George S Kaufman Quotes

KIRBY: A man can't give up his business. GRANDPA: Why not? You've got all the money you need. You can't take it with you.

I didn’t like the play, but than I saw it under adverse conditions – the curtain was up.

Satire is what closes on Saturday night

(Popular singer Eddie Fisher, appearing on This is Show Business, told Kaufman that women refused to date him because he looked so young.) Mr. Fisher, on Mount Wilson there is a telescope that can magnify the most distant stars up to twenty-four times the magnification of any previous telescope. This remarkable instrument was unsurpassed in the world of astronomy until the construction of the Mount Palomar telescope, an even more remarkable instrument of magnification. Owing to advances and improvements in optical technology, it is capable of magnifying the stars to four times the magnification and resolution of the Mount Wilson telescope - Mr. Fisher, if you could somehow put the Mount Wilson telescope inside the Mount Palomar telescope, you still wouldn't be able to detect my interest in your problem.

Grandpa Martin Vanderhoff: Penny, why don't you write a play about Ism-Mania? Penny Sycamore: Ism-Mania? Grandpa Martin Vanderhoff: Yeah, sure, you know, Communism, Faschism, Voodoo-ism, everybody's got an -ism these days. Penny Sycamore: Oh [laughs] Penny Sycamore: I thought it was some kind of itch or something. Grandpa Martin Vanderhoff: Well, it's just as catching. When things go a little bad nowadays, you go out, get yourself an -ism and you're in business.

Take calculated risks. That is quite different from being rash. —GENERAL GEORGE S. PATTON, COMMANDER OF THE U.S. THIRD ARMY IN WORLD WAR II

George S. Kaufman, a prince of wit, once remarked that he liked to write with his collaborator, Moss Hart, because Hart was so lucky. “In my case,” said Kaufman, “it’s gelt by association.

Among the guests who appeared on Information, Please were Ben Hecht, George S. Kaufman, Basil Rathbone, Dorothy Thompson, Lillian Gish, Alexander Woollcott, H. V. Kaltenborn, Alice Roosevelt Longworth, Carl Sandburg, Albert Spalding, Boris Karloff, Marc Connelly, Dorothy Parker, Beatrice Lillie, and Postmaster General James Farley. Prizefighter Gene Tunney surprised the nation with his knowledge of Shakespeare. Moe Berg, Boston Red Sox catcher, had a

George S. Kaufman was not Miss Astor’s last love. George had been supplanted in her affections by one of his best friends, whose name would surely have been disclosed had the hearing gone on. The scoop appeared on August 12 in the Daily Mirror, announcing that the best friend, an unnamed dashing broker and bachelor, maintained a seven-room penthouse on Park Avenue, complete with butler and maid. Kaufman had introduced Mary to “Mr. Big” in December, according to the Mirror.

Based on a 1934 play by George S. Kaufman and Moss Hart, Merrily We Roll Along tells the story of three friends—Franklin Shepard, a composer; Charley Kringas, a playwright and lyricist; and Mary Flynn, a novelist—who meet in the enthusiasm of youth, when everything seems possible. The play traces what happens to their dreams and goals as time passes and they are faced with life’s surprises, travails, successes, and disappointments. The trick here is that the play moves chronologically backward. It begins on an evening in 1976 at a party for the opening of a movie Frank has produced. The movie is apparently a hit, but Frank’s personal life is a mess. His second wife, Gussie, formerly a Broadway star, was supposed to have starred in the movie but was deemed too old; she resents being in the shadows and suspects, correctly, that Frank is having an affair with the young actress who took over her part. Frank is estranged from his son from his first marriage. He is also estranged from Charley, his former writing partner—so estranged, in fact, that the very mention of his name brings the party to an uncomfortable standstill. Mary, unable to re-create the success of her one and only novel and suffering from a longtime unreciprocated love for Frank, has become a critic and a drunk; the disturbance she causes at the party results in a permanent break with Frank. The opening scene reaches its climax when Gussie throws iodine in the eyes of Frank’s mistress. The ensemble, commenting on the action much like the Greek chorus in Allegro, reprises the title song, asking, “How did you get to be here? / What was the moment?” (F 387). The play then moves backward in time as it looks for the turning points, the places where multiple possibilities morphed into narrative necessity.

that was Belinda Almond. To cut to the chase, she was having an affair with George Foster in the months before he died.

I think it’s possible Aiden killed George. He blamed him for his father’s death.

Oscar was forty-six years old, and his career in musical theater seemed at an end. In 1940 he and Dorothy had bought a seventy-two-acre cattle farm in Doylestown, Pennsylvania, two hours by car from Manhattan, where Broadway figures like George S. Kaufman and Moss Hart already had country homes. “I was pretty blue,” he would recall. “I just wanted to come down here to the farm and sit around and be alone and think. It’s not easy to hear people say the parade has passed you by.

Around the time of Caesar, there was a European tribe that, when the assembly horn blew, always killed the last warrior to reach his assigned place, and no one enjoyed fighting this tribe. And George Washington hanged farm-boy deserters forty feet high as an example to others who might contemplate desertion.

Harpo, a shy and silent fellow, was taken up by the Algonquin crowd, at that time probably the most famous and brilliant conversational group in America. On a clear day, a good many of the following would be assembled there for lunch and mayhem: George Kaufman, Marc Connelly, Robert Benchley, Alexander Woollcott, Franklin P. Adams, Dorothy Parker, Newman Levy, Robert Sherwood, Howard Dietz and many others.

George Bernard Shaw: “We don’t stop playing because we grow old; we grow old because we stop playing.