Fashionable Sister Quotes

Occupied in observing Mr. Bingley’s attentions to her sister, Elizabeth was far from suspecting that she was herself becoming an object of some interest in the eyes of his friend. Mr. Darcy had at first scarcely allowed her to be pretty: he had looked at her without admiration at the ball; and when they next met, he looked at her only to criticise. But no sooner had he made it clear to himself and his friends that she had hardly a good feature in her face, than he began to find it was rendered uncommonly intelligent by the beautiful expression of her dark eyes. To this discovery succeeded some others equally mortifying. Though he had detected with a critical eye more than one failure of perfect symmetry in her form, he was forced to acknowledge her figure to be light and pleasing; and in spite of his asserting that her manners were not those of the fashionable world, he was caught by their easy playfulness. Of this she was perfectly unaware: to her he was only the man who made himself agreeable nowhere, and who had not thought her handsome enough to dance with.

Mr. Sourpuss Pants God I love her Nicholas " Thomas crowed. When he noticed that neither Nicholas nor Inez looked impressed by the words he added quickly "In a totally sister-in-law type fashion of course.

After us they'll fly in hot air balloons, coat styles will change, perhaps they'll discover a sixth sense and cultivate it, but life will remain the same, a hard life full of secrets, but happy. And a thousand years from now man will still be sighing, "Oh! Life is so hard!" and will still, like now, be afraid of death and not want to die.

But it's Posy, Gale's five-year-old sister, who helps the most. She scoots along the bench to Octavia and touches her skin with a tentative finger. “You're green. Are you sick?” “It's a fashion thing, Posy. Like wearing lipstick,” I say. “It's meant to be pretty,” whispers Octavia, and I can see the tears threatening to spill over her lashes. Posy considers this and says matter-of-factly, “I think you'd be pretty in any color.

What happens when you narrow your definition to what is convenient, or what is fashionable, or what is expected, is dishonesty by silence.

Just listen,” she said. “You can’t kill him in cold blood.” “Whyever not?” Ye gods grant me patience. “Because he’ll be dead,” she said as patiently as she could, “and Lady Clara’s reputation will be stained forever. Do not, I pray you, do anything, Lord Longmore. Leave this to us.” “Us.” “My sisters and me.” “What do you propose? Dressing him to death? Tying him up and making him listen to fashion descriptions?

Let us dedicate this new era to mothers around the world, and also to the mother of all mothers -- Mother Earth. It is up to us to keep building bridges to bring the world closer together, and not destroy them to divide us further apart. We can pave new roads towards peace simply by understanding other cultures. This can be achieved through traveling, learning other languages, and interacting with others from outside our borders. Only then will one truly discover how we are more alike than different. Never allow language or cultural traditions to come between brothers and sisters. The same way one brother may not like his sister's choice of fashion or hairstyle, he will never hate her for her personal style or music preference. If you judge a man, judge only his heart. And if you should do so, make sure you use the truth in your conscience when weighing one's character. Do not measure anybody strictly based on the bad you see in them and ignore all the good.

Come to rob my sister then,have you?" "Certainly not," Mother replied, her smile brittle. "This fashion for talking to the dead is pure poppycock,if you ask me.Dead is dead." "Agatha,that's rude even for you," Mrs. Gordon said. "Shall we begin,Mrs. Willoughby, before my sister's abominable manners drive you clear away?

...I think that woman can do a great deal for each other if they will only stop fearing what ‘people will think’ and take a hearty interest in whatever is going to fit their sisters and themselves to deserve and enjoy the rights God gave them. There are so many ways in which this can be done that I wonder they don’t see and improve them.

Jo thought sometimes that Bethie liked to play at being a rebel, when the truth was that her sister had a genius for conformity, for making herself the best, most stylish example of whatever version of femininity was currently in fashion.

Something in me didnt believe that. I read it again, trying to make sense of the old-fashioned language. Mason watched me curiously, looking like he very much wanted to help. "Maybe they were hooking up," he suggested. I laughed. "He was a saint." "So? Saints probably like sex too. That 'brother and sister' stuff is probably a cover." He pointed to one of the lines. "See? They were 'bound' together." He winked. "It's code.

Dear Woman Who Gave Me Life: The callous vexations and perturbations of this night have subsequently resolved themselves to a state which precipitates me, Arturo Bandini, into a brobdingnagian and gargantuan decision. I inform you of this in no uncertain terms. Ergo, I now leave you and your ever charming daughter (my beloved sister Mona) and seek the fabulous usufructs of my incipient career in profound solitude. Which is to say, tonight I depart for the metropolis to the east — our own Los Angeles, the city of angels. I entrust you to the benign generosity of your brother, Frank Scarpi, who is, as the phrase has it, a good family man (sic!). I am penniless but I urge you in no uncertain terms to cease your cerebral anxiety about my destiny, for truly it lies in the palm of the immortal gods. I have made the lamentable discovery over a period of years that living with you and Mona is deleterious to the high and magnanimous purpose of Art, and I repeat to you in no uncertain terms that I am an artist, a creator beyond question. And, per se, the fumbling fulminations of cerebration and intellect find little fruition in the debauched, distorted hegemony that we poor mortals, for lack of a better and more concise terminology, call home. In no uncertain terms I give you my love and blessing, and I swear to my sincerity, when I say in no uncertain terms that I not only forgive you for what has ruefully transpired this night, but for all other nights. Ergo, I assume in no uncertain terms that you will reciprocate in kindred fashion. May I say in conclusion that I have much to thank you for, O woman who breathed the breath of life into my brain of destiny? Aye, it is, it is. Signed. Arturo Gabriel Bandini. Suitcase in hand, I walked down to the depot. There was a ten-minute wait for the midnight train for Los Angeles. I sat down and began to think about the new novel.

The name meant "Angel of Victory," which Jaffa supposed was appropriate enough. The Divine Hand himself had started the fashion for taking the names of angels when he'd called himself Vale-dan-Rahksa, the Angel of Vengeance. At the rate the Council was expanding, there would soon be a serious shortage of angels. Jaffa wondered what would happen when they ran out of manly, intimidating names and were reduced to naming themselves after the Angel of Sisterly Affection or the Angel of Small Crafts.

I found solace in fashion. I found peace and happiness.

What is dollar value but something to amuse people who have no imagination? People who have money and no imagination follow fashion. People who have imagination and no money fashion styles.

Mr. Bingley was good-looking and gentlemanlike; he had a pleasant countenance, and easy, unaffected manners. His sisters were fine women, with an air of decided fashion. His brother-in-law, Mr. Hurst, merely looked the gentleman; but his friend Mr. Darcy soon drew the attention of the room by his fine, tall person, handsome features, noble mien, and the report which was in general circulation within five minutes after his entrance, of his having ten thousand a year. The gentlemen pronounced him to be a fine figure of a man, the ladies declared he was much handsomer than Mr. Bingley, and he was looked at with great admiration for about half the evening, till his manners gave a disgust which turned the tide of his popularity; for he was discovered to be proud; to be above his company, and above being pleased; and not all his large estate in Derbyshire could then save him from having a most forbidding, disagreeable countenance, and being unworthy to be compared with his friend.

religious feeling; but in Miss Brooke's case, religion alone would have determined it; and Celia mildly acquiesced in all her sister's sentiments, only infusing them with that common-sense which is able to accept momentous doctrines without any eccentric agitation. Dorothea knew many passages of Pascal's Pensees and of Jeremy Taylor by heart; and to her the destinies of mankind, seen by the light of Christianity, made the solicitudes of feminine fashion appear an occupation for Bedlam. She could not reconcile the anxieties of a spiritual life involving eternal consequences, with a keen interest in gimp and artificial protrusions

What he didn’t do was control me, or try to mold me into a little wife, some old-fashioned, muted version of who I was. I saw many men do that to many women I knew. They would choose these vibrant, talented, beautiful women, and suck the life and passion and beauty out of them by bullying them into submission.

The new fashions sold in department stores had thrown skilled American seamstresses out of work, you see. They’d been displaced by immigrant girls doing piecework for a pittance in terrible sweatshops. I refused to patronize a garment industry that exploited its desperately poor workers so heartlessly. And if that wasn’t enough to keep me out of stores, there was this as well: I was determined to resist that shameless sister of war propaganda— the advertising industry.

Nothing in nature was safe, I mused, not even humans – the self-fashioned masters of the earth: with all our arrogance, we believed ourselves to be invincible. Yet I’d seen countless times how one mighty puff of wind from the gods in their heavens could wipe out thousands of us at a blow during tornados and hurricanes.

Dating. The word alone roused fear in her, confusion as to how to begin, and—worst—a disgusting, chilling whisper that assured her she wasn’t attractive enough or woman enough or whatever enough to keep a man long term. Yikes. Um . . . no wonder she’d been hiding behind dowdy clothes and her beloved spinster persona. It was time, past time, to stop hiding. To move beyond the scars Harrison had left. To repair her self-image. And to step into the future wearing a pair of fashionable high heels.

We’d settled it with an old-fashioned duel. (i.e., I sat on her until she begged for mercy)

Fashion designers are crazy.

What a happy and holy fashion it is that those who love one another should rest on the same pillow.

It was hard to imagine wearing lace underwear and 'sexting,' but easy to imagine wearing lots of complicated layers and rolling around in front of a fireplace.

As they become known to and accepted by us, our feelings and the honest exploration of them become sanctuaries and spawning grounds for the most radical and daring of ideas. They become a safe-house for that difference so necessary to change and the conceptualization of any meaningful action. Right now, I could name at least ten ideas I would have found intolerable or incomprehensible and frightening, except as they ame after dreams and poems. This is not idle fantasy, but a disciplined attention to the true meaning of "it feels right to me." We can train ourselves to respect our feelings and to transpose them into a language so they can be shared. And where that language does not yet exist, it is our poetry which helps to fashion it. Poetry is not only dream and vision; it is the skeleton architecture of our lives. It lays the foundations for a future of change, a bridge across our fears of what has never been before.

When I told my sister, who was a fashion designer in college, what I wanted to do, she said I was crazy. But once I got started, I couldn't turn back. Kimberly Goodwin, Snapping Turtle Kids

You've got it wrong." His voice was harsh. "Jackson—" He cut her off. "No, it's my turn to talk. You've given your speech. And I get it, Mollie, I do. Madison is your sister, and she made you PB&J as a kid when your parents checked out, and that's fine. But open your eyes. You don't owe her anything anymore. You are your own woman, and you are a woman, Mollie. You're not a kid. You're not a girl. And if I've been a complete asshole lately, it's because I'm having a hell of a time coming to grips with the fact that I want you. And fuck, Mollie, I want you. I want you so bad, I'm dying." Mollie had never made the first move on a man in her life. She was old-fashioned like that. But she made the first move now. She took a step forward, placed a hand at the back of his head, and pulled his mouth to hers.

The future - what should I do with the future? I felt like one who has climbed the brow of a great hill, and finds only a sea of mist beyond. Go forward I must; but to what goal? With what aim? With what hopes? My father had already distinctly forbidden me to adopt art as a profession. My sister, by ignoring all the purport of my last letter, as distinctly signified her own contempt for that which was to me as the life of my life. Neither loved me; both had wounded me bitterly; and I now, almost for the first time, distinctly saw how difficult a struggle lay before me. "If I become a painter," I thought, "I become so in defiance of my family; and, defying them, am alone in the wide world evermore. If, on the contrary, I yield and obey, what manner of life lies before me? The hollow life of fashionable society, into which I shall be carried as a marriageable commodity, and where I shall be expected to fulfil my duty as a daughter by securing a wealthy husband as speedily as possible. Alas! alas! what an alternative! Was it for this that I had studied and striven? Was it for this that I had built such fairy castles, and dreamt such dreams?

You and I, in fact everyone all over the world, we’re literally African under the skin; brothers and sisters separated by a mere two thousand generations. Old-fashioned concepts of race are not only socially divisive, but scientifically wrong.

And yet,’ he went on, ‘who talks about forgiveness these days, other than the people who come to this place, or to places like this? What politician, what public person, do we hear standing up and saying that we must forgive? The message we are more likely to hear is one of blame, of how this person or that person must be held to account for something bad that has happened. It is a message of retribution – that is all it is – a message of pure retribution, sometimes dressed up in concern about victims and public safety and matters of that sort. But if you do not forgive, and you think all the time about getting even, or punishing somebody who has done you a wrong, what are you achieving? You are not going to make that person better by hating or punishing him; oh no, that will not happen. When we punish somebody, we are often just punishing ourselves, you know. If people lock others away, they are simply increasing the amount of suffering there is in the world; they may think they are diminishing it, but they are not. They are adding to the burden that suffering creates. Of course, sometimes you have no alternative but to do it – people must be protected from harm – but you should always remember that there are other ways of changing a man’s ways. ‘My brothers and sisters: do not be afraid to profess forgiveness. Do not be afraid to tell people who urge you to seek retribution or revenge that there is no place for any of that in your heart. Do not be embarrassed to say that you believe in love, and that you believe that water can wash away the sins of the world, and that you are prepared to put this message of forgiveness right at the heart of your world. My brothers and sisters, do not be afraid to say any of this, even if people laugh at you, or say that you are old-fashioned, or foolish, or that you believe things that cannot be believed. Do not worry about any of that – because love and forgiveness are more powerful than any of those cynical, mocking words and will always be so. Always.

As I waited, I flicked through a magazine in a futile bid to look occupied. It had the next month's date on the cover and I remembered you laughing at time-traveling fashion mags, saying the date on the cover should alert people to their absurdity inside.

Liar,' he said in disgust. 'You're still playing doctors and nurses with the guy you screwed Charlie over with.' Her mouth fell open. 'Don't worry, I won't tell my brother. He's got enough to deal with.' 'I would never have an affair.' 'See here's where you and I part ways on our definition of fidelity,' he said. 'I think tonsil hockey with another man is off the agenda for a married woman. Call me old-fashioned.' Her fury was unexpected. 'Who started that rumor...who!' 'What are you talking about? You admitted it.

End the affair briskly, and without allowing the slightest room for doubt,' Griselda continued. 'Tell the gentleman that while you are grateful for the lovely time that you spent in his company, you have seen the error of your ways and wish to lead a celibate existence. You can add some flummery about his having given you pleasure you never experienced before, if you wish.' Imogen nodded, wishing she had Josie's little book to take notes in. 'On occasion, a hitherto rational man might act in a thoroughly distracted fashion when you inform him of your wish to end the relationship. I generally inform them that while I am not betraying poor Willoughby (he /is/ dead, after all), I have decided, upon reflection, that I am betraying myself. They never have any adequate rebuttal, and you can part on the best of terms.

In The Garret Four little chests all in a row, Dim with dust, and worn by time, All fashioned and filled, long ago, By children now in their prime. Four little keys hung side by side, With faded ribbons, brave and gay When fastened there, with childish pride, Long ago, on a rainy day. Four little names, one on each lid, Carved out by a boyish hand, And underneath there lieth hid Histories of the happy band Once playing here, and pausing oft To hear the sweet refrain, That came and went on the roof aloft, In the falling summer rain. 'Meg' on the first lid, smooth and fair. I look in with loving eyes, For folded here, with well-known care, A goodly gathering lies, The record of a peaceful life-- Gifts to gentle child and girl, A bridal gown, lines to a wife, A tiny shoe, a baby curl. No toys in this first chest remain, For all are carried away, In their old age, to join again In another small Meg's play. Ah, happy mother! Well I know You hear, like a sweet refrain, Lullabies ever soft and low In the falling summer rain. 'Jo' on the next lid, scratched and worn, And within a motley store Of headless dolls, of schoolbooks torn, Birds and beasts that speak no more, Spoils brought home from the fairy ground Only trod by youthful feet, Dreams of a future never found, Memories of a past still sweet, Half-writ poems, stories wild, April letters, warm and cold, Diaries of a wilful child, Hints of a woman early old, A woman in a lonely home, Hearing, like a sad refrain-- 'Be worthy, love, and love will come,' In the falling summer rain. My Beth! the dust is always swept From the lid that bears your name, As if by loving eyes that wept, By careful hands that often came. Death canonized for us one saint, Ever less human than divine, And still we lay, with tender plaint, Relics in this household shrine-- The silver bell, so seldom rung, The little cap which last she wore, The fair, dead Catherine that hung By angels borne above her door. The songs she sang, without lament, In her prison-house of pain, Forever are they sweetly blent With the falling summer rain. Upon the last lid's polished field-- Legend now both fair and true A gallant knight bears on his shield, 'Amy' in letters gold and blue. Within lie snoods that bound her hair, Slippers that have danced their last, Faded flowers laid by with care, Fans whose airy toils are past, Gay valentines, all ardent flames, Trifles that have borne their part In girlish hopes and fears and shames, The record of a maiden heart Now learning fairer, truer spells, Hearing, like a blithe refrain, The silver sound of bridal bells In the falling summer rain. Four little chests all in a row, Dim with dust, and worn by time, Four women, taught by weal and woe To love and labor in their prime. Four sisters, parted for an hour, None lost, one only gone before, Made by love's immortal power, Nearest and dearest evermore. Oh, when these hidden stores of ours Lie open to the Father's sight, May they be rich in golden hours, Deeds that show fairer for the light, Lives whose brave music long shall ring, Like a spirit-stirring strain, Souls that shall gladly soar and sing In the long sunshine after rain

The creature was very young. He was alone in a dread universe. I crept on my knees and crouched beside him. It was a small fox pup from a den under the timbers who looked up at me. God knows what had become of his brothers and sisters. His parents must not have been home from hunting. He innocently selected what I think was a chicken bone from an untidy pile of splintered rubbish and shook it at me invitingly... the universe was swinging in some fantastic fashion around to present its face and the face was so small that the universe itself was laughing. It was not a time for human dignity. It was a time only for the careful observance of amenities written behind the stars. Gravely I arranged my forepaws while the puppy whimpered with ill-concealed excitement. I drew the breath of a fox's den into my nostrils. On impulse, I picked up clumsily a whiter bone and shook it in teeth that had not entirely forgotten their original purpose. Round and round we tumbled and for just one ecstatic moment I held the universe at bay by the simple expedient of sitting on my haunches before a fox den and tumbling about with a chicken bone. It is the gravest, most meaningful act I shall ever accomplish, but, as Thoreau once remarked of some peculiar errand of his own, there is no use reporting it to the Royal Society.

Really, girls, you are both to be blamed,” said Meg, beginning to lecture in her elder-sisterly fashion. “You are old enough to leave off boyish tricks, and to behave better, Josephine. It didn’t matter so much when you were a little girl, but now you are so tall, and turn up your hair, you should remember that you are a young lady.

The "Old-Fashioned Girl" is not intended as a perfect model, but as a possible improvement upon [Page] the Girl of the Period, who seems sorrowfully ignorant or ashamed of the good old fashions which make woman truly beautiful and honored, and, through her, render home what it should be,-a happy place, where parents and children, brothers and sisters, learn to love and know and help one another.

Beauty exists everywhere in the world. Love resides in all of us. That’s the point. I only…I only want to deepen that. Show that there can be—that there should be—substance in it all. Of course a bride on her wedding day is beautiful, but that radiance doesn’t diminish in old age, when she’s too tired to keep up with whatever ridiculous fashions the shops and salons put out. I know Arina smiles upon an old couple walking down the road together, hand in hand, firm in their commitment to one another. There is love in caring for the sick, the weak, the ugly. A wilting flower holds just as much splendor as one on the cusp of opening. People are so quick to idolize the fresh and the new. They fetishize it.” He rubbed at his forehead, his eyes bright with fervor. “Why should we celebrate one without the other?

Ever more scholars see cultures as a kind of mental infection or parasite, with humans as its unwitting host. Organic parasites, such as viruses, live inside the body of their hosts. They multiply and spread from one host to the other, feeding off their hosts, weakening them, and sometimes even killing them. As long as the hosts live long enough to pass along the parasite, it cares little about the condition of its host. In just this fashion, cultural ideas live inside the minds of humans. They multiply and spread from one host to another, occasionally weakening the hosts and sometimes even killing them. A cultural idea – such as belief in Christian heaven above the clouds or Communist paradise here on earth – can compel a human to dedicate his or her life to spreading that idea, even at the price of death. The human dies, but the idea spreads. According to this approach, cultures are not conspiracies concocted by some people in order to take advantage of others (as Marxists tend to think). Rather, cultures are mental parasites that emerge accidentally, and thereafter take advantage of all people infected by them. This approach is sometimes called memetics. It assumes that, just as organic evolution is based on the replication of organic information units called ‘genes’, so cultural evolution is based on the replication of cultural information units called ‘memes’.1 Successful cultures are those that excel in reproducing their memes, irrespective of the costs and benefits to their human hosts. Most scholars in the humanities disdain memetics, seeing it as an amateurish attempt to explain cultural processes with crude biological analogies. But many of these same scholars adhere to memetics’ twin sister – postmodernism. Postmodernist thinkers speak about discourses rather than memes as the building blocks of culture.

It is certainly clear that despite being a man of religion, Rasputin was also a shrewd opportunist, nor did he ever make any attempt to hide his physical appetites. On arriving in the capital, he did the rounds of the salons of a fin-de-siècle St Petersburg noted for its decadence, pandering to rich society ladies who dabbled in the then-fashionable cults of faith healing, table turning and eastern mysticism, and built a following among them. He was, for his detractors, an easy personality to caricature in his loose peasant blouse and long boots, with his heavy frame, his long oily black hair and beard, and his coarse bulging lips.

A ghost curled like a blue snail inside her chest, and it was so tiny! It burned through the lace of her old-fashioned dress like a second heart. A musical staff wound in a thorny crown around the Spiritist's forehead, so that notes ran down her cheeks in a loose mask of song. Her eyelids were blacked out---and I saw this again and again in nightmares about my sister. Her eyelids had the polish of acorns. But her ears: that was the truly scary part. Great fantails of indigo and violet lights spiraled into her earlobes in an ethereal funnel---what the book called the Inverted Borealis. The caption read: 'A ghost sings its way deeply inside the Spiritist.

Mr. Rohan,” she heard Beatrix ask, “are you going to marry my sister?” Amelia choked on her tea and set the cup down. She sputtered and coughed into her napkin. “Hush, Beatrix,” Win murmured. “But she’s wearing his ring—” Poppy clamped her hand over Beatrix’s mouth. “Hush!” “I might,” Cam replied. His eyes sparkled with mischief as he continued. “I find your sister a bit lacking in humor. And she doesn’t seem particularly obedient. On the other hand—” One set of French doors flew open, accompanied by the sound of breaking glass. Everyone on the back terrace looked up in startlement, the men rising from their chairs. “No,” came Win’s soft cry. Merripen stood there, having dragged himself from his sickbed. He was bandaged and disheveled, but he looked far from helpless. He looked like a maddened bull, his dark head lowered, his hands clenched into massive fists. And his stare, promising death, was firmly fixed on Cam. There was no mistaking the bloodlust of a Roma whose kinswoman had been dishonored. “Oh, God,” Amelia muttered. Cam, who stood beside her chair, glanced down at her questioningly. “Did you say something to him?” Amelia turned red as she recalled her blood-spotted nightgown and the maid’s expression. “It must have been servants’ talk.” Cam stared at the enraged giant with resignation. “You may be in luck,” he said to Amelia. “It looks as if our betrothal is going to end prematurely.” She made to stand beside him, but he pressed her back into the chair. “Stay out of this. I don’t want you hurt in the fray.” “He won’t hurt me,” Amelia said curtly. “It’s you he wants to slaughter.” Holding Merripen’s gaze, Cam moved slowly away from the table. “Is there something you’d like to discuss, chal?” he asked with admirable self-possession. Merripen replied in Romany. Although no one save Cam understood what he said, it was clearly not encouraging. “I’m going to marry her,” Cam said, as if to pacify him. “That’s even worse!” Merripen moved forward, murder in his eyes. Lord St. Vincent swiftly interceded, stepping between the pair. Like Cam, he’d had his share of putting down fights at the gambling club. He lifted his hands in a staying gesture and spoke smoothly. “Easy, large fellow. I’m sure you can find a way to resolve your differences in a reasonable fashion.” “Get out of my way,” Merripen growled, putting an end to the notion of civilized discourse. St. Vincent’s pleasant expression didn’t change. “You have a point. There’s nothing so tiresome as being reasonable. I myself avoid it whenever possible. Still, I’m afraid you can’t brawl when there are ladies present. It might give them ideas.

The Sea-Child Into the world you sent her, mother, Fashioned her body of coral and foam, Combed a wave in her hair's warm smother, And drove her away from home In the dark of the night she crept to the town And under a doorway she laid her down, The little blue child in the foam-fringed gown. And never a sister and never a brother To hear her call, to answer her cry. Her face shone out from her hair's warm smother Like a moonkin up in the sky. She sold her corals; she sold her foam; Her rainbow heart like a singing shell Broke in her body: she crept back home. Peace, go back to the world, my daughter, Daughter, go back to the darkling land; There is nothing here but sad sea water, And a handful of sifting sand.

That goat has been nothing but trouble. And the dratted creature isn't even picturesque. Goats resemble nothing so much as badly dressed sheep." "That's quite unfair," Beatrix said. "Goats have far more character and intelligence than sheep, who are nothing but followers. I've met far too many in London." "Sheep?" Christopher asked blankly. "My sister is speaking figuratively, Captain Phelan," Amelia said. "Well, I have met some actual sheep in London," Beatrix said. "But yes, I was mainly referring to people. They all tell you the same gossip, which is tedious. They adhere to the current fashions and the popular opinions, no matter how silly. And one never improves in their company. One starts falling in line and baaing.

Sissie could see it all. In her uncertain eyes, on her restless hands and on her lips, which she kept biting all the time. But oh, her skin. It seemed as if according to the motion of her emotions Marija's skin kept switching on and switching off like a two-colour neon sign. So that watching her against the light of the dying summer sun, Sissie could not help thinking that it must be a pretty dangerous matter, being white. It made you feel awfully exposed, rendered you terribly vulnerable. Like being born without your skin or something. As though the Maker had fashioned the body of a human, stuffed it into a polythene bag instead of the regular protective covering, and turned it loose into the world. Lord, she wondered, is that why, on the whole, they have had to be extra ferocious? Is it so they could feel safe here on the earth, under the sun, the moon and the stars?

On November 24, 1855, Hans Christian Andersen wrote to a friend about the funeral and its aftermath. His observations help set the stage for the whole scenario as it played itself out. Søren Kierkegaard was buried last Sunday [November 18] following a service at the Church of Our Lady. The parties concerned had done very little. The church pews were closed, and the crowd in the aisles was unusually large. Ladies in red and blue hats were coming and going. Item: a dog with a muzzle. At the graveside itself there was a scandal: when the whole ceremony was over out there (that is, when [Dean] Tryde had cast earth upon the casket), a son of a sister of the deceased stepped forward and denounced the fact that he had been buried in this fashion. He declared—this was the point, more or less—that Søren Kierkegaard had resigned from our society, and therefore we ought not bury him in accordance with our customs! I was not there, but it was said to be unpleasant.

We look amazing," I repeated, as if I could make up for our brother's rudeness. And we did look amazing. Käthe and I were dressed as an angel and a demon, but to my surprise, my sister had chosen to be the devil. She looked majestic in her gown of black velvet, her golden curls draped with black silk and lace, cleverly twisted together and pinned to resemble horns growing from her head. She had rouged her lips a bright red, and her blue eyes looked imperious from behind her black mask. For a moment, the image of moldering gowns on dress forms rose up in my mind, a polished bronze mirror reflecting an endless line of faded Goblin Queens. I swallowed. The dress my sister had made for me was nearly innocent in its simplicity. Yards and yards of fine white muslin had made a floating, ethereal gown, while Käthe had somehow fashioned a brocade cape into the shape of folded angel wings, which grew from my shoulder blades and cascaded to the floor. She had braided gold into a crown about my head for a halo, and I carried a lyre to complete the picture.

Do you ride?" The question was out of his mouth before he'd thought. She glanced at him, surprised by the comment coming out of nowhere, but then she nodded and looked ahead. "I love to ride. I don't get as much opportunity as I'd like what with being in London so much, but whenever I can manage it, I'll get on a horse." Her lips twitched and she glanced up at him. "Preferably one of Demon's." He grinned. "His are the best." "Do you have any?" He nodded. "One definite benefit of being connected to the family." "I love the exhilaration one gets when pounding along-I think that's what I enjoy the most." He blinked. Decided hard riding wasn't the best choice of conversational topics. At least not for him. Especially not with her. "What about dancing?" "I love to waltz. I even enjoy the older forms, the quadrilles and cotillions. They might be less fashionable now, but there's a certain...reined power in them, don't you think?" "Hmm." Where was an innocent topic when he needed one? "Have you ever danced the gavotte?" "Years ago." And he still remembered it. And of course the thought of dancing that particular measure with her, in full flight, instantly filled his mind.

Knowledgeable observers report that dating has nearly disappeared from college campuses and among young adults generally. It has been replaced by something called “hanging out.” You young people apparently know what this is, but I will describe it for the benefit of those of us who are middle-aged or older and otherwise uninformed. Hanging out consists of numbers of young men and young women joining together in some group activity. It is very different from dating. For the benefit of some of you who are not middle-aged or older, I also may need to describe what dating is. Unlike hanging out, dating is not a team sport. Dating is pairing off to experience the kind of one-on-one association and temporary commitment that can lead to marriage in some rare and treasured cases. . . . All of this made dating more difficult. And the more elaborate and expensive the date, the fewer the dates. As dates become fewer and more elaborate, this seems to create an expectation that a date implies seriousness or continuing commitment. That expectation discourages dating even more. . . . Simple and more frequent dates allow both men and women to “shop around” in a way that allows extensive evaluation of the prospects. The old-fashioned date was a wonderful way to get acquainted with a member of the opposite sex. It encouraged conversation. It allowed you to see how you treat others and how you are treated in a one-on-one situation. It gave opportunities to learn how to initiate and sustain a mature relationship. None of that happens in hanging out. My single brothers and sisters, follow the simple dating pattern and you don’t need to do your looking through Internet chat rooms or dating services—two alternatives that can be very dangerous or at least unnecessary or ineffective. . . . Men, if you have returned from your mission and you are still following the boy-girl patterns you were counseled to follow when you were 15, it is time for you to grow up. Gather your courage and look for someone to pair off with. Start with a variety of dates with a variety of young women, and when that phase yields a good prospect, proceed to courtship. It’s marriage time. That is what the Lord intends for His young adult sons and daughters. Men have the initiative, and you men should get on with it. If you don’t know what a date is, perhaps this definition will help. I heard it from my 18-year-old granddaughter. A “date” must pass the test of three p’s: (1) planned ahead, (2) paid for, and (3) paired off. Young women, resist too much hanging out, and encourage dates that are simple, inexpensive, and frequent. Don’t make it easy for young men to hang out in a setting where you women provide the food. Don’t subsidize freeloaders. An occasional group activity is OK, but when you see men who make hanging out their primary interaction with the opposite sex, I think you should lock the pantry and bolt the front door. If you do this, you should also hang up a sign, “Will open for individual dates,” or something like that. And, young women, please make it easier for these shy males to ask for a simple, inexpensive date. Part of making it easier is to avoid implying that a date is something very serious. If we are to persuade young men to ask for dates more frequently, we must establish a mutual expectation that to go on a date is not to imply a continuing commitment. Finally, young women, if you turn down a date, be kind. Otherwise you may crush a nervous and shy questioner and destroy him as a potential dater, and that could hurt some other sister. My single young friends, we counsel you to channel your associations with the opposite sex into dating patterns that have the potential to mature into marriage, not hanging-out patterns that only have the prospect to mature into team sports like touch football. Marriage is not a group activity—at least, not until the children come along in goodly numbers.

When Miss Minchin sent her sister, Miss Amelia, to see what the child was doing, she found she could not open the door. “I have locked it,” said a queer, polite little voice from inside. “I want to be quite by myself, if you please.” Miss Amelia was fat and dumpy, and stood very much in awe of her sister. She was really the better-natured person of the two, but she never disobeyed Miss Minchin. She went downstairs again, looking almost alarmed. “I never saw such a funny, old-fashioned child, sister,” she said. “She has locked herself in, and she is not making the least particle of noise.” “It is much better than if she kicked and screamed, as some of them do,” Miss Minchin answered. “I expected that a child as much spoiled as she is would set the whole house in an uproar. If ever a child was given her own way in everything, she is.” “I’ve been opening her trunks and putting her things away,” said Miss Amelia. “I never saw anything like them--sable and ermine on her coats, and real Valenciennes lace on her underclothing. You have seen some of her clothes. What do you think of them?” “I think they are perfectly ridiculous,” replied Miss Minchin, sharply; “but they will look very well at the head of the line when we take the schoolchildren to church on Sunday. She has been provided for as if she were a little princess.” And upstairs in the locked room Sara and Emily sat on the floor and stared at the corner round which the cab had disappeared, while Captain Crewe looked backward, waving and kissing his hand as if he could not bear to stop.

But her sister sat there some while longer, watching the setting sun, and thinking of little Alice and her Adventures, till she too began dreaming after a fashion, and this was her dream: She saw an ancient city, and a quiet river winding near it along the plain, and up the stream went slowly gliding a boat with a merry party of children on board-she could hear their voices and laughter like music over the water-and among them was another little Alice, who sat listening with bright eager eyes to a tale that was being told, and she listened for the words of the tale, and lo! it was the dream of her own little sister. So the boat wound slowly along, beneath the bright summer-day, with its merry crew and its music of voices and laughter, till it passed round one of the many turnings of the stream, and she saw it no more. Then she thought, (in a dream within the dream, as it were,) how this same little Alice would, in the after-time, be herself a grown woman: and how she would keep, through her riper years, the simple and loving heart of her childhood; and how she would gather around her other little children, and make their eyes bright and eager with many a wonderful tale, perhaps even with these very adventures of the little Alice of long-ago: and how she would feel with all their simple sorrows, and find a pleasure in all their simple joys, remembering her own child-life, and the happy summer days of her own little sister. So the boat wound slowly along, beneath the bright summer-day, with its merry crew and its music of voices and laughter, till it passed round one of the many turnings of the stream, and she saw it no more. Then she thought, (in a dream within the dream, as it were,) how this same little Alice would, in the after-time, be herself a grown woman: and how she would keep, through her riper years, the simple and loving heart of her childhood; and how she would gather around her other little children, and make their eyes bright and eager with many a wonderful tale, perhaps even with these very adventures of the little Alice of long-ago: and how she would feel with all their simple sorrows, and find a pleasure in all their simple joys, remembering her own child-life, and the happy summer days.

A tall, well-muscled blond man drew alongside Christian. He inclined his head to them. “Abbot,” he said to Christian in greeting. Christian seemed pleased to see him. “Falcon. It’s been a long time.” “Aye. I’m sorry I didn’t get a chance to greet you yester eve when you arrived.” Christian offered him a lopsided grin. “’Tis well understood. I heard about your escapade with the butcher’s daughter and your near miss with her father’s cleaver.” Falcon laughed. “Lies all. ’Twas the tanner’s daughter and her father’s ax.” Christian joined his laughter. “One day, my friend, you will meet the one father who can run faster than you.” “’Tis why God gave us horses.” He winked at Christian, then tilted his head so that he could see Adara. “’Tis a pleasure to meet you, Queen Adara. I am Lord Quentin of Adelsbury and my sword is ever at your disposal.” Christian gave him a meaningful stare. “And your sword had best stay sheathed, Falcon, until you’re on the battlefield.” “Your warning is well taken into consideration, Abbot, along with your sword skill and horsemanship. Have no fear of me. Your wife is ever safe from my designs. But no woman is safe from my charm.” Adara couldn’t help teasing the man who seemed of remarkable good spirit and cheer. “However some women might find themselves immune from it, my Lord Falcon.” “What, ho?” he said with a laugh. “Congratulations, Christian. You have found a woman as intelligent as she is beautiful. Tell me, Your Majesty, have you a sister who is fashioned in your image?” “Nay, my lord. I fear I am one of a kind.” He looked sincerely despondent at the news. “’Tis a pity, then. I shall just have to pray for Christian to lay aside his duties and become a monk in earnest.” Christian snorted at that prospect. “You would have a better chance courting my horse.” “Then I shall take my charm and work it on a woman who isn’t immune to it. Good day to you both.” Adara glanced over her shoulder as he fell back into the ranks with the other knights. “Don’t look at him,” Christian said in a teasing tone. “You’ll only play into his overbloated self-esteem.” She gave him a meaningful look. “In that regard, he reminds me of someone else I know.” “Ouch, my lady, you wound me.” “Never, Christian. I would never wound you.

Ever more scholars see cultures as a kind of mental infection or parasite, with humans as its unwitting host. Organic parasites, such as viruses, live inside the body of their hosts. They multiply and spread from one host to the other, feeding off their hosts, weakening them, and sometimes even killing them. As long as the hosts live long enough to pass along the parasite, it cares little about the condition of its host. In just this fashion, cultural ideas live inside the minds of humans. They multiply and spread from one host to another, occasionally weakening the hosts and sometimes even killing them. A cultural idea – such as belief in Christian heaven above the clouds or Communist paradise here on earth – can compel a human to dedicate his or her life to spreading that idea, even at the price of death. The human dies, but the idea spreads. According to this approach, cultures are not conspiracies concocted by some people in order to take advantage of others (as Marxists tend to think). Rather, cultures are mental parasites that emerge accidentally, and thereafter take advantage of all people infected by them. This approach is sometimes called memetics. It assumes that, just as organic evolution is based on the replication of organic information units called ‘genes’, so cultural evolution is based on the replication of cultural information units called ‘memes’.1 Successful cultures are those that excel in reproducing their memes, irrespective of the costs and benefits to their human hosts. Most scholars in the humanities disdain memetics, seeing it as an amateurish attempt to explain cultural processes with crude biological analogies. But many of these same scholars adhere to memetics’ twin sister – postmodernism. Postmodernist thinkers speak about discourses rather than memes as the building blocks of culture. Yet they too see cultures as propagating themselves with little regard for the benefit of humankind. For example, postmodernist thinkers describe nationalism as a deadly plague that spread throughout the world in the nineteenth and twentieth centuries, causing wars, oppression, hate and genocide. The moment people in one country were infected with it, those in neighbouring countries were also likely to catch the virus. The nationalist virus presented itself as being beneficial for humans, yet it has been beneficial mainly to itself. Similar

What is involved in appearing to court me?” He quirked an eyebrow at her. “You haven’t been courted before? What about the climbing cits and baronets’ sons? They never came up to scratch?” “Many of them did.” She wondered what he’d look like if somebody were to shave off those piratical eyebrows. “They did not bother much with the other part of the business.” “The wooing?” “The nonsense.” “We need the nonsense,” he said. “We need to drive out at the fashionable hour; we need to be seen arm in arm at the social events. I need to call upon you at the proper times with flowers in hand, to spend time with your menfolk when I creditably can. I’ll carry your purchases when you go shopping and be heard begging you to save your waltzes for me.” “There’s a problem,” she said, curiously disappointed to see the flaw in his clever scheme. He was a wonderful dancer; that was just plain fact. And she loved flowers, and loved the greenery and fresh air of Hyde Park. She also liked to shop but generally contented herself with the occasional minor outing with her sisters. And to hear him begging for her waltzes… “What sort of problem can there possibly be? Couples are expected to court in spring. It’s the whole purpose behind the Season.” “If you court me like that, Their Graces will get wind of it. They very likely already know you’ve called on me.” “And this is a problem how?” He wasn’t a patient man, or one apparently plagued with meddlesome parents. “They will start, Mr. Hazlit. They will get their hopes up. They will sigh and hint and quiz my siblings, all in hopes that you will take me off their hands.” “Then they will be disappointed. Parents expect to be disappointed. My sister was a governess, and she has explained this to me.” He looked like he was winding up for a lecture before the Royal Society, so she put a hand on his arm. “I do not like to disappoint Their Graces,” she said quietly. “They have suffered much at the hands of their children.” He blinked at her, his lips pursing as if her sentiments were incomprehensible. “I won’t declare for you,” he said. “If they let their hopes be raised by a few silly gestures, then that is their problem. You have many siblings. Let them fret over the others.” “It isn’t like that.” She cocked her head to study him. Hadn’t he had any parents at all? “I could have seventeen siblings, and Their Graces would still worry about me. You mentioned having sisters. Do you worry less about the one than the other?” “I do not.” He didn’t seem at all pleased with this example. “I worry about them both, incessantly. Excessively, to hear them tell it, but they have no regard for my feelings, else they’d write more than just chatty little…” “Yes?” “Never mind.” Some

Ah! you cliques of the city!—don’t you know you had forebears with handlebar mustaches, who came down to the river in the morning bearing masts and booms on their shoulders? who killed their own bulls with a mighty club? who made their own clothes and tilled their own earth? For a million of your clever fashionable phrases, would you exchange one single such accomplishment? I know I would—and Oh God but I’m just as futile as you are, you city vermin; I too am vermin, vermin trying to struggle back to manhood, with small success. Here is our second illuminative nugget, with no emotions this time: that the fear of the family album is pursuant to the city’s general fear of time and particularly of the past (“Oh the stupid Victorian 19th Century!” they keep crying, as though Victorianism were the whole sum of that great century). Fear of the past is in the city, thus a love, a frantic need of the present—with all the hedonistic overtones involved, the psychological doctrines of “alertness” and the so-called liberation of sexuality: in other words, giving the moment over to the dictates of sexuality (divorce is such a dictate) and leaving time, the future—which is to them equivalent to the past, as a moral factor rather than a hedonistic factor of the “pulsing present”—leaving the future to the dogs, childless marriages, or one-child “families,” broken-up families, and thus leaving the future of mankind and the race to the dogs: to the destruction at the hands of a society’s inward atom bomb of organic-familial-societal disintegration: in short, the end of a race, as in Rome. This fear of reaching back into the past, into lineality and tradition, and of extending similarly forward into the future, is like a plant drying up, dying. Where I say this, they speak of the “reality of the moment” and the danger of suppressing the urges of the moment for any reason—but I find good reason if it is to spell the continuation of our own cultural mankind. Perhaps that’s what they don’t want, like children who resent all brothers and sisters burgeoning in their mother’s womb, resenting the future after them, feeling they should be the last, final men, that none must follow—a childish emotion. But to give oneself over to childish emotions is the aim of these city intellectuals, they abstrusely find much to “scientifically” substantiate this desire in the cult of psychoanalysis and its sub-cults, the Orgone “Institute” for one splendid example, and so they go ahead blithely, and I am not the one to oppose their concepts, their march off the ship’s plank—since I am marching to a plank of my own, since I do not wish to be reviled as a neurotic and an atavistic neo-fascist, since the other night, when mentioning these objections of mine, a city intellectual had apoplexy right before me. Oh

Gray froze as Miss Turner emerged from the hold. For weeks, she’d plagued him-by day, he suffered glimpses of her beauty; by night, he was haunted by memories of her touch. And just when he thought he’d finally wrangled his desire into submission, today she’d ruined everything. She’d gone and changed her dress. Gone was that serge shroud, that forbidding thundercloud of a garment that had loomed in his peripheral vision for weeks. Today, she wore a cap-sleeved frock of sprigged muslin. She stepped onto the deck, smiling face tilted to the wind. A flower opening to greet the sun. She bobbed on her toes, as though resisting the urge to make a girlish twirl. The pale, sheer fabric of her dress billowed and swelled in the breeze, pulling the undulating contour of calf, thigh, hip into relief. Gray thought she just might be the loveliest creature he’d ever seen. Therefore, he knew he ought to look away. He did, for a moment. He made an honest attempt to scan the horizon for clouds. He checked the hour on his pocket watch, wound the small knob one, two, three, four times. He wiped a bit of salt spray from its glass face. He thought of England. And France, and Cuba, and Spain. He remembered his brother, his sister, and his singularly ugly Aunt Rosamond, on whom he hadn’t clapped eyes in decades. And all this Herculean effort resulting in nothing but a fine sheen of sweat on his brow and precisely thirty seconds’ delay in the inevitable. He looked at her again. Desire swept through his body with starling intensity. And beneath that hot surge of lust, a deeper emotion swelled. It wasn’t something Gray wished to examine. He preferred to let it sink back into the murky depths of his being. An unnamed creature of the deep, let for a more intrepid adventurer to catalog. Instead, he examined Miss Turner’s new frock. The fabric was of fine quality, the sprig pattern evenly stamped, without variations in shape or hue. The dressmaker had taken great pains to match the pattern at the seams. The sleeves of the frock fit perfectly square with her shoulders, in a moment of calm, the skirt’s single flounce lapped the laces of her boots. Unlike that gray serge abomination, this dress was expensive, and it had been fashioned for her alone. But it no longer fit. As she turned, Gray noted how the neckline gaped slightly, and the column of her skirt that ought to have skimmed the swell of her hip instead caught on nothing but air. He frowned. And in that instant, she turned to face him. Their gazes caught and held. Her own smile faded to a quizzical expression. And because Gray didn’t know how to answer the unspoken question in her eyes, and because he hated the fact that he’d banished the giddy delight from her face, he gave her a curt nod and a churlish, “Good morning.” And then he walked away.

We contended that whatever diminishes the sense of superiority in men makes them more manly, brotherly, and pleasant to have about; we felt sure that the bluff, the swagger, the bravado of young men would not outlive the mastery of the outdoor arts in which his sister is now successfully engaged...indeed, we felt that if she continued to improve after the fashion of the last decade her physical achievements will be such that it will become the pride of many a ruddy youth to be known as "that girl's brother.

his…demands?” And then she had held her breath as if seriously expecting Isabel to answer. And last night as Isabel passed a half-open bedroom door, she had overheard a fellow guest speaking to her maid. “I do so admire Lady Isabel for not feeling the need to bow to the demands of fashion,” the woman had said. “She dresses instead in what is comfortable even if it is not in the first stare. Though I find it no wonder her husband has strayed.” Isabel had gritted her teeth and gone on down to dinner, where she smiled and flirted and silently dared anyone to comment to her face that her dress was at least two years old. If only her early departure wouldn’t cause so much comment, she would call for her carriage and go home right now. But that was impossible. For one thing, she didn’t have a carriage, for she had come up from London with a fellow guest. Too short of funds to afford a post-chaise, she was equally dependent on her friend for transport back to the city when the hunting party broke up. And secondly, of course, there were only two places she could go—Maxton Abbey, or the London house—and her husband might be at either one. Unless, with her safely stashed at the Beckhams’, he had accepted yet another of the many invitations he received. But she couldn’t take the chance. After little more than a year of marriage, the pattern was ingrained—wherever one of the Maxwells went, the other took pains not to go. She could not burst in on her husband; what if he were entertaining his mistress? Better not to know. She might go to the village of Barton Bristow, descending on her sister. But Emily’s tiny cottage was scarcely large enough for her and her companion, with no room for a guest—and Mrs. Dalrymple’s constant chatter and menial deference was enough to set Isabel’s teeth on edge. In fact, the only nice thing Isabel could say about being married was that at least she wasn’t required to drag a spinster companion around the countryside with her to preserve her reputation, as Emily had to do. Isabel turned her borrowed mount over to the stable boys and strode across to the house, where the butler intercepted her in the front hall. “A letter has just been delivered for you, Lady Isabel, by a special messenger. He said a post-chaise will call for you tomorrow.” She took the folded sheet with trepidation. Who could be summoning her? Not her husband, that was certain. Her father, possibly, for yet another lecture on the duties of a young wife? She broke the seal and unfolded the page. My dearest Isabel, You will remember from happier days that I will soon celebrate my seventieth birthday… Uncle Josiah. But her moment of relief soon

incensed when he heard about outrageous demands for a dowry, whenever a girl was supposed to get married. The groom's family used to insist on money for a business, or for a house, or money for the groom's sister's dowry. To Morris this seemed so old fashioned and also beyond my parents' financial resources. I was told later that he was also considering the nieces as the right girls to live with Grandmother. She was a widow, who certainly knew no English and needed somebody to share her apartment.

No garden can aspire to be named An Old-fashioned Garden unless it contains that beautiful plant the Garden Valerian, known throughout New England to-day as Garden Heliotrope; as Setwall it grew in every old garden, as it was in every pharmacopœia. It was termed "drink-quickening Setuale" by Spenser, from the universal use of its flowers to flavor various enticing drinks. Its lovely blossoms are pinkish in bud and open to pure white; its curiously penetrating vanilla-like fragrance is disliked by many who are not cats. I find it rather pleasing of scent when growing in the garden, and not at all like the extremely nasty-smelling medicine which is made from it, and which has been used for centuries for "histerrick fits," and is still constantly prescribed to-day for that unsympathized-with malady. Dr. Holmes calls it, "Valerian, calmer of hysteric squirms." It is a stately plant when in tall flower in June; my sister had great clumps of bloom like the ones shown above, but alas! the cats caught them before the photographer did. The cats did not have to watch the wind and sun and rain, to pick out plates and pack plate-holders, and gather ray-fillers and cloth and lens, and adjust the tripod, and fix the camera and focus, and think, and focus, and think, and then wait—till the wind ceased blowing. So when they found it, they broke down every slender stalk and rolled in it till the ground was tamped down as hard as if one of our lazy road-menders had been at it. Valerian has in England as an appropriate folk name, "Cats'-fancy.

But Charles, at that very moment, was roving the house in search of Amy.  He had stayed at the ball only long enough to claim the first dance with his sister; then, when the dancing was in full swing, he'd melted into the crush, strode through the doors leading back to the main part of the castle, and gone looking for Amy. But she was not in her rooms.  She was not in the dining room, the library, or wandering the halls.  It wasn't until he strode into the Gold Parlor and found Juliet — who would not, of course, be attending the ball in her advanced condition — quietly working on a piece of embroidery, that Charles got the first clue to her whereabouts. He bowed to his sister-in-law, who looked up at him in some surprise. "Why, hello, Charles.  What are you doing out here?  You look most annoyed." "Amy.  I can't find her anywhere, haven't seen her all day and I'm sick to death of everyone monopolizing her time.  You haven't seen her, have you?" Juliet looked at him peculiarly, then lowered her needlework, a little smile touching her lips.  "Actually, I have.  You might try checking the ballroom." "She wouldn't be in there." Juliet's eyes sparkled with mirth.  "Oh, I wouldn't be so sure." At that moment Gareth, who was dividing his time between his wife and the ball, entered the room, fashionably splendid in raspberry silk, tight breeches, and shoes sporting huge Artois buckles.  In his hand were two glasses, one of sherry, the other of cider, the latter of which he handed to his wife.  He had caught the tail end of the conversation. "Yes, you really should check the ballroom, Charles," he said, his own blue eyes twinkling. Was there some damned conspiracy going on here? 

My dear Charles," he said, expansively.  "I wonder if I might ask a favor of you?" "What would you like?" "Nerissa and Amy wish to go to London, and I simply don't have time to accompany them.  You wouldn't mind going instead, just to ensure that they come to no harm, would you?" "What do they need to go to London for?" Lucien gave a dramatically heavy sigh.  "Oh, female pursuits, of course.  Shopping, gossip, maybe a visit to that infernal French dressmaker of Nerissa's.  You know how your sister just has to have the latest fashions from the Continent."  He raised his brows as Charles eyed him narrowly.  "But of course, if you don't feel . . . up to it, I suppose I could always send Andrew instead." "What do you mean, if I don't feel up to it?" "Oh, nothing.  I was just thinking about our little conversation last night.  The one where you made it quite obvious that you are no longer, shall we say, capable of the things you once were.  But never mind.  I'm sure that Andrew will be delighted to lend his protection to the girls, instead.  He has become quite a handsome young lad, don't you think?"  His black eyes gleamed.  "I do wonder what your little friend will think of him . . ."  He whistled for the dogs and raised his walking stick to Charles in mock salute.  "Good day, Charles.  I will see you at teatime, I hope." And then he moved off, leaving Charles staring after him in rising fury, his hands balled into fists and a little muscle ticking in his jaw. What the devil was that all about?! Well, one thing was for sure.  Andrew was not going to be the one escorting the girls into London! 

Thus, from the very outset, and in typically effusive fashion, did Marion Crawford set out the thesis that characterizes her celebrated, indeed notorious, book, The Little Princesses. By contrasting the sterling qualities of the future Queen with her younger sister’s more capricious personality, Crawfie gave authority to what – by the time of the book’s publication in 1950 – many people already believed.

She said it was sweet that I came to her rescue, or something like that.” Layla pressed her hand to her heart, smiling. “Awww. She felt protected.” “From her innocent date.” “Still. I’m sure she didn’t approve of you, you know, beating up her date and all, but a woman does love a protective man.” “Sounds old-fashioned.” “Not old-fashioned, timeless. Trust me. So pray about it, okay? ’Cause I think she’d make a great sister-in-law.” “You’re jumping the gun, little girl.” But he couldn’t deny the tiny thrill that coursed through him at the thought.

She had had fleeting thoughts here and there of the misfortune of being only a stepdaughter rather than a true daughter; now, she saw that she and her sisters were unfairly deprived of even a daughter’s place. Their father could have used his influence to secure them more from his wife, but he did not.

Trish had to tell her they were mine or her mother would probably have killed her.” Then she’s up again. “Do you know what I really wanted to show you? It’s here somewhere.” She’s pulling open drawers, humming to herself. Then she swings around. “Do you remember this?” A gold-and-lapis pendant, the size of a silver dollar. I’d forgotten how ’90s it looks, which I suppose is back in fashion. My niece has threaded it onto a gold chain, which she fastens around her neck. “I wish I had a picture of her wearing it.” Something to match the color of your eyes, our mom had said when she gave it to Emily for her sixteenth birthday. I found it just before Hannah left. Somehow it had made its way back into Mom’s jewelry box. They were always sharing things. Your mother wore it all the time when she was your age, I had told Hannah. And I remember there hadn’t been time to find a box, I had wrapped it in old tissue paper. “Isn’t this chain perfect?” my niece says, fingering it. “It’s eighteen karat.” The pendant glints in the light, and I’m reminded of all the times it flashed on my sister’s jean jacket or smock dresses. I feel a little light-headed. Something about seeing this young version of my sister—with her confidence, her mannerisms.

All human beings are systematically socialized to oppress cattle, chickens, snakes, mice, dogs, and all other nonhuman individuals. After the fashion of Sojouner Truth, might cows and chickens ask: “Ain’t I a female, too?” And would not dogs and snakes ask, "Ain't I a living being, too?

You know you’ve hit a low point, Em, when your fashion guru is eighty years old.

run by ExaminerOnline and its sister outlets was about influencers (whatever they were), TV personalities, actors, famous chefs, stand-up comics, outlandish artists, fashion designers, athletes, musicians, the rich . . . basically any manner of celebrity, provided they were hugely popular or sexy or had either spoken up for a good cause (LGBTQ and animals were winners) or misbehaved in a tasty, but misdemeanorly way.

Thanks, Neel. I’m so sorry to put you through this again.” “Of course. It makes these things kinda fun.” He grinned and straightened his rimless glasses. If he was surprised that she was here, he hid it well and she loved him for it. “Nisha wants you to wear the green one.” He nodded at the green garment bag Trisha had taken from him. “But she thought you should have choices.” They smiled knowingly at each other. If Nisha had decided on the green one, the green one it would be. Trisha was currently wearing standard-issue blue scrubs with a coffee stain that spanned her entire torso, which pretty much summed up her fashion expertise. “Which shoes?” she asked. Neel handed her a box and glanced at the stain painted across her chest. “Tough surgery?” He pointed to the cobblestone path that circled around the side of the house. She followed him toward the pool house. “Hit the wrong artery. You wouldn’t believe the force of the blood.” “You’ve been watching Kill Billagain, haven’t you?” “It’s surgeon catnip. I can’t stop.” Smiling, she twisted around and pushed the door to the pool house open with her back. “Is Nisha going to come and help with my hair?” Because if she didn’t get to tell her sister about the grant in the next two minutes, she was going to burst. Plus, she had to know how Nisha had managed to break it to their father that she was going to be here. “Your hair looks just—” Neel’s cell phone buzzed and he looked down at it. Her own phone sat dead in her pocket. She’d forgotten to charge it. “I’m not supposed to tell you your hair looks nice. Nisha’s sending someone. And you’ve got to hurry. There’s an angry emoji. She can’t believe you’re late.” He kept his face carefully neutral as he dumped the rest of the items he was carrying on the couch. As he headed for the door, he stopped and turned around, reading off his phone again. “She says it’s okay. Don’t worry. Smiley emoji.” Neel did the most adorable subtle eye rolls he thought no one saw. “And she wants you to know you won’t be sorry you came.” He looked up from his wife’s message, the slightest flush on his cheeks. “An emoji’s winking at you, and fanning itself. And—oh, for heaven’s sake. Just hurry up and get in there. Apparently, there’s a butt in there you have to see to believe.

Mysterious forces steer people to meet and love another soul. In my case, it was not because I chose Mona, my wife; rather, it was because fate was stronger than me, and God always manages our lives to the better. While I was busy trying to build my life and my career, my angel bird was on a noble mission to affect my life through great sacrifices of her own. The culture I was born in respects the sanctity of women and the value of family life. I was raised in a female-dominated environment. I had a strong grandmother, a resilient mother and five sisters. I was raised to value loyalty and faithful commitment to one woman at a time. Following the principles of my faith, during my teenage youth, I did not know any woman physically or get involved in any serious relationships. Yes, during my university years, I met my angel sweetheart, but I treated her with respect and behaved in the way I was taught. My intentions toward her were good and I made them clear to her. I treated her as an equal and made sure she knew I valued her thoughts. I may sound old-fashioned, but I do believe the adage that ‘the woman is the temple of the man’. Mona was most certainly my temple.

That goat has been nothing but trouble. And the dratted creature isn’t even picturesque. Goats resemble nothing so much as badly dressed sheep.” “That’s quite unfair,” Beatrix said. “Goats have far more character and intelligence than sheep, who are nothing but followers. I’ve met far too many in London.” “Sheep?” Christopher asked blankly. “My sister is speaking figuratively, Captain Phelan,” Amelia said. “Well, I have met some actual sheep in London,” Beatrix said. “But yes, I was mainly referring to people. They all tell you the same gossip, which is tedious. They adhere to the current fashions and the popular opinions, no matter how silly. And one never improves in their company. One starts falling in line and baaing.” A quiet laugh came from the doorway as Cam Rohan entered the room. “Obviously Hathaways are not sheep. Because I’ve tried to herd the lot of you for years, without any success.” From what Christopher remembered of Rohan, he had worked at a London gaming club for a time, and then had made a fortune in manufacturing investments. Although his devotion to his wife and family was well-known in Stony Cross, Rohan was hardly the image of a staid and respectable patriarch. With his longish dark hair, exotic amber eyes, and the diamond stud flashing in his ear, his Romany heritage was obvious. Approaching Christopher, Rohan exchanged a bow and surveyed him with a friendly gaze. “Captain Phelan. It is good to see you. We were hoping for your safe return.” “Thank you. I hope my presence is not an imposition.” “Not in the least. With Lord Ramsay and his wife still in London, and my brother Merripen and his wife visiting Ireland, it’s been far too peaceful here of late.” Rohan paused, a glitter of amusement entering his eyes. “Fugitive goats notwithstanding.

Would you like to talk about it?” This too was met with deafening silence. Because no matter how much Susannah might like to confide in her Aunt Julia, she just couldn’t. No one could understand how she felt, deep inside. It was too powerful, too unpronounceable, too unwieldy a thing, and if she said it out loud it would just explode like a cannon. “Well,” Julia said with a sigh. “Perhaps I can guess.” She paused to think, but only for a moment. “You are sad because Sebastian has left for his Grand Tour, and you are afraid he will go away and forget you and meet some other young woman. Perhaps she’s Parisian. Or Belgian. Those Belgian girls do have forthrightness that comes with being from such a small country. But regardless of the nationality of this young lady, she is sophisticated and fashionable and she’ll have Sebastian wrapped around her finger. And he’ll never see you as anything other than a little sister.” Susannah’s head came up. She stared at her aunt, her tear-stained cheeks flushed, but her eyes unblinking and suddenly quite dry. “By the time he comes back, your young Mr. Beckett will be married to said Belgian girl, who you will be forced to smile at and visit with at Custard House, even as your heart breaks with every love-coo she sends her henpecked Sebastian.” Susannah gaped. Her mind reeled at the exposure of her deepest, darkest fears. “That was the most terrible thing you could have possibly said,” she blurted out, slapping a hand over her mouth in horror. But Julia just smiled. “It’s also the most unlikely to happen. Good English boys don’t go on their Grand Tour and come back married.” “But… it could. Belgian girls, and all.” “True, but it doesn’t happen to good English boys who rely on their good English fathers for income, at least,” her aunt said wryly.

I will not be spoken to in that tone," she said to her mother. Enid's mouth gaped open. For only a moment, however, until she began to protest. "You've gotten snippy since your marriage, haven't you? I'll not take that behavior from you, child. Your sister would never have disrespected me in such a fashion." "Enough!" Ellice held up her hand, her gaze never once leaving her mother. "When have you ever respected me, Mother? I'm only a poor substitute for Eudora." She took a deep breath. "I'm not Eudora," she said. "I'm not your beloved daughter who died. I'm the one who lived. I'm tired of hearing about what my sister did or would have done. I suspect that Eudora would have silenced you long before now." She grabbed her skirts and walked around her mother, heading for the kitchen. At the door, she stopped and turned. "Must I die before you begin to value me as well?

Joseph stopped and suddenly his vision seemed to memorize her face. Not once did he move his eyes from her. “Miss Campbell, would you think me too forward if I—” “Joseph!”  Nathaniel’s voice and sudden presence made Kitty gasp. Her eyes shot open wide and she clamped her teeth together to keep her mouth from following suit. What in mercy’s name was he doing here? Unfazed, Nathaniel smacked Joseph on the shoulder and nodded approval as he scanned the man’s suit and breeches. “You are always my inspiration for proper fashion, Joseph, I must say. You are dressed far finer than any other gentleman here, including myself. I’m surprised you don’t have a chorus of women clamoring for your attention.” Joseph grinned as if well acquainted with Nathaniel’s humor, then his smile rested slightly and he looked toward Kitty. “That honor is reserved for you Nathaniel, for I am much more content with only one.”  Kitty’s heart tapped against her ribs. Raising her lips in the most tantalizing smile she could create, she turned her head. Flirtatiousness was never her strong suit, but somehow at this moment the ability proved almost innate. And not, she told herself, because it might make Nathaniel wish he’d come to speak to her sooner.  The music began again and Joseph bowed, offering his hand. “It appears another dance is beginning, Miss Campbell. Would you do me the honor?” Kitty stepped forward, brushing her fingers across Joseph’s, bursting to life with all the charm she knew how to use but so rarely did. “I’d be honored, Mr. Wythe.” Quickly shooting Nathaniel a smile she hoped would broil him, Kitty followed Joseph onto the dance floor.  Nathaniel dodged in front of them, his expression drawn. “Forgive me but I’m afraid your brother-in-law sent me looking for you, Miss Campbell.” Kitty frowned. “Is Eliza unwell?” He shook his head. “Thomas is with her at the fainting couch and asked me to see if you would be available to bring her something to drink.” Worry replaced every other emotion as she gently gripped Joseph’s firm hand. “Forgive me, Mr. Wythe, but I need to see to my sister. May we postpone this dance until a later time?” Joseph nodded, his mouth tipped at one side. “Of course, Miss Campbell. Another time then, and I shall look forward to it.

You think I would take a wild lily and trim it to appear an English rose? You shall meet the ton as a bright Italian star." Callie couldn't help but chuckle. "Capital. Shall we choose some fabrics?" The words sent the cluster of women around them into a flurry, rolling out yards of muslins and satins, jaconet and crepe, velvet and gros de Naples in every imaginable color and pattern. "Which do you like?" Callie asked. Juliana turned her attention to the pile of fabrics, a bemused smile on her face. Mariana approached and locked their arms together. Leaning close, she said, "I adore that mulberry crepe. It would go beautifully with your hair." Turning to Callie she said, "And you, sister?" Callie cocked her head in the direction of a willow green satin, and said, "If you don't leave here with an evening dress in satin, I shall be very disappointed." Juliana laughed. "Well, then I shall have to have it! And I do like that rose muslin." Madame Hebert lifted the bolt and passed it to a seamstress. "Excellent choice, signorina. May I suggest the gold satin as well? For evening, of course.

Wisdom and humility demand that we consider what our brothers and sisters through the ages have done by way of catechizing and discipling, and test the merit of these efforts by consideration of the biblical data. We are most unwise to try to continually reinvent the catechetical wheel or to assume that we are more likely than our forebears to be faithful to Scripture. Our

I beg your pardon, my ladies, Mr. Trottenham. I did not realize I’d be intruding unannounced.” “Deene, good day.” Trottenham rose and bowed, smacking his heels together audibly. “The more the merrier, I say, what? Saw your colt beat Islington’s by two lengths. Well done, jolly good and all that. Islington’s made a bit too much blunt off that animal in my opinion.” Trottenham apparently had a nervous affliction of the eyebrows, for they bounced up and down as he spoke, suggesting either a severe tic or an attempt to indicate some sort of shared confidence. “Perhaps the ladies would rather we save the race talk for the clubs?” “The ladies would indeed,” Louisa said. “Sit you down, Deene, and do the pretty. Mr. Trottenham was just leaving.” She gave a pointed look at the clock, while Eve, who had said nothing, busied herself pouring tea, which Deene most assuredly did not want. “Leaving?” Trottenham’s eyebrows jiggled around. “Suppose I ought, but first I must ask Lady Eve to join me at the fashionable hour for a drive around The Ring. It’s a beautiful day, and I’ve a spanking pair of bays to show off.” Deene accepted his cup of tea with good grace. “Afraid she’s not in a position to oblige, Trottenham, at least not today.” He smiled over at Eve, who blinked once then smiled back. Looking just a bit like Louisa when she did. “Sorry, Mr. Trottenham.” She did not sound sorry to Deene. “His lordship has spoken for my time today.” Trottenham’s smile dimmed then regained its strength. “Tomorrow, then?” Jenny spoke up. “We’re supposed to attend that Venetian breakfast with Her Grace tomorrow.” “And the next day is His Grace’s birthday. Couldn’t possibly wander off on such an occasion as that,” Louisa volunteered. “Why don’t I see you out, Mr. Trottenham, and you can tell me where you found these bays.” She rose and took him by the arm, leaving a small silence after her departure, in which Deene spared a moment to pity poor Trottenham. “I have an appointment at the modiste,” Lady Jenny said, getting to her feet. “Lucas, I’m sure you’ll excuse me.” She swanned off, leaving Eve sitting before the tea tray and Deene wondering what had just happened. “Did you tell them I’ve a preference for leeks?” “I did not, but I cannot vouch for the queer starts my sisters take.

but I remained bouncy and immune throughout – by the early eighteenth century the Electors’ tombs are entirely out of control and indeed strongly anticipatory of the fine moment in Fellini’s Roma where the Vatican holds an excitingly modern ecclesiastical fashion show featuring neon-clad, roller-skating priests and entire reliquary skeletons of saints hanging like the Andrews Sisters from the sides of a jeep. Just

You're a throwback." "To what?" Jess considered this. Hi-tech at work, Emily was paradoxically old-fashioned in her life. She didn't even own a television. "The nineteenth century," Jess concluded. "No. Eighteenth. You can be eighteenth. I'll be nineteenth." "I never pictured you as a Victorian." "No, early nineteenth century," said Jess, who had always been a stickler when it came to imaginary games and books. The Blue Fairy, not Tinker Bell. Lucy, not Susan. Jo, not Amy. Austen, not the Brontes.

Mr. Williams observes, that the attempts for a reformation in England, by the power of the magistrate, filled their country with blood and confusion for a hundred years. For, says he, “Henry the Seventh leaves England under the slavish bondage of the Pope’s yoke. Henry the Eighth reforms all England to a new fashion, half Papist, half Protestant. King Edward the Sixth turns about the wheels of state, and works the whole land to absolute Protestantism. Queen Mary, succeeding to the helm, steers a direct contrary course, breaks in pieces all that Edward wrought, and brings forth an old edition of England’s reformation, all Popish. Mary not living out half her days, (as the prophet speaks of bloody persons), Elizabeth (like Joseph) is advanced from the prison to the palace, and from the irons to the crown; she plucks up all her sister Mary’s plants, and sounds a trumpet, all Protestant. What sober man is not amazed at these revolutions!” [Bloody tenet, p. 197.]

She knew that, in her family, Lydia was always the first to gallop off to do something, and rarely, if ever, did any of her sisters run along with her. Even Kitty would follow in a more ladylike fashion. It was just how Lydia was. Exuberance poured from her in streams or, more precisely, like loud, babbling brooks that hopped here and there.

At Hobby Lobby She tosses a bolt of fabric into the air. Hill country, prairie, a horse trots there. I say three yards, and her eyes say more: What you need is guidance, a hand that can zip a scissor through cloth. What you need is a picture of what you've lost. To double the width against the window for the gathering, consider where you sit in the morning. Transparency's appealing, except it blinds us before day's begun. How I long to captain that table, to return in a beautiful accent a customer's request. My mother kneeled down against her client and cut threads from buttons with her teeth, inquiring with a finger in the band if it cut into the waist. Or pulled a hem down to a calf to cool a husband's collar. I can see this in my sleep and among notions. My bed was inches from the sewing machine, a dress on the chair forever weeping its luminescent frays. Sleep was the sound of insinuation, a zigzag to keep holes receptive. Or awakened by a backstitch balling under the foot. A needle cracking? Blood on a white suit? When my baby's asleep I write to no one and cannot expect a response. The fit's poor, always. No one wears it out the door. But fashions continue to fly out of magazines like girls out of windows. Sure, they are my sisters. Their machines, my own. The office from which I wave to them in their descent has uneven curtains, made with my own pink and fragile hands.

He flew away immediately, and then she spent seven minutes worrying about whether she’d been too harsh with him and whether an excellent queen would have said any of that, and whether a certain sister of hers would have been more serene and therefore more excellent, and then another twelve minutes growling at herself about how excellent queens didn’t second-guess themselves and how she needed to be more decisive, and then she realized that she was accidentally thinking about murdery black dragons trying to murder her again, and she had to lie down and cover her face for a moment. When she finally sat up, her aunt Tundra was standing in the doorway of the balcony, watching her with impassive raised eyebrows. “Hello,” Snowfall said haughtily. I was definitely not panicking. I was resting my eyes in a very normal queenly fashion. I do not need to explain myself. I am the queen and therefore whatever I do is queenly, no matter what her eyebrows think!

One would expect that a man in his state would become sloppy and leave clues. I’ve searched for those clues in his study but found nothing. Not a scrap. Not a shred. Not a hint.” Danielle nibbled her lip. “What can we do to stop him? And I don’t mean shooting him.” Simon grunted. “I was only going to aim for his leg.” “And what do you think he would have done to you in return? Even if he did not retaliate, is there any doubt Uncle Josiah would?” She gently took the pistol out of his hand and set it aside. “We’ll think of something else.” Matthew knew it was time for him to step in before these siblings hatched some inept plot to thwart the elder Haverfields and got hurt in the process. “Lass, I want ye and yer brother to do nothing. Let me take care of it. The Crown is now aware of their activities. I found a cryptic note in a hidden pocket in Lord Pim’s vest. Lord Manning’s men are working on deciphering it as we speak. We dinna know the specifics yet, but will soon discover all we need to know, including who is supplying their funds.” Danielle frowned. “If you know all this already, then why are you here? What can Simon possibly tell you that you would not soon find out anyway?” Simon patted her head. “Don’t be a goose, Danny. He’s here for you.” “He is not.” She stared down at her toes rather than meet Matthew’s gaze. “Lord Lyon does not care for me. He was pretending in order to get close to our family. I’m just an assignment to him. Nothing more.” Her brother cast Matthew an anxious glance. “She’s wrong, isn’t she? You have to love her. You led me to believe it. You admitted it. Are you that cold a bastard?” “Yes, he is,” Danielle blurted before he could fashion a reply. He silently cursed their situation. Even if he protested, she was not yet ready to believe him. “Aye, it was just a mission at first. But ye know it is much more now. Ye canno’ fault me for protecting the Crown. Simon, surely ye understand the truth even if yer sister will not yet accept it.” “Damn,” Simon muttered. “I don’t fault you, Matthew. I believe you care for my sister. This is all my

I prefer novels,” she adds, “that bring me immediately into a world where everything is precise, concrete, specific. I feel a special satisfaction in knowing what things are made in that certain fashion and not otherwise, even the most common place things that in real life seem indifferent to me.” “The book I would like to read now is a novel in which you sense the story arriving like still-vague thunder, the historical story along with the individual story, a novel that gives the sense of living through an upheaval that still has no name, has not yet taken shape…” “The novels I prefer,” she says, “are those that make you feel uneasy from the very first page.” “I like books,” she says, “where all the mysteries and anguish pass through a precise and a cold mind, without shadows, like the mind of a chess player.” “The novels that attract me most,” Ludmilla said, “are those that create an illusion of transparency around a knot of human relationships as obscure, cruel and perverse as possible.” “The quality of perennial dissatisfaction seems to me characteristic of Ludmilla: it seems to me that her preferences change overnight and today reflect only her restless.” “Do you mean to deny you have a sister?” “I have a sister, but I don’t see what that has to do with anything.” “A sister who loves novels with characters whose psychology is upsetting and complicated?” “My sister always says she loves novels where you feel an elemental strength, primordial, telluric. That’s exactly what she says: telluric.” “The book I’m looking for,” says the blurred figure who holds out a volume similar to yours, “is the one that gives the sense of the world after the end of the world, the sense that the world is the end of everything that there is the world, that the only thing there is in the world is the end of the world.

She also knew now, really knew, why romance meant so much to him—not just the books, but for that search for his own happily ever after. She'd thought he was just sweet, loving, maybe a little old-fashioned, but now she realized he was... inspired. That he was one of those people, one of many whose lives had been forever changed by someone else's words. And that wasn't something Dani treated lightly. She made her living out of words. She knew they could be everything.

One intriguing piece of evidence suggests that Jesus may in fact have worked on the family farm as well as practising carpentry. Hegesippus, a 2nd-century writer, preserves the information that two grandsons of Jesus’ brother Judas were peasant farmers sharing a farm whose precise size was remembered. This must have been the family smallholding in Nazareth. The fact that they owned it jointly indicates that this family still followed the rather old-fashioned practice of not dividing the farm but keeping it as the common property of the extended family. Since Joseph had to provide for at least seven children (Jesus, his four brothers, and two or more sisters), he may well have taken up carpentry only to supplement the inadequate produce of the family farm. For this purpose, there would have been enough work within Nazareth.

Darius looked inclined to stalk after her, but as he shoved away from the bar, his Atlas began to ring in his pocket and I caught sight of his father's name on the caller ID before he answered it. "I take it you won't disappoint me again tonight?" Lionel said in a cold voice which made the hairs along the back of my neck stand up. I probably shouldn't have been using my gifts to listen in on the conversation, but Darius probably should have used a silencing bubble if he didn't want me to anyway. "I'll get it done," Darius bit out. "Good. Because your brother is here in my office with me, waiting to hear from you about your success, aren't you Xavier?" "Darius?" Xavier's voice was pitched with fear but as I gave Darius a concerned look, he clearly realised I could hear his conversation and threw a silencing bubble around himself to hide the rest of it from me. It didn't matter though. I could tell from the way his heart was racing and his knuckles were whitening where he gripped his Atlas that he was afraid of something. "You see now why we have to do this?" Max growled in a low voice, his gifts clearly tuning him in to Darius's fear too and I nodded in acceptance. "Yeah," I breathed. "I get it." An excited squeal cut the air to shreds and I glanced around to find Geraldine Grus rushing through the room in a huge pink dress which looked like one of those old fashioned toilet roll doilies. She threw herself at Tory in excitement and the two of them hugged each other tightly in greeting. "Thank fuck she's okay," Max breathed beside me and I turned to him with a faint frown. "You been worrying about Grus, big boy?" I teased and he instantly tore his gaze from her and shrugged off the concerned look in his eyes. "Well it would have sucked if a Nymph got all of her power," he said. "Besides, she's one of the only Fae in our class who is even semi capable of using her magic against us so..." "So?" I pushed but at that moment Darius finished his call and dropped his silencing bubble. "Let's get on with this," he said darkly. "Where did Roxy go?" I picked her out among the crowd as she broke away from Geraldine and started heading for the exit, training my heightened senses on her and hearing her ask that hat kid if he knew where Darcy had gone. "The hat kid just told her to go look for her sister outside," I said, pointing at Tory just as she slipped out the door. (Caleb POV)

The beliefs in individual competition and reason we have been discussing are the ones which in actuality have guided modern western development, and are not necessarily the ideal values. To be sure, the values accepted as ideal by most people have been those of the Hebrew-Christian tradition allied with ethical humanism, consisting of such precepts as love thy neighbor, serve the community, and so on. On the whole, these ideal values have been taught in schools and churches hand in hand with the emphasis on competition and individual reason. (We can see the watered-down influence of the values of “service” and “love” coming out in roundabout fashion in the “service clubs” and the great emphasis on being “well liked.”) Indeed, the two sets of values—the one running back many centuries to the sources of our ethical and religious traditions in ancient Palestine and Greece and the other born in the Renaissance—were to a considerable extent wedded. For example, Protestantism, which was the religious side of the cultural revolution beginning in the Renaissance, expressed the new individualism by emphasizing each person’s right and ability to find religious truth for himself. The marriage had a good deal to be said for it, and for several centuries the squabbles between the marriage partners were ironed out fairly well. For the ideal of the brotherhood of man was to a considerable extent furthered by economic competition—the tremendous scientific gains, the new factories and the more rapid moving of the wheels of industry increased man’s material weal and physical health immensely, and for the first time in history our factories and our science can now produce so much that it is possible to wipe starvation and material want from the face of the earth. One could well have argued that science and competitive industry were bringing mankind ever closer to its ethical ideals of universal brotherhood. But in the last few decades it has become clear that this marriage is full of conflict, and is headed for drastic overhauling or for divorce. For now the great emphasis on one person getting ahead of the other, whether it be getting higher grades in school, or more stars after one’s name in Sunday school, or gaining proof of salvation by being economically successful, greatly blocks the possibilities of loving one’s neighbor. And, as we shall see later, it even blocks the love between brother and sister and husband and wife in the same family. Furthermore, since our world is now made literally “one world” by scientific and industrial advances, our inherited emphasis on individual competitiveness is as obsolete as though each man were to deliver his own letters by his own pony express. The final eruption which showed the underlying contradictions in our society was fascist totalitarianism, in which the humanist and Hebrew-Christian values, particularly the value of the person, were flouted in a mammoth upsurgence of barbarism.

woman is nothing but a devil fashioned into human appearance. … One must be as mistrustful of every woman as of a venomous serpent.’” He slammed the book shut. “I won’t have you thinking of your mother or sisters that way. Milton had it right: woman is ‘Heaven’s last, best gift’.

Every era breeds some rebellion with the past, and Queen Victoria was crowned in 1838 amid a backlash against an “age of debauchery,” when upper-class males routinely kept mistresses. In the Victorian era, the image of the happy family, chaste couples amid the “respectability” of polite society, was acclaimed. And by 1870, reformers were once again fighting crime, obscenity, debauchery, and prostitution as the post–Civil War period mocked much of the Victorian myth. Yet hypocrisy hadn’t faded. Despite fashion that paraded plumped-up breasts, women were supposed to be horrified at naked statues in art museums, legs were never to be seen, and the lower half of the body was called the “nether regions.

Fashionable women, on the other hand, went to “enameling studios,” where the face and bust were coated with dangerous enamel, a semi-paste composed of arsenic or white lead. For $10 to $15, a woman could get a coating that lasted a few days. A shellacking that lasted six months cost between $400 and $600—more than most laborers’ annual salary—to retain the dangerous ethereal whiteness. It was not explained how, or if, they’d wash their face after application.

Beauty exists everywhere in the world. Love resides in all of us. That's the point. I only...I only want to deepen that. Show that there can be - that there should be - substance in it all. Of course a bride on her wedding day is beautiful, but that radiance doesn't diminish in old age, when she's too tired to keep up with whatever ridiculous fashions the shops and salons put out. I know Arina smiles upon an old couple walking down the road together, hand in hand, firm in their commitment to one another. A wilting flower holds just as much splendor as one on the cusp of opening. People are so quick to idolize the fresh and the new. They fetishize it." He rubbed at his forehead, his eyes bright with fervor. "Why should we celebrate one without the other?

The beauty and fashion industries are dedicated to ensuring that women keep chasing an impossible ideal,

As one female journalist wrote it up: One of the greatest fashion worries that every woman experiences is the fear that their vagina isn’t plump enough. Isn’t visible enough to the public gaze. You might have a nice bum and boobs…and brain, but if you don’t have a bulging labia, what’s the point? But good news my flat-lipped sisters. If you’ve ever worried that your vagina just isn’t prominent enough through your shorts or yoga pants then worry no more. Indeed, for in 2017 the ‘push-up bra for your labia’ had been discovered.

We can train ourselves to respect our feelings and to transpose them into a language so they can be shared. And where that language does not yet exist, it is our poetry which helps to fashion it. Poetry is not only dream and vision; it is the skeleton architecture of our lives. It lays the foundations for a future of change, a bridge across our fears of what has never been before.

In typical fashion, Peter jumps in and clarifies how much he and the disciples have given up to follow Jesus: “See, we have left everything and followed you” (Mark 10:28). Jesus responds with a significant explanation of self-denial and kingdom blessings: Truly, I say to you, there is no one who has left house or brothers or sisters or mother or father or children or lands, for my sake and for the gospel, who will not receive a hundredfold now in this time, houses and brothers and sisters and mothers and children and lands, with persecutions, and in the age to come eternal life. But many who are first will be last, and the last first. (Mark 10:29–31) Is Jesus teaching us a simple formula that if we give up our possessions, we can receive the kingdom? Is this a divine promise that if you forsake family and lands, God is obligated to restore family and lands, like he did at the end of Job? No. Jesus is applying a kingdom filter to his disciples’ understanding of blessing in the present age. As we saw in the Old Testament, a growing family and fertile land were both ideas frequently associated with divine blessing. However, Jesus redefines these very images based upon a transformed vision of blessing in Christ’s kingdom. “Jesus speaks of the extended family of his followers (cf. 3:34–35) with new familial relationship and the sharing of possessions (cf. Acts 2:44–45; 4:32–37)—a new reality whose value is far greater than the security that personal possessions can ever give.”23

When the men finished their game of whist and downed the last of the brandy, they decided the evening was at last over. “That’s enough for me.” Godric turned towards the ladies. “Come along, Em. Time to depart.” Emily didn’t spare her husband a glance. She had one hand on Horatia’s shoulder and another on Audrey’s while she spoke to the pair of them in a huddle. None of the men really bothered trying to figure out what women whispered about. Lucien guessed it would always remain one of life’s mysteries, like why a woman needed countless bonnets when they were such ugly and useless things. It was a damned nuisance trying to untie yards of unnecessary ribbons in order to touch a woman’s hair while he was kissing her. “That’s an unholy alliance if I ever saw one,” Cedric noted. The Sheridan sisters were trouble enough, but adding Emily was like a lit match near a very large powder keg. “I’d best collect my wife before she causes trouble,” Godric replied. Lucien didn’t miss Godric’s pleased tone as he had said ‘wife.’ Godric stood, then walked quietly over and plucked her away from the group, scooping her up into his arms. “Godric!” Emily kicked her feet in outrage. “Put me down at once!” “I don’t think so, my dear. It’s time I put you to bed.” Godric bent his head low so his face was inches from hers. “Oh if you must.” She tried to sound reluctant, but there was a breathless quality to her voice that fooled no one. For a moment, Lucien was struck with a sharp sense of envy. If Horatia weren’t related to his friend, he would have been carrying her out the door in the same fashion, to find the nearest bed. “Good night, everyone!” Godric called over his shoulder as he and Emily left the drawing room. Cedric shook his head, but his eyes glinted with merriment. “By the way they act I swear you’d never know they were married.” “They are indeed fortunate,” Ashton said. “To be so in love that marriage is a blessing rather than a burden.