Boyle Heights Quotes

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They “realized that since an org either progresses or falls apart, something had to be done.”4 Ross made his pitch at a September meeting, summarizing his work in the Citrus Belt and outlining a plan to comb through Boyle Heights, precinct by precinct, in search of leaders who would build an organization so powerful it couldn’t be ignored.
Gabriel Thompson (America's Social Arsonist: Fred Ross and Grassroots Organizing in the Twentieth Century)
Most companies manage people using a normal distribution, with most people labeled as average and two tails of weak and strong performers pushed out to the sides. The tails aren’t as symmetrical as when you look at height, because failing employees get fired and the worst don’t even make it in the door, so the left tail is cut short. Companies also treat people as if their actual output follows the same distribution. That’s an error. In fact, human performance in organizations follows a power law distribution for most jobs. Herman Aguinis and Ernest O’Boyle of Indiana University and the University of Iowa explain that “instead of a massive group of average performers dominating … through sheer numbers, a small group of elite performers [dominate] through massive performance.
Laszlo Bock (Work Rules!: Insights from Inside Google That Will Transform How You Live and Lead)
I, for one, never knew arm span equaled height. For our true height in love, it seems, is measured in how expansively we can outstretch our arms, with generosity and love. Sometimes there are lessons learned at the margins that can’t
Gregory Boyle (Barking to the Choir: The Power of Radical Kinship)
The band members were doing what they could to make ends meet: Hidalgo and Pérez took work as instructors at Plaza de la Raza, the East L.A. center for arts and education, while Lozano worked as a teaching assistant at Hollenbeck Junior High in Boyle Heights. At one point around this time, jobs became so scarce that, at the behest of Mike Gonzalez, a former member of Rosas’s band Fast Company, they worked as strolling musicians, in full mariachi garb, drumming up business for a new restaurant by performing Mexican tunes on the mall at the Music Center in downtown L.A. A picture of the group from this era shows them looking stiff and distinctly uncomfortable in their matching embroidered black suits.
Chris Morris (Los Lobos: Dream in Blue)