“
Actual happiness always looks pretty squalid in comparison with the overcompensations for misery. And, of course, stability isn't nearly so spectacular as instability. And being contented has none of the glamour of a good fight against misfortune, none of the picturesqueness of a struggle with temptation, or a fatal overthrow by passion or doubt. Happiness is never grand.
”
”
Aldous Huxley (Brave New World)
“
There is neither happiness nor unhappiness in this world; there is only the comparison of one state with another. Only a man who has felt ultimate despair is capable of feeling ultimate bliss. It is necessary to have wished for death in order to know how good it is to live.....the sum of all human wisdom will be contained in these two words: Wait and Hope.
”
”
Alexandre Dumas (The Count of Monte Cristo)
“
When you finally figure out what you really want, everything else pales in comparison.
”
”
Tammara Webber (Good For You (Between the Lines, #3))
“
It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to heaven, we were all going direct the other way - in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only.
”
”
Charles Dickens
“
She nodded, grabbed her purse out of the drawer and skedaddled, walking like she was on a catwalk, one foot in front of the other, her ass swaying under the skirt of her expensive, tailored suit.
Bitch. I thought again, watching her go.
“No comparison,” Luke said after the door closed behind Dawn and I turned to him.
“Excuse me?”
“Dawn’s a man eater. You’re not. No comparison,” Luke answered and I didn’t know how to take that.
“Is that good?”
The half-smile came back.
“Most men prefer to do the eating.”
Holy fucking cow.
”
”
Kristen Ashley (Rock Chick Redemption (Rock Chick, #3))
“
Things to worry about:
Worry about courage
Worry about cleanliness
Worry about efficiency
Worry about horsemanship
Things not to worry about:
Don’t worry about popular opinion
Don’t worry about dolls
Don’t worry about the past
Don’t worry about the future
Don’t worry about growing up
Don’t worry about anybody getting ahead of you
Don’t worry about triumph
Don’t worry about failure unless it comes through your own fault
Don’t worry about mosquitoes
Don’t worry about flies
Don’t worry about insects in general
Don’t worry about parents
Don’t worry about boys
Don’t worry about disappointments
Don’t worry about pleasures
Don’t worry about satisfactions
Things to think about:
What am I really aiming at?
How good am I really in comparison to my contemporaries in regard to:
(a) Scholarship
(b) Do I really understand about people and am I able to get along with them?
(c) Am I trying to make my body a useful instrument or am I neglecting it?
With dearest love,
Daddy
”
”
F. Scott Fitzgerald
“
Perfectionism doesn't believe in practice shots. It doesn't believe in improvement. Perfectionism has never heard that anything worth doing is worth doing badly--and that if we allow ourselves to do something badly we might in time become quite good at it. Perfectionism measures our beginner's work against the finished work of masters. Perfectionism thrives on comparison and competition. It doesn't know how to say, "Good try," or "Job well done." The critic does not believe in creative glee--or any glee at all, for that matter. No, perfectionism is a serious matter.
”
”
Julia Cameron (Finding Water: The Art of Perseverance)
“
Gold was not sure of many things, but he was definite about one: for every successful person he knew, he could name at least two others of greater ability, better, and higher intelligence who, by comparison, had failed.
”
”
Joseph Heller (Good As Gold)
“
I thought you called dibs on him."
"I did, but you can have him first. After he dumps you, imagine how good I'll look in comparison."
"Thanks, that's not insulting at all.
”
”
Cecily White (Prophecy Girl (Angel Academy, #1))
“
There is nothing good or bad, except by comparison" (209) - "Effort is Everything" by Bud Selig
”
”
Denzel Washington (A Hand to Guide Me)
“
Servants don't know a good master till they have served a worse.
”
”
Aesop (Aesop’s Fables)
“
The fortunate man is seldom satisfied with the fact of being fortunate, beyond this he needs to know that he has a right to his good fortune. He wants to be convinced he deserves it and above all that he deserves it in comparison with others. Good fortune, thus wants to be legitimate fortune.
”
”
Max Weber
“
Never stop acquiring the commonsense, it is as good as the knowledge.
”
”
Amit Kalantri
“
Jump way back to one time, Evie and me did this fashion shoot in a junk yard, in a slaughterhouse, in a mortuary. We'd go anywhere to look good by comparison, and what I realize is mostly what I hate about Evie is the fact that she's so vain and stupid and needy. But what I hate most is how she's just like me. What I really hate is me so I hate pretty much everybody.
”
”
Chuck Palahniuk (Invisible Monsters)
“
What do I know about God and the purpose of life?
I know that this world exists.
That I am placed in it like my eye in its visual field.
That something about it is problematic, which we call its meaning.
This meaning does not lie in it but outside of it.
That life is the world.
That my will penetrates the world.
That my will is good or evil.
Therefore that good and evil are somehow connected with the meaning of the world.The meaning of life, i.e. the meaning of the world, we can call God.
And connect with this the comparison of God to a father.
”
”
Ludwig Wittgenstein (Notebooks 1914-1916)
“
Lovers' language, give me an exact and poetic comparison to say what those eyes of Capitu were like. No image comes to mind that doesn't offend against the rules of good style, to say what they were and what they did to me. Undertow eyes? Why not? Undertow. That's the notion that the new expression put in my head. They held some kind of mysterious, active fluid, a force that dragged one in, like the undertow of a wave retreating from the shore on stormy days. So as not to be dragged in, I held onto anything around them, her ears, her arms, her hair spread about her shoulders; but as soon as I returned to the pupils of her eyes again, the wave emerging from them grew towards me, deep and dark, threatening to envelop me, draw me in and swallow me up.
”
”
Machado de Assis (Dom Casmurro)
“
What was behind this smug presumption that what pleased you was bad or at least unimportant in comparison to other things? …
Little children were trained not to do “just what they liked’ but … but what? … Of course! What others liked. And which others? Parents, teachers, supervisors, policemen, judges, officials, kings, dictators. All authorities.
When you are trained to despise “just what you like” then, of course, you become a much more obedient servant of others — a good slave. When you learn not to do “just what you like” then the System loves you.
”
”
Robert M. Pirsig (Zen and the Art of Motorcycle Maintenance: An Inquiry Into Values (Phaedrus, #1))
“
It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way – in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only.
”
”
Charles Dickens (A Tale of Two Cities)
“
There's nothing good or bad, except by comparison" (210) - Bud Selig "Effort is Everything
”
”
Denzel Washington (A Hand to Guide Me)
“
I am, as far as I can tell, about a month behind Lord Byron. In every town we stop at we discover innkeepers, postillions, officials, burghers, potboys, and all kinds and sorts of ladies whose brains still seem somewhat deranged from their brief exposure to his lordship. And though my companions are careful to tell people that I am that dreadful being, an English magician, I am clearly nothing in comparison to an English poet and everywhere I go I enjoy the reputation- quite new to me, I assure you- of the quiet, good Englishman, who makes no noise and is no trouble to any one...
”
”
Susanna Clarke (Jonathan Strange & Mr Norrell)
“
Do you know about the spoons? Because you should. The Spoon Theory was created by a friend of mine, Christine Miserandino, to explain the limits you have when you live with chronic illness. Most healthy people have a seemingly infinite number of spoons at their disposal, each one representing the energy needed to do a task. You get up in the morning. That’s a spoon. You take a shower. That’s a spoon. You work, and play, and clean, and love, and hate, and that’s lots of damn spoons … but if you are young and healthy you still have spoons left over as you fall asleep and wait for the new supply of spoons to be delivered in the morning. But if you are sick or in pain, your exhaustion changes you and the number of spoons you have. Autoimmune disease or chronic pain like I have with my arthritis cuts down on your spoons. Depression or anxiety takes away even more. Maybe you only have six spoons to use that day. Sometimes you have even fewer. And you look at the things you need to do and realize that you don’t have enough spoons to do them all. If you clean the house you won’t have any spoons left to exercise. You can visit a friend but you won’t have enough spoons to drive yourself back home. You can accomplish everything a normal person does for hours but then you hit a wall and fall into bed thinking, “I wish I could stop breathing for an hour because it’s exhausting, all this inhaling and exhaling.” And then your husband sees you lying on the bed and raises his eyebrow seductively and you say, “No. I can’t have sex with you today because there aren’t enough spoons,” and he looks at you strangely because that sounds kinky, and not in a good way. And you know you should explain the Spoon Theory so he won’t get mad but you don’t have the energy to explain properly because you used your last spoon of the morning picking up his dry cleaning so instead you just defensively yell: “I SPENT ALL MY SPOONS ON YOUR LAUNDRY,” and he says, “What the … You can’t pay for dry cleaning with spoons. What is wrong with you?” Now you’re mad because this is his fault too but you’re too tired to fight out loud and so you have the argument in your mind, but it doesn’t go well because you’re too tired to defend yourself even in your head, and the critical internal voices take over and you’re too tired not to believe them. Then you get more depressed and the next day you wake up with even fewer spoons and so you try to make spoons out of caffeine and willpower but that never really works. The only thing that does work is realizing that your lack of spoons is not your fault, and to remind yourself of that fact over and over as you compare your fucked-up life to everyone else’s just-as-fucked-up-but-not-as-noticeably-to-outsiders lives. Really, the only people you should be comparing yourself to would be people who make you feel better by comparison. For instance, people who are in comas, because those people have no spoons at all and you don’t see anyone judging them. Personally, I always compare myself to Galileo because everyone knows he’s fantastic, but he has no spoons at all because he’s dead. So technically I’m better than Galileo because all I’ve done is take a shower and already I’ve accomplished more than him today. If we were having a competition I’d have beaten him in daily accomplishments every damn day of my life. But I’m not gloating because Galileo can’t control his current spoon supply any more than I can, and if Galileo couldn’t figure out how to keep his dwindling spoon supply I think it’s pretty unfair of me to judge myself for mine. I’ve learned to use my spoons wisely. To say no. To push myself, but not too hard. To try to enjoy the amazingness of life while teetering at the edge of terror and fatigue.
”
”
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
“
Think of my Pleasure in Solitude, in comparison of my commerce with the world - there I am a child - there they do not know me not even my most intimate acquaintance - I give into their feelings as though I were refraining from irritating a little child - Some think me middling, others silly, other foolish - every one thinks he sees my weak side against my will; when in thruth it is with my will - I am content to be thought all this because I have in my own breast so graet a resource. This is one great reason why they like me so; because they can all show to advantage in a room, and eclipese from a certain tact one who is reckoned to be a good Poet - I hope I am not here playing tricks 'to make the angels weep': I think not: for I have not the least contempt for my species; and though it may sound paradoxical: my greatest elevations of Soul leave me every time more humbled - Enough of this - though in your Love for me you will not think it enough.
”
”
John Keats
“
It's a most peculiar psychology—this business of 'Science is based on faith too, so there!' Typically this is said by people who claim that faith is a good thing. Then why do they say 'Science is based on faith too!' in that angry-triumphal tone, rather than as a compliment? And a rather dangerous compliment to give, one would think, from their perspective. If science is based on 'faith', then science is of the same kind as religion—directly comparable. If science is a religion, it is the religion that heals the sick and reveals the secrets of the stars. It would make sense to say, 'The priests of science can blatantly, publicly, verifiably walk on the Moon as a faith-based miracle, and your priests' faith can't do the same.' Are you sure you wish to go there, oh faithist? Perhaps, on further reflection, you would prefer to retract this whole business of 'Science is a religion too!
”
”
Eliezer Yudkowsky (The Less Wrong Sequences)
“
Focus on whether you are fulfilling your own potential than comparing yourself to someone else. The fact that you have a natural limit to any specific ability has nothing too do with whether you are reaching the ceiling of your capabilities. People get so caught up in the fact that they have limits that they rarely exert the effort required to get close to them.
Genes can not make you successful if you’re not doing the work. Until you work as hard as those you admire, don’t explain away their success as luck.
”
”
James Clear (Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones)
“
There is this common notion that people are shallow and ignorant until they go out and see the world. I, on the other hand, went out and in comparison realized I was in pretty good standing.
”
”
Criss Jami (Healology)
“
It was heart-shaking. Glorious. Torches, dizziness, singing. Wolves howling around us and a bull bellowing in the dark. The river ran white. It was like a film in fast motion, the moon waxing and waning, clouds rushing across the sky. Vines grew from the ground so fast they twined up the trees like snakes; seasons passing in the wink of an eye, entire years for all I know. . . . Mean we think of phenomenal change as being the very essence of time, when it's not at all. Time is something which defies spring and water, birth and decay, the good and the bad, indifferently. Something changeless and joyous and absolutely indestructible. Duality ceases to exist; there is no ego, no 'I,' and yet it's not at all like those horrid comparisons one sometimes hears in Eastern religions, the self being a drop of water swallowed by the ocean of the universe. It's more as if the universe expands to fill the boundaries of the self. You have no idea how pallid the workday boundaries of ordinary existence seem, after such an ecstasy.
”
”
Donna Tartt
“
Perfect. Imperfect. A pair of adjectives that come over and again, in all seasons, day in and day out, taunting us, judging us, isolating us, turning our isolation into illness. Is there a more accomplished adjective than perfect? Perfect is free from comparison, perfect rejects superlative. We can always be good, do better, try our best, but how perfect can we be before we can love ourselves and let others love us? And who, my dear child, has taken the word lovable out of your dictionary and mine, and replaced it with perfect?
”
”
Yiyun Li (Where Reasons End)
“
If gratitude and esteem are good foundations of affection, Elizabeth's change of sentiment will be neither improbable nor faulty. But if otherwise--if regard springing from such sources is unreasonable or unnatural, in comparison of what is so often described as arising on a first interview with its object, and even before two words have been exchanged, nothing can be said in her defence, except that she had given somewhat of a trial to the latter method in her partiality for Wickham, and that its ill success might, perhaps, authorise her to seek the other less interesting mode of attachment.
”
”
Jane Austen (Pride and Prejudice)
“
Murder develops. Yes, like a photograph, isn’t it?” “It’s very much like photography really,” said Dermot. “Quite a good comparison of yours.
”
”
Agatha Christie (The Mirror Crack'd from Side to Side (Miss Marple, #9))
“
A person may be a moron or an imbecile if he is lacking in judgment; but with good judgment he can never be either. Indeed the rest of the intellectual faculties seem of little importance in comparison with judgment.
”
”
Alfred Binet (The Development Of Intelligence In Children)
“
The wrath of God is never an evil wrath. God gets angry because he loves people like a mother would love her child if someone were to harm it. There is something wrong if the mother never gets angry; it is safe to say that that is the unloving mother.
”
”
Criss Jami (Healology)
“
The good-to-great companies made a habit of putting their best people on their best opportunities, not their biggest problems. The comparison companies had a penchant for doing just the opposite, failing to grasp the fact that managing your problems can only make you good, whereas building your opportunities is the only way to become great. There is an important
”
”
Jim Collins (Good to Great: Why Some Companies Make the Leap...And Others Don't)
“
Personally I think that competition should be encouraged in war and sport and business, but that it makes no sense in the arts. If an artist is good, nobody else can do what he or she does and therefore all comparisons are incoherent.
”
”
Edward St. Aubyn (Lost for Words)
“
Happiness is like time and space--we make and measure it ourselves; it is a fancy--as big, as little, as you please; just a thing of contrasts and comparisons, like health or strength or beauty or any other good--that wouldn't even be noticed but for sad personal experience of its opposite!--or its greater!
”
”
George du Maurier
“
How good is it to remember one's insignificance: that of a man among billions of men, of an animal amid billions of animals; and one's abode, the earth, a little grain of sand in comparison with Sirius and others, and one's life span in comparison with billions on billions of ages. There is only one significance, you are a worker. The assignment is inscribed in your reason and heart and expressed clearly and comprehensibly by the best among the beings similar to you. The reward for doing the assignment is immediately within you. But what the significance of the assignment is or of its completion, that you are not given to know, nor do you need to know it. It is good enough as it is. What else could you desire?
”
”
Leo Tolstoy
“
There are 1.2 billion people in India at this moment, most of them are Hindus, most of them therefore are polytheists. In Dr Craig's (Christian) universe, no matter how good these people are, they are doomed. If you are praying to the monkey god, Hanuman, you are doomed. You'll be tortured in hell for eternity. Now is there the slightest evidence for this? No, it just says so in Mark 9, Matthew 13 and Revelations 14. Perhaps you'll remember from The Lord of the Rings, it says that when the elves die, they go to Valinor, but they can be reborn in Middle Earth. I say that just as a point of comparison.
”
”
Sam Harris
“
Better to look broke and debt-free than to look good and in deep debt.
”
”
Abdul Malik Omar (Ka-Ching! Your Money, Your Life: Financial Guide for Young Adults in Brunei)
“
good or for evil, in the superlative degree of comparison only. There were a king with a large jaw and a queen with a plain face, on the throne of England; there were a
”
”
Charles Dickens (A Tale of Two Cities)
“
present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only.
”
”
Charles Dickens (A Tale of Two Cities)
“
On the Rolling Stones - You will walk out of the Amphitheatre after watching the Stones perform and suddenly the Chicago stockyards smell clean and good by comparison.
”
”
Tom Fitzpatrick
“
A window is not the best comparison to a man,' she said. "No," Tellie agreed. "But it's a pretty good comparison to a soul, don't you think?
”
”
H.S.J. Williams (Moonscript (Kings of Aselvia, #1))
“
Humans do not simply, innocently, and honestly disagree with each other about the good, the just, the right, the principles and applications of moral distinction and valuation, for they are already caught, like it or not, in a complex dynamic of each other’s desires, recognition, power, and comparisons which not only relativizes moral distinctions and valuations, but makes them a constant and dangerous source of discord.
”
”
Gregory B. Sadler
“
The tendency of the human mind is to see the world with a ‘dualistic’ view that describes everything through comparisons: good and bad, pain and happiness, beauty and ugliness, rich and poor.
”
”
Gyalwa Dokhampa (The Restful Mind)
“
between the universe that can be apprehended by pure intellectual P.erception (the universe of the Cherubic Intelligences) and the universe perceptible to the senses, there is an intermediate world, the world of Idea-Images, of archetypal figures, of subtile substances, of "immaterial matter." This world is as real and objective, as consistent and subsistent as the intelligible and sensible worlds; it is an intermediate universe "where the spiritual takes body and the body becomes spiritual," a world consisting of real matter and real extension, though by comparison to sensible, corruptible matter these are subtile and immaterial. \The organ of this universe is the active Imagination; it is the place oftheophanic visions, the scene on which visionary events and symbolic histories appear in their true reality.\ Here we shall have a good deal to say of this universe, but the word imaginary will never be used, because with its present ambiguity this word, by prejudging the reality attained or to be attained, betrays an inability to deal with this at once intermediate and intermediary world.
”
”
Henry Corbin (Alone with the Alone: Creative Imagination in the Sufism of Ibn 'Arabi)
“
It is a great thing to start life with a small number of really good books which are your very own. You may not appreciate them at first. You may pine for your novel of crude and unadulterated adventure. You may, and will, give it the preference when you can. But the dull days come, and the rainy days come, and always you are driven to fill up the chinks of your reading with the worthy books which wait so patiently for your notice. And then suddenly, on a day which marks an epoch in your life, you understand the difference. You see, like a flash, how the one stands for nothing, and the other for literature. From that day onwards you may return to your crudities, but at least you do so with some standard of comparison in your mind. You can never be the same as you were before. Then gradually the good thing becomes more dear to you; it builds itself up with your growing mind; it becomes a part of your better self, and so, at last, you can look, as I do now, at the old covers and love them for all that they have meant in the past.
”
”
Arthur Conan Doyle (Through the Magic Door)
“
You absolutely cannot make a series of good decisions without first confronting the brutal facts. The good-to-great companies operated in accordance with this principle, and the comparison companies generally did not.
”
”
Jim Collins (Good to Great: Why Some Companies Make the Leap...And Others Don't)
“
The idea is that you don't only have one destiny. Younger and younger, kids are pressed to decide what they want to do with their lives, as if everything hinges on one decision. But whichever direction you go there are going to be upsides and downsides. You're dealing with a set of trade-offs, and not one course in comparison to which all the others are crap.....There are varying advantages and disadvantages to each competing future. But I didn't want to have one bad and one good. In both, everything is all right, really. Everything is all right.
”
”
Lionel Shriver (The Post-Birthday World)
“
Often we want to be somewhere other than where we are, to even to be someone other than who we are. We tend to compare ourselves constantly with others and wonder why we are not as rich, as intelligent, as simple, as generous, or as saintly as they are. Such comparisons make us feel guilty, ashamed, or jealous. It is very important to realize that our vocation is hidden in where we are and who we are. We are unique human beings, each with a call to realize in life what nobody else can, and to realize it in the concrete context of the here and now.
We will never find our vocations by trying to figure out whether we are better or worse than others. We are good enough to do what we are called to do. Be yourself!
”
”
Henri J.M. Nouwen (Bread for the Journey: A Daybook of Wisdom and Faith)
“
When we are unclear about our real purpose in life—in other words, when we don’t have a clear sense of our goals, our aspirations, and our values—we make up our own social games. We waste time and energies on trying to look good in comparison to other people. We overvalue nonessentials like a nicer car or house, or even intangibles like the number of our followers on Twitter or the way we look in our Facebook photos. As a result, we neglect activities that are truly essential, like spending time with our loved ones, or nurturing our spirit, or taking care of our health.
”
”
Greg McKeown (Essentialism: The Disciplined Pursuit of Less)
“
Enough,' said Mercedes, 'enough Edmond! Believe me that she who alone recognized you has been the only one to comprehend you. And had she crossed your path, and you had crushed her like a frail glass, still, Edmond, still she must have admired you! Like the gulf between me and the past, there is an abyss between you, Edmond, and the rest of mankind; and I tell you freely, that the comparison I drew between you and other men will be one of my greatest tortures. No! there is nothing in the world to resemble you in worth and goodness!
”
”
Alexandre Dumas (The Count of Monte Cristo)
“
If you are a twin, you watch yourself live two lives–yours and hers. It’s constant comparison. I am never as good as the bad I wanted her to be. I was the only soldier I needed. We couldn’t haven known what splitting would mean. Time speeds past fast, scattering like shrapnel, and is quiet as cobwebs. We wait for the ambush. Sister will find out first; she’ll be my living memory. She will be the body left standing.
”
”
Christa Parravani
“
Heaven, we were all going direct the other way— in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only.
”
”
Charles Dickens (A Tale of Two Cities)
“
It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way— in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only.
”
”
Charles Dickens (A Tale of Two Cities)
“
The Bible frequently uses symmetries and inversions. By such comparisons (parallels and contrasts) the unique aspects of reality begin to emerge. Comparing two objects makes their differences increasingly apparent. Only then can we ask, “Why does this one have that, and the other does not?” For instance: The phrase, “and it was
6
good” is present on all the days of creation—except the second day. Why? Because, “two” contains potential badness, to a Hebrew. We could not have discovered that insight, unless we contrasted God’s description of the creative days.
”
”
Michael Ben Zehabe (The Meaning of Hebrew Letters: A Hebrew Language Program For Christians (The Jonah Project))
“
Never trust girls who let themselves be touched right away. But even less those who need a priest for approval. Good sirloin steak – if you’ll excuse the comparison – needs to be cooked until it’s medium rare. Of course, if the opportunity arises, don’t be prudish, and go for the kill
”
”
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
“
I mean we think of phenomenal change as being the very essence of time, when it's not at all. Time is something which defies spring and winter, birth and decay, the good and the bad, indifferently. Something changeless and joyous and absolutely indestructible. Duality ceases to exist; there is no ego, no 'I,' and yet it's not at all like those horrid comparisons one sometimes hears in Eastern religions, the self being a drop of water swallowed by the ocean of the universe. It's more as if the universe expands to fill the boundaries of the self. You have no idea how pallid the workday boundaries of ordinary existence seem, after such an ecstasy.
”
”
Donna Tartt (The Secret History)
“
4. The falseness of an opinion is not for us any objection to it: it is here, perhaps, that our new language sounds most strangely. The question is, how far an opinion is life-furthering, life- preserving, species-preserving, perhaps species-rearing, and we are fundamentally inclined to maintain that the falsest opinions (to which the synthetic judgments a priori belong), are the most indispensable to us, that without a recognition of logical fictions, without a comparison of reality with the purely IMAGINED world of the absolute and immutable, without a constant counterfeiting of the world by means of numbers, man could not live—that the renunciation of false opinions would be a renunciation of life, a negation of life. TO RECOGNISE UNTRUTH AS A CONDITION OF LIFE; that is certainly to impugn the traditional ideas of value in a dangerous manner, and a philosophy which ventures to do so, has thereby alone placed itself beyond good and evil.
”
”
Friedrich Nietzsche (Beyond Good and Evil)
“
All comparison is based on memory, and memory is an image based on engrams. It follows that all judgement, evaluation, is an interpretation of images, for even the present is already a memory by the time we have seized it.
Therefore the unending process of finding things "good" or "not so good" is a work of imagination. Would in not be futile indeed to suppose that such judgments, that is any and all judgments, could have any absolute existence or value?
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Wei Wu Wei
“
all things that seem good and evil are the opposite ends of one line, and it is difficult to say where evil ends and good begins, for these are comparative terms. A lesser good would seem evil when compared with a greater good, and the lesser evil in comparison with the greater evil would appear good. If there were no evil, good would not have been valued. Without injustice, justice would not have been appreciated. Therefore the whole of life's joy is expressed in duality.
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Hazrat Inayat Khan (The Way of Illumination (The Sufi Teachings of Hazrat Inayat Khan Book 1))
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Home, like love, hate, war, and peace, is one of those words that is so important that it doesn't need more than one syllable. Home is part of the fabric of who humans are. Doesn't matter if you're a vampire or a wizard or a secretary or a schoolteacher; you have to have a home, even if only in principle-there has to be a zero point from which you can make comparisons to everything else. Home tends to be it.
That can be a good thing, to help you stay oriented in avery confusing world. If you don't know where you feet are planted, you've got no way to know here you're heading when you start taking steps. It can be a bad thing, when you run into something so different from home that it scares you and makes you angry. That's also part of being human.
But there's a deeper meaning to home. Something simpler, more primal. It's where you eat the best food because other predators can't take it from you very easily there. It's where you can your mate are the most intimate. Its where your raise your children, safe against a world that can be horrible things to them. It's where you sleep, safe. It's where you relax. It's where you dream. Home is where you embrace the present and plan the future. It's where the books are. And more than anything else, it's where you build the world that you want.
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Jim Butcher (Peace Talks (The Dresden Files, #16))
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Kate stared at the paven in the hall outside the door.He was incredibly tall and broad like Nicholas,but that's where the comparison ended.His jaw-length white hair was a stark contrast to his piercing light brown eyes and black lashes.And though he was alarmingly,almost shockingly good-looking,everything about him,every intake of breath,every movement of his gaze,his chin,his mouth fairly screamed hostility.Like an animal who'd been tortured over and over and knew only biting as a response to anyting.
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Laura Wright (Eternal Kiss (Mark of the Vampire, #2))
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Every good-to-great company had Level 5 leadership during the pivotal transition years. • “Level 5” refers to a five-level hierarchy of executive capabilities, with Level 5 at the top. Level 5 leaders embody a paradoxical mix of personal humility and professional will. They are ambitious, to be sure, but ambitious first and foremost for the company, not themselves. • Level 5 leaders set up their successors for even greater success in the next generation, whereas egocentric Level 4 leaders often set up their successors for failure. • Level 5 leaders display a compelling modesty, are self-effacing and understated. In contrast, two thirds of the comparison companies had leaders with gargantuan personal egos that contributed to the demise or continued mediocrity of the company. • Level 5 leaders are fanatically driven, infected with an incurable need to produce sustained results. They are resolved to do whatever it takes to make the company great, no matter how big or hard the decisions. • Level 5 leaders display a workmanlike diligence—more plow horse than show horse. • Level 5 leaders look out the window to attribute success to factors other than themselves. When things go poorly, however, they look in the mirror and blame themselves, taking full responsibility. The comparison CEOs often did just the opposite—they looked in the mirror to take credit for success, but out the window to assign blame for disappointing results.
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Jim Collins (Good to Great: Why Some Companies Make the Leap...And Others Don't)
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We should be familiar with the great histories, the great biographies. We should be familiar with the great success stories, the great love stories, the great philosophies. It would also be a good idea to memorize potent passages from great poetry and other literary works. Our literature also may give us extra, pleasant hours as well as furnish contrasts and comparisons which may help us to evaluate and direct our own lives.
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Sterling W. Sill
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If you are way more successful than your sibling, you will come out as patronizing no matter what you do for them. They feel overshadowed by you. They may make friends who are not good from your perspective. To make them feel equal, you must accept their friend circle. Or just completely separate from them and let them live their life their own way.
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Shunya
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There is neither happiness nor unhappiness in this world; there is only the comparison of one state with another. Only a man who has felt ultimate despair is capable of feeling ultimate bliss. It is necessary to have wished for death in order to know how good it is to live . . . the sum of all human wisdom will be contained in these two words: Wait and Hope.
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Louise Bay (Park Avenue Prince (The Royals, #2))
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The novel, he was saying, was a flabby old whore.
A flabby old whore! the older man said looking delighted.
She was serviceable, roomy, warm and familiar, the younger was saying, but really a bit used up, really a bit too slack and loose.
Slack and loose! the older said laughing.
Whereas the short story, by comparison, was a nimble goddess, a slim nymph. Because so few people had mastered the short story she was still in very good shape.
...I idly wondered how many of the books in my house were fuckable and how good they'd be in bed.
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Ali Smith (The First Person and Other Stories)
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Actual happiness always looks pretty squalid in comparison with the over-compensations for misery. And, of course, stability isn't nearly so spectacular as instability. And being contented has none of the glamour of a good fight against misfortune, none of the picturesqueness of a struggle with temptation, or a fatal overthrow by passion or doubt. Happiness is never grand.
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Aldous Huxley (Brave New World)
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Riker tells Data to just get on with it already, so Data says Ferengi are like Yankee traders from 18th-century America. This indicates that, in the 24th century, the traditional practice of using 600-year-old comparisons is still in vogue, like when you’re stuck in traffic on the freeway, and say, “Man, this is just like Vasco de Gama trying to go around the Cape of Good Hope!
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Wil Wheaton (Memories of the Future - Volume 1)
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And besides, in the matter of friendship, I have observed that the disappointment here arises chiefly, not from liking our friends too well, or thinking of them too highly, but rather from an over-estimate of their liking for and opinion of us; and that if we guard ourselves with sufficient scrupulousness of care from error in this direction, and can be content, and even happy to give more affection than we receive -- can make just comparison of circumstances, and be severely accurate in drawing inferences thence, and never let self-love blind our eyes -- I think we may manage to get through life with consistency and constancy, unembittered by that misanthropy which springs from revulsions of feeling. All this sounds a little metaphysical, but it is good sense of if you consider it. The moral of it is, that if we would build on a sure foundation in friendship, we must love our friends for their sakes rather than for our own; we must look at their truth to themselves, full as much as their truth to us. In the latter case, every wound to self-love would be a cause of coldness; in the former, only some painful change in the friend's character and disposition -- some fearful breach in his allegiance to his better self -- could alienate the heart.
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Elizabeth Gaskell (The Life of Charlotte Brontë)
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It was she made me acquainted with love. She went by the peaceful name of Ruth I think, but I can't say for certain. Perhaps the name was Edith. She had a hole between her legs, oh not the bunghole I had always imagined, but a slit, and in this I put, or rather she put, my so-called virile member, not without difficulty, and I toiled and moiled until I discharged or gave up trying or was begged by her to stop. A mug's game in my opinion and tiring on top of that, in the long run. But I lent myself to it with a good enough grace, knowing it was love, for she had told me so. She bent over the couch, because of her rheumatism, and in I went from behind. It was the only position she could bear, because of her lumbago. It seemed all right to me, for I had seen dogs, and I was astonished when she confided that you could go about it differently. I wonder what she meant exactly. Perhaps after all she put me in her rectum. A matter of complete indifference to me, I needn't tell you. But is it true love, in the rectum? That's what bothers me sometimes. Have I never known true love, after all? She too was an eminently flat woman and she moved with short stiff steps, leaning on an ebony stick. Perhaps she too was a man, yet another of them. But in that case surely our testicles would have collided, while we writhed. Perhaps she held hers tight in her hand, on purpose to avoid it. She favoured voluminous tempestuous shifts and petticoats and other undergarments whose names I forget. They welled up all frothing and swishing and then, congress achieved, broke over us in slow cascades. And all I could see was her taut yellow nape which every now and then I set my teeth in, forgetting I had none, such is the power of instinct. We met in a rubbish dump, unlike any other, and yet they are all alike, rubbish dumps. I don't know what she was doing there. I was limply poking about in the garbage saying probably, for at that age I must still have been capable of general ideas, This is life. She had no time to lose, I had nothing to lose, I would have made love with a goat, to know what love was. She had a dainty flat, no, not dainty, it made you want to lie down in a corner and never get up again. I liked it. It was full of dainty furniture, under our desperate strokes the couch moved forward on its castors, the whole place fell about our ears, it was pandemonium. Our commerce was not without tenderness, with trembling hands she cut my toe-nails and I rubbed her rump with winter cream. This idyll was of short duration. Poor Edith, I hastened her end perhaps. Anyway it was she who started it, in the rubbish dump, when she laid her hand upon my fly. More precisely, I was bent double over a heap of muck, in the hope of finding something to disgust me for ever with eating, when she, undertaking me from behind, thrust her stick between my legs and began to titillate my privates. She gave me money after each session, to me who would have consented to know love, and probe it to the bottom, without charge. But she was an idealist. I would have preferred it seems to me an orifice less arid and roomy, that would have given me a higher opinion of love it seems to me. However. Twixt finger and thumb tis heaven in comparison. But love is no doubt above such contingencies. And not when you are comfortable, but when your frantic member casts about for a rubbing-place, and the unction of a little mucous membrane, and meeting with none does not beat in retreat, but retains its tumefaction, it is then no doubt that true love comes to pass, and wings away, high above the tight fit and the loose.
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Samuel Beckett (Molloy / Malone Dies / The Unnamable)
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I used to draw a comparison between him, and Hindley Earnshaw, and perplex myself to explain satisfactorily, why their conduct was so opposite in similar circumstances. They had both been fond husbands, and were both attached to their children; and I could not see how they shouldn't both have taken the same road, for good or evil. But, I thought in my mind, Hindley, with apparently the stronger head, has shown himself sadly the worse and the weaker man. When his ship struck, the captain abandoned his post; and the crew, instead of trying to save her, rushed into riot, and confusion, leaving no hope for their luckless vessel. Linton, on the contrary, displayed the true courage of a loyal and faithful soul: he trusted God; and God comforted him. One hoped, and the other despaired; they chose their own lots, and were righteously doomed to endure them.
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Emily Brontë (Wuthering Heights)
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What poets, I cried aloud, as one does in the dusk, what poets they were! In a sort of jealousy, I suppose, for our own age, silly and absurd though these comparisons are, I went on to wonder if honestly one could name two living poets now as great as Tennyson and Christina Rossetti were then. Obviously it is impossible, I thought, looking into those foaming waters, to compare them. The very reason why that poetry excites one to such abandonment, such rapture, is that it celebrates some feeling that one used to have (at luncheon parties before the war perhaps), so that one responds easily, familiarly, without troubling to check the feeling, or to compare it with any that one has now. But the living poets express a feeling that is actually being made and torn out of us at the moment. One does not recognize it in the first place; often for some reason one fears it; one watches it with keenness and compares it jealously and suspiciously with the old feeling that one knew. Hence the difficulty of modern poetry; and it is because of this difficulty that one cannot remember more than two consecutive lines of any good modern poet.
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Virginia Woolf (A Room of One’s Own)
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It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way—in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only.
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Charles Dickens
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Hypercritical, Shaming Parents
Hypercritical and shaming parents send the same message to their children as perfectionistic parents do - that they are never good enough. Parents often deliberately shame their children into minding them without realizing the disruptive impact shame can have on a child's sense of self. Statements such as "You should be ashamed of yourself" or "Shame on you" are obvious examples. Yet these types of overtly shaming statements are actually easier for the child to defend against than are more subtle forms of shaming, such as contempt, humiliation, and public shaming.
There are many ways that parents shame their children. These include belittling, blaming, contempt, humiliation, and disabling expectations.
-BELITTLING. Comments such as "You're too old to want to be held" or "You're just a cry-baby" are horribly humiliating to a child. When a parent makes a negative comparison between his or her child and another, such as "Why can't you act like Jenny? See how she sits quietly while her mother is talking," it is not only humiliating but teaches a child to always compare himself or herself with peers and find himself or herself deficient by comparison.
-BLAMING. When a child makes a mistake, such as breaking a vase while rough-housing, he or she needs to take responsibility. But many parents go way beyond teaching a lesson by blaming and berating the child: "You stupid idiot! Do you think money grows on trees? I don't have money to buy new vases!" The only thing this accomplishes is shaming the child to such an extent that he or she cannot find a way to walk away from the situation with his or her head held high.
-CONTEMPT. Expressions of disgust or contempt communicate absolute rejection. The look of contempt (often a sneer or a raised upper lip), especially from someone who is significant to a child, can make him or her feel disgusting or offensive. When I was a child, my mother had an extremely negative attitude toward me. Much of the time she either looked at me with the kind of expectant expression that said, "What are you up to now?" or with a look of disapproval or disgust over what I had already done. These looks were extremely shaming to me, causing me to feel that there was something terribly wrong with me.
-HUMILIATION. There are many ways a parent can humiliate a child, such as making him or her wear clothes that have become dirty. But as Gershen Kaufman stated in his book Shame: The Power of Caring, "There is no more humiliating experience than to have another person who is clearly the stronger and more powerful take advantage of that power and give us a beating." I can personally attest to this. In addition to shaming me with her contemptuous looks, my mother often punished me by hitting me with the branch of a tree, and she often did this outside, in front of the neighbors. The humiliation I felt was like a deep wound to my soul.
-DISABLING EXPECTATIONS. Parents who have an inordinate need to have their child excel at a particular activity or skill are likely to behave in ways that pressure the child to do more and more. According to Kaufman, when a child becomes aware of the real possibility of failing to meet parental expectations, he or she often experiences a binding self-consciousness. This self-consciousness - the painful watching of oneself - is very disabling. When something is expected of us in this way, attaining the goal is made harder, if not impossible.
Yet another way that parents induce shame in their children is by communicating to them that they are a disappointment to them. Such messages as "I can't believe you could do such a thing" or "I am deeply disappointed in you" accompanied by a disapproving tone of voice and facial expression can crush a child's spirit.
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Beverly Engel (The Nice Girl Syndrome: Stop Being Manipulated and Abused -- And Start Standing Up for Yourself)
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Comparison is a disease, one of the greatest diseases. We are taught from the very beginning to compare. Your mother starts comparing you with other children. Your father compares. The teacher says, “Look at Johnny, how well he is doing, and you are not doing good at all!”
From the very beginning you are being told to compare yourself with others. This is the greatest disease; it is like a cancer that goes on destroying your very soul. Each individual is unique, and comparison is not possible. I am just myself and you are just yourself. There is nobody else in the world to be compared with. Do you compare a marigold with a roseflower? You don’t compare. Do you compare a mango with an apple? You don’t compare. You know they are different - comparison is not possible.
Man is not a species. Each man is unique. There has never been any individual like you before and there will never be again. You are utterly unique. This is your privilege, your prerogative, life’s blessing - that it has made you unique.
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Osho
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I shall stand by the Union, and by all who stand by it. I shall do justice to the whole country...in all I say, and act for the good of the whole country in all I do. I mean to stand upon the Constitution. I need no other platform. I shall know but one country. The ends I aim at shall be my country's, my God's, and Truth's. I was born an American; I live an American; I shall die an American; and I intend to perform the duties incumbent upon me in that character to the end of my career. I mean to do this with absolute disregard of personal consequences. What are the personal consequences? What is the individual man, with all the good or evil that may betide him, in comparison with the good or evil which may befall a great country, and in the midst of great transactions which concern that country's fate? Let the consequences be what they will, I am careless. No man can suffer too much, and no man can fall too soon, if he suffer, or if he fall, in the defense of the liberties and constitution of his country.
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Daniel Webster
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Having a Grand Slam offer makes it almost impossible to lose. But why? What gives it such an impact? In short, having a Grand Slam Offer helps with all three of the requirements for growth: getting more customers, getting them to pay more, and getting them to do so more times. How? It allows you to differentiate yourself from the marketplace. In other words, it allows you to sell your product based on VALUE not on PRICE. Commoditized = Price Driven Purchases (race to the bottom) Differentiated = Value Driven Purchases (sell in a category of one with no comparison. Yes, market matters, which I will expound on in the next chapter) A commodity, as I define it, is a product available from many places. For that reason, it’s prone to purchases based on “price” instead of “value.” If all products are “equal,” then the cheapest one is the most valuable by default. In other words, if a prospect compares your product to another and thinks “these are pretty much the same, I’ll buy the cheaper one,” then they commoditized you. How embarrassing! But
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Alex Hormozi ($100M Offers: How To Make Offers So Good People Feel Stupid Saying No)
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It seems to me that we often, almost sulkily, reject the good that God offers us because, at that moment, we expected some other good. Do you know what I mean? On every level of our life - in our religious experience, in our gastronomic, erotic, aesthetic, and social experience - we are always harking back to some occasion which seemed to us to reach perfection, setting that up as a norm, and depreciating all other occasions by comparison. But these other occasions, I now suspect, are often full of their own new blessing, if only we would lay ourselves open to it. God shows us a new facet of the glory, and we refuse to look at it because we're still looking for the old one. And of course we don't get that. You can't, at the twentieth reading, get again the experience of reading Lycidas for the first time. But what you do get can be in its own way as good.
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C.S. Lewis (Letters to Malcolm: Chiefly on Prayer)
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Cognitive psychologists sometimes talk in terms of two distinct types of consciousness: spotlight consciousness, which illuminates a single focal point of attention, making it very good for reasoning, and lantern consciousness, in which attention is less focused yet illuminates a broader field of attention. Young children tend to exhibit lantern consciousness; so do many people on psychedelics. This more diffuse form of attention lends itself to mind wandering, free association, and the making of novel connections—all of which can nourish creativity. By comparison, caffeine’s big contribution to human progress has been to intensify spotlight consciousness—the focused, linear, abstract, and efficient cognitive processing more closely associated with mental work than with play. This, more than anything else, is what made caffeine the perfect drug not only for the age of reason and the Enlightenment but for the rise of capitalism, too.
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Michael Pollan (This Is Your Mind on Plants)
“
Who is he?”
Eleanor lowered her voice, the name rolling off her tongue like a dark secret. “Dante Berlin.”
I laughed. “Dante? Like the Dante who wrote the Inferno? Did he pick that name just to cultivate his ‘dark and mysterious’ persona?”
Eleanor shook her head in disapproval. “Just wait till you see him. You won’t be laughing then.”
I rolled my eyes. “I bet his real name is something boring like Eugene or Dwayne.”
I expected Eleanor to laugh or say something in return, but instead she gave me a concerned look. I ignored it.
“He sounds like a snob to me. I bet he’s one of those guys who know they’re good-looking. He probably hasn’t even read the Inferno. It’s easy to pretend you’re smart when you don’t to anyone.”
Eleanor still didn’t respond. “Shh . . .” she muttered under her breath.
But before I could say “What?” I heard a cough behind me. Oh God, I thought to myself, and slowly turned around.
“Hi,” he said with a half grin that seemed to be mocking me.
And that’s how I met Dante Berlin.
So how do you describe someone who leaves you speechless?
He was beautiful. Not Monet beautiful or white sandy beach beautiful or even Grand Canyon beautiful. It was both more overwhelming and more delicate. Like gazing into the night sky and feeling incredibly small in comparison. Like holding a shell in your hand and wondering how nature was able to make something so complex yet to perfect: his eyes, dark and pensive; his messy brown hair tucked behind one ear; his arms, strong and lean beneath the cuffs of his collared shirt.
I wanted to say something witty or charming, but all I could muster up was a timid “Hi.”
He studied me with what looked like a mix of disgust and curiosity.
“You must be Eugene,” I said.
“I am.” He smiled, then leaned in and added, “I hope I can trust you to keep my true identity a secret. A name like Eugene could do real damage to my mysterious persona.”
I blushed at the sound of my words coming from his lips. He didn’t seem anything like the person Eleanor had described.
“And you are—”
“Renee,” I interjected.
“I was going to say, ‘in my seat,’ but Renee will do.”
My face went red. “Oh, right. Sorry.”
“Renee like the philosopher Rene Descartes? How esoteric of you. No wonder you think you know everything. You probably picked that name just to cultivate your overly analytical persona.”
I glared at him. I knew he was just dishing back my own insults, but it still stung. “Well, it was nice meeting you,” I said curtly, and pushed past him before he could respond, waving a quick good-bye to Eleanor, who looked too stunned to move.
I turned and walked to the last row, using all of my self-control to resist looking back.
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Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
“
Sometimes it amazed him. Lanky Thom with his white hair and mustaches, who had been a Queen’s lover once, and more willingly than himself, not to mention more than a lover, if you believed half he said. Square-jawed Harnan with that tattoo on his cheek and more elsewhere, who had been a soldier all his life. Juilin with his bamboo staff and his sword-breaker on his hip, who thought himself as good as any lord even if the idea of carrying a sword himself still made him uneasy, and fat Vanin, who made Juilin look a bootlicker by comparison. Skinny Fergin, and Gorderan, nearly as wide in the shoulders as Perrin, and Metwyn, whose pale Cairhienin face still looked like a boy’s despite being years older than Mat. Some of them followed Mat Cauthon because they thought he was lucky, because his luck might keep them alive when the swords were out, and some for reasons he was not really sure of, but they followed. Not even Thom had ever more than protested an order of his. Maybe Renaile had been more than luck. Maybe his being ta’veren did more than dump him in the-middle of trouble. Suddenly he felt... responsible... for these men. It was an uncomfortable feeling. Mat Cauthon and responsibility did not go together. It was unnatural.
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Robert Jordan (A Crown of Swords (The Wheel of Time, #7))
“
Mr. Herbert Read, by the way, has made a rather unfortunate critical condemnation of Lawrence’s Seven Pillars as being an account of a campaign where men did not heroically suffer the machine-made boredom and agony of the Western trenches, and which therefore can hardly be taken seriously. This reads like a glorification of the more horrible sort of war at the expense of the less horrible, which cannot be what Mr. Read (an anti-militarist, and for good reason) intends. If he wishes to point out that all war is evil in itself, whatever its glamour, he should not complicate his argument by a false comparison of heroisms.
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Robert Graves (Lawrence and the Arabs)
“
At Camp Don Bosco, there were Bibles all over the place, mostly 1970s hippie versions like Good News for Modern Man. They had groovy titles like The Word or The Way, and translated the Bible into “contemporary English,” which meant Saul yelling at Jonathan, “You son of a bitch!” (I Samuel 20:30). Awesome! The King James version gave this verse as “Thou son of the perverse rebellious woman,” which was bogus in comparison. Maybe these translations went a bit far. I recall one of the Bibles translating the inscription over the cross, “INRI” (Iesus Nazaremus Rex Iudaeorum), as “SSDD” (Same Shit Different Day), and another describing the Last Supper — the night before Jesus’ death, a death he freely accepted — where Jesus breaks the bread, gives it to his disciples, and says, “It’s better to burn out than fade away,” but these memories could be deceptive.
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Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
“
I don’t want to talk about me. We never talk about you. I probably don’t know anything about you.
He laces his fingers into mine and rests our hands on his stomach. I move my fingertips in tiny circles and he sighs indulgently.
“Sure you do. Go on, list everything.”
“I know surface things. The color of your shirts. Your lovely blue eyes. You live on mints and make me look like a pig in comparison. You scare three-quarters of B and G employees absolutely senseless, but only because the other quarter haven’t met you yet.”
He smirks. “Such a bunch of delicate sissies.”
I keep ticking things off.
“You’ve got a pencil you use for secret purposes I think relate to me. You dry clean on alternate Fridays. The projector in the boardroom strains your eyes and gives you headaches. You’re good at using silence to scare the shit out of people. It’s your go-to strategy in meetings. You sit there and stare with your laser-eyes until your opponent crumbles.”
He remains silent.
“Oh, and you’re secretly a decent human being.”
“You definitely know more about me than anyone else.” I can feel a tension in him. When I look at his face, he looks shaken. My stalking has scared the ever-loving shit out of him. Unfortunately, the next thing I say sounds deranged.
I want to know what’s going on in your brain. I want to juice your head like a lemon.
”
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Sally Thorne (The Hating Game)
“
all good things beyond sleep come precisely because we defy gravity while we live. Besides, somewhere in the basement of The Jolly Corner to this day, mildewing amidst the pages of an equally mildewed paperback, is a 3-x-5 card on which I had scribbled this quote from Flaubert: Books aren’t made the way babies are: they are made like pyramids. There’s some long-pondered plan, and then great blocks of stone are placed one on top of the other, and it’s back-breaking, sweaty, time-consuming work. And all to no purpose! It just stands there on the desert! But it towers over it prodigiously. Jackals piss at the base of it, and the bourgeois clamber to the top of it, etc. Continue this comparison. I was eight when I jotted down that quote, but even then, the part I enjoyed the most was the delightful “Continue this comparison.” And even then, I understood at once that the pissing jackals were critics.
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Dan Simmons (A Winter Haunting (Seasons of Horror #2))
“
And there is one thing that I really, really like to have company for. Watching TV. I'm not particularly needy in relationships, I actually demand a fair amount of space. But I really like to be in bed with another human being and watch TV. That's as intimate and reassuring and tender as it gets for me. I find dating exhausting and uninteresting, and I really would like to skip over the hours of conversation that you need just to get up to speed on each other's lives, and the stories I've told a million times. I just want to get to the watching TV in bed. If you're on a date with me, you can be certain that this is what I'm evaluating you for—how good is it going to be, cuddling with you in bed and watching Damages
I'm also looking to see if you have clean teeth. For me, anything less than very clean teeth is fucking disgusting. Here's what I would like to do: I would like to get into bed with a DVD of Damages and have a line of men cue up at my door. I would station a dental hygienist at the front of the line who would examine the men's teeth. Upon passing inspection, she(I've never met a male hygienist, and neither have you) would send them back to my bedroom, one at time, in intervals of ten minutes, during which I would cuddle with the man and watch Damages. Leaving nothing to chance, using some sort of medical telemetry, I would have a clinician take basic readings of my heart rate and brain waves, and create a comparison chart to illustrate which candidate was the most soothing presence for me. After reviewing all the data from what will now be known in diagnostic manuals throughout the world as the Silverman-Damages-Nuzzle-Test, I will make my selection.
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”
Sarah Silverman
“
My own good was stuck on a pirate ship, with an aura like a beacon that flared across the Barrens,’ he grits out, a thick spun voice meant to tie knots around me. ‘My own good was cowering before men who were nothing – fucking nothing – in comparison to her.’
All of my ability to breathe is gone as I stare at him in shock.
‘My own good hated me, fought me, argued with me, but I didn’t care, because I watched her slowly come out of her shell, peeling back one layer at a time, and it was stunning.’ He raises the finger in front of my face. ‘I got one touch. One taste, and if it was an act of selfishness, then you should know, it certainly wasn’t one-sided, Auren.’
I can’t blink.
I can’t think.
‘What…what are you saying?’ My chest heaves with the breathless question, like undulating waves in an uncertain sea.
I might drown in the depths of his bottomless eyes.
His teeth snap together, as if my uncertainty sets him on edge. ‘I’m saying that you are my own good. And for you, I gave you a choice, but you chose him.
”
”
Raven Kennedy (Gleam (The Plated Prisoner, #3))
“
Our world was a battleground on which good and evil clashed, and many of the combatants on the dark side were known to everyone. Terrorists, dictators, politicians who were merchants of lies and hate, crooked businessmen in league with them, power-mad bureaucrats, corrupted policemen, embezzlers, street thugs, rapists, and their ilk waged part of the war, and their actions were what made the evening news so colorful and depressing. But those fighting in that dark army had their secret schemes, too, intentions and desires and goals that would make their public villainy seem almost innocent by comparison. They were assisted by other politicians who concealed their hatred and envy, by judges who secretly had no respect for the law, by clergymen who in private worshipped nothing but money or the tender bodies of children, by celebrities who trumpeted their concern for the common man while in their off-screen lives assiduously hobnobbing with and advancing the interests of the elite of elites.… The war unseen by most people was one of clandestine militias, unincorporated businesses, unchartered organizations, philosophical movements that could not survive fresh air and sunlight, secretive coalitions of lunatics who didn’t recognize their own lunacy, nature cults and science cults and religious cults.
”
”
Dean Koontz (Saint Odd (Odd Thomas, #7))
“
Nevertheless, to me the God of Calvinism at its worst (as in those notorious lines in Book III of the Institutes) is simply Domitian made omnipotent. If that were Christianity, it would be too psychologically diseased a creed to take seriously at all, and its adherents would deserve only a somewhat acerbic pity, not respect. If this is one’s religion, then one is simply a diabolist who has gotten the names in the story confused. It is a vision of the faith whose scriptural and philosophical flaws are numerous and crucial, undoubtedly; but those pale in comparison to its far more disturbing moral hideousness. This aspect of orthodox Calvinism is for me unsurpassable evidence for my earlier claim that a mind conditioned to believe that it must believe something incredible is capable of convincing itself to accept just about anything, no matter how repellant to reason (or even good taste). And yet I still insist that, judging from the way Christians actually behave, no one with the exception of a few religious sociopaths really believes any of it as deeply as he or she imagines.
”
”
David Bentley Hart (That All Shall Be Saved: Heaven, Hell, and Universal Salvation)
“
Key Rabbit, allow me to bore you with a comparison of your wife and a beautiful woman," I said. "In the morning a beauty must lie in bed for three or four hours gathering strength for another mighty battle with Nature. Then, after being bathed and toweled by her maids, she loosens her hair in the Cascade of Teasing Willows Style, paints her eyebrows in the Distant Mountain Range Style, anoints herself with the Nine Bends of the River Diving-water Perfume, applies rouge, mascara, and eye shadow, and covers the whole works with a good two inches of the Powder of the Nonchalant Approach. Then she dresses in a plum-blossom patterned tunic with matching skirt and stockings, adds four or five pounds of jewelry, looks in the mirror for any visible sign of humanity and is relieved to find none, checks her makeup to be sure that it has hardened into an immovable mask, sprinkles herself with the Hundred Ingredients Perfume of the Heavenly Spirits who Descended in the Rain Shower, and minces with tiny steps toward the new day. Which, like any other day, will consist of gossip and giggles.
”
”
Barry Hughart (Bridge of Birds (The Chronicles of Master Li and Number Ten Ox, #1))
“
Anyway,” the agent said abruptly. “I just . . . wanted you to know that I’m sorry for everything. I want to help you and the rest of the Order in any way I can, so if there is anything you need, you know where I am.”
“Chase,” Dante said as the male turned to leave the room. “Apology accepted, man. And for what it’s worth, I’m sorry too. I haven’t been fair to you either. Despite our differences, know that I respect you. The Agency lost a good one the day they cut you loose.”
Chase’s smile was crooked as he acknowledged the praise with a short nod.
Dante cleared his throat. “And about that offer of help . . .”
“Name it.”
“Tess was walking a dog when the Rogues attacked her tonight. Ugly little mutt, not good for much more than a foot-warmer, but it’s special to her. Actually, it was a gift from me, more or less. Anyway, the dog was running loose on its leash when I saw it a block or so away from Ben Sullivan’s place.”
“You want me to go retrieve a wayward canine, is that where this is heading?”
“Well, you did say anything, didn’t you?”
“So I did.” Chase chuckled. “All right. I will.”
Dante dug his keys to his Porsche out of his pocket and tossed them to the other vampire. As Chase turned to be on his way again, Dante added, “The little beast answers to the name Harvard, by the way.”
“Harvard,” Chase drawled, shaking his head and throwing a smirk in Dante’s direction. “I don’t suppose that’s a coincidence.”
Dante shrugged. “Good to see that Ivy League pedigree of yours comes in handy for something.”
“Jesus Christ, warrior. You really were busting my ass since the minute I came on board, weren’t you?”
“Hey, by all comparisons, I was kind. Do yourself a favor and don’t look too closely at Niko’s shooting target, unless you’re very secure about your manhood.”
“Assholes,” Chase muttered, but there was only humor in his tone. “Sit tight, and I’ll be back in a few with your mutt. Anything else you’re gonna hit me up for now that I opened my big yap about wanting to get square with you?”
“Actually, there might be something else,” Dante replied, his thoughts going sober when he considered Tess and any kind of future that might be deserving of her. “But we can talk about that when you get back, yeah?”
Chase nodded, catching on to the turn in mood. “Yeah. Sure we can.
”
”
Lara Adrian (Kiss of Crimson (Midnight Breed, #2))
“
So what," the Chelgrian asked, "is the point of me or anybody else writing a symphony, or anything else?"
The avatar raised its brows in surprise. "Well, for one thing, you do it, it's you who gets the feeling of achievement."
"Ignoring the subjective. What would be the point for those listening to it?"
"They'd know it was one of their own species, not a Mind, who created it."
"Ignoring that, too; suppose they weren't told it was by an AI, or didn't care."
"If they hadn't been told then the comparison isn't complete; information is being concealed. If they don't care, then they're unlike any group of humans I've ever encountered."
"But if you can—"
"Ziller, are concerned that Minds—AIs, if you like—can create, or even just appear to create, original works of art?"
"Frankly, when they're the sort of original works of art that I create, yes."
"Ziller, it doesn't matter. You have to think like a mountain climber."
"Oh, do I?"
"Yes. Some people take days, sweat buckets, endure pain and cold and risk injury and—in some cases—permanent death to achieve the summit of a mountain only to discover there a party of their peers freshly arrived by aircraft and enjoying a light picnic."
"If I was one of those climbers I'd be pretty damned annoyed."
"Well, it is considered rather impolite to land an aircraft on a summit which people are at that moment struggling up to the hard way, but it can and does happen. Good manners indicate that the picnic ought to be shared and that those who arrived by aircraft express awe and respect for the accomplishment of the climbers.
"The point, of course, is that the people who spent days and sweated buckets could also have taken an aircraft to the summit if all they'd wanted was to absorb the view. It is the struggle that they crave. The sense of achievement is produced by the route to and from the peak, not by the peak itself. It is just the fold between the pages." The avatar hesitated. It put its head a little to one side and narrowed its eyes. "How far do I have to take this analogy, Cr. Ziller?
”
”
Iain M. Banks (Look to Windward (Culture, #7))
“
The second thing that can be said with regard to life expectancy is that it is not a good idea to be an American. Compared with your peers in the rest of the industrialized world, even being well-off doesn’t help you here. A randomly selected American aged forty-five to fifty-four is more than twice as likely to die, from any cause, as someone from the same age-group in Sweden. Just consider that. If you are a middle-aged American, your risk of dying before your time is more than double that of a person picked at random off the streets of Uppsala or Stockholm or Linköping. It is much the same when other nationalities are brought in for comparison. For every 400 middle-aged Americans who die each year, just 220 die in Australia, 230 in Britain, 290 in Germany, and 300 in France. These health deficits begin at birth and go right on through life. Children in the United States are 70 percent more likely to die in childhood than children in the rest of the wealthy world. Among rich countries, America is at or near the bottom for virtually every measure of medical well-being—for chronic disease, depression, drug abuse, homicide, teenage pregnancies, HIV prevalence. Even sufferers of cystic fibrosis live ten years longer on average in Canada than in the United States. What is perhaps most surprising is that all these poorer outcomes apply not just to underprivileged citizens but to prosperous white college-educated Americans when compared with their socioeconomic equivalents abroad.
”
”
Bill Bryson (The Body: A Guide for Occupants)
“
My own choice of a single-variable measure for rapid and revealing comparisons of quality of life is infant mortality: the number of deaths during the first year of life that take place per 1,000 live births. Infant mortality is such a powerful indicator because low rates are impossible to achieve without having a combination of several critical conditions that define good quality of life—good healthcare in general, and appropriate prenatal, perinatal, and neonatal care in particular; proper maternal and infant nutrition; adequate and sanitary living conditions; and access to social support for disadvantaged families—and that are also predicated on relevant government and private spending, and on infrastructures and incomes that can maintain usage and access. A single variable thus captures a number of prerequisites for the near-universal survival of the most critical period of life: the first year.
”
”
Vaclav Smil (Numbers Don't Lie: 71 Things You Need to Know About the World)
“
What else do you assess during these test drives?" He felt electricity, every nerve in his body firing at once, this attraction raw and unexpected. "Tires?"
As one, they slowed a few feet before the sidewalk, stopping in the shadows as if neither of them wanted to step into the glare of the lights.
She turned to face him, her gaze dipping to his shoes. "They do seem to be in good working order."
"Suspension?" He took a step closer and heard her breath catch in her throat.
"A little bit stiff." She licked her lips. "I think we're in for a rough ride."
"Acceleration?" Jay shoved the warning voice out of his head and cupped her jaw, brushing his thumb over her soft cheek. Her gaze grew heavy and she sighed. Or was it a whimper? He could barely hear over the rush of blood through his ears.
"A little too fast," she whispered, leaning in. She pressed one palm against his chest, and in that moment he knew she wanted him, too. "Maybe I should test the handling."
Dropping his head, he brushed soft kisses along her jaw, feathering a path to the bow of her mouth as he slid one hand under her soft hair to cup her nape. He felt like he'd just trapped a butterfly. If he didn't hold on tight, she might fly away. "Or the navigation."
She moaned, the soft sound making him tense inside. His free hand slid over her curves to her hip and she ground up against him, a deliciously painful pressure on his already-hard shaft.
"Navigation it is." He breathed in the scent of her. Wildflowers. A thunderstorm. The rolling sea.
”
”
Sara Desai (The Singles Table (Marriage Game, #3))
“
The sawdust flew. A slightly sweet fragrance floated in the immediate area. It was a sweet but subtle aroma, neither the scent of pine nor willow, but one from the past that had been forgotten, only to reappear now after all these years, fresher than ever. The workmen occasionally scooped up a handful of sawdust, which they put into their mouths and swallowed. Before that they had chewed on pieces of green bark that they had stripped from the cut wood. It had the same fragrance and it freshened their mouths, so at first that was what they had used. Now even though they were no longer chewing the bark with which they felt such a bond, the stack of corded wood was a very appealing sight. From time to time they gave the logs a friendly slap or kick. Each time they sawed off a section, which rolled to the ground from the sawhorse, they would say:
'Off with you - go over there and lie down where you belong.'
What they were thinking was that big pieces of lumber like this should be used to make tables or chairs or to repair a house or make window frames; wood like this was hard to find.
But now they were cutting it into kindling to be burned in stoves, a sad ending for good wood like this. They could see a comparison with their own lives, and this was a saddening thought. ("North China")
”
”
Xiao Hong (Selected Stories of Xiao Hong (Panda Books))
“
Ildiko shuddered. Her hope to never again see or eat the Kai’s most beloved and revolting delicacy had been in vain. When Brishen informed her that the dish was one of Serovek’s favorites, she resigned herself to another culinary battle with her food and put the scarpatine on the menu. She ordered roasted potatoes as well, much to the head cook’s disgust.
When servants brought out the food and set it on the table, Brishen leaned close and whispered in her ear. “Revenge, wife?”
“Hardly,” she replied, keeping a wary eye on the pie closest to her. The golden top crust, with its sprinkle of sparkling salt, pitched in a lazy undulation. “But I’m starving, and I have no intention of filling up on that abomination.”
Their guest of honor didn’t share their dislike of either food. As deft as any Kai, Serovek made short work of the scarpatine and its whipping tail, cleaved open the shell with his knife and took a generous bite of the steaming gray meat.
Ildiko’s stomach heaved. She forgot her nausea when Serovek complimented her. “An excellent choice to pair the scarpatine with the potato, Your Highness. They are better together than apart.”
Beside her, Brishen choked into his goblet. He wiped his mouth with his sanap. “What a waste of good scarpatine,” he muttered under his breath.
What a waste of a nice potato, she thought. However, the more she thought on Serovek’s remark, the more her amusement grew.
“And what has you smiling so brightly?” Brishen stared at her, his lambent eyes glowing nearly white in the hall’s torchlight.
She glanced at Serovek, happily cleaning his plate and shooting the occasional glance at Anhuset nearby. Brishen’s cousin refused to meet his gaze, but Ildiko had caught the woman watching the Beladine lord more than a few times during dinner.
“That’s us, you know,” she said.
“What is us?”
“The scarpatine and the potato. Better together than alone. At least I think so.”
One of Brishen’s eyebrows slid upward. “I thought we were hag and dead eel. I think I like those comparisons more.” He shoved his barely-touched potato to the edge of his plate with his knife tip, upper lip curled in revulsion to reveal a gleaming white fang.
Ildiko laughed and stabbed a piece of the potato off his plate. She popped it into her mouth and chewed with gusto, eager to blunt the taste of scarpatine still lingering on her tongue.
”
”
Grace Draven (Radiance (Wraith Kings, #1))
“
The vice I am talking of is Pride or Self-Conceit: and the virtue opposite to it, in Christian morals, is called Humility. You may remember, when I was talking about sexual morality, I warned you that the centre of Christian morals did not lie there. Well, now, we have come to the centre. According to Christian teachers, the essential vice, the utmost evil, is Pride. Unchastity, anger, greed, drunkenness, and all that, are mere fleabites in comparison: it was through Pride that the devil became the devil: Pride leads to every other vice: it is the complete anti-God state of mind. Does this seem to you exaggerated? If so, think it over. I pointed out a moment ago that the more pride one had, the more one disliked pride in others. In fact, if you want to find out how proud you are the easiest way is to ask yourself, ‘How much do I dislike it when other people snub me, or refuse to take any notice of me, or shove their oar in, or patronise me, or show off?’ The point is that each person’s pride is in competition with every one else’s pride. It is because I wanted to be the big noise at the party that I am so annoyed at someone else being the big noise. Two of a trade never agree. Now what you want to get clear is that Pride is essentially competitive—is competitive by its very nature—while the other vices are competitive only, so to speak, by accident. Pride gets no pleasure out of having something, only out of having more of it than the next man. We say that people are proud of being rich, or clever, or good-looking, but they are not. They are proud of being richer, or cleverer, or better-looking than others. If everyone else became equally rich, or clever, or good-looking there would be nothing to be proud about. It is the comparison that makes you proud: the pleasure of being above the rest. Once the element of competition has gone, pride has gone.
”
”
C.S. Lewis (The Complete C. S. Lewis Signature Classics)
“
Okay,” Emil said. “What are the primary languages of God?” Corporal Gheorghe smiled, put his hand on his chest, and said, “Whatever emotions you carry in your heart, Martel, especially love. God listens loud and clear if you feel love. The Almighty also knows if you are feeling good. The Universal Intelligence responds when you are happy or courageous or even if you are just calm. It understands when you are grateful for the miracle of your existence and rushes to help you when you have a dream that helps other people. The Divine hears all the languages of the heart and beauty.” The corporal sobered and pointed at Emil’s chest. “All languages of the heart, Martel. Private Kumar said if you are dark in your heart, with too many bad thoughts circling in your mind, God also listens. When you suffer and curse your life, the Almighty listens closely. When you have no goodness in your heart or your prayers. No love. No calm. No desire to help others. No thankfulness for the miracle of your life. When you hold things like hatred or anger in your heart or envy or comparison, when life is all about how everything is unfair to me, me, me, the Divine understands those ancient languages of self-destruction, too. The thing is, the Universal Intelligence will help you even if your dreams come from a dark place, but the dreams will end up destroying you in the process. If you don’t believe me, think of Hitler or any other tyrant.” Gheorghe returned his hand to his heart. “So live here, Martel. Love life like it is a miracle every day, every moment, and dream in a way that helps others, and the Divine will hear you and you will walk through battles untouched and have anything your heart desires.
”
”
Mark T. Sullivan (The Last Green Valley)
“
As for having reached the top, with only one way to go from there, Lee had a point, no? I mean, if you cannot repeat a once-in-a-lifetime miracle—if you can never again reach the top—then why bother creating at all? Well, I can actually speak about this predicament from personal experience, because I myself was once “at the top”—with a book that sat on the bestseller list for more than three years. I can’t tell you how many people said to me during those years, “How are you ever going to top that?” They’d speak of my great good fortune as though it were a curse, not a blessing, and would speculate about how terrified I must feel at the prospect of not being able to reach such phenomenal heights again. But such thinking assumes there is a “top”—and that reaching that top (and staying there) is the only motive one has to create. Such thinking assumes that the mysteries of inspiration operate on the same scale that we do—on a limited human scale of success and failure, of winning and losing, of comparison and competition, of commerce and reputation, of units sold and influence wielded. Such thinking assumes that you must be constantly victorious—not only against your peers, but also against an earlier version of your own poor self. Most dangerously of all, such thinking assumes that if you cannot win, then you must not continue to play. But what does any of that have to do with vocation? What does any of that have to do with the pursuit of love? What does any of that have to do with the strange communion between the human and the magical? What does any of that have to do with faith? What does any of that have to do with the quiet glory of merely making things, and then sharing those things with an open heart and no expectations?
”
”
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)