Ethan Hunt Quotes

I can describe myself as a leader who gives my team members opportunities to shine.

Kaden is trying to open the realms, Drake. It means freedom for us, for our kind. No more worrying about the celestials or The Hand. Why are you and Ethan suddenly so against that?” His eyes roamed mine for a second, searching for some sign that I was joking, but only pain edged my voice. “He has a point. I would like to not be hunted—my family or me—but his beliefs are clouded.” He stood, unbuttoning his jacket and carefully taking it off. “Ethan won’t follow, nor will I. He’s a tyrant, Dianna. No matter what pretty picture he paints.

Giselle is a beautiful peasant girl who falls in love with a duke who is pretending to be a peasant, so they can be together." "Speaking as a peasant, that makes no sense." "He's betrothed to someone else." "So he's cheating. What's his name?" "Albrecht." "Is he hot enough to make up for the crappy name?" "Anyway. Another gent has been pining after Giselle, and he thinks Albrecht is up to no good. When a hunting party with Albrecht's fiance arrives, the secret is revealed." "Wait, who's Mr Third-Wheel?" Javier hesitated. "Hilarion." Ethan guffawed so loudly that someone shushed them.

She was on the hunt, the vampires her prey. She tossed the fleshy mass from one hand to the other, and I heard Ethan’s knees crash to the ground beside me.

Backstreet Boys? Ethan Montgomery, you dark horse.” “Hey, ‘I Want It That Way’ is a classic.

What are you thinking, Ethan?” “I want you, Lily. All of you. Every tiny piece.

I love you, Lily Harper. And I’ll do whatever it takes to make you happy, even if it means dealing with your crazy family.” “I love you too, Ethan Montgomery. And as long as we’re together, I know we’ll be able to handle anything, including our families.

What’s the next grand adventure for Lily Harper and Ethan Montgomery?” “Wherever it is, I know it’ll be incredible... because it’ll be with you. It’ll be us doing whatever we like and compromising.

Finding you, Lily, it’s been the most incredible thing that could’ve happened to me. Being with you,” he continues, “it’s like discovering a new color—one I never knew existed but now can’t imagine living without.” “You’re my new color too, Ethan.

It’s as if, in this kiss, I’m finding the colors Ethan spoke of, vibrant and alive, painting our world with hues of joy, passion, and an undeniable sense of belonging.

I love you, Ethan Montgomery. Even with your schedules and your plans and… I love you because you have a big heart and are amazing and protective, and no matter what I come up with, you are determined to have a good time.

So, as Ethan pulls me closer and the sparks fly higher, the fire crackling and popping in the background, I can only wonder: is this the beginning of something beautiful, or just another person I’ll have to forget because things don’t work out with me? They never do, my heart whispers, a painful reminder of the scars I carry, the walls I’ve built to protect myself from the inevitable hurt.

I have to remind myself that I can’t get distracted by Ethan, his husky voice, and the memory of his seductive mouth. Not when I still have so much soul-searching left to do. But deep down, a small voice whispers that maybe he is the answer I’ve been looking for all along. Not sure how though, but maybe I’ll find it.

Ethan’s presence is utterly intoxicating, overwhelming my senses.

Lily. What are you doing to me?” “Ethan, the question is, what are you doing?” “Something I’ve wanted to do for what it feels like far too long.

Lead the way, Ethan.” There are many other places I would like to lead her and that beautiful curvy body, but I abstain. But for how long will I have to do it?

During that trip not only did I figure out that my past doesn’t define me, but is there for me to learn. That my future isn’t defined and I also found my soulmate. Ethan.

It doesn’t matter, just pull yourself together and stop gawking at Ethan Montgomery.

We see this even more in Seven Brides For Seven Brothers (1954), with Mercer again at MGM, collaborating with composer Gene De Paul. This one has a real Broadway score, every number embedded in the characters’ attitudes. Ragged, bearded, buckskinned Howard Keel has come to town to take a wife, and a local belle addresses him as “Backwoodsman”: it’s the film’s central image, of rough men who must learn to be civilized in the company of women. The entire score has that flavor—western again, rustic, primitive, lusty. “Bless Yore Beautiful Hide,” treating Keel’s tour of the Oregon town where he seeks his bride, sounds like something Pecos Bill wrote with Calamity Jane. When the song sheet came out, the tune was marked “Lazily”—but that isn’t how Keel sings it. He’s on the hunt and he wants results, and, right in the middle of the number, he spots Jane Powell chopping wood and realizes that he has found his mate. But he hasn’t, not yet. True, she goes with him, looking forward to love and marriage. But her number, “Wonderful, Wonderful Day,” warns us that she is of a different temperament than he: romantic, vulnerable, poetic. They don’t suit each other, especially when he incites his six brothers to snatch their intended mates. Not court them: kidnap them. “Sobbin’ Women” (a pun on the Sabine Women of the ancient Roman legend, which the film retells, via a story by Stephen Vincent Benét) is the number outlining the plan, in more of Keel’s demanding musical tone. But the six “brides” are horrified. Their number, in Powell’s pacifying tone, is “June Bride,” and the brothers in turn offer “Lament” (usually called “Lonesome Polecat”), which reveals that they, too, have feelings. That—and the promise of good behavior—shows that they at last deserve their partners, whereupon each brother duets with each bride, in “Spring, Spring, Spring.” And we note that this number completes the boys’ surrender, in music that gives rather than takes. Isn’t

Would I have broken off my engagement for Ethan? Would it have mattered? We’ll never know, because we never traveled that path.

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