uncomfortable. It pulled tightly at her waist and chest, then fell to the floor with several layers of ruffled fabric, making it difficult to walk. She kept feeling as if she were going to trip—and, despite the gown’s bulk, she felt as if she were somehow exposed by how tight it was through the chest, not to mention the neckline’s low curve. Though she had exposed nearly as much skin when wearing normal, buttoning shirts, this seemed different somehow. Still, she had to admit that the gown made quite a difference. The girl who stood in the mirror before her was a strange, foreign creature. The light blue dress, with its white ruffles and lace, matched the sapphire barrettes in her hair. Sazed claimed he wouldn’t be happy until her hair was at least shoulder-length, but he had still suggested that she purchase the broochlike barrettes and put them just above each ear. “Often, aristocrats don’t hide their deficiencies,” he had explained. “Instead, they highlight them. Draw attention to your short hair, and instead of thinking you’re unfashionable, they might be impressed by the statement you are making.” She also wore a sapphire necklace—modest by noble standards, but still worth more than two hundred boxings. It was complemented by a single ruby bracelet for accentuation. Apparently, the current fashion dictated a single splash of a different color to provide contrast. And it was all hers,

So Dad was a tedious, well-connected workaholic. But the other thing you need to understand is that Mom was a living wet dream. A former Guess model and Miller Lite girl, she was tall, curvy and gorgeous. At thirty-eight, she had somehow managed to remain ageless and maintained her killer body. She’s five-foot-nine with never-ending legs, generous breasts and full hips that scoop dramatically into her slim waist. People who say Barbie’s proportions are unrealistic obviously never met my stepmother. Her face is pretty too, with long eyelashes, sculpted cheekbones and big, blue eyes that tease and smile at the same time. Her long brown hair rests on her shoulders in thick, tousled layers like in one of those Pantene Pro-V commercials. One memory seared in to my brain from my early teenage years is of Mom parading around the house one evening in nothing but her heels and underwear. I was sitting on the couch in the living room watching TV when a flurry of long limbs and blow-dried hair burst in front of the screen. “Teddy-bear. Do you know where Silvia left the dry cleaning? I’m running late for dinner with the Blackwells and I can’t find my red cocktail dress.” Mom stood before me in matching off-white, La Perla bra and panties and Manolo Blahnik stilettos. Some subtle gold hoop earrings hung from her ears and a tiny bit of mascara on her eye lashes highlighted her sparkling, blue eyes. Aside from the missing dress, she was otherwise ready to go. “I think she left them hanging on the chair next to the other sofa,” I said, trying my best not to gape at Mom’s perfect body. Mom trotted across the room, her heels tocking on the hard wood floor. I watched her slim, sexy back as she lifted the dry cleaning onto the sofa and then bent over to sort through the garments. My eyes followed her long mane of brown hair down to her heart-shaped ass. Her panties stretched tightly across each cheek as she bent further down. “Found it!” She cried, springing back upright, causing her 35Cs to bounce up and down from the sudden motion. They were thrusting proudly off her ribcage and bulging out over the fabric of the balconette bra like two titanic eggs. Her supple skin pushed out over the silk edges. And then she was gone as quickly as she had arrived, her long legs striding back down the hallway.

While the following tragedy may be revolting to read, it must not be forgotten that the existence of it is far more revolting. In Devonshire Place, Lisson Grove, a short while back died an old woman of seventy-five years of age. At the inquest the coroner's officer stated that all he found in the room was a lot of old rags covered with vermin. He had got himself smothered with the vermin. The room was in a shocking condition, and he had never seen anything like it. Everything was absolutely covered with vermin.' The doctor said: 'He found deceased lying across the fender on her back. She had one garment and her stockings on. The body was quite alive with vermin, and all the clothes in the room were absolutely gray with insects. Deceased was very badly nourished and was very emaciated. She had extensive sores on her legs, and her stockings were adherent to those sores. The sores were the result of vermin. Over her bony chest leaped and rolled hundreds, thousands, myriads of vermin.' A man present at the inquest wrote; 'I had the evil fortune to see the body of the unfortunate woman as it lay in the mortuary; and even now the memory of that gruesome sight makes me shudder. There she lay in the mortuary shell, so starved and emaciated that she was a mere bundle of skin and bones. Her hair, which was matted with filth, was simply a nest of vermin. If it is not good for your mother and my mother so to die, then it is not good for this woman, whosoever's mother she might be, so to die. Bishop Wilkinson, who has lived in Zululand, recently said, 'No headman of an African village would allow such a promiscuous mixing of young men and women, boys and girls.' He had reference to the children of the overcrowded folk, who at five have nothing to learn and much to unlearn which they will never unlearn. It is notorious that here in the Ghetto the houses of the poor are greater profit earners than the mansions of the rich. Not only does the poor worker have to live like a beast, but he pays proportionately more for it than does the rich man for his spacious comfort. A class of house-sweaters has been made possible by the competition of the poor for houses. There are more people than there is room, and numbers are in the workhouse because they cannot find shelter elsewhere. Not only are houses let, but they are sublet, and sub-sublet down to the very rooms.

To those who have looked at Rome with the quickening power of a knowledge which breathes a growing soul into all historic shapes, and traces out the suppressed transitions which unite all contrasts, Rome may still be the spiritual centre and interpreter of the world. But let them conceive one more historical contrast: the gigantic broken revelations of that Imperial and Papal city thrust abruptly on the notions of a girl who had been brought up in English and Swiss Puritanism, fed on meagre Protestant histories and on art chiefly of the hand-screen sort; a girl whose ardent nature turned all her small allowance of knowledge into principles, fusing her actions into their mould, and whose quick emotions gave the most abstract things the quality of a pleasure or a pain; a girl who had lately become a wife, and from the enthusiastic acceptance of untried duty found herself plunged in tumultuous preoccupation with her personal lot. The weight of unintelligible Rome might lie easily on bright nymphs to whom it formed a background for the brilliant picnic of Anglo-foreign society; but Dorothea had no such defence against deep impressions. Ruins and basilicas, palaces and colossi, set in the midst of a sordid present, where all that was living and warm-blooded seemed sunk in the deep degeneracy of a superstition divorced from reverence; the dimmer but yet eager Titanic life gazing and struggling on walls and ceilings; the long vistas of white forms whose marble eyes seemed to hold the monotonous light of an alien world: all this vast wreck of ambitious ideals, sensuous and spiritual, mixed confusedly with the signs of breathing forgetfulness and degradation, at first jarred her as with an electric shock, and then urged themselves on her with that ache belonging to a glut of confused ideas which check the flow of emotion. Forms both pale and glowing took possession of her young sense, and fixed themselves in her memory even when she was not thinking of them, preparing strange associations which remained through her after-years. Our moods are apt to bring with them images which succeed each other like the magic-lantern pictures of a doze; and in certain states of dull forlornness Dorothea all her life continued to see the vastness of St. Peter's, the huge bronze canopy, the excited intention in the attitudes and garments of the prophets and evangelists in the mosaics above, and the red drapery which was being hung for Christmas spreading itself everywhere like a disease of the retina. Not that this inward amazement of Dorothea's was anything very exceptional: many souls in their young nudity are tumbled out among incongruities and left to "find their feet" among them, while their elders go about their business. Nor can I suppose that when Mrs. Casaubon is discovered in a fit of weeping six weeks after her wedding, the situation will be regarded as tragic. Some discouragement, some faintness of heart at the new real future which replaces the imaginary, is not unusual, and we do not expect people to be deeply moved by what is not unusual. That element of tragedy which lies in the very fact of frequency, has not yet wrought itself into the coarse emotion of mankind; and perhaps our frames could hardly bear much of it. If we had a keen vision and feeling of all ordinary human life, it would be like hearing the grass grow and the squirrel's heart beat, and we should die of that roar which lies on the other side of silence. As it is, the quickest of us walk about well wadded with stupidity.

He plunged headlong into the tangle, hacking right and left with his curved blade. He saw the red-haired girl huddled in a narrow passageway between two houses. Her garments had been torn to shreds, and her flesh was raked and bruised. She was scrambling to her feet, still clutching the short dagger that had cut down a bandit. But before she could kick clear of her dead captor, another raider saw her and closed in.

Tell her what you want to tell her then, Cass.” Cass gave Siena a quick summary of what she and Falco had discovered at the graveyard. The maid’s eyes got bigger and bigger as Cass relayed finding the open crypt door and the body, and then receiving the note. “But Signorina Cass, you might be in danger!” “That’s why we’re going to figure out who’s responsible,” Cass said, with more confidence than she felt. “Speaking of which…” Falco nodded at the costume bag, which Cass had completely forgotten. A silky garment, trimmed with lace and beaded elaborately, had fallen out during the scuffle. Siena looked down, and even in the flickering light, Cass could see that her pale skin went bright pink. The lady’s maid knelt to retrieve the outfit, a low-cut satin chemise. She pressed the clothing into Cass’s hands without meeting her eyes. Cass felt her own face get red. “It’s--it’s just a costume. We’re going to try to locate some of the dead girl’s patrons.” “You mean you’re going to masquerade as a…” The shy maid couldn’t choke out the rest. “Hired woman,” Cass confirmed, wondering if it would have been easier just to let Siena believe that she and Falco had met up for a tryst. She wasn’t sure which would have been more scandalizing. “I know it’s dangerous, but it’s more dangerous to do nothing while a madman plots against me. And Falco will be by my side the whole time. Please don’t tell my aunt.” Siena didn’t say anything for a minute. She looked back and forth from Cass to Falco. Finally, she nodded. And then, to Cass’s amazement, her red face lit up with a huge smile. “You’ll need me to do your hair, Signorina.” “Hair?” Cass wasn’t sure she had heard correctly. “What are you talking about?” “Your hair and your makeup.” Siena reached out to stroke Cass’s thick hair. “Otherwise, no one will believe you are anything other than a noblewoman. I’ll put the sides in braids, and twist the back into a knot.” Falco nodded approvingly at Siena. “Excellent idea. We want to make sure everyone can see that beautiful face tonight.” Cass thought her skin might turn permanently red if she continued blushing.

Where is my dress?" "Oh...." He looked to his left, where the garment was slowly sinking beneath the water. "It's right there, about to make some little girl fish's night. Imagine how pretty she'll look, Hailey.

A garment made of cobwebs and mist.

What Do Women Want?” Kim Addonizio I want a red dress. I want it flimsy and cheap, I want it too tight, I want to wear it until someone tears it off me. I want it sleeveless and backless, this dress, so no one has to guess what’s underneath. I want to walk down the street past Thrifty’s and the hardware store with all those keys glittering in the window, past Mr. and Mrs. Wong selling day-old donuts in their café, past the Guerra brothers slinging pigs from the truck and onto the dolly, hoisting the slick snouts over their shoulders. I want to walk like I’m the only woman on earth and I can have my pick. I want that red dress bad. I want it to confirm your worst fears about me, to show you how little I care about you or anything except what I want. When I find it, I’ll pull that garment from its hanger like I’m choosing a body to carry me into this world, through the birth-cries and the love-cries too, and I’ll wear it like bones, like skin, it’ll be the goddamned dress they bury me in.

What she revealed was not sexy lingerie, but a supportive piece of athletic equipment. After the consolation match that preceded the championship game, both Brazilian and Norwegian players removed their jerseys and exchanged them on the floor of the Rose Bowl. Chastain had previously removed her jersey after regulation to air it out. While training in Florida, the players frequently doffed their shirts after practice in the smothering heat, and they sometimes gave interviews in their sports bras, which were items of utility, not titillation. Chastain 'has brought instant attention to a piece of clothing that is humble and practical, not a traditional bra of shine and lace and cleavage, but a sturdy compression garment,' wrote Ann Gerhart of the Washington Post. 'The sports bra is the cloth symbol of Title IX's success.

He watched his former schoolmates as they flocked in now, boisterously, each one with a noisy greeting. They were the same people. He could recognize them, in spite of their disguises of modern garments. Yet they seemed to have changed indefinably, to have coarsened and cheapened themselves, to have grown brazen and hard. It wasn’t just that they were older—the make-up of the girls had hidden age to a certain extent—it was that they seemed to have lost illusions, to be without that eager look of youth with its natural hopefulness. They were not old enough to have lost those things. It was almost as if they had lost joy or all hope of it. He had seen that look on men and women of the world, but these who had lived in the home town and grown up with him, these ought not to have it, not yet anyway—not so soon. Why, in some cases it almost seemed as if they were wildly unhappy and were trying to keep the world from finding it out, as if their very laughter were hollow with pain!

David Sassoon For several decades, British designer David Sassoon has provided the best in evening wear for fashionable and famous customers from his high-profile store in London. His work has been featured in many international fashion shows and museums throughout the world, and his garments are in high demand at such notable stores as Sak’s Fifth Avenue, Harrods, and Neiman Marcus. The Princess of Wales would often make surprise visits to my shop, as I had made her going-away dress and many other outfits for her trousseau. In August 1982, Diana came to my shop with Lady Sarah Armstrong-Jones, the daughter of Princess Margaret, who had been a bridesmaid at Diana’s wedding. The Princess was wearing a blue-and-white-striped sailor-style two-piece outfit; Sarah wore a white shirt and a cotton skirt, as it was a very hot day. Diana said that she would like to choose a long evening dress for Sarah as a present. The dress was to be worn at a ball at Balmoral Castle. This was Sarah’s first long dress, and Diana wanted her to have her dream dress. There were lots of giggles and excitement as Diana helped Sarah try on some of the dresses, and the dressing room was full of laughter. Finally, Sarah chose a bright red strapless taffeta ball dress, which made her feel very grown up. We brought them tea while the dress was being fitted, and Sarah, who obviously adored Diana, listened to her advice about what accessories would complement the dress. Sarah was so excited about her beautiful and glamorous present when they left the shop. Diana had made a young girl’s dream come true.

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The nymphs in green? Delightful girls.’ ‘It is clear you have been a great while at sea, to call those sandy-haired coarse-featured pimply short-necked thick-fingered vulgar-minded lubricious blockheads by such a name. Nymphs, forsooth. If they were nymphs, they must have had their being in a tolerably rank and stagnant pool: the wench on my left had an ill breath, and turning for relief I found her sister had a worse; and the upper garment of neither was free from reproach. Worse lay below, I make no doubt.

Zandra Rhodes Zandra Rhodes is a British fashion designer who specializes in innovative textile design. Internationally recognized for her glamorous and dramatic style, she was honored by Queen Elizabeth II in 1997 and made a Commander of the British Empire. Currently in high demand by the rich and famous worldwide, Zandra designed many garments for Diana during the nineties. Princess Diana married very young. She was a perfect, unspoiled flower with a strong, generous inner spirit, which she was probably unaware of when she married Prince Charles. She was thrust unprepared into the position of future queen of England. She had to grow up and mature in front of the public eye. That public eye was hard, judgmental, and unforgiving. Her strong inner spirit guided her to do things that normally someone in her position would not do--it would have been suppressed. Diana acted in a very genuine, caring, and natural way. I was bicycling to work in London along the leafy Bayswater Road in very casual working clothes when a huge official limousine passed me. Against the rear window were two beautiful hats; the car was obviously going to Ascot. The two young girls in the car were waving at me (very enthusiastically), one with golden corn-colored hair and the other one blond. They looked exactly like Princess Diana and Sarah Ferguson, the Duchess of York. I thought, “It cannot be them, they would not be so friendly, casual, and outgoing, and anyway, it’s the wrong side of Kensington Palace, and cars going to Ascot do not come along this road.” I pretended I had not seen them and carried on cycling. A few weeks later, I was fitting the Princess in Kensington Palace and she said to me, “Are you still riding your bike?” “Yes,” I replied. It was not until I left and drove my car out of the palace grounds that I realized the route took me exactly to the Bayswater Road, where I had seen the two waving girls! Princess Diana always tried to make me feel at home when I was fitting her. She would talk about the problems of being recognized: how she came out of her gym in Kensington High Street in the pouring rain and bumped into a famous actor. As he entered the street, he hunched his shoulders and put on dark glasses. Princess Diana said to him, “I hope they disguise you more than they do me!

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Cecy, this is hardly the time and place for—” “A tryst?” She laughed. “You think I mean to trap you in this secluded cottage and have my wicked way with you? You should be so lucky. No, remove your shirt. I want a look at your arm.” “My arm?” His eyes narrowed. “Which one?” “Which one do you think?” She crossed to him and began unknotting the cravat at his neck. “The one you injured while wrestling the boar last night.” Oh, the look on his face . . . Cecily wanted to kiss him. He was so adorably befuddled. At last, he’d let slip that hard mask of indifference he’d been wearing since his arrival at Swinford Manor. And in its place—there was Luke. Engaging green eyes, touchable dark brown hair, those lips so perfectly formed for roguish smiles and tender kisses alike. This was the man she’d fallen in love with. The man she still loved now. Yes, he’d changed, but she had too. She was older, wiser, stronger than the girl she’d been. This time, she wouldn’t let him go. “You knew?” She smiled. “I knew.” His breath hitched as she slipped the cravat from his neck. Attempting to ignore the wedge of bare chest it revealed, and the mad pounding of her blood that view inspired, Cecily set to work on his waistcoat buttons. “How?” he asked, obeying her silent urgings to shed the garment. “How did you know?” “It’s a fortunate thing you weren’t assigned to espionage. You’ve no talent for disguise whatsoever. If I hadn’t suspected already, I would have figured it out this afternoon. My stocking was found in this remote cottage, and you just happen to know the secrets of the door latch? Then there’s the fact that you’ve been favoring your arm since breakfast.” She undid the small closure of his shirtfront before turning her attention to his cuffs. “But I knew you last night. I’d know your voice anywhere, not to mention your touch.” She gave a shaky sigh, unable to meet his questioning gaze. “It’s like you said, Luke. You still make me tremble, even after all these years.” His voice was soft. “I don’t even know why I followed you. The way we’d parted so angrily . . . I just couldn’t let you go, not like that.” “And I’m glad of it. You saved my life.

Question three: * When you were wearing pretty frocks and playing with dolls, did you feel less than a boy? How did you feel or react when you saw other boys playing with ‘boyish’ toys like miniature toy soldiers, train sets, etc.? Answers: a) No, I did not feel any less a boy when I was dressed in girls’ clothes. I thought girls’ garments were more creative and imaginative than boys’. In fact, I often wondered why boys’ clothes were so boring and mundane compared to what my mother dressed me in. b) Playing with dolls came naturally to me. It might be because, from the moment I opened my little eyes, I was surrounded by dolls. I did enjoy playing dress-up with my doll collection, especially the Barbies, which in later years I saved my own money to purchase. Round about ages 5 or 6, I began taking a keen interest in designing Barbie dolls’ clothes. There were times in the middle of the night, after I went to bed when the house lights were off, I would shine a light under the sheets to begin the process of making and dressing my dolls. I enjoyed doing that when there was nobody to bother me and I had all the time needed to craft these feminine creations. c) Train sets, toy soldiers or ‘toys for boys’ never interested me. They seemed too mechanical and bloodthirsty, fighting and killing each other all the time. These warlike sports were not to my liking. I don’t understand why boys take great pride in killing, beating each other. Is that what being manly is about?

Grown people were so strangely oblivious to the truly important things of life. Material for new garments, of night or day, could be bought in any shop for a trifling sum and made up out of hand. But if a dream escape you, in what market-place the wide world over can you hope to regain it? What coin of earthly minting will ever buy back for you that lost and lovely vision?

Among the more important letters written by Gandhi in the first half of 1926 was one to his son Manilal. Still based in Natal, running the Phoenix Ashram, Manilal had fallen in love with a girl named Fatima Gool, whose parents, based in Cape Town, were also of Gujarati descent, but Muslim rather than Hindu. Fatima loved Manilal too, and was even amenable to the idea of converting to Hinduism. When Manilal wrote to his father about the relationship, Gandhi conveyed his strong disagreement, writing to his son that 'what you desire is contrary to dharma. If you stick to Hinduism and Fatima follows Islam it will be like putting two swords in one sheath; or you both may lose your faith. And then what should be your children’s faith?... It is not dharma, only adharma if Fatima agrees to conversion just for marrying you. Faith is not a thing like a garment which can be changed to suit our convenience. For the sake of dharma a person shall forgo matrimony, forsake his home, why, even lay down his life; but for nothing may faith be given up. May not Fatima have meat at her father’s? If she does not, she has as good as changed her religion.' Gandhi continued: ‘Nor is it in the interests of our society to form this relationship. Your marriage will have a powerful impact on the Hindu–Muslim question. Intercommunal marriages are no solution to this problem. You cannot forget nor will society forget that you are my son.’ Manilal seems to have asked his father to speak to his mother on his behalf. ‘I cannot ask for Ba’s permission,’ said Gandhi. ‘She will not give it. Her life will be embittered for ever'.

As for Norah, she was more than happy to take Jessica’s money. In fact, lately, whenever Norah wanted new clothes, she simply emailed links to Jessica and a few days later the desired garments showed up in boxes on her doorstep. It was like Uber Clothes, except they didn’t charge her card.

The girl was almost nude! Miserably she tried to cover her sketchily brassiered breasts with her forearms. Her only other garment consisted of a sheer mesh step-in which clung to her hips with shy intimacy. Her body was a series of lilting feminine curves and creamy contours—curves and contours which set Frisco Freddie’s blood leaping up toward the boiling-point in his hammering veins.

No one loved him. His head burnt up lies and licentiousness in twilit rooms. The blue rustling of a woman's dress turned him into a pillar of stone and in the doorway stood the night-dark figure of his mother. Over his head reared the shadow of Evil. O, you nights and stars. At evening he walked by the mountain with the cripple; upon the icy summit lay the roseate gleam of sunset and his heart rang quietly in the twilight. The stormy pines sank heavily over them and the red huntsman stepped out of the forest. When night fell, his heart broke like crystal and darkness beat his brow. Beneath bare oak trees with icy hands he strangled a wild cat. At the right hand appeared the white form of an angel lamenting, and in the darkness the cripple's shadow grew. But he took up a stone and threw it at the man that he fled howling, and sighing the gentle countenance of the angel vanished in the shadow of the tree. Long he lay on the stony field and gazed astonished at the golden canopy of the stars. Pursued by bats he plunged into darkness. Breathless he stepped into the derelict house. In the courtyard he, a wild animal, drank from the blue waters of the well till he felt the chill. Feverish he sat on the icy steps, raging against God that he was dying. O, the grey countenance of terror, as he raised his round eyes over the slit throat of a dove. Hastening over strange stairways he encountered a Jewish girl and clutched at her black hair and he took her mouth. A hostile force followed him through gloomy streets and an iron clash rent his ear. By autumnal walls he, now an altar boy, quietly followed the silent priest; under arid trees in ecstasy he breathed the scarlet of that venerated garment. O, the derelict disc of the sun. Sweet torments consumed his flesh. In a deserted half-way house a bleeding figure appeared to him rigid with refuse. He loved the sublime works of stone more deeply; the tower which assails the starry blue firmament with fiendish grimace; the cool grave in which Man's fiery heart is preserved. Woe to the unspeakable guilt which declares all this. But since he walked down along the autumn river pondering glowing things beneath bare trees, a flaming demon in a mantle of hair appeared to him, his sister. On awakening, the stars about their heads went out.

Madame Egloff, who stood, hands held out in front of her, expressing her admiration. ‘Please make the alterations, Madame, and have the gowns sent round to Brown’s Hotel by the weekend.’ Half an hour later, when they left Madame Egloff’s salon, Sophie had been dressed and pinned into each of the garments Matty had chosen, and promises had been made to deliver the clothes to the hotel by Saturday morning at the latest. * Monday morning saw them at Paddington Station being conducted to a private compartment on the train. Sophie had never travelled in such style before, being more used to the uncomfortable rowdiness of a third-class carriage, but Matty had insisted. ‘I always travel this way,’ she said. ‘The journey is quite tiring enough without being crammed in next to crying children and shrill women.’ Having directed the porter to place their luggage in the guard’s van, Matty had settled herself into their compartment with a copy of the new Murray’s Magazine, which she had bought from a news-stand at the station. Beside her on the seat was a hamper, provided by Brown’s, with the food and drink they would need for the journey. As the train drew out of the station and started its long journey west, Sophie felt keyed up with anxious anticipation and was grateful for the comforting presence of Hannah, ensconced on the other side of the compartment. Dressed in her new plaid travelling dress, with a matching hat perched on her head, Sophie knew she was a different person from the one who had sat at her dying mother’s bedside, holding her hand. No longer a young girl on the brink of adulthood... but who? There had been too much change in her life in the past weeks that she still had to come to terms with. Who am I? she wondered. I don’t feel like me! She looked across at Hannah, so familiar, so safe, huddled in a corner, her eyes shut as she dozed, and Sophie felt a wave of affection flood through her. Dear Hannah, she thought, I’m so glad you came too. When they had left Madame Egloff, Matty had taken Sophie for afternoon tea at Brown’s. Looking round the famous tea room, with its panelled walls, its alcoved fireplace and its windows giving onto Albemarle Street, Sophie

In 1429, a seventeen-year-old girl who would soon come to be renowned as Jehanne la Pucelle (“Jeanne, the maiden”) left a small town in northeast France to offer her services as a military strategist to Charles VII, the Dauphin—or heir to the throne—whose forces were losing a protracted war against English partisans threatening to displace him. At first, no one took her seriously, but Jehanne’s determination overcame initial resistance: her skill and insight helped the French develop new battle plans and her courage inspired the demoralized troops. Under Jehanne’s leadership, the French forces successfully thwarted a siege on the city of Orleans. Later she led a campaign to retake the city and cathedral of Reims, where the kings of France had been crowned ever since the Frankish tribes were united under one ruler, allowing the Dauphin to be crowned king in the ancient tradition. Jehanne’s remarkable successes seemed divinely ordained, which necessarily implied Charles’s divine right to rule France. In 1430 Jehanne was captured in battle and imprisoned. An ecclesiastical tribunal stacked with English partisans tried her for heresy. But Jehanne’s faith was beyond reproach. She showed an astonishing familiarity with the intricacies of scholastic theology, evading every effort to lure her into making a heretical statement. Unable to discredit her faith through her verbal testimony, the tribunal seized on the implicit statements made by Jehanne’s attire. In battle, she wore armor, which required linen leggings and a form-fitting tunic fastened together with straps—both traditionally masculine attire—and, like the men she fought alongside, she adopted this martial attire when off the battlefield as well. Citing the biblical proscription in Deuteronomy 22:5 (KJV) which warns, “A woman shall not wear anything that pertains to a man, nor shall a man put on a women’s garment, for all who do are an abomination to the Lord your God,” the tribunal charged Jehanne with heresy. They burned her at the stake in 1431.

BEATRICE: Why is it necessary to categorize people in that fashion? Why can we not all wear whatever we wish, whatever is useful and aesthetically pleasing? I believe that someday we shall all wear garments that are light and of a pleasing texture, easy to put on and take off. At the same time, they will express the aspirations of the spirit.

She was the exact image of the Wicked Fairy who had terrorised her childish dreams. To begin with, she was only four foot eight or nine. It was a child's stature but not a childish face. The cheeks were pendulous and the nose curved. The eyes were very keen and black. And black too was the elaborately dressed hair—coal black without a grey hair to soften it. It lay above the peering brow in elaborate folds and scallops, tight, neat, and extraordinarily artificial. She wore a curious black velvet garment pinned in front with an elaborate and apparently very valuable diamond brooch.

Eric?” “Yes?” “If your phone was in your pocket, then what’s that in your hand?” A short, yet awkward silence ensued— “There he is! That’s the pervert who stole my underwear!” —At least, it did until a horde of girls ran up and one of them pointed at Eric before shouting. “Uh-oh.” Eric leapt from his seat. “Here, hold these.” He shoved what he’d been holding into Lindsay’s hands and then bolted. “GET BACK HERE, YOU DAMN PERVERT!” “YOU’LL NEVER TAKE ME ALIVE!” Eric shouted back at the girls. Unfortunately, because he had turned his head to do so, he wasn’t watching where he was going and tripped over a chair. The girls used that opportunity to swarm him like hungry piranhas. Soon, the perverted young man’s screams filled the air. Throughout it all, Lindsay sat there, blinking as she looked down at the item in her hands. It was an article of clothing. To be more precise, it was a pair of panties. She stared at the white lace garment in her hands, trying to resist the temptation. Don’t do it, Lindsay. You’re better than this. You’re better than Eric. You don’t want to do this. But she did. She did want to do this. After discreetly looking around to make sure no one was watching her, Lindsay held the panties up to her face and took several deep whiffs. “These… these smell really good,” she mumbled before noticing her audience. Alex and Andrew were gawking at her, their jaws wide enough that a fist could have passed through them, and their eyes the size of hockey pucks. Lindsay blushed and went back to her salad. The rest of lunch was very awkward.

The princess was dressed in one of the girl’s modest gray frocks, a leather belt secured snugly at her waist. Somehow, the lady managed to make even the simple garment look regal.

Armed with the garments of a woman I would never know, accepting the help of the only woman I truly knew and trusted, I was ready to become the woman I wanted to be.

A Wife of Noble Character 10[*]Who can find a virtuous and capable wife?        She is more precious than rubies. 11 Her husband can trust her,        and she will greatly enrich his life. 12 She brings him good, not harm,        all the days of her life. 13 She finds wool and flax        and busily spins it. 14 She is like a merchant’s ship,        bringing her food from afar. 15 She gets up before dawn to prepare breakfast for her household        and plan the day’s work for her servant girls. 16 She goes to inspect a field and buys it;        with her earnings she plants a vineyard. 17 She is energetic and strong,        a hard worker. 18 She makes sure her dealings are profitable;        her lamp burns late into the night. 19 Her hands are busy spinning thread,        her fingers twisting fiber. 20 She extends a helping hand to the poor        and opens her arms to the needy. 21 She has no fear of winter for her household,        for everyone has warm[*] clothes. 22 She makes her own bedspreads.        She dresses in fine linen and purple gowns. 23 Her husband is well known at the city gates,        where he sits with the other civic leaders. 24 She makes belted linen garments        and sashes to sell to the merchants. 25 She is clothed with strength and dignity,        and she laughs without fear of the future. 26 When she speaks, her words are wise,        and she gives instructions with kindness. 27 She carefully watches everything in her household        and suffers nothing from laziness. 28 Her children stand and bless her.        Her husband praises her: 29 “There are many virtuous and capable women in the world,        but you surpass them all!” 30 Charm is deceptive, and beauty does not last;        but a woman who fears the LORD will be greatly praised. 31 Reward her for all she has done.        Let her deeds publicly declare her praise. Ecclesiastes 1   2   3   4   5   6   7   8   9   10   11   12

She was wearing a long white Juliet-style nightgown. I was not exactly a ladies' man, but I had been with enough women to know that these weren't garments women wore to bed anymore.

But it was time for Monday morning. The great arbiter of fresh starts and calendars stretching for days on end. Office workers in Park Avenue corner offices and pattern makers in Garment District walk-ups were drunk with the possibility of a whole week set before them like a new school year to a class full of wide-eyed kindergarteners. The idea that there was so much time to make things happen.

Part Two: When St. Kari Met Darth Vader, Star Wars Dark Lord of the Sith  “What are those?” Kari shouted grasping Luke’s arm as her eyes jolted nervously into the air. “I’ve never seen such pretty planets before.” Luke tracked her line of vision and grimmed as he spotted three Corellian Imperial Star Destroyers coming out of hyperspace into the same vortex that his own damaged ship was whirlpooled into. They appeared to be stabilizing the vortex opening by their anti-gravity wells maintaining their relative positional orbit. “Hey’st, what are those white things? They look like men. Surely they are not ghosters, are they?” pawed Kari at Luke to get him to see. “Imperial troopers,” shot Luke, grabbing her arm back. “There’s too many of them C’mon, we got to hide.” “What’s does that mean? And what are those red light-thingy’s coming toward us?” Instantly Kari and Luke were inundated by a barrage of suppressing E-11 blaster rifle fire. Luke flinched out of reaction while Kari stood upright seemingly oblivious to the inherent danger. He was struck to see the girl-entity pluck a laser bolt out of the air and examine it with an other worldly look, as if it were a rare flower in a garden. “I like this,” she smiled. “I’ll pin it to my cloak.” And doing so she did, it maintaining its fiery penetrating redness that did nothing more than to adorn the girl’s wardrobe for quite some time momentarily puzzling Luke. Usually they burnt out quickly. “Can I get some more of these?” she politely asked Luke. “Not right now,” drawled Luke peering over a boulder. “If they capture us we’ve had it.” “Had what?” asked Kari naïvely. “Them ghost-men you mean’st? Oh, don’t worry, Walker of the Skies, just leave it to me,” and with that Kari pulled her blade and sashayed toward the Imperial clones humming her favorite Top 10 battle hymns. “Wait!” Luke shouted trying to snatch her back but it was too late. Luke never saw anything such as this. Like Han, he had seen a lot of strange galactic stuff in his time. Kari had become a misty blur and was skipping across the battlefield as some sort of sword-brandishing luminescence, hovering for a short time over those she slain. “Hey, Walkersky, these spirits don’t have any souls,” she yelled looking up from her blood soaked garments. What do you want me to do with the rest, kill ’em?” “I, uh ,” was all he managed to get out of his mouth as he rubbed his jaw. Kari shrugged and went back to work, picking off the whole brigade by herself. “See’st? I told’st thou not to worry” Kari said panting, coming up to Luke and sitting besides him. “What now?” “We gotta get outta here before more Imperials arrive.” “Untruth oats?” (Nether Trans. “art thou nuts?”) “Run from battle?—is that that what means?” “It means Vader’s coming—.” go to part ii con't

A PRAYER FOR ALL NATIONS Heavenly Father we come before your throne of grace with a humbled and a repented heart, help us Lord display your love, peace and unity to all creations in the name of Jesus. Father God all nations are in crisis and they are all hurting from all sorts of trails and tribulations right now. They are facing poverty, natural disasters, wars, viruses and diseases, hatred, witchcraft, killings of women and girls and the list goes on in the name of Jesus. Lord have mercy on us, forgive us and help us to reach out and touch the hem of your garment(Matthew 9:20-22) so we may be healed and delivered from the evil one in the mighty name of Jesus. Father God in the name of Jesus we pray for all governmental leaders and we ask you Lord to open their eyes to see you as the living God, the God of all nations and help them to believe the real truth and acknowledge your rulership. Give them wisdom and understanding of the importance of humanity and help them to follow the godly rulings. Fill their hearts with the spirit of compassion and kindness and fill every nation with peaceful hearts and minds in the name of Jesus. Heavenly Father help us to rise up as the body of Christ and be the natural love givers to the most unloved nations, peace makers to all nations and unifier supporters to the most divided nations and bring the Lordship of Jesus Christ in every nation. Father God we claim Genesis 12:2-3 for every nation on planet earth in the name of Jesus. 2’I will make you into a great nation. I will bless you and make you famous, and you will be a blessing to others. 3’I will bless those who bless you and curse those who treat you with contempt. All families on earth will be blessed through you’(NLT). Thank you Lord for your unconditional love, your faithfulness and your promises in the mighty name of Jesus amen. Your promises are YES and AMEN

Christmas Town is ruled by a terrible king. His arms are thick as tree trunks. His voice is deep as the mud at the bottom of the lake.” “Ooh,” Mummy Boy said with a shiver. Jack grinned as he strode into the audience. Now he had them. All it took was a little Pumpkin King flair, and at that he had no rival. As he poked the Melting Man in his gooey nose, Jack said, “The Christmas King flies through the night not on a broom but on a cart pulled by horned beasts, and casts a reign of terror upon boys and girls on December twenty-fifth!” He turned to Behemoth and pulled out his long tongue. “He dresses in bloodred garments!” “Who is he, Jack?” the smaller of the witch sisters cried. Both witches clutched their green hands together, enthralled by the idea of a dashingly wicked king who shared their love of flying. “His name,” Jack announced dramatically as he returned to the stage, “is Sandy Claws.