Suggest Me Best Quotes

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Now before we do any digging around in that blond head of yours to find out the truth, I suggest you cool your temper. And I know just where you can do that best.” Jace blinked. “Are you sending me to my room?
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
Look. I don’t want to push you into anything, but do you maybe want to —” “Call Magnus? Look, that’s a dead end, I know you’re trying to be helpful, but —” “—kiss me?” Jace finished. Alec looked as if he were about to fall off his chair. “WHAT? What? What?” “Once what would do.” Jace did his best to look as if this were the sort of suggestion one made all the time. “I think it might help.” Alec looked at him with something like horror. “You don’t mean that.” “Why wouldn’t I mean it?” “Because you’re the straightest person I know. Possibly the straightest person in the universe.” “Exactly,” Jace said, and leaned forward, and kissed Alec on the mouth. The kiss lasted approximately four seconds before Alec pulled forcefully away, throwing his hands up as if to ward Jace off from coming at him again. He looked as if he were about to throw up. “By the Angel,” he said. “Don’t ever do that again.” “Oh yeah?” Jace grinned, and almost meant it. “That bad?” “Like kissing my brother,” said Alec, with a look of horror in his eyes. “I thought you might feel that way.” Jace crossed his arms over his chest. “Also, I’m hoping we can just gloss over all the irony in what you just said.” “We can gloss over whatever you want to,” Alec said fervently. “Just don’t kiss me again.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
Last night, Dixon had suggested combat boots in place of Carrow’s own—her two-thousand-dollar, gathered-leather, over-the-knee boots. “Do you want me to go in as an enchantress or a warrior?” Carrow had asked testily. “Pick a caste, any caste, mortal. I myself think I have the best chance as an enchantress. And fuck-me boots are standard-issue.
Kresley Cole (Demon from the Dark (Immortals After Dark, #9))
There are times when a feeling of expectancy comes to me, as if something is there, beneath the surface of my understanding, waiting for me to grasp it. It is the same tantalizing sensation when you almost remember a name, but don't quite reach it. I can feel it when I think of human beings, of the hints of evolution suggested by the removal of wisdom teeth, the narrowing of the jaw no longer needed to chew such roughage as it was accustomed to; the gradual disappearance of hair from the human body; the adjustment of the human eye to the fine print, the swift, colored motion of the twentieth century. The feeling comes, vague and nebulous, when I consider the prolonged adolesence of our species; the rites of birth, marriage and death; all the primitive, barbaric ceremonies streamlined to modern times. Almost, I think, the unreasoning, bestial purity was best. Oh, something is there, waiting for me. Perhaps someday the revelation will burst in upon me and I will see the other side of this monumental grotesque joke. And then I'll laugh. And then I'll know what life is.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
Are you suggesting I’m working with the zombies? That I paid them to pretend to attack me so that I’d trick you into letting me join you?”“Did you?” Mr. Holland demanded.“Yeah, okay,” I said in a sugar-sweet tone. “You’re right. I was having dinner with Zombie Carl the other night. You know, steaks, rare, and a bottle of vintage type A. He told me all his secrets, but too bad for you I promised him I wouldn’t tell. In exchange I asked him to gather his best undead buddies and stalk me through my friend’s yard. And oh, yeah, it was totally fine if they wanted to use me as an all-night dinner buffet, because having organs is so last season.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
I was tired of well-meaning folks, telling me it was time I got over being heartbroke. When somebody tells you that, a little bell ought to ding in your mind. Some people don't know grief from garlic grits. There's somethings a body ain't meant to get over. No I'm not suggesting you wallow in sorrow, or let it drag on; no I am just saying it never really goes away. (A death in the family) is like having a pile of rocks dumped in your front yard. Every day you walk out and see them rocks. They're sharp and ugly and heavy. You just learn to live around them the best way you can. Some people plant moss or ivy; some leave it be. Some folks take the rocks one by one, and build a wall.
Michael Lee West (American Pie)
So what's your second suggestion?" "Tread lightly." "That's it? That's the best advice you can give me?" "All right, tread very lightly.
Sarah MacLean (The Season)
People who know me well understand fully what I am saying when I suggest that I am working an appetite and that we'd best be making our move. This means it is time to hit the road before my blood sugar-what's left of it-crashes to that point where I'm going to ruin your fucking day.
Gabrielle Hamilton
Students of public speaking continually ask, "How can I overcome self-consciousness and the fear that paralyzes me before an audience?" Did you ever notice in looking from a train window that some horses feed near the track and never even pause to look up at the thundering cars, while just ahead at the next railroad crossing a farmer's wife will be nervously trying to quiet her scared horse as the train goes by? How would you cure a horse that is afraid of cars—graze him in a back-woods lot where he would never see steam-engines or automobiles, or drive or pasture him where he would frequently see the machines? Apply horse-sense to ridding yourself of self-consciousness and fear: face an audience as frequently as you can, and you will soon stop shying. You can never attain freedom from stage-fright by reading a treatise. A book may give you excellent suggestions on how best to conduct yourself in the water, but sooner or later you must get wet, perhaps even strangle and be "half scared to death." There are a great many "wetless" bathing suits worn at the seashore, but no one ever learns to swim in them. To plunge is the only way.
Dale Carnegie (The Art of Public Speaking)
1. Bangladesh.... In 1971 ... Kissinger overrode all advice in order to support the Pakistani generals in both their civilian massacre policy in East Bengal and their armed attack on India from West Pakistan.... This led to a moral and political catastrophe the effects of which are still sorely felt. Kissinger’s undisclosed reason for the ‘tilt’ was the supposed but never materialised ‘brokerage’ offered by the dictator Yahya Khan in the course of secret diplomacy between Nixon and China.... Of the new state of Bangladesh, Kissinger remarked coldly that it was ‘a basket case’ before turning his unsolicited expertise elsewhere. 2. Chile.... Kissinger had direct personal knowledge of the CIA’s plan to kidnap and murder General René Schneider, the head of the Chilean Armed Forces ... who refused to countenance military intervention in politics. In his hatred for the Allende Government, Kissinger even outdid Richard Helms ... who warned him that a coup in such a stable democracy would be hard to procure. The murder of Schneider nonetheless went ahead, at Kissinger’s urging and with American financing, just between Allende’s election and his confirmation.... This was one of the relatively few times that Mr Kissinger (his success in getting people to call him ‘Doctor’ is greater than that of most PhDs) involved himself in the assassination of a single named individual rather than the slaughter of anonymous thousands. His jocular remark on this occasion—‘I don’t see why we have to let a country go Marxist just because its people are irresponsible’—suggests he may have been having the best of times.... 3. Cyprus.... Kissinger approved of the preparations by Greek Cypriot fascists for the murder of President Makarios, and sanctioned the coup which tried to extend the rule of the Athens junta (a favoured client of his) to the island. When despite great waste of life this coup failed in its objective, which was also Kissinger’s, of enforced partition, Kissinger promiscuously switched sides to support an even bloodier intervention by Turkey. Thomas Boyatt ... went to Kissinger in advance of the anti-Makarios putsch and warned him that it could lead to a civil war. ‘Spare me the civics lecture,’ replied Kissinger, who as you can readily see had an aphorism for all occasions. 4. Kurdistan. Having endorsed the covert policy of supporting a Kurdish revolt in northern Iraq between 1974 and 1975, with ‘deniable’ assistance also provided by Israel and the Shah of Iran, Kissinger made it plain to his subordinates that the Kurds were not to be allowed to win, but were to be employed for their nuisance value alone. They were not to be told that this was the case, but soon found out when the Shah and Saddam Hussein composed their differences, and American aid to Kurdistan was cut off. Hardened CIA hands went to Kissinger ... for an aid programme for the many thousands of Kurdish refugees who were thus abruptly created.... The apercu of the day was: ‘foreign policy should not he confused with missionary work.’ Saddam Hussein heartily concurred. 5. East Timor. The day after Kissinger left Djakarta in 1975, the Armed Forces of Indonesia employed American weapons to invade and subjugate the independent former Portuguese colony of East Timor. Isaacson gives a figure of 100,000 deaths resulting from the occupation, or one-seventh of the population, and there are good judges who put this estimate on the low side. Kissinger was furious when news of his own collusion was leaked, because as well as breaking international law the Indonesians were also violating an agreement with the United States.... Monroe Leigh ... pointed out this awkward latter fact. Kissinger snapped: ‘The Israelis when they go into Lebanon—when was the last time we protested that?’ A good question, even if it did not and does not lie especially well in his mouth. It goes on and on and on until one cannot eat enough to vomit enough.
Christopher Hitchens
That a work of the imagination has to be “really” about some problem is, again, an heir of Socialist Realism. To write a story for the sake of storytelling is frivolous, not to say reactionary. The demand that stories must be “about” something is from Communist thinking and, further back, from religious thinking, with its desire for self-improvement books as simple-minded as the messages on samplers. The phrase “political correctness” was born as Communism was collapsing. I do not think this was chance. I am not suggesting that the torch of Communism has been handed on to the political correctors. I am suggesting that habits of mind have been absorbed, often without knowing it. There is obviously something very attractive about telling other people what to do: I am putting it in this nursery way rather than in more intellectual language because I see it as nursery behavior. Art — the arts generally — are always unpredictable, maverick, and tend to be, at their best, uncomfortable. Literature, in particular, has always inspired the House committees, the Zhdanovs, the fits of moralizing, but, at worst, persecution. It troubles me that political correctness does not seem to know what its exemplars and predecessors are; it troubles me more that it may know and does not care. Does political correctness have a good side? Yes, it does, for it makes us re-examine attitudes, and that is always useful. The trouble is that, with all popular movements, the lunatic fringe so quickly ceases to be a fringe; the tail begins to wag the dog. For every woman or man who is quietly and sensibly using the idea to examine our assumptions, there are 20 rabble-rousers whose real motive is desire for power over others, no less rabble-rousers because they see themselves as anti-racists or feminists or whatever.
Doris Lessing
If you had to listen to a lawyer read the email or text out loud in a courtroom, would you change the tone? When I was a teenager, my mom used to tell me not to put anything in writing that I would feel uncomfortable seeing published on the front page of the New York Times. I understood, even then, what she was suggesting: Engage only in behavior that you’re prepared to stand by and defend. Be on your toes to be your best self at all times, even when no one is watching.
James J. Sexton (How to Stay in Love: A Divorce Lawyer's Guide to Staying Together)
2 Note: If you’re ever trapped with me in a burning building, and I suggest an idea for how we could escape the situation, it’s probably best to ignore me.
Randall Munroe (What If?: Serious Scientific Answers to Absurd Hypothetical Questions)
when she needs me, you can best believe I’ll be there. So, I suggest you let what I’ve just said to you soak in a little.
S.K. Lessly (Ruined (Loving an Alpha Male, #1))
Mr. Kadam, something’s been bothering me.” He teased, “Only one thing?” I laughed. “For now. I’ve been wondering, did you ever really ask Mr. Davis to come with you to take care of Ren? I mean, what would you have done if he’d said yes and I’d said no?” “I did ask him, just to keep up appearances, but I also suggested subtly to Mr. Maurizio that it might be in his best interest to persuade Mr. Davis not to go. In fact, I offered him more money if he would insist Mr. Davis stay with the circus. As far as what to do if you had turned us down, I suppose we would have had to make you a better offer and keep trying until we found one you couldn’t refuse.” “What if I still said no? Would you have kidnapped me?” Mr. Kadam laughed. “No. If our offer had still been turned down, my next step would have been to tell you the truth and hope you believed me.” “Whew, that’s a relief.” “Then I would have kidnapped you.” He chuckled at his joke and turned his attention back to our dinner. “That’s not very funny, Mr. Kadam.” “I couldn’t resist. Sorry, Miss Kelsey.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
We all know food is not just food. It’s thoughtfulness, generosity, and, yes, love. It’s a way of showing that you care for him that he will understand even better than words. But what about me? I hear you asking yourself. Why can’t he cook for me every once in a while? A comedian I heard recently suggested that the best way to get a man to cook for you is to get him to associate cooking with danger. Men who don’t like to fuss with sauces and muffin pans nevertheless can get pretty excited about grilling meats or chopping just about anything. If cooking involves fire or large knives or a whole fish – preferably all three – he’s there.
Sydney Biddle Barrows
Mystery the moon A hole in the sky A supernatural nightlight So full but often right A pair of eyes, a closin' one, A chosen child of golden sun A marble dog that chases cars To farthest reaches of the beach and far beyond into the swimming sea of stars A cosmic fish they love to kiss They're giving birth to constellation No riffs and oh, no reservation. If they should fall you get a wish or dedication May I suggest you get the best For nothing less than you and I Let's take a chance as this romance is rising over before we lose the lighting Oh bella bella please Bella you beautiful luna Oh bella do what you do Do do do do do You are an illuminating anchor Of leagues to infinite number Crashing waves and breaking thunder Tiding the ebb and flows of hunger You're dancing naked there for me You expose all memory You make the most of boundary You're the ghost of royalty imposing love You are the queen and king combining everything Intertwining like a ring around the finger of a girl I'm just a singer, you're the world All I can bring ya Is the language of a lover Bella luna, my beautiful, beautiful moon How you swoon me like no other May I suggest you get the best Of your wish may I insist That no contest for little you or smaller I A larger chance happened, all them they lie On the rise, on the brink of our lives Bella please Bella you beautiful luna Oh bella do what you do Bella luna, my beautiful, beautiful moon How you swoon me like no other, oh oh oh ((Bella Luna))
Jason Mraz
The thing about being barren is that you’re not allowed to get away from it. Not when you’re in your thirties. My friends were having children, friends of friends were having children, pregnancy and birth and first birthday parties were everywhere. I was asked about it all the time. My mother, our friends, colleagues at work. When was it going to be my turn? At some point our childlessness became an acceptable topic of Sunday-lunch conversation, not just between Tom and me, but more generally. What we were trying, what we should be doing, do you really think you should be having a second glass of wine? I was still young, there was still plenty of time, but failure cloaked me like a mantle, it overwhelmed me, dragged me under, and I gave up hope. At the time, I resented the fact that it was always seen as my fault, that I was the one letting the side down. But as the speed with which he managed to impregnate Anna demonstrates, there was never any problem with Tom’s virility. I was wrong to suggest that we should share the blame; it was all down to me. Lara, my best friend since university, had two children in two years: a boy first and then a girl. I didn’t like them. I didn’t want to hear anything about them. I didn’t want to be near them. Lara stopped speaking to me after a while. There was a girl at work who told me—casually, as though she were talking about an appendectomy or a wisdom-tooth extraction—that she’d recently had an abortion, a medical one, and it was so much less traumatic than the surgical one she’d had when she was at university. I couldn’t speak to her after that, I could barely look at her. Things became awkward in the office; people noticed. Tom didn’t feel the way I did. It wasn’t his failure, for starters, and in any case, he didn’t need a child like I did. He wanted to be a dad, he really did—I’m sure he daydreamed about kicking a football around in the garden with his son, or carrying his daughter on his shoulders in the park. But he thought our lives could be great without children, too. “We’re happy,” he used to say to me. “Why can’t we just go on being happy?” He became frustrated with me. He never understood that it’s possible to miss what you’ve never had, to mourn for it.
Paula Hawkins (The Girl on the Train)
So should I just conjure a boat?” I asked her now. She shrugged. “I’m not the one with magic. Just get over however you think is best.” “I could swim,” I suggested. “Ooh! Or maybe magic up like, a sweet Jet Ski?” I held my hands out in front of me as if I were clutching the handlebars of said sweet Jet Sky. Aislinn watched me for a moment before saying, “Is this what you always do when you’re nervous?” My hands fell back to my sides. “Pretty much.” I turned back to the water. “See, the thing is, I’m pretty sure I could make a boat. But then if I do, do I give it a motor? Or a sail? Or am I expected to row myself all the way-“ “Please be quiet until you think of something.” The words themselves weren’t particularly threatening, but Aislinn had a way of looking at you that made you feel like she was mere seconds away from kicking you in the face.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
I smack into him as if shoved from behind. He doesn't budge, not an inch. Just holds my shoulders and waits. Maybe he's waiting for me to find my balance. Maybe he's waiting for me to gather my pride. I hope he's got all day. I hear people passing on the boardwalk and imagine them staring. Best-case scenario, they think I know this guy, that we're hugging. Worst-case scenario, they saw me totter like an intoxicated walrus into this complete stranger because I was looking down for a place to park our beach stuff. Either way, he knows what happened. He knows why my cheek is plastered to his bare chest. And there is definite humiliation waiting when I get around to looking up at him. Options skim through my head like a flip book. Option One: Run away as fast as my dollar-store flip flops can take me. Thing is, tripping over them is partly responsible for my current dilemma. In fact, one of them is missing, probably caught in a crack of the boardwalk. I'm getting Cinderella didn't feel this foolish, but then again, Cinderella wasn't as clumsy as an intoxicated walrus. Option two: Pretend I've fainted. Go limp and everything. Drool, even. But I know this won't work because my eyes flutter too much to fake it, and besides, people don't blush while unconscious. Option Three: Pray for a lightning bolt. A deadly one that you feel in advance because the air gets all atingle and your skin crawls-or so the science books say. It might kill us both, but really, he should have been paying more attention to me when he saw that I wasn't paying attention at all. For a shaved second, I think my prayers are answered because I go get tingly all over; goose bumps sprout everywhere, and my pulse feels like electricity. Then I realize, it's coming from my shoulders. From his hands. Option Last: For the love of God, peel my cheek off his chest and apologize for the casual assault. Then hobble away on my one flip-flop before I faint. With my luck, the lightning would only maim me, and he would feel obligated to carry me somewhere anyway. Also, do it now. I ease away from him and peer up. The fire on my cheeks has nothing to do with the fact that it's sweaty-eight degrees in the Florida sun and everything to do with the fact that I just tripped into the most attractive guy on the planet. Fan-flipping-tastic. "Are-are you all right?" he says, incredulous. I think I can see the shape of my cheek indented on his chest. I nod. "I'm fine. I'm used to it. Sorry." I shrug off his hands when he doesn't let go. The tingling stays behind, as if he left some of himself on me. "Jeez, Emma, are you okay?" Chloe calls from behind. The calm fwopping of my best friend's sandals suggests she's not as concerned as she sounds. Track star that she is, she would already be at my side if she thought I was hurt. I groan and face her, not surprised that she's grinning wide as the equator. She holds out my flip-flop, which I try not to snatch from her hand. "I'm fine. Everybody's fine," I say. I turn back to the guy, who seems to get more gorgeous by the second. "You're fine, right? No broken bones or anything?" He blinks, gives a slight nod. Chloe setts her surfboard against the rail of the boardwalk and extends her hand to him. He accepts it without taking his eyes off me. "I'm Chloe and this is Emma," she says. "We usually bring her helmet with us, but we left it back in the hotel room this time.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
He is all my art to me now," said the painter gravely. "I sometimes think, Harry, that there are only two eras of any importance in the world's history. The first is the appearance of a new medium for art, and the second is the appearance of a new personality for art also. What the invention of oil-painting was to the Venetians, the face of Antinous was to late Greek sculpture, and the face of Dorian Gray will some day be to me. It is not merely that I paint from him, draw from him, sketch from him. Of course, I have done all that. But he is much more to me than a model or a sitter. I won't tell you that I am dissatisfied with what I have done of him, or that his beauty is such that art cannot express it. There is nothing that art cannot express, and I know that the work I have done, since I met Dorian Gray, is good work, is the best work of my life. But in some curious way—I wonder will you understand me?—his personality has suggested to me an entirely new manner in art, an entirely new mode of style. I see things differently, I think of them differently. I can now recreate life in a way that was hidden from me before. 'A dream of form in days of thought'—who is it who says that? I forget; but it is what Dorian Gray has been to me. The merely visible presence of this lad—for he seems to me little more than a lad, though he is really over twenty— his merely visible presence—ah! I wonder can you realize all that that means? Unconsciously he defines for me the lines of a fresh school, a school that is to have in it all the passion of the romantic spirit, all the perfection of the spirit that is Greek. The harmony of soul and body— how much that is! We in our madness have separated the two, and have invented a realism that is vulgar, an ideality that is void. Harry! if you only knew what Dorian Gray is to me! You remember that landscape of mine, for which Agnew offered me such a huge price but which I would not part with? It is one of the best things I have ever done. And why is it so? Because, while I was painting it, Dorian Gray sat beside me. Some subtle influence passed from him to me, and for the first time in my life I saw in the plain woodland the wonder I had always looked for and always missed.
Oscar Wilde (The Picture of Dorian Gray)
She nodded anxiously. Kyle sucked on his Popsicle, assessing her eagerness, wondering if he should tell her she was the best sex he's ever had. She would never believe him anyways, so instead, he told her where to improve as she asked. "You can get ahead if you give better head. Got me?" "Ah, okay. What would you suggest?" He stared at her mouth as it moved up and down the frozen treat. "Want to practice?" She gave him a cynical look. "I'm eating my dessert right now." "Okay, practice on that. See how deep you can go." She looked at the sweet treat in her hand and back at him. "I'll choke." "I know CPR. Don't worry. I won't let you. Pretend it's me. I'll be able to direct you better if I'm not the test subject." She shrugged and inserted the Popsicle in her mouth. "Wait," he said, knocking it out of her hand. "Why did you do that?" He took the discarded Popsicle and ran to the kitchen. He retrieved a new one that wasn't broken in halves. "If you're going to pretend it's me, we should be more realistic," he said, unwrapping it for her. "At least in terms of girth. The length... well, you'll have to use your imagination." "Um...grape," she replied and licked the edge. He sat down and rested his chin on his hands to watch her. She licked it a few times and then shocked him by taking a small bite off the top. She gave him an amused smile. Kyle shook his head. "You are a cruel, cruel woman.
M.K. Schiller (The Do-Over)
Something that a lot of people don’t know is that I have a five-month old son. Any free time I have now is spent with him. A few people suggested to me that I should try and hide the fact that I have a son because it might damage my career. But as far as I'm concerned, to hide it would suggest that I was ashamed and I'm not ashamed. I love my son. Me and his mom aren't in a relationship. We're actually best friends. We've known each other for years and years and never ever wanted to be in a relationship with each other. But the one time we... got physical, she fell pregnant. Of course, we did a lot of talking to decide how we were gonna handle the situation. We weren't about to start a relationship for the sake of the child 'cos that's not what either of us wanted. So I just said, "You be mom, I'll be dad and let's just raise a son." And though we're not together, that's exactly what we're doing.
Ne-Yo
The problem is that moderates of all faiths are committed to reinterpreting, or ignoring outright, the most dangerous and absurd parts of their scripture—and this commitment is precisely what makes them moderates. But it also requires some degree of intellectual dishonesty, because moderates can’t acknowledge that their moderation comes from outside the faith. The doors leading out of the prison of scriptural literalism simply do not open from the inside. In the twenty-first century, the moderate’s commitment to scientific rationality, human rights, gender equality, and every other modern value—values that, as you say, are potentially universal for human beings—comes from the past thousand years of human progress, much of which was accomplished in spite of religion, not because of it. So when moderates claim to find their modern, ethical commitments within scripture, it looks like an exercise in self-deception. The truth is that most of our modern values are antithetical to the specific teachings of Judaism, Christianity, and Islam. And where we do find these values expressed in our holy books, they are almost never best expressed there. Moderates seem unwilling to grapple with the fact that all scriptures contain an extraordinary amount of stupidity and barbarism that can always be rediscovered and made holy anew by fundamentalists—and there’s no principle of moderation internal to the faith that prevents this. These fundamentalist readings are, almost by definition, more complete and consistent—and, therefore, more honest. The fundamentalist picks up the book and says, “Okay, I’m just going to read every word of this and do my best to understand what God wants from me. I’ll leave my personal biases completely out of it.” Conversely, every moderate seems to believe that his interpretation and selective reading of scripture is more accurate than God’s literal words. Presumably, God could have written these books any way He wanted. And if He wanted them to be understood in the spirit of twenty-first-century secular rationality, He could have left out all those bits about stoning people to death for adultery or witchcraft. It really isn’t hard to write a book that prohibits sexual slavery—you just put in a few lines like “Don’t take sex slaves!” and “When you fight a war and take prisoners, as you inevitably will, don’t rape any of them!” And yet God couldn’t seem to manage it. This is why the approach of a group like the Islamic State holds a certain intellectual appeal (which, admittedly, sounds strange to say) because the most straightforward reading of scripture suggests that Allah advises jihadists to take sex slaves from among the conquered, decapitate their enemies, and so forth.
Sam Harris (Islam and the Future of Tolerance: A Dialogue)
Why the devil couldn’t it have been blue?” I said to myself. And this thought—one of the most profound ever made since the discovery of butterflies—consoled me for my misdeed and reconciled me with myself. I stood there, looking at the corpse with, I confess, a certain sympathy. The butterfly had probably come out of the woods, well-fed and happy, into the sunlight of a beautiful morning. Modest in its demands on life, it had been content to fly about and exhibit its special beauty under the vast cupola of a blue sky, al sky that is always blue for those that have wings. It flew through my open window, entered by room, and found me there. I suppose it had never seen a man; therefore it did not know what a man was. It described an infinite number of circles about my body and saw that I moved, that I had eyes, arms, legs, a divine aspect, and colossal stature. Then it said to itself, “This is probably the maker of butterflies.” The idea overwhelmed it, terrified it; but fear, which is sometimes stimulating, suggested the best way for it to please its creator was to kiss him on the forehead, and so it kissed me on the forehead. When I brushed it away, it rested on the windowpane, saw from there the portrait of my father, and quite possibly perceived a half-truth, i.e., that the man in the picture was the father of the creator of butterflies, and it flew to beg his mercy. Then a blow from a towel ended the adventure. Neither the blue sky’s immensity, nor the flowers’ joy, nor the green leaves’ splendor could protect the creature against a face towel, a few square inches fo cheap linin. Note how excellent it is to be superior to butterflies! For, even if it had been blue, its life would not have been safe; I might have pierced it with a pin and kept it to delight my eyes. It was not blue. This last thought consoled me again. I placed the nail of my middle finger against my thumb, gave the cadaver a flip, and it fell into the garden. It was high time; the provident ants were already gathering around…Yes, I stand by my first idea: I think that it would have been better for the butterfly if it had been born blue.
Machado de Assis (Memórias póstumas de Brás Cubas)
Stop that." Mortified, she reached out to slam the door shut. "Somebody could come in." "Then stop squirming," he suggested, and gently peeled back the bandage. He nodded in approval. "You did a decent job." Even as she hissed at him, he lowered his head and touched his lips to the cut. "All better," he said with a grin just as the door opened. Peabody gaped, flushed, then stammered out, "Excuse me." "Just leaving," Roarke said, patting the bandage back in place while Eve ground her teeth. "How did you come through this morning's excitement, Peabody?" "Okay, it was... well, actually." She cleared her throat and shot him a hopeful glance. "I got this little nick right here." She rubbed her finger at her jawline, heart fluttering pleasantly when he smiled at her. "So you do." He stepped to her, angled his head, and touched his lips to the tiny cut. "Take care of yourself." "Man, man, oh man," was the best she could manage when he'd left. "He's got such a great mouth. How do you stop yourself from just biting it?" "Wipe the drool off your chin, for Christ's sake. And sit down. We've got a report to write for the commander." "I almost got blown up and got kissed by Roarke all in the same morning. I'm writing it on my calendar." "Settle down." "Yes, sir." She took out her log and got to work. But with a smile on her face.
J.D. Robb (Loyalty in Death (In Death, #9))
Studies suggest How may I help you officer? is the single most disarming thing to say and not What’s the problem? Studies suggest it’s best the help reply My pleasure and not No problem. Studies suggest it’s best not to mention problem in front of power even to say there is none. Gloria Steinem says women lose power as they age and yet the loudest voice in my head is my mother. Studies show the mother we have in mind isn’t the mother that exists. Mine says: What the fuck are you crying for? Studies show the baby monkey will pick the fake monkey with fake fur over the furless wire monkey with milk, without contest. Studies show to negate something is to think it anyway. I’m not sad. I’m not sad. Studies recommend regular expressions of gratitude and internal check-ins. Studies define assertiveness as self-respect cut with deference. Enough, the wire mother says. History is a kind of study. History says we forgave the executioner. Before we mopped the blood we asked: Lord Judge, have I executed well? Studies suggest yes. What the fuck are you crying for, officer? the wire mother teaches me to say, while America suggest Solmaz, have you thanked your executioner today?
Solmaz Sharif (Look: Poems)
Remember how you asked me where I like to live best, the country or the city?”                 “And you said...”                 “And I said I wanted to live in the country and in the city both?”                 Buddy nodded.                 “And you,” I continued with a sudden force, “laughed and said I had the perfect setup of a true neurotic and that that question came from some questionnaire you’d had in psychology class that week?”                 Buddy’s smile dimmed.                 “Well, you were right. I am neurotic. I could never settle down in either the country or the city.”                 “You could live between them,” Buddy suggested helpfully. “Then you could go to the city sometimes and to the country sometimes.”                 “Well, what’s so neurotic about that?”                 Buddy didn’t answer.                 “Well?” I rapped out, thinking, You can’t coddle these sick people, it’s the worst thing for them, it’ll spoil them to bits.                 “Nothing,” Buddy said in a pale, still voice.                 “Neurotic, ha!” I let out a scornful laugh. “If neurotic is wanting two mutually exclusive things at one and the same time, then I’m neurotic as hell. I’ll be flying back and forth between one mutually exclusive thing and another for the rest of my days.
Sylvia Plath (The Bell Jar)
I was still excited. Big or small, elephants are elephants, after all. Just before we mounted, when I was sure no one could see me, I quickly kissed the shoulder of my beast and murmured, 'Hey, sweetie.' 'Hey, darlin'." That was Tonio, appearing suddenly by my shoulder. He gave me a laughing look that suggested he was either amused by or attracted to women who kiss elephants for no good reason.
Karen Lord (The Best of All Possible Worlds)
Atticus adjusted his glasses as he peered down at the blanket. “Hey, is that the book Nellie told us about?” Jake’s eyes flicked to Olivia’s book. “You’ve got it outside in the sun? Are you out of your minds?” Amy crossed her arms. “We’re being careful.” “It’s not about careful, this is a five-hundred-year-old manuscript! You should be wearing gloves—Atticus brought some—and keeping it out of the sunlight.” “It didn’t take you long to start barking orders!” Any exclaimed, her face flushing. “But then you always know best, don’t you?” “Somebody has to be mature in this situation,” Jake said, his gaze flashing at Ian, who was now intently trying to brush cookie crumbs off his pants. “True. In that case, we’d rather consult your little brother,” Ian said with a smirk. “Medieval manuscripts are his field, am I right?” “Technically, it’s early Renaissance,” Jake said. “Thanks for the correction, my good man. Amy is right—you do know best.” Ian slipped his arm around Amy. “She’s so perceptive. One of the many things I adore about her.” “It’s getting chilly. Why don’t we go inside?” Amy suggested brightly as she tried to step out of the circle of Ian’s arm. Ian took the opportunity to rub her shoulder. “You do feel rather cold,” he said. “Let’s sit by the fire. Jake, since you’re so interested in proper handling, why don’t you take the book?” Jake snatched up the book and furiously stomped off toward the house. “You forgot to wear gloves!” Ian called after him. Amy pushed him away. “Really, Ian.” “What a touchy guy,” Ian said. “Frankly, I don’t know what you see in him.” He winced as the kitchen door slammed, then glanced at Amy’s red face. “Hmmm. It might be a good time for me to take a walk.
Jude Watson (Nowhere to Run (The 39 Clues: Unstoppable, #1))
Maybe she’ll have a file labeled, My Evil Plan,” I suggested. “That would be super helpful.” It had taken us three days to come up with a strategy to get into the office. Cal was distracting Lara with questions about his own powers and how they might be useful to “the cause,” while Jenna and Archer kept an eye on Mrs. Casnoff. Since she’d taken to just wandering in circles around the pond, that wasn’t particularly challenging. Which left the most important part to me and Elodie using Elodie’s magic to get into the office and search it for anything that might help us stop the Casnoffs. As far as plans went, it wasn’t exactly D-day, but it was the best next step. Now Elodie looked at my reflection and said, “It’s weird. Looking in a mirror and seeing you.” Yes, I think we’ve established this is kind of awful for everyone involved. Can we go now? We don’t have much time.”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
Lunch?" I say, the word loaded with as much skepticism as if he'd suggested we hit up a nightclub. What's your angle, Beneventi? "Yeah," he says, eye-smoldering at me. "The meal in the middle of the day. Or dinner, which happens in the evening. They have those where you're from?" I feel my upper lip curl and I'm sure my face is the least attractive thing right now, but that's for the best. "Yes, we do. Just usually with people I actually want to spend time around.
Kaitlyn Hill (Love from Scratch)
I leave entry for the first day of the tenth month in the year the albatross came to the south-western halls This morning I fetched the small cardboard box with the word AQUARIUM and the picture of an octopus on it. It is the box that originally contained the shoes Dr Ketterley gave me. When Dr Ketterley told me to hide Myself from 16, I took the ornaments out of my hair and placed them in the box. But now, wanting to look my best when I enter the New World, I spent two or three hours putting them back in, all the pretty things that I have found or made: seashells, coral beads, pearls, tiny pebbles and interesting fishbones. When Raphael arrived, she seemed rather astonished at my pleasant appearance. I took my messenger bag with all my Journals and my favourite pens and we walked towards the two Minotaurs in the South-Eastern Corner. The shadows between them shimmered slightly. The shadows suggested the shape of a corridor or alleyway with dim walls and, at the end of it, lights, flashes of moving colour that my eye could not interpret. I took one last look at the Eternal House. I shivered. Raphael took my hand. Then, together, we walked into the corridor.
Susanna Clarke (Piranesi)
Holy tit fungus! Did you give Sasquatch an autopsy in here? God almighty, girl.” He waddled back into the hallway, this time holding his privates with both hands. “You balded the dick mitten. Nice. Let me see it.” He looked at her like she might drop trou simply because he suggested it. “I would rather lick a monkey’s armpit than show you my vagina.” Dove gave him the finger. “You know what I love best about a naked muff hole? It looks just like a camel’s dangly lips.” Duke extended his own lips to make them appear gummy and slack.
Debra Anastasia (Fire Down Below (Gynazule #1))
Tears fall down my cheeks while I drive home, trying desperately to process everything. Laura suggested that Mom was abusive. My whole life, my entire existence has been oriented to the narrative that Mom wants what's best for me, Mom does what's best for me, Mom knows what's best for me. Even in the past, when resentments started to creep in or wedges started to come between us, I have checked those resentments and wedges, I have curbed them so that I can move forward with this narrative intact, this narrative that feels essential to my survival. If Mom really didn't want what's best for me, or do what was best for me, that means my entire life, my entire point of view, and my entire identity have been built on a false foundation. And if my entire life and point of view and identity have been built on a false foundation, confronting that false foundation would mean destroying it and rebuilding a new foundation from the ground up. I have no idea how to go about doing this. I have no idea how to go about life without doing it in the shadow of my mother, without my every move being dictated by her wants, her needs, her approval.
Jennette McCurdy (I'm Glad My Mom Died)
The more I read the Bible and see the picture of the Christian man, the more I understand the nature of sin and life in this world, and what God has done for me in Christ, then the more I shall desire the things of God and hate the other. So I suggest that the best practical step is to read God's word, and to be thoroughly soaked in it.
D. Martyn Lloyd-Jones
I don’t know Mr. Wilson to any degree—I am one of those who knew him best for creating the source material for Life Force, which was a terrible movie—but my wish for him was that he lived the sort of life where he didn’t actually care what his obits said, and instead enjoyed his life and left work that had the possibility of speaking for itself, over time. If you’re a creative (or indeed any other) person, let me suggest you don’t worry about your obits either. As well as you can, live the life you want to live and make the work you want to make. After you’re gone, it’ll all be sorted out or not. You won’t be around to worry about it. Focus on the parts you’re around for.
John Scalzi (Don't Live for Your Obituary: Advice, Commentary and Personal Observations on Writing, 2008-2017)
Hungry?” he asks. “The wager?” I remind him. “I’m getting there—it’s related to my question.” He lifts his chin to the meat locker. “They have good steaks here.” And just like that, I’m interested in whatever he’s suggesting. “They do. What’re you thinking?” “They have a porterhouse for two, three, or four.” I haven’t eaten in nearly twenty-four hours, and the idea of a big juicy steak has me salivating. “Yeah?” “So, I say we split the one for three, and whoever eats more wins.” “I’m going to guess their porterhouse for three could feed us both for a week.” “I’m betting you’re right.” His adorable grin should be accompanied by the sound of a silvery ding. “And your dinner is on me.” For not the first time, it occurs to me to ask him how he makes ends meet, but I can’t—not here, and maybe not when we’re alone, either. “You don’t have to do that.” “I think I can handle treating my wife to dinner on our wedding night.” Our wedding night. My heart thuds heavily. “That’s a lot of meat. No pun intended.” He grins enthusiastically. “I’d sure like to see how you handle it.” “You’re betting Holland can’t finish a steak?” Lulu chimes in from behind me. “Oh, you sweet summer child.” *** As we get up, I groan, clutching my stomach. “Is this what pregnancy feels like? Not interested.” “I could carry you,” Calvin offers sweetly, helping me with my coat. Lulu pushes between us, giddy from wine as she throws her arms around our shoulders. “You’re supposed to carry the bride across the threshold to be romantic, not because she’s broken from eating her weight in beef.” I stifle a belch. “The way to impress a man is to show him how much meat you can handle, don’t you know this, Lu?” Calvin laughs. “It was a close battle.” “Not that close,” Mark says, beside him. We went so far as to have the waiter split the cooked steak into two equal portions, much to the amused fascination of our tablemates. I ate roughly three-quarters of mine. Calvin was two ounces short. “Calvin Bakker has a pretty solid ring to it,” I say. He laugh-groans. “What did I get myself into?” “A marriage to a farm girl,” I say. “It’s best you learn on day one that I take my eating very seriously.
Christina Lauren (Roomies)
Concerning this desert, Jeremiah writes: ‘I will lead my beloved into the wilderness and will speak to her in her heart’ (Hosea 2:14) . . . The prophet hungered for this desolate self-abandonment when he said: ‘Who will give me the wings of a dove that I may fly away and be at rest?’ (Psalm 55:6). Where do we find peace and rest? Only in abandonment, in the desert and in isolation from all creatures . . . Now you could say . . . if all this must be removed, then it is grievous if God allows us to remain without any support. ‘Woe to me that my exile is prolonged’ (Psalm 120:5), as the prophet says, if God prolongs my dereliction without casting his light upon me, speaking to me or working in me, as you are suggesting here. If we thus enter a state of pure nothingness, is it not better that we should do something in order to drive away the darkness and dereliction? Should we not pray or read or listen to a sermon or do something else that is virtuous in order to help ourselves? No, certainly not! The very best thing you can do is to remain still for as long as possible . . . You cannot think about or desire this preparation more swiftly than God can carry it out . . . You should know that God must pour himself into you and act upon you where he finds you prepared . . . just as the sun must pour itself forth and cannot hold itself back when the air is pure and clean. Certainly, it would be a major failing if God did not perform great works in you, pouring great goodness into you, in so far as he finds you empty and there.
Meister Eckhart (Selected Writings)
C'mon Will! Let's give these fuckers something to talk about!" Suggestion on the part of a drunken Lou Clark, rooting for her beloved Will Traynor to advance his motorized wheelchair onto the dance floor, after the wedding ceremony between his former fiancé and his former best friend, while she plops herself onto his lap in her bright red dress and drapes her arms around him, his eyes staring straight at her cleavage!
Jojo Moyes (Me Before You (Me Before You, #1))
To these statements, Socrates, no one can offer a reply; but when you talk in this way, a strange feeling passes over the minds of your hearers: They fancy that they are led astray a little at each step in the argument, owing to their own want of skill in asking and answering questions; these littles accumulate, and at the end of the discussion they are found to have sustained a mighty overthrow and all their former notions appear to be turned upside down. And as unskilful players of draughts are at last shut up by their more skilful adversaries and have no piece to move, so they too find themselves shut up at last; for they have nothing to say in this new game of which words are the counters; and yet all the time they are in the right. The observation is suggested to me by what is now occurring. For any one of us might say, that although in words he is not able to meet you at each step of the argument, he sees as a fact that the votaries of philosophy, when they carry on the study, not only in youth as a part of education, but as the pursuit of their maturer years, most of them become strange monsters, not to say utter rogues, and that those who may be considered the best of them are made useless to the world by the very study which you extol.
Plato (The Republic)
But I could not for the life of me find out a new name, and therefore offered a nominal prize through Indian Opinion to the reader who made the best suggestion on the subject. As a result Maganlal Gandhi coined the word Sadagraha (Sat: truth, Agraha: firmness) and won the prize. But in order to make it clearer I changed the word to Satyagraha which has since become current in Gujarati as a designation for the struggle.
Mahatma Gandhi (My Experiments with Truth: An Autobiography of Mahatma Gandhi)
Ravi buys all four of our tickets, which Peter is really impressed by. “Such a classy move,” he whispers to me as we sit down. Peter deftly maneuvers it so we’re sitting me, Peter, Ravi, Margot, so he can keep talking to him about soccer. Or football, as Ravi says. Margot gives me an amused look over their heads, and I can tell all the unpleasantness from before is forgotten. After the movie, Peter suggests we go for frozen custards. “Have you ever had frozen custard before?” he asks Ravi. “Never,” Ravi says. “It’s the best, Rav,” he says. “They make it homemade.” “Brilliant,” Ravi says. When the boys are in line, Margot says to me, “I think Peter’s in love--with my boyfriend,” and we both giggle. We’re still laughing when they get back to our table. Peter hands me my pralines and cream. “What’s so funny?” I just shake my head and dip my spoon into the custard.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
That summer, in a small house near the beach, he began to write a book. He knew it would be the last thing he ever did, so he decided to write something advocating a crazy, preposterous idea—one so outlandish that nobody had ever written a book about it before. He was going to propose that gay people should be allowed to get married, just like straight people. He thought this would be the only way to free gay people from the self-hatred and shame that had trapped Andrew himself. It’s too late for me, he thought, but maybe it will help the people who come after me. When the book—Virtually Normal—came out a year later, Patrick died when it had only been in the bookstores for a few days, and Andrew was widely ridiculed for suggesting something so absurd as gay marriage. Andrew was attacked not just by right-wingers, but by many gay left-wingers, who said he was a sellout, a wannabe heterosexual, a freak, for believing in marriage. A group called the Lesbian Avengers turned up to protest at his events with his face in the crosshairs of a gun. Andrew looked out at the crowd and despaired. This mad idea—his last gesture before dying—was clearly going to come to nothing. When I hear people saying that the changes we need to make in order to deal with depression and anxiety can’t happen, I imagine going back in time, to the summer of 1993, to that beach house in Provincetown, and telling Andrew something: Okay, Andrew, you’re not going to believe me, but this is what’s going to happen next. Twenty-five years from now, you’ll be alive. I know; it’s amazing; but wait—that’s not the best part. This book you’ve written—it’s going to spark a movement. And this book—it’s going to be quoted in a key Supreme Court ruling declaring marriage equality for gay people. And I’m going to be with you and your future husband the day after you receive a letter from the president of the United States telling you that this fight for gay marriage that you started has succeeded in part because of you. He’s going to light up the White House like the rainbow flag that day. He’s going to invite you to have dinner there, to thank you for what you’ve done. Oh, and by the way—that president? He’s going to be black.
Johann Hari (Lost Connections: Uncovering the Real Causes of Depression - and the Unexpected Solutions)
Certainly I understand Czech. I've meant to ask you several times why you don't ever write to me in Czech. I'm not suggesting that you don't master German. Most of the time you master it surprisingly well and if once in a while you don't, it bows before you of its own accord, and this is particularly pleasing, for this is something a German doesn't dare to expect from his language, he doesn't dare to write so personally. But I wanted to read you in Czech because it is part of you, because only there is the whole Milena (the translation confirms it), whereas here is just the one from Vienna or the one preparing herself for Vienna. So Czech, please. And send the feuilletons you mention, too. Let them be shabby, you have also read your way through the shabbiness of my story, how far I don't know. Perhaps I can do this, too; but if I can't, then I'll remain stuck in the very best of prejudices.
Franz Kafka (Letters to Milena)
Mark raised his eyebrows, ‘you don't know the half of it,’ he further mumbled, more to himself than in reply to Frankie. ‘But listen up; because this isn’t about me anyway; this is about you, about how you need to sort it out, yeah? This is all about you getting yourself a girl, and settling down, right?’ Frankie offered up a wistful kind of sigh, supping his pint as those heavily suggestive words immediately grated: settle down and never settle up.
Tom Conrad (That Coxom & Blondage Affair)
Whatever the final cost of HS2, all those tens of billions could clearly buy lots of things more generally useful to society than a quicker ride to Birmingham. Then there is all the destruction of the countryside. A high-speed rail line offers nothing in the way of charm. It is a motorway for trains. It would create a permanent very noisy, hyper-visible scar across a great deal of classic British countryside, and disrupt and make miserable the lives of hundreds of thousands of people throughout its years of construction. If the outcome were something truly marvellous, then perhaps that would be a justifiable price to pay, but a fast train to Birmingham is never going to be marvellous. The best it can ever be is a fast train to Birmingham. Remarkably, the new line doesn’t hook up to most of the places people might reasonably want to go to. Passengers from the north who need to get to Heathrow will have to change trains at Old Oak Common, with all their luggage, and travel the last twelve miles on another service. Getting to Gatwick will be even harder. If they want to catch a train to Europe, they will have to get off at Euston station and make their way half a mile along the Euston Road to St Pancras. It has actually been suggested that travelators could be installed for that journey. Can you imagine travelling half a mile on travelators? Somebody find me the person who came up with that notion. I’ll get the horsewhip. Now here’s my idea. Why not keep the journey times the same but make the trains so comfortable and relaxing that people won’t want the trip to end? Instead, they could pass the time staring out the window at all the gleaming hospitals, schools, playing fields and gorgeously maintained countryside that the billions of saved pounds had paid for. Alternatively, you could just put a steam locomotive in front of the train, make all the seats inside wooden and have it run entirely by volunteers. People would come from all over the country to ride on it. In either case, if any money was left over, perhaps a little of it could be used to fit trains with toilets that don’t flush directly on to the tracks, so that when I sit on a platform at a place like Cambridge or Oxford glumly eating a WH Smith sandwich I don’t have to watch blackbirds fighting over tattered fragments of human waste and toilet paper. It is, let’s face it, hard enough to eat a WH Smith sandwich as it is.
Bill Bryson (The Road to Little Dribbling: Adventures of an American in Britain)
And if I was seen as temperamentally cool and collected, measured in how I used my words, Joe was all warmth, a man without inhibitions, happy to share whatever popped into his head. It was an endearing trait, for he genuinely enjoyed people. You could see it as he worked a room, his handsome face always cast in a dazzling smile (and just inches from whomever he was talking to), asking a person where they were from, telling them a story about how much he loved their hometown (“Best calzone I ever tasted”) or how they must know so-and-so (“An absolutely great guy, salt of the earth”), flattering their children (“Anyone ever tell you you’re gorgeous?”) or their mother (“You can’t be a day over forty!”), and then on to the next person, and the next, until he’d touched every soul in the room with a flurry of handshakes, hugs, kisses, backslaps, compliments, and one-liners. Joe’s enthusiasm had its downside. In a town filled with people who liked to hear themselves talk, he had no peer. If a speech was scheduled for fifteen minutes, Joe went for at least a half hour. If it was scheduled for a half hour, there was no telling how long he might talk. His soliloquies during committee hearings were legendary. His lack of a filter periodically got him in trouble, as when during the primaries, he had pronounced me “articulate and bright and clean and a nice-looking guy,” a phrase surely meant as a compliment, but interpreted by some as suggesting that such characteristics in a Black man were noteworthy. As I came to know Joe, though, I found his occasional gaffes to be trivial compared to his strengths. On domestic issues, he was smart, practical, and did his homework. His experience in foreign policy was broad and deep. During his relatively short-lived run in the primaries, he had impressed me with his skill and discipline as a debater and his comfort on a national stage. Most of all, Joe had heart. He’d overcome a bad stutter as a child (which probably explained his vigorous attachment to words) and two brain aneurysms in middle age.
Barack Obama (A Promised Land)
It’s our bad luck to have teachers in this world, but since we’re stuck with them, the best we can do is hope to get a brand-new one instead of a mean old fart. New teachers don’t know the rules, so you can get away with things the old-timers would squash you for. That was my theory. So I was feeling pretty excited to start fifth grade, since I was getting a rookie teacher—a guy named Mr. Terupt. Right away, I put him to the test. If the bathroom pass is free, all you have to do is take it and go. This year, the bathrooms were right across the hall. It’s always been an easy way to get out of doing work. I can be really sneaky like that. I take the pass all the time and the teachers never notice. And like I said, Mr. Terupt was a rookie, so I knew he wasn’t going to catch me. Once you’re in the bathroom, it’s mess-around time. All the other teachers on our floor were women, so you didn’t have to worry about them barging in on you. Grab the bars to the stalls and swing. Try to touch your feet to the ceiling. Swing hard. If someone’s in the stall, it’s really funny to swing and kick his door in, especially if he’s a younger kid. If you scare him bad enough, he might pee on himself a little. That’s funny. Or if your buddy’s using the urinal, you can push him from behind and flush it at the same time. Then he might get a little wet. That’s pretty funny, too. Some kids like to plug the toilets with big wads of toilet paper, but I don’t suggest you try doing that. You can get in big trouble. My older brother told me his friend got caught and he had to scrub the toilets with a toothbrush. He said the principal made him brush his teeth with that toothbrush afterward, too. Mrs. Williams is pretty tough, but I don’t think she’d give out that kind of punishment. I don’t want to find out, either. When I came back into the classroom after my fourth or fifth trip, Mr. Terupt looked at me and said, “Boy, Peter, I’m gonna have to call you Mr. Peebody, or better yet, Peter the Pee-er. You do more peein’ than a dog walking by a mile of fire hydrants.
Rob Buyea (Because of Mr. Terupt (Mr. Terupt, #1))
Just thinking about a job I lost.” “What? Someone didn’t hire you? Why not? Don’t they know you’re the best? Did you quote them too high? Wait, was it another one of those housewife’s wanting work done on their personal plumbing?” She arched a brow suggestively. Chris choked. “You did not just accuse me of being a handyman pimp.” “If the condom fits …” “You have a foul mouth. And to think you kiss your children with it.” “According to my mates, my mouth is perfect. And there’s nothing dirty about telling the truth.” Damn
Eve Langlais (Already Freakn' Mated (Freakn' Shifters, #3))
Miss Kinsley regarded him with the look of disgust girls reserved for snails and frogs. “Any man who would suggest to a young woman that she should elope rather than listen to her papa’s advice can only be up to no good.” “Elope?” Oliver queried, his eyes narrowing on Miss Kinsley. “This scoundrel proposed marriage to you?” “Now, Miss Kinsley,” Nathan began in his best placating voice, “we both know it wasn’t like-“ “Quiet!” Oliver snapped at him. “Or I swear not even Maria will keep me from throttling you.” Nathan swallowed. Hard.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
Ladies and Gentlemen. I should like to inform you on behalf of the nation state of Guyana, that we are going to resign from being a country. We can't make it work. We have tried. We have done our best. It is not possible. The problems are insoluble. From midnight tonight, we shall cease trading. The country is now disbanded. We will voluntarily liquidate ourselves. The nation will disperse quietly, a little shamefaced but so what. We had a go. Different people have suggested different solutions. Do it this way. Try that. Let me have a go. Nothing works. We are at the mercy of the rich countries. A team of management consultants from the United States could not find the answer, and for not finding the answer, we had to pay them an amount that substantially increased our national debt. We give in, gracefully, but we give in." And then he imagined himself, quietly and with dignity, putting his papers in his briefcase, bowing to the hushed assembly, returning to clear out his office and going for a walk with his wife along the sea wall. (The Ventriloquist's Tale
Pauline Melville
Better to be a cliché than to be a failure. Incidentally, I’ve played this scenario out a dozen times with clients. They want something simple, suggestive, symbolic. I tell them to choose something obvious. A powerful, beautiful picture that hits all the right genre buttons. They insist, we finish the cover, six months later they decide they are frustrated with their low sales and they give me permission to redo the cover and make the design that will sell the best. Are my book covers clichés? Probably. They also sell a lot of copies.
Derek Murphy (Book Cover Design Secrets You Can Use to Sell More Books)
How about whatever song comes on next, that’s our song. It’ll be fate.” “We can’t just make our own fate.” “Sure we can.” Peter reaches over to turn on the radio. “Wait! Just any radio station? What if it’s not a slow song?” “Okay so we’ll put on Lite 101.” Peter hits the button. “Winnie the Pooh doesn’t know what to do, got a honey jar stuck on his nose,” a woman croons. Peter says, “What the hell?” as I say, “This can’t be our song.” “Best out of three?” he suggests. “Let’s not force it. We’ll know it when we hear it, I think.” “Maybe we’ll hear it at the prom,” Peter offers. “Oh, that reminds me. What color is your dress? My mom’s going to ask her florist friend to make your corsage.” “It’s dusty pink.” It came in the mail yesterday, and when I tried it on for everybody, Trina said it was “the most Lara Jean” dress she’d ever seen. I texted a picture to Stormy, who wrote back, “Ooh-la-la,” with a dancing woman emoji. “What the heck is dusty pink?” Peter wants to know. “It’s like a rose gold color.” Peter still looks confused, so I sigh and say, “Just tell your mom. She’ll know.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
I’m not interested in you. I will never be interested in you. In fact, I’m fucking allergic,” he says, his jaw clenched. “To you. I’m allergic to your big silver eyes and your pouty pink lips. To your blushing cheeks and your breathy voice. I’m allergic to the way you can’t stop watching me. I told you I’m not interested in Disney movies, didn’t I? I meant it. So I suggest you find someone else to play damsel in distress with. Someone else to solve your teenage problems. Someone your age, someone who’s probably still going through a fucking growth spurt or someone who spends his weekends playing video games and jerking off. From now on, if I catch you looking at me across the hallway or if I find you within ten feet of my office or me without reason, my sister’s best friend or not, I’ll personally make sure you never see the outside of that brick wall and those black metal gates for the rest of the year.” And then before he straightens up, he adds, “And I might be closer to your dad’s age than yours, but I do remember what people call you. And I also know what your name is, Bronwyn.
Saffron A. Kent (These Thorn Kisses (St. Mary's Rebels #3))
We’re supposed to be sharing our memories of Dave Jones. I never met him, so I’m not much help, but you did. What was he like?” Jones glanced at Molly. “Well. He was . . . tall.” “Tall,” Gina shot Molly a look, too. Except hers was loaded with Can you believe this idiot? “Very tall,” Jones told her. “Taller than me.” He stood up. “I really must go.” He handed Molly his mug, making sure their fingers touched, albeit too briefly, then thank-you-ed and good-evening-ed his way out of the tent. Molly didn’t wait for his footsteps to fade away before turning to Gina. “Are you all right?” “Are you all right?” Gina countered, sotto voce. “Brother, could this guy be any more clueless? You wanted to talk about Jones and . . . Best he can manage is he’s tall? And did he really think I was interested in whether the fourth seat or the fifth seat behind the bus driver had more of its original pudding?” Molly covered her smile with her hand. That had been excessive. “Some people talk when they’re nervous,” she suggested. And some people talked when they wanted to make sure other people wouldn’t talk.
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
A reflection on Robert Lowell Robert Lowell knew I was not one of his devotees. I attended his famous “office hours” salon only a few times. Life Studies was not a book of central importance for me, though I respected it. I admired his writing, but not the way many of my Boston friends did. Among poets in his generation, poems by Elizabeth Bishop, Alan Dugan, and Allen Ginsberg meant more to me than Lowell’s. I think he probably sensed some of that. To his credit, Lowell nevertheless was generous to me (as he was to many other young poets) just the same. In that generosity, and a kind of open, omnivorous curiosity, he was different from my dear teacher at Stanford, Yvor Winters. Like Lowell, Winters attracted followers—but Lowell seemed almost dismayed or a little bewildered by imitators; Winters seemed to want disciples: “Wintersians,” they were called. A few years before I met Lowell, when I was still in California, I read his review of Winters’s Selected Poems. Lowell wrote that, for him, Winters’s poetry passed A. E. Housman’s test: he felt that if he recited it while he was shaving, he would cut himself. One thing Lowell and Winters shared, that I still revere in both of them, was a fiery devotion to the vocal essence of poetry: the work and interplay of sentences and lines, rhythm and pitch. The poetry in the sounds of the poetry, in a reader’s voice: neither page nor stage. Winters criticizing the violence of Lowell’s enjambments, or Lowell admiring a poem in pentameter for its “drill-sergeant quality”: they shared that way of thinking, not matters of opinion but the matter itself, passionately engaged in the art and its vocal—call it “technical”—materials. Lowell loved to talk about poetry and poems. His appetite for that kind of conversation seemed inexhaustible. It tended to be about historical poetry, mixed in with his contemporaries. When he asked you, what was Pope’s best work, it was as though he was talking about a living colleague . . . which in a way he was. He could be amusing about that same sort of thing. He described Julius Caesar’s entourage waiting in the street outside Cicero’s house while Caesar chatted up Cicero about writers. “They talked about poetry,” said Lowell in his peculiar drawl. “Caesar asked Cicero what he thought of Jim Dickey.” His considerable comic gift had to do with a humor of self and incongruity, rather than wit. More surreal than donnish. He had a memorable conversation with my daughter Caroline when she was six years old. A tall, bespectacled man with a fringe of long gray hair came into her living room, with a certain air. “You look like somebody famous,” she said to him, “but I can’t remember who.” “Do I?” “Yes . . . now I remember!— Benjamin Franklin.” “He was a terrible man, just awful.” “Or no, I don’t mean Benjamin Franklin. I mean you look like a Christmas ornament my friend Heather made out of Play-Doh, that looked like Benjamin Franklin.” That left Robert Lowell with nothing to do but repeat himself: “Well, he was a terrible man.” That silly conversation suggests the kind of social static or weirdness the man generated. It also happens to exemplify his peculiar largeness of mind . . . even, in a way, his engagement with the past. When he died, I realized that a large vacuum had appeared at the center of the world I knew.
Robert Pinsky
Do said you Cubans had the best service in the world, because your revolution is still young enough to feel hunger and rage.” Ruiz nodded, accepting the compliment. “Do told me that story, too,” he said. Christopher went on speaking, as if prolonging the joke. “It was Benshikov who suggested a professional rifleman for Dallas, you know. Do wouldn’t tell him the details, just that he wanted an assassin.” Ruiz read the label on the empty vodka bottle. “Truthfully, at the time, I thought they had chosen the wrong man—not you, the assassin,” Christopher said.
Charles McCarry (Tears of Autumn: A Paul Christopher Novel (Paul Christopher Novels))
My dear Sir. Yours of the 13th. is just received. My engagements are such that I can not, at any very early day, visit Rock-Island, to deliver a lecture, or for any other object. As to the other matter you kindly mention, I must, in candor, say I do not think myself fit for the Presidency. I certainly am flattered, and gratified, that some partial friends think of me in that connection; but I really think it best for our cause that no concerted effort, such as you suggest, should be made. Let this be considered confidential. Yours very truly, {Abraham Lincoln}
Abraham Lincoln (Speeches and Writings 1859–1865)
WHEN I DESCRIBED THE TUMOR IN MY ESOPHAGUS as a “blind, emotionless alien,” I suppose that even I couldn’t help awarding it some of the qualities of a living thing. This at least I know to be a mistake: an instance of the pathetic fallacy (angry cloud, proud mountain, presumptuous little Beaujolais) by which we ascribe animate qualities to inanimate phenomena. To exist, a cancer needs a living organism, but it cannot ever become a living organism. Its whole malice—there I go again—lies in the fact that the “best” it can do is to die with its host. Either that or its host will find the measures with which to extirpate and outlive it. But, as I knew before I became ill, there are some people for whom this explanation is unsatisfying. To them, a rodent carcinoma really is a dedicated, conscious agent—a slow–acting suicide–murderer—on a consecrated mission from heaven. You haven’t lived, if I can put it like this, until you have read contributions such as this on the websites of the faithful: Who else feels Christopher Hitchens getting terminal throat cancer [sic] was God’s revenge for him using his voice to blaspheme him? Atheists like to ignore FACTS. They like to act like everything is a “coincidence.” Really? It’s just a “coincidence” [that] out of any part of his body, Christopher Hitchens got cancer in the one part of his body he used for blasphemy? Yeah, keep believing that, Atheists. He’s going to writhe in agony and pain and wither away to nothing and then die a horrible agonizing death, and THEN comes the real fun, when he’s sent to HELLFIRE forever to be tortured and set afire. There are numerous passages in holy scripture and religious tradition that for centuries made this kind of gloating into a mainstream belief. Long before it concerned me particularly I had understood the obvious objections. First, which mere primate is so damn sure that he can know the mind of god? Second, would this anonymous author want his views to be read by my unoffending children, who are also being given a hard time in their way, and by the same god? Third, why not a thunderbolt for yours truly, or something similarly awe–inspiring? The vengeful deity has a sadly depleted arsenal if all he can think of is exactly the cancer that my age and former “lifestyle” would suggest that I got. Fourth, why cancer at all? Almost all men get cancer of the prostate if they live long enough: It’s an undignified thing but quite evenly distributed among saints and sinners, believers and unbelievers. If you maintain that god awards the appropriate cancers, you must also account for the numbers of infants who contract leukemia. Devout persons have died young and in pain. Betrand Russell and Voltaire, by contrast, remained spry until the end, as many psychopathic criminals and tyrants have also done. These visitations, then, seem awfully random. My so far uncancerous throat, let me rush to assure my Christian correspondent above, is not at all the only organ with which I have blasphemed. And even if my voice goes before I do, I shall continue to write polemics against religious delusions, at least until it’s hello darkness my old friend. In which case, why not cancer of the brain? As a terrified, half–aware imbecile, I might even scream for a priest at the close of business, though I hereby state while I am still lucid that the entity thus humiliating itself would not in fact be “me.” (Bear this in mind, in case of any later rumors or fabrications.)
Christopher Hitchens (Mortality)
A flash of lightning ghosts into the room, and when it leaves again, my eyes follow it back out to sea. In the window's reflection, I glimpse a figure standing behind me. I don't need to turn around to see who creates such a big outline-or who makes my whole body turn into a goose-bump farm. "How do you feel?" he says. "Better," I say to his reflection. He hops over the back of the couch and grabs my chin, turning my head side to side, up and down, all around, watching for my reaction. "I just did that," I tell him. "Nothing." He nods and unhands me. "Rach-Uh, my mom called your mom and told her what happened. I guess your mom called your doctor, and he said it's pretty common, but that you should rest a few more days. My mom insisted you stay the night since no one needs to be driving in this weather." "And my mother agreed to that?" Even in the dark, I don't miss his little grin. "My mom can be pretty persuasive," he says. "By the end of the conversation, your mom even suggested we both stay home from school tomorrow and hang out here so you can relax-since my mom will be home supervising, of course. Your mom said you wouldn't stay home if I went to school." A flash from the storm illuminates my blush. "Because we told her we're dating." He nods. "She said you should have stayed home today, but you threw a fit to go anyway. Honestly, I didn't realize you were so obsessed-ouch!" I try to pinch him again, but he catches my wrist and pulls me over his lap like a child getting a spanking. "I was going to say, 'with history.'" He laughs. "No you weren't. Let me up." "I will." He laughs. "Galen, you let me up right now-" "Sorry, not ready yet." I gasp. "Oh, no! The room is spinning again." I hold still, tense up. Then the room does spin when he snatches me up and grabs my chin again. The look of concern etched on his face makes me feel a little guilty, but not guilty enough to keep my mouth shut. "Works every time," I tell him, giving my best ha-ha-you're-a-sucker smirk. A snicker from the entryway cuts off what I can tell is about to be a good scolding. I've never heard Galen curse, but his glower just looks like a four-letter word waiting to come out. We both turn to see Toraf watching us with crossed arms. He is also wearing a ha-ha-you're-a-sucker smirk. "Dinner's ready, children," he says. Yep, I definitely like Toraf. Galen rolls his eyes and extracts me from his lap. He hops up and leaves me there, and in the reflection, I see him ram his fist into Toraf's gut as he passes. Toraf grunts, but the smirk never leaves his face. He nods his head for me to follow them. As we pass through the rooms, I try to remember the rich, sophisticated atmosphere, the marble floors, the hideous paintings, but my stomach makes sounds better suited to a dog kennel at feeding time. "I think your stomach is making mating calls," Toraf whispers to me as we enter the kitchen. My blush debuts the same time we enter the kitchen, and it's enough to make Toraf laugh out loud.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
You’re suggesting the mysterious X. Where do we look for him?’ Poirot said: ‘Obviously in a close circle. There were five people, were there not, whocould have been concerned?’ ‘Five? Let me see. There was the old duffer who messed about with his herb brewing. A dangerous hobby-but an amiable creature. Vague sort of person. Don’t see him as X. There was the girl-she might have polished off Caroline, but certainly not Amyas. Then there was the stockbroker-Crale’s best friend. That’s popular in detective stories, but I don’t believe in it in real life. There’s no one else-oh yes, the kid sister, but one doesn’t seriously consider her. That’s four.’ Hercule Poirot said: ‘You forget the governess.’ ‘Yes, that’s true. Wretched people, governesses, one never does remember them. I do recall her dimly though. Middle-aged, plain, competent. I suppose a psychologist would say that she had a guilty passion for Crale and therefore killed him. The repressed spinster! It’s no good-I just don’t believe it. As far as my dim remembrance goes she wasn’t the neurotic type.’ ‘It is a long time ago.’ ‘Fifteen or sixteen years, I suppose. Yes, quite that. You can’t expect my memories of the case to be very acute.
Agatha Christie (Five Little Pigs (Hercule Poirot, #25))
Nick leans down and kisses my eyelids. “Loving you, Zara, is a full-time job. It’s a great job, don’t get me wrong. It’s the best job in the universe. But it is not easy, because you tend to . . .” “Get hurt?” Betty suggests. “Find trouble? Pass out? Break arms?” “All of the above.” Nick laughs. My hand finds Nick’s wrist and I grab onto its thickness. “You know, I’m the patient here. Where’s the bedside manner? Where’s the sympathy?” “Zara, sympathy is just a good excuse to buy greeting cards and make sorry eyes and secretly gloat over how glad you are that you aren’t the person whose crap is hanging out there for the world to see,” Betty says.
Carrie Jones (Captivate (Need, #2))
How I thank God, then, that from the start He has given me a loving wife to be my best friend of all. She is (as the poem at the end of the book suggests) my monastery. For having set out in the Christian life to become a monk, I found myself instead falling in love with a woman. At first I worried intensely that I’d made a huge mistake, fallen prey to a terrible temptation. But what a surprise it was to discover, over the years, that as a married man (and a father too) I have become more and more a true monk than I ever could have been within the walls of a monastery. How is this? It’s because love, true love, sets people free to be whoever they are.
Mike Mason (The Mystery of Marriage: Meditations on the Miracle)
You might imagine how a hypnotherapist views history. If not, here is a short analogy: Imagine the developing consciousness of an individual as the group mind, or Zeitgeist, of civilizations - observing, learning, stumbling and developing over thousands of years. Just as the individual goes through phases and fads - the terrible twos, pubescence, the rebellious teens, the urge to merge and to have families, learn a trade, etc., - so do nations and civilizations grow, have fads and phases. The individual acts through notions, precepts and ideals, oftentimes passed on through family and tradition (suggestions, to use a hypnotic term). And so edicts, commands and laws dictate actions in very large groups. One then can look back on history and see that nations were perhaps doing the best they could, but were stymied and hindered by narrow-minded thinking, superstitions, patriarchal and out-moded beliefs, and lack of information, much of it unexamined hand me down ideas and beliefs. Some nations are immature, stubborn and self-righteous. Just as individuals thrive and blossom with love, understanding, education and inspiration, so can nations, societies and civilizations. The key to a fair, just and caring world is positive ideals/ suggestions, and that brings us to the importance of environment, community and education.
Stephen Poplin (Inner Journeys, Cosmic Sojourns: Life transforming stories, adventures and messages from a spiritual hypnotherapist's casebook)
It’s one thing to have a hunch that there’s a crisis. It’s another thing to hear one of the leading neuroscientists in the world tell you we are living in a “perfect storm” that’s degrading your capacity to think. “The best we can do now,” Earl told me, is “try to get rid of the distractions as much as possible.” At one point in our conversation, he sounded quite optimistic, suggesting that we can all achieve progress on this, starting today. He said: “The brain is like a muscle. The more you use certain things, the stronger the connection’s getting, and the better things work.” If you are struggling to focus, he said, just try monotasking for ten minutes, and then allow yourself to be distracted for a minute, then monotask for another ten minutes, and so on. “As you do it, it becomes more familiar, your brain gets better and better at it, because you’re strengthening the [neural] connections involved in that behavior. And pretty soon you can do it for fifteen minutes, twenty minutes, half an hour, you know?…Just do it. Practice at it…. Start slow, but practice, and you’ll get there.” To achieve this, he said you have to separate yourself—for increasing periods of time—from the sources of your distraction. It’s a mistake, he said, to “try to monotask by force of will—because it’s too hard to resist that informational tap on the shoulder.
Johann Hari (Stolen Focus: Why You Can't Pay Attention—and How to Think Deeply Again)
I'm going to throw some suggestions at you now in rapid succession, assuming you are a father of one or more boys. Here we go: If you speak disparagingly of the opposite sex, or if you refer to females as sex objects, those attitudes will translate directly into dating and marital relationships later on. Remember that your goal is to prepare a boy to lead a family when he's grown and to show him how to earn the respect of those he serves. Tell him it is great to laugh and have fun with his friends, but advise him not to be "goofy." Guys who are goofy are not respected, and people, especially girls and women, do not follow boys and men whom they disrespect. Also, tell your son that he is never to hit a girl under any circumstances. Remind him that she is not as strong as he is and that she is deserving of his respect. Not only should he not hurt her, but he should protect her if she is threatened. When he is strolling along with a girl on the street, he should walk on the outside, nearer the cars. That is symbolic of his responsibility to take care of her. When he is on a date, he should pay for her food and entertainment. Also (and this is simply my opinion), girls should not call boys on the telephone-at least not until a committed relationship has developed. Guys must be the initiators, planning the dates and asking for the girl's company. Teach your son to open doors for girls and to help them with their coats or their chairs in a restaurant. When a guy goes to her house to pick up his date, tell him to get out of the car and knock on the door. Never honk. Teach him to stand, in formal situations, when a woman leaves the room or a table or when she returns. This is a way of showing respect for her. If he treats her like a lady, she will treat him like a man. It's a great plan. Make a concerted effort to teach sexual abstinence to your teenagers, just as you teach them to abstain from drug and alcohol usage and other harmful behavior. Of course you can do it! Young people are fully capable of understanding that irresponsible sex is not in their best interest and that it leads to disease, unwanted pregnancy, rejection, etc. In many cases today, no one is sharing this truth with teenagers. Parents are embarrassed to talk about sex, and, it disturbs me to say, churches are often unwilling to address the issue. That creates a vacuum into which liberal sex counselors have intruded to say, "We know you're going to have sex anyway, so why not do it right?" What a damning message that is. It is why herpes and other sexually transmitted diseases are spreading exponentially through the population and why unwanted pregnancies stalk school campuses. Despite these terrible social consequences, very little support is provided even for young people who are desperately looking for a valid reason to say no. They're told that "safe sex" is fine if they just use the right equipment. You as a father must counterbalance those messages at home. Tell your sons that there is no safety-no place to hide-when one lives in contradiction to the laws of God! Remind them repeatedly and emphatically of the biblical teaching about sexual immorality-and why someone who violates those laws not only hurts himself, but also wounds the girl and cheats the man she will eventually marry. Tell them not to take anything that doesn't belong to them-especially the moral purity of a woman.
James C. Dobson (Bringing Up Boys: Practical Advice and Encouragement for Those Shaping the Next Generation of Men)
Okay, Lucy, what did you want to talk to me about?" he asked. "Us." "There is no us," Val reminded her firmly—although he had gotten misty just a moment before while holding her hand. She had given him both the best years of his life and the worst. "There used to be an us," she suggested, "which was a good us, a great us. Now there isn't an us, but that doesn't mean there can't be an us again. And a great us, not just a good us, because without us, I do okay and sometimes not even okay." Val's eyebrows wrinkled and he stared hard at her. "That didn't come out quite like I imagined," Lucy said. Romantic it certainly wasn't. "I meant to say, I'd like us to have a second chance.
Minda Webber (Just One Sip (Dark Ones, #4.5))
This was no coincidence. The best short stories and the most successful jokes have a lot in common. Each form relies on suggestion and economy. Characters have to be drawn in a few deft strokes. There's generally a setup, a reveal, a reversal, and a release. The structure is delicate. If one element fails, the edifice crumbles. In a novel you might get away with a loose line or two, a saggy paragraph, even a limp chapter. But in the joke and in the short story, the beginning and end are precisely anchored tent poles, and what lies between must pull so taut it twangs. I'm not sure if there is any pattern to these selections. I did not spend a lot of time with those that seemed afraid to tell stories, that handled plot as if it were a hair in the soup, unwelcome and embarrassing. I also tended not to revisit stories that seemed bleak without having earned it, where the emotional notes were false, or where the writing was tricked out or primped up with fashionable devices stressing form over content. I do know that the easiest and the first choices were the stories to which I had a physical response. I read Jennifer Egan's "Out of Body" clenched from head to toe by tension as her suicidal, drug-addled protagonist moves through the Manhattan night toward an unforgivable betrayal. I shed tears over two stories of childhood shadowed by unbearable memory: "The Hare's Mask," by Mark Slouka, with its piercing ending, and Claire Keegan's Irishinflected tale of neglect and rescue, "Foster." Elizabeth McCracken's "Property" also moved me, with its sudden perception shift along the wavering sightlines of loss and grief. Nathan Englander's "Free Fruit for Young Widows" opened with a gasp-inducing act of unexpected violence and evolved into an ethical Rubik's cube. A couple of stories made me laugh: Tom Bissell's "A Bridge Under Water," even as it foreshadows the dissolution of a marriage and probes what religion does for us, and to us; and Richard Powers's "To the Measures Fall," a deftly comic meditation on the uses of literature in the course of a life, and a lifetime. Some stories didn't call forth such a strong immediate response but had instead a lingering resonance. Of these, many dealt with love and its costs, leaving behind indelible images. In Megan Mayhew Bergman's "Housewifely Arts," a bereaved daughter drives miles to visit her dead mother's parrot because she yearns to hear the bird mimic her mother's voice. In Allegra Goodman's "La Vita Nuova," a jilted fiancée lets her art class paint all over her wedding dress. In Ehud Havazelet's spare and tender story, "Gurov in Manhattan," an ailing man and his aging dog must confront life's necessary losses. A complicated, only partly welcome romance blossoms between a Korean woman and her demented
Geraldine Brooks (The Best American Short Stories 2011)
Returning to my own example, it’s a similar commitment that enables me to succeed with fixed scheduling. I, too, am incredibly cautious about my use of the most dangerous word in one’s productivity vocabulary: “yes.” It takes a lot to convince me to agree to something that yields shallow work. If you ask for my involvement in university business that’s not absolutely necessary, I might respond with a defense I learned from the department chair who hired me: “Talk to me after tenure.” Another tactic that works well for me is to be clear in my refusal but ambiguous in my explanation for the refusal. The key is to avoid providing enough specificity about the excuse that the requester has the opportunity to defuse it. If, for example, I turn down a time-consuming speaking invitation with the excuse that I have other trips scheduled for around the same time, I don’t provide details—which might leave the requester the ability to suggest a way to fit his or her event into my existing obligations—but instead just say, “Sounds interesting, but I can’t make it due to schedule conflicts.” In turning down obligations, I also resist the urge to offer a consolation prize that ends up devouring almost as much of my schedule (e.g., “Sorry I can’t join your committee, but I’m happy to take a look at some of your proposals as they come together and offer my thoughts”). A clean break is best.
Cal Newport (Deep Work: Rules for Focused Success in a Distracted World)
Anyway,” Beau—clearly eager to change the subject—pointed down the hall, “let’s talk about the color Jethro decided to paint the second bedroom.” “What’s wrong with green?” Jethro grinned slyly. His poker face had always sucked. “Nothing is wrong with green, but that’s a very odd shade of green. What was it called again?” “Sweet pea,” Duane supplied flatly for his twin. “It was called sweet pea and I believe it was labeled as nursery paint.” “Nursery paint, huh? You have something to tell us, Jethro?” Beau teased, mirroring Jethro’s grin. “No news to share? No big bombshell to drop?” Jethro glanced at me. “I can’t believe you didn’t tell them yet.” “Why would I? I’m good at keeping secrets.” I shoved my hands in my pockets, making sure I looked innocent. “And I’m not the one who’s pregnant.” “I knew it!” Beau attacked Jethro, pulling him into a quick man-hug. Jethro’s grin widened to as large as I’ve ever seen it. “How could you possibly know?” Duane clapped Jethro on the back as soon as Beau released him. “Because you’ve always wanted kids, and weren’t one to futz around once you made up your mind.” “You should have painted it vomit green, to disguise all the baby vomit you’re going to have to deal with,” Beau suggested. “And shit brown,” Duane added. “Don’t forget about the shit.” “Y’all are the best.” Jethro placed his hands over his chest. “You warm my heart.” “Make sure the floor is waterproof.” Beau grabbed a beer and uncapped it. “Don’t tell me, to catch the vomit and poop?” “No,” Beau wagged his eyebrows, “because of all the crying you’re going to do when you can’t sleep through the night or make love to your woman anymore.” “Ah, yes. Infant-interuptus is a real condition. No cure for it either.” Duane nodded and it was a fairly good imitation of my somber nod. In fact, how he sounded was a fairly good imitation of me. You sound like Cletus.” Drew laughed, obviously catching on. Duane slid his eyes to mine and gave me a small smile. I lifted an eyebrow at my brother to disguise the fact that I thought his impression was funny. “Y’all need to lay off. Babies are the best. Think of all the cuddling. This is great news.
Penny Reid (Beard Science (Winston Brothers, #3))
The two sexes are different to the core, and each is necessary—culturally and biologically—for the optimal development of a human being.”12 In a summary of the relevant science, University of Virginia sociologist W. Bradford Wilcox finds much the same: Let me now conclude our review of the social scientific literature on sex and parenting by spelling out what should be obvious to all. The best psychological, sociological, and biological research to date now suggests that—on average—men and women bring different gifts to the parenting enterprise, that children benefit from having parents with distinct parenting styles, and that family breakdown poses a serious threat to children and to the societies in which they live.13
Sherif Girgis (What Is Marriage?: Man and Woman: A Defense)
Which philosophers would Alain suggest for practical living? Alain’s list overlaps nearly 100% with my own: Epicurus, Seneca, Marcus Aurelius, Plato, Michel de Montaigne, Arthur Schopenhauer, Friedrich Nietzsche, and Bertrand Russell. * Most-gifted or recommended books? The Unbearable Lightness of Being by Milan Kundera, Essays of Michel de Montaigne. * Favorite documentary The Up series: This ongoing series is filmed in the UK, and revisits the same group of people every 7 years. It started with their 7th birthdays (Seven Up!) and continues up to present day, when they are in their 50s. Subjects were picked from a wide variety of social backgrounds. Alain calls these very undramatic and quietly powerful films “probably the best documentary that exists.” TF: This is also the favorite of Stephen Dubner on page 574. Stephen says, “If you are at all interested in any kind of science or sociology, or human decision-making, or nurture versus nature, it is the best thing ever.” * Advice to your 30-year-old self? “I would have said, ‘Appreciate what’s good about this moment. Don’t always think that you’re on a permanent journey. Stop and enjoy the view.’ . . . I always had this assumption that if you appreciate the moment, you’re weakening your resolve to improve your circumstances. That’s not true, but I think when you’re young, it’s sort of associated with that. . . . I had people around me who’d say things like, ‘Oh, a flower, nice.’ A little part of me was thinking, ‘You absolute loser. You’ve taken time to appreciate a flower? Do you not have bigger plans? I mean, this the limit of your ambition?’ and when life’s knocked you around a bit and when you’ve seen a few things, and time has happened and you’ve got some years under your belt, you start to think more highly of modest things like flowers and a pretty sky, or just a morning where nothing’s wrong and everyone’s been pretty nice to everyone else. . . . Fortune can do anything with us. We are very fragile creatures. You only need to tap us or hit us in slightly the wrong place. . . . You only have to push us a little bit, and we crack very easily, whether that’s the pressure of disgrace or physical illness, financial pressure, etc. It doesn’t take very much. So, we do have to appreciate every day that goes by without a major disaster.
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
Yeah, Jules!" Chelsea said in a voice thick with envy. "Go away, you're making the rest of us look bad." She winked at Jule's date wickedly. "I bet you just want to eat her up, don't ya?" He stared at Chelsea with bewilderment and glanced back at Jules for help. "Just ignore her," Jules explained over the noise from the sound system. "She doesn't get out much." Chelsea tried to look hurt by Jule's words, but she couldn't quite pull it off. "I'm just sayin', Jules, he'd better watch his back tonight, or I might be trying to take you away from him." Chelsea loved to play the potentially bi-curious card, even though everyone knew she liked boys far too much to go to bat for the other team. "Gross!" cried Claire, who wasn't pretending at all. Claire hated it when the conversation deviated too far off her straight and narrow path. The operative word being straight. "Don't worry, Claire-bear," Chelsea soothed condescendingly. "I'm not going to hook up with Jules." She wrapped her arm around Claire's waist and then said suggestively in he ear, "I'm much more likely to make a move on you." "Eww!" Claire shrieked, shoving Chelsea away. "Get away from me!" "Leave her alone, Chels," Jules interrupted. "Or you're gonna make her start her 'It's Adam and Eve not Adam and Steve' speech. And sorry, Claire, but none of us really want to hear that." Jay pulled Violet close to him as they listened to the familiar, playful bantering. He slid his arm around her waist from behind, and let his lips gently tease her earlobe while no one was paying attention to the two of them. Violet wanted to turn around right there, in his arms, and forget this whole dance thing altogether. "Hey!" Chelsea's voice interrupted them, and Violet jumped a little, realizing that everyone was staring at them. "Did you hear me?" Violet leaned forward on her crutches and away from Jay, still feeling bemused by the close and intimate contact. "What?" she asked, trying to focus on what had been said. "I said, 'I gotta pee.' Let's go to the bathroom," Chelsea repeated as if Violet were some sort of imbecile, incapable of understanding normal human speech. "Keep it up, Chels, and none of us is gonna want to hook up with you tonight," Violet promised jokingly. Chelsea grinned at Violet. "I like the way you think, Violet Ambrose. Maybe you'll be the lucky girl I choose.' And then she turned to Jay. "Don't worry, I've got her from here," Chelsea announced. Jules and Claire followed. Violet laughed and glanced back at him. "I'll only be a few." Jay gave her a skeptical look that no one else would have even noticed, as he assessed the three girls who would be escorting Violet. And then he finally nodded. "Okay, I'm gonna show these guys my car." He was beaming again. "I'll be right outside, but I won't be long." Violet did her best to keep up with the trio ahead of her, but it was hard on one high heel and two crutches. Finally she yelled at them exasperatedly, "If you guys don't wait, I'm not going!" They all three stopped and turned around. Chelsea tapped her lovely silver shoe impatiently. "Hurry up, Violet, or I swear I'll take you off my list.
Kimberly Derting (The Body Finder (The Body Finder, #1))
About two years ago," Cymbra went on, "Wolf conceived the idea of an alliance between Norse and Saxon to stand against the Danes.He thought such an alliance would be best confirmed by a marriage between himself and me.This did he propose in a letter to my brother. With the help of a traitorous house priest, Father Elbert, Daria intercepted that letter and stole Hawk's seal as well. She sent back to Wolf a refusal in Hawk's name and mine that not merely rejected the alliance but also insulted him deeply. His repsonse was all too predictable, although it is certain Daria herself never thought of it." "What did he do?" Rycca asked,trying very hard not to sound breathless. Cymbra smiled in fond memory. "Wolf came to Essex and took me by stealth. We were married as I told you and only then did he send word to Hawk as to where I could be found. Naturally, my brother was very angry and concerned. He came to Sciringesheal, where I did my utmost to convince him that I was happily wed,which certainly was true but unfortunately he did not believe. So are men ever stubborn. One thing led to another and Hawk spirited me back to Essex. Winter set in and it was months before Wolf could follow.During that time, Hawk realized his mistake. Once Wolf arrived, all was settled amicably, which was a good thing because this little one"-she smiled at her drowsy son-"had just been norn and I was in no mood to put up with any more foolishness on the part of bull-headed men. It was while we were at Hawkforte, waiting as I regained strength to return home, that Wolf suggested Hawk and Dragon should also make marriages for the alliance." "Such suggestion I am sure they both heartily welcomed," Rycca said sardonically. Cymbra laughed. "About as much as they would being boiled in oil.Hawk was especially bad. He had been married years ago when he was very young and had no good memories of the experience. But I must say, Krysta brought him round in far shorter time than I would have thought possible." "Do you have any idea how she did it?" Rycca ventured,hoping not to sound too desperately curious. "Oh,I know exactly how." Cymbra looked at her new sister-in-law and smiled. "She loved him." "Loved him? That was all it took?" "Well,to be fair,I think she also maddened, irked, frustrated, and bewildered him. All that certainly helped.But I will leave Krysta to tell her own story,as I am sure she will when opportunity arises.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
Okay, listen to me one more time. I find you very beautiful, and I'm not going to be some guy who leaves you hanging like that idiot did yesterday evening. I am willing to show you what a real woman can do to please you in every way." Jana stood they're just looking at Angel dumbstruck, unsure what to say. She just thought of what to say next, but nothing came to words. Jana sat on the couch without a word. Angel sat next to her. "I am sorry for being so honest with you. But since I met you yesterday evening, I just can't and won't let my feelings go without knowing." She sighed. She just wished Jana could feel the same about her as she did about Jana. Jana looked at Angel. Her eyes were full of questions. "Why me? Out of all the women in this world, you choose me. I'm nothing compared to anyone else and my best friend Destiny has the life I want and crave for." Angel smiled and hugged Jana. She didn’t try to leave her embrace. Angel counted that as a small win. "That is where you are blind on. Women that are friends or couples can have all that as well. Please, just give me a chance to show you and will go from there." Jana took a deep breath looking down at her hands. She was still deciding if she should accept Angel’s suggestion. "Are you sure about this? I mean we just met, and I am not sure what to think of all this? I wouldn't even know what to tell anyone that knows me?" Angel placed a finger over Jana's lips responding, "We can keep it hidden, do you agree? I just want what is best for you and me, for us. I have never been attracted to a straight woman before, but you took my breath away.
Amber M. Kestner (Jana & Angel Volume 1 (A Girl For Her #1))
I sometimes think, Harry, that there are only two eras of any importance in the world's history. The first is the appearance of a new medium for art, and the second is the appearance of a new personality for art also. What the invention of oil-painting was to the Venetians, the face of Antinous was to late Greek sculpture, and the face of Dorian Gray will some day be to me. It is not merely that I paint from him, draw from him, sketch from him. Of course, I have done all that. But he is much more to me than a model or a sitter. I won't tell you that I am dissatisfied with what I have done of him, or that his beauty is such that art cannot express it. There is nothing that art cannot express, and I know that the work I have done, since I met Dorian Gray, is good work, is the best work of my life. But in some curious way--I wonder will you understand me?--his personality has suggested to me an entirely new manner in art, an entirely new mode of style. I see things differently, I think of them differently. I can now recreate life in a way that was hidden from me before. 'A dream of form in days of thought'--who is it who says that? I forget; but it is what Dorian Gray has been to me. The merely visible presence of this lad--for he seems to me little more than a lad, though he is really over twenty--his merely visible presence--ah! I wonder can you realize all that that means? Unconsciously he defines for me the lines of a fresh school, a school that is to have in it all the passion of the romantic spirit, all the perfection of the spirit that is Greek. The harmony of soul and body--how much that is! We in our madness have separated the two, and have invented a realism that is vulgar, an ideality that is void. Harry! if you only knew what Dorian Gray is to me!
Oscar Wilde (The Picture of Dorian Gray)
You’re not from around here–you CIA?” he demanded. “I’m not CIA,” I replied wearily. “Just here to see the Buddhas.” “What Buddhas?” “The Buddhas of Bamiyan?” I suggested, doing my best not to let my contempt of this bandit’s ignorance show. “Carved into the mountainside itself ?” “Hell yeah,” mused the man on the truck. “I’ve seen them. You’re right to go now–twenty years from now they won’t even be standing!” I stepped back, surprised, and had another look at this ragged, smelling, dust-covered man. He grinned, touched his hand to his forelock and said, “Well, nice to meet you, even if you aren’t CIA.” He hopped down from the truck and began to head away. I called out, surprised at myself for even doing it, “Tiananmen Square.” He stopped, then swung round on the spot, toe pointing up and ankle digging into the dirt as he did, like a dancer. Still grinning his easy grin, he swaggered back towards me, stopping so close I could feel the stickiness coming off his body. “Hell,” he said at last. “You don’t look much like a Chinese spy neither.” “You don’t look like an Afghan warlord,” I pointed out. “Well, that’s because I’m only passing through this place on the way to somewhere else.” “Anywhere in particular?” “Wherever there’s action. We’re men of war, see–that’s what we do and we do it well–and there’s no shame in that because it’ll happen without us anyway, but with us–” his grin widened “–maybe it’ll happen that little bit faster. But what’s a nice old gentleman like you doing talking about Chinese geography, hey?” “Nothing,” I replied with a shrug. “The word just popped into my head. Like Chernobyl–just words.” Fidel’s eyebrows flickered, though his grin remained fixed. Then he gave a great chuckle, slapped me so hard on the shoulder that I nearly lost my footing, stepped back a little to admire his handiwork, and finally roared out loud. “Jesus, Joseph and the Holy Mary,” he blurted. “Michael fucking Jackson to you too.
Claire North (The First Fifteen Lives of Harry August)
One other thing. And this really matters for readers of this book. According to official Myers–Briggs documents, the test can ‘give you an insight into what kinds of work you might enjoy and be successful doing’. So if you are, like me, classified as ‘INTJ’ (your dominant traits are being introverted, intuitive and having a preference for thinking and judging), the best-fit occupations include management consultant, IT professional and engineer.30 Would a change to one of these careers make me more fulfilled? Unlikely, according to respected US psychologist David Pittenger, because there is ‘no evidence to show a positive relation between MBTI type and success within an occupation…nor is there any data to suggest that specific types are more satisfied within specific occupations than are other types’. Then why is the MBTI so popular? Its success, he argues, is primarily due to ‘the beguiling nature of the horoscope-like summaries of personality and steady marketing’.31 Personality tests have their uses, even if they do not reveal any scientific ‘truth’ about us. If we are in a state of confusion they can be a great emotional comfort, offering a clear diagnosis of why our current job may not be right, and suggesting others that might suit us better. They also raise interesting hypotheses that aid self-reflection: until I took the MBTI, I had certainly never considered that IT could offer me a bright future (by the way, I apparently have the wrong personality type to be a writer). Yet we should be wary about relying on them as a magic pill that enables us suddenly to hit upon a dream career. That is why wise career counsellors treat such tests with caution, using them as only one of many ways of exploring who you are. Human personality does not neatly reduce into sixteen or any other definitive number of categories: we are far more complex creatures than psychometric tests can ever reveal. And as we will shortly learn, there is compelling evidence that we are much more likely to find fulfilling work by conducting career experiments in the real world than by filling out any number of questionnaires.32
Roman Krznaric (How to Find Fulfilling Work (The School of Life))
listening to Mariana, and saying very little … one day Ruth finally interrupted. What she said was simple, direct, and devastating. Ruth suggested, as gently as she could, that Mariana was in denial about her father. That after everything she had heard, she had to question Mariana’s assessment of him as a loving parent. The man Ruth heard described sounded authoritarian, cold, emotionally unavailable, often critical and highly unkind—even cruel. None of these qualities had anything to do with love. “Love isn’t conditional,” Ruth said. “It’s not dependent on jumping through hoops to please someone—and always failing. You can’t love someone if you’re afraid of them, Mariana. I know it’s hard to hear. It’s a kind of blindness—but unless you wake up and see clearly, it will persist throughout your whole life, affecting how you see yourself, and others too.” Mariana shook her head. “You’re wrong about my father,” she said. “I know he’s difficult—but he loves me. And I love him.” “No,” said Ruth firmly. “At best, let’s call it a desire to be loved. At worst, it’s a pathological attachment to a narcissistic man: a melting pot of gratitude, fear, expectation
Alex Michaelides (The Maidens)
The fundamentalist picks up the book and says, “Okay, I’m just going to read every word of this and do my best to understand what God wants from me. I’ll leave my personal biases completely out of it.” Conversely, every moderate seems to believe that his interpretation and selective reading of scripture is more accurate than God’s literal words. Presumably, God could have written these books any way He wanted. And if He wanted them to be understood in the spirit of twenty-first-century secular rationality, He could have left out all those bits about stoning people to death for adultery or witchcraft. It really isn’t hard to write a book that prohibits sexual slavery—you just put in a few lines like “Don’t take sex slaves!” and “When you fight a war and take prisoners, as you inevitably will, don’t rape any of them!” And yet God couldn’t seem to manage it. This is why the approach of a group like the Islamic State holds a certain intellectual appeal (which, admittedly, sounds strange to say) because the most straightforward reading of scripture suggests that Allah advises jihadists to take sex slaves from among the conquered, decapitate their enemies, and so forth.
Sam Harris
See? If you would have gotten a dog like I told you to, you'd be one of the cool kids around here." "And I told I work too much to have a dog. If you want a dog, you get a dog." "I did suggest that at one point, but you said no." "As I recall, your plan was to get a dog and keep it at my house. That would still be me getting a dog except in that scenario you would get to pick the dog. For some strange reason, that seems lose/lose to me." "Well, obviously I'd come over whenever it needed to go out." "How is that going to work? The club is almost an hour's drive from my house even at the best of times." He sighed, leading the way into the great room. "You'd need to let me live in your pool house, of course." "I don't have a pool house, or even a pool, dipshit." He followed her inside, enjoying this conversation far too much to leave now. "Obviously, the first part of the plan would be for you to get a pool installed, and then build a pool house for me to live in." She frowned at him and punched him in the chest. "Your imaginary dog is already costing me an imaginary fortune." "The upside is that imaginary dogs aren't big eaters. You're already saving a fortune on dog food.
Sparrow Beckett (All's Fair in Love and Mastery (Masters Unleashed, #5))
Kendra rubbed her eyes. She had slept in her clothes. “Come in, then.” The door opened and Cody entered with a tray. “Scrambled eggs, sausage, bacon, toast, yogurt, and juice,” he announced, setting the tray on the desk. “You barge down the stairs, infuriate Torina, and end up with a first-rate breakfast. Maybe I should start acting a little less compliant!” “Don’t get too jealous. This may be my last meal.” Cody shrugged. “They’re expecting visitors. They told me to deliver this. I’m supposed to suggest that you be on your best behavior. So I’ve suggested it.” “You want some bacon or something?” He hesitated. “I couldn’t take your food.” “Have a strip. And some sausage, too. How am I supposed to eat all that?” “Personally, I’d use the toast to make a breakfast sandwich. If you’re willing to part with a strip and a link, I’ll call it my tip.” Cody placed some bacon and sausage on a napkin and exited the room. She heard the lock reengage. Kendra sat at the desk. Molten cheese glued chunks of ham to the fluffy eggs. The sausages glistened with grease but tasted good, and the bacon had a pleasant crunch. As she was sipping some juice, the door unlocked and Torina entered, wearing a flirtatious sundress and sandals. “He’s here,” she announced, girlishly flustered. “Did
Brandon Mull (Secrets of the Dragon Sanctuary (Fablehaven, #4))
Early on it is clear that Addie has a rebellious streak, joining the library group and running away to Rockport Lodge. Is Addie right to disobey her parents? Where does she get her courage? 2. Addie’s mother refuses to see Celia’s death as anything but an accident, and Addie comments that “whenever I heard my mother’s version of what happened, I felt sick to my stomach.” Did Celia commit suicide? How might the guilt that Addie feels differ from the guilt her mother feels? 3. When Addie tries on pants for the first time, she feels emotionally as well as physically liberated, and confesses that she would like to go to college (page 108). How does the social significance of clothing and hairstyle differ for Addie, Gussie, and Filomena in the book? 4. Diamant fills her narrative with a number of historical events and figures, from the psychological effects of World War I and the pandemic outbreak of influenza in 1918 to child labor laws to the cultural impact of Betty Friedan. How do real-life people and events affect how we read Addie’s fictional story? 5. Gussie is one of the most forward-thinking characters in the novel; however, despite her law degree she has trouble finding a job as an attorney because “no one would hire a lady lawyer.” What other limitations do Addie and her friends face in the workforce? What limitations do women and minorities face today? 6. After distancing herself from Ernie when he suffers a nervous episode brought on by combat stress, Addie sees a community of war veterans come forward to assist him (page 155). What does the remorse that Addie later feels suggest about the challenges American soldiers face as they reintegrate into society? Do you think soldiers today face similar challenges? 7. Addie notices that the Rockport locals seem related to one another, and the cook Mrs. Morse confides in her sister that, although she is usually suspicious of immigrant boarders, “some of them are nicer than Americans.” How does tolerance of the immigrant population vary between city and town in the novel? For whom might Mrs. Morse reserve the term Americans? 8. Addie is initially drawn to Tessa Thorndike because she is a Boston Brahmin who isn’t afraid to poke fun at her own class on the women’s page of the newspaper. What strengths and weaknesses does Tessa’s character represent for educated women of the time? How does Addie’s description of Tessa bring her reliability into question? 9. Addie’s parents frequently admonish her for being ungrateful, but Addie feels she has earned her freedom to move into a boardinghouse when her parents move to Roxbury, in part because she contributed to the family income (page 185). How does the Baum family’s move to Roxbury show the ways Betty and Addie think differently from their parents about household roles? Why does their father take such offense at Herman Levine’s offer to house the family? 10. The last meaningful conversation between Addie and her mother turns out to be an apology her mother meant for Celia, and for a moment during her mother’s funeral Addie thinks, “She won’t be able to make me feel like there’s something wrong with me anymore.” Does Addie find any closure from her mother’s death? 11. Filomena draws a distinction between love and marriage when she spends time catching up with Addie before her wedding, but Addie disagrees with the assertion that “you only get one great love in a lifetime.” In what ways do the different romantic experiences of each woman inform the ideas each has about love? 12. Filomena and Addie share a deep friendship. Addie tells Ada that “sometimes friends grow apart. . . . But sometimes, it doesn’t matter how far apart you live or how little you talk—it’s still there.” What qualities do you think friends must share in order to have that kind of connection? Discuss your relationship with a best friend. Enhance
Anita Diamant (The Boston Girl)
I suggest you stand slowly and walk out with my men,” Zrakovi said, tapping a napkin against his lying, two-faced mouth and putting a twenty on the table to cover the drinks. “If you make a scene, innocent humans will be injured. I have a Blue Congress cleanup team in place, however, so if you want to fight in public and damage a few humans, knock yourself out. It will only add to your list of crimes.” I stood slowly, gritting my teeth when Squirrel Chin patted me down while feeling me up and making it look like a romantic moment. He’d been so busy feeling the naughty bits that he missed both Charlie, sitting in my bag next to my foot, and the dagger attached to my inner forearm. Idiot. Alex would never have been so sloppy. If Alex had patted me down, he’d have found not only the weapons but also the portable magic kit. From the corner of my eye, I saw a tourist taking mobile phone shots of us. He’d no doubt email them to all his friends back home with stories of those crazy New Orleanians and their public displays of affection. I considered pretending to faint, but I was too badly outnumbered for it to work. Like my friend Jean Lafitte, whose help I could use about now, I didn’t want to try something unless it had a reasonable chance at succeeding. I also didn’t want to pull Charlie out and risk humans getting hurt. “Walk out the door onto Chartres and turn straight toward the cathedral.” Zrakovi pulled his jacket aside enough for me to see a shoulder holster. I hadn’t even known the man could hold a gun, although for all I knew about guns it could be a water pistol. The walk to the cathedral transport was three very long city blocks. My best escape opportunity would be near Jackson Square. When the muscular goons tried to turn me left toward the cathedral, I’d try to break and run right toward the river, where I could get lost among the wharves and docks long enough to draw and power a transport. Of course in order to run, I’d have to get away from the clinch of Dreadlocks and Squirrel Chin. Charlie could take care of that. I slipped the messenger bag over my head slowly, and not even Zrakovi noticed the stick of wood protruding from the top by a couple of inches. Not to be redundant, but . . . idiots. None of us spoke as we proceeded down Chartres Street, where, to our south, the clouds continued to build. The wind had grown stronger and drier. The hurricane was sucking all the humidity out of the air, all the better to gain intensity. I hoped Zrakovi, a Bostonian, would enjoy his first storm. I hoped a live oak landed on his head.
Suzanne Johnson (Belle Chasse (Sentinels of New Orleans #5))
I decide that candor is probably best, that I will never see this woman again after this month. “I’m honestly not sure why I’m here, other than I feel like I could use some spiritual direction in my life.” This is the truth. “Why do you feel that way?” Nora asks. I sit for a few seconds, because this is a good question. I’m not terribly sure, other than my soul is weary, my usual recipe of prayer and reflecting on passages from the Bible isn’t inspiring me, and I sense a gaping, run-ragged hole in my soul where mature wisdom should be. Also, I don’t know where my home is, where I might really belong. Years have passed since I last felt poured-into, I tell her, and I have not bothered to seek it out. I have embarked on this year of travel, at age thirty-seven, feeling less confident than I did a decade ago about what I believe to be true, and how that truth intersects with who I am. I am weary from game playing and formulaic answers, and the evangelical-Christian hat that I have worn daily with every outfit since I was fourteen feels too small, headache inducing. I fidget daily in its discomfort, but I don’t know how to exchange it, how it should be resized. Perhaps I can stitch a new hat from scraps I find scattered around the globe, I suggest. Perhaps she could be my milliner, maybe help me find the first scrap, floating somewhere along the sidewalks of old Chiang
Tsh Oxenreider (At Home in the World: Reflections on Belonging While Wandering the Globe)
So you don’t trust me: the guy who taught you everything you know. I’m guessing if you have her”—he jerked his thumb at Rae—“that’s no accident. Luke’s buddies sent her to trap you, and she thought she was doing the right thing, because, duh, she’s already proven she’s kinda gullible that way.” “Hey!” Rae said. “You are. Own it. Fix it. Now, you guys have her, which means you escaped whoever sent her after you. You didn’t escape without a fight, given that bruise I see rising on Daniel’s jaw and the scrapes on Derek’s knuckles. But you escaped, and you came back here, and you captured me. Who taught you all that?” “Daniel and I had already started learning,” Maya said, “during those weeks you were chasing us.” “Trial by fire,” he said. “Followed by hardcore, hands-on tactical training. You got away scot-free from these guys because of my lessons. And yet now you don’t trust I’m on your side?” “Nope,” Derek said. “Sorry,” Daniel said. Maya crossed her arms and shook her head. I shrugged. Moreno broke into a grin. “You guys do me proud. I’d give you all a hug, if that wasn’t a little creepy. And if I was the hugging sort. But if you survive the rest of this, I’ll take you all out for beer and ice cream.” “You don’t need to be sarcastic,” Rae muttered. “Oh, but I’m not, and they know it. This is exactly what I trained them for. Trust no one except one another. Excluding you, kid, because I don’t know you, and you have a bad habit of screwing up. But these guys are doing the right thing. Next step?” Turn the tables,” I said. “Capture someone who’s behind this and get them to talk.” “Mmm, yes. That would work. But even better?” “Stop them,” Derek said. “Don’t just take down one. Take them all down.” “Without running to the Nasts for help,” Daniel said. “Because in another year, some of us will be off to college, and we need to be able to look after ourselves.” “Starting with proving we can look after ourselves,” Maya said. Moreno beamed. “You guys are ace. See, this is what I told Sean. The best time to train operatives is when they’re still young and malleable. None of that shit about waiting until they’re eighteen and legally old enough to consent.” Maya shook her head. “I suppose you’d also suggest he have the Cabal terrorize them for weeks first, so they’re properly motivated.” “Exactly. Personal rights and freedoms are vastly overrated. And there’s nothing wrong with a little PTSD. I’ve always found mine useful. Keeps me on my toes.” Rae stared at him. “I’m kidding,” he said to her. “Mostly. Don’t you joke around like this with your instructors? Oh, wait. You don’t have any. Which is why you got tricked—again. And got captured by these guys.” “Can we tie him up now?” Rae said. “And gag him?” “Doesn’t do any good,” Derek said. “We could try.
Kelley Armstrong (Atoning (Darkness Rising #3.1))
Pete has a few methods he uses to help manage people through the fears brought on by pre-production chaos. “Sometimes in meetings, I sense people seizing up, not wanting to even talk about changes,” he says. “So I try to trick them. I’ll say, ‘This would be a big change if we were really going to do it, but just as a thought exercise, what if …’ Or, ‘I’m not actually suggesting this, but go with me for a minute …’ If people anticipate the production pressures, they’ll close the door to new ideas—so you have to pretend you’re not actually going to do anything, we’re just talking, just playing around. Then if you hit upon some new idea that clearly works, people are excited about it and are happier to act on the change.” Another trick is to encourage people to play. “Some of the best ideas come out of joking around, which only comes when you (or the boss) give yourself permission to do it,” Pete says. “It can feel like a waste of time to watch YouTube videos or to tell stories of what happened last weekend, but it can actually be very productive in the long run. I’ve heard some people describe creativity as ‘unexpected connections between unrelated concepts or ideas.’ If that’s at all true, you have to be in a certain mindset to make those connections. So when I sense we’re getting nowhere, I just shut things down. We all go off to something else. Later, once the mood has shifted, I’ll attack the problem again.
Ed Catmull (Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration)
In Amsterdam, I took a room in a small hotel located in the Jordann District and after lunch in a café went for a walk in the western parts of the city. In Flaubert’s Alexandria, the exotic had collected around camels, Arabs peacefully fishing and guttural cries. Modern Amsterdam provided different but analogous examples: buildings with elongated pale-pink bricks stuck together with curiously white mortar, long rows of narrow apartment blocks from the early twentieth century, with large ground-floor windows, bicycles parked outside every house, street furniture displaying a certain demographic scruffiness, an absence of ostentatious buildings, straight streets interspersed with small parks…..In one street lines with uniform apartment buildings, I stopped by a red front door and felt an intense longing to spend the rest of my life there. Above me, on the second floor, I could see an apartment with three large windows and no curtains. The walls were painted white and decorated with a single large painting covered with small blue and red dots. There was an oaken desk against a wall, a large bookshelf and an armchair. I wanted the life that this space implied. I wanted a bicycle; I wanted to put my key in that red front door every evening. Why be seduced by something as small as a front door in another country? Why fall in love with a place because it has trams and its people seldom have curtains in their homes? However absurd the intense reactions provoked by such small (and mute) foreign elements my seem, the pattern is at least familiar from our personal lives. My love for the apartment building was based on what I perceived to be its modesty. The building was comfortable but not grand. It suggested a society attracted to the financial mean. There was an honesty in its design. Whereas front doorways in London are prone to ape the look of classical temples, in Amsterdam they accept their status, avoiding pillars and plaster in favor of neat, undecorated brick. The building was modern in the best sense, speaking of order, cleanliness, and light. In the more fugitive, trivial associations of the word exotic, the charm of a foreign place arises from the simple idea of novelty and change-from finding camels where at home there are horses, for example, or unadorned apartment buildings where at home there are pillared ones. But there may be a more profound pleasure as well: we may value foreign elements not only because they are new but because they seem to accord more faithfully with our identity and commitments than anything our homeland can provide. And so it was with my enthusiasms in Amsterdam, which were connected to my dissatisfactions with my own country, including its lack of modernity and aesthetic simplicity, its resistance to urban life and its net-curtained mentality. What we find exotic abroad may be what we hunger for in vain at home.
Alain de Botton (The Art of Travel)
Most of my friends put their preferred pronoun in their Instagram bios—he/she, him/her, they/their—but I respond to any and all of them. I like to think of it as collecting pronouns: the more I get, the more fun I’m having. To get the obvious out of the way, because that’s apparently important to people, I think of myself as post-gender. I was trying to figure out how to explain that because sometimes it’s a paragraph and sometimes it’s a term paper depending on who I’m talking to, and I have no idea who will be reading this in the aftermath. Then I noticed that one of my fellow passengers has a cat with him, and that’s perfect. When you visit a friend and find they have a cat, you just see it as a cat in all its pure catness, it doesn’t require further definition. You’ll probably get a name, and if you ask, whether it was born male or female, but even after you have that information you still don’t think of it any differently. It’s not a He-Cat or a She-Cat or a They-Cat. It’s just a cat. And unless the cat’s name has any gender-specific connotations you’ll probably forget pretty fast which gender it was born into. My name is Theo, and by that logic, I am a cat. What I was or was not born into has nothing to do with how I see myself. It’s not about going from one gender to another, or suggesting that they don’t exist. Some of my friends say that the moment you talk about gender you invalidate the conversation because you’re accepting the limits of outmoded paradigms, but I’m not sure I agree with that. I just think gender shouldn’t matter. If you’re a man, aren’t there moments when you feel more female, like when you’re listening to music, or your cheek is being gently stroked, or you see a spectacularly handsome man walk into the room? If you’re a woman, aren’t there moments when you feel more male, when you have to be strong in the face of conflict, or stand behind your opinion, or when a spectacularly beautiful woman walks into the room? Well, in those moments, you are all of those things, so why deny that part of yourself? For me, it’s not about being binary or non-binary. It’s about moving the needle to the center of the dial and accepting all definitions as equally true while remaining free to shift in emphasis from moment to moment. It’s about being a Person, not a She-Person or a He-Person or a They-Person. (...) When you go into a clothing store, you don’t just go to the “one size fits all” rack. You look for clothes that fit your waist, hips, legs, chest, and neck, clothes that complement your form and shape, and reflect not just how you see yourself but how you want to be seen by others. If it’s still not quite right, and you can afford it, you get the clothes tailored to fit exactly who you are. That’s what I’m doing. Post-gender is one term for it. Another might be tailored gender. Maybe bespoke gender. But definitely not one-size-fits-all. The world doesn’t get to decide what best fits who I am and how I choose to be seen. I do.
J. Michael Straczynski (Together We Will Go)
I brought her food, but it stayed untouched on the plate no matter how I tried to cajole her into eating. When I caught her taking twenty minutes to eat a single almond, I began wondering if there was some kind of Watsonian guide for the care and keeping of Holmeses. When I sent my father an email to that effect (subject line I Need Your Help, postscript Still haven't forgiven you and won't). he responded that, yes, over the years he'd written down an informal series of suggestions in his journal; he'd do his best to adapt and type them up for me. When the list arrived the next day, it was twelve pages long, single-spaced. The suggestions ran from the obvious (8. On the whole, coaxing works rather better than straightforward demands) to the irrelevant (39. Under all circumstances, do not allow Holmes to cook your dinner unless you have a taste for cold unseasoned broth) to the absurd (87. Hide all firearms before throwing Holes a surprise birthday party) to, finally, the useful (1. Search often for opiates and dispose of as needed; retaliation will not come often, though is swift and exacting when it does - do not grow attached to one's mirrors or drinking glasses; 2. During your search, always begin with the hollowed-out heels of Holmes's boots; 102. Have no compunctions about drugging Holmes's tea if he hasn't slept; 41. Be prepared to receive compliments once every two to three years; 74.) (underlined twice) (Whatever happens, remember it is not your fault and likely could not have been prevented, no matter your efforts).
Brittany Cavallaro (A Study in Charlotte (Charlotte Holmes, #1))
A long time ago Ian had told her he was half in love with her, yet now that they were betrothed he’d never spoken a word of it, had not even pretended. She wasn’t certain of his motives or his feelings; she wasn’t certain of her own, either. All she really knew was that the sight of his hard, handsome face with its chiseled features, and hold amber eyes never failed to make her entire being feel tense and alive. She knew he liked to kis her, and that she very much liked being kissed by him. Added to his other attractions was something else that drew her inexorably to him: From their very first meeting, Elizabeth had sensed that beneath his bland sophistication and rugged virility Ian Thornton had a depth that most people lacked. “It’s so hard to know,” she whispered, “how I ought to feel or what I ought to think. And I have the worst feeling it’s not going to matter what I know or what I think,” she added almost sadly, “because I am going to love him.” She opened her eyes and looked at Alex. “It’s happening, and I cannot stop it. It was happening two years ago, and I couldn’t stop it then, either. So you see,” she added with a sad little smile, “it would be so much nicer for me if you could love him just a little, too.” Alex reached across the table and took Elizabeth’s hands in hers. “If you love him, then he must be the very best of men. I shall henceforth make it a point to see all his best qualities!” Alex hesitated, and then she hazarded the question: “Elizabeth, does he love you?” Elizabeth shook her head. “He wants me, he says, and he wants children.” Alex swallowed embarrassed laughter. “He what?” “He wants me, and he wants children.” A funny, knowing smile tugged at Alexandra’s lips. “You didn’t tell me he said the first part. I am much encouraged,” she teased while a rosy blush stole over her cheeks. “I think I am, too,” Elizabeth admitted, drawing a swift, searching look from Alex. “Elizabeth, this is scarcely the time to discuss this-in fact,” Alex added, her flush deepening. “I don’t think there is a really good time to discuss it-but has Lucinda explained to you how children are conceived?” “Yes, of course,” Elizabeth said without hesitation. “Good, because I would have been the logical one otherwise, and I still remember my reaction when I found out. It was not a pretty sight,” she laughed. “On the other hand, you were always much the wiser girl than I.” “I don’t think so at all,” Elizabeth said, but she couldn’t imagine what there was, really, to blush about. Children, Lucinda had told her when she’d asked, were conceived when a husband kissed his wife in be. And it hurt the first time. Ian’s kisses were sometimes almost bruising, but they never actually hurt, and she enjoyed them terribly. As if speaking her feelings aloud to Alexandra had somehow relieved her of the burden of trying to deal with them, Elizabeth was so joyously relaxed that she suspected Ian noticed it at once when the men joined them in the drawing room. Ian did notice it; in fact, as they sat down to play a game of cards in accordance with Elizabeth’s cheery suggestion, he noticed there was a subtle but distinct softening in the attitudes of both ladies toward him.
Judith McNaught (Almost Heaven (Sequels, #3))
In Riverview, we stopped at Larkin’s Drugstore for a cold drink. Leaving the rest of us to scramble out unaided, John offered Hannah his hand. Although I’d just seen her leap out of a tree as fearless as a cat, she let him help her. At the soda fountain, Hannah took a seat beside John. In her white dress, she was as prim and proper as any lady you ever saw. Quite frankly, I liked her better the other way. I grabbed the stool on the other side of Hannah and spun around on it a couple of times, hoping to get her to spin with me, but the only person who noticed was Mama. She told me to sit still and behave myself. “You act like you have ants in your pants,” she said, embarrassing me and making Theo laugh. While I was sitting there scowling at Theo in the mirror, John leaned around Hannah and grinned at me. “To celebrate your recovery, Andrew, I’m treating everyone to a lemon phosphate--everyone, that is, except you.” He paused dramatically, and Hannah gave him a smile so radiant it gave me heartburn. She was going to marry John someday, I knew that. But while I was here, I wanted her all to myself, just Hannah and me playing marbles in the grove, talking, sharing secrets, climbing trees. She had the rest of her life to spend with stupid John Larkin. “As the guest of honor,” John went on, “you may pick anything your heart desires.” Slightly placated by his generosity, I stared at the menu. It was amazing what you could buy for a nickel or a dime in 1910. “Choose a sundae,” Theo whispered. “It costs the most.” “How about a root beer float?” Hannah suggested. “Egg milk chocolate,” Mama said. “It would be good for you, Andrew.” “Tonic water would be even better,” John said, “or, best of all, a delicious dose of cod-liver oil.” When Hannah gave him a sharp poke in the ribs, John laughed. “Andrew knows I’m teasing. Come on, what will it be, sir?” Taking Theo’s advice, I asked for a chocolate sundae. “Good choice,” John said. “You’d have to go all the way to St. Louis to find better ice cream.
Mary Downing Hahn (Time for Andrew: A Ghost Story)
It’s just a devilish odd coincidence. I shared a boat – and a carriage – with Balcourt’s sister and cousin." "I didn’t realise he had a sister." "Well, he does." Richard abruptly pushed away his empty bowl. "What a great stroke of luck! Could you use the acquaintance with the sister to discover more about Balcourt’s activities?" "That," Richard said grimly, "is not an option." Geoff eyed him quizzically. "I realise that any sister of Balcourt’s is most likely repugnant at best, but you don’t need to propose to the girl. Just flirt with her a bit. Take her for a drive, call on her at home, use her as an entrée into the house. You’ve done it before." "Miss Balcourt is not repugnant." Richard twisted in his chair, and stared at the door. "What the devil is keeping supper?" Geoff leant across the table. "Well, if she’s not repugnant, then-what’s the – ah." "Ah? Ah? What the deuce do you mean by ‘ah’? Of all the nonsensical…" "You" – Geoff pointed at him with fiendish glee – "are unsettled not because you find her repugnant, but because you find her not repugnant." Richard was about to deliver a baleful look in lieu of a response, when he was saved by the arrival of the footman bearing a large platter of something covered with sauce. Richard leant forward and speared what looked like it might once have been part of a chicken, as the footman whisked off with his soup dish. "Have some," Richard suggested to Geoff, ever so subtly diverting the conversation to culinary appreciation. "Thank you." Undiverted, Geoff continued, "Tell me about your Miss Balcourt." "Leaving aside the fact that she is by no means my Miss Balcourt" – Richard ignored the sardonic stare coming from across the table – "the girl is as complete an opposite to her brother as you can imagine. She was raised in England, somewhere out in the countryside. She’s read Homer in the original Greek—" "This is serious," murmured Geoff. "Is she comely?" "Comely?" "You know, nice hair, nice eyes, nice…" Geoff made a gesture that Richard would have expected more readily from Miles.
Lauren Willig (The Secret History of the Pink Carnation (Pink Carnation, #1))
Ryzek will be in a huge crowd of people, many of whom are his most ardent supporters and fiercest soldiers. What kind of ‘move’ do you suggest we make?” Cyra replied, “You said it yourself, didn’t you? Kill him.” “Oh, right!” Teka smacked the table, obviously annoyed. “Why didn’t I think of killing him? How simple!” Cyra rolled her eyes. “This time you won’t have to sneak into his house while he’s asleep. This time, I’ll challenge him to the arena.” Everybody got quiet again. For different reasons, Akos was sure. Cyra was a good fighter, everybody knew that, but no one knew how good Ryzek was--they hadn’t seen him in action. And then there was the matter of getting to a place where Cyra could actually challenge him. And getting him to do it instead of just arresting her. “Cyra,” Akos said. “He declared nemhalzak--he erased your status, your citizenship,” Teka said, talking over him. “He has no reason to honor your challenge.” “Of course he does.” Isae was frowning. “He could have gotten rid of her quietly when he learned she was a renegade, but he didn’t. He wanted her disgrace, and her death, to be public. That means he’s afraid of her, afraid she has power over Shotet. If she challenges hi in front of everyone, he won’t be able to back down. He’ll look like a coward.” “Cyra,” Akos said again, quiet this time. “Akos,” Cyra answered, with just a touch of the gentleness he had seen in the stairwell. “He is no match for me.” The first time Akos ever saw Cyra fight--really fight--was in the training room in Noavek manor. She had gotten frustrated with him--she wasn’t a patient teacher, after all--and she had let loose more than usual, knocking him flat. Only fifteen seasons old at the time, but she had moved like an adult. And she only got better from there. In all his time training with her, he had never bested her. Not once. “I know,” he said. “But just in case, let’s distract him.” “Distract him,” Cyra repeated. “You’ll go into the amphitheater. You’ll challenge him,” Akos said. “And I’ll go to the prison. Badha and I, I mean. We’ll rescue Orieve Benesit--we’ll take away his triumph. And you’ll take away his life.
Veronica Roth (Carve the Mark (Carve the Mark, #1))
Your only other option is to marry one of us.” He paused. “Me.” Travis suddenly felt the need to clear his throat. “This alternative would repair your reputation, give you a place to live, and provide the protection of four able-bodied men. Unless you have something else to suggest . . . ?” “Actually, there is something else.” Her quiet statement startled him. “There is?” He glanced over at Crockett. His brother shrugged. Meredith slowly lowered herself into the straight-back chair, the fight draining from her. “I could leave Anderson County. I could go farther west to where the railroad is opening new towns, or head to a larger city where no one knows me.” Her chin jutted upward. “I could find work. Make a clean start.” Leave Anderson County? Travis frowned. He hadn’t considered that option. Didn’t really want to, either. It was reckless. Dangerous. And for some odd reason . . . disappointing. Besides, he’d already settled his mind on this marrying business. No sense muddying the waters. “You’re a good man, Travis. An honorable man.” Meredith plucked at her sleeve. “You drew the short straw, and you’re willing to stand before a preacher because you feel responsible for me. But you’re not. I made the decision to come here, and I’ll deal with the consequences. You deserve to have a wife of your own choosing, not one forced on you through circumstances outside your control.” “It’s not like that, Meredith. It’s . . .” Travis sighed and rubbed his jaw. Why did she say nothing about what she deserved? He didn’t know much about the workings of the female mind, but he knew one thing—she deserved a choice. “I’m not going to force you, Meredith. If you believe leaving is the best option, I’ll not stop you. But if you think you might be able to make a home for yourself here, with a bunch of unrefined men, we’d like you to stay. I’d like you to stay.” Stretching his hand across the space that separated them, he caressed her cheek with his knuckles, then let his arm fall away. “You’re a fine woman, Meredith Hayes. You’re strong and brave and kind. And should you decide to take a chance on me, I’d be honored to make you my bride.
Karen Witemeyer (Short-Straw Bride (Archer Brothers, #1))
What possibilities are there for preventing actions with negative consequences, actions that we may later regret? One possibility is dhyāna, which in this context means “reflection.”3 Reflection can take many forms. For example, when faced with an important decision, you could imagine what would happen if you did the exact opposite of what your instincts suggest.4 Try to make the consequence of your decision as real as possible in your imagination. No matter what it is or what you feel, before you make an important decision and take action you should give yourself the opportunity to consider the matter with an open mind and a certain degree of objectivity. Dhyāna in this respect is a quiet, alert consideration, a meditation. The aim is to free yourself of preconceptions and avoid actions that you may later regret and that may create new troubles (duḥkha) for you. Dhyāna strengthens self-sufficiency. Yoga makes us independent. We all want to be free, although many of us are dependent on psychologists, gurus, teachers, drugs, or whatever. Even if advice and guidance are helpful, in the end we ourselves are the best judge of our own actions. No one is more interested in me than me. With the help of dhyāna we find our own methods and systems for making decisions and better understand our behavior. There are other ways of distancing ourselves from our actions than reflecting on how it would be if we were to act differently from what we intend. We might go to a concert or go for a walk or do something else that calms the thoughts. All the while the mind goes on working unconsciously, without any external pressure. In the pursuit of other activities we gain a certain distance. However short it may be, time becomes available to cast the mind over everything surrounding the decision that has to be made. Perhaps with ease and distance we will make a better decision. Stepping out of a situation in order to get a better look at it from another standpoint is called pratipakṣa. The same word describes the process of considering other possible courses of action.5 The time spent in dhyāna is extremely important. Through self-reflection our actions gain in quality.
T.K.V. Desikachar (The Heart of Yoga: Developing a Personal Practice)
Go on, ask me another question. I’m rather enjoying this game.” He cocked an eyebrow at her and, although he was certain it was pointless, he said, “Cheep cheep?” The herbalist brayed with laughter, and some of the werecats opened their mouths in what appeared to be toothy smiles. However, Shadowhunter seemed displeased, for she dug her claws into Eragon’s legs, making him wince. “Well,” said Angela, still laughing, “if you must have answers, that’s as good a story as any. Let’s see…Several years ago, when I was traveling along the edge of Du Weldenvarden, way out to the west, miles and miles from any city, town, or village, I happened upon Grimrr. At the time, he was only the leader of a small tribe of werecats, and he still had full use of both his paws. Anyway, I found him toying with a fledgling robin that had fallen out of its nest in a nearby tree. I wouldn’t have minded if he had just killed the bird and eaten it--that’s what cats are supposed to do, after all--but he was torturing the poor thing: pulling on its wings; nibbling its tail; letting it hop away, then knocking it over.” Angela wrinkled her nose with distaste. “I told him that he ought to stop, but he only growled and ignored me.” She fixed Eragon with a stern gaze. “I don’t like it when people ignore me. So, I took the bird away from him, and I wiggled my fingers and cast a spell, and for the next week, whenever he opened his mouth, he chirped like a songbird.” “He chirped?” Angela nodded, beaming with suppressed mirth. “I’ve never laughed so hard in my life. None of the other werecats would go anywhere near him for the whole week.” “No wonder he hates you.” “What of it? If you don’t make a few enemies every now and then, you’re a coward--or worse. Besides, it was worth it to see his reaction. Oh, he was angry!” Shadowhunter uttered a soft warning growl and tightened her claws again. Grimacing, Eragon said, “Maybe it would be best to change the subject?” “Mmm.” Before he could suggest a new topic, a loud scream rang out from somewhere in the middle of the camp. The cry echoed three times over the rows of tents before fading into silence. Eragon looked at Angela, and she at him, and then they both began to laugh.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
know that taking a long walk was his preferred way to have a serious conversation. It turned out that he wanted me to write a biography of him. I had recently published one on Benjamin Franklin and was writing one about Albert Einstein, and my initial reaction was to wonder, half jokingly, whether he saw himself as the natural successor in that sequence. Because I assumed that he was still in the middle of an oscillating career that had many more ups and downs left, I demurred. Not now, I said. Maybe in a decade or two, when you retire. I had known him since 1984, when he came to Manhattan to have lunch with Time’s editors and extol his new Macintosh. He was petulant even then, attacking a Time correspondent for having wounded him with a story that was too revealing. But talking to him afterward, I found myself rather captivated, as so many others have been over the years, by his engaging intensity. We stayed in touch, even after he was ousted from Apple. When he had something to pitch, such as a NeXT computer or Pixar movie, the beam of his charm would suddenly refocus on me, and he would take me to a sushi restaurant in Lower Manhattan to tell me that whatever he was touting was the best thing he had ever produced. I liked him. When he was restored to the throne at Apple, we put him on the cover of Time, and soon thereafter he began offering me his ideas for a series we were doing on the most influential people of the century. He had launched his “Think Different” campaign, featuring iconic photos of some of the same people we were considering, and he found the endeavor of assessing historic influence fascinating. After I had deflected his suggestion that I write a biography of him, I heard from him every now and then. At one point I emailed to ask if it was true, as my daughter had told me, that the Apple logo was an homage to Alan Turing, the British computer pioneer who broke the German wartime codes and then committed suicide by biting into a cyanide-laced apple. He replied that he wished he had thought of that, but hadn’t. That started an exchange about the early history of Apple, and I found myself gathering string on the subject, just in case I ever decided to do such a book. When my Einstein biography came out, he came to a book event in Palo Alto and
Walter Isaacson (Steve Jobs)
Fuck, she was even hotter when she was furious. I seriously wouldn't have minded her taking that anger out on my body all night long. I'd be more than happy to angry fuck her until her body bent and bowed and finally gave in to the power play between us. I'd force her beneath me physically as well as with my power and maybe she'd find she liked it there just fine. Or maybe she'd stab me to death and cut my cock off for good measure because the look she was aiming my way said that was a whole lot more likely than me getting to spend the night ruining her. But it was a damn nice fantasy to indulge in for a few moments. ... She gave me a look of utter contempt and it made my cock throb as her nearness just compounded the desire I was already feeling for her and made me get all kinds of insane ideas about what I'd like to do with this little princess if I got her to myself for long enough. She made no attempt to cover herself, no sign of shame in her frosty features as she stalked forward to claim her key, a sneer touching those edible lips of hers. Her jaw was tight with rage which she was doing nothing to hide and as she reached out to snatch the key from my hand, I couldn't help but ache to bring her closer, draw her nearer, see just how far she'd go in this denial of my power over her. Her fingers curled around the brass key, but I didn't release it, instead using my hold on it to tug her a step closer so that only a breath of space divided our bodies. I looked down at her from my imposing height, dominating her space with the bulk of my body and making sure she took in every last inch of height I had over her. “Of course, if you’d rather just come on up to my room, I can give you a real welcome to the House of Fire,” I suggested my gaze dropping down to her body, the noticeable bulge in my pants making it clear enough how much I meant that offer. I probably shouldn't have been making it at all, but the beast in me couldn't help myself. Dragons saw something they wanted and they took it. And I hadn't seen something I wanted as much as this girl in as long as I could remember. Our gazes collided and the heat there was almost strong enough to burn, the tension between us crackling so loudly I was surprised the whole room couldn't hear it. But then her gaze shuttered and her lips pursed, her eyes dropping down to take me in, my skin buzzing everywhere they landed as I could feel the want in her while she assessed me. But as those deep green eyes met mine again and I gave her a knowing smirk, I couldn't tell what she was thinking. I didn't know if she was going to bow to this heat between us or just stoke the flames, and the fact that I didn't know had my heart thumping in anticipation deep in my chest. She shifted an inch closer to me, tilting her mouth towards my ear and making my flesh spark with the need to take her, own her, destroy her in all the best ways. But just as my cock began to get overexcited at the prospect of all the ways I could make her scream for me given enough time, she spoke and it wasn't in the sultry purr I'd been expecting, her voice coming out loud enough for everyone to hear instead. “I wouldn’t come near you even if someone held a knife to my heart and told me that the world would end if I didn’t,” she snarled, snatching the key out of my hand as my surprise at her words made me forget to keep my grip tight enough to keep it. “So why don’t you take a long, hard look while you can. Because I can promise you, you won’t be seeing this again.”(Darius POV)
Caroline Peckham (The Awakening as Told by the Boys (Zodiac Academy, #1.5))