Escape From Prison Quotes

It is quite a revelation to discover that the place you wanted to escape to is the exact same place you escaped from. That the prison wasn't the place, but the perspective.

The best way to keep a prisoner from escaping is to make sure he never knows he’s in prison.

I am aware of being in a beautiful prison, from which I can only escape by writing.

Many abused children cling to the hope that growing up will bring escape and freedom. But the personality formed in the environment of coercive control is not well adapted to adult life. The survivor is left with fundamental problems in basic trust, autonomy, and initiative. She approaches the task of early adulthood――establishing independence and intimacy――burdened by major impairments in self-care, in cognition and in memory, in identity, and in the capacity to form stable relationships. She is still a prisoner of her childhood; attempting to create a new life, she reencounters the trauma.

Identity is a prison you can never escape, but the way to redeem your past is not to run from it, but to try to understand it, and use it as a foundation to grow.

To Cassidy, the panopticon wasn't a metaphor. It was the greatest failing on everything she was, a prison she had built for herself out of an inability to appear anything less than perfect. And so she ghosted on, in relentless pursuit of escape, not from society, but from herself. She would always be confined by what everyone expected of her because she was too afraid and too unwilling to correct our imperfect imaginings.

There was a door And I could not open it. I could not touch the handle. Why could I not walk out of my prison? What is hell? Hell is oneself, Hell is alone, the other figures in it Merely projections. There is nothing to escape from And nothing to Escape to. One is always alone.

Jealousy—at least as far as he understood it from his dream—was the most hopeless prison in the world. Jealousy was not a place he was forced into by someone else, but a jail in which the inmate entered voluntarily, locked the door, and threw away the key. And not another soul in the world knew he was locked inside. Of course if he wanted to escape he could do so. The prison, was after all, his own heart. But he couldn't make that decision. His heart was as hard as a stone wall. This was the very essence of jealousy.

Psychedelics helped me to escape.. albeit momentarily.. from the prison of my mind. It over-rode the habit patterns of thought and I was able to taste innocence again. Looking at sensations freshly without the conceptual overly was very profound.

Her body was a prison, her mind was a prison. Her memories were a prison. The people she loved. She couldn't get away from the hurt of them. She could leave Eric, walk out of her apartment, walk forever if she liked, but she couldn't escape what really hurt. Tonight even the sky felt like a prison.

So,” Royce said, “you want us to escape from this prison, kidnap the king, cross the countryside with him in tow while dodging soldiers who I assume might not accept our side of the story, and go to another secret prison so that he can visit an inmate?” Arista did not appear amused. “Either that, or you can be tortured to death in four hours.” “Sounds like a really good plan to me,” Hadrian declared.“Royce?” “I like any plan where I don’t die a horrible death.

Fiction can show you a different world. It can take you somewhere you've never been. Once you've visited other worlds, like those who ate fairy fruit, you can never be entirely content with the world that you grew up in. Discontent is a good thing: discontented people can modify and improve their worlds, leave them better, leave them different. And while we're on the subject, I'd like to say a few words about escapism. I hear the term bandied about as if it's a bad thing. As if "escapist" fiction is a cheap opiate used by the muddled and the foolish and the deluded, and the only fiction that is worthy, for adults or for children, is mimetic fiction, mirroring the worst of the world the reader finds herself in. If you were trapped in an impossible situation, in an unpleasant place, with people who meant you ill, and someone offered you a temporary escape, why wouldn't you take it? And escapist fiction is just that: fiction that opens a door, shows the sunlight outside, gives you a place to go where you are in control, are with people you want to be with(and books are real places, make no mistake about that); and more importantly, during your escape, books can also give you knowledge about the world and your predicament, give you weapons, give you armour: real things you can take back into your prison. Skills and knowledge and tools you can use to escape for real. As JRR Tolkien reminded us, the only people who inveigh against escape are jailers.

He was lovable the way a child is lovable, and he was capable of returning love with a childlike purity. If love is nevertheless excluded from his work, it's because he never quite felt that he deserved to receive it. He was a lifelong prisoner on the island of himself. What looked like gentle contours from a distance were in fact sheer cliffs. Sometimes only a little of him was crazy, sometimes nearly all of him, but, as an adult, he was never entirely not crazy. What he'd seen of his id while trying to escape his island prison by way of drugs and alcohol, only to find himself even more imprisoned by addiction, seems never to have ceased to be corrosive of his belief in his lovability. Even after he got clean, even decades after his late-adolescent suicide attempt, even after his slow and heroic construction of a life for himself, he felt undeserving. And this feeling was intertwined, ultimately to the point of indistinguishability, with the thought of suicide, which was the one sure way out of his imprisonment; surer than addiction, surer than fiction, and surer, finally, than love.

Useless pursuits and conversations always about the same things absorb the better part of one's time, the better part of one's strength, and in the end there is left a life grovelling and curtailed, worthless and trivial, and there is no escaping or getting away from it—just as though one were in a madhouse or prison.

Why should a man be scorned, if, finding himself in prison, he tries to get out and go home? Or if, when he cannot do so, he thinks and talks about other topics than jailers and prison-walls? The world outside has not become less real because the prisoner cannot see it. In using Escape in this way the critics have chosen the wrong word, and, what is more, they are confusing, not always by sincere error, the Escape of the Prisoner with the Flight of the Deserter. just so a Party-spokesman might have labeled departure from the misery of the Fuhrer's or any other Reich and even criticism of it as treachery .... Not only do they confound the escape of the prisoner with the flight of the deserter; but they would seem to prefer the acquiescence of the "quisling" to the resistance of the patriot.

Many have given up. They stay home and watch the TV screen, living on the earnings of their parents, cousins, bothers, or uncles, and only leave the house to go to the movies or to the nearest bar. "How're you making it?" on may ask, running into them along the block, or in the bar. "Oh, I'm TV-ing it"; with the saddest, sweetest, most shamefaced of smiles, and from a great distance. This distance one is compelled to respect; anyone who has traveled so far will not easily be dragged again into the world. There are further retreats, of course, than the TV screen or the bar. There are those who are simply sitting on their stoops, "stoned," animated for a moment only, and hideously, by the approach of someone who may lend them the money for a "fix." Or by the approach of someone from whom they can purchase it, one of the shrewd ones, on the way to prison or just coming out.

You're telling me that this teenage girl has not only escaped from your prison and evaded capture by your highly trained military, but has now invaded your palace and the private quarters of the emperor himself, kidnapped him, and again gotten away with it?' 'Precisely correct, Your Majesty.

The man who has not the habit of reading is imprisoned in his immediate world, in respect to time and space. His life falls into a set routine; he is limited to contact and conversation with a few friends and acquaintances, and he sees only what happens in his immediate neighbourhood. From this prison there is no escape. But the moment he takes up a book, he immediately enters a different world, and if it is a good book, he is immediately put in touch with one of the best talkers of the world. This talker leads him on and carries him into a different country or a different age, or unburdens to him some of his personal regrets, or discusses with him some special line or aspect of life that the reader knows nothing about. An ancient author puts him in communion with a dead spirit of long ago, and as he reads along, he begins to imagine what the ancient author looked like and what type of person he was.

My mouth is a fire escape. The words coming out don't care that they are naked. There is something burning in here. When it burns I hold my own shell to my ear, listen for the parade from when I was seven, when the man who played the bagpipes wore a skirt. He was from Scotland. I wanted to move there. Wanted my spine to be the spine of an unpublished book, my faith the first and last page. The day my ribcage became monkey bars for a girl hanging on my every word they said, "You are not allowed to love her." Tried to take me by the throat to teach me, "You are not a boy." I had to unlearn their prison speak, refusing to make wishes on the star on the sheriff's chest. I started taking to the stars in the sky instead. I said, "Tell me about the big bang." The stars said, "It hurts to become.

You have no doubt guessed long since that the conquest of time and the escape from reality, or however else it may be that you choose to describe your longing, means simply the wish to be relieved of your so-called personality. That is the prison where you lie.

You were taken prisoner, you single-handedly escaped from the cells at Fortaine, and somehow managed to get Guion to switch sides on the way out?’ ‘Well,’ said Laurent, ‘not everyone is as bad at escaping as you are.’ Damen

When you see a man led to prison say in your heart, "Mayhap he is escaping from a narrower prison." And when you see a man drunken say in your heart, "Mayhap he sought escape from something still more unbeautiful.

Confined on the ship, from which there is no escape, the madman is delivered to the river with its thousand arms, the sea with its thousand roads, to that great uncertainty external to everything. He is a prisoner in the midst of what is the freest, the openest of routes: bound fast at the infinite crossroads. He is the Passenger par excellence: that is, the prisoner of the passage. And the land he will come to is unknown—as is, once he disembarks, the land from which he comes. He has his truth and his homeland only in that fruitless expanse between two countries that cannot belong to him.

A Prayer for The Wild at Heart A prayer for the wild at heart Kept in cages I know how you long To run wild and free To feel your blood pumping To hear your heart beating faster Yet you can’t For you are locked inside a prison One that you will never escape I can hear your howls of pain And your growls of frustration Pacing back and forth Clawing at the bars Tearing at your skin Begging to be set free Your eyes are wild of full hate You face bears no smile Only a snarl of anger Blood drips from your hands Blood from the people Who didn’t understand Your fearful whimpers fill the air As you look to the full moon And let out a mournful howl Your voice gets louder As I and the others join in We let our pleads fill the night As we sit in our cold cages Praying someone will hear - Tennessee Williams

Thus he spent his whole life searching for his own truth, but it remained hidden to him because he had learned at a very young age to hate himself for what his mother had done to him. (...) But not once did he allow himself to direct his endless, justified rage at the true culprit, the woman who had kept him locked up in her prison for as long as she could. All his life he attempted to free himself of that prison, with the help of drugs, travel, illusions, and above all poetry. But in all these desperate efforts to open the doors that would have led to liberation, one of them remained obstinently shut, the most important one: the door to the emotional reality of his childhood, to the feelings of the little child who was forced to grow up with a severely disturbed, malevolent woman, with no father to protect him from her.

Lose yourself, Lose yourself in this love. When you lose yourself in this love, you will find everything. Lose yourself, Lose yourself. Do not fear this loss, For you will rise from the earth and embrace the endless heavens. Lose yourself, Lose yourself. Escape from this earthly form, For this body is a chain and you are its prisoner. Smash through the prison wall and walk outside with the kings and princes. Lose yourself, Lose yourself at the foot of the glorious King. When you lose yourself before the King you will become the King. Lose yourself, Lose yourself. Escape from the black cloud that surrounds you. Then you will see your own light as radiant as the full moon. Now enter that silence. This is the surest way to lose yourself. . . . What is your life about, anyway?— Nothing but a struggle to be someone, Nothing but a running from your own silence.

Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunch-backed makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed form kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries' vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers, heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters' sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etiolated lacquerers; mottle-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men's wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of Last Chrysanthemum, where a puddle from last night's rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.

the place you wanted to escape to is the exact same place you escaped from. That the prison wasn’t the place, but the perspective.

This little theater of mine has as many doors into as many boxes as you please, ten or a hundred thousand, and behind each door exactly what you seek awaits you. It is a pretty cabinet of pictures, my dear friend; but it would be quite useless to go through it as you are. You would be checked and blinded by it at every turn by what you are pleased to call your personality. You have no doubt guessed long since that the conquest of time and the escape from reality, or however else it may be that you choose to describe your longing, means simply the wish to be relieved of your so-called personality. That is the prison where you lie.

I heard this story once," she said, "where this bloke got locked up for years and years and he learned amazin' stuff about the universe and everythin' from another prisoner who was incredibly clever, and then he escaped and got his revenge." "What incredibly clever stuff do you know about the universe, Gytha Ogg?" said Granny. "Bugger all," said Nanny cheerfully. "Then we'd better bloody well escape right now.

Once Incarceron became a dragon, and a Prisoner crawled into his lair. They made a wager. They would ask each other riddles, and the one who could not answer would lose. It it was the man, he would give his life. The Prison offered a secret way of Escape. But even as the man agreed, he felt its hidden laughter. They played for a year and a day. The lights stayed dark. The dead were not removed. Food was not provided. The Prison ignored the cries of its inmates. Sapphique was the man. He had one riddle left. He said, "What is the Key that unlocks the heart?" For a day Incarceron thought. For two days. For three. Then it said, "If I ever knew the answer, I have forgotten it." --Sapphique in the Tunnels of Madness

You feel you are hedged in; you dream of escape; but beware of mirages. Do not run or fly away in order to get free: rather dig in the narrow place which has been given you; you will find God there and everything. God does not float on your horizon, he sleeps in your substance. Vanity runs, love digs. If you fly away from yourself, your prison will run with you and will close in because of the wind of your flight; if you go deep down into yourself it will disappear in paradise.

We havent´s escaped from our prison, we´ve just moved into a new one. And although there are countless places to hide, there´s nowhere to run.

But any time you have a thought in your head about you that didn’t come from the heart of God, you’re trespassing against your own body.

Despite all my public misconduct, in the past year, I had learned the Elemental spells, the Doppelschläferin, and the preparation and flying of a magic broom; I had survived two months as prisoner of war, saving the life of captain Johanne in the process; I had escaped the dungeons of Fortress Drachensbett, and after an arduous journey successfully reunited with my double, so preserving her, and all Montagne, from Prince Flonian's rapacity, I would somehow master the despicable art of being a princess.

ANDRÉ: . . . And when I was at Findhorn I met this extraordinary English tree expert who had devoted himself to saving trees, and he’d just got back from Washington lobbying to save the Redwoods. And he was eighty-four years old, and he always travels with a backpack because he never knows where he’s going to be tomorrow. And when I met him at Findhorn he said to me, “Where are you from?” And I said, “New York.” And he said, “Ah, New York, yes, that’s a very interesting place. Do you know a lot of New Yorkers who keep talking about the fact that they want to leave, but never do?” And I said, “Oh, yes.” And he said, “Why do you think they don’t leave?” And I gave him different banal theories. And he said, “Oh, I don’t think it’s that way at all.” He said, “I think that New York is the new model for the new concentration camp, where the camp has been built by the inmates themselves, and the inmates are the guards, and they have this pride in this thing that they’ve built—they’ve built their own prison—and so they exist in a state of schizophrenia where they are both guards and prisoners. And as a result they no longer have—having been lobotomized—the capacity to leave the prison they’ve made or even to see it as a prison.” And then he went into his pocket, and he took out a seed for a tree, and he said, “This is a pine tree.” And he put it in my hand. And he said, “Escape before it’s too late.

I'm Writing my stoy. But i'm also plotting my escape from this prison cell. This is my plan. I will do it with words. I will write them by day. I will write them by night. I will write them on the walls, the stalls, the halls. I will write them in big bold ink on posters i hang on the concrete blocks. I will write them on little pieces of paper I stuff on the mattress and the pillow. I will write them with fingers bent and cramped from use. I will write them in blood if i have to, but only my own. And i will keep writing them, again, and again, and again, until i fill this prison cell so full of words, that the bars bend and buckle and burst because they cannot contain them And then I will be free.

Now, I can tell you about some women writers who truly are fantastic. One is Anna Kavan. She writes stories like I approach "Land of a Thousand Dances": she's caught in a haze and then a light, a little teeny light, come through. It could be a leopard, that light, or it could be a spot of blood. It could be anything. But she hooks onto that and spirals out. And she does it within the accessible rhythms of plot, and that's really exciting. She's not hung up with being a woman, she just keeps extending herself, keeps telescoping language and plot. Another great woman writer is Iris Sarazan, who wrote The Runaway. She considered herself a mare, a wild runaway. She was a really intelligent girl stuck in all these convents with a hungry mind. I identify with her 'cause of her hunger to go beyond herself. She wound up in prison, but she escaped and wrote some great books before kicking off. Her books aren't page after page of her beating her breast about how shitty she's been treated, they're books about her exciting telescoping plans of escape. Rhythm, great wild rhythm.... The French poet, Rimbaud, predicted that the next great crop of writers would be women. He was the first guy who ever made a big women's liberation statement, saying that when women release themselves from the long servitude of men they're really gonna gush. New rhythms, new poetries, new horrors, new beauties. And I believe in that completely. (1976 Penthouse interview)

You're back where you swore yourself you wouldn't be The familiar shackles you can't tell from your own skin Your head's under water when you learned to swim On a road to hell, congratulations, you're free...

Mr Moss's courtyard is railed in like a cage, lest the gentlemen who are boarding with him should take a fancy to escape from his hospitality.

Many times, we give beautiful names to our miseries and catastrophes. And that's how we lock down the memories inside us, from which we always want to escape.

I have always been interested in this man. My father had a set of Tom Paine's books on the shelf at home. I must have opened the covers about the time I was 13. And I can still remember the flash of enlightenment which shone from his pages. It was a revelation, indeed, to encounter his views on political and religious matters, so different from the views of many people around us. Of course I did not understand him very well, but his sincerity and ardor made an impression upon me that nothing has ever served to lessen. I have heard it said that Paine borrowed from Montesquieu and Rousseau. Maybe he had read them both and learned something from each. I do not know. But I doubt that Paine ever borrowed a line from any man... Many a person who could not comprehend Rousseau, and would be puzzled by Montesquieu, could understand Paine as an open book. He wrote with a clarity, a sharpness of outline and exactness of speech that even a schoolboy should be able to grasp. There is nothing false, little that is subtle, and an impressive lack of the negative in Paine. He literally cried to his reader for a comprehending hour, and then filled that hour with such sagacious reasoning as we find surpassed nowhere else in American letters - seldom in any school of writing. Paine would have been the last to look upon himself as a man of letters. Liberty was the dear companion of his heart; truth in all things his object. ...we, perhaps, remember him best for his declaration: 'The world is my country; to do good my religion.' Again we see the spontaneous genius at work in 'The Rights of Man', and that genius busy at his favorite task - liberty. Written hurriedly and in the heat of controversy, 'The Rights of Man' yet compares favorably with classical models, and in some places rises to vaulting heights. Its appearance outmatched events attending Burke's effort in his 'Reflections'. Instantly the English public caught hold of this new contribution. It was more than a defense of liberty; it was a world declaration of what Paine had declared before in the Colonies. His reasoning was so cogent, his command of the subject so broad, that his legion of enemies found it hard to answer him. 'Tom Paine is quite right,' said Pitt, the Prime Minister, 'but if I were to encourage his views we should have a bloody revolution.' Here we see the progressive quality of Paine's genius at its best. 'The Rights of Man' amplified and reasserted what already had been said in 'Common Sense', with now a greater force and the power of a maturing mind. Just when Paine was at the height of his renown, an indictment for treason confronted him. About the same time he was elected a member of the Revolutionary Assembly and escaped to France. So little did he know of the French tongue that addresses to his constituents had to be translated by an interpreter. But he sat in the assembly. Shrinking from the guillotine, he encountered Robespierre's enmity, and presently found himself in prison, facing that dread instrument. But his imprisonment was fertile. Already he had written the first part of 'The Age of Reason' and now turned his time to the latter part. Presently his second escape cheated Robespierre of vengeance, and in the course of events 'The Age of Reason' appeared. Instantly it became a source of contention which still endures. Paine returned to the United States a little broken, and went to live at his home in New Rochelle - a public gift. Many of his old companions in the struggle for liberty avoided him, and he was publicly condemned by the unthinking. {The Philosophy of Paine, June 7, 1925}

In Mexico City they somehow wandered into an exhibition of paintings by the beautiful Spanish exile Remedios Varo: in the central painting of a triptych, titled “Bordando el Manto Terrestre,” were a number of frail girls with heart-shaped faces, huge eyes, spun-gold hair, prisoners in the top room of a circular tower, embroidering a kind of tapestry which spilled out the slit windows and into a void, seeking hopelessly to fill the void: for all the other buildings and creatures, all the waves, ships and forests of the earth were contained in the tapestry, and the tapestry was the world. Oedipa, perverse, had stood in front of the painting and cried. No one had noticed; she wore dark green bubble shades. For a moment she’d wondered if the seal around her sockets were tight enough to allow the tears simply to go on and fill up the entire lens space and never dry. She could carry the sadness of the moment with her that way forever, see the world refracted through those tears, those specific tears, as if indices as yet unfound varied in important ways from cry to cry. She had looked down at her feet and known, then, because of a painting, that what she stood on had only been woven together a couple thousand miles away in her own tower, was only by accident known as Mexico, and so Pierce had take her away from nothing, there’d been no escape. What did she so desire escape from? Such a captive maiden, having plenty of time to think, soon realizes that her tower, its height and architecture, are like her ego only incidental: that what really keeps her where she is is magic, anonymous and malignant, visited on her from outside and for no reason at all. Having no apparatus except gut fear and female cunning to examine this formless magic, to understand how it works, how to measure its field strength, count its lines of force, she may fall back on superstition, or take up a useful hobby like embroidery, or go mad, or marry a disk jockey. If the tower is everywhere and the knight of deliverance no proof against its magic, what else?

Prison is quite literally a ghetto in the most classic sense of the word, a place where the U.S. government now puts not only the dangerous but also the inconvenient—people who are mentally ill, people who are addicts, people who are poor and uneducated and unskilled. Meanwhile the ghetto in the outside world is a prison as well, and a much more difficult one to escape from than this correctional compound. In fact, there is basically a revolving door between our urban and rural ghettos and the formal ghetto of our prison system.

We buy our chains from our jailers and only when we put need before desire will we escape the prison of neo-liberalism

9. Prisoners must genuinely repent of their errors. Anyone who does not acknowledge his sins and instead denies them or carries a deviant opinion of them will be shot immediately.

I am like a prisoner who is trying to escape from jail by the wrong route. For all one knows, that door may stand open, although I continue to dig a tunnel with a teaspoon.

The fear of psychiatry is one of the hardest ideas to shake when you escape from the mind-prison.

The mind is a prison. And when we write the noise is distilled and alchemised, and the self can find a way out, which I think is what love is – the escape of the self from the self.

It wasn't necessary for me to stop Anthea's heart. Each death had contributed a little to killing her. There had been so much hope when we'd escaped from the prison, and then the slow dissipation, the gradual abandonment of all expectations, a defeat that had killed everything without a battle. She wondered when it had dawned on us that we were as much prisoners out in the open as we had been behind bars.

Back in the summer of 1941, they had stood to lose so much, it seemed, through the shame and ruination of exposure. Sammy could not have known that one day he would come to regard all the things that their loving each other had seemed to put at so much risk – his career in comic books, his relations with his family, his place in the world – as the walls of a prison, an airless, lightless keep from which there was no hope of escape….He recalled his and Tracy’s parting at Penn Station on the morning of Pearl Harbor, in the first-class compartment of the Broadway Limited, their show of ordinary mute male farewell, the handshake, the pat on the shoulder, carefully tailoring and modulating their behavior through there was no one at all watching, so finely attuned to the danger of what they might lose that they could not permit themselves to notice what they had

I read to escape to a more interesting world, not to be locked up in a sweltering prison and find myself vicariously standing among people who are tortured beyond the limits of sanity.

To Cassidy, the panopticon wasn't a metaphor. It was the greatest failing of everything she was, a prison she had built for herself out of an inability to appear anything less than perfect. And so she ghosted on, in relentless pursuit of escape, not from society, but from herself. She would always be confined by what everyone expected of her, because she was too afraid and too unwilling to correct our imperfect imaginings.

Modern man, brought up on Kantian idealism, regards nature as being no more than an outcome of the laws of the mind. Losing all their independence as divine works, things gravitate henceforth round human thought, whence their laws are derived. What wonder, after that, is if criticism had resulted in the virtual disappearance of all metaphysics? [...] As soon as the universe is reduced to the laws of mind, man, now become creator, has no longer any means of rising above himself. Legislator of a world to which his own mind has given birth, he is henceforth the prisoner of his own work, and he will never escape from it anymore. [...] if my thought is the condition of being, never by thought shall I be able to transcend the limits of my being and my capacity for the infinite will never be satisfied.

The possible, as it was presented in her Health textbook (a mathematical progression of dating, "career," marriage, and motherhood), did not interest Harriet. Of all the heroes on her list, the greatest of them all was Sherlock Holmes, and he wasn’t even a real person. Then there was Harry Houdini. He was the master of the impossible; more importantly, for Harriet, he was a master of escape. No prison in the world could hold him: he escaped from straitjackets, from locked trunks dropped in fast rivers and from coffins buried six feet underground. And how had he done it? He wasn’t afraid. Saint Joan had galloped out with the angels on her side but Houdini had mastered fear on his own. No divine aid for him; he’d taught himself the hard way how to beat back panic, the horror of suffocation and drowning and dark. Handcuffed in a locked trunk in the bottom of a river, he squandered not a heartbeat on being afraid, never buckled to the terror of the chains and the dark and the icy water; if he became lightheaded, for even a moment, if he fumbled at the breathless labor before him– somersaulting along a river-bed, head over heels– he would never come up from the water alive. A training program. This was Houdini’s secret.

The Shah stayed on the throne until 1979, when he fled Iran to escape the Islamic revolution. Since then, this old and great civilization has been discussed mostly in connection with fundamentalism, fanaticism, and terrorism. As an Iranian who has lived more than half of my life in Iran, I know that this image is far from the truth. This is why writing "Persepolis" was so important to me. I believe that an entire nation should not be judged by the wrongdoings of a few extremists. I also don't want those Iranians who lost their lives in prisons defending freedom, who died in the war against Iraq, who suffered under various repressive regimes, or who were forced to leave their families and flee their homeland to be forgotten. One can forgive but one should never forget.

Today the combat takes a different shape; instead of wishing to put man in a prison, woman endeavors to escape from one; she no longer seeks to drag him into the realms of immanence but to emerge, herself, into the light of transcendence. Now the attitude of the males creates a new conflict: it is with a bad grace that the man lets her go.

Today I live on an island, in a house that is sad, hard, severe, that I built for myself, solitary on a sheer rock over the sea: a house that is the spectre, the secret image of prison. The image of my nostalgia. Maybe I never desired, not even then, to escape from jail. Man is not meant to live freely in freedom, but to be free inside a prison.

While my chosen form of story-writing is obviously a special and perhaps a narrow one, it is none the less a persistent and permanent type of expression, as old as literature itself. There will always be a certain small percentage of persons who feel a burning curiosity about unknown outer space, and a burning desire to escape from the prison-house of the known and the real into those enchanted lands of incredible adventure and infinite possibilities which dreams open up to us, and which things like deep woods, fantastic urban towers, and flaming sunsets momentarily suggest.

REGARDLESS OF WHY YOU’VE MADE BITTERNESS AND HATRED YOUR BEST FRIENDS, IF YOU CARRY THEM AROUND LONG ENOUGH, THEY WILL EVENTUALLY EAT YOU FROM THE INSIDE OUT.

There is no escape from the prison of the mind.

It is quite a revelation to discover that the place you wanted to escape to is the exact same place you escaped from. That the prison wasn’t the place, but the perspective.

Sir, I have the honour to inform you that I do not consider your government has any right to detain me as a prisoner. I have therefore decided to escape from your custody,’ and ending up: ‘I remain, sir, your humble and obedient servant, Winston Churchill.

What I had done was nothing so extraordinary. I had simply taken [the prisoners] as human beings and not mistaken them for mechanisms to repair. I had interpreted them in the same way they had interpreted themselves all along, that is to say, as free and responsible. I had not offered them a cheap escape from guilt feelings by conceiving of them as victims of biological, psychological, or sociological conditioning processes. Nor had I taken them as helpless pawns on the battleground of id, ego, and superego.

To American ears, the Filipino pronunciation of the word "evacuate" sounded more like "bokweet." They soon further Americanized it to "buckwheat," which would become guerilla slang meaning to place as much distance between oneself and the Japanese as possible.

Now take a man who is sensitive, cultured, and of delicate conscience. What he feels kills him more surely than the material punishment. The judgement which he himself pronounces on his crime is more pitiless than that of the most severe tribunal, the most Draconian law. He lives side by side with another convict, who has not once during all his time in prison reflected on the murder he is expiating. He may even consider himself innocent. Are there not also poor devils who commit crimes in order to be sent to hard labour, and thus escape from a freedom which is much more painful than confinement?

Your kidding" i said. "we've escaped from top- security prisons, lived on our own for years, made tons of smarty-pants grown-ups look like fools without even trying,eaten desert rats with no A1 steak sauce, and your telling me we're minors and have to have guardians?" I shook my head, staring at him. "Listen pal, i grew up in a freaking dog crate. I've seen horrible, part-human mutations die gut-wrenching deaths. I've had people, mutants, and robots trying to kill me twenty-four/seven for as long as i can remember, and you think i'm gonna cave to state law? are you bonkers?

...The efficacy of psychedelics with regard to art has to do with their ability to render language weightless, as fluid and ephemeral as those famous "bubble letters" of the sixties. Psychedelics, I think, disconnect both the signifier and the signified from their purported referents in the phenomenal world - simultaneously bestowing upon us a visceral insight into the cultural mechanics of language, and a terrifying inference of the tumultuous nature that swirls beyond it. In my own experience, it always seemed as if language were a tablecloth positioned neatly upon the table until some celestial busboy suddenly shook it out, fluttering and floating it, and letting it fall back upon the world in not quite the same position as before - thereby giving me a vertiginous glimpse into the abyss that divides the world from our knowing of it. And it is into this abyss that the horror vacui of psychedelic art deploys itself like an incandescent bridge. Because it is one thing to believe, on theoretical evidence, that we live in a prison-house of language. It is quite another to know it, to actually peek into the slippery emptiness as the Bastille explodes around you. Yet psychedelic art takes this apparent occasion for despair and celebrates our escape from linguistic control by flowing out, filling that rippling void with meaningful light, laughter, and a gorgeous profusion.

One may escape from the prisons of experience, ideology or philosophy, but it is impossible to escape from the reality of one's innermost self. Understanding this, I had freed myself from nostalgia, and having done so, what remained was to free myself from the prospect of the future. ("The Tower")

The only true joy on earth,” writes Merton, “is to escape from the prison of our own false-self, and enter by love into union with the Life Who dwells and sings within the essence of every creature and in the core of our own souls.

[Vala] provides a profound analysis of man’s limitations but no hint of escape from the prison - no suggestion that it is conceiving of the world as a prison that makes it a prison, that the key to the Gates of Paradise is in the mind.

The history of man is simply the history of slavery, of injustice and brutality, together with the means by which he has, through the dead and desolate years, slowly and painfully advanced. He has been the sport and prey of priest and king, the food of superstition and cruel might. Crowned force has governed ignorance through fear. Hypocrisy and tyranny—two vultures—have fed upon the liberties of man. From all these there has been, and is, but one means of escape—intellectual development. Upon the back of industry has been the whip. Upon the brain have been the fetters of superstition. Nothing has been left undone by the enemies of freedom. Every art and artifice, every cruelty and outrage has been practiced and perpetrated to destroy the rights of man. In this great struggle every crime has been rewarded and every virtue has been punished. Reading, writing, thinking and investigating have all been crimes. Every science has been an outcast. All the altars and all the thrones united to arrest the forward march of the human race. The king said that mankind must not work for themselves. The priest said that mankind must not think for themselves. One forged chains for the hands, the other for the soul. Under this infamous regime the eagle of the human intellect was for ages a slimy serpent of hypocrisy. The human race was imprisoned. Through some of the prison bars came a few struggling rays of light. Against these bars Science pressed its pale and thoughtful face, wooed by the holy dawn of human advancement. Bar after bar was broken away. A few grand men escaped and devoted their lives to the liberation of their fellows.

Prison is quite literally a ghetto in the most classic sense of the word, a place where the U.S. government now puts not only the dangerous but also the inconvenient—people who are mentally ill, people who are addicts, people who are poor and uneducated and unskilled. Meanwhile the ghetto in the outside world is a prison as well, and a much more difficult one to escape from than this correctional compound.

Darkness is a prison from which only light escapes.

This intensification of inner life helped the prisoner find a refuge from the emptiness, desolation and spiritual poverty of his existence, by letting him escape into the past.

It is better 100 guilty Persons should escape than that one innocent Person should suffer

My own conviction is that semiotics provides an escape from the solipsist prison by its stress on the social origins of language--you have to point to an apple and name it for me before I know there is such a thing--and the existence of a world of apples outside ourselves.

The Brinktown jail is one of the most ingenious ever propounded by civic authorities. It must be remembered that Brinktown occupies the surface of a volcanic butte, overlooking a trackless jungle of quagmire, thorn, eel-vine skiver tussock. A single road leads from city down to jungle; the prisoner is merely locked out of the city. Escape is at his option; he may flee as far through the jungle as he sees fit: the entire continent is at his disposal. But no prisoner ever ventures far from the gate; and, when his presence is required, it is only necessary to unlock the gate and call his name.

When you see a man led to prison say in your heart, "Mayhap he is escaping from a narrower prison." And when you see a man drunken say in your heart, "Mayhap he sought escape from something still more unbeautiful.

Only a few centuries ago, a mere second in cosmic time, we knew nothing of where or when we were. Oblivious to the rest of the cosmos, we inhabited a kind of prison, a tiny universe bounded by a nutshell. How did we escape from the prison? It was the work of generations of searchers who took five simple rules to heart: 1. Question authority. No idea is true just because someone says so, including me. 2. Think for yourself. Question yourself. Don't believe anything just because you want to. Believing something doesn't make it so. 3. Test ideas by the evidence gained from observation and experiment. If a favorite idea fails a well-designed test, it's wrong. Get over it. 4. Follow the evidence wherever it leads. If you have no evidence, reserve judgment. And perhaps the most important rule of all... 5. Remember: you could be wrong. Even the best scientists have been wrong about some things. Newton, Einstein, and every other great scientist in history -- they all made mistakes. Of course they did. They were human. Science is a way to keep from fooling ourselves, and each other.

you see it.” Gurdjieff, a great spiritual teacher who taught in Europe and America in the early decades of the twentieth century, noted that if you think you’re free and you don’t know you are in prison, you can’t escape. Gurdjieff saw us as being in a prison of our own habits of mind. Unless we understand how we are conditioned by our desires, we remain stuck in the reality they create, like a television program with an ad that keeps repeating over and over, implanting a subliminal message while we watch the show. BEYOND THOUGHT In the West we get rewarded for rational knowledge and learning. But only when you see that the assumptions you’ve been working under are not valid,

This intensification of inner life helped the prisoner find a refuge from the emptiness, desolation and spiritual poverty of his existence, by letting him escape into the past. When given free rein, his imagination played with past events, often not important ones, but minor happenings and trifling things. His nostalgic memory glorified them and they assumed a strange character. Their world and their existence seemed very distant and the spirit reached out for them longingly: In my mind I took bus rides, unlocked the front door of my apartment, answered my telephone, switched on the electric lights. Our thoughts often centered on such details, and these memories could move one to tears.

It is quite a revelation to discover that the place you wanted to escape to is the exact same place you escaped from. That the prison wasn't the place, but the perspective. And the most peculiar discovery Nora made was that, of all the extremely divergent variations of herself she had experienced, the most radical sense of change happened within the exact same life.

The way that led from the acute mental tension of the last days in camp (from the war of nerves to mental peace) was certainly not free from obstacles. It would be an error to think that a liberated prisoner was not in need of spiritual care any more. We have to consider that a man who has been under such enormous mental pressure for such a long time is naturally in some danger after his liberation, especially since the pressure was released quite suddenly. This danger (in the sense of psychological hygiene) is the psychological counterpart of the bends. Just as the physical health of the caisson worker would be endangered if he left his diver's chamber suddenly (where he is under enormous atmospheric pressure), so the man who has suddenly been liberated from mental pressure can suffer damage to his moral and spiritual health. During this psychological phase one observed that people with natures of a more primitive kind could not escape the influences of the brutality which had surrounded them in camp life. Now, being free, they thought they could use their freedom licentiously and ruthlessly. The only thing that had changed for them was that they were now the oppressors instead of the oppressed. They became instigators, not objects, of willful force and injustice. They justified their behavior by their own terrible experiences.

I had a chance to read Monte Christo in prison once, too, but not to the end. I observed that while Dumas tries to create a feeling of horror, he portrays the Château d'If as a rather benevolent prison. Not to mention his missing such nice details as the carrying of the latrine bucket from the cell daily, about which Dumas with the ignorance of a free person says nothing. You can figure out why Dantès could escape. For years no one searched the cell, whereas cells are supposed to be searched every week. So the tunnel was not discovered. And then they never changed the guard detail, whereas experience tells us that guards should be changed every two hours so one can check on the other. At the Château d'If they didn't enter the cells and look around for days at a time. They didn't even have any peepholes, so d'If wasn't a prison at all, it was a seaside resort. They even left a metal bowl in the cell, with which Dantès could dig through the floor. Then, finally, they trustingly sewed a dead man up in a bag without burning his flesh with a red-hot iron in the morgue and without running him through with a bayonet at the guardhouse. Dumas ought to have tightened up his premises instead of darkening the atmosphere.

I wanted to sit still for a moment, to escape my job as a traveling, screaming, black-t-shirt salesman and just read and write for a bit. For quite some time, I had been longing to erect a barrier between myself and that noisy, hectic life; just long enough to catch my breath and relax without being “Randy from lamb of god.” I never imagined that that barrier would unexpectedly arrive in the shape of prison walls.

Fear is one of the persistent hounds of hell that dog the footsteps of the poor, the dispossessed, the disinherited. There is nothing new or recent about fear—it is doubtless as old as the life of man on the planet. Fears are of many kinds—fear of objects, fear of people, fear of the future, fear of nature, fear of the unknown, fear of old age, fear of disease, and fear of life itself. Then there is fear which has to do with aspects of experience and detailed states of mind. Our homes, institutions, prisons, churches, are crowded with people who are hounded by day and harrowed by night because of some fear that lurks ready to spring into action as soon as one is alone, or as soon as the lights go out, or as soon as one’s social defenses are temporarily removed. The ever-present fear that besets the vast poor, the economically and socially insecure, is a fear of still a different breed. It is a climate closing in; it is like the fog in San Francisco or in London. It is nowhere in particular yet everywhere. It is a mood which one carries around with himself, distilled from the acrid conflict with which his days are surrounded. It has its roots deep in the heart of the relations between the weak and the strong, between the controllers of environment and those who are controlled by it. When the basis of such fear is analyzed, it is clear that it arises out of the sense of isolation and helplessness in the face of the varied dimensions of violence to which the underprivileged are exposed. Violence, precipitate and stark, is the sire of the fear of such people. It is spawned by the perpetual threat of violence everywhere. Of course, physical violence is the most obvious cause. But here, it is important to point out, a particular kind of physical violence or its counterpart is evidenced; it is violence that is devoid of the element of contest. It is what is feared by the rabbit that cannot ultimately escape the hounds.

I search for life in dread death, in fearful disease for health, in dark prison for liberty, escape in a sealed room, in a traitor, loyalty. But my own fate from whom I ne’er hope for the good has with just heaven ruled: if the impossible I demand, for me the possible is banned.

Then Magnus had looked up from his spell books, seen him, and smiled. And Alec’s heart had stopped its frantic pounding, like a prisoner desperate to escape. Alec thought he could be all right just standing in that doorway, watching Magnus smiling to see him, for the rest of his life.

His life was absurd. He went all over the world accepting all kinds of bondage and escaping. He was roped to a chair. He escaped. He was chained to a ladder. He escaped. He was handcuffed, his legs were put in irons, he was tied up in a strait jacket and put in a locked cabinet. He escaped. He escaped from bank vaults, nailed-up barrels, sewn mailbags; he escaped from a zinc-lined Knabe piano case, a giant football, a galvanized iron boiler, a rolltop desk, a sausage skin. His escapes were mystifying because he never damaged or appeared to unlock what he escaped from. The screen was pulled away and there he stood disheveled but triumphant beside the inviolate container that was supposed to have contained him. He waved to the crowd. He escaped from a sealed milk can filled with water. He escaped from a Siberian exile van. From a Chinese torture crucifix. From a Hamburg penitentiary. From an English prison ship. From a Boston jail. He was chained to automobile tires, water wheels, cannon, and he escaped. He dove manacled from a bridge into the Mississippi, the Seine, the Mersey, and came up waving. He hung upside down and strait-jacketed from cranes, biplanes and the tops of buildings. He was dropped into the ocean padlocked in a diving suit fully weighted and not connected to an air supply, and he escaped. He was buried alive in a grave and could not escape, and had to be rescued. Hurriedly, they dug him out. The earth is too heavy, he said gasping. His nails bled. Soil fell from his eyes. He was drained of color and couldn't stand. His assistant threw up. Houdini wheezed and sputtered. He coughed blood. They cleaned him off and took him back to the hotel. Today, nearly fifty years since his death, the audience for escapes is even larger.

Abstractedly speaking, government, as well as liberty, is good; yet could I, in common sense, ten years ago, have felicitated France on her enjoyment of a government (for she then had a government) without inquiry what the nature of that government was, or how it was administered? Can I now congratulate the same nation upon its freedom? Is it because liberty in the abstract may be classed amongst the blessings of mankind, that I am seriously to felicitate a mad-man, who has escaped from the protecting restraint and wholesome darkness of his cell, on his restoration to the enjoyment of light and liberty? Am I to congratulate a highwayman and murderer, who has broke prison, upon the recovery of his natural rights? This would be to act over again the scene of the criminals condemned to the galleys, and their heroic deliverer, the metaphysic knight of the sorrowful countenance.

Who are you, man?" "I? I am nothing," replied the other. "A leaf caught in a whirlpool. A feather in the wind..." "Too bad," said Yama, "for there are leaves and feathers enough in the world for me to have labored so long only to increase their number. I wanted me a man, one who might continue a war interrupted by his absence-a man of power who could oppose with that power the will of gods. I thought you were he." "I am"-he sqinted again-"Sam. I am Sam. Once- long ago... I did fight, didn't I? Many times..." "You were the Great-Souled Sam, the Budda. Do you remember?" "Maybe I was.." a slow fire was kindled in his eyes. "Yes," he said then. "Yes, I was. Humblest of the proud, proudest of the humble. I fought. I taught the Way for a time. I fought again, taught again, tried politics, magic, poison.. I fought one great battle so terrible the sun itself hid its face from the slaughter-with men and gods, with animals and demons, with spirits of the earth and air, of fire and water, with slizzards and horses, swords and chariots-" "And you lost," said Yama. "Yes, I did, didn't I? But it was quite a showing we gave them, wasn't it? You, deathgod, were my charioteer. It all comes back to me now. We were taken prisoner and the Lords of Karma were to be our judges. You escaped them by the will-death and the Way of the Black Wheel. I could not.

When empathy makes us feel pain, the reaction is often a desire to escape. Jonathan Glover tells of a woman who lived near the death camps in Nazi Germany and who could easily see atrocities from her house, such as prisoners being shot and left to die. She wrote an angry letter: “One is often an unwilling witness to such outrages. I am anyway sickly and such a sight makes such a demand on my nerves that in the long run I cannot bear this. I request that it be arranged that such inhuman deeds be discontinued, or else be done where one does not see it.” She was definitely suffering from seeing the treatment of the prisoners, but it didn’t motivate her to want to save them: She would be satisfied if she could have this suffering continue out of her sight.

I received a letter from a prisoner requesting a book because stories are his only way of traveling beyond a barbed wire fence and armed guards. Reading is a vacation for many people and an escape for others. Whether someone likes to read my stories or needs to read them, I am happy and grateful to help.

He laughed in maddened frenzy, knowing somehow that he was no longer in a world of living creatures, but a world of death where soulless beings wandered in hopeless search of escape from their eternal prison. He stumbled on amidst them, laughing, talking, even singing gaily, his mind no longer a part of his mortal being. All about him, the creatures of the dark world followed in cringing companionship, knowing that the maddened mortal was almost one of them.

Sparks come from the very source of light and are made of the purest brightness—so say the oldest legends. When a human Being is to be born, a spark begins to fall. First it flies through the darkness of outer space, then through galaxies, and finally, before it falls here, to Earth, the poor thing bumps into the orbits of planets. Each of them contaminates the spark with some Properties, while it darkens and fades. First Pluto draws the frame for this cosmic experiment and reveals its basic principles—life is a fleeting incident, followed by death, which will one day let the spark escape from the trap; there’s no other way out. Life is like an extremely demanding testing ground. From now on everything you do will count, every thought and every deed, but not for you to be punished or rewarded afterward, but because it is they that build your world. This is how the machine works. As it continues to fall, the spark crosses Neptune’s belt and is lost in its foggy vapors. As consolation Neptune gives it all sorts of illusions, a sleepy memory of its exodus, dreams about flying, fantasy, narcotics and books. Uranus equips it with the capacity for rebellion; from now on that will be proof of the memory of where the spark is from. As the spark passes the rings of Saturn, it becomes clear that waiting for it at the bottom is a prison. A labor camp, a hospital, rules and forms, a sickly body, fatal illness, the death of a loved one. But Jupiter gives it consolation, dignity and optimism, a splendid gift: things-will-work-out. Mars adds strength and aggression, which are sure to be of use. As it flies past the Sun, it is blinded, and all that it has left of its former, far-reaching consciousness is a small, stunted Self, separated from the rest, and so it will remain. I imagine it like this: a small torso, a crippled being with its wings torn off, a Fly tormented by cruel children; who knows how it will survive in the Gloom. Praise the Goddesses, now Venus stands in the way of its Fall. From her the spark gains the gift of love, the purest sympathy, the only thing that can save it and other sparks; thanks to the gifts of Venus they will be able to unite and support each other. Just before the Fall it catches on a small, strange planet that resembles a hypnotized Rabbit, and doesn’t turn on its own axis, but moves rapidly, staring at the Sun. This is Mercury, who gives it language, the capacity to communicate. As it passes the Moon, it gains something as intangible as the soul. Only then does it fall to Earth, and is immediately clothed in a body. Human, animal or vegetable. That’s the way it is. —

Only by forgetting this primitive world of metaphor can one live with any repose, security, and consistency: only by means of the petrification and coagulation of a mass of images which originally streamed from the primal faculty of human imagination like a fiery liquid, only in the invincible faith that this sun, this window, this table is a truth in itself, in short, only by forgetting that he himself is an artistically creating subject, does man live with any repose, security, and consistency. If but for an instant he could escape from the prison walls of this faith, his "self consciousness" would be immediately destroyed.

Symbols, for me and for many, of freedom, whether it be from the prison of over-dense communities and the close confines of human relationships, from the less complex incarceration of office walls and hours, or simply freedom from the prison of adult life and an escape into the forgotten world of childhood, of the individual or the race. For I am convinced that man has suffered in his separation from the soil and from the other living creatures of the world; the evolution of his intellect has outrun his needs as an animal, and as yet he must still, for security, look long at some portion of the earth as it was before he tampered with it.

To-day, when the crisis calls you, will you go off and display your recitation and harp on, 'How cleverly I compose dialogues'? Nay, fellow man, make this your object, 'Look how I fail not to get what I will. Look how I escape what I will to avoid. Let death come and you shall know; bring me pains, prison, dishonour, condemnation.' This is the true field of display for a young man come from school. Leave those other trifles to other men; let no one ever hear you say a word on them, do not tolerate any compliments upon them; assume the air of being no one and of knowing nothing. Show that you know this only, how not to fail and how not to fall.

What was that all about?” Royce asked. Hadrian shrugged, but Royce looked unconvinced. “You were here for what—five years? Anything happen? Anything you want to share?” “Sure,” he replied with a sarcastic grin. “Right after you fill me in on how you escaped from Manzant Prison and why you never killed Ambrose Moor.” “Sorry I asked.

Jealousy—at least as far as he understood it from his dream—was the most hopeless prison in the world. Jealousy was not a place he was forced into by someone else, but a jail in which the inmate entered voluntarily, locked the door, and threw away the key. And not another soul in the world knew he was locked inside. Of course if he wanted to escape, he could do so. The prison was, after all, his own heart. But he couldn’t make that decision. His heart was as hard as a stone wall. This was the very essence of jealousy.

Perhaps we can help you, Prisoner. Meaning comes from purpose—” “—and purpose comes in many forms.” Veera steepled her fingers. Surprisingly, Jorrus did not. She said, “Have you ever considered the fact that everything we are originates from the remnants of stars that once exploded?” Jorrus said, “Vita ex pulvis.” “We are made from the dust of dead stars.” “I’m aware of the fact,” said Kira. “It’s a lovely thought, but I don’t see the relevance.” Jorrus said, “The relevance—” “—is in the logical extension of that idea.” Veera paused for a moment. “We are aware. We are conscious. And we are made from the same stuff as the heavens.” “Don’t you see, Prisoner?” said Jorrus. “We are the mind of the universe itself. We and the Jellies and all self-aware beings. We are the universe watching itself, watching and learning.” “And someday,” said Veera, “we, and by extension the universe, will learn to expand beyond this realm and save ourselves from otherwise inevitable extinction.” Kira said, “By escaping the heat death of this space.” Jorrus nodded. “Even so. But the point is not that. The point is that this act of observation and learning is a process we all share—” “—whether or not we realize it. As such, it gives purpose to everything we do, no matter—” “—how insignificant it may seem, and from that purpose, meaning. For the universe itself, given consciousness through your own mind—” “—is aware of your every hurt and care.” Veera smiled. “Take comfort, then, that whatever you choose in life has importance beyond yourself. Importance, even, on a cosmic scale.

The sepulchre is a prison from whence none escape. The door of the tomb opens not inwards!

The only way to escape from the prison of fear is action. — Joe Tye

In order to escape from this prison, one must learn not to come to an arrangement with its indisputable comforts.

The greatest prison anyone can escape from is ignorance.

To reproach in a modern tyranny a people as a whole for failing to revolt is as if one would reproach a prisoner for failing to escape from a heavily guarded prison.

[I]t was in the pairs that the prisoners kept alive the semblance of humanity concluded Elmer Luchterhand, a sociologist at Yale who interviewed fifty-two concentration camp survivors shortly after liberation. Pairs stole food and clothing for each other, exchanged small gifts and planned for the future. If one member of a pair fainted from hunger in front of an SS officer, the other would prop him up. Survival . . . could only be a social achievement, not an individual accident, wrote Eugene Weinstock, a Belgian resistance fighter and Hungarian-born Jew who was sent to Buchenwald in 1943. Finally the death of one member of a pair often doomed the other. Women who knew Anne Frank in the Bergen-Belsen camp said that neither hunger nor typhus killed the young girl who would become the most famous diarist of the Nazi era. Rather, they said, she lost the will to live after the death of her sister, Margot.

No. 2’s infamous opening line is a double gambit: the Village does not really want information, of course, only obedience. (From their point of view, information is an exchange-value, not a use-value). In fact, it is No. 6 who truly wants information: information on who No. 1 is, where the Village really is, which side runs it, and how it might be possible to escape.

The young of the town, preoccupied with their own germinating angst, which each possessed in varying degree (though few were ever fully aware of its existence), felt no particular connection to the land, its people, its structures, or its history. As such, they had no inclination to defend its invisible borders from declared enemies within or without. They desired only escape from this small village, which each viewed as an existential prison built upon the antiquated expectations of their parents and their parents’ parents. And because of their invisible bondage, the young of this town were possessed by a quiet rage. But this rage laid torpid and inert within them, dulled to sleep by the tired repetition of nothing happening over and over and over again, day after day after day. This is the story of one of those young people, and the terrible things that happened to her, and the terrible things she did as a result.

There will always be a small percentage of persons who feel a burning curiosity about unknown outer space, and a burning desire to escape from the prison-house of the known and the real into those enchanted lands of incredible adventure and infinite possibilities which dreams open up to us, and which things like deep woods, fantastic urban towers, and flaming sunsets momentarily suggest.

It is often difficult to recognize the connection between early-life feelings of imprisonment, and our subsequent need for space and distance in our adult lives. This can be manifest in many different ways: non-committal relationships, career indecision, a perpetual need to live alone, social avoidance, perpetual mistrust of the world etc. For a time, these manifestations can actually serve a counter-balancing purpose, as our spirits breathe a healthy sigh of relief after years entrapped. If all you know is engulfment, it is essential that you have a taste of safety and spaciousness. But, taken too far, our escape hatches can actually become a prison of their own, one that deepens our isolation and prevents us from forming positive associations with the world. Any imbalanced reality has an imprisoning quality. Just because our early-life environment felt like a prison doesn’t mean that we can’t create a different reality-one that is rooted in healthy connectiveness.

Sentimentality about Lee's story grew even as the harder truths of the book took no root. The story of an innocent black man bravely defended by a white lawyer in the 1930s fascinated millions of readers, despite its uncomfortable exploration of false accusations of rape involving a white woman. Lee's endearing characters, Atticus Finch and his precocious daughter, Scout, captivated readers while confronting them with some of the realities of race and justice in the South. A generation of future lawyers grew up hoping to become the courageous Atticus, who at one point arms himself to protect the defenseless black suspect from an angry mob of white men looking to lynch him. Today, dozens of legal organizations hand out awards in the fictional lawyer's name to celebrate the model of advocacy described in Lee's novel. What is often overlooked is that the black man falsely accused in the story was not successfully defended by Atticus. Tom Robinson, the wrongly accused black defendant, is found guilty. Later he dies when, full of despair, he makes a desperate attempt to escape from prison. He is shot seventeen times in the back by his captors, dying ingloriously but not unlawfully.

The Mennonites have Dirk Willems, who was arrested for his religious beliefs in the sixteenth century and held in a prison tower. With the aid of a rope made of knotted rags, he let himself down from the window and escaped across the castle’s ice-covered moat. A guard gave chase. Willems made it safely to the other side. The guard did not, falling through the ice into the freezing water, and Willems stopped, went back, and pulled his pursuer to safety. For his act of compassion, he was taken back to prison, tortured, and then burned slowly at the stake as he repeated “Oh, my Lord, my God” seventy times over.8

Remember that if a man seeks the impossible, the possible may justly be denied him; a poet said it better when he wrote: I search for life in dread death, in fearful disease for health, in dark prison for liberty, escape in a sealed room, in a traitor, loyalty. But my own fate from whom I ne’er hope for the good has with just heaven ruled: if the impossible I demand, for me the possible is banned.

Sammy could not have known that one day he would come to regard all the things that their loving each other had seemed to put at so much risk--his career in comic books, his relations with his family, his place in the world--as the walls of a prison, an airless, lightless keep from which there was no hope of escape. Sammy had long since ceased to value the security that he had once been so reluctant to imperil.

The camp inmate was frightened of making decisions and of taking any sort of initiative whatsoever. This was the result of a strong feeling that fate was one's master, and that one must not try to influence it in any way, but instead let it take its own course. In addition, there was a great apathy, which contributed in no small part to the feelings of the prisoner. at times, lightning decisions had to be made, decisions which spelled life or death. The prisoner would have preferred to let fate make the choice for him. This escape from commitment was most apparent when a prisoner had to make the decision for or against an escape attempt. In those minutes in which he had to make up his mind-and it was always a question of minutes-he suffered the tortures of Hell. Should he make the attempt to flee? Should he take the risk?

You know, Governer, most men do things through a desire to escape pain. Did you ever stop and watch a blind man begging on a street corner? A man passes by hurriedly and suddenly stops still; he looks hurt, annoyed. He goes back and drops a coin in the blind man's cup. Well - maybe he couldn't afford a dime. But the site of the helpless man standing forlornly at a corner hurts him, makes him feel a sense of social responsibility, and so he buys ten cents' worth of relief from social pain. It hurts me too much to see Debs and men like him faced with the possibility of spending years in prison, so I am buying relief too.

Inside this new love, die. Your way begins on the other side. Become the sky. Take an axe to the prison wall. Escape. Walk out like someone suddenly born into colour. Do it now. You're covered with thick cloud. Slide out the side. Die, and be quiet. Quietness is the surer sign that you've died. Your old life was a frantic running from silence. The speechless full moon comes out now, Rumi reply | edit | delete | flag

Even thus imprisoned in an instant, the spirit of man might yet plumb the whole extent of space, and also the whole past and the whole future; and so from behind his prison bars, he might render the universe that intelligent worship which, they felt, it demanded of him. Better so, they said, than that he should fret himself with puny efforts to escape. He is dignified by his very weakness, and the cosmos by its very indifference.

His love became a prison from which he longed to escape, but he had not the strength merely to open the door-that was all it needed-and walk out into the open air. It was torture and at last he became numb and hopeless.

For Marx, nature is to be subjugated in order to obey history; for Nietzsche, nature is to be obeyed in order to subjugate history. It is the difference between the Christian and the Greek. Nietzsche, at least, foresaw what was going to happen: "Modern socialism tends to create a form of secular Jesuitism, to make instruments of all men"; and again: "What we desire is well-being. ... As a result we march toward a spiritual slavery such as has never been seen. . . . Intellectual Caesarism hovers over every activity of the businessman and the philosopher." Placed in the crucible of Nietzschean philosophy, rebellion, in the intoxication of freedom, ends in biological or historical Caesarism. The absolute negative had driven Stirner to deify crime simultaneously with the individual. But the absolute affirmative leads to universalizing murder and mankind simultaneously. Marxism-Leninism has really accepted the burden of Nietzsche's freewill by means of ignoring several Nietzschean virtues. The great rebel thus creates with his own hands, and for his own imprisonment, the implacable reign of necessity. Once he had escaped from God's prison, his first care was to construct the prison of history and of reason, thus putting the finishing touch to the camouflage and consecration of the nihilism whose conquest he claimed.

It quickly became my way out; my escape from captivity. I didn’t have to live inside my pain anymore. I could live inside my books, each one taking me further and further away from the barred windows that held me prisoner. I

Fire, fire! The branches crackle and the night wind of late autumn blows the flame of the bonfire back and forth. The compound is dark; I am alone at the bonfire, and I can bring it still some more carpenters' shavings. The compound here is a privileged one, so privileged that it is almost as if I were out in freedom -- this is an island of paradise; this is the Marfino "sharashka" -- a scientific institute staffed with prisoners -- in its most privileged period. No one is overseeing me, calling me to a cell, chasing me away from the bonfire, and even then it is chilly in the penetrating wind. But she -- who has already been standing in the wind for hours, her arms straight down, her head drooping, weeping, then growing numb and still. And then again she begs piteously "Citizen Chief! Please forgive me! I won't do it again." The wind carries her moan to me, just as if she were moaning next to my ear. The citizen chief at the gatehouse fires up his stove and does not answer. This was the gatehouse of the camp next door to us, from which workers came into our compound to lay water pipes and to repair the old ramshackle seminary building. Across from me, beyond the artfully intertwined, many-stranded barbed-wire barricade and two steps away from the gatehouse, beneath a bright lantern, stood the punished girl, head hanging, the wind tugging at her grey work skirt, her feet growing numb from the cold, a thin scarf over her head. It had been warm during the day, when they had been digging a ditch on our territory. And another girl, slipping down into a ravine, had crawled her way to the Vladykino Highway and escaped. The guard had bungled. And Moscow city buses ran right along the highway. When they caught on, it was too late to catch her. They raised the alarm. A mean, dark major arrived and shouted that if they failed to catch the girl, the entire camp would be deprived of visits and parcels for whole month, because of her escape. And the women brigadiers went into a rage, and they were all shouting, one of them in particular, who kept viciously rolling her eyes: "Oh, I hope they catch her, the bitch! I hope they take scissors and -- clip, clip, clip -- take off all her hair in front of the line-up!" But the girl who was now standing outside the gatehouse in the cold had sighed and said instead: "At least she can have a good time out in freedom for all of us!" The jailer had overheard what she said, and now she was being punished; everyone else had been taken off to the camp, but she had been set outside there to stand "at attention" in front of the gatehouse. This had been at 6 PM, and it was now 11 PM. She tried to shift from one foot to another, but the guard stuck out his head and shouted: "Stand at attention, whore, or else it will be worse for you!" And now she was not moving, only weeping: "Forgive me, Citizen Chief! Let me into the camp, I won't do it any more!" But even in the camp no one was about to say to her: "All right, idiot! Come on it!" The reason they were keeping her out there so long was that the next day was Sunday, and she would not be needed for work. Such a straw-blond, naive, uneducated slip of a girl! She had been imprisoned for some spool of thread. What a dangerous thought you expressed there, little sister! They want to teach you a lesson for the rest of your life! Fire, fire! We fought the war -- and we looked into the bonfires to see what kind of victory it would be. The wind wafted a glowing husk from the bonfire. To that flame and to you, girl, I promise: the whole wide world will read about you.

This poem is from the book "Just Mercy" by B. Stevenson (2014). It was written by Ian E. Manuel, who in 1990, at the age of 13, was convicted to die in prison. Uncried Tears Imagine teardrops left uncried from pain trapped inside - waiting to escape through the windows of your eyes. "Why won't you let us out?" the tears question the conscience, "Relinquish your fears and doubts and be healed in the process." The conscience told the tears, "I know you really want me to cry, but if I release you from bondage, in gaining freedom you will die." The tears gave it some thought before giving the conscience an answer - "If crying brings you to triumph then dying's not such a disaster.

The streets were full of hurrying people who walked as though they had been wound up and were directed by some unseen control. Many of the men carried dispatch cases and brief cases and I gripped mine with a sense of importance. And here and there I saw Negroes who hurried along with leather pouches strapped to their wrists. They reminded me fleetingly of prisoners carrying their leg irons as they escaped from a chain gang. Yet they seemed aware of some self-importance, and I wished to stop one and ask him why he was chained to his pouch. Maybe they got paid well for this, maybe they were chained to money. Perhaps the man with rundown heels ahead of me was chained to a million dollars!

Scott: What's the cure? Doctor: There is none. Scott: But that isn't what I heard. The optimist in me translated the gloomy news as "Scott, you will be the first person in the world to be cured of spasmodic dysphonia." And I decided that after I cured myself, somehow, someway, I would spread the word to others. I wouldn't be satisfied escaping from my prison of silence. I was planning to escape, free the other inmates, shoot the warden, and burn down the prison.

Like Nazi concentration camps, labour camps in North Korea use confinement, hunger and fear to create a kind of Skinner box: a closed, closely regulated chamber in which guards assert absolute control over prisoners. Yet while Auschwitz existed for only three years, Camp 14 is a fifty-year-old Skinner box, an ongoing longitudinal experiment in repression and mind control in which guards breed prisoners whom they control, isolate and pit against each other from birth.

A selfish love seldom respects the rights of the beloved to be an autonomous person. Far from respecting the true being of another and granting his personality room to grow and expand in its own original way, this love seeks to keep him in subjection to ourselves. It insists that he conform himself to us, and it works in every possible way to make him do so. A selfish love withers and dies unless it is sustained by the attention of the beloved. When we love thus, our friends exist only in order that we may love them. In loving them we seek to make pets of them, to keep them tame. Such love fears nothing more than the escape of the beloved. It requires his subjection because that is necessary for the nourishment of our own affections. Selfish love often appears to be unselfish, because it is willing to make any concession to the beloved in order to keep him prisoner. But it is supreme selfishness to buy what is best in a person, his liberty, his integrity, his own autonomous dignity as a person, at the price of far lesser goods. Such selfishness is all the more abominable when it takes a complacent pleasure in its concessions, deluded that they are all acts of selfless charity.

Then, holding my gun in his hand, he signaled. And out from where they had been concealed walked two other detectives. They'd had me covered. One false move, I'd have been dead. I was going to have a long time in prison to think about that. If I hadn't been arrested right when I was, I could have been dead another way. Sophia's husband's friend had told her husband about me. And the husband had arrived that morning, and had gone to the apartment with a gun, looking for me. He was at the apartment just about when they took me to the precinct. The detectives grilled me. They didn't beat me. They didn't even put a finger on me. And I knew it was because I hadn't tried to kill the detective. They got my address from some papers they found on me. The girls soon were picked up. Shorty was pulled right off the bandstand that night. The girls also had implicated Rudy. To this day, I have always marveled at how Rudy, somehow, got the word, and I know he must have caught the first thing smoking out of Boston, and he got away. They never got him. I have thought a thousand times, I guess, about how I so narrowly escaped death twice that day. That's why I believe that everything is written.

I cannot have men stationed outside the first-class promenade. How will that look to well-paying passengers? This is not a workhouse and I will not treat my passengers like prisoners. They’re not being terrorized with a theatrical murder tonight and I intend to keep it that way. I will not make them suffer.” I physically had to check to see if my head had exploded from such a ridiculous statement. Gentle prodding of my hair proved my skull was still intact, miracle of all miracles. “You cannot be serious.” Thomas tossed his hands in the air. “It would seem an awful lot better to have crew members posted along the decks than to see dismembered body parts floating about while first-class patrons made their way to breakfast and tea. ‘Oh, look, Miss Eldridge, there’s a mauled torso. Won’t you pass the cream and sugar?’” “Don’t be absurd,” the captain said, aghast. “Apologies,” Thomas said, not sounding at all sorry, “I’m only following your lead.

Let them run ahead. Then I’ll have good reason for shooting them down. Sharpeville? Attempting to escape. Attempting to escape from the prison of their lives. That’s the most dangerous crime. It brings about revolution. So, off we go, lads!

Milo pushed the scene from his mind. He refused to think about it. Qian’s words echoed to him: “A mind that dwells in the past builds a prison it cannot escape. Control your mind, or it will control you, and you will never break through the walls it builds.

The travelers emerged into a spacious square. In the middle of this square were several dozen people on a wooden bandstand like in a public park. They were the members of a band, each of them as different from one another as their instruments. Some of them looked round at the approaching column. Then a grey-haired man in a colorful cloak called out and they reached for their instruments. There was a burst of something like cheeky, timid bird-song and the air – air that had been torn apart by the barbed wire and the howl of sirens, that stank of oily fumes and garbage – was filled with music. It was like a warm summer cloud-burst ignited by the sun, flashing as it crashed down to earth. People in camps, people in prisons, people who have escaped from prison, people going to their death, know the extraordinary power of music. No one else can experience music in quite the same way. What music resurrects in the soul of a man about to die is neither hope nor thought, but simply the blind, heart-breaking miracle of life itself. A sob passed down the column. Everything seemed transformed, everything had come together; everything scattered and fragmented -home, peace, the journey, the rumble of wheels, thirst, terror, the city rising out of the mist, the wan red dawn – fused together, not into a memory or a picture but into the blind, fierce ache of life itself. Here, in the glow of the gas ovens, people knew that life was more than happiness – it was also grief. And freedom was both painful and difficult; it was life itself. Music had the power to express the last turmoil of a soul in whose blind depths every experience, every moment of joy and grief, had fused with this misty morning, this glow hanging over their heads. Or perhaps it wasn't like that at all. Perhaps music was just the key to a man's feelings, not what filled him at this terrible moment, but the key that unlocked his innermost core. In the same way, a child's song can appear to make an old man cry. But it isn't the song itself he cries over; the song is simply a key to something in his soul.

When an Indian Child has been brought up among us, taught our language and habituated to our Customs, yet if he goes to see his relations and make one Indian Ramble with them there is no persuading him ever to return, and that this is not natural merely as Indians, but as men, is plain from this, that when white persons of either sex have been taken prisoner young by the Indians, and lived awhile among them, tho’ ransomed by their Friends, and treated with all imaginable tenderness to prevail with them to stay among the English, yet in a Short time they become disgusted with our manner of life, and the care and pains that are necessary to support it, and take the first opportunity of escaping again into the Woods, from whence there is no reclaiming them. One instance I remember to have heard, where the person was to be brought home to possess a good Estate; but finding some care necessary to keep it together, he relinquished it to a younger brother, reserving to himself nothing but a gun and match-Coat, with which he took his way again to the Wilderness.30

In death, life I wish to see, in disease, health I seek, in prison, I want liberty, I desire escape from a keep, and, from a traitor, loyalty. But malign Fate does bind, to deny me the good, with Heaven combined, because the impossible I would, the possible will I never find.

After every abortive escape attempt, he returned to his mother, doing so both after the separation from Verlaine and at the end of his life, when he had finally sacrificed his creative gifts by giving up his writing to become a businessman, thus indirectly fulfilling his mother’s expectations of him. Although Rimbaud spent the last days of his life in a hospital in Marseille, he had gone back to western France immediately before that, where he was looked after by his mother and sister. The quest for his mother’s love ended in the prison of childhood.

Always beneath or above concrete events, I remain a prisoner of this alternative: the world as a real object that dominates me and devours me (like Judith) in suffering and in fear, or else the world as a pure fantasy which dissolves in my hands, which I destroy (like Lucrece thrusting home the dagger) without ever succeeding in possessing it. Perhaps, above all, the question for me is to escape this dilemma by finding a way in which the world and myself--object and subject--confront each other on an equal footing, as the matador stands before the bull.

Although pity was forbidden, there were few other guidelines for treatment of prisoners. As a result, An said, guards were free to indulge their appetites and eccentricities, often preying on attractive young female prisoners who would usually consent to sex in exchange for better treatment.

At the end of the vacation, I took a steamer alone from Wuhan back up through the Yangtze Gorges. The journey took three days. One morning, as I was leaning over the side, a gust of wind blew my hair loose and my hairpin fell into the river. A passenger with whom I had been chatting pointed to a tributary which joined the Yangtze just where we were passing, and told me a story.In 33 B.C., the emperor of China, in an attempt to appease the country's powerful northern neighbors, the Huns, decided to send a woman to marry the barbarian king. He made his selection from the portraits of the 3,000 concubines in his court, many of whom he had never seen. As she was for a barbarian, he selected the ugliest portrait, but on the day of her departure he discovered that the woman was in fact extremely beautiful. Her portrait was ugly because she had refused to bribe the court painter. The emperor ordered the artist to be executed, while the lady wept, sitting by a river, at having to leave her country to live among the barbarians. The wind carried away her hairpin and dropped it into the river as though it wanted to keep something of hers in her homeland. Later on, she killed herself. Legend had it that where her hairpin dropped, the river turned crystal clear, and became known as the Crystal River. My fellow passenger told me this was the tributary we were passing. With a grin, he declared: "Ah, bad omen! You might end up living in a foreign land and marrying a barbarian!" I smiled faintly at the traditional Chinese obsession about other races being 'barbarians," and wondered whether this lady of antiquity might not actually have been better off marrying the 'barbarian' king. She would at least be in daily contact with the grassland, the horses, and nature. With the Chinese emperor, she was living in a luxurious prison, without even a proper tree, which might enable the concubines to climb a wall and escape. I thought how we were like the frogs at the bottom of the well in the Chinese legend, who claimed that the sky was only as big as the round opening at the top of their well. I felt an intense and urgent desire to see the world. At the time I had never spoken with a foreigner, even though I was twenty-three, and had been an English language student for nearly two years. The only foreigners I had ever even set eyes on had been in Peking in 1972. A foreigner, one of the few 'friends of China," had come to my university once. It was a hot summer day and I was having a nap when a fellow student burst into our room and woke us all by shrieking: "A foreigner is here! Let's go and look at the foreigner!" Some of the others went, but I decided to stay and continue my snooze. I found the whole idea of gazing, zombie like rather ridiculous. Anyway, what was the point of staring if we were forbidden to open our mouths to him, even though he was a 'friend of China'? I had never even heard a foreigner speaking, except on one single Linguaphone record. When I started learning the language, I had borrowed the record and a phonograph, and listened to it at home in Meteorite Street. Some neighbors gathered in the courtyard, and said with their eyes wide open and their heads shaking, "What funny sounds!" They asked me to play the record over and over again.

Why are you crying, Kiva?” "You have a tortured soul." "He hates that he fell in love with you." “Where’s Caldon?” “He’s d-dead.” "What?" Jaren said, his voice whip-sharp. "You would have what? Stopped her? You're a Corentine. The Jackal. The rebel general. Isn’t this what you wanted? Congratulations, you succeeded." "He's from a family of liars and murderers. Trust him all you want, but you'll only bring about your own ruin. Then you'll have no one to blame but yourself." "No one escapes Zalindov." A manic laugh slipped out. "Not even when they do." "You have been found guilty of crimes against humanity.

By the way, this tells you why Auto-Tuned vocals on many contemporary records sound so shallow and lifeless. It’s almost as if everything we learned from African American music during the twentieth century was thrown out the window by technologies in the twenty-first century. The goal should not be to sing every note dead center in the middle of the pitch---we escaped from that musical prison a hundred years ago. Why go back? In an odd sort of way, much of contemporary pop music resembles opera, with all the subtle shadings of bent notes and microtonal alterations abandoned in the quest for mathematically pure tones.

The papers were always talking about the debt owed to society. According to them, it had to be paid . But that doesn't speak to the imagination. What really counted was the possibility of escape, a leap to freedom, out of the implacable ritual, a wild run for it that would give whatever chance for hope there was. .. Despite my willingness to understand, I just couldn't accept such arrogant certainty. Because, after all, there really was something ridiculously out of proportion between the verdict such certainty was based on and the imperturbable march of events from the moment the verdict was announced. .. How had I not seen that there was nothing more important than an execution, and that when you come right down to it, it was the only thing a man could truly be interested in? If I ever got out of this prison I would go and watch every execution there was. But I think it was a mistake even to consider the possibility. .. But I wasn't being reasonable. It was a mistake to let myself get carried away by such imaginings, because the next minute I would get so cold that I would curl up into a ball under my blanket and my teeth would be chattering and I couldn't make them stop. .. So the thing that bothered me most was that the condemned man had to hope the machine would work the first time. And I say that’s wrong . And in a way I was right. But in another way I was forced to admit that that was the whole secret of good organization. In other words, the condemned man was forced into a kind of moral collaboration. It was in his interest that everything go off without a hitch.

We need ecstasy, which in its Greek sense (ek-stasis) means to be outside the ego. The ego is a prison, caught in time, space and rationality. We need to leave this mental prison behind from time to time, and on a regular basis. What can get us out? Poetry, love, sex, therapy, passion, nature, ritual, ceremony, music, empathy, compassion, and ‘feeling with’ the world. All of these things Jung calls ‘religion’. Religion is anything that provides escape from egocentricity, relief from the mundane, and as such he gives a Dionysian spin to religion, that seems almost contrary to what an archbishop, for instance, might mean by this term.

More and more, we take for granted that work must be destitute of pleasure. More and more, we assume that if we want to be pleased we must wait until evening, or the weekend, or vacation, or retirement. More and more, our farms and forests resemble our factories and offices, which in turn more and more resemble prisons—why else should we be so eager to escape them? We recognize defeated landscapes by the absence of pleasure from them. We are defeated at work because our work gives us no pleasure. We are defeated at home because we have no pleasant work there. We turn to the pleasure industries for relief from our defeat, and are again defeated, for the pleasure industries can thrive and grow only upon our dissatisfaction with them. Where is our comfort but in the free, uninvolved finally mysterious beauty and grace of this world that we did not make, that has no price? Where is our sanity but there? Where is our pleasure but in working and resting kindly in the presence of this world?

Our mouths now fit together perfectly, because although we have spent less than twenty-four hours together, we know each other more than those hours suggest. We escaped from prison together. He showed me his rage, and then we made love in the shower. I forced him into a life of crime, and yet he stayed. Hell, we own matching snow globes.

For the guard with the scar over her heart: I’ve been watching you. You’re not like the other guards — the bowing, scraping, mindlessly loyal lizards who live for your queen. You have your own thoughts, don’t you? You’re smarter than the average SandWing. And I think I know your secret. Let’s talk about it. Third cell down, the one with two NightWings in it. I’m the one who doesn’t snore. I HAVE NO INTEREST IN DISCUSSING ANYTHING WITH A NIGHTWING PRISONER. WHOSE IDEA WAS IT TO LET YOU HAVE PAPER AND INK? You should be interested. You’re going to need allies for what you’re planning … and when I get out of here, I’m going to be a very useful ally indeed. AMUSING ASSUMPTIONS. MY QUEEN BELIEVES YOU’RE GOING TO BE IN HERE FOR A LONG, LONG TIME. True … but she also believes she’s going to be queen for a long, long time … doesn’t she. An interesting silence after my last note. Perhaps it would reassure you to know I set your notes on fire as soon as I’ve read them. You can tell me anything, my new, venomous-tailed friend. Believe me, Night-Wings are exceptionally skilled at keeping secrets. WE ARE NOT FRIENDS. I DON’T KNOW ANYTHING ABOUT YOU, OTHER THAN WHAT IT SAYS IN YOUR PRISONER FILE. FIERCETEETH: TRAITOR. KIDNAPPER. RINGLEADER OF ASSASSINATION PLOT. TO BE HELD INDEFINITELY WITH FELLOW TRAITOR STRONGWINGS, ON BEHALF OF THE NIGHTWING QUEEN. OH, YES, CERTAINLY SOUNDS LIKE A DRAGON ANYONE CAN TRUST. She’s not my queen. You can’t be a traitor to someone who shouldn’t be ruling over you in the first place. Which might be a thought you’ve had lately yourself, isn’t it? I know some things about you, even without a file. Saguaro: Prison guard. Schemer. Connected to great secret plans. We’re not so different, you and I. Particularly when it comes to trustworthiness. Just think, if my alleged “assassination plot” had worked, the NightWings would have a different queen right now. Perhaps it would even be me. Well, if at first you don’t succeed … I could tell you my story, if you get me more paper to write on. Or you could stop by one midnight and listen to it instead. But I’ve noticed you don’t like spending too much time in the dungeon. Is it the tip-tap of little scorpion claws scrabbling everywhere? The stench rising from the holes in the floor? The gibbering mad SandWing a few cages down who never shuts up, all night long? (What is her story? Has she really been here since the rule of Queen Oasis?) Or is it that you can too easily picture yourself behind these bars … and you know how close you are to joining us? ALL RIGHT, NIGHTWING, HERE’S A BLANK SCROLL. GO AHEAD AND TRY TO CONVINCE ME THAT YOU’RE A DRAGON WHO EVEN DESERVES TO LIVE, LET ALONE ONE I SHOULD WASTE MY TIME ON. I DO ENJOY BEING AMUSED.

From the point of view of genes in any male body, the body itself is a sinking prison ship. Death comes to all bodies sooner or later. Even if a male devoted all of his energy to surviving, by storing up huge fat reserves and hiding in an armored underground compound, statistics guarantee that an accident would sooner or later kill him. This paranoid survivalist strategy is no way to spread one's genes through a population. The only deliverance for a male's genes is through an escape tube into a female body carrying a fertile egg. Genes can survive in the long term only by jumping ship into offspring. In species that reproduce sexually, the only way to make offspring is to merge one's genes with another individual's. And the only way to do that, for males, is to attract a female of the species through courtship. This is why males of most species evolve to act as if copulation is the whole point of life. For male genes, copulation is the gateway to immortality. This is why males risk their lives for copulation opportunities.

the final revelation comes when you look at these City-men on the train; for you realize that for them, the business of escaping is complicated by the fact that they think they are the prison. An astounding situation! Imagine a large castle on an island, with almost inescapable dungeons. The jailor has installed every device to prevent the prisoners escaping, and he has taken one final precaution: that of hypnotizing the prisoners, and then suggesting to them that they and the prison are one. When one of the prisoners awakes to the fact that he would like to be free, and suggests this to his fellow prisoners, they look at him with surprise and say: Tree from what? We are the castle.’ What a situation!

Destiny?” I laugh, a bitter thing. “What destiny?” Everything here is blood and violence. After I graduate tomorrow, nothing will change. The missions, the rote viciousness, will wear me down until there’s nothing left of the boy the Augurs stole fourteen years ago. Maybe that’s a type of destiny. But it’s not one I’d choose for myself. “This life is not always what we think it will be,” Cain says. “You are an ember in the ashes, Elias Veturius. You will spark and burn, ravage and destroy. You cannot change it. You cannot stop it.” “I don’t want—” “What you want doesn’t matter. Tomorrow you must make a choice. Between deserting and doing your duty. Between running from your destiny and facing it. If you desert, the Augurs will not stop you. You will escape. You will leave the Empire. You will live. But you will find no solace in doing so. Your enemies will hunt you. Shadows will bloom in your heart, and you will become everything you hate—evil, merciless, cruel. You will be chained to the darkness within yourself as surely as if chained to the walls of a prison cell.” He

Had he not had a greater purpose, the saving not of his life but of his soul, the resolve to become a good and honourable man and upright man as the bishop required him - had not that been his true a deepest intention? Now he talked of closing the door on the past when, God help him, he would be reopening the door by committing an infamous act, not merely that of a thief but of the most odious of thieves. He would be robbing a man of his life, his peace, his place in the sun, morally murdering him by condemning him to the living death that is called a convict prison. But if, on the other hand, he saved the man by repairing the blunder, by proclaiming himself Jean Valjean the felon, this would be to achieve his own true resurrection and firmly close the door on the hell from which he sought to escape. To return to it in appearance would be to escape from it in reality. This was what he must do, and without it he would have accomplished nothing, his life would be wasted, his repentance meaningless, and there would be nothing left for him to say except, 'Who cares?' He felt the presence of the bishop, more urgent than in life; he felt the old priest's eyes upon him and knew that henceforth Monsieur Madeleine the mayor, with all his virtues, would seem to him abominable, whereas Jean Valjean the felon would be admirable and pure. Other men would see the mask, but the bishop would see the face; others would see the life, but he would see his soul. So there was nothing for it but to go to Arras and rescue the false Jean Valjean by proclaiming the true one. The most heartrending of sacrifices, the most poignant of victories, the ultimate, irretrievable step - but it had to be done. It was his most melancholy destiny that he could achieve sanctity in the eyes of God only by returning to degradation in the eyes of men.

When you neglect your Soul, you are not living at all. You are a biological robot, a machine. You walk, talk, smile, visit parties, have lovers. Soul knows & sees everything you do. When one day your body is no more, you have to answer to your Soul. While in the body, Soul was a prisoner of your mind, ego, greed, envy, anything else, now there is no escape from the judgement of your own Soul.

A happy child." Daedalus sat, drank a swallow of wine. "For now, he is. He is too young to know himself a prisoner." Those white scars seemed to flare on his hands. "A golden cage is still a cage." "And where would you go, if you might escape?" "Wherever would have me. But if I may choose, Egypt. They are building things that make Knossos look like a mudflat. I have been learning the language from some of their traders on the docks. I think they would welcome us." I looked into his good face. Not because it was handsome, but because it was itself, like fine metal, tempered and beaten for strength. Two monsters we had fought side by side, and he had not wavered. Come to Aiaia, I wanted to say. But I knew there was nothing for him there. Instead I told him, "I hope you will get to Egypt one day.

He did get one thing right: Sometimes a sanctuary, sometimes a prison, that house on the hill has always been my home. I’ve spent my life yearning toward it, wanting to escape it, paralyzed by its hold on me. (There are many ways to be crippled, I’ve learned over the years, many forms of paralysis.) My ancestors fled to Maine from Salem, but like anyone who tries to run away from the past, they brought it with them.

Elide said quietly, “Marion was my mother’s name. She died defending Aelin Galathynius from her assassin. My mother bought Aelin time to run—to get away so she could one day return to save us all. My uncle, Vernon, watched and smiled as my father, the Lord of Perranth, was executed outside our castle. Then he took my father’s title and lands and home. And for the next ten years, my uncle locked me in the highest tower of Perranth Castle, with only my nursemaid for company. When I broke my foot and ankle, he did not trust healers enough to let them treat it. He kept bars on the tower windows to keep me from killing myself, and shackled my ankles to keep me from running. I left for the first time in a decade when he shoved me into a prison wagon and dragged me down to Morath. There, he made me work as a servant—for the humiliation and terror he delights in. I planned and dreamed of escaping every day. And when the time came … I took my chance. I did not know about the ilken, had only heard rumors of fell things being bred in the mountains beyond the Keep. I have no lands, no money, no army to offer Aelin Galathynius. But I will find her—and help her in whatever way I can. If only to keep just one girl, just one, from ever enduring what I did.

This man, of a nature too humane for his situation, was become wretched in it, and he determined mined to escape from his office before the expiration of the time for which he had been engaged. He thought that to be a guard over prisoners was nearly as miserable as being a prisoner himself. “I see no difference between them,” said he, “except that the prisoner watches on one side of the door, and the centinel on the other.

A small story: A man was in prison for 20 years. On the day of his release, he appeared very worried and tense. His friend in the prison asked him, 'What has happened to you? Why are you so worried?' The man replied, 'I am afraid. What will I do when I go out?' The prison has created such a solid pattern of security for the man that he does not know what he will do when he goes outside! This is the danger of getting caught in patterns and security. A master will never offer you the security you are looking for. He will never offer you the patterns you are looking for. When you don't get the security you are looking for, you will grow with deep centering within yourself. You will grow fearlessly because you know there is nothing to lose. And when you know there is nothing to lose, you have no fear. To show you that there is nothing to lose, the master throws you upon utter insecurity. Out of his deep compassion for you, out of deep concern for your growth, he doesn't offer you security. When you don't find the mundane security, you will find God! All your fears are because you don't clearly know that there is nothing to lose. Just one encounter with near death can show you that there is nothing to lose and that all your fears are baseless. The master simply makes you understand this in his own way. So don't try to escape from the master. Understand that he is here only to show you what you actually are. Your inherent nature is fearlessness. Over years, you have been instilled with fear. The master tries to break the layers of conditioning that you have taken upon yourself. If you just allow him to work upon you, with trust and love, you will see yourself transform in front of your own eyes.

Just as the same chain fastens the prisoner and the soldier who guards him, so hope and fear, dissimilar as they are, keep step together; fear follows hope. 8. I am not surprised that they proceed in this way; each alike belongs to a mind that is in suspense, a mind that is fretted by looking forward to the future. But the chief cause of both these ills is that we do not adapt ourselves to the present, but send our thoughts a long way ahead. And so foresight, the noblest blessing of the human race, becomes perverted. 9. Beasts avoid the dangers which they see, and when they have escaped them are free from care; but we men torment ourselves over that which is to come as well as over that which is past. Many of our blessings bring bane to us; for memory recalls the tortures of fear, while foresight anticipates them. The present alone can make no man wretched.

But at the last the gates of Utumno were broken and the halls unroofed, and Melkor took refuge in the uttermost pit. Then Tulkas stood forth as champion of the Valar and wrestled with him, and cast him upon his face; and he was bound with the chain Angainor that Aulë had wrought, and led captive; and the world had peace for a long age. Nonetheless the Valar did not discover all the mighty vaults and caverns hidden with deceit far under the fortresses of Angband and Utumno. Many evil things still lingered there, and others were dispersed and fled into the dark and roamed in the waste places of the world, awaiting a more evil hour; and Sauron they did not find. But when the Battle was ended and from the ruin of the North great clouds arose and hid the stars, the Valar drew Melkor back to Valinor, bound hand and foot, and blindfold; and he was brought to the Ring of Doom. There he lay upon his face before the feet of Manwë and sued for pardon; but his prayer was denied, and he was cast into prison in the fastness of Mandos, whence none can escape, neither Vala, nor Elf, nor mortal Man. Vast and strong are those halls, and they were built in the west of the land of Aman. There was Melkor doomed to abide for three ages long, before his cause should be tried anew, or he should plead again for pardon.

Fixed settlements were perhaps inevitable, but they were dangerous. Their ancestors' way of life had been the nobler one, the life of tent-dwellers, often on the move. Nobility and freedom were inseparable, and the nomad was free. In the desert a man was concious of being the lord of the space, and in virtue of that lordship he escaped in a sense from the domination of time. By striking camp he sloughed off his yesterdays; and tomorrow seemed less of a fatality if its where as well as its when had yet to come. But the townsman was a prisoner; and to be fixed in one place, - yesterday, today, tomorrow - was to be a target of time, the ruiner of all things. Towns were places of corruption. Sloth and slovenliness lurked in the shadow of their walls, ready to take an edge off a man's alertness and vigilance. Everything decayed there, even language, one of man's most precious possessions.   

We were to write a short essay on one of the works we read in the course and relate it to our lives. I chose the "Allegory of the Cave" in Plato's Republic. I compared my childhood of growing up in a family of migrant workers with the prisoners who were in a dark cave chained to the floor and facing a blank wall. I wrote that, like the captives, my family and other migrant workers were shackled to the fields day after day, seven days a week, week after week, being paid very little and living in tents or old garages that had dirt floors, no indoor plumbing, no electricity. I described how the daily struggle to simply put food on our tables kept us from breaking the shackles, from turning our lives around. I explained that faith and hope for a better life kept us going. I identified with the prisoner who managed to escape and with his sense of obligation to return to the cave and help others break free.

Only by means of the petrification and coagulation of a mass of images which originally streamed from the primal faculty of human imagination like a fiery liquid, only in the invincible faith that this sun, this window, this table is a truth in itself, in short, only by forgetting that he himself is an artistically creating subject, does man live with any repose, security, and consistency. If but for an instant he could escape from the prison walls of this faith, his "self consciousness" would be immediately destroyed. It is even a difficult thing for him to admit to himself that the insect or the bird perceives an entirely different world from the one that man does, and that the question of which of these perceptions of the world is the more correct one is quite meaningless, for this would have to have been decided previously in accordance with the criterion of the correct perception, which means, in accordance with a criterion which is not available.

Thus, too, they came to know the incorrigible sorrow of all prisoners and exiles, which is to live in company with a memory that serves no purpose. Even the past, of which they thought incessantly, had a savor only of regret. For they would have wished to add to it all that they regretted having left undone, while they might yet have done it, with the man or woman whose return they now awaited; just as in all the activities, even the relatively happy ones, of their life as prisoners they kept vainly trying to include the absent one. And thus there was always something missing in their lives. Hostile to the past, impatient of the present, and cheated of the future, we were much like those whom men's justice, or hatred, forces to live behind prison bars. Thus the only way of escaping from that intolerable leisure was to set the trains running again in one's imagination and in filling the silence with the fancied tinkle of a doorbell, in practice obstinately mute.

Five years before Jemison’s 1758 capture, Benjamin Franklin wrote these reflections: When white persons of either sex have been taken prisoners young by the Indians, and lived a while among them, tho ransomed by their Friends, and treated with all imaginable tenderness to prevail with them to stay among the English, yet in a Short time they become disgusted with our manner of life…and take the first good Opportunity of escaping again into the woods, from whence there is no reclaiming them.

We love ourselves to the point of idolatry; but we also intensely dislike ourselves — we find ourselves unutterably boring. Correlated with this distaste for the idolatrously worshipped self, there is in all of us a desire, sometimes latent, sometimes conscious and passionately expressed, to escape from the prison of our individuality, an urge to self-transcendence. It is to this urge that we owe mystical theology, spiritual exercises and yoga — to this, too, that we owe alcoholism and drug addiction.

Jeremy is an optimist. Maybe there's something good on TV. He settles down with the remote control on one of his father's pet couches: oversized and reupholstered in an orange-juice-colored corduroy that makes it appear as if the couch has just escaped from a maximum security prison for criminally insane furniture. This couch looks like it's hobby is devouring interior decorators. Jeremy's father is a horror writer, so no one should be surprised if some of the couches he reupholsters are hideous and eldritch.

But I want to get closer to an explanation. My desire to be married forcibly unites two seemingly contradictory things that shape my relationship with you.  Marriage guarantees the highest liberation and independence.  I would have a family, which I believe is the best a man can achieve – it is the best that you have achieved – and I would be your equal, my shame and your tyranny would be at an end.  It would be just like a fairy story; so hard to believe.  It is too much; so it can’t happen.  It is as if a prisoner wanted not only to escape from his prison (which perhaps could be done) but also to convert his prison into a holiday camp for himself.  If he runs away he can’t re-build it, and if he re-builds it he can’t run away.  And I stand in an especially unfortunate relationship with you, for to be independent I must be nothing like you, yet marriage is the best form of independence, but if I were married I would be closer to you.  To try and solve this is madness, and whenever I try I become a little more mad. It

But let today’s idea find a place among your thoughts, and you have risen far above the world and all the worldly thoughts that hold it prisoner. And from this place of safety and escape, you will return and set it free. For he who can accept his true Identity is truly saved. And his salvation is the gift he gives to everyone in gratitude to Him Who pointed out the way to happiness that changed his whole perception of the world. 6 One holy thought like this, and you are free; you are the holy Son of God Himself.

I have been drenched in you I'm going about my day soaking like us in Canons Park, when your car became a prison and I escaped to the side of the road and wept with the rain. That day it understood me where you couldn't. And held me when you wouldn't. I'm soaking again. So of course you have pushed your way into every conversation. Even when I meet those polite folk who only as with their eyes. You spill from my mouth like a tsunami. How vocal this lonely. Sliding into every crevice of my day, I count the minutes by you. It's been an hour and I haven't said your name. But still, there is no getting away from this layer of wet skin sat on mine. Where can I go this wet? Where is quiet enough to listen to the little ripples writing themselves along my arms, and then spend hours building those stories about how we would travel far from here and surf them once they grew into waves? Everyone leave me alone today. It's for me and the you of my mind to hold our breath for as long as possible underneath our reality which is this.

Another simile is that of the man who was born and raised in a prison and who has never set foot outside. All he knows is prison life. He would have no conception of the freedom that is beyond his world. And he would not understand that prison is suffering. If anybody suggested that his world was dukkha, he would disagree, for prison is the limit of his experience. But one day he might find the escape tunnel dug long ago that leads beyond the prison walls to the unimaginable and expansive world of real freedom. Only when he has entered that tunnel and escaped from his prison does he realize how much suffering prison actually was, and the end of that suffering, escaping from jail is happiness. In this simile the prison is the body, the high prison walls are the five senses, and the relentless demanding prison guard is one's own will, the doer. The tunnel dug long ago, through which one escapes, is called jhana [meditation] (as at AN IX, 42). Only when one has experienced jhana does one realize that the five-sense world, even at its best, is really a five-walled prison, some parts of it is a little more comfortable but still a jail with everyone on death row! Only after deep jhana does one realize that "will" was the torturer, masquerading as freedom, but preventing one ever resting happily at peace. Only outside of prison can one gain the data that produces the deep insight that discovers the truth about dukkha. In summary, without experience of jhana, one's knowledge of the world is too limited to fully understand dukkha, as required by the first noble truth, and proceed to enlightenmen.

The real secret, though, is that nobody belongs, whether they are natives or not. After expulsion from paradise all humans are in exile. You can be a Colonel Sanders chicken, born, raised and fried in one quarter of a square foot and you'll still be an outsider. The thing we call reality is a holding tank for people who must worry about belonging -- it's a worrier prison. Don't worry people! You'll soon be fried and eaten. A few of us are writers, hence double-alienated, but happier (because we are busy) If it's true that many of us go through life feeling like we don’t belong, could digression (geographical and otherwise) be our way of trying to forget, or to escape, that feeling? Bad news: there are no digressions. Everything is connected in the whole darn ball of yarn: start pulling at any end and you'll get to the same place. On the other hand, most normal people dislike digression because they have to lose themselves to follow you. The surest way to drive your dear ones crazy is to digress. In private, it's an offense. In public it's "art," "performance.

Yet this city (San Francisco) was also a final refuge for many who had roamed the world, and finally found the home of their hearts...And while I heard every sort of prosaic answer when I asked those people what brought and kept them here, each somehow also hinted at a deeper reason, having something to do with freedom from expectations, freedom from the past, often freedom from their families; we do not admit much that families can be a kind of prison from which we yearn to escape, yet this is incontrovertibly so, as I know too well myself.

Just at that moment Ermengarde almost jumped off the bed, she was so startled by a sound she heard. It was like two distinct knocks on the wall. “What is that?” she exclaimed. Sara got up from the floor and answered quite dramatically: “It is the prisoner in the next cell.” “Becky!” cried Ermengarde, enraptured. “Yes,” said Sara. “Listen; the two knocks meant, ‘Prisoner, are you there?’” She knocked three times on the wall herself, as if in answer. “That means, ‘Yes, I am here, and all is well.’” Four knocks came from Becky’s side of the wall. “That means,” explained Sara, “‘Then, fellow-sufferer, we will sleep in peace. Good night.’” Ermengarde quite beamed with delight. “Oh, Sara!” she whispered joyfully. “It is like a story!” “It is a story,” said Sara. “Everything’s a story. You are a story--I am a story. Miss Minchin is a story.” And she sat down again and talked until Ermengarde forgot that she was a sort of escaped prisoner herself, and had to be reminded by Sara that she could not remain in the Bastille all night, but must steal noiselessly downstairs again and creep back into her deserted bed.

Once again, complicity with the prevailing system of control may seem like the only option. Parents and schoolteachers counsel black children that, if they ever hope to escape this system and avoid prison time, they must be on their best behavior, raise their arms and spread their legs for the police without complaint, stay in failing schools, pull up their pants, and refuse all forms of illegal work and moneymaking activity, even if jobs in the legal economy are impossible to find. Girls are told not to have children until they are married to a “good” black man who can help provide for a family with a legal job. They are told to wait and wait for Mr. Right even if that means, in a jobless ghetto, never having children at all. When black youth find it difficult or impossible to live up to these standards—or when they fail, stumble, and make mistakes, as all humans do—shame and blame is heaped upon them. If only they had made different choices, they’re told sternly, they wouldn’t be sitting in a jail cell; they’d be graduating from college. Never mind that white children on the other side of town who made precisely the same choices—often for less compelling reasons—are in fact going to college.

Standing as I do in view of God and Eternity, I realise that patriotism is not enough. I must have no hatred or bitterness for anyone.” Nurse Edith Cavell reached deep to find forgiveness just prior to her execution at dawn on 12th October 1915 by the German Army for assisting Allied prisoners. Edith is celebrated for caring for the plight of others, for saving the lives of soldiers from both sides without discrimination and for helping some 200 Allied soldiers escape from German-occupied Belgium during the First World War. For this she was arrested, tried, found guilty under German martial law and shot.

Because I have been punished. By God, I shall spend the rest of my life getting my heart back, healing and forgetting every scar you put upon me when I was a child. The first move I ever made, after the cradle, was to crawl for the door, and every move I have made since has been an effort to escape. And now at last I am free from you all, although you may hold me for a few years more. If I am not free, I am at least locked up in my own prison, but I shall get me some beauty, I shall get me some order out of this jungle of my life: I shall find my way out of it yet, though it take me twenty years more--alone.

An aurora swirled in the night skies above Bataan, radiating around the smoke-shrouded peaks of the Mariveles Mountains. Intermittent flashes from phosphorus bombs and incendiary shells bathed the jungle in blinding bursts of white light. The rumbling, subterranean tremors had scarcely subsided when American stockpiles of TNT and ammunition dumps were detonated, causing the peninsula to convulse. Thousands of rounds of projectiles, from artillery and mortar shells to rifle bullets, streaked across the sky in arcing rainbows. "Never did a 4th of July display equal it in noise, lights, colors or cost," observed one officer.

Above all, there would be an endeavor to rouse and stimulate the love of mental adventure. The world in which we live is various and astonishing: some of the things that seem plainest grow more and more difficult the more they are considered; other things, which might have been thought quite impossible to discover, have nevertheless been laid bare by genius and industry. The powers of thought, the vast regions which it can master, the much more vast regions which it can only dimly suggest to imagination, give to those whose minds have traveled beyond the daily round an amazing richness of material, an escape from the triviality and wearisomeness of familiar routine, by which the whole of life is filled with interest, and the prison walls of the commonplace are broken down. The same love of adventure which takes men to the South Pole, the same passion for a conclusive trial of strength which leads some men to welcome war, can find in creative thought an outlet which is neither wasteful nor cruel, but increases the dignity of man by incarnating in life some of that shining splendor which the human spirit is bringing down out of the unknown. To give this joy, in a greater or less measure, to all who are capable of it, is the supreme end for which the education of the mind is to be valued.

The true ‘fall into Time’ begins with the secularization of work. It is only in modern societies that man feels himself to be the prisoner of his daily work, in which he can never escape from Time. And since he can no longer ‘kill’ time during his working hours—that is, while he is expressing his real social identity—he strives to get away from Time in his hours of leisure: hence the bewildering number of distractions invented by modern civilization… The ‘fall into Time’ becomes confused with the secularization of work and the consequent mechanization of existence, and the only escape that remains possible upon the collective plane is distraction. Which

However, the simple-minded Middle Ages used dramatic and picturesque methods to squeeze out the desired confessions: the rack, the wheel, the bed of nails, impalement, hot coals, etc. In the twentieth century, taking advantage of our more highly developed medical knowledge and extensive prison experience (and someone seriously defended a doctoral dissertation on this theme), people came to realize that the accumulation of such impressive apparatus was superfluous and that, on a mass scale, it was also cumbersome. And in addition . . . In addition, there was evidently one other circumstance. As always, Stalin did not pronounce that final word, and his subordinates had to guess what he wanted. Thus, like a jackal, he left himself an escape hole, so that he could, if he wanted, beat a retreat and write about “dizziness from success.” After all, for the first time in human history the calculated torture of millions was being undertaken, and, even with all his strength and power, Stalin could not be absolutely sure of success. In dealing with such an enormous mass of material, the effects of the experiment might differ from those obtained from a smaller sample. An unforeseen explosion might take place, a slippage in a geological fault, or even world-wide disclosure. In any case, Stalin had to remain innocent, his sacred vestments angelically pure.

...The gulag—with its millions of victims, if you listen to Solzehnitsyn and Sakharov—supposedly existed in the Soviet Union right down to the very last days of communism. If so—as I've asked before—where did it disappear to? That is, when the communist states were overthrown, where were the millions of stricken victims pouring out of the internment camps with their tales of torment? I'm not saying they don't exist; I'm just asking, where are they? One of the last remaining camps, Perm-35—visited in 1989 and again in '90 by Western observers—held only a few dozen prisoners, some of whom were outright spies, as reported in the Washington Post. Others were refuseniks who tried to flee the country. The inmates complained about poor-quality food, the bitter cold, occasional mistreatment by guards. I should point out that these labor camps were that: they were work camps. They weren't death camps that you had under Nazism where there was a systematic extermination of the people in the camps. So there was a relatively high survival rate. The visitors also noted that throughout the 1980s, hundreds of political prisoners had been released from the various camps, but hundreds are not millions. Even with the great fall that took place after Stalin, under Khrushchev, when most of the camps were closed down...there was no sign of millions pouring back into Soviet life—the numbers released were in the thousands. Why—where are the victims? Why no uncovering of mass graves? No Nuremburg-style public trials of communist leaders, documenting the widespread atrocities against these millions—or hundreds of millions, if we want to believe our friend at the Claremont Institute. Surely the new...anti-communist rulers in eastern Europe and Russia would have leaped at the opportunity to put these people on trial. And the best that the West Germans could do was to charge East German leader Erich Honecker and seven of his border guards with shooting persons who tried to escape over the Berlin Wall. It's a serious enough crime, that is, but it's hardly a gulag. In 1955[sic], the former secretary of the Prague communist party was sentenced to two and a half years in prison. 'Ah, a gulag criminal!' No, it was for ordering police to use tear gas and water cannons against demonstrators in 1988. Is this the best example of bloodthirsty communist repression that the capitalist restorationists could find in Czechoslovakia? An action that doesn't even qualify as a crime in most Western nations—water cannons and tear gas! Are they kidding? No one should deny that crimes were committed, but perhaps most of the gulag millions existed less in reality and more in the buckets of anti-communist propaganda that were poured over our heads for decades.

DEATH’S DIARY: THE PARISIANS Summer came. For the book thief, everything was going nicely. For me, the sky was the color of Jews. When their bodies had finished scouring for gaps in the door, their souls rose up. When their fingernails had scratched at the wood and in some cases were nailed into it by the sheer force of desperation, their spirits came toward me, into my arms, and we climbed out of those shower facilities, onto the roof and up, into eternity’s certain breadth. They just kept feeding me. Minute after minute. Shower after shower. I’ll never forget the first day in Auschwitz, the first time in Mauthausen. At that second place, as time wore on, I also picked them up from the bottom of the great cliff, when their escapes fell awfully awry. There were broken bodies and dead, sweet hearts. Still, it was better than the gas. Some of them I caught when they were only halfway down. Saved you, I’d think, holding their souls in midair as the rest of their being—their physical shells—plummeted to the earth. All of them were light, like the cases of empty walnuts. Smoky sky in those places. The smell like a stove, but still so cold. I shiver when I remember—as I try to de-realize it. I blow warm air into my hands, to heat them up. But it’s hard to keep them warm when the souls still shiver. God. I always say that name when I think of it. God. Twice, I speak it. I say His name in a futile attempt to understand. “But it’s not your job to understand.” That’s me who answers. God never says anything. You think you’re the only one he never answers? “Your job is to …” And I stop listening to me, because to put it bluntly, I tire me. When I start thinking like that, I become so exhausted, and I don’t have the luxury of indulging fatigue. I’m compelled to continue on, because although it’s not true for every person on earth, it’s true for the vast majority—that death waits for no man—and if he does, he doesn’t usually wait very long. On June 23, 1942, there was a group of French Jews in a German prison, on Polish soil. The first person I took was close to the door, his mind racing, then reduced to pacing, then slowing down, slowing down …. Please believe me when I tell you that I picked up each soul that day as if it were newly born. I even kissed a few weary, poisoned cheeks. I listened to their last, gasping cries. Their vanishing words. I watched their love visions and freed them from their fear. I took them all away, and if ever there was a time I needed distraction, this was it. In complete desolation, I looked at the world above. I watched the sky as it turned from silver to gray to the color of rain. Even the clouds were trying to get away. Sometimes I imagined how everything looked above those clouds, knowing without question that the sun was blond, and the endless atmosphere was a giant blue eye. They were French, they were Jews, and they were you.

13. Fear Fear can be real or imaginary. Fear makes people do strange things. It primarily comes from a lack of understanding. To live in fear is to live in an emotional prison. Fear paralyses and immobilises people. Fear results in insecurity, lack of confidence and procrastination. Fear destroys our potential and ability. We cannot think straight. Fear ruins relationships and health. Some common fears are:    • Fear of failing    • Fear of the unknown    • Fear of being unprepared    • Fear of making the wrong decision    • Fear of rejection Some fears can be described, others can only be felt. Fear leads to anxiety which in turn leads to irrational thinking and this actually sabotages our ability to solve the problem. The normal response to fear is escape. Escape puts us in a comfort zone and reduces the impact of fear temporarily while the cause remains. Imaginary fears magnify the problem. Fear can get out of hand and destroy happiness and relationships. Think of fear as meaning: F     A     L     S      E E     V     I      D     E     N     C     E A     P     P     E     A     R      I      N      G      R     E     A     L Fear of failure is often worse than failure itself. Failure is not the worst thing that can happen to someone. People who don’t try have failed even before attempting. When infants learn to walk, they keep falling; but to them it is not failing, it is learning. If they became disheartened, they would never walk.

Because DT was the origin. The end and the beginning. The monster in the dark, the creator, the source. Everything that had happened traced right back to him. All of it. Andie Bell knew who DT was and she was terrified, so she sold drugs for Howie Bowers to save up money to escape, to get far away from Fairview. She sold Rohypnol to Max Hastings, who then used those drugs to rape her little sister, Becca. Andie pursued Elliot Ward in her desperate plan to escape to Yale with Sal. Elliot thought he accidentally killed Andie, so he murdered Sal to cover it up, Ravi’s brother dead in the woods. But Elliot didn’t kill Andie, not really; it was Becca Bell, too angry and shocked at her sister’s role in her own tragedy that she froze and let Andie die from her head injury, choking on her own vomit. Five years went by and then Pip came along, uncovered all those truths. Elliot in prison, Becca in prison though she shouldn’t be, Max not in prison though he should be. And, most importantly, Howie Bowers in prison. Howie told his cellmate that he knew the real Child Brunswick. The cellmate told his cousin, who told a friend, who told a friend, who put the rumor online. Charlie Green read that rumor and came to Fairview. Layla Mead, wearing the face of Stella Chapman. Jamie Reynolds missing. Stanley Forbes with six holes blown in him, bleeding out on Pip’s hands. Three different stories, but one interconnected knot. And in the center of that writhing knot, grinning at her from the dark, was DT

When I lived in Japan, I never really pondered my life. But after I moved to North Korea, the thing that preoccupied me most was the sheer magnitude of the difference between my old life and my new one. I became obsessed with all the things I had taken for granted before, and all the hardships that marked my life now. But that didn’t last long. I soon learned that thought was not free in North Korea. A free thought could get you killed if it slipped out. If you were lucky, you might get sent to some remote mountainous region to do hard labor. Or you might get sent to a concentration camp for political prisoners because you were deemed a “liberal” or a “capitalist” with “bad habits.” And bad habits needed to be stamped out. By means of a jackboot to the genitals. Or then again, you might simply be executed.

When I opened my eyes, we were still surrounded by darkness. A lantern, standing on the ground, showed a bubbling well. The water splashing from the well disappeared, almost at once, under the floor on which I was lying, with my head on the knee of the man in the black cloak and the black mask. He was bathing my temples and his hands smelt of death. I tried to push them away and asked, ‘Who are you? Where is the voice?’ His only answer was a sigh. Suddenly, a hot breath passed over my face and I perceived a white shape, beside the man’s black shape, in the darkness. The black shape lifted me on to the white shape, a glad neighing greeted my astounded ears and I murmured, ‘Cesar!’ The animal quivered. Raoul, I was lying half back on a saddle and I had recognized the white horse out of the PROFETA, which I had so often fed with sugar and sweets. I remembered that, one evening, there was a rumor in the theater that the horse had disappeared and that it had been stolen by the Opera ghost. I believed in the voice, but had never believed in the ghost. Now, however, I began to wonder, with a shiver, whether I was the ghost’s prisoner. I called upon the voice to help me, for I should never have imagined that the voice and the ghost were one. You have heard about the Opera ghost, have you not, Raoul?” “Yes, but tell me what happened when you were on the white horse of the Profeta?” “I made no movement and let myself go. The black shape held me up, and I made no effort to escape. A curious feeling of peacefulness came over me and I thought that I must be under the influence of some cordial. I had the full command of my senses; and my eyes became used to the darkness, which was lit, here and there, by fitful gleams. I calculated that we were in a narrow circular gallery, probably running all round the Opera, which is immense, underground. I had once been down into those cellars, but had stopped at the third floor, though there were two lower still, large enough to hold a town. But the figures of which I caught sight had made me run away. There are demons down there, quite black, standing in front of boilers, and they wield shovels and pitchforks and poke up fires and stir up flames and, if you come too near them, they frighten you by suddenly opening the red mouths of their furnaces … Well, while Cesar was quietly carrying me on his back, I saw those black demons in the distance, looking quite small, in front of the red fires of their furnaces: they came into sight, disappeared and came into sight again, as we went on our winding way. At last, they disappeared altogether. The shape was still holding me up and Cesar walked on, unled and sure-footed. I could not tell you, even approximately, how long this ride lasted; I only know that we seemed to turn and turn and often went down a spiral stair into the very heart of the earth. Even then, it may be that my head was turning, but I don’t think so: no, my mind was quite clear. At last, Cesar raised his nostrils, sniffed the air and quickened his pace a little. I felt a moistness in the air and Cesar stopped. The darkness had lifted. A sort of bluey light surrounded us. We were on the edge of a lake, whose leaden waters stretched into the distance, into the darkness; but the blue light lit up the bank and I saw a little boat fastened to an iron ring on the wharf!” - Chapter 12: Apollo’s Lyre

The division of Europe into a number of independent states, connected, however, with each other by the general resemblance of religion, language, and manners, is productive of the most beneficial consequences to the liberty of mankind. A modern tyrant, who should find no resistance either in his own breast, or in his people, would soon experience a gentle restraint from the example of his equals, the dread of present censure, the advice of his allies, and the apprehension of his enemies. The object of his displeasure, escaping from the narrow limits of his dominions, would easily obtain, in a happier climate, a secure refuge, a new fortune adequate to his merit, the freedom of complaint, and perhaps the means of revenge. But the empire of the Romans filled the world, and when the empire fell into the hands of a single person, the world became a safe and dreary prison for his enemies. The slave of Imperial despotism, whether he was condemned to drag his gilded chain in rome and the senate, or to were out a life of exile on the barren rock of Seriphus, or the frozen bank of the Danube, expected his fate in silent despair. To resist was fatal, and it was impossible to fly. On every side he was encompassed with a vast extent of sea and land, which he could never hope to traverse without being discovered, seized, and restored to his irritated master. Beyond the frontiers, his anxious view could discover nothing, except the ocean, inhospitable deserts, hostile tribes of barbarians, of fierce manners and unknown language, or dependent kings, who would gladly purchase the emperor's protection by the sacrifice of an obnoxious fugitive. "Wherever you are," said Cicero to the exiled Marcellus, "remember that you are equally within the power of the conqueror.

You’ll always return, yes; but I would add: you’ll never stay long. About that, dear little master, I have no illusions. Men like you, who have two different kinds of blood in their veins, never find peace or happiness: when they’re there, they want to be here, and as soon as they return here immediately want to flee. You’ll go from one place to another, as if you’d escaped from prison, or were in pursuit of someone; but in reality you’ll only be following the diverse fates that are mixed in your blood, because your blood is like a hybrid animal, a griffin, or a mermaid. And you’ll also find some company to your taste among the many people you’ll meet in the world; but, very often, you’ll be alone. A mixed-blood is seldom content in company: there’s always something that casts a shadow on him, but in reality it’s he who casts a shadow, like the thief and the treasure, which cast a shadow on one another.

Passing alone to those realms The object erst of thine exalted thought, I would rise to infinity: then I would compass the skill Of industries and arts equal to the objects. [18] There would I be reborn: there on high I would foster for thee Thy fair offspring, now that at length cruel Destiny hath run her whole course Against the enterprise whereby I was wont to withdraw to thee. Fly not from me, for I yearn for a nobler refuge That I may rejoice in thee. And I shall have as guide A god called blind by the unseeing. May Heaven deliver thee, and every emanation Of the great Architect be ever gracious unto thee: But turn thou not to me unless thou art mine. Escaped from the narrow murky prison Where for so many years error held me straitly, Here I leave the chain that bound me And the shadow of my fiercely malicious foe Who can [19] force me no longer to the gloomy dusk of night. For he who hath overcome the great Python [20] With whose blood he hath dyed the waters of the sea Hath put to flight the Fury that pursued me. [21] To thee I turn, I soar, O my sustaining Voice; I render thanks to thee, my Sun, my divine Light, For thou hast summoned me from that horrible torture, [22] Thou hast led me to a goodlier tabernacle; [23] Thou hast brought healing to my bruised heart. Thou art my delight and the warmth of my heart; [24] Thou makest me without fear of Fate or of Death; Thou breakest the chains and bars Whence few come forth free. Seasons, years, months, days and hours -- The children and weapons of Time -- and that Court Where neither steel nor treasure [25] avail Have secured me from the fury [of the foe]. Henceforth I spread confident wings to space; I fear no barrier of crystal or of glass; I cleave the heavens and soar to the infinite. And while I rise from my own globe to others And penetrate ever further through the eternal field, That which others saw from afar, I leave far behind me. [26]

Did those “new gays” spinning about like giddy tops in discos care to know that dancing with someone of the same sex was punishable as “lewd conduct” then? Still, a club in Topanga Canyon boasted a system of warning lights. When they flashed, lesbians and gay men shifted—what a grand adventure!—and danced with each other, laughing at the officers’ disappointed faces! How much pleasure—and camaraderie, yes, real kinship—had managed to exist in exile. Did those arrogant young people know that, only years ago, you could be sentenced to life in prison for consensual sex with another man? A friend of his destroyed by shock therapy decreed by the courts. Another friend sobbing on the telephone before he slashed his wrists— Thomas's hands on his steering wheel had clenched in anger, anger he had felt then, anger he felt now. And all those pressures attempted to deplete you, and disallow— “—the yearnings of the heart,” he said aloud. Yet he and others of his generation had lived through those barbaric times—and survived—those who had survived—with style. Faced with those same outrages, what would these “new gays” have done? “Exactly as we did,” he answered himself. The wind had resurged, sweeping sheaths of dust across the City, pitching tumbleweeds from the desert into the streets, where they shattered, splintering into fragments that joined others and swept away. Now, they said, everything was fine, no more battles to fight. Oh, really? What about arrests that continued, muggings, bashings, murder, and hatred still spewing from pulpits, political platforms, and nightly from the mouths of so-called comedians? Didn't the “new gays” know—care!—that entrenched “sodomy” laws still existed, dormant, ready to spring on them, send them to prison? How could they think they had escaped the tensions when those pressures were part of the legacy of being gay? Didn't they see that they remained—as his generation and generations before his had been—the most openly despised? And where, today, was the kinship of exile?

A late yellow butterfly hovering past caught at his attention, and he watched it dance downward and settle on a dusty stem of shepherd's purse beside the way. And for a sort of gleam of time, he seemed to see it not only with his eyes, but with all of himself, the delicate veining of the yellow wings that quivered and half-closed and fanned open again, the dark velvety nap on the butterfly's slender body, the gray-green heart-shaped seedpods of the shepherd's purse, stirring in the stray breath of wind, sharing with the butterfly the last warmth of the autumn sun, and the shadow of both tangled in the hillside grass. Part of him longed to catch the butterfly, to hold it very carefully prisoned in his cupped hands and feel the life of it there and the flutter of its wings against his hollowed palms, as though in that way he could keep the small, shining moment from escaping. He had tried that once, when he was much younger, but the butterfly had turned broken and dead in his hands, and he had killed the moment and the shine and the beauty instead of keeping it, and been left with nothing but an empty feeling of desolation in his stomach because he could not mend the butterfly again.

A Conversation with the Author What was your inspiration for The 7½ Deaths of Evelyn Hardcastle? Inspiration is a flash-of-lightning kind of word. What happens to me is more like sediment building. I love time travel, Agatha Christie, and the eighties classic Quantum Leap, and over time a book emerged from that beautiful quagmire. Truthfully, having the idea was the easy part, keeping track of all the moving parts was the difficulty. Which character was the most interesting to write, and in which host do you feel Aiden truly flourishes? Lord Cecil Ravencourt, by miles. He occupies the section of the book where the character has to grapple with the time travel elements, the body swapping elements, and the murder itself. I wanted my most intelligent character for that task, but I thought it would be great to hamper him in some way, as well. Interestingly, I wanted to make him really loathsome—which is why he’s a banker. And yet, for some reason, I ended up quite liking him, and feeding a few laudable qualities into his personality. I think Derby ended up getting a double dose of loathsome instead. Other than that, it’s just really nice seeing the evolution of his relationship with Cunningham. Is there a moral lesson to Aiden’s story or any conclusion you hope the reader walks away with as they turn the final page? Don’t be a dick! Kind, funny, intelligent, and generous people are behind every good thing that’s ever happened to me. Everybody else you just have to put up with. Like dandruff. Or sunburn. Don’t be sunburn, people. In one hundred years, do you believe there will be something similar to Blackheath, and would you support such a system? Yes, and not exactly. Our prison system is barbaric, but some people deserve it. That’s the tricky part of pinning your flag to the left or right of the moral spectrum. I think the current system is unsustainable, and I think personality adjustment and mental prisons are dangerous, achievable technology somebody will abuse. They could also solve a lot of problems. Would you trust your government with it? I suppose that’s the question. The book is so contained, and we don’t get to see the place that Aiden is escaping to! Did you map that out, and is there anything you can share about the society beyond Blackheath’s walls? It’s autocratic, technologically advanced, but they still haven’t overcome our human weaknesses. You can get everywhere in an hour, but television’s still overrun with reality shows, basically. Imagine the society that could create something as hateful as Annabelle Caulker.

Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike-topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunchbacked makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed from kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries’ vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers; heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters’ sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etoliated lacquerers; mottled-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men’s wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of the Last Chrysanthemum, where a puddle from last night’s rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.

Liberty is poorly served by men whose good intent is quelled from one failure or two failures or any number of failures, or from the casual indifference or ingratitude of the people, or from the sharp show of the tushes of power, or the bringing to bear soldiers and cannon or any penal statutes. Liberty relies upon itself, invites no one, promises nothing, sits in calmness and light, is positive and composed, and knows no discouragement. The battle rages with many a loud alarm and frequent advance and retreat…the enemy triumphs…the prison, the handcuffs, the iron necklace and anklet, the scaffold, garrote and leadballs do their work…the cause is asleep…the strong throats are choked with their own blood…the young men drop their eyelashes toward the ground when they pass each other…and is liberty gone out of that place? No never. When liberty goes it is not the first to go nor the second or third to go…it waits for all the rest to go…it is the last…When the memories of the old martyrs are faded utterly away…when the large names of patriots are laughed at in the public halls from the lips of the orators…when the boys are no more christened after the same but christened after tyrants and traitors instead…when the laws of the free are grudgingly permitted and laws for informers and bloodmoney are sweet to the taste of the people…when I and you walk abroad upon the earth stung with compassion at the sight of numberless brothers answering our equal friendship and calling no man master—and when we are elated with noble joy at the sight of slaves…when the soul retires in the cool communion of the night and surveys its experience and has much extasy over the word and deed that put back a helpless innocent person into the gripe of the gripers or into any cruel inferiority…when those in all parts of these states who could easier realize the true American character but do not yet—when the swarms of cringers, suckers, dough-faces, lice of politics, planners of sly involutions for their own preferment to city offices or state legislatures or the judiciary or congress or the presidency, obtain a response of love and natural deference from the people whether they get the offices or no…when it is better to be a bound booby and rogue in office at a high salary than the poorest free mechanic or farmer with his hat unmoved from his head and firm eyes and a candid and generous heart…and when servility by town or state or the federal government or any oppression on a large scale or small scale can be tried on without its own punishment following duly after in exact proportion against the smallest chance of escape…or rather when all life and all the souls of men and women are discharged from any part of the earth—then only shall the instinct of liberty be discharged from that part of the earth.

It is just the same with the so-called criminals living in our midst. To bring these people under the sway of Christianity there is one only means, that is, the Christian social ideal, which can only be realized among them by true Christian teaching and supported by a true example of the Christian life. And to preach this Christian truth and to support it by Christian example we set up among them prisons, guillotines, gallows, preparations for murder; we diffuse among the common herd idolatrous superstitions to stupefy them; we sell them spirits, tobacco, and opium to brutalize them; we even organize legalized prostitution; we give land to those who do not need it; we make a display of senseless luxury in the midst of suffering poverty; we destroy the possibility of anything like a Christian public opinion, and studiously try to suppress what Christian public opinion is existing. And then, after having ourselves assiduously corrupted men, we shut them up like wild beasts in places from which they cannot escape, and where they become still more brutalized, or else we kill them. And these very men whom we have corrupted and brutalized by every means, we bring forward as a proof that one cannot deal with criminals except by brute force. We are just like ignorant doctors who put a man, recovering from illness by the force of nature, into the most unfavorable conditions of hygiene, and dose him with the most deleterious drugs, and then assert triumphantly that their hygiene and their drugs saved his life, when the patient would have been well long before if they had left him alone.

Tamlin's claws punched out. 'Even if I risked it, you're untrained abilities render your presence more of a liability than anything.' It was like being hit with stones- so hard I could feel myself cracking. But I lifted my chin and said, 'I'm coming along whether you want me to or not.' 'No, you aren't.' He strode right through the door, his claws slashing the air at his sides, and was halfway down the steps before I reached the threshold. Where I slammed into an invisible wall. I staggered back, trying to reorder my mind around the impossibility of it. It was identical to the one I'd built that day in the study, and I searched inside the shards of my soul, my heart, for a tether to that shield, wondering if I'd blocked myself, but- there was no power emanating from me. I reached a hand to the open air of the doorway. And met solid resistance. 'Tamlin,' I rasped. But he was already down the front drive, walking towards the looming iron gates. Lucien remained at the foot of the stairs, his face so, so pale. 'Tamlin,' I said again, pushing against the wall. He didn't turn. I slammed my hand into the invisible barrier. No movement- nothing but hardened air. And I had not learned about my own powers enough to try to push through, to shatter it... I had let him convince me not to learn those things for his sake- 'Don't bother trying,' Lucien said softly, as Tamlin cleared the gates and vanished- winnowed. 'He shielded the entire house around you. Others can go in and out, but you can't. Not until he lifts the shield.' He'd locked me in here. I hit the shield again. Again. Nothing. 'Just- be patient, Feyre,' Lucien tried, wincing as he followed after Tamlin. 'Please. I'll see what I can do. I'll try again.' I barely heard him over the roar in my ears. Didn't wait to see him pass the gates and winnow, too. He'd locked me in. He'd sealed me inside the house. I hurtled for the nearest window in the foyer and shoved it open. A cool spring breeze rushed in- and I shoved my hand through it- only for my fingers to bounce off an invisible wall. Smooth, hard air pushed against my skin. Breathing became difficult. I was trapped. I was trapped inside this house. I might as well have been Under the Mountain. I might as well have been inside that cell again- I backed away, my steps too light, too fast, and slammed into the oak table in the centre of the foyer. None of the nearby sentries came to investigate. He'd trapped me in here; he'd locked me up. I stopped seeing the marble floor, or the paintings on the walls, or the sweeping staircase looming behind me. I stopped hearing the chirping of the spring birds, or the sighing of the breeze through the curtains. And then crushing black pounded down and rose up beneath, devouring and roaring and shredding. It was all I could do to keep from screaming, to keep from shattering into ten thousand pieces as I sank onto the marble floor, bowing over my knees, and wrapped my arms around myself. He'd trapped me; he'd trapped me; he'd trapped me- I had to get out, because I'd barely escaped from another prison once before, and this time, this time- Winnowing. I could vanish into nothing but air and appear somewhere else, somewhere open and free. I fumbled for my power, for anything, something that might show me the way to do it, the way out. Nothing. There was nothing and I had become nothing, and I couldn't even get out- Someone was shouting my name from far away. Alis- Alis. But I was ensconced in a cocoon of darkness and fire and ice and wind, a cocoon that melted the ring off my finger until the folden ore dripped away into the void, the emerald tumbling after it. I wrapped that raging force around myself as if it could keep the walls from crushing me entirely, and maybe, maybe buy me the tiniest sip of air- I couldn't get out; I couldn't get out; I couldn't get out-

There followed, however, the devastating experience of the Communist Party’s purge of the anarchists on Stalin’s orders. Thousands of Orwell’s comrades were simply murdered or thrown into prison, tortured and executed. He himself was lucky to escape with his life. Almost as illuminating, to him, was the difficulty he found, on his return to England, in getting his account of these terrible events published. Neither Victor Gollancz, in the Left Book Club, nor Kingsley Martin, in the New Statesman – the two principal institutions whereby progressive opinion in Britain was kept informed – would allow him to tell the truth. He was forced to turn elsewhere. Orwell had always put experience before theory, and these events proved how right he had been. Theory taught that the left, when exercising power, would behave justly and respect truth. Experience showed him that the left was capable of a degree of injustice and cruelty of a kind hitherto almost unknown, rivalled only by the monstrous crimes of the German Nazis, and that it would eagerly suppress truth in the cause of the higher truth it upheld. Experience, confirmed by what happened in the Second World War, where all values and loyalties became confused, also taught him that, in the event, human beings mattered more than abstract ideas; it was something he had always felt in his bones. Orwell never wholly abandoned his belief that a better society could be created by the force of ideas, and in this sense he remained an intellectual. But the axis of his attack shifted from existing, traditional and capitalist society to the fraudulent utopias with which intellectuals like Lenin had sought to replace it. His two greatest books, Animal Farm (1945) and Nineteen Eighty-Four (1949), were essentially critiques of realized abstractions, of the totalitarian control over mind and body which an embodied utopia demanded, and (as he put it) ‘of the perversions to which a centralized economy is liable’.

Nothing you've been through has been wasted. I know at times you feel you've wasted time, moments, and years over what you can't regain again — a job, a marriage, a relationship, your health, the sacrifices, your time and service, and giving up something you love for God, that broke your heart. You sit back and wonder, "Will I ever be happy again? Was everything I've been through worth the pain, the tears, the sleepless nights, the embarrassment." The Lord is saying, "It's just preparation." Where you are now is no accident. What has happened to you didn't take God by surprise. He already initiated a plan of escape before you were formed; mistakes, setbacks, disappointments, things outside your control.. The plan was already made! I don't know your story but only you and God know your story. He took you from bad company, He took you from suicide, He took you when you were at your lowest, He took you when nobody wanted you, He took you when your money was low, Why? Because He saw potential in you! As God as my witness it gets lonely at times. Life can be fearful when you don't know what to expect. When you feel everything has been stripped away...When you feel there's no hope... When you wonder how much longer do I have to wait. Who wants to feel rejection or disappointments.. But it's in those moments when we experience the faithfulness of God! I want to encourage whoever I'm speaking to, to hold on! Before Joseph became Prime Minister of Egypt he was in prison for years because of his brothers. He wasn't expecting that... In other words what God has for you is something bigger than you've imagined. It's so much greater and better than what you had at first. It's something you never thought about or even prayed for because nothing you've been through has been wasted. Your situation is going change suddenly because all it did was reposition you for a blessing. God is getting ready to move! You're frustrated because you're on the verge. You're restless because you're on the verge. Your moment is coming sooner than you think!

Everything has already been caught, until my death, in an icefloe of being: my trembling when a piece of rough trade asks me to brown him (I discover that his desire is his trembling) during a Carnival night; at twilight, the view from a sand dune of Arab warriors surrendering to French generals; the back of my hand placed on a soldier's basket, but especially the sly way in which the soldier looked at it; suddenly I see the ocean between two houses in Biarritz; I am escaping from the reformatory, taking tiny steps, frightened not at the idea of being caught but of being the prey of freedom; straddling the enormous prick of a blond legionnaire, I am carried twenty yards along the ramparts; not the handsome football player, nor his foot, nor his shoe, but the ball, then ceasing to be the ball and becoming the “kick-off,” and I cease being that to become the idea that goes from the foot to the ball; in a cell, unknown thieves call me Jean; when at night I walk barefoot in my sandals across fields of snow at the Austrian border, I shall not flinch, but then, I say to myself, this painful moment must concur with the beauty of my life, I refuse to let this moment and all the others be waste matter; using their suffering, I project myself to the mind's heaven. Some negroes are giving me food on the Bordeaux docks; a distinguished poet raises my hands to his forehead; a German soldier is killed in the Russian snows and his brother writes to inform me; a boy from Toulouse helps me ransack the rooms of the commissioned and non-commissioned officers of my regiment in Brest: he dies in prison; I am talking of someone–and while doing so, the time to smell roses, to hear one evening in prison the gang bound for the penal colony singing, to fall in love with a white-gloved acrobat–dead since the beginning of time, that is, fixed, for I refuse to live for any other end than the very one which I found to contain the first misfortune: that my life must be a legend, in other words, legible, and the reading of it must give birth to a certain new emotion which I call poetry. I am no longer anything, only a pretext.

The masses of dense foliage all round became prison walls, impassable circular green ice-walls, surging towards her; just before they closed in, I caught the terrified glint of her eyes. On a winter day she was in the studio, posing for him in the nude, her arms raised in a graceful position. To hold it for any length of time must have been a strain, I wondered how she managed to keep so still; until I saw the cords attached to her wrists and ankles. Instead of the darkness, she faced a stupendous sky-conflagration, an incredible glacial dream-scene. Cold coruscations of rainbow fire pulsed overhead, shot through by shafts of pure incandescence thrown out by mountains of solid ice towering all round. Closer, the trees round the house, sheathed in ice, dripped and sparkled with weird prismatic jewels, reflecting the vivid changing cascades above. Instead of the familiar night sky, the aurora borealis formed a blazing, vibrating roof of intense cold and colour, beneath which the earth was trapped with all its inhabitants, walled in by those impassable glittering ice-cliffs. The world had become an arctic prison from which no escape was possible, all its creatures trapped as securely as were the trees, already lifeless inside their deadly resplendent armour. Frozen by the deathly cold emanating from the ice, dazzled by the blaze of crystalline ice-light, she felt herself becoming part of the polar vision, her structure becoming one with the structure of ice and snow. As her fate, she accepted the world of ice, shining, shimmering, dead; she resigned herself to the triumph of glaciers and the death of her world. Fear was the climate she lived in; if she had ever known kindness it would have been different. The trees seemed to obstruct her with deliberate malice. All her life she had thought of herself as a foredoomed victim, and now the forest had become the malign force that would destroy her. In desperation she tried to run, but a hidden root tripped her, she almost fell. Branches caught in her hair, tugged her back, lashed out viciously when they were disentangled. The silver hairs torn from her head glittered among black needles; they were the clues her pursuers would follow, leading them to their victim. She escaped from the forest at length only to see the fjord waiting for her. An evil effluence rose from the water, something primitive, savage, demanding victims, hungry for a human victim. It had been night overhead all along, but below it was still daylight. There were no clouds. I saw islands scattered over the sea, a normal aerial view. Then something extraordinary, out of this world: a wall of rainbow ice jutting up from the sea, cutting right across, pushing a ridge of water ahead of it as it moved, as if the flat pale surface of sea was a carpet being rolled up. It was a sinister, fascinating sight, which did not seem intended for human eyes. I stared down at it, seeing other things at the same time. The ice world spreading over our world. Mountainous walls of ice surrounding the girl. Her moonwhite skin, her hair sparkling with diamond prisms under the moon. The moon’s dead eye watching the death of our world.