Fifth Avenue Quotes

We've searched our database for all the quotes and captions related to Fifth Avenue. Here they are! All 100 of them:

I love New York. You can pop out of the Underworld in Central Park, hail a taxi, head down Fifth Avenue with a giant hellhound loping behind you, and nobody even looks at you funny.
Rick Riordan
Silena, take the Aphrodite crew to the Queens-Midtown Tunnel." Oh my gods," one of her sisters said. "Fifth Avenue is so on our way! We could accessorize, and monsters, like, totally hate the smell of Givenchy.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
That's the difference between girls and women: Girls find men fascinating. Women know better.
Candace Bushnell (One Fifth Avenue)
Retribution is tricky. . . . The insult isn't usually worth the risk of punishment. And eventually one learns that karma has a surprising way of taking care of these situations. All you have to do is sit back and watch.
Candace Bushnell (One Fifth Avenue)
I love New York. You can pop out of the Underworld in Central Park, hail a taxi, head down Fifth Avenue with a giant hellhound loping along behind you, and nobody even looks at you funny. Of course, the Mist helped. People probably couldn't see Mrs. O'Leary, or maybe they thought she was a large,loud,very friendly truck.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
The latest incarnation of Oedipus, the continued romance of Beauty and the Beast, stand this afternoon on the corner of 42nd Street and Fifth Avenue, waiting for the traffic light to change.
Joseph Campbell (The Hero With a Thousand Faces)
It's always the people who don't want things who get them.
Candace Bushnell (One Fifth Avenue)
A man who plants a tree could never be called a pessimist.
Iain Cameron Williams (The KAHNS of Fifth Avenue)
Some secrets are better left at that -as secrets.
Candace Bushnell (One Fifth Avenue)
I began to like New York, the racy, adventurous feel of it at night and the satisfaction that the constant flicker of men and women and machines gives to the restless eye. I like to walk up Fifth Avenue and pick out romantic women from the crowd and imagine that in a few minutes I was going to enter their lives, and no one would ever know or disapprove. Sometimes, in my mind, I followed them to their apartments on the corners of hidden streets, and they turned and smiled back at me before they faded through a door into warm darkness. At the enchanted metropolitan twilight I felt a haunting loneliness sometimes, and felt it in others—poor young clerks who loitered in front of windows waiting until it was time for a solitary restaurant dinner—young clerks in the dusk, wasting the most poignant moments of night and life.
F. Scott Fitzgerald (The Great Gatsby)
Money follows art. Money wants what it can't buy. Class and talent. And remember while there's a talent for making money, it takes real talent to know how to spend it.
Candace Bushnell (One Fifth Avenue)
She's quite skinny, like me, but nice skinny. Roller-skate skinny. I watched her once from the window when she was crossing over Fifth Avenue to go to the park, and that's what she is, roller-skate skinny. You'd like her.
J.D. Salinger (The Catcher in the Rye)
Instead, he sat in the parlor of his family's Fifth Avenue mansion, growing older by the minute just like everybody else.
Anna Godbersen (Rumors (Luxe, #2))
Like all failed experiments, that one taught me something I didn’t expect: one key ingredient of so-called experience is the delusional faith that it is unique and special, that those included in it are privileged and those excluded from it are missing out. And I, like a scientist unwittingly inhaling toxic fumes from the beaker I was boiling in my lab, had, through sheer physical proximity, been infected by that same delusion and in my drugged state had come to believe I was Excluded: condemned to stand shivering outside the public library at Fifth Avenue and Forty-second Street forever and...
Jennifer Egan (A Visit from the Goon Squad)
Casting my own eye down Fifth Avenue as my belly swelled, I would register with incredulity: Every one of these people came from a woman's cunt.
Lionel Shriver (We Need to Talk About Kevin)
When we are harassed and reach the limit of our own strength, many of us then turn in desperation to God-"There are no atheists in foxholes." But why wait till we are desperate? Why not renew our strength every day? Why wait even until Sunday? For years I have had the habit of dropping into empty churches on weekday afternoons. When I feel that I am too rushed and hurried to spare a few minutes to think about spiritual things, I say to myself: "Wait a minute, Dale Carnegie, wait a minute. Why all the feverish hurry and rush, little man? You need to pause and acquire a little perspective." At such times, I frequently drop into the first church that I find open. Although I am a Protestant, I frequently, on weekday afternoons, drop into St. Patrick's Cathedral on Fifth Avenue, and remind myself that I'll be dead in another thirty years, but that the great spiritual truths that all churches teach are eternal. I close my eyes and pray. I find that doing this calms my nerves, rests my body, clarifies my perspective, and helps me revalue my values. May I recommend this practice to you?
Dale Carnegie (How to Stop Worrying and Start Living: Time-Tested Methods for Conquering Worry (Dale Carnegie Books))
The Frays had never been a religiously observant family, but Clary loved Fifth Avenue at Christmas time. The air smelled like sweet roasted chestnuts, and the window displays sparkled with silver and blue, green and red. This year there were fat round crystal snowflakes attached to each lamppost, sending back the winter sunlight in shafts of gold. Not to mention the huge tree at Rockefeller Center. It threw its shadow across them as she and Simon draped themselves over the gate at the side of the skating rink, watching tourists fall down as they tried to navigate the ice. Clary had a hot chocolate wrapped in her hands, the warmth spreading through her body. She felt almost normal—this, coming to Fifth to see the window displays and the tree, had been a winter tradition for her and Simon for as long as she could remember. “Feels like old times, doesn’t it?” he said, echoing her thoughts as he propped his chin on his folded arms. She chanced a sideways look at him. He was wearing a black topcoat and scarf that emphasized the winter pallor of his skin. His eyes were shadowed, indicating that he hadn’t fed on blood recently. He looked like what he was—a hungry, tired vampire. Well, she thought. Almost like old times. “More people to buy presents for,” she said. “Plus, the always traumatic what-to-buy-someone-for-the-first-Christmas-after-you’ve-started-dating question.” “What to get the Shadowhunter who has everything,” Simon said with a grin. “Jace mostly likes weapons,” Clary sighed. “He likes books, but they have a huge library at the Institute. He likes classical music …” She brightened. Simon was a musician; even though his band was terrible, and was always changing their name—currently they were Lethal Soufflé—he did have training. “What would you give someone who likes to play the piano?” “A piano.” “Simon.” “A really huge metronome that could also double as a weapon?” Clary sighed, exasperated. “Sheet music. Rachmaninoff is tough stuff, but he likes a challenge.” “Now you’re talking. I’m going to see if there’s a music store around here.” Clary, done with her hot chocolate, tossed the cup into a nearby trash can and pulled her phone out. “What about you? What are you giving Isabelle?” “I have absolutely no idea,” Simon said. They had started heading toward the avenue, where a steady stream of pedestrians gawking at the windows clogged the streets. “Oh, come on. Isabelle’s easy.” “That’s my girlfriend you’re talking about.” Simon’s brows drew together. “I think. I’m not sure. We haven’t discussed it. The relationship, I mean.” “You really have to DTR, Simon.” “What?” “Define the relationship. What it is, where it’s going. Are you boyfriend and girlfriend, just having fun, ‘it’s complicated,’ or what? When’s she going to tell her parents? Are you allowed to see other people?” Simon blanched. “What? Seriously?” “Seriously. In the meantime—perfume!” Clary grabbed Simon by the back of his coat and hauled him into a cosmetics store that had once been a bank. It was massive on the inside, with rows of gleaming bottles everywhere. “And something unusual,” she said, heading for the fragrance area. “Isabelle isn’t going to want to smell like everyone else. She’s going to want to smell like figs, or vetiver, or—” “Figs? Figs have a smell?” Simon looked horrified; Clary was about to laugh at him when her phone buzzed. It was her mother. where are you? It’s an emergency.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
To be content, horse people need only a horse, or, lacking that, someone else who loves horses with whom they can talk. It was always that way with my grandfather. He took me places just so we could see horses, be near them. We went to the circus and the rodeo at Madison Square Garden. We watched parades down Fifth Avenue. Finding a horse, real or imagined, was like finding a dab of magic potion that enlivened us both. Sometimes I'd tell my grandfather about all the horses in my eleborate dreams. He'd lean over, smile, and assure me that, one day, I'd have one for real. And if my grandfather, my Opa, told me something was going to come true, it always did.
Allan J. Hamilton (Zen Mind, Zen Horse: The Science and Spirituality of Working with Horses)
We drove over to Fifth Avenue, so warm and soft, almost pastoral, on the summer Sunday afternoon that I wouldn't have been surprised to see a great flock of white sheep turn the corner.
F. Scott Fitzgerald (The Great Gatsby)
I love you," he said. "Every broken piece of you, with every broken piece of me.
Maisey Yates (Avenge Me (Fifth Avenue Trilogy, #1))
On Fifth Avenue I went into the Trump Tower, a new skyscraper. A guy named Donald Trump, a developer, is slowly taking over New York, building skyscrapers all over town with his name on them, so I went in and had a look around. The building had the most tasteless lobby I had ever seen --- all brass and chrome and blotchy red and white marble that looked like the sort of thing that if you saw it on the sidewalk you would walk around it. Here it was everywhere --- on the floors, up the walls , on the ceiling. It was like being inside somebody's stomach after he'd eaten pizza.
Bill Bryson
Grace was one of those types who never changed but only aged and had no apparent expectations or ambitions other than the wish that her life should remain the same.
Candace Bushnell (One Fifth Avenue)
A real, true love that makes a human being believe in the power of destiny happens only once in a lifetime.
Natalie Ansard (The Lover from Fifth Avenue (The Greatest Love Stories))
But walking along Fifth Avenue in Brooklyn, in his black overcoat and his gray interview suit, Quentin knew he wasn’t happy. Why not? He had painstakingly assembled all the ingredients of happiness. He had performed all the necessary rituals, spoken the words, lit the candles, made the sacrifices. But happiness, like a disobedient spirit, refused to come. He couldn’t think what else to do.
Lev Grossman (The Magicians (The Magicians, #1))
. . . She was obsessed with clothes and status, how she never gave a thought to being responsible for her own actions, or even what she might do for anyone else-making her the ultimate example of all that was wrong and misguided about young women today.
Candace Bushnell (One Fifth Avenue)
Leave it to a librarian to point out the alliteration in my life’s tragedies.
Fiona Davis (The Lions of Fifth Avenue)
We often hear "shop-girls" spoken of. No such persons exist. There are girls who work in shops. They make their living that way. But why turn their occupation into an adjective? Let us be fair. We do not refer to the girls who live on Fifth Avenue as "marriage-girls.
O. Henry (The Trimmed Lamp and Other Stories of the Four Million)
Just don’t promise her the moon. She simply isn’t the type that would buy such a story. She only cares about love and nothing else. Can you tell her you love her?
Natalie Ansard (The Lover from Fifth Avenue (The Greatest Love Stories))
All the evil hate in the mad heart of February was wrought into the forlorn and icy wind that cut its way cruelly across Central Park and down along Fifth Avenue.
F. Scott Fitzgerald (The Beautiful and Damned)
I liked to walk up Fifth Avenue and pick out romantic women from the crowd and imagine that in a few minutes I was going to enter into their lives, and no one would ever know or disapprove.
F. Scott Fitzgerald (The Great Gatsby (Wordsworth Classics))
Sometimes I wondered exactly what it might take to break Andy out of his math-nerd turret: a tidal wave? Decepticon invasion? Godzilla tromping down Fifth Avenue? He was a planet without an atmosphere.
Donna Tartt (The Goldfinch)
In those years I did not care to enjoy sex, only to have it. That is what seeing Alex again on Fifth Avenue brought back to me - a youth of fascinated, passionless copulation. There they are, figures in a discoloured blur, young men and not so young, the nice ones with automobiles, the dull ones full of suspicions and stinginess. By asking a thousand questions of many heavy souls, I did not learn much. You receive biographies interesting mainly for their coherence. So many are children who from the day of their birth are growing up to be their parents. Look at the voting records, inherited like flat feet.
Elizabeth Hardwick (Sleepless Nights)
Of course there are two sides to the question. Let us look at the other. We often hear “shop-girls” spoken of. No such persons exist. There are girls who work in shops. They make their living that way. But why turn their occupation into an adjective? Let us be fair. We do not refer to the girls who live on Fifth Avenue as “marriage-girls.
O. Henry (Delphi Complete Works of O. Henry (Illustrated))
Materialism has defeated feminism as well. In a sign of the times, Gloria Steinem was on the picket line when the first American DeBeers store opened on Fifth Avenue in June 2005, protesting the evictions of Bushmen in Botswana to make room for diamond miners and the charges that the company dealt in "blood diamonds" used to finance civil wars in Africa. Her presence meant nothing to young Hollywood beauties who are pleased to shill for the diamond industry in magazine layouts and personal appearances. As Steinem stood outside, Lindsay Lohan was inside the party, gushing over the possibility that she could get to wear one of the big rocks. Asked by reporters about the Bushmen controversy, she shrugged it off: "I don't get involved in any drama.
Maureen Dowd
In all things, across all avenues, a choice must be made: whether to follow love, truth, or power. That choice will consume the chooser. If he follows only love then his wellbeing will be constantly at the mercy of another, though his highs will be sublime. If he follows truth then it will be a lonely journey, but potentially a noble one. If he should follow power though, not only will he come to know a desperate and revolting loneliness, but he will also never experience even a drop of satisfaction in anything
Exurb1a (The Fifth Science)
Fucking hell. Shit sounds like I’m writing for ladies who lunch on Fifth Avenue. Unending vortex of ugly? Holy sensationalism, Batman! Who the fuck am I writing for? I could move in closer, get to the real Singer, but I’ll just fail like every other journalist
Marlon James (A Brief History of Seven Killings)
The baby boom produced a fresh batch of American youngsters -- teenagers they were called -- and they were suddenly coming of age. But until Roman Holiday, it was hard for them to see themselves in the movies. What Audrey offered -- namely to the girls -- was a glimpse of someone who lived by her own code of interests, not her mother's, and who did so with a wholesome independence of spirit.
Sam Wasson (Fifth Avenue, 5 A.M.: Audrey Hepburn, Breakfast at Tiffany's, and the Dawn of the Modern Woman)
Undine’s white and gold bedroom, with sea-green panels and old rose carpet, looked along Seventy-second Street toward the leafless tree-tops of the Central Park. She went to the window, and drawing back its many layers of lace gazed eastward down the long brownstone perspective. Beyond the Park lay Fifth Avenue—and Fifth Avenue was where she wanted to be!
Edith Wharton (The Custom of the Country)
His mother had become impossible, as, he supposed, all elderly people were when they refused to accept that their lives had to change.
Candace Bushnell (One Fifth Avenue)
Fashion says, ‘Me Too,’ while style says ‘Only Me.
Julie Satow (When Women Ran Fifth Avenue: Glamour and Power at the Dawn of American Fashion)
Here they resided, two worldviews separated only by Fifth Avenue, facing off until the end of time or the end of Manhattan, whichever came first.
Amor Towles
You're telling me a shape-shifting demon just walked out onto Fifth Avenue and blended in with the crowd?" I asked. "Hailed a fucking cab after tearing everyone to pieces down here?
Nicholas Kaufmann (Die and Stay Dead (Trent, #2))
Trump created a brand that is entirely amoral. On the campaign trail, Trump was able to shrug off almost every conventional “gotcha.” Caught dodging federal taxes? That’s just being “smart.” Wouldn’t reveal his tax returns? Who’s going to make him? He was only half joking on the campaign trail when he said, “I could stand in the middle of Fifth Avenue and shoot somebody and I wouldn’t lose any voters.” In Trump’s world, impunity, even more than lots of gold, is the ultimate signifier of success.
Naomi Klein (No Is Not Enough: Resisting Trump's Shock Politics and Winning the World We Need)
Sit up straight.” “Don’t fidget.” “Write a thank-you note the minute you receive a gift or return home from a party.” “Always have fresh flowers, no matter the cost.” “Clean gloves and shoes are the sign of a lady.” “Never let the help get the upper hand.” “Be discreet.” “Be above gossip.
Melanie Benjamin (The Swans of Fifth Avenue)
And with every step he took away from her, he felt like he was leaving the best pieces of him further and further behind.
Maisey Yates (Take Me (Fifth Avenue Trilogy #0.5))
After the first experience of the death of someone you love, each later one is exponentially more painful, because you know how hard it will be to recover from the loss.
Fiona Davis (The Lions of Fifth Avenue)
It’s time to expand our view of the household, and throw off the shackles of gender oppression. I can work, I can have a child, and I can love whomever I like. Just as you can.
Fiona Davis (The Lions of Fifth Avenue)
History is made by people in power making decisions, and their notes and writings reveal the decision-making process.
Fiona Davis (The Lions of Fifth Avenue)
Those without color—say, dressed in all black—can go about almost unnoticed. Where the rainbow is conspicuous, their darkness acts as a kind of camouflage, masculine by contrast, and allows them to watch without being watched. It’s the choice of someone who needs not to attract. Someone self-sufficient. Someone more distant, less knowable, and ultimately, mysterious. Powerful.
Sam Wasson (Fifth Avenue, 5 A.M.: Audrey Hepburn, Breakfast at Tiffany's, and the Dawn of the Modern Woman)
That which does not destroy you buys you another day to destroy others. By the way, remember last year when I was winning in Ohio or Indiana or Iowa, one of those, and I said I could shoot somebody in the middle of Fifth Avenue and I wouldn’t lose voters?
Alec Baldwin (You Can't Spell America Without Me: The Really Tremendous Inside Story of My Fantastic First Year as President Donald J. Trump (A So-Called Parody))
It was the poem containing the lines: Not wasteland, but a great inverted forest with all foliage underground. As though it might be best to look immediately for shelter, Corinne had to put the book down. At any moment the apartment building seemed liable to lose its balance and topple across Fifth Avenue into Central Park. She waited. Gradually the deluge of truth and beauty abated.
J.D. Salinger
He said he could stand in the middle of Fifth Avenue and shoot somebody, and people would still vote for him. Am I dreaming this?" Willa asked. "No." "No. He said that. It couldn't have been more than a week ago." "Apparently he was right." "Iano, nobody gets away with murder. You can't behave like a madman when you're running for public office. That kind of trash talk is supposed to end careers.
Barbara Kingsolver (Unsheltered)
It was strange to listen to slick young Nazis along Fifth Avenue haranguing small gatherings from little mahogany pulpits. One spiel went as follows: "The philosophy of Hitler is a profound and thoughtful study of this industrial age, in which there is little room for the middleman or Jew." A woman interrupted. "What kind of talk is that!" she exclaimed. "This is America. Where do you think you are?" The young man, an obsequious, good-looking type, smiled blandly. "I'm in the United States and I happen to be an American citizen," he said smoothly. "Well," she said, "I'm an American citizen, and a Jew, and if I were a man I'd knock your block off!" One or two endorsed the lady's threat, but most of them stood apathetically silent. A policeman standing by quieted the woman. I came away astonished, hardly believing my ears.
Charlie Chaplin (My Autobiography)
[T]he hyphenation question is, and always has been and will be, different for English immigrants. One can be an Italian-American, a Greek-American, an Irish-American and so forth. (Jews for some reason prefer the words the other way around, as in 'American Jewish Congress' or 'American Jewish Committee.') And any of those groups can and does have a 'national day' parade on Fifth Avenue in New York. But there is no such thing as an 'English-American' let alone a 'British-American,' and one can only boggle at the idea of what, if we did exist, our national day parade on Fifth Avenue might look like. One can, though, be an Englishman in America. There is a culture, even a literature, possibly a language, and certainly a diplomatic and military relationship, that can accurately be termed 'Anglo-American.' But something in the very landscape and mapping of America, with seven eastern seaboard states named for English monarchs or aristocrats and countless hamlets and cities replicated from counties and shires across the Atlantic, that makes hyphenation redundant. Hyphenation—if one may be blunt—is for latecomers.
Christopher Hitchens (Hitch 22: A Memoir)
Across from the famous jewelry store on Fifth Avenue at Fifty-Seventh Street, we sat in the back of a graffiti-covered white box truck watching the world go by on the surveillance vehicle’s hidden high-def camera. So far there had been no sign of the thieves. Or even Audrey Hepburn.
James Patterson (Burn (Michael Bennett, #7))
Is New York such a labyrinth? I thought it so straight up and down—like Fifth Avenue. And with all the cross streets numbered!” She seemed to guess his faint disapproval of this, and added, with the rare smile that enchanted her whole face: “If you knew how I like it for just that—the straight-up-and-downness, and the big honest labels on everything!” He saw his chance. “Everything may be labelled—but everybody is not.
Edith Wharton (The Age of Innocence)
Fictions are useful so long as they are taken as fictions. They are then simply ways of "figuring" the world which we agree to follow so that we can act in cooperation, as we agree about inches and hours, numbers and words, mathematical systems and languages. If we have no agreement about measures of time and space, I would have no way of making a date with you at the corner of Forty-second Street and Fifth Avenue at 3 P.M. on Sunday, April 4.
Alan W. Watts (The Book: On the Taboo Against Knowing Who You Are)
The New York of the plays, the movies, the books; the New York of The New Yorker and Vanity Fair and Vogue. It was a beacon, a spire, a beacon on top of a spire. A light, always glowing from afar, visible even from the cornfields of Iowa, the foothills of the Dakotas, the deserts of California. The swamps of Louisiana. Beckoning, always beckoning. Summoning the discontented, seducing the dreamers. Those whose blood ran too hot, and too quickly, causing them to look about at their placid families, their staid neighbors, the graves of their slumbering ancestors and say— I’m different. I’m special. I’m more. They all came to New York.
Melanie Benjamin (The Swans of Fifth Avenue)
I am walking down the street in Manhattan, Fifth Avenue in the lower sixties, women with shopping bags on all sides. I realize with some horror that for the last fifteen blocks I have been counting how many women have better and how many women have worse figures than I do. Did I say fifteen blocks? I meant fifteen years.
Pam Houston (Minding the Body: Women Writers on Body and Soul)
The 'devil' could be a naked, evil man in the bowels of a Scottish castle, laughing madly with horns gorilla-glued to his head. Or an anorexic cat lady in a cluttered and ammonia-laden loft on Fifth Avenue. Either way, I will reveal to you the precise mechanics of her craft, and unmask her historic 'dupes' before you right now.
Yehuda HaLevi (Sacred Scroll of Seven Seals: Skull & Bones, Freemasons, Knights Templar & the Grail)
In New York the Fifth Avenue Lingerie Shop is on Madison Avenue, the Madison Pet Shop is on Lexington Avenue, the Park Avenue Florist is on Madison Avenue, and the Lexington Hand Laundry is on Third Avenue. New York is the home of 120 pawnbrokers, and it is where Bishop Sheen's brother, Dr. Sheen, shares an office with one Dr. Bishop.
Gay Talese (The Gay Talese Reader: Portraits and Encounters)
How could anarchy be any worse for the general welfare than this? I say let the city go bankrupt, the buildings fall, let grass take over Fifth Avenue. Let birds nest in storefronts, whales swim up the Hudson. We can spend mornings hunting for food, and afternoons fornicating, and at night we’ll dance on the rooftops and chant shantih shantih at the sky.
Garth Risk Hallberg (City on Fire)
There were human beings and there was Audrey Hepburn.
Sam Wasson (Fifth Avenue, 5 A.M.: Audrey Hepburn, Breakfast at Tiffany's, and the Dawn of the Modern Woman)
You’re you, and that’s enough.
Joanna Shupe (The Bride Goes Rogue (The Fifth Avenue Rebels, #3))
Men are the hunters and women are the gatherers. Shopping is a form of gathering.
Candace Bushnell (One Fifth Avenue)
The simple fact was, I was scared, because I knew if I let myself love you, I would love you with all of myself. I would love you in that way that would take over my whole soul,
Maisey Yates (Take Me (Fifth Avenue Trilogy #0.5))
I love you, Vic! Anything else is lies. I really, truly love you. I’ll love you until the day I die.
Natalie Ansard (The Lover from Fifth Avenue (The Greatest Love Stories))
We're two halves of a whole. We make a lot more sense when we're together.
Maisey Yates (Avenge Me (Fifth Avenue Trilogy, #1))
We’ve already established that neither of us is a decent person. That means we’re on the other side, the one with the sinners. And I promise it’s a lot more fun over here.
Joanna Shupe (The Rogue of Fifth Avenue (Uptown Girls, #1))
We don't want to make a movie about a hooker," he assured her, "we want to make a movie about a dreamer of dreams.
Sam Wasson (Fifth Avenue, 5 A.M.: Audrey Hepburn, Breakfast at Tiffany's, and the Dawn of the Modern Woman)
old-fashioned flowers, it looked like an English garden.
Melanie Benjamin (The Swans of Fifth Avenue)
To live in a building that spilled over with books and knowledge, with its shelves of maps and newspapers from around the world, yet to feel so utterly stifled, was torture.
Fiona Davis (The Lions of Fifth Avenue)
feel like with every year, my brain is a sponge that soaks up painful experiences like water,
Fiona Davis (The Lions of Fifth Avenue)
then why sell?" James had asked. "have to," Redmond said. "if I want to get married and have children and live in this city, I have to." "since when do you want to get married and have kids?" James asked. "since now. Life gets boring when you're middle-aged. You can't keep doing the same thing. You look like an asshole. You ever notice that?" Redmond had asked.
Candace Bushnell (One Fifth Avenue)
He still went out nearly every night. I thought, is this what he's going to do when we have the baby? Have I made another terrible mistake with a man? You don't really know a man until you have a child with him. Then you see so much. Is he kind? Is he tolerant? Is he loving? Or is he immature and egotistical and selfish? When you have a child, it can go two ways with your husband: You love him even more, or you lose all respect for him. And if you lose respect, there's no way to get it back...
Candace Bushnell (One Fifth Avenue)
Big snake appears on Fifth Avenue. . . . Ladies screamed and ran in all directions this morning at eleven thirty when a big snake crawled out of a crack in the masonry of the retaining wall of the reservoir at Fifth Avenue and Fortysecond Street and started to cross the sidewalk. . . . ” “Some fish story. . . . ” “That aint nothin,” said an old man. “When I was a boy we used to go snipeshootin on Brooklyn Flats.
John Dos Passos (Manhattan Transfer: A Novel)
Racial tensions had long been simmering when, in 1863, Irish immigrants in Manhattan mounted one of the most violent anti-Black insurrections in American history. Angered by a law drafting them to fight in the Civil War—ostensibly to free slaves who might then take their jobs—rioters filled the streets, lynching Black people and burning down the Colored Orphan Asylum on Fifth Avenue as 233 children escaped out the back.
Andrea Elliott (Invisible Child: Poverty, Survival, and Hope in an American City)
And even as this old guide-book boasts of the, to us, insignificant Liverpool of fifty years ago, the New York guidebooks are now vaunting of the magnitude of a town, whose future inhabitants, multitudinous as the pebbles on the beach, and girdled in with high walls and towers, flanking endless avenues of opulence and taste, will regard all our Broadways and Bowerys as but the paltry nucleus to their Nineveh. From far up the Hudson, beyond Harlem River where the young saplings are now growing, that will overarch their lordly mansions with broad boughs, centuries old; they may send forth explorers to penetrate into the then obscure and smoky alleys of the Fifth Avenue and Fourteenth Street; and going still farther south, may exhume the present Doric Custom-house, and quote it as a proof that their high and mighty metropolis enjoyed a Hellenic antiquity.
Herman Melville (Redburn)
1 say to the leaders of this great country, why not allow your people the same privileges we in the West take for granted? You can start by releasing Anatoly Babakov and allowing his book to be published. That is, if you have nothing to fear from the torch of freedom. 1 will not rest until 1 can buy a copy of Uncle Joe at Hatchards on Piccadilly, Doubleday on Fifth Avenue, Dymocks in Sydney, and George's bookshop in Park Street, Bristol.
Jeffrey Archer
In the car inching its way down Fifth Avenue, toward Bergdorf Goodman and this glamorous party, I looked back on my past with a new understanding. This sickness, the “endo-whatever,” had stained so much—my sense of self, my womanhood, my marriage, my ability to be present. I had effectively missed one week of each month every year of my life since I was thirteen, because of the chronic pain and hormonal fluctuations I suffered during my period. I had lain in bed, with heating pads and hot-water bottles, using acupuncture, drinking teas, taking various pain medications and suffering the collateral effects of them. I thought of all the many tests I missed in various classes throughout my education, the school dances, the jobs I knew I couldn’t take as a model, because of the bleeding and bloating as well as the pain (especially the bathing suit and lingerie shoots, which paid the most). How many family occasions was I absent from? How many second or third dates did I not go on? How many times had I not been able to be there for others or for myself? How many of my reactions to stress or emotional strife had been colored through the lens of chronic pain? My sense of self was defined by this handicap. The impediment of expected pain would shackle my days and any plans I made. I did not see my own womanhood as something positive or to be celebrated, but as a curse that I had to constantly make room for and muddle through. Like the scar on my arm, my reproductive system was a liability. The disease, developing part and parcel with my womanhood starting at puberty with my menses, affected my own self-esteem and the way I felt about my body. No one likes to get her period, but when your femininity carries with it such pain and consistent physical and emotional strife, it’s hard not to feel that your body is betraying you. The very relationship you have with yourself and your person is tainted by these ever-present problems. I now finally knew my struggles were due to this condition. I wasn’t high-strung or fickle and I wasn’t overreacting.
Padma Lakshmi (Love, Loss, and What We Ate: A Memoir)
I have seen the Virgin in an appletree at Chartres And Saint Joan burn at the Bella Union. I have seen giraffes in junglejims their necks like love wound around the iron circumstances of the world. I have seen the Venus Aphrodite armless in her drafty corridor. I have heard a siren sing at One Fifth Avenue. I have seen the White Goddess dancing in the Rue des Beaux Arts on the Fourteenth of July and the Beautiful Dame Without Mercy picking her nose in Chumley's.
Lawrence Ferlinghetti (A Coney Island of the Mind)
I understand, Bill. Because I tell myself a lot of stories to help me sleep at night. Stories about how Babe was my dearest friend, and I never betrayed her. Stories about how you and I had a great love, not just an occasional roll in the hay whenever she was out of town. Stories about how wonderful life was back then, when none of us told each other the truth, but so what? It was all so beautiful, wasn’t it? It was all so lovely and gracious. Not like it is now.
Melanie Benjamin (The Swans of Fifth Avenue)
Nothing in the world like the spark between men and women. What a marvelous and mysterious combination. Two sides of the same coin, you know. We both want the same thing, to give and receive love, to be cared for, respected. We just come at it from a different point of view.
Rachel Hauck (The Fifth Avenue Story Society)
It was late morning when he woke and found the telephone beside his bed in the hotel tolling frantically, and remembered that he had left word to be called at eleven. Sloane was snoring heavily, his clothes in a pile by his bed. They dressed and ate breakfast in silence, and then sauntered out to get some air. Amory's mind was working slowly, trying to assimilate what had happened and separate from the chaotic imagery that stacked his memory the bare shreds of truth. If the morning had been cold and gray he could have grasped the reins of the past in an instant, but it was one of those days that New York gets sometimes in May, when the air of Fifth Avenue is a soft, light wine. How much or how little Sloane remembered Amory did not care to know; he apparently had none of the nervous tension that was gripping Amory and forcing his mind back and forth like a shrieking saw.
F. Scott Fitzgerald
The swans swam ahead, always ahead, their bodies gliding so that none could see the effort of their feet beneath the surface, paddling, moving, propelling them forward, forward, to that beautiful spot far ahead, an incandescent curtain of light, a shower of moonbeams, a heavenly constellation of stars.
Melanie Benjamin (The Swans of Fifth Avenue)
...the fact that Urdu was spoken by taxicab drivers; the presence, only two blocks from my East Village apartment, of a samosa- and channa-serving establishment called the Pak-Punjab Deli; the coincidence of crossing Fifth Avenue during a parade and hearing, from loudspeakers mounted on the South Asian Gay and Lesbian Association float, a song to which I had danced at my cousin’s wedding. In a subway car, my skin would typically fall in the middle of the colour spectrum. On street corners, tourists would ask me for directions. I was, in four and a half years, never an American; I was immediately a New Yorker.
Mohsin Hamid (The Reluctant Fundamentalist)
Before I opened my computer in the parking lot today, I relived one of my favorite memories. It's the one with Woody and me sitting on the steps of the Metropolitan Museum after it's closed. We're watching people parade out of the museum in summer shorts and sandals. The trees to the south are planted in parallel lines. The water in the fountain shoots up with a mist that almost reaches the steps we sit on. We look at silver-haired ladies in red-and-white-print dresses. We separate the mice from the men, the tourists from the New Yorkers, the Upper East Siders from the West Siders. The hot-pretzel vendor sells us a wad of dough in knots with clumps of salt stuck on top. We make our usual remarks about the crazies and wonder what it would be like to live in a penthouse apartment on Fifth Avenue overlooking the Met. We laugh and say the same things we always say. We hold hands and keep sitting, just sitting, as the sun beings to set. It's a perfect afternoon.
Diane Keaton (Then Again)
Well … yes, and here we go again. But before we get to The Work, as it were, I want to make sure I know how to cope with this elegant typewriter—(and, yes, it appears that I do) —so why not make this quick list of my life’s work and then get the hell out of town on the 11:05 to Denver? Indeed. Why not? But for just a moment I’d like to say, for the permanent record, that it is a very strange feeling to be a 40-year-old American writer in this century and sitting alone in this huge building on Fifth Avenue in New York at one o’clock in the morning on the night before Christmas Eve, 2000 miles from home, and compiling a table of contents for a book of my own Collected Works in an office with a tall glass door that leads out to a big terrace looking down on The Plaza Fountain. Very strange.
Hunter S. Thompson (The Great Shark Hunt: Strange Tales from a Strange Time (The Gonzo Papers Series Book 1))
Yesterday I just felt like eating my ass off so I did. I ate two Chef Boyardee pizzas, a Fifth Avenue candy bar, an entire package of fun size Snickers (that was fun!), several cherry sours (not the entire package, there are still a few left), an apple (apples don’t taste as good as they used to), several Slim Jims, a slice of burnt garlic toast, white cheddar popcorn and microwave popcorn. Today I will drink black coffee, eat a bowl of oatmeal (old school, boiled on the stove but no butter but lots of cinnamon and brown sugar) and dance to various YouTubes. I need to buy a pair of gloves, get my ass to the boxing gym and learn to love protein shakes. Also, I want to run a marathon. Then I want to get a backpack, stuff it with trail mix and the like and take to the road like the chick in that Wild book.
Misti Rainwater-Lites
With his misspellings and his use of 1970s lingo—“wire tapping” called up an image of FBI agents crouched in a van on Fifth Avenue—it seemed kooky and farcical. Of the many tweets that Trump had seemed to hoist himself by, from the point of view of the media, intelligence community, and extremely satisfied Democrats, the wiretap tweets had pulled him highest and most left him dangling in ignorance and embarrassment
Michael Wolff (Fire and Fury: Inside the Trump White House)
Yet with the rise of AI, robots, and 3-D printers, cheap unskilled labor will become far less important. Instead of manufacturing a shirt in Dhaka and shipping it all the way to the United States, you could buy the shirt’s code online from Amazon and print it in New York. The Zara and Prada stores on Fifth Avenue could be replaced by 3-D printing centers in Brooklyn, and some people might even have a printer at home. Simultaneously, instead of calling customer service in Bangalore to complain about your printer, you could talk with an AI representative in the Google cloud (whose accent and tone of voice would be tailored to your preferences). The newly unemployed workers and call center operators in Dhaka and Bangalore don’t have the education necessary to switch to designing fashionable shirts or writing computer code—so how will they survive?
Yuval Noah Harari (21 Lessons for the 21st Century)
Here are more lines from The Great Gatsby. I liked to walk up Fifth Avenue and pick out romantic women from the crowd and imagine that in a few minutes I was going to enter into their lives, and no one would ever know or disapprove. I like to remember when I was one of them, or to pretend that I am one of them still, sensing that restless man at my back and half turning, no, turning all the way, open-armed, saying, Pick me, pick me.
Sigrid Nunez (The Last of Her Kind)
The ideal of quiet and of genteel retirement, in 1835, was found in Washington Square, where the Doctor built himself a handsome, modern, wide-fronted house, with a big balcony before the drawing-room windows, and a flight of marble steps ascending to a portal which was also faced with white marble. This structure, and many of its neighbours, which it exactly resembled, were supposed, forty years ago, to embody the last results of architectural science, and they remain to this day very solid and honourable dwellings. In front of them was the Square, containing a considerable quantity of inexpensive vegetation, enclosed by a wooden paling, which increased its rural and accessible appearance; and round the corner was the more august precinct of the Fifth Avenue, taking its origin at this point with a spacious and confident air which already marked it for high destinies. I know not whether it is owing to the tenderness of early associations, but this portion of New York appears to many persons the most delectable. It has a kind of established repose which is not of frequent occurrence in other quarters of the long, shrill city; it has a riper, richer, more honourable look than any of the upper ramifications of the great longitudinal thoroughfare—the look of having had something of a social history.
Henry James (Washington Square)
The other gift — a book of poems, called, "The Cowardly Morning" — Waner put on Corinne's desk at the office, with a note saying, "This man is Coleridge and Blake and Rilke all in one, and more." She didn't pick up the book again until she was in bed, late that night. [...] The first poem was the title poem. This time Corinne read it through aloud. But still she didn't hear it. She read it through a third time, and heard some of it. She read it through a fourth time, and heard all of it. It was the poem containing the lines: 'Not wasteland, but a great inverted forest with all foliage underground.' As though it might be best to look immediately for shelter, Corinne had to put the book down. At any moment the apartment building seemed liable to lose its balance and topple across Fifth Avenue into Central Park. She waited. Gradually the deluge of truth and beauty abated. - The Inverted Forest (1947)
J.D. Salinger (The Complete Uncollected Stories)
We'll then," Enjd said. "What's the problem?" "This," Mindy said. She opened her hand and held up a tiny green plastic toy solider thrusting a bayonet. "I don't understand," Enid said. "This morning, when I opened my door to get the newspaper, I found a whole troop of them arranged on the mat." "And you think Paul Rice did it," Enid said skeptically. "I don't think he did it. I know he did it," Mindy said. "He told me if I didn't approve his air conditioners, it was war...
Candace Bushnell (One Fifth Avenue)
Ellen got off the bus at the corner of Fifth Avenue and Fiftythird Street. Rosy twilight was gushing out of the brilliant west, glittered in brass and nickel, on buttons, in people's eyes. All the windows on the east side of the avenue were aflame. As she stood with set teeth on the curb waiting to cross, a frail tendril of fragrance brushed her face. A skinny lad with towhair stringy under a foreignlooking cap was offering her arbutus in a basket. She bought a bunch and pressed her nose in it. May woods melted like sugar against her palate. The whistle blew, gears ground as cars started to pour out of the side streets, the crossing thronged with people. Ellen felt the lad brush against her as he crossed at her side. She shrank away. Through the smell of the arbutus she caught for a second the unwashed smell of his body, the smell of immigrants, of Ellis Island, of crowded tenements. Under all the nickelplated, goldplated streets enameled with May, uneasily she could feel the huddling smell, spreading in dark slow crouching masses like corruption oozing from broken sewers, like a mob. She walked briskly down the cross-street. She went in a door beside a small immaculately polished brass plate.
John Dos Passos (Manhattan Transfer)
At first piecemeal, then point-blank, he let his attention be drawn to a little scene that was being acted out sublimely, unhampered by writers and directors and producers, five stories below the window and across the street. A fair-sized maple tree stood in front of the girls' private school--one of four or five trees on that fortunate side of the street--and at the moment a child of seven or eight, female, was hiding behind it. She was wearing a navy-blue reefer and a tam that was very nearly the same shade of red as the blanket on the bed in van Gogh's room at Aries. Her tam did, in fact, from Zooey's vantage point, appear not unlike a dab of paint. Some fifteen feet away from the child, her dog--a young dachshund, wearing a green leather collar and leash--was sniffing to find her, scurrying in frantic circles, his leash dragging behind him. The anguish of separation was scarcely bearable for him, and when at last he picked up his mistress's scent, it wasn't a second too soon. The joy of reunion, for both, was immense. The dachshund gave a little yelp, then cringed forward, shimmying with ecstasy, till his mistress, shouting something at him, stepped hurriedly over the wire guard surrounding the tree and picked him up. She said a number of words of praise to him, in the private argot of the game, then put him down and picked up his leash, and the two walked gaily west, toward Fifth Avenue and the Park and out of Zooey's sight. Zooey reflexively put his hand on a cross-piece between panes of glass, as if he had a mind to raise the window and lean out of it to watch the two disappear. It was his cigar hand, however, and he hesitated a second too long. He dragged on his cigar. "God damn it," he said, "there are nice things in the world--and I mean nice things. We're all such morons to get so sidetracked. Always, always, always referring every goddam thing that happens right back to our lousy little egos." Behind him, just then, Franny blew her nose with guileless abandon; the report was considerably louder than might have been expected from so fine and delicate-appearing an organ. Zooey turned around to look at her, somewhat censoriously.
J.D. Salinger (Franny and Zooey)
We were working on the idea about dogs’ Internet searches, and first we debated whether the sketch should feature real dogs or Henrietta and Viv in dog costumes (because cast members were always, unfailingly, trying to get more air time, we quickly went with the latter). Then we discussed where it should take place (the computer cluster in a public library, but, even though all this mattered for was the establishing shot, we got stalled on whether that library should be New York’s famous Main Branch building on Fifth Avenue, with the lion statues in front, a generic suburban library in Kansas City, or a generic suburban library in Jacksonville, Florida, which was where Viv was from). Then we really got stalled on the breeds of dogs. Out of loyalty to my stepfather and Sugar, I wanted at least one to be a beagle. Viv said that it would work best if one was really big and one was really little, and Henrietta said she was fine with any big dog except a German Shepherd because she’d been bitten by her neighbor’s German Shepherd in third grade. After forty minutes we’d decided on a St. Bernard and a Chihuahua—I eventually conceded that Chihuahuas were funnier than beagles. We decided to go with the Florida location for the establishing shot because the lions in front of the New York Main Branch could preempt or diminish the appearance of the St. Bernard. Then we’d arrived at the fun part, which was the search terms. With her mouth full of beef kebab, Viv said, “Am I adopted?” With my mouth full of spanakopita, I said, “Am I a good girl?” With her mouth full of falafel, Henrietta said, “Am I five or thirty-five?” “Why is thunder scary?” I said. “Discreet crotch-sniffing techniques,” Henrietta said. “Cheap mani-pedis in my area,” Viv said. “Oh, and cheapest self-driving car.” “Best hamburgers near me,” I said. “What is halitosis,” Henrietta said. “Halitosis what to do,” I said. “Where do humans pee,” Viv said. “Taco Bell Chihuahua male or female,” I said. “Target bull terrier married,” Viv said. “Lassie plastic surgery,” Henrietta said. “Funny cat videos,” I said. “Corgis embarrassing themselves YouTube,” Viv said. “YouTube little dog scares away big dog,” I said. “Doghub two poodles and one corgi,” Henrietta said. “Waxing my tail,” I said. “Is my tail a normal size,” Viv said.
Curtis Sittenfeld (Romantic Comedy)
After my return to Paris, one thing seemed obvious: To see Manhattan again, to feel as good about New York as Liza Minnelli sounded singing about it at Giants Stadium in 1986 (Google it), I had to start treating it as if it were a foreign city; to bring a reporter's eye and habits, care, and attention to daily life. But as that was the sort of vague self-directive easily ignored, I gave myself a specific assignment: Once a week, during routine errands, I would try something new or go someplace I hadn't been in a long while. It could be as quick as a walk past the supposedly haunted brownstone at 14 West 10th Street, where former resident Mark Twain is said to be among the ghosts. It could a stroll on the High Line, the elevated park with birch trees and long grasses growing where freight trains used to roll. Or it could be a snowy evening visit to the New York Public Library's Beaux-Arts flagship on Fifth Avenue, where Pamuk wrote the first sentence of The Museum of Innocence. There I wandered past white marble walls and candelabras, under chandeliers and ornate ceiling murals, through the room with more than ten thousand maps of my city, eventually taking a seat at a communal wood table to read a translation of Petrarch's Life of Solitude, to rare to be lent out. Tourist Tuesdays I called these outings, to no one but myself.
Stephanie Rosenbloom (Alone Time: Four Seasons, Four Cities, and the Pleasures of Solitude)
The morning after / my death” The morning after my death we will sit in cafés but I will not be there I will not be * There was the great death of birds the moon was consumed with fire the stars were visible until noon. Green was the forest drenched with shadows the roads were serpentine A redwood tree stood alone with its lean and lit body unable to follow the cars that went by with frenzy a tree is always an immutable traveller. The moon darkened at dawn the mountain quivered with anticipation and the ocean was double-shaded: the blue of its surface with the blue of flowers mingled in horizontal water trails there was a breeze to witness the hour * The sun darkened at the fifth hour of the day the beach was covered with conversations pebbles started to pour into holes and waves came in like horses. * The moon darkened on Christmas eve angels ate lemons in illuminated churches there was a blue rug planted with stars above our heads lemonade and war news competed for our attention our breath was warmer than the hills. * There was a great slaughter of rocks of spring leaves of creeks the stars showed fully the last king of the Mountain gave battle and got killed. We lay on the grass covered dried blood with our bodies green blades swayed between our teeth. * We went out to sea a bank of whales was heading South a young man among us a hero tried to straddle one of the sea creatures his body emerged as a muddy pool as mud we waved goodbye to his remnants happy not to have to bury him in the early hours of the day We got drunk in a barroom the small town of Fairfax had just gone to bed cherry trees were bending under the weight of their flowers: they were involved in a ceremonial dance to which no one had ever been invited. * I know flowers to be funeral companions they make poisons and venoms and eat abandoned stone walls I know flowers shine stronger than the sun their eclipse means the end of times but I love flowers for their treachery their fragile bodies grace my imagination’s avenues without their presence my mind would be an unmarked grave. * We met a great storm at sea looked back at the rocking cliffs the sand was going under black birds were leaving the storm ate friends and foes alike water turned into salt for my wounds. * Flowers end in frozen patterns artificial gardens cover the floors we get up close to midnight search with powerful lights the tiniest shrubs on the meadows A stream desperately is running to the ocean The Spring Flowers Own & The Manifestations of the Voyage (The Post-Apollo Press, 1990)
Elinor Wylie