Apparel Quotes

We've searched our database for all the quotes and captions related to Apparel. Here they are! All 100 of them:

Give every man thy ear, but few thy voice; Take each man's censure, but reserve thy judgment. But not express'd in fancy; rich, not gaudy; For the apparel oft proclaims the man, And they in France of the best rank and station Are of a most select and generous chief in that.
William Shakespeare (Hamlet)
Only narrowly avoided being elbowed in the face by a girl attired in what could only be described as "slutty Gryffindor" apparel. So wrong.
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
One who's naked shouldn't judge apparel,
A.G. Howard (Splintered (Splintered, #1))
Do you sometimes look up from the computer and look around the room and know you are alone, I mean really know it, then feel scared ?
Tao Lin (Shoplifting from American Apparel)
Footwear, apparel, accessories, cosmetics - they all belong to the ecommerce category or retail category, but they all are very different industries and require their own research.
Pooja Agnihotri (17 Reasons Why Businesses Fail :Unscrew Yourself From Business Failure)
In the fashion industry, everything goes retro except the prices.
Criss Jami (Killosophy)
There was a time when meadow, grove, and stream, The earth, and every common sight, To me did seem Apparelled in celestial light, The glory and the freshness of a dream. It is not now as it hath been of yore;— Turn wheresoe'er I may, By night or day, The things which I have seen I now can see no more. The rainbow comes and goes, And lovely is the rose; The moon doth with delight Look round her when the heavens are bare; Waters on a starry night Are beautiful and fair; The sunshine is a glorious birth; But yet I know, where’er I go, That there hath past away a glory from the earth.
William Wordsworth (Ode: Intimations of Immortality from Recollections of Early Childhood)
I'll give my jewels for a set of beads, My gorgeous palace for a hermitage, My gay apparel for an almsman's gown, My figured goblets for a dish of wood, My scepter for a palmer's walking staff My subjects for a pair of carved saints and my large kingdom for a little grave.
William Shakespeare (Richard II)
Take care of your costume and your confidence will take care of itself.
Amit Kalantri (Wealth of Words)
If you should rise from Nowhere up to Somewhere, From being No one up to being Someone, Be sure to keep repeating to yourself You owe it to an arbitrary god Whose mercy to you rather than to others Won’t bear to critical examination. Stay unassuming. If for lack of license To wear the uniform of who you are, You should be tempted to make up for it In a subordinationg look or toe, Beware of coming too much to the surface And using for apparel hat was meant To be the curtain of the inmost soul.
Robert Frost
Nothing is so easy as to deceive one’s self when one does not lack wit and is familiar with all the niceties of language. Language is a prostitute queen who descends and rises to all roles. Disguises herself, arrays herself in fine apparel, hides her head and effaces herself; an advocate who has an answer for everything, who has always foreseen everything, and who assumes a thousand forms in order to be right. The most honorable of men is he who thinks best and acts best, but the most powerful is he who is best able to talk and write
George Sand (Indiana)
Mothers wash the bloodstained apparel of grooms On stream banks, Bridal wear burns to ash, Bridesmaids cry And the Jhelum flows.
Basharat Peer (Curfewed Night)
We have been sitting here all night bullshitting and we still don’t know what to do.
Tao Lin (Shoplifting from American Apparel)
There was a time when meadow, grove, and stream, The earth, and every common sight To me did seem Apparelled in celestial light, The glory and the freshness of a dream. It is not now as it hath been of yore;— Turn wheresoe’er I may, By night or day, The things which I have seen I now can see no more. —But there’s a tree, of many, one, A single field which I have look’d upon, Both of them speak of something that is gone: The pansy at my feet Doth the same tale repeat: Whither is fled the visionary gleam? Where is it now, the glory and the dream?
William Wordsworth (Ode: Intimations of Immortality from Recollections of Early Childhood)
Matt was almost completely naked. A tattered loincloth and an ugly chain with a yellow diamond were his only apparel.
Priya Ardis
How to care for intimate apparel? Treat your bras like you’d want a partner to handle your breasts: with kindness and a gentle touch.
Elisabeth Dale
apparel, n.: There are times I don’t mind doing the laundry, because folding your clothes reminds me of the shape of you.
David Levithan
Give thy thoughts no tongue, Nor any unproportioned thought his act. Be thou familiar, but by no means vulgar; Those friends thou hast, and their adoption tried, Grapple them to thy soul with hoops of steel, But do not dull thy palm with entertainment Of each new-hatched unfledged comrade. Beware Of entrance to a quarrel, but being in, Bear’t that th’opposèd may beware of thee. Give every man thy ear, but few thy voice; Take each man’s censure, but reserve thy judgement. Costly thy habit as thy purse can buy, But not expressed in fancy; rich, not gaudy; For the apparel oft proclaims the man, And they in France of the best rank and station Are most select and generous, chief in that. Neither a borrower nor a lender be, For loan oft loses both itself and friend, And borrowing dulls the edge of husbandry. This above all: to thine own self be true; And it must follow, as the night the day, Thou canst not then be false to any man.
William Shakespeare (Hamlet)
Language is the apparel in which your thoughts parade before the public.
George Crane
There was an emptiness about the heart of life; an attic room. Women must put off their rich apparel. At midday they must disrobe.
Virginia Woolf (Mrs. Dalloway)
The quasi-peaceable gentleman of leisure, then, not only consumes of the staff of life beyond the minimum required for subsistence and physical efficiency, but his consumption also undergoes a specialisation as regards the quality of the goods consumed. He consumes freely and of the best, in food, drink, narcotics, shelter, services, ornaments, apparel, weapons and accoutrements, amusements, amulets, and idols or divinities.
Thorstein Veblen
Pantaloons were often worn tight as paint and were not a great deal less revealing, particularly as they were worn without underwear. . . . Jackets were tailored with tails in the back, but were cut away in front so that they perfectly framed the groin. It was the first time in history that men's apparel was consciously designed to be more sexy than women's.
Bill Bryson (At Home: A Short History of Private Life)
And when I look around the apartment where I now am,—when I see Charlotte’s apparel lying before me, and Albert’s writings, and all those articles of furniture which are so familiar to me, even to the very inkstand which I am using,—when I think what I am to this family—everything. My friends esteem me; I often contribute to their happiness, and my heart seems as if it could not beat without them; and yet—if I were to die, if I were to be summoned from the midst of this circle, would they feel—or how long would they feel—the void which my loss would make in their existence? How long! Yes, such is the frailty of man, that even there, where he has the greatest consciousness of his own being, where he makes the strongest and most forcible impression, even in the memory, in the heart of his beloved, there also he must perish,—vanish,—and that quickly. I could tear open my bosom with vexation to think how little we are capable of influencing the feelings of each other. No one can communicate to me those sensations of love, joy, rapture, and delight which I do not naturally possess; and though my heart may glow with the most lively affection, I cannot make the happiness of one in whom the same warmth is not inherent. Sometimes I don’t understand how another can love her, is allowed to love her, since I love her so completely myself, so intensely, so fully, grasp nothing, know nothing, have nothing but her! I possess so much, but my love for her absorbs it all. I possess so much, but without her I have nothing. One hundred times have I been on the point of embracing her. Heavens! what a torment it is to see so much loveliness passing and repassing before us, and yet not dare to lay hold of it! And laying hold is the most natural of human instincts. Do not children touch everything they see? And I! Witness, Heaven, how often I lie down in my bed with a wish, and even a hope, that I may never awaken again! And in the morning, when I open my eyes, I behold the sun once more, and am wretched. If I were whimsical, I might blame the weather, or an acquaintance, or some personal disappointment, for my discontented mind; and then this insupportable load of trouble would not rest entirely upon myself. But, alas! I feel it too sadly; I am alone the cause of my own woe, am I not? Truly, my own bosom contains the source of all my pleasure. Am I not the same being who once enjoyed an excess of happiness, who at every step saw paradise open before him, and whose heart was ever expanded towards the whole world? And this heart is now dead; no sentiment can revive it. My eyes are dry; and my senses, no more refreshed by the influence of soft tears, wither and consume my brain. I suffer much, for I have lost the only charm of life: that active, sacred power which created worlds around me,—it is no more. When I look from my window at the distant hills, and behold the morning sun breaking through the mists, and illuminating the country around, which is still wrapped in silence, whilst the soft stream winds gently through the willows, which have shed their leaves; when glorious Nature displays all her beauties before me, and her wondrous prospects are ineffectual to extract one tear of joy from my withered heart,—I feel that in such a moment I stand like a reprobate before heaven, hardened, insensible, and unmoved. Oftentimes do I then bend my knee to the earth, and implore God for the blessing of tears, as the desponding labourer in some scorching climate prays for the dews of heaven to moisten his parched corn.
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
With right fashion, every female would be a flame.
Amit Kalantri (Wealth of Words)
When I'm talking to someone I think 'can I use this dialogue in a book,'" said Luis. "If the answer is no I try talking to someone else.
Tao Lin (Shoplifting from American Apparel)
With heart at rest I climbed the citadel's Steep height, and saw the city as from a tower, Hospital, brothel, prison, and such hells, Where evil comes up softly like a flower. Thou knowest, O Satan, patron of my pain, Not for vain tears I went up at that hour; But like an old sad faithful lecher, fain To drink delight of that enormous trull Whose hellish beauty makes me young again. Whether thou sleep, with heavy vapors full, Sodden with day, or, new appareled, stand In gold-laced veils of evening beautiful, I love thee, infamous city! Harlots and Hunted have pleasures of their own to give, The vulgar herd can never understand.
Charles Baudelaire
Walt Whitman (1819–1892). Leaves of Grass. 1900. To You WHOEVER you are, I fear you are walking the walks of dreams, I fear these supposed realities are to melt from under your feet and hands; Even now, your features, joys, speech, house, trade, manners, troubles, follies, costume, crimes, dissipate away from you, Your true Soul and Body appear before me, They stand forth out of affairs—out of commerce, shops, law, science, work, forms, clothes, the house, medicine, print, buying, selling, eating, drinking, suffering, dying. Whoever you are, now I place my hand upon you, that you be my poem; I whisper with my lips close to your ear, I have loved many women and men, but I love none better than you. O I have been dilatory and dumb; I should have made my way straight to you long ago; I should have blabb’d nothing but you, I should have chanted nothing but you. I will leave all, and come and make the hymns of you; None have understood you, but I understand you; None have done justice to you—you have not done justice to yourself; None but have found you imperfect—I only find no imperfection in you; None but would subordinate you—I only am he who will never consent to subordinate you; I only am he who places over you no master, owner, better, God, beyond what waits intrinsically in yourself. Painters have painted their swarming groups, and the centre figure of all; From the head of the centre figure spreading a nimbus of gold-color’d light; But I paint myriads of heads, but paint no head without its nimbus of gold-color’d light; From my hand, from the brain of every man and woman it streams, effulgently flowing forever. O I could sing such grandeurs and glories about you! You have not known what you are—you have slumber’d upon yourself all your life; Your eye-lids have been the same as closed most of the time; What you have done returns already in mockeries; (Your thrift, knowledge, prayers, if they do not return in mockeries, what is their return?) The mockeries are not you; Underneath them, and within them, I see you lurk; I pursue you where none else has pursued you; Silence, the desk, the flippant expression, the night, the accustom’d routine, if these conceal you from others, or from yourself, they do not conceal you from me; The shaved face, the unsteady eye, the impure complexion, if these balk others, they do not balk me, The pert apparel, the deform’d attitude, drunkenness, greed, premature death, all these I part aside. There is no endowment in man or woman that is not tallied in you; There is no virtue, no beauty, in man or woman, but as good is in you; No pluck, no endurance in others, but as good is in you; No pleasure waiting for others, but an equal pleasure waits for you. As for me, I give nothing to any one, except I give the like carefully to you; I sing the songs of the glory of none, not God, sooner than I sing the songs of the glory of you. Whoever you are! claim your own at any hazard! These shows of the east and west are tame, compared to you; These immense meadows—these interminable rivers—you are immense and interminable as they; These furies, elements, storms, motions of Nature, throes of apparent dissolution—you are he or she who is master or mistress over them, Master or mistress in your own right over Nature, elements, pain, passion, dissolution. The hopples fall from your ankles—you find an unfailing sufficiency; Old or young, male or female, rude, low, rejected by the rest, whatever you are promulges itself; Through birth, life, death, burial, the means are provided, nothing is scanted; Through angers, losses, ambition, ignorance, ennui, what you are picks its way.
Walt Whitman
This was the beauty of apparel. A suit transformed you into a certain kind of person. A T-shirt, a different kind of person.
Helen Hoang (The Kiss Quotient (The Kiss Quotient, #1))
The city was so big. It lulled you into thinking that there were so many options, but most of the options had to do with buying things: dinner entrées, cocktails, the cover charge to a nightclub. Then there was the shopping, big chain stores open late, up and down the streets, throbbing with bass-heavy music and lighting. In the Garment District, diminished to a limited span of blocks after apparel manufacture moved overseas, wholesale shops sold fabrics and trinkets imported from China, India, Pakistan. In Jonathan’s apartment, we used to
Ling Ma (Severance)
To be fair, English is full of booby traps for the unwary foreigner. Any language where the unassuming word fly signifies an annoying insect, a means of travel, and a critical part of a gentleman’s apparel is clearly asking to be mangled.
Bill Bryson (The Mother Tongue: English and How it Got that Way)
It's time to shop high heels if your fiance kisses you on the forehead.
Amit Kalantri (Wealth of Words)
Fashion doesn't make you perfect, but it makes you pretty.
Amit Kalantri (Wealth of Words)
Shakespeare 'never owned a book,' a writer for the New York Times gravely informed readers in one doubting article in 2002. The statement cannot actually be refuted, for we know nothing about his incidental possessions. But the writer might just as well have suggested that Shakespeare never owned a pair of shoes or pants. For all the evidence tells us, he spent his life naked from the waist down, as well as bookless, but it is probably that what is lacking is the evidence, not the apparel or the books.
Bill Bryson (Shakespeare: The World as Stage)
Sam looked at the sky to see if there were a lot of stars. There seemed to be a normal amount of stars.
Tao Lin (Shoplifting from American Apparel)
The way you dress is how you greet the sun and other stars.
Kamand Kojouri
Be all the dork that I can be?” he tried. Her turn. “Hamlet: To dork, or not to dork, that is the question.” She smiled proudly, thinking of another. “The apparel ‘oft proclaims the man!” He chuckled. “Hamlet again, but this time with an English accent: Though this be madness, yet there is method in it.
Anne Eliot (Unmaking Hunter Kennedy)
Jewelry maybe is more expensive than clothes, but clothes are more important than jewelry.
Amit Kalantri
Any girl with a grin never looks grim.
Amit Kalantri (Wealth of Words)
Don't look shy if you wear rag and people gag, many are in the grave wearing skeleton, and you should even be happier for wearing a skin without clothes.
Michael Bassey Johnson
Yeah. I like Chopin. I feel like Chopin is ‘emo.’ Do you like Chopin?
Tao Lin (Shoplifting from American Apparel)
Language is the apparel in which your thoughts parade in public. Never clothe them in vulgar and shoddy attire.
George W. Crane
The apparel oft proclaims the man
William Shakespeare (Hamlet)
Yet here, Laertes? Aboard, aboard, for shame! The wind sits in the shoulder of your sail, And you are stay'd for. There, my blessing with thee. And these few precepts in thy memory See thou character. Give thy thoughts no tongue, Nor any unproportion'd thought his act. Be thou familiar, but by no means vulgar. Those friends thou hast, and their adoption tried, Grapple them to thy soul with hoops of steel; But do not dull thy palm with entertainment Of each new-hatch'd, unfledged comrade. Beware Of entrance to a quarrel; but being in, Bear't that the opposed may beware of thee. Give every man thy ear, but few thy voice; Take each man's censure, but reserve thy judgment. Costly thy habit as thy purse can buy, But not express'd in fancy; rich, not gaudy; For the apparel oft proclaims the man, And they in France of the best rank and station Are of a most select and generous, chief in that. Neither a borrower nor a lender be; For loan oft loses both itself and friend, And borrowing dulls the edge of husbandry. This above all: to thine own self be true, And it must follow, as the night the day, Thou canst not then be false to any man. Farewell. My blessing season this in thee!
William Shakespeare
Kings and governors that do exult in strength and beauty and lustihood and rich apparel, showing themselves for awhile upon the stage of the world and open dominion of high heaven, what are they but the gilded summer fly that decayeth with the dying day?
E.R. Eddison (The Worm Ouroboros)
You would more probably have gone to the guillotine,' replied Sir Tristram, depressingly matter of fact. 'Yes, that is quite true,' agreed Eustacie. 'We used to talk of it, my cousin Henriette and I. We made up our minds we should be entirely brave, not crying, of course, but perhaps a little pale, in a proud way. Henriette wished to go to the guillotine en grande tenue, but that was only because she had a court dress of yellow satin which she thought became her much better than it did really. For me, I think one should wear white to the guillotine if one is quite young, and not carry anything except perhaps a handkerchief. Do you not agree?' 'I don't think it signifies what you wear if you are on your way to the scaffold,' replied Sir Tristram, quite unappreciative of the picture his cousin was dwelling on with such evident admiration. She looked at him in surprise. 'Don't you? But consider! You would be very sorry for a young girl in a tumbril, dressed all in white, pale, but quite unafraid, and not attending to the canaille at all, but--' 'I should be very sorry for anyone in a tumbril, whatever their age or sex or apparel,' interrupted Sir Tristram. 'You would be more sorry for a young girl--all alone, and perhaps bound,' said Eustacie positively. 'You wouldn't be all alone. There would be a great many other people in the tumbril with you,' said Sir Tristram. Eustacie eyed him with considerable displeasure. 'In my tumbril there would not have been a great many other people,' she said.
Georgette Heyer (The Talisman Ring)
Elizabeth for the whole of Edward's reign, never wore the rich jewels and clothes left her by her father. Instead, she offered a more virtuous example than the writing of Saints Peter and Paul, her maidenly apparel making the ladies of the court ashamed to be dressed and painted like peacocks.
David Starkey (Elizabeth: The Struggle for the Throne)
Why should we labor this unpleasant point? Because the Book of Mormon labors it, for our special benefit. Wealth is a jealous master who will not be served halfheartedly and will suffer no rival--not even God: "Ye cannot serve God and Mammon." (Matthew 6:24) In return for unquestioning obedience wealth promises security, power, position, and honors, in fact anything in this world. Above all, the Nephites like the Romans saw in it a mark of superiority and would do anything to get hold of it, for to them "money answereth all things." (Ecclesiastes 10:19) "Ye do always remember your riches," cried Samuel the Lamanite, ". . .unto great swelling, envyings, strifes, malice, persecutions, and murders, and all manner of iniquities." (Helaman 13:22) Along with this, of course, everyone dresses in the height of fashion, the main point being always that the proper clothes are expensive--the expression "costly apparel" occurs 14 times in the Book of Mormon. The more important wealth is, the less important it is how one gets it.
Hugh Nibley (Since Cumorah (The Collected Works of Hugh Nibley, Volume 07))
Earth-treading stars that make dark heaven light: Such comfort as do lusty young men feel When well-apparell'd April on the heel Of limping winter treads, even such delight Among fresh female buds shall you this night Inherit at my house; hear all, all see, And like her most whose merit most shall be:
William Shakespeare (Romeo and Juliet)
How much do you enjoy the ad of the hot brunette in the skimpy tank-top winking at you? How much do you enjoy that image of the college hunk with the cubed abdominals blue-steeling into the breeze? Once you make the link that it’s American Apparel, or Abercrombie, how do you then feel about that brand?
Simon Pont (The Better Mousetrap: Brand Invention in a Media Democracy)
Whoever said that sin was not fun? Whoever claimed that Lucifer was not handsome, persuasive, easy, friendly? Sin is attractive and desirable. Transgression wears elegant gowns and sparkling apparel. It is highly perfumed; it has attractive features, a soft voice. It is found in educated circles and sophisticated groups. It provides sweet and comfortable luxuries. Sin is easy and has a big company of pleasant companions. It promises immunity from restrictions, temporary freedoms. It can momentarily satisfy hunger, thirst, desire, urges, passions, wants without immediately paying the price. But, it begins tiny, and grows to monumental proportions - drop by drop, inch by inch.
Spencer W. Kimball (Faith Precedes the Miracle)
Earthly authority displays itself in giving orders, in magnificent apparel, in hordes of servitors, in sycophantic addresses; the authority of Jesus disposes of is, by contrast, spiritual, and expresses itself in serving, not being served, in seeking to be the least instead of the greatest, the last instead of the first, in finding wisdom in the innocence of children and truth in the foolishness of men rather than in those who pass for being sagacious and experienced in the world’s ways. When we want to adulate men, we say they are godlike; but when God became Man, it was in the lineaments of the least of men.
Malcolm Muggeridge (Jesus, The Man Who Lives)
Your clothes should be as important as your skin.
Amit Kalantri
You cannot choose your face but you can choose your dress.
Amit Kalantri (Wealth of Words)
Dresses don't look beautiful on hangers.
Amit Kalantri (Wealth of Words)
The SpecOps dress code stated that our apparel should be 'dignified' but in Cordelia's case they had obviously stretched a point.
Jasper Fforde (Lost in a Good Book (Thursday Next, #2))
All this I see; and see that the fashion wears out more apparel than the man.
William Shakespeare (Much Ado About Nothing)
On the day when crime dons the apparel of innocence—through a curious transposition peculiar to our times—it is innocence that is called upon to justify itself. The
Albert Camus (The Rebel: An Essay on Man in Revolt (Vintage International))
Hey, hey, hey, hey Hey, hey, hey, hey Hey, hey, hey, hey Hey, hey, hey, hey Simmer down, simmer down They say we're too young now to amount to anything else But look around We work too damn hard for this just to give it up now If you don't swim, you'll drown But don't move, honey You look so perfect standing there In my American Apparel underwear And I know now, that I'm so down Your lipstick stain is a work of art I got your name tattooed in an arrow heart And I know now, that I'm so down (hey!) Hey, hey! Hey, hey, hey, hey Hey, hey, hey, hey Hey, hey, hey, hey Hey, hey, hey, hey Let's get out, let's get out 'Cause this deadbeat town's only here just to keep us down While I was out, I found myself alone just thinking If I showed up with a plane ticket And a shiny diamond ring with your name on it Would you wanna run away too? 'Cause all I really want is you You look so perfect standing there In my American Apparel underwear And I know now, that I'm so down I made a mixtape straight out of '94 I've got your ripped skinny jeans lying on the floor And I know now, that I'm so down Hey, hey! Hey, hey, hey, hey Hey, hey, hey, hey Hey, hey, hey, hey Hey, hey, hey, hey You look so perfect standing there In my American Apparel underwear And I know now, that I'm so down Your lipstick stain is a work of art I got your name tattooed in an arrow heart And I know now, that I'm so down Hey, hey! Hey, hey, hey, hey Hey, hey, hey, hey Hey, hey, hey, hey Hey, hey, hey, hey You look so perfect standing there In my American Apparel underwear And I know now, that I'm so down (hey) Your lipstick stain is a work of art (hey, hey) I got your name tattooed in an arrow heart (hey, hey) And I know now, that I'm so down (hey, hey) Hey
5 Seconds of Summer
As far as I could see, she didn't take any better care of her apparel than I did mine, but I owned shirts that looked like they'd been run through a car engine half an hour after I removed the price tags, and she had socks from high school that were still as white as palace linen. Women and their clothes often astounded me this way, but I figured it was one of those mysteries I'd never solve - like what really happened to Amelia Earhart or the bell that used to occupy our office.
Dennis Lehane (Gone, Baby, Gone (Kenzie & Gennaro, #4))
If you’re not from Pittsburgh, I should probably explain that “yinzers” are people with heavy Pittsburgh accents. For example, instead of “you” or “y’all,” they say “yinz.” Another feature of yinzers is that they wear Steelers apparel at all times, including in the workplace and at weddings.
Jesse Andrews (Me and Earl and the Dying Girl)
...catching a glimpse of his rather hippyish form in a mirror, he wonders at this atavism of apparel, is it an inversion of foetal ontogeny, in which the phenotype passes through previous fashion stages? Soon there will be gaiters and gloves...I will probably die, he thinks, clad in animal skins.
Will Self (Umbrella)
Dresses won't worn out in the wardrobe, but that is not what dresses are designed for.
Amit Kalantri (Wealth of Words)
This is how athleisure has carved out the space between exercise apparel and fashion: the former category optimizes your performance, the latter optimizes your appearance, and athleisure does both simultaneously. It is tailor-made for a time when work is rebranded as pleasure so that we will accept more of it—a time when, for women, improving your looks is a job that you’re supposed to believe is fun.
Jia Tolentino (Trick Mirror)
You may light on a husband that hath no beard. BEATRICE What should I do with him? Dress him in my apparel and make him my waiting gentlewoman? He that hath a beard is more than a youth, and he that hath no beard is less than a man; and he that is more than a youth is not for me, and he that is less than a man, I am not for him. Therefore I will even take sixpence in earnest of the bearherd, and lead his apes into hell.
William Shakespeare (Much Ado About Nothing (The Modern Shakespeare: The Original Play with a Modern Translation))
Our dress affects not only our thoughts and actions but also the thoughts and actions of others. Accordingly, Paul the Apostle counseled “women [to] adorn themselves in modest apparel” (1 Timothy 2:9). The dress of a woman has a powerful impact upon the minds and passions of men. If it is too low or too high or too tight, it may prompt improper thoughts, even in the mind of a young man who is striving to be pure. Men and women can look sharp and be fashionable, yet they can also be modest. Women particularly can dress modestly and in the process contribute to their own self-respect and to the moral purity of men. In the end, most women get the type of man they dress for. [Ensign, Mar. 2014, 47-48]
Tad R. Callister
I don't want any money for it," he said. "It's a gift." Scarlett's mouth dropped open. The line was so closely, so carefully drawn where gifts from men were concerned. "Candy and flowers, dear," Ellen had said time and again, "and perhaps a book of poetry or an album or a small bottle of Florida water are the only things a lady may accept from a gentleman. Never, never any expensive gift, even from your fiance. And never any gift of jewelry or wearing apparel, not even gloves or handkerchiefs. Should you accept such gifts, men would know you were no lady and would try to take liberties.
Margaret Mitchell (Gone with the wind)
The Spirit at work in us is replacing our desire to dress in a way that impresses or seduces with a desire to dress as Paul instructed women in his letter to Timothy, “in respectable apparel, with modesty and self-control” (1 Tim. 2:9). Rather than making a fashion statement with our clothes that will cause heads to turn in our direction, we want to make a fashion statement with our character that will cause heads to turn in Christ’s direction.
Nancy Guthrie (Even Better than Eden: Nine Ways the Bible's Story Changes Everything about Your Story)
There was a time when meadow, grove, and stream, The earth, and every common sight, To me did seem Apparelled in celestial light, The glory and the freshness of a dream. It is not now as it hath been of yore;— Turn wheresoe'er I may, By night or day, The things which I have seen I now can see no more.
William Wordsworth (Ode: Intimations of Immortality from Recollections of Early Childhood)
How they are all about, these gentlemen In chamberlains' apparel, stocked and laced, Like night around their order's star and gem And growing ever darker, stony-faced, And these, their ladies, fragile, wan, but propped High by their bodice, one hand loosely dropped, Small like its collar, on the toy King-Charles: How they surround each one of these who stopped To read and contemplate the objects d'art, Of which some pieces still are theirs, not ours. Whit exquisite decorum they allow us A life of whose dimensions we seem sure And which they cannot grasp. They were alive To bloom, that is be fair; we, to mature, That is to be of darkness and to strive.
Rainer Maria Rilke (The Best of Rilke)
They didn't exchange a single word. But in the weeks that followed, Trip spent his days wandering the halls, hoping for Lux to appear, the most naked person with clothes on he had ever seen. Even in sensible school shoes, she shuffled as though barefoot, and the baggy apparel Mrs. Lisbon bought for her only increased her appeal, as though after undressing she had put on whatever was handy. In corduroys her thighs rubbed together, buzzing, and there was always at least one untidy marvel to unravel him: an untucked shirttail, a sock with a hole, a ripped seam showing underarm hair. She carted her books from class to class but never opened them. Her pens and pencils were as temporary as Cinderella's broom. When she smiled, her mouth showed too many teeth, but at night Trip Fontaine dreamed of being bitten by each one.
Jeffrey Eugenides
Years may go by, and the wheel in the river Wheel as it wheels for us, children, to-day, Wheel and keep roaring and foaming for ever Long after all of the boys are away. Home for the Indies and home from the ocean, Heroes and soldiers we all will come home; Still we shall find the old mill wheel in motion, Turning and churning that river to foam. You with the bean that I gave when we quarrelled, I with your marble of Saturday last, Honoured and old and all gaily apparelled, Here we shall meet and remember the past.
Robert Louis Stevenson (A Child's Garden of Verses)
ACT20.33 I have coveted no man’s silver, or gold, or apparel.
Anonymous (KING JAMES BIBLE - VerseSearch - Red Letter Edition)
despite the decline in consumer spending brought on by the greatest economic downturn since World War II, the difference between jobs in manufacturing and in retail had reached nearly three million workers, a depressing reality of a failing economy where most new opportunities were low-paid, part-time positions to sell Chinese apparel and electronics bought on credit.
Vaclav Smil (Made in the USA: The Rise and Retreat of American Manufacturing (The MIT Press))
The childish and savage taste of men and women for new patterns keeps how many shaking and squinting through kaleidoscopes that they may discover the particular figure which this generation requires to-day. The manufacturers have learned that this taste is merely whimsical. Of two patterns which differ only by a few threads more or less of a particular color, the one will be sold readily, the other lie on the shelf, though it frequently happens that after the lapse of a season the latter becomes the most fashionable. Comparatively, tattooing is not the hideous custom which it is called. It is not barbarous merely because the printing is skin-deep and unalterable.
Henry David Thoreau (Walden and Other Writings)
Peck Valley would have shuddered a bit had it known the easy ethics of its mortuary artist in such debatable matters as the ownership of costly “laying-out” apparel invisible beneath the casket’s lid, and the degree of dignity to be maintained in posing and adapting the unseen members of lifeless tenants to containers not always calculated with sublimest accuracy. Most distinctly Birch was lax, insensitive, and professionally undesirable;
H.P. Lovecraft (The Complete Works of H.P. Lovecraft)
The laws of nature are sublime, but there is a moral sublimity before which the highest intelligences must kneel and adore. The laws by which the winds blow, and the tides of the ocean, like a vast clepsydra, measure, with inimitable exactness, the hours of ever-flowing time; the laws by which the planets roll, and the sun vivifies and paints; the laws which preside over the subtle combinations of chemistry, and the amazing velocities of electricity; the laws of germination and production in the vegetable and animal worlds, — all these, radiant with eternal beauty as they are, and exalted above all the objects of sense, still wane and pale before the Moral Glories that apparel the universe in their celestial light. The heart can put on charms which no beauty of known things, nor imagination of the unknown, can aspire to emulate. Virtue shines in native colors, purer and brighter than pearl, or diamond, or prism, can reflect. Arabian gardens in their bloom can exhale no such sweetness as charity diffuses. Beneficence is godlike, and he who does most good to his fellow-man is the Master of Masters, and has learned the Art of Arts. Enrich and embellish the universe as you will, it is only a fit temple for the heart that loves truth with a supreme love. Inanimate vastness excites wonder; knowledge kindles admiration, but love enraptures the soul. Scientific truth is marvellous, but moral truth is divine; and whoever breathes its air and walks by its light, has found the lost paradise. For him, a new heaven and a new earth have already been created. His home is the sanctuary of God, the Holy of Holies.
Horace Mann (A Few Thoughts For A Young Man)
Becomingly dressed in a tan cotton suit, Nancy set off in her convertible for the shopping district. She drove down the boulevard, and upon reaching the more congested streets, made her way skillfully through heavy traffic, then pulled into a parking lot. “I think I’ll try Taylor’s Department Store first for a dress,” she decided. Taylor’s was one of River Heights’ finest stores. Nancy purchased several items for Hannah on the main floor, then went directly to the misses’ wearing apparel section on the second floor. Usually Nancy had no trouble finding a sales-clerk. But this particular morning seemed to be an especially busy one in the department, and an extra rush of customers had temporarily overwhelmed the sales force.
Carolyn Keene (The Secret of The Old Clock (Nancy Drew Mystery, #1))
That is what's important. The life of the line. When I draw, it's like tied and untied writing. My lines can be vivid or dead. The drawing is beautiful if the line is alive. A line is in danger of dying all along. My method of drawing is very much like jazz improvisation. I improvise with the lines and the colors. (...) There's great joy in drawing. Writing is drawing in different apparel, and drawing is another way of writing. And when I draw, I write. Perhaps when I write, I draw.
Jean Cocteau
There shall be no money; all shall eat and drink om my score. And I will apparel them all in one livery, that they may agree like brothers, and worship me their lord.' 'The first thing we do, let's kill all the lawyers!' 'Nay, that I mean to do.
William Shakespeare
Lincoln found himself in a stifling courtroom one hot summer day, pleading his client’s case. The opposing lawyer, in a concession to the oppressive heat, took off his coat and vest as the debate went on. The man’s shirt had its buttons in the back, a style which was unusual even then. Lincoln looked at his opponent and sized up the man’s apparel. Knowing that the rural jury disliked pretension of any kind, or any attempt to show superior social rank, he said: "Gentlemen of the jury, having justice on my side, I don't think you will be at all influenced by the gentleman's pretended knowledge of the law, when you see he does not even know which side of his shirt should be in front." The jury burst into laughter, and Lincoln won the case.
Rriiver Nyile (Abraham Lincoln: Abraham Lincoln Facts, Jokes and Quotes ( President's Day) (Black History Kids Series Book 3))
Those who visited that exhibition-room found an auto-de-fé of immense skies in ignition, globes blotted out by bleeding suns; hemorrhages of stars, flowing down in purple cataracts over tumbling tufts of clouds. Against this background of terrible din, silent women passed, nude or appareled in jeweled stuffs, like the bindings of the old Evangelists; women with hair of shaggy silk, with pale blue eyes, hard and fixed, and flesh of the frozen whiteness of milk; Salomes holding, motionless upon a platter, the head of the Baptist, which shone, soaked in phosphorus, under the quincunxes with shorn leaves, of a green that was almost black; goddesses galloping on hippogriffs and streaking, with the lapis lazuli of their wings, the agony of the clouds; feminine idols, in tiaras, upright on thrones, at the top of stairs submerged in extraordinary flowers, or seated, in rigid poses, upon the backs of elephants with green-mantled foreheads and breasts strung with pearl-ropes like cavalry bells, stamping about upon their own heavy image, reflected in a sheet of water and splashed by the columns of the ring-circled legs!
Joris-Karl Huysmans (Downstream and Other Works)
In Syria, once, at the head-waters of the Jordan, a camel took charge of my overcoat while the tents were being pitched, and examined it with a critical eye, all over, with as much interest as if he had an idea of getting one made like it; and then, after he was done figuring on it as an article of apparel, he began to contemplate it as an article of diet. He put his foot on it, and lifted one of the sleeves out with his teeth, and chewed and chewed at it, gradually taking it in, and all the while opening and closing his eyes in a kind of religious ecstasy, as if he had never tasted anything as good as
Mark Twain (Roughing It)
Over the past twenty years, Maher watched that pattern play out again and again as major clothing brands made demands on suppliers in Bangladesh to lower their prices while also completing orders faster and constantly improving their workplace and environmental standards. Fakir Fashion has implemented certified projects to treat its wastewater, harvest rainwater, use more solar power, provide meals and child care for workers, hire workers with disabilities, build schools in the local area and more. They have been unable to pass on any of the expenses of these improvements to apparel brands or consumers, who continue to want more for less.
J.B. MacKinnon (The Day the World Stops Shopping: How Ending Consumerism Saves the Environment and Ourselves)
I will that women adorn themselves in modest apparel," he says, "with shamefacedness and sobriety; not with braided hair, or gold, or pearls, or costly array; "But (which becometh women professing godliness) with good works. "Let the woman learn in silence with all subjection." Here he looks us over. "All," he repeats. "But I suffer not a woman to teach, nor to usurp authority over the man, but to be in silence. "For Adam was first formed, then Eve. "And Adam was not deceived, but the woman being deceived was in the transgression. "Notwithstanding she shall be saved by childbearing, if they continue in faith and charity and holiness with sobriety." Saved
Margaret Atwood (The Handmaid's Tale (The Handmaid's Tale, #1))
So it needs to be said that nearly all of the anti-Shakespeare sentiment—actually all of it, every bit—involves manipulative scholarship or sweeping misstatements of fact. Shakespeare “never owned a book,” a writer for the New York Times gravely informed readers in one doubting article in 2002. The statement cannot actually be refuted, for we know nothing about his incidental possessions. But the writer might just as well have suggested that Shakespeare never owned a pair of shoes or pants. For all the evidence tells us, he spent his life naked from the waist down, as well as bookless, but it is probable that what is lacking is the evidence, not the apparel or the books.
Bill Bryson (Shakespeare: The World as Stage)
An old fashioned outfit is not a costume, it's a comedy.
Amit Kalantri (Wealth of Words)
No one is born pompous. To attain that state requires a certain amount of planning and effort. Presumably you could achieve it by a variety of means, but one sure way is to attend an old prep school that’s a little past its prime; while there, exhibit some facility in a field sport that you will never have cause to play again; room with a fellow whose name is over the library door; and along the way, gain familiarity with a pastime that requires travel and specialized apparel—such as duck hunting or downhill skiing. Follow these simple steps and you are sure to gain the necessary self-assurance to expound authoritatively on wine, politics, and the lives of the less fortunate—and to generally go on and on about anything else.
Amor Towles (Table for Two)
That I was not long brought up by the concubine of my father; that I preserved the flower of my youth. That I took not upon me to be a man before my time, but rather put it off longer than I needed. That I lived under the government of my lord and father, who would take away from me all pride and vainglory, and reduce me to that conceit and opinion that it was not impossible for a prince to live in the court without a troop of guards and followers, extraordinary apparel, such and such torches and statues, and other like particulars of state and magnificence; but that a man may reduce and contract himself almost to the state of a private man, and yet for all that not to become the more base and remiss in those public matters and affairs, wherein power and authority is requisite.
Marcus Aurelius (Meditations)
In two days they began to come upon bones and cast-off apparel. They saw halfburied skeletons of mules with the bones so white and polished they seemed incandescent even in that blazing heat and they saw panniers and packsaddles and the bones of men and they saw a mule entire, the dried and blackened carcass hard as iron. They rode on. The white noon saw them through the waste like a ghost army, so pale they were with dust, like shades of figures erased upon a board. The wolves loped paler yet and grouped and skittered and lifted their lean snouts on the air. At night the horses were fed by hand from sacks of meal and watered from buckets. There was no more sickness. The survivors lay quietly in that cratered void and watched the whitehot stars go rifling down the dark. Or slept with their alien hearts beating in the sand like pilgrims exhausted upon the face of the planet Anareta, clutched to a namelessness wheeling in the night. They moved on and the iron of the wagontires grew polished bright as chrome in the pumice. To the south the blue cordilleras stood footed in their paler image on the sand like reflections in a lake and there were no wolves now. They took to riding by night, silent jornadas save for the trundling of the wagons and the wheeze of the animals. Under the moonlight a strange party of elders with the white dust thick on their moustaches and their eyebrows. They moved on and the stars jostled and arced across the firmament and died beyond the inkblack mountains. They came to know the nightskies well. Western eyes that read more geometric constructions than those names given by the ancients. Tethered to the polestar they rode the Dipper round while Orion rose in the southwest like a great electric kite. The sand lay blue in the moonlight and the iron tires of the wagons rolled among the shapes of the riders in gleaming hoops that veered and wheeled woundedly and vaguely navigational like slender astrolabes and the polished shoes of the horses kept hasping up like a myriad of eyes winking across the desert floor. They watched storms out there so distant they could not be heard, the silent lightning flaring sheetwise and the thin black spine of the mountain chain fluttering and sucked away again in the dark. They saw wild horses racing on the plain, pounding their shadows down the night and leaving in the moonlight a vaporous dust like the palest stain of their passing.
Cormac McCarthy (Blood Meridian: Or the Evening Redness in the West)
decadence that infected Florence during its period of relative peace, when Leonardo was a young artist there: “The youth having become more dissolute than before, more extravagant in dress, feasting, and other licentiousness, and being without employment, wasted their time and means on gaming and women; their principal study being how to appear splendid in apparel, and attain a crafty shrewdness in discourse. These manners derived additional encouragement from the followers of the duke of Milan, who,
Walter Isaacson (Leonardo Da Vinci)
In wonderful savageness live the nation of the Fennians, and in beastly poverty, destitute of arms, of horses, and of homes; their food, the common herbs; their apparel, skins; their bed, the earth; their only hope in their arrows, which for want of iron they point with bones. Their common support they have from the chase, women as well as men; for with these the former wander up and down, and crave a portion of the prey. Nor other shelter have they even for their babes, against the violence of tempests and ravening beasts, than to cover them with the branches of trees twisted together; this a reception for the old men, and hither resort the young. Such a condition they judge more happy than the painful occupation of cultivating the ground, than the labour of rearing houses, than the agitations of hope and fear attending the defence of their own property or the seizing that of others. Secure against the designs of men, secure against the malignity of the Gods, they have accomplished a thing of infinite difficulty; that to them nothing remains even to be wished.
Tacitus (Germania)
Apparels play the role of life for a woman, Especially when going out as a couple, It consumes more time in asking the man, Rather than in deciding where to go, The most undesirable part when she is confused, Between two dresses and I observe her mused, She keeps on asking, shall I wear this one or that one, This colour or that colour, this size or that size, This style or that style, this type or that, Remember never gave an instant answer, It will do nothing but harm, as she think we don’t care, Act like you are thinking and then gave an answer, Even after choosing it and wearing it she asks, Are you sure I look beautiful? Well the lesser the clothes greater the beauty, I wanted to say.
Mahiraj Jadeja (A Lover's Will)
Dear Mother, dear Mother, the Church is cold, But the Ale-house is healthy & pleasant & warm: Besides I can tell where I am use'd well, Such usage in heaven will never do well. But if at Church they would give us some Ale. And a pleasant fire, our souls to regale: We'd sing and we'd pray all the live-long day: Nor ever once wish from the Church to stray. Then the Parson might preach & drink & sing. And we'd be as happy as birds in the spring: And modest dame Lurch, who is always at Church Would not have bandy children nor fasting nor birch And God like a father rejoicing to see. His children as pleasant and happy as he: Would have no more quarrel with the Devil or the Barrel But kiss him & give him both drink and apparel.
William Blake (Songs of Innocence and of Experience)
If a single man of them had shown himself courageous it would have been something: I would have felt less ashamed of my country. I had long suspected the veracity of certain of the heroic legends of ancient Rome related by the historian Livy, and on hearing of this scene in the Senate I even began to have doubts about my favourite passage, the one describing the fortitude of the senators of old after the disaster of the River Allia when the Celts were advancing on the City and all hope of defending the walls was gone. Livy tells how the young men of military age, with their wives and children, withdrew into the Citadel after getting in a store of arms and provisions, resolved to hold out to the last. But the old men, who could be only an encumbrance to the besieged, remained behind and awaited death, wearing senatorial robes and seated in chairs of office in the porticoes of their houses, their ivory rods of office grasped firmly in their hands. When I was a boy, old Athenodorus made me memorize all this and I have never forgotten it: “The halls of the patricians stood open and the invaders gazed with feelings of true awe upon the seated figures in the porticoes, impressed not only by the super-human magnificence of their apparel and trappings but also by their majestic bearing and the serene expression that their countenances wore: they seemed very Gods. So they stood marvelling, as at so many divine statues, until, as the legend tells, one of them began gently to stroke the beard of a patrician, by name Marcus Papirius—beards in those days were universally worn long—who rose and smote him on the head with his ivory staff. Admiration yielded to passion and Marcus Papirius was the first patrician to meet his death. The rest were butchered still seated in their chairs.
Robert Graves (Claudius The God: And His Wife Messalina)
Well,” said Spender, “I’ve found a Martian.” The men squinted at him. “Up in a dead town. I didn’t think I’d find him. I didn’t intend looking him up. I don’t know what he was doing there. I’ve been living in a little valley town for about a week, learning how to read the ancient books and looking at their old art forms. And one day I saw this Martian. He stood there for a moment and then he was gone. He didn’t come back for another day. I sat around, learning how to read the old writing, and the Martian came back, each time a little nearer, until on the day I learned how to decipher the Martian language—it’s amazingly simple and there are picture graphs to help you—the Martian appeared before me and said, ‘Give me your boots.’ And I gave him my boots and he said, ‘Give me your uniform and all the rest of your apparel.’ And I gave him all of that, and then he said, ‘Give me your gun,’ and I gave him my gun. Then he said, ‘Now come along and watch what happens.’ And the Martian walked down into camp and he’s here now.” “I don’t see any Martian,” said Cheroke. “I’m sorry.
Ray Bradbury (The Martian Chronicles)
The ducks of Mackinac Island are apparently not easily taken down. “Found a portion of the Lungs as large as a turkey’s egg protruding through the external wound, lacerated and burnt, and below this another protrusion resembling a portion of the Stomach, what at first view I could not believe possible to be that organ in that situation with the subject surviving, but on closer examination I found it to be actually the Stomach, with a puncture in the protruding portion large enough to receive my forefinger, and through which a portion of his food that he had taken for breakfast had come out and lodged among his apparel.” Thus reads Beaumont’s somewhat windy account of the injury. Through that puncture—and in the slop of half-digested meat and bread suddenly visible in the folds of St. Martin’s wool shirt—lay Beaumont’s ticket to the spotlight of national renown. Italian digestion experimenters had pulled food in and out of live animal stomachs, soaked it up in sponges on strings, even regurgitated their own dinners, but St. Martin’s portal presented an unprecedented opportunity to document the human juices and processes in vivo.
Mary Roach (Gulp: Adventures on the Alimentary Canal)
After this interlude we return to the question of the parcel. Yes, says the Postmaster, it has been here – actually here in the office! But it is here no longer. It has been removed to the custody of the Customs. Monsieur B. must realize that parcels are subject to Customs dues. B. says that it is personal wearing apparel. The Postmaster says: ‘No doubt, no doubt; but that is the affair of the Customs.’ ‘We must, then, go to the Customs office?’ ‘That will be the proper procedure,’ agrees the Postmaster. ‘Not that it will be any use going today. Today is Wednesday, and on Wednesdays the Customs are closed.’ ‘Tomorrow, then?’ ‘Yes, tomorrow the Customs will be open.’ ‘Sorry,’ says B. to Max. ‘I suppose it means I shall have to come in again tomorrow to get my parcel.’ The Postmaster says that certainly Monsieur B. will have to come in tomorrow, but that even tomorrow he will not be able to get his parcel. ‘Why not?’ demands B. ‘Because, after the formalities of the Customs have been settled, the parcel must then go through the Post Office.’ ‘You mean, I shall have to come on here?’ ‘Precisely. And that will not be possible tomorrow, for tomorrow the Post Office will be closed,’ says the Postmaster triumphantly. We go into the subject in detail, but officialdom triumphs at every turn. On no day of the week, apparently, are both the Customs and the Post Office open!
Agatha Christie (Come, Tell Me How You Live: An Archaeological Memoir)
Their attention was caught by the increasingly animated conversation between Beatrix and Annandale. “…I can climb a tree as well as any of the Ramsay estate woodsmen,” Beatrix was telling him. “I don’t believe you,” the earl declared, tremendously entertained. “Oh, yes. Off with the skirts, off with the corset, I put on a pair of breeches, and--” “Beatrix,” Audrey interrupted, before this scandalous discussion of intimate apparel progressed any further. “I just caught a glimpse of Poppy in the next room. It’s been ages since I’ve seen her. And I’ve never been introduced to her husband.” “Oh.” Reluctantly Beatrix turned her attention away from Annandale. “Shall I take you to them?” “Yes.” Audrey seized her arm. Annandale looked disgruntled, his black brows lowering as Audrey propelled Beatrix away. Christopher bit back a grin. “What do you think of her?” he asked. Annandale replied without hesitation. “I would marry her myself, were I five years younger.” “Five?” Christopher repeated skeptically. “Ten, damn you.” But a slight smile had appeared on the earl’s time-weathered face. “I commend you on your choice. She’s a spirited girl. Fearless. Lovely in her own way, and with her charm she has no need of true beauty. You’ll need to keep a firm hand on the reins, but the trouble will be worth it.” He paused, looking wistful. “Once you’ve had a woman like that, you can never be content with the ordinary kind.” Christopher had been about to argue over the question of Beatrix’s beauty, which in his opinion was unequaled.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
If anyone had questioned how deeply the summer's activities had penetrated the consciousness of white America, the answer was evident in the treatment accorded the March on Washington by all the media of communication. Normally Negro activities are the object of attention in the press only when they are likely to lead to some dramatic outbreak, or possess some bizarre quality. The March was the first organized Negro operation which was accorded respect and coverage commensurate with its importance. The millions who viewed it on television were seeing an event historic not only because of the subject, but because it was being brought into their homes. Millions of white Americans, for the first time, had a clear, long look at Negroes engaged in a serious occupation. For the first time millions listened to the informed and thoughtful words of Negro spokesmen, from all walks of life. The stereotype of the Negro suffered a heavy blow. This was evident in some of the comment, which reflected surprise at the dignity, the organization and even the wearing apparel and friendly spirit of the participants. If the press had expected something akin to a minstrel show, or a brawl, or a comic display of odd clothes and bad manners, they were disappointed. A great deal has been said about a dialogue between Negro and white. Genuinely to achieve it requires that all the media of communication open their channels wide as they did on that radiant August day. As television beamed the image of this extraordinary gathering across the border oceans, everyone who believed in man's capacity to better himself had a moment of inspiration and confidence in the future of the human race. And every dedicated American could be proud that a dynamic experience of democracy in his nation's capital had been made visible to the world.
Martin Luther King Jr. (Why We Can't Wait)
Here comes The Lonely One,” someone said. “Hello, Spender! Long time no see!” The four men at the table regarded the silent man who stood looking back at them. “You and them goddamn ruins,” laughed Cookie, stirring a black substance in a crock. “You’re like a dog in a bone yard.” “Maybe,” said Spender, “I’ve been finding out things. What would you say if I said I’d found a Martian prowling around?” The four men laid down their forks. “Did you? Where?” “Never mind. Let me ask you a question. How would you feel if you were a Martian and people came to your land and started tearing it up?” “I know exactly how I’d feel,” said Cheroke. “I’ve got some Cherokee bloodin me. My grandfather told me lots of things about Oklahoma Territory. Ifthere’s a Martian around, I’m all for him.” “What about you other men?” asked Spender carefully.Nobody answered; their silence was talk enough. Catch as catch can, finder’skeepers, if the other fellow turns his cheek slap it hard, etc ... “Well,” said Spender, “I’ve found a Martian.” The men squinted at him. “Up in a dead town. I didn’t think I’d find him. I didn’t intend looking him up. I don’t know what he was doing there. I’ve been living in a little valley town for about a week, learning how to read the ancient books and looking at their old art forms. And one day I saw this Martian. He stood there for a moment and then he was gone. He didn’t come back for another day. I sat around, learning how to read the old writing, and the Martian came back, each time a little nearer, until on the day I learned how to decipher the Martian language—it’s amazingly simple and there are picture graphs to help you—the Martian appeared before me and said, ‘Give me your boots.’ And I gave him my boots and he said, ‘Give me your uniform and all the rest of your apparel.’ And I gave him all of that, and then he said, ‘Give me your gun,’ and I gave him my gun. Then he said, ‘Now come along and watch what happens.’ And the Martian walked down into camp and he’s here now.” “I don’t see any Martian,” said Cheroke. “I’m sorry.
Ray Bradbury (The Martian Chronicles)