Elder Sister Quotes

We've searched our database for all the quotes and captions related to Elder Sister. Here they are! All 100 of them:

That's the best thing about little sisters: They spend so much time wishing they were elder sisters that in the end they're far wiser than the elder ones could ever be.
Gemma Burgess
If they want to flirt or initiate a friendship, they should carefully avoid giving the impression they are taking the initiative; men do not like tomboys, nor bluestockings, nor thinking women; too much audacity, culture, intelligence, or character frightens them. In most novels, as George Eliot observes, it is the dumb, blond heroine who outshines the virile brunette; and in The Mill on the Floss, Maggie tries in vain to reverse the roles; in the end she dies and it is blond Lucy who marries Stephen. In The Last of the Mohicans, vapid Alice wins the hero’s heart and not valiant Cora; in Little Women kindly Jo is only a childhood friend for Laurie; he vows his love to curly-haired and insipid Amy. To be feminine is to show oneself as weak, futile, passive, and docile. The girl is supposed not only to primp and dress herself up but also to repress her spontaneity and substitute for it the grace and charm she has been taught by her elder sisters. Any self-assertion will take away from her femininity and her seductiveness.
Simone de Beauvoir (The Second Sex)
Fiction is Truth's elder sister. Obviously. No one in the world knew what truth was till some one had told a story.
Rudyard Kipling (Writings on Writing)
Decisions to cut aid for the terminally ill, for the elderly, for dependent children, for food stamps, even school lunches, are being made by men with full stomachs who live in comfortable houses with two cars and umpteen tax shelters. None of them go hungry to bed at night.
Audre Lorde (Sister Outsider: Essays and Speeches)
There were two sisters, they went playing,         To see their father’s ships come sailing …         And when they came unto the sea-brim         The elder did push the younger in Sometimes she sank, and sometimes she swam,         ’Til her corpse came to the miller’s dam         “But what did he do with her breastbone?         He made him a viol to play on.         What’d he do with her fingers so small?         He made pegs to his viol withall And what did he do with her nose-ridge?         Unto his viol he made a bridge.         What did he do with her veins so blue?         He made strings to his viol thereto What did he do with her eyes so bright?         On his viol he set at first light.         What did he do with her tongue so rough?         ’Twas the new till and it spoke enough         “Then bespake the treble string,         ‘O yonder is my father the king.’ Then bespake the second string,         ‘O yonder sits my mother the queen.’  Then bespake the strings all three,         ‘Yonder is my sister that drowned me.’ 
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
So easy now that Elder Sister has explained to her what all young girls in houses are taught—that with care and meticulous acting and tears of pretended pain and fear, and the final modest telltale stains cautiously placed, a girl can, if necessary, be virgin ten times for ten different men.
James Clavell (Tai-Pan (Asian Saga, #2))
The Reverend William Trent, whose mind was of a serious order, had several times warned his elder sister that too lively a sense of humour frequently led to laxity of principle. She now perceived how right he was; and wondered, in dismay, whether it was because he invariably made her laugh that instead of regarding the Nonesuch with revulsion she was obliged to struggle against the impulse to cast every scruple to the winds, and to give her life into his keeping.
Georgette Heyer (The Nonesuch)
As Celia bent over the paper, Dorothea put her cheek against her sister's arm caressingly. Celia understood the action. Dorothea saw that she had been in the wrong, and Celia pardoned her. Since they could remember, there had been a mixture of criticism and awe in the attitude of Celia's mind towards her elder sister. The younger had always worn a yoke, but is there any yoked creature without its private opinions?
George Eliot (Middlemarch)
There's power in knowledge passed between generations, whether it's by those books of yours or by an elders mouth.
Talia Hibbert (Take a Hint, Dani Brown (The Brown Sisters, #2))
This is not our home, Four. These humans are not our brothers and sisters. Everything we do here on Earth is for our real home, for our real brothers and sisters; for the Elders who sacrificed their lives to put us on that ship ... If you don't have Lorien in your heart, then you should say so right now. I won't run around with a traitor. Our only goal is doing everything we can to be at full strength so we can defeat Setrakus Ra and his army. That's it. Got it?!
Pittacus Lore (The Rise of Nine (Lorien Legacies, #3))
This election is about the past vs. the future. It's about whether we settle for the same divisions and distractions and drama that passes for politics today or whether we reach for a politics of common sense and innovation, a politics of shared sacrifice and shared prosperity. There are those who will continue to tell us that we can't do this, that we can't have what we're looking for, that we can't have what we want, that we're peddling false hopes. But here is what I know. I know that when people say we can't overcome all the big money and influence in Washington, I think of that elderly woman who sent me a contribution the other day, an envelope that had a money order for $3.01 along with a verse of scripture tucked inside the envelope. So don't tell us change isn't possible. That woman knows change is possible. When I hear the cynical talk that blacks and whites and Latinos can't join together and work together, I'm reminded of the Latino brothers and sisters I organized with and stood with and fought with side by side for jobs and justice on the streets of Chicago. So don't tell us change can't happen. When I hear that we'll never overcome the racial divide in our politics, I think about that Republican woman who used to work for Strom Thurmond, who is now devoted to educating inner city-children and who went out into the streets of South Carolina and knocked on doors for this campaign. Don't tell me we can't change. Yes, we can. Yes, we can change. Yes, we can. Yes, we can heal this nation. Yes, we can seize our future. And as we leave this great state with a new wind at our backs and we take this journey across this great country, a country we love, with the message we carry from the plains of Iowa to the hills of New Hampshire, from the Nevada desert to the South Carolina coast, the same message we had when we were up and when we were down, that out of many, we are one; that while we breathe, we will hope. And where we are met with cynicism and doubt and fear and those who tell us that we can't, we will respond with that timeless creed that sums up the spirit of the American people in three simple words -- yes, we can.
Barack Obama
When your elders are millennia-old demigods, you’d best take the injunction to respect your elders seriously.
Nalo Hopkinson (Sister Mine)
Girls were happy to be married. Olga had glowed when her husband put a jewel on her finger and took her away. Maybe Vasya was jealous of her elder sister. But this daughter would never find a husband in Moscow. Might as well put a hawk in a dovecote.
Katherine Arden (The Bear and the Nightingale (The Winternight Trilogy, #1))
It is never of the least use to be snide to boys suffering from calf-love: they seem to take it as a challenge. The only thing to do is be polite and elder-sisterly, and hope that they recover quickly.
W.R. Gingell (Masque (Two Monarchies Sequence))
If thou art called to pass through tribulation; if thou art in perils among false brethren; if thou art in perils among robbers; if thou art in perils by land or by sea; If thou art accused with all manner of false accusations; if thine enemies fall upon thee; if they tear thee from the society of thy father and mother and brethren and sisters; and if with a drawn sword thine enemies tear thee from the bosom of thy wife, and of thine offspring, and thine elder son, although but six years of age, shall cling to thy garments, and shall say, My father, my father, why can’t you stay with us? O, my father, what are the men going to do with you? and if then he shall be thrust from thee by the sword, and thou be dragged to prison, and thine enemies prowl around thee like wolves for the blood of the lamb; And if thou shouldst be cast into the pit, or into the hands of murderers, and the sentence of death passed upon thee; if thou be cast into the deep; if the billowing surge conspire against thee; if fierce winds become thine enemy; if the heavens gather blackness, and all the elements combine to hedge up the way; and above all, if the very jaws of hell shall gape open the mouth wide after thee, know thou, my son, that all these things shall give thee experience, and shall be for thy good. The Son of Man hath descended below them all. Art thou greater than he?
Joseph Smith Jr. (The Doctrine and Covenants of the Church of Jesus Christ of Latter-Day Saints: Containing the Revelations Given to Joseph Smith ... With Some ... Successors in the Presidency of the Church)
such an ill-cooked roast at the future queen’s wedding?” he cries. The princess-cook appears before her father, but she is so changed he does not recognize her. “I would not serve you salt, Your Majesty,” she explains. “For did you not exile your youngest daughter for saying that it was of value?” At her words, the king realizes that not only is she his daughter—she is, in fact, the daughter who loves him best. And what then? The eldest daughter and the middle sister have been living with the king all this time. One has been in favor one week, the other the next. They have been driven apart by their father’s constant comparisons. Now the youngest has returned, the king yanks the kingdom from his eldest, who has just been married. She is not to be queen after all. The elder sisters rage. At first, the youngest basks in fatherly love. Before long, however, she realizes the king is demented and power-mad. She is to be queen, but she is also stuck tending to a crazy old tyrant for the rest of her days. She will not leave him, no matter how sick he becomes. Does she stay because she loves him as meat loves salt? Or does she stay because he has now promised her the kingdom? It is hard for her to tell the difference. 17 THE FALL AFTER the European trip,
E. Lockhart (We Were Liars)
two elder sisters. In society so superior to what she had generally known, her improvement was great. She was not of so ungovernable a temper as Lydia; and, removed from the influence of Lydia's example, she became, by proper attention and management, less irritable, less ignorant,
Jane Austen (Pride and Prejudice)
And that's the last chapter of the history of the world: in which we create, through the workings of the imagination, a world that is uncreated: that is the work of no author. A world that imagination cannot thereafter alter, not in its deepest workings and its laws, but only envision in new ways; where our elder brothers and sisters, the things, suffer our childish logomantic games with them and wait for us to grow up, and know better; where we do grow up, and do know better.
John Crowley (Endless Things (The Ægypt Cycle, #4))
ONCE UPON A time there was a king who had three beautiful daughters. As he grew old, he began to wonder which should inherit the kingdom, since none had married and he had no heir. The king decided to ask his daughters to demonstrate their love for him. To the eldest princess he said, “Tell me how you love me.” She loved him as much as all the treasure in the kingdom. To the middle princess he said, “Tell me how you love me.” She loved him with the strength of iron. To the youngest princess he said, “Tell me how you love me.” This youngest princess thought for a long time before answering. Finally she said she loved him as meat loves salt. “Then you do not love me at all,” the king said. He threw his daughter from the castle and had the bridge drawn up behind her so that she could not return. Now, this youngest princess goes into the forest with not so much as a coat or a loaf of bread. She wanders through a hard winter, taking shelter beneath trees. She arrives at an inn and gets hired as assistant to the cook. As the days and weeks go by, the princess learns the ways of the kitchen. Eventually she surpasses her employer in skill and her food is known throughout the land. Years pass, and the eldest princess comes to be married. For the festivities, the cook from the inn makes the wedding meal. Finally a large roast pig is served. It is the king’s favorite dish, but this time it has been cooked with no salt. The king tastes it. Tastes it again. “Who would dare to serve such an ill-cooked roast at the future queen’s wedding?” he cries. The princess-cook appears before her father, but she is so changed he does not recognize her. “I would not serve you salt, Your Majesty,” she explains. “For did you not exile your youngest daughter for saying that it was of value?” At her words, the king realizes that not only is she his daughter—she is, in fact, the daughter who loves him best. And what then? The eldest daughter and the middle sister have been living with the king all this time. One has been in favor one week, the other the next. They have been driven apart by their father’s constant comparisons. Now the youngest has returned, the king yanks the kingdom from his eldest, who has just been married. She is not to be queen after all. The elder sisters rage. At first, the youngest basks in fatherly love. Before long, however, she realizes the king is demented and power-mad. She is to be queen, but she is also stuck tending to a crazy old tyrant for the rest of her days. She will not leave him, no matter how sick he becomes. Does she stay because she loves him as meat loves salt? Or does she stay because he has now promised her the kingdom? It is hard for her to tell the difference.
E. Lockhart (We Were Liars)
At some point, to counter the list of the dead, I had begun keeping my own list of the living. It was something I noticed Len Fenerman did too. When he was off duty he would note the young girls and elderly women and every other female in the rainbow in between and count them among the things that sustained him. The young girl in the mall whose pale legs had grown too long for her now too-young dress and who had an aching vulnerability that went straight to both Len's and my own heart. Elderly women, wobbling with walkers, who insisted on dyeing their hair unnatural versions of the colors they had in youth. Middle-aged single mothers racing around in grocery stores while their children pulled bags of candy off the shelves. When I saw them, I took count. Living, breathing women. Sometimes I saw the wounded- those who had been beaten by husbands or raped by strangers, children raped by their fathers- and I would wish to intervene somehow. Len saw these wounded women all the time. They were regulars at the station, but even when he went somewhere outside his jurisdiction he could sense them when they came near. The wife in that bait-'n'-tackle shop had no bruises on her face but cowered like a dog and spoke in apologetic whispers. The girl he saw walk the road each time he went upstate to visit his sisters. As the years passed she'd grown leaner, the fat from her cheeks had drained, and sorrow had loaded her eyes in a way that made them hang heavy and hopeless inside her mallowed skin. When she was not there it worried him. When she was there it both depressed and revived him. ~Len Fenerman on stepping back/letting go/giving up pgs 271-272
Alice Sebold (The Lovely Bones)
There was also another funny feeling that he had for the elder sister. For some unfathomable reason, he was attracted to her knees. He had always felt like biting them!
Nicholas Chong
Reason has an elder sister, never forget that. She’s called Intuition.
Håkan Nesser (The Inspector and Silence (Inspector Van Veeteren #5))
two elder sisters. In society so superior to what she had generally known, her improvement was great. She was not of so ungovernable a temper
Jane Austen (Pride and Prejudice)
advantage, spent the chief of her time with her two elder sisters. In society so superior to what she had generally known, her improvement was great.
Jane Austen (Pride and Prejudice)
Bingley fancied himself in love with Miss Bennet’s elder sister, you utter cork-brain,
Ali Scott (A Wound Deeper Than Pride)
On Pleasure Pleasure is a freedom-song, But it is not freedom. It is the blossoming of your desires, But it is not their fruit. It is a depth calling unto a height, But it is not the deep nor the high. It is the caged taking wing, But it is not space encompassed. Aye, in very truth, pleasure is a freedom-song. And I fain would have you sing it with fullness of heart; yet I would not have you lose your hearts in the singing. Some of your youth seek pleasure as if it were all, and they are judged and rebuked. I would not judge nor rebuke them. I would have them seek. For they shall find pleasure, but not her alone; Seven are her sisters, and the least of them is more beautiful than pleasure. Have you not heard of the man who was digging in the earth for roots and found a treasure? And some of your elders remember pleasures with regret like wrongs committed in drunkenness. But regret is the beclouding of the mind and not its chastisement. They should remember their pleasures with gratitude, as they would the harvest of a summer. Yet if it comforts them to regret, let them be comforted. And there are among you those who are neither young to seek nor old to remember; And in their fear of seeking and remembering they shun all pleasures, lest they neglect the spirit or offend against it. But even in their foregoing is their pleasure. And thus they too find a treasure though they dig for roots with quivering hands. But tell me, who is he that can offend the spirit? Shall the nightingale offend the stillness of the night, or the firefly the stars? And shall your flame or your smoke burden the wind? Think you the spirit is a still pool which you can trouble with a staff? Oftentimes in denying yourself pleasure you do but store the desire in the recesses of your being. Who knows but that which seems omitted today, waits for tomorrow? Even your body knows its heritage and its rightful need and will not be deceived. And your body is the harp of your soul, And it is yours to bring forth sweet music from it or confused sounds. And now you ask in your heart, “How shall we distinguish that which is good in pleasure from that which is not good?” Go to your fields and your gardens, and you shall learn that it is the pleasure of the bee to gather honey of the flower, But it is also the pleasure of the flower to yield its honey to the bee. For to the bee a flower is a fountain of life, And to the flower a bee is a messenger of love, And to both, bee and flower, the giving and the receiving of pleasure is a need and an ecstasy.
Kahlil Gibran (The Prophet)
That’s the best thing about little sisters: they spend so much time wishing they were elder sisters that in the end they’re far wiser than the elder ones could ever be. —Gemma Burgess
Diana Butler Bass (Freeing Jesus: Rediscovering Jesus as Friend, Teacher, Savior, Lord, Way, and Presence)
Mothers are our world. Sisters are our sky. Daughters are our stars. Women are our universe. Friends are our world. Family are our sky. Lovers are our stars. Spouses are our universe. Adults are our world. Youth are our sky. Elders are our stars. Children are our universe.
Matshona Dhliwayo
Taking a deep breath, she began a new tale. "Once upon a real time, there were two girls, sister. The little one followed the elder like night follows day, and they were as different from each other as sun and moon, but like the sun and moon, neither would be the same without the other...
Kamilla Benko (The Unicorn Quest (The Unicorn Quest, #1))
I believe in you my soul, the other I am must not abase itself to you, And you must not be abased to the other. Loaf with me on the grass, loose the stop from your throat, Not words, not music or rhyme I want, not custom or lecture, not even the best, Only the lull I like, the hum of your valved voice. I mind how once we lay such a transparent summer morning, How you settled your head athwart my hips, and gently turned over upon me, And parted the shirt from my bosom bone, and plunged your tongue to my bare-stripped heart, And reached till you felt my beard, and reached till you held my feet. Swiftly arose and spread around me the peace and knowledge that pass all the argument of the earth, And I know that the hand of God is the promise of my own, And I know that the spirit of God is the brother of my own, And that all the men ever born are also my brothers, and the women my sisters and lovers, And that a kelson of the creation is love, And limitless are leaves stiff or drooping in the fields, And brown ants in the little wells beneath them, And mossy scabs of the worm fence, heaped stones, elder, mullein and pokeweed.
Walt Whitman
There are many, doubtless, who have not yet got farther in love than their own family; but there are others who have learned that for the true heart there is neither Frenchman nor Englishman, neither Jew nor Greek, neither white nor black—only the sons and daughters of God, only the brothers and sisters of the one elder brother.
George MacDonald (Warlock o' Glenwarlock)
Away from her sister, Celia talked quite easily, and Sir James said to himself that the second Miss Brooke was certainly very agreeable as well as pretty, though not, as some people pretended, more clever and sensible than the elder sister. He felt that he had chosen the one who was in all respects the superior; and a man naturally likes to look forward to having the best. He would be the very Mawworm of bachelors who pretended not to expect it.
George Eliot (Middlemarch)
Now he realized that somehow those who had served in France and elsewhere knew a world that couldn’t be shared. How could he tell his sister—or even his father, if the elder Rutledge was still alive—what had been done on bloody ground far from home? It would be criminal to fill their minds with scenes that no one should have to remember. No one.
Charles Todd (A False Mirror (Inspector Ian Rutledge, #9))
I extended my hand to Chase, "Eveline Sophia Fallon, daughter of Brennan and Mina, sister of Gaurdian and supposedly the One." His chuckle was low and sexy and caused a tremor to course through me. I fought to keep my hand steady so he wouldn't see the way he affected me. Liam stiffened beside me but for once said nothing. Chase inclined his head haughtily, playing along. "Chase Andrew Alexander err...Smith, at least for now. Son of Gabriel, elder brother of Guardian and Jennavieve. No relation to the, 'supposed' One. Thank goodness," he grinned wickedly then bowed slightly.
Heather Self (The One (The Portal Trilogy, #1))
My sister Sarah, with all the advantages of youth, was, strangely enough, less pliable. She did full justice to Pesca's excellent qualities of heart; but she could not accept him implicitly, as my mother accepted him, for my sake. Her insular notions of propriety rose in perpetual revolt against Pesca's constitutional contempt for appearances; and she was always more or less undisguisedly astonished at her mother's familiarity with the eccentric little foreigner. I have observed, not only in my sister's case, but in the instances of others, that we of the young generation are nothing like so hearty and so impulsive as some of our elders. I constantly see old people flushed and excited by the prospect of some anticipated pleasure which altogether fails to ruffle the tranquillity of their serene grandchildren. Are we, I wonder, quite such genuine boys and girls now as our seniors were in their time? Has the great advance in education taken rather too long a stride; and are we in these modern days, just the least trifle in the world too well brought up?
Wilkie Collins (The Woman in White)
She stood in awe of her elder daughter. Lida was never tender, she spoke only about serious things; she lived her own separate life and for her mother and sister was as sacred and slightly mysterious a personage as an admiral who always remains in his cabin is for his sailors. - The House with the Mezzanine
Anton Chekhov (Selected Stories of Anton Chekhov)
Kitty, to her very material advantage, spent the chief of her time with her two elder sisters. In society so superior to what she had generally known, her improvement was great. She was not of so ungovernable a temper as Lydia; and, removed from the influence of Lydia's example, she became, by proper attention and management, less irritable, less ignorant, and less insipid. From the further disadvantage of Lydia's society she was of course carefully kept, and though Mrs. Wickham frequently invited her to come and stay with her, with the promise of balls and young men, her father would never consent to her going.
Jane Austen (Pride and Prejudice)
The younger sister was piqued, and in turn disparaged the life of a tradesman, and stood up for that of a peasant. “I would not change my way of life for yours,” said she. “We may live roughly, but at least we are free from anxiety. You live in better style than we do, but though you often earn more than you need, you are very likely to lose all you have. You know the proverb, ‘Loss and gain are brothers twain.’ It often happens that people who are wealthy one day are begging their bread the next. Our way is safer. Though a peasant’s life is not a fat one, it is a long one. We shall never grow rich, but we shall always have enough to eat.” The elder sister said sneeringly: “Enough? Yes, if you like to share with the pigs and the calves! What do you know of elegance or manners! However much your good man may slave, you will die as you are living-on a dung heap-and your children the same.” “Well, what of that?” replied the younger. “Of course our work is rough and coarse. But, on the other hand, it is sure; and we need not bow to any one. But you, in your towns, are surrounded by temptations; today all may be right, but tomorrow the Evil One may tempt your husband with cards, wine, or women, and all will go to ruin. Don’t such things happen often enough?
Leo Tolstoy (How Much Land Does a Man Need? and Other Stories)
Tomino’s Hell Elder sister vomits blood, younger sister’s breathing fire while sweet little Tomino just spits up the jewels. All alone does Tomino go falling into that hell, a hell of utter darkness, without even flowers. Is Tomino’s big sister the one who whips him? The purpose of the scourging hangs dark in his mind. Lashing and thrashing him, ah! But never quite shattering. One sure path to Avici, the eternal hell. Into that blackest of hells guide him now, I pray— to the golden sheep, to the nightingale. How much did he put in that leather pouch to prepare for his trek to the eternal hell? Spring is coming to the valley, to the wood, to the spiraling chasms of the blackest hell. The nightingale in her cage, the sheep aboard the wagon, and tears well up in the eyes of sweet little Tomino. Sing, o nightingale, in the vast, misty forest— he screams he only misses his little sister. His wailing desperation echoes throughout hell— a fox peony opens its golden petals. Down past the seven mountains and seven rivers of hell— the solitary journey of sweet little Tomino. If in this hell they be found, may they then come to me, please, those sharp spikes of punishment from Needle Mountain. Not just on some empty whim Is flesh pierced with blood-red pins: they serve as hellish signposts for sweet little Tomino. —translated by David Bowles June 29, 2014
Saijo Yaso
Sisters are a trial,” he said. “And it doesn’t matter if they’re Elder or humani. Sometimes I think they exist solely to upset and annoy their brothers.
Michael Scott (The Necromancer (The Secrets of the Immortal Nicholas Flamel, #4))
There was a picture of the family over the mantelpiece, removed thither from the front room after Mrs. Osborne’s death — George was on a pony, the elder sister holding him up a bunch of flowers; the younger led by her mother’s hand; all with red cheeks and large red mouths, simpering on each other in the approved family-portrait manner. The mother lay underground now, long since forgotten — the sisters and brother had a hundred different interests of their own, and, familiar still, were utterly estranged from each other. Some few score of years afterwards, when all the parties represented are grown old, what bitter satire there is in those flaunting childish family-portraits, with their farce of sentiment and smiling lies, and innocence so self-conscious and self-satisfied. Osborne’s
William Makepeace Thackeray (Vanity Fair (Centaur Classics) [The 100 greatest novels of all time - #27])
The white woman across the aisle from me says 'Look, look at all the history, that house on the hill there is over two hundred years old, ' as she points out the window past me into what she has been taught. I have learned little more about American history during my few days back East than what I expected and far less of what we should all know of the tribal stories whose architecture is 15,000 years older than the corners of the house that sits museumed on the hill. 'Walden Pond, ' the woman on the train asks, 'Did you see Walden Pond? ' and I don't have a cruel enough heart to break her own by telling her there are five Walden Ponds on my little reservation out West and at least a hundred more surrounding Spokane, the city I pretended to call my home. 'Listen, ' I could have told her. 'I don't give a shit about Walden. I know the Indians were living stories around that pond before Walden's grandparents were born and before his grandparents' grandparents were born. I'm tired of hearing about Don-fucking-Henley saving it, too, because that's redundant. If Don Henley's brothers and sisters and mothers and father hadn't come here in the first place then nothing would need to be saved.' But I didn't say a word to the woman about Walden Pond because she smiled so much and seemed delighted that I thought to bring her an orange juice back from the food car. I respect elders of every color. All I really did was eat my tasteless sandwich, drink my Diet Pepsi and nod my head whenever the woman pointed out another little piece of her country's history while I, as all Indians have done since this war began, made plans for what I would do and say the next time somebody from the enemy thought I was one of their own.
Sherman Alexie
We can allow ourselves to be found by God and healed by his love through the concrete and daily practice of trust and gratitude. Trust and gratitude are the disciplines for the conversion of the elder son. By telling myself that I am not important enough to be found, I amplify my self-complaint. I must totally disown my self-rejecting voice and claim the truth that God does indeed want to embrace me as much as he does my wayward brothers and sisters.
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
PRAXIS DUVEEN, AT THE age of five, sitting on the beach at Brighton, made a pretty picture for the photographer. Round angel face, yellow curls, puffed sleeves, white socks and little white shoes—one on, one off, while she tried to take a pebble from between her tiny pink toes—delightful! The photographer had hoped to include her elder sister Hypatia in the picture, but that sullen, sallow little girl had refused to appear on the same piece of card as her ill-shod sister.
Fay Weldon (Praxis: A Novel)
With that brave, cheery reply, the four blue eyes turned toward the chest under the window, and the kind moon did her best to light up the tiny tree standing there. A very pitiful little tree it was—only a branch of hemlock in an old flowerpot propped up with bits of coal and hung with a few penny toys earned by the patient fingers of the elder sisters that the younger ones should not be disappointed. But in spite of the magical moonlight, the broken branch, with its scanty supply of fruit, looked pathetically poor, and one pair of eyes filled slowly with tears, while the other pair lost their happy look as if a cloud had covered the moonbeams. “Are you crying, Dolly?” “Not much, Grace.” “What makes you sad, dear?” “I didn’t know how poor we were till I saw the tree, and then I couldn’t help it,” sobbed the elder sister, for at twelve she already knew something of the cares of poverty and missed the happiness that seemed to vanish out of all their lives when Father died.
Louisa May Alcott (A Merry Christmas: And Other Christmas Stories)
Once upon a real time, there were two girls, sisters. The little one followed the elder like night follows day, and they were as different from each other as sun and moon, but like the sun and moon, neither would be the same without the other...." The Unicorn Quest.
Kamilla Benko
Every human society expends tremendous time and energy teaching its children the right way to behave. You look at a simpler society, in the rain forest somewhere, and you find that every child is born into a network of adults responsible for helping to raise the child. Not only parents, but aunts and uncles and grandparents and tribal elders. Some teach the child to hunt or gather food or weave; some teach them about sex or war. But the responsibilities are clearly defined, and if a child does not have, say, a mother’s brother’s sister to do a specific teaching job, the people get together and appoint a substitute. Because raising children is, in a sense, the reason the society exists in the first place. It’s the most important thing that happens, and it’s the culmination of all the tools and language and social structure that has evolved.
Michael Crichton (The Lost World (Jurassic Park, #2))
Silver mining in the United States didn’t start, like hard-core, until the mid-1850s,” Louis said. “And only really got big when the Comstock Lode was discovered in 1859 in California.” “It was bad work. Dangerous. Like any mining. But silver also lets out fumes when it’s mined. Even Pliny the Elder wrote about how harmful the fumes were, especially to animals. You know Pliny the Elder?” “The problem with the silver fumes,” Louis continued, “is that, over time, they gave the miners delusions. Bad enough that they had to stop mining. Their health deteriorated. And a bunch of them even died.” Hard to make fun of something like that, so Pepper didn’t. “Do you know what people would say, in these mining towns, when they saw one of these miners falling apart? Walking through town muttering and swinging at phantoms? They said the Devil in Silver got them. It became shorthand. Like someone might say, ‘What happened to Mike?’ And the answer was always the same. ‘The Devil in Silver got him.’ ” Louis sat straight and crossed his arms and surveyed the table. “Do you understand what I’m trying to tell you?” “You’re saying we’re just making this thing up,” Pepper said quietly. Louis seemed disappointed. He dropped his hands into his lap and folded them there. He looked at his sister and Pepper. He turned his head to take in the other patients gathered with their family members there in the hospital. “I’m saying they were dying,” Louis said. “They definitely weren’t making that up. But it wasn’t a monster that was killing them. It was the mine.
Victor LaValle (The Devil in Silver)
At dinner one night at Osborne House, the Queen entertained a famous admiral whose hearing was impaired. Politely, Victoria had asked about his fleet and its activities; then, shifting the subject, she asked about the admiral’s sister, an elderly dowager of awesome dignity. The admiral thought she was inquiring about his flagship, which was in need of overhaul. “Well, ma’am,” he said, “as soon as I get back I’m going to have her hauled out, roll her on her side and have the barnacles scraped off her bottom.” Victoria stared at him for a second and then, for minutes afterward, the dining room shook with her unstoppable peals of laughter.
Robert K. Massie (Dreadnought: Britain, Germany, and the Coming of the Great War)
Really, girls, you are both to be blamed,” said Meg, beginning to lecture in her elder-sisterly fashion. “You are old enough to leave off boyish tricks, and to behave better, Josephine. It didn’t matter so much when you were a little girl, but now you are so tall, and turn up your hair, you should remember that you are a young lady.
Louisa May Alcott (Little Women)
I shall leave you to your Sisyphean task." "What does that mean?" he heard Daisy ask. Lillian replied while her smiling gaze remained locked with Marcus's. "It seems you avoided one too many Greek mythology lessons, dear. Sisyphus was a soul in Hades who was damned to perform an eternal task... rolling a huge boulder up a hill, only to have it roll down again just before he reached the top." "Then if the countess is Sisyphus," Daisy concluded, "I suppose we're..." "The boulder," Lady Westcliff said succinctly, causing both girls to laugh. "Do continue with our instruction, my lady," Lillian said, giving her full attention to the elderly woman as Marcus left the room. "We'll try not to flatten you on the way down.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
early childhood she had given her deepest trust, and which for half a century has suggested what she might do, think, feel, desire, and become, has suddenly fallen silent. Now, at last, all those books have no instructions for her, no demands—because she is just too old. In the world of classic British fiction, the one Vinnie knows best, almost the entire population is under fifty, or even under forty—as was true of the real world when the novel was invented. The few older people—especially women—who are allowed into a story are usually cast as relatives; and Vinnie is no one’s mother, daughter, or sister. People over fifty who aren’t relatives are pushed into minor parts, character parts, and are usually portrayed as comic, pathetic, or disagreeable. Occasionally one will appear in the role of tutor or guide to some young protagonist, but more often than not their advice and example are bad; their histories a warning rather than a model. In most novels it is taken for granted that people over fifty are as set in their ways as elderly apple trees, and as permanently shaped and scarred by the years they have weathered. The literary convention is that nothing major can happen to them except through subtraction. They may be struck by lightning or pruned by the hand of man; they may grow weak or hollow; their sparse fruit may become misshapen, spotted, or sourly crabbed. They may endure these changes nobly or meanly. But they cannot, even under the best of conditions, put out new growth or burst into lush and unexpected bloom. Even today there are disproportionately few older characters in fiction. The
Alison Lurie (Foreign Affairs)
What no one then, of course, knew was that as female children of the tsaritsa, one or all of the sisters might be carriers of that terrible defective gene – a hidden time bomb that had already begun to reverberate across the royal families of Europe. Alexandra’s elder sister Irene – who like her was a carrier and who had married her first cousin, Prince Henry of Prussia – had already given birth to two haemophiliac sons. The youngest, four-year-old Heinrich, had died – ‘of the terrible illness of the English family’, as Xenia described it – just five months before Alexey was born. In Russia they called it the bolezn gessenskikh – ‘the Hesse disease’; others called it ‘the Curse of the Coburgs’.66 But one thing was certain; in the early 1900s, the life expectancy of a haemophiliac child was only about thirteen years.67
Helen Rappaport (The Romanov Sisters: The Lost Lives of the Daughters of Nicholas and Alexandra (The Romanov Sisters #2))
An elder sister came from the town to visit her younger sister in the country. This elder sister was married to a merchant and the younger to a peasant in the village. The two sisters sat down for a talk over a cup of tea and the elder started boasting about the superiority of town life, with all its comforts, the fine clothes her children wore, the exquisite food and drink, parties and visits to the theatre. The younger sister resented this and in turn scoffed at the life of a merchant's wife and sang the praise of her own life as a peasant. 'I wouldn't care to change my life for yours,' she said. 'I admit mine is dull, but at least we have no worries. You live in grander style, but you must do a great deal of business or you'll be ruined. You know the proverb, "Loss is Gain's elder brother." One day you are rich and the next you might find yourself out in the street. Here in the country we don't have these ups and downs. A peasant's life may be poor, but it's long. Although we may never be rich, we'll always have enough to eat.' Then the elder sister said her piece. 'Enough to eat but nothing but those filthy pigs and calves! What do you know about nice clothes and good manners! However hard your good husband slaves away you'll spend your lives in the muck and that's where you'll die. And the same goes for your children.' 'Well, what of it?' the younger answered. 'That's how it is here. But at least we know where we are. We don't have to crawl to anyone and we're afraid of no one. But you in town are surrounded by temptations. All may be well one day, the next the Devil comes along and tempts your husband with cards, women and drink. And then you're ruined. It does happen, doesn't it?
Leo Tolstoy (How Much Land Does a Man Need?)
Whatever any of us may have thought about Hatsumomo, she was like an empress in our okiya since she earned the income be which we all lived. And being an empress she would have been very displeased, upon returning late at night, to find her palace dark and all the servants asleep. That is to say, when she came home too drunk to unbutton her socks, someone had to unbutton them for her; and if she felt hungry, she certainly wasn't going to stroll into the kitchen and prepare something by herself--such as an umeboshi ochazuke, which was a favorite snack of hers, made with leftover rice and pickled sour plums, soaked in hot tea. Actually our okiya wasn't at all unusual in this respect. The job of waiting up to bow and welcome the geisha home almost always fell to the most junior of the "cocoons"--as the young geisha-in-training were often called. And from the moment I began taking lessons at the school, the most junior cocoon in our okiya was me. Long before midnight, Pumpkin and the two elderly maids were sound asleep on their futons only a meter or so away on the wood floor of the entrance hall; but I had to go on kneeling there, struggling to stay awake until sometimes as late as two o'clock in the morning. Granny's room was nearby and she slept with her light on and her door opened a crack. The bar of light that fell across my empty futon made me think of a day, not long before Satsu [Chiyo's sister] and I were taken away from our village, when I'd peered into the back room of our house to see my mother asleep there. My father had draped fishing nets across the paper screens to darken the room, but it looked so gloomy I decided to open one of the windows; and when I did, a strip of bright sunlight fell across my mother's futon and showed her hand so pale and bony. To see the yellow lights streaming from Granny's room onto my futon...I had to wonder if my mother was still alive. We ere so much alike, I felt sure I would have known if she'd died; but of course, I'd had no sign one way or the other.
Arthur Golden (Memoirs of a Geisha)
Swiftly arose and spread around me the peace and knowledge that pass all the argument of the earth, And I know that the hand of God is the promise of my own, And I know that the spirit of God is the brother of my own, And that all the men ever born are also my brothers, and the women my sisters and lovers, And that a kelson of the creation is love, And limitless are leaves stiff or drooping in the fields, And brown ants in the little wells beneath them, And mossy scabs of the worm fence, heap'd stones, elder, mullein and poke-weed.
Walt Whitman
I reviewed in thought the modern era of raps and apparitions, beginning with the knockings of 1848, at the hamlet of Hydesville, N.Y., and ending with grotesque phenomena at Cambridge, Mass.; I evoked the anklebones and other anatomical castanets of the Fox sisters (as described by the sages of the University of Buffalo ); the mysteriously uniform type of delicate adolescent in bleak Epworth or Tedworth, radiating the same disturbances as in old Peru; solemn Victorian orgies with roses falling and accordions floating to the strains of sacred music; professional imposters regurgitating moist cheesecloth; Mr. Duncan, a lady medium's dignified husband, who, when asked if he would submit to a search, excused himself on the ground of soiled underwear; old Alfred Russel Wallace, the naive naturalist, refusing to believe that the white form with bare feet and unperforated earlobes before him, at a private pandemonium in Boston, could be prim Miss Cook whom he had just seen asleep, in her curtained corner, all dressed in black, wearing laced-up boots and earrings; two other investigators, small, puny, but reasonably intelligent and active men, closely clinging with arms and legs about Eusapia, a large, plump elderly female reeking of garlic, who still managed to fool them; and the skeptical and embarrassed magician, instructed by charming young Margery's "control" not to get lost in the bathrobe's lining but to follow up the left stocking until he reached the bare thigh - upon the warm skin of which he felt a "teleplastic" mass that appeared to the touch uncommonly like cold, uncooked liver. ("The Vane Sisters")
Vladimir Nabokov (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)
I have observed, not only in my sister's case, but in the instances of others, that we of the young generation are nothing like so hearty and so impulsive as some of our elders. I constantly see old people flushed and excited by the prospect of some anticipated pleasure which altogether fails to ruffle the tranquillity of their serene grandchildren. Are we, I wonder, quite such genuine boys and girls now as our seniors were in their time? Has the great advance in education taken rather too long a stride; and are we in these modern days, just the least trifle in the world too well brought up? Without
Wilkie Collins (The Woman in White)
I could do anything—be anything. I could be a blackberry farmer. I could worry about phone bills and nipping out to the corner shop for milk and bread of a morning. Little Declan Jr. could learn to walk and talk with his real father, alive and well, and I could teach him how to wear a waistcoat with just the right amount of tragic charm, take him to school in a few years, maybe makehim a little sister to look out for, someone to keep him on his toes. He could play a sport—tennis, maybe, or football. I’d attend parent-teacher meetings and have after-work drinks with the neighbors, talking about how well so-and-so is doing, and why yes, Declan Jr. is learning to play the piano. Top of his class, you know—he has his mother’s grace… I could see all of that, as clear in my mind as sunlight on fresh snow, and so much more. Just living day to day. One morning we could have picnics, my family and I, next to blue glacial lakes. One afternoon my son would be old enough to meet a girl, get in a fight, need to shave. One evening his sister will need help with her homework, and he’ll complain, but he’ll help. And then one day the Elder Gods would descend from a blood-red sky in chariots lashed together from bone and flame and take away all my blackberries.
Joe Ducie (Knight Fall (The Reminiscent Exile, #3))
Drawing near the family parlor, Marcus paused beside the half-open door as he heard his mother lecturing the Bowman sisters. Her complaint appeared to hinge upon the sisters’ habit of speaking to the footmen who served them at the dinner table. “But why shouldn’t I thank someone for doing me a service?” he heard Lillian ask with genuine perplexity. “It’s polite to say thank you, isn’t it?” “You should no more thank a servant than you would thank a horse for allowing you to ride it, or a table for bearing the dishes you place upon it.” “Well, we’re not discussing animals or inanimate objects, are we? A footman is a person.” “No,” the countess said coldly. “A footman is a servant.” “And a servant is a person,” Lillian said stubbornly. The elderly woman replied in exasperation. “Whatever your view of a footman is, you must not thank him at dinner. Servants neither expect nor desire such condescension, and if you insist on putting them in the awkward position of having to respond to your remarks, they will think badly of you…as will everyone else. Do not insult me with that vapid stare, Miss Bowman! You come from a family of means—surely you employed servants at your New York residence!” “Yes,” Lillian acknowledged pertly, “but we talked to ours.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Life is a tiring business indeed. Soy sauce runs out. Milk runs out. Dishwashing detergent runs out. Lancôme lipsticks—I thought I had stockpiled several years' worth—run out. Dust underneath the dining table becomes dust balls. Newspapers and magazines pile up, and so does laundry. E-mail and junk mail keep coming. When occasion demands, I make myself presentable and I present myself. I listen to my sister's same old complaints on the phone. I withdraw money for my elderly mother, whose tongue works fine but whose body is a mess. I contact her caseworker. And now I have reached a stage in life when my own health is prone to betray me.
Minae Mizumura (The Fall of Language in the Age of English)
I sing to you of many more gods, gods of wind and water, gods of each mineral and the events that created them. I sing to you of the gods of protons, of quarks, of atomic forces binding and holding. I sing to you of the god of the dust that flies off the ice-burned comet, and the god of the spaces in between. I sing to you of the god that twists like a serpent at the center of every sun and is found again coiled within every electron, shared by both and worshiped by each in its own way. I sing to you of the god that collects asteroids together in mockeries of his sister’s solar systems, jealous of his elder sibling’s power. I sing to you of all these, and many, many more." - Lupa, "The Forgotten Gods of Nature
John Halstead (Godless Paganism: Voices of Non-Theistic Pagans)
Familiar things, their touch and sight and sound, had become an ache of heart—all encompassing—which filled the waking day and penetrated sleep. Strangely—and in a way it shamed her at the time—there were never nightmares; only the steady procession of events as they had been that memorable day at Madison airport. She had been there to see her family leave for Europe: her mother, gay and excited, wearing the bon voyage orchid which a friend had telegraphed; her father, relaxed and amiably complacent that for a month the real and imagined ailments of his patients would be someone else’s concern. He had been puffing a pipe which he knocked out on his shoe when the flight was called. Babs, her elder sister, had embraced Christine; and even Tony, two years younger and hating public affection, consented to be kissed. “So long, Ham!” Babs and Tony had called back, and Christine smiled at the use of the silly, affectionate name they gave her because she was the middle of their trio sandwich. And they had all promised to write, even though she would join them in Paris two weeks later when term ended. At the last her mother had held Chris tightly, and told her to take care. And a few minutes later the big prop-jet had taxied out and taken off with a roar, majestically, though it barely cleared the runway before it fell back, one wing low, becoming a whirling, somersaulting Catherine wheel, and for a moment a dust cloud, and then a torch, and finally a silent pile of fragments—machinery and what was left of human flesh. It was five years ago. A few weeks after, she left Wisconsin and had never returned.
Arthur Hailey (Hotel)
My dearest husband, if you are reading this, I am dead. When I bade you farewell this afternoon, I knew it was the last time I ever would. I should have told you then what our escape from the surface of Venus meant for me, but I couldn’t bring myself to, because I knew you would try to dissuade me from what I must do next. Please do not hold it against me. This is my death, and I choose to do something with it. My darling, I know you will be tempted to fall apart, but you cannot. Not for the Black Hive, not for the Asters, and not for the shining future we dreamed of, almost in reach. Now, more than ever, you must be strong. Go to the Elders and convince them of the necessity of our plans, no holding back. There is only you now. I wait for you in the next life. Message from Ofiera fon Bain, sent through Black Hive operatives
Linden A. Lewis (The Last Hero (The First Sister Trilogy, #3))
She looked at her mother. The way her shoulders always seemed to droop, the way her eyes were always shifting. Suddenly, Esi was filled with a horrible shame. She remembered the first time she'd seen an elder spit on the captives in the town square. The man had said, 'Northerners, they are not even people. They are the dirt that begs for spit.' Esi was five years old then. His words had felt like a lesson, and the next time she passed, she timidly gathered her won spit and launched it at a little boy who stood huddled with his mother. The boy had cried out, speaking a language that Esi didn't understand, and Esi had felt bad, not for having spit, but for knowing how angry her mother would have been to see her do it. Now all Esi could picture was her own mother behind the dull metal of the cages. Her own mother, huddled with a sister she would never know.
Yaa Gyasi (Homegoing)
More proof that Lynn is still meant to continue with the government programme occurred during the winter of 2000, when she was sitting at a cafeteria table at the area college. It was later in the afternoon when a few people congregated there with books spread out so they could study while drinking coffee or snacking. Many tables were empty, yet after Lynn had been sitting for a few moments, an elderly man sat down across from her. The old man seemed familiar to Lynn, though, at first, she pretended to ignore him. He said nothing, just sat there as someone might when all the tables are filled and it is necessary to share space with a stranger. His presence made her uncomfortable, yet there was nothing specific that alerted her. A short while later, Mac, the man who had been Lynn's handler in Mexico, came out of the shadows and stopped at the table. He was younger than the old man. His clothes were military casual, the type of garments that veteran students who have military experience might recognise, but not think unusual. He leaned over Lynn and kissed her gently on the forehead, spoke quietly to her, and then said 'Wake up, Sleeping Beauty.' Those were the code words that would start the cover programme of which she was still part. The words led to her being switched from the control of the old man, a researcher she now believes may have been part of Dr Ewen Cameron's staff before coming to the United States for the latter part of his career, to the younger man. The change is like a re-enlistment in an army she never willingly joined. In a very real way, she is a career soldier who has never been paid, never allowed to retire and never given a chance to lead a life free from the fear of what she might do without conscious awareness.
Lynn Hersha (Secret Weapons: How Two Sisters Were Brainwashed to Kill for Their Country)
But for the rest of the party, he would feel strangely elsewhere, as if floating above the room, and at dinner, where he would be seated not with the bright young things of the gathering but, rather, among their parents’ friends and relations—the father’s sister, for example, or the mother’s elderly uncle—he would feel the full force of his undeniable otherness, how what he had striven to conceal had been recognized and accounted for by everyone in their circle. From the other end of the table would occasionally come gusts of laughter, and his seatmate would shake his or her head indulgently, before turning to him and commenting on the irrepressible frivolity of the young, and how one must allow them such latitudes. Sometimes after saying this they would realize their mistake, and hastily add that he, too, must have his moments of mirth, but other times they would not; he would be aged before his time, cast from the island of youth not by his years but by his temperament
Hanya Yanagihara (To Paradise)
The elder Zosima died!” Grushenka exclaimed. “Oh, Lord, I didn’t know!” She crossed herself piously. “Lord, but what am I doing now, sitting on his lap!” She suddenly gave a start as if in fright, jumped off his knees at once, and sat down on the sofa. Alyosha gave her a long, surprised look, and something seemed to light up in his face. “Rakitin,” he suddenly said loudly and firmly, “don’t taunt me with having rebelled against my God. I don’t want to hold any anger against you, and therefore you be kinder, too. I’ve lost such a treasure as you never had, and you cannot judge me now. You’d do better to look here, at her: did you see how she spared me? I came here looking for a wicked soul—I was drawn to that, because I was low and wicked myself, but I found a true sister, I found a treasure—a loving soul … She spared me just now … I’m speaking of you, Agrafena Alexandrovna. You restored my soul just now.” Alyosha was breathless and his lips began to tremble. He stopped. “Really saved you, did
Fyodor Dostoevsky (The Brothers Karamazov: A Novel in Four Parts With Epilogue)
that he had been appointed Bishop of D—— What truth was there, after all, in the stories which were invented as to the early portion of M. Myriel’s life? No one knew. Very few families had been acquainted with the Myriel family before the Revolution. M. Myriel had to undergo the fate of every newcomer in a little town, where there are many mouths which talk, and very few heads which think. He was obliged to undergo it although he was a bishop, and because he was a bishop. But after all, the rumors with which his name was connected were rumors only,— noise, sayings, words; less than words — palabres, as the energetic language of the South expresses it. However that may be, after nine years of episcopal power and of residence in D——, all the stories and subjects of conversation which engross petty towns and petty people at the outset had fallen into profound oblivion. No one would have dared to mention them; no one would have dared to recall them. M. Myriel had arrived at D—— accompanied by an elderly spinster, Mademoiselle Baptistine, who was his sister, and ten years his junior. Their only domestic was a female servant of the same age as Mademoiselle Baptistine, and named Madame Magloire, who, after having been the servant of M. le Cure, now assumed the double title of maid to Mademoiselle and housekeeper to Monseigneur. Mademoiselle Baptistine was a long, pale, thin, gentle creature; she realized the ideal expressed by the word “respectable”; for it seems that a woman must needs be a mother in order to be venerable. She had never been pretty; her whole life, which had been nothing but a succession of holy deeds, had finally conferred upon her a sort of pallor and transparency; and as she advanced in years she had acquired what may be called the beauty of goodness. What had been leanness in her youth had become transparency in her maturity; and this diaphaneity allowed the angel to be seen. She was a soul rather than a virgin. Her person seemed made of a shadow; there was hardly sufficient body to provide for sex; a little matter enclosing a light; large eyes forever drooping;— a mere
Victor Hugo (Les Misérables)
The man was impossible. To her every retort,he had a counter. "A beak you may want to avoid for I will use it." His dimples turned into craters. "Aye, my lady,that you most certainly are not afraid of using. I think I actually see the small scars along your wrists and hands from where you missed your intended target and clipped yourself." Edythe opened her mouth,ready to send out another assualt, when the sparkle in his hazel eyes captured her attention. Tyr was not making fun of her. Rather,he was truly enjoying their conversation, and if she was being honest, so was she. Inclining her head in agreement, she curled her lips mischievously and said, "Inflictions all finches must learn to endure." "Indeed they must," Tyr replied with a bow. "You,Lady Finch,are a genuine surprise. These past few days,your elder sister has been gracious, kind, and all things a lady should be when welcoming a guest, but it seems that only my friend Ranulf can turn her into a fiery tempest. And each time she does, it pulls him farther in.I see now why he is susceptible to such treatment." Edythe briefly closed her eyes and gave a quick shake to her head. "You enjoy being insulted?" "You have not insulted me, you couldn't. You don't know me well enough.Nor I you. We just merely sparred and I am finding that I like wit in a woman, a most uncommon trait where I have been. If I were not so decided in my ways,you,dear Finch, would be in trouble." "Well,then I thank the Lord you are decided, for I am not easily swayed by a pretty face and you have a ways to go before you seem even moderately charming. And before you try to convince me otherwise,I must go see to Lily for she is looking overly animated and all too often the results of such excitement negatively affect me.Excuse me,sir." Tyr bowed and stared as Edythe left his side and headed toward her younger sister. He had not lied. She was probably the most intriguing woman he had ever encountered.But it changed nothing.Marriage was not for him. Still,a pretty redhead with a cunning mind and a sharp tongue would be fun to pass the time with until he had to leave.
Michele Sinclair (The Christmas Knight)
He bowed politely to Hortense, who tipped her head toward the elderly gray-haired lady beside her, who seemed to be dozing, her head drooping slightly forward. “And this person, you may recall, is my sister Charity, your other great-aunt, who has again dozed off as she so often does. It’s her age, you understand.” The little gray head snapped up, and blue eyes popped open, leveling on Hortense in wounded affront. “I’m only four little years older than you, Hortense, and it’s very mean-spirited of you to go about reminding everyone of it,” she cried in a hurt voice; then she saw Ian standing in front of her, and a beatific smile lit her face. “Ian, dear boy, do you remember me?” “Certainly, ma’am,” Ian began courteously, but Charity interrupted him as she turned a triumphant glance on her sister. “There, you see, Hortense-he remembers me, and it is because, though I may be just a trifle older than you, I have not aged nearly so much as you in the last years! Have I?” she asked, turning hopefully to Ian. “If you’ll take my advice,” his grandfather said dryly, “you won’t answer that question.
Judith McNaught (Almost Heaven (Sequels, #3))
The long, involved conversation he'd had with Merritt after breakfast had been full of revelations about the duke's long-ago affair with Cordelia, Lady Ormande, and its consequences- one of which was very likely Keir himself. Which meant the red-haired woman at the threshold could very well be his half sister, and the wailing imp in her arms his niece. Having been raised by elderly parents, Keir had never expected a sibling. His rowdy pack of friends were his brothers, and the men at the distillery were his extended family. It was strange to think of having a sister. It shocked him, in fact, to realize that for the first time in his life, here was someone... a woman... with whom he might have a blood tie. And not just any woman, but an aristocratic lady. There was nothing for them to talk about, no experiences they had in common. But as he stared at Lady Phoebe, she seemed like any ordinary young mother on Islay, who hadn't had quite enough sleep and couldn't always tell what her baby wanted. There was a smart, bright look about her- canty, a Scot would say, a word that suggested the dancing flicker of a candle flame.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
All the adults were beside themselves with the dislocation of what they were going through, by my grandmother's was of a different order. She had been separated from a sister who was her sole living connection to a family lost in the Holocaust. None of us had ever strayed from one another - ordinary people in the Soviet Union almost never traveled outside of it, and hardly even within it. But our genes also carried generations of anxiety about safety as Jews - if we went to the wrong place, or left the relative safety that came with community, the panic that set in was as intense in the person leaving as in the people being left. (My father left behind his brother and mother, but they weren't as close as my grandmother had been with her sister.) There must be no one for whom this is less natural to comprehend than Americans, whose country enshrines mobility as a national virtue - unless you ask African Americans about their elders, perhaps. It isn't only that Americans don't fear going from one place to another; it's also that thy don't fear letting each other go there and don't use guilt to discourage it, while those who go don't feel ashamed for wanting to.
Boris Fishman (Savage Feast: Three Generations, Two Continents, and a Dinner Table (A Memoir with Recipes))
While Mum was a busy working mother, helping my father in his constituency duties and beyond, Lara became my surrogate mum. She fed me almost every supper I ate--from when I was a baby up to about five years old. She changed my nappies, she taught me to speak, then to walk (which, with so much attention from her, of course happened ridiculously early). She taught me how to get dressed and to brush my teeth. In essence, she got me to do all the things that either she had been too scared to do herself or that just simply intrigued her, such as eating raw bacon or riding a tricycle down a steep hill with no brakes. I was the best rag doll of a baby brother that she could have ever dreamt of. It is why we have always been so close. To her, I am still her little baby brother. And I love her for that. But--and this is the big but--growing up with Lara, there was never a moment’s peace. Even from day one, as a newborn babe in the hospital’s maternity ward, I was paraded around, shown off to anyone and everyone--I was my sister’s new “toy.” And it never stopped. It makes me smile now, but I am sure it is why in later life I craved the peace and solitude that mountains and the sea bring. I didn’t want to perform for anyone, I just wanted space to grow and find myself among all the madness. It took a while to understand where this love of the wild came from, but in truth it probably developed from the intimacy found with my father on the shores of Northern Ireland and the will to escape a loving but bossy elder sister. (God bless her!) I can joke about this nowadays with Lara, and through it all she still remains my closest ally and friend; but she is always the extrovert, wishing she could be on the stage or on the chat show couch, where I tend just to long for quiet times with my friends and family. In short, Lara would be much better at being famous than me. She sums it up well, I think: Until Bear was born I hated being the only child--I complained to Mum and Dad that I was lonely. It felt weird not having a brother or sister when all my friends had them. Bear’s arrival was so exciting (once I’d got over the disappointment of him being a boy, because I’d always wanted a sister!). But the moment I set eyes on him, crying his eyes out in his crib, I thought: That’s my baby. I’m going to look after him. I picked him up, he stopped crying, and from then until he got too big, I dragged him around everywhere.
Bear Grylls (Mud, Sweat and Tears)
Ah yes, the people concerned. That is very important. You remember, perhaps, who they were?’ Depleach considered. ‘Let me see-it’s a long time ago. There were only five people who were really in it, so to speak-I’m not counting the servants-a couple of faithful old things, scared-looking creatures-they didn’t know anything about anything. No one could suspect them.’ ‘There are five people, you say. Tell me about them.’ ‘Well, there was Philip Blake. He was Crale’s greatest friend-had known him all his life. He was staying in the house at the time.He’s alive. I see him now and again on the links. Lives at St George’s Hill. Stockbroker. Plays the markets and gets away with it. Successful man, running to fat a bit.’ ‘Yes. And who next?’ ‘Then there was Blake’s elder brother. Country squire-stay at home sort of chap.’ A jingle ran through Poirot’s head. He repressed it. He mustnot always be thinking of nursery rhymes. It seemed an obsession with him lately. And yet the jingle persisted. ‘This little pig went to market, this little pig stayed at home…’ He murmured: ‘He stayed at home-yes?’ ‘He’s the fellow I was telling you about-messed about with drugs-and herbs-bit of a chemist. His hobby. What was his name now? Literary sort of name-I’ve got it. Meredith. Meredith Blake. Don’t know whether he’s alive or not.’ ‘And who next?’ ‘Next? Well, there’s the cause of all the trouble. The girl in the case. Elsa Greer.’ ‘This little pig ate roast beef,’ murmured Poirot. Depleach stared at him. ‘They’ve fed her meat all right,’ he said. ‘She’s been a go-getter. She’s had three husbands since then. In and out of the divorce court as easy as you please. And every time she makes a change, it’s for the better. Lady Dittisham-that’s who she is now. Open anyTatler and you’re sure to find her.’ ‘And the other two?’ ‘There was the governess woman. I don’t remember her name. Nice capable woman. Thompson-Jones-something like that. And there was the child. Caroline Crale’s half-sister. She must have been about fifteen. She’s made rather a name for herself. Digs up things and goes trekking to the back of beyond. Warren-that’s her name. Angela Warren. Rather an alarming young woman nowadays. I met her the other day.’ ‘She is not, then, the little pig who cried Wee Wee Wee…?’ Sir Montague Depleach looked at him rather oddly. He said drily: ‘She’s had something to cry Wee-Wee about in her life! She’s disfigured, you know. Got a bad scar down one side of her face. She-Oh well, you’ll hear all about it, I dare say.’ Poirot stood up. He said: ‘I thank you. You have been very kind. If Mrs Crale didnot kill her husband-’ Depleach interrupted him: ‘But she did, old boy, she did. Take my word for it.’ Poirot continued without taking any notice of the interruption. ‘Then it seems logical to suppose that one of these five people must have done so.’ ‘One of themcould have done it, I suppose,’ said Depleach, doubtfully. ‘But I don’t see why any of themshould. No reason at all! In fact, I’m quite sure none of themdid do it. Do get this bee out of your bonnet, old boy!’ But Hercule Poirot only smiled and shook his head.
Agatha Christie (Five Little Pigs (Hercule Poirot, #25))
In Classical mythology, righteous wrath was the province of old women. Three very specific old women, in fact: the Furies (or the Erinyes, in Greek). Fragments of myth featuring the Furies are found in the earliest records of ancient Greek culture. These sisters were much more ancient than any of the Olympian deities, indicating the persistence of an older, female-dominated tradition which endured here and there even when later, more patriarchal, mythologies set in. The role of the Furies was to preside over complaints brought to them by humans about behavior that was thought to be intolerable: from lesser misdemeanors such as the insolence of the young to the aged, of children to parents, of hosts to guests — to crimes that were very much worse. It was their role to punish such crimes by relentlessly hounding their perpetrators. The Greek poet Hesiod names the three sisters as Alecto — “unceasing in anger,” the punisher of moral crimes; Megaera — “jealous one,” the punisher of infidelity, oath-breaking, and theft; and Tisiphone — “avenger of murder.” They were, he said, the daughters of Gaea (the goddess who personified the Earth), who conceived them from the blood of her spouse, Uranus, after he had been castrated by his son, Cronos. They lived in the Underworld, and like other chthonic deities, like seeds that lie buried beneath the Earth, they were also identified with its fertility. The wrath of the Furies manifested itself in a number of ways: a tormenting madness would be inflicted on the perpetrator of a patricide or matricide; murderers usually suffered a dire disease, and nations which harbored such criminals could be stricken with famine and plague. The Furies could only be placated with ritual purification, and the completion of a task specifically assigned by them for atonement. It’s important to understand that although the Furies were feared, they were also respected and perceived to be necessary: they represented justice, and were seen to be defenders of moral and legal order. The Furies were portrayed as the foul-smelling, decidedly haggish possessors of bat-like wings, with black snakes adorning their hair, arms, and waists, and blood dripping from their eyes. And they carried brass-studded scourges in their hands. In my menopausal years, I certainly had days when I could have gone with that look. I’m happy to admit that the existence of seriously not-to-be-messed-with elder women like the Furies in our oldest European mythology gives me great pleasure. And it’s difficult not to see them as the perfect menopausal role models, because sudden upwellings of (mostly righteous) anger are a feature of many women’s experience of menopause
Sharon Blackie (Hagitude: Reimagining the Second Half of Life)
Sometimes we think we are not capable of doing certain things. I hear comments from my students such as, “My brain isn’t wired to do math,” or “I am not good at math.” It is true that there are people who are better at math than you, but that does not mean you can’t do it. This just means you need to put in more effort than others do. Focusing on our weaknesses may hinder our progress. We may think that we must be born with certain skills and abilities; they must be in our genes. This is not the case. Do you think Nephi could build a ship? Could the brother of Jared have caused light to come into dark barges? Do you think Noah could have built an ark that would hold two of every animal species on the earth? Do you think Moses had the power to part a sea? Actually, no. None of these men had the power to do any of these things. However, they all had something in common. They all knew how to tap into the power of someone who could—the Savior’s power. It is so important that we learn how to tap into that power. The Atonement literally means “at-one-ment,” or becoming one with God. The Savior gave us the power to become gods. He enabled us so we would be able to perform miracles through Him. But we must understand that this kind of power is not free. There is only one thing that the Savior, through His Atonement, gave us for free and that is the power to overcome death. Everything else that He offers must come “after all we can do.” [2] For example, Jesus Christ promises us eternal life, but only after we have faith in Him, obey His commandments, and endure to the end. Similarly, He gives us power to move mountains, but only after doing all we can and having trust in Him. The power to change our lives, change the world, and perform miracles is within each of us. However, we need to have enough humility to realize that, in the end, we are not the ones performing the miracles—He is. Occasionally, I have a student who does not do their homework, rarely comes to class, and then comes at the end of the semester and asks, “Sister Qumsiyeh, is there anything I can do to pass? Do you offer any extra credit?” I know some of you are smiling right now because you know you have done this to your teachers. This is what I wish I could say to the student who asks that question: “You need to invent a time machine and go back and do what you should have done this semester. You failed because you did not try your best. It is too late.” Do we all really hope to stand before the Savior at the Judgement Day and expect Him to save us without us doing our part? Do we really expect Him to allow us into the celestial kingdom and to just save us? No, that is not how the Atonement works. It does not work without us having tried our best. Of course, our best may not be enough. In fact, it hardly ever is. But if we do our best and have faith in Him, He magnifies our efforts. The brother of Jared could not make the 16 stones shine, but he spent hours preparing them and then humbly took them to the Lord and basically said, “Here is my small effort; magnify it.” This the Lord did. [3] Elder David A. Bednar said, “The power of the Atonement makes repentance possible and quells the despair caused by sin; it also strengthens us to see, do, and become good in ways that we could never recognize or accomplish with our limited mortal capacity.
Sahar Qumsiyeh
If the claims of the papacy cannot be proven from what we know of the historical Peter, there are, on the other hand, several undoubted facts in the real history of Peter which bear heavily upon those claims, namely: 1. That Peter was married, Matt. 8:14, took his wife with him on his missionary tours, 1 Cor. 9:5, and, according to a possible interpretation of the "coëlect" (sister), mentions her in 1 Pet. 5:13. Patristic tradition ascribes to him children, or at least a daughter (Petronilla). His wife is said to have suffered martyrdom in Rome before him. What right have the popes, in view of this example, to forbid clerical marriage?  We pass by the equally striking contrast between the poverty of Peter, who had no silver nor gold (Acts 3:6) and the gorgeous display of the triple-crowned papacy in the middle ages and down to the recent collapse of the temporal power. 2. That in the Council at Jerusalem (Acts 15:1–11), Peter appears simply as the first speaker and debater, not as president and judge (James presided), and assumes no special prerogative, least of all an infallibility of judgment. According to the Vatican theory the whole question of circumcision ought to have been submitted to Peter rather than to a Council, and the decision ought to have gone out from him rather than from "the apostles and elders, brethren" (or "the elder brethren," 15:23). 3. That Peter was openly rebuked for inconsistency by a younger apostle at Antioch (Gal. 2:11–14). Peter’s conduct on that occasion is irreconcilable with his infallibility as to discipline; Paul’s conduct is irreconcilable with Peter’s alleged supremacy; and the whole scene, though perfectly plain, is so inconvenient to Roman and Romanizing views, that it has been variously distorted by patristic and Jesuit commentators, even into a theatrical farce gotten up by the apostles for the more effectual refutation of the Judaizers! 4. That, while the greatest of popes, from Leo I. down to Leo XIII. never cease to speak of their authority over all the bishops and all the churches, Peter, in his speeches in the Acts, never does so. And his Epistles, far from assuming any superiority over his "fellow-elders" and over "the clergy" (by which he means the Christian people), breathe the spirit of the sincerest humility and contain a prophetic warning against the besetting sins of the papacy, filthy avarice and lordly ambition (1 Pet. 5:1–3). Love of money and love of power are twin-sisters, and either of them is "a root of all evil." It is certainly very significant that the weaknesses even more than the virtues of the natural Peter—his boldness and presumption, his dread of the cross, his love for secular glory, his carnal zeal, his use of the sword, his sleepiness in Gethsemane—are faithfully reproduced in the history of the papacy; while the addresses and epistles of the converted and inspired Peter contain the most emphatic protest against the hierarchical pretensions and worldly vices of the papacy, and enjoin truly evangelical principles—the general priesthood and royalty of believers, apostolic poverty before the rich temple, obedience to God rather than man, yet with proper regard for the civil authorities, honorable marriage, condemnation of mental reservation in Ananias and Sapphira, and of simony in Simon Magus, liberal appreciation of heathen piety in Cornelius, opposition to the yoke of legal bondage, salvation in no other name but that of Jesus Christ.
Philip Schaff (History Of The Christian Church (The Complete Eight Volumes In One))
Reaching the door of his mother’s apartments, Marcus found it locked. He rattled the handle violently. “Open it,” he bellowed. “Open it now!” Silence, and then a maid’s frightened reply from within. “Milord… the countess bade me to tell you that she is resting.” “I’ll send her to her eternal fucking rest,” Marcus roared, “if this door isn’t opened now.” “Milord, please—” He drew back three or four paces and hurled himself against the door, which shook on its hinges and partially gave with a splintering sound. There were fearful cries in the hallway from a pair of female guests who happened to witness the astonishing display of raging frenzy. “Dear God,” one exclaimed to the other, “he’s gone berserk!” Marcus drew back again and lunged at the door, this time sending chunks of paneling flying. He felt Simon Hunt’s hands grasp him from behind, and he whirled with his fist drawn back, ready to launch an attack on all fronts. “Jesus,” Hunt muttered, retreating a step or two with his hands raised in a defensive gesture. His face was taut and his eyes were wide, and he stared at Marcus as if he were a stranger. “Westcliff—” “Stay the hell out of my way!” “Gladly. But let me point out that if our positions were reversed, you would be the first to tell me to keep a cool—” Ignoring him, Marcus swerved back to the door and targeted the disjointed lock with a powerful, accurately aimed blow of his boot heel. The housemaid’s scream shot through the doorway as the ruined portal swung open. Bursting into the receiving room, Marcus charged toward the bedchamber, where the countess sat in a chair by a small hearth fire. Fully dressed and swathed in ropes of pearls, she stared at him with amused disdain. Breathing heavily, Marcus advanced on her with bloodlust racing through his veins. It was certain that the countess had no idea that she was in mortal danger, or she would not have received him so calmly. “Full of animal spirits today, are we?” she asked. “Your descent from gentleman to savage brute has been accomplished so very quickly. I must offer Miss Bowman my compliments on her efficacy.” “What have you done with her?” “Done with her?” Her expression taunted him with its innocent perplexity. “What the devil do you mean, Westcliff?” “You met with her at Butterfly Court this morning.” “I never walk that far from the manor,” the countess said haughtily. “What a ridiculous asser—” She let out a strident cry as Marcus seized her, his fingers wrapping around the pearl ropes and tightening them around her throat. “Tell me where she is, or I’ll snap your neck like a wishbone!” Simon Hunt seized him from behind once more, determined to prevent a murder from occurring. “Westcliff!” Marcus closed his hand in a harder grip around the pearls. He glared without blinking into his mother’s face, not missing the flicker of vindictive triumph that lurked in her eyes. He did not take his gaze from hers even as he heard his sister Livia’s voice. “Marcus,” she said urgently. “Marcus, listen to me! You have my permission to throttle her later. I’ll even help. But at least wait until we’ve found out what she’s done.” Marcus tightened the tension of the pearls until the elderly woman’s eyes seemed to protrude from their shallow sockets. “Your only value to me,” he said in a low tone, “is your knowledge of Lillian Bowman’s whereabouts. If I can’t obtain that from you, I’ll send you to the devil. Tell me, or I’ll choke it from you. And believe that I have enough of my father in me to do it without a second thought.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Very shoddy dressing. Leave it to Sophia to bring her B game to a sacrifice with cosmic and eternal implications.” Luce was desperate to study the reaction on Miss Sophia’s face, but Daniel held her back. There were a scraping sound, a melodramatic gasp, and a cruel soft cackle. “Ah yes,” Miss Sophia said. “My tramp sister returns, just in time to witness my finest hour. This will trump your overrated piano recital!” “You’re really very dumb.” “Because I don’t have the recommended brand of rope?” Sophia snorted. “Forget the rope, dope,” Dee said. “You’re dumb in many dozens of ways, not the least of which is thinking you might get away with this.” “Do not condescend to her!” hissed the third Elder. “There’s really no other way to approach her,” Dee instantly replied. “Thank you, Lyrica, but I can handle Paulina,” Sophia said without looking away from Dee. “Or what do you have people call you now? Pee?” “You know very well it is Dee. You only wish you knew why.” “Ah yes, Dee. Biiiiiig difference. Well, let us enjoy our brief reunion as best we can.
Lauren Kate (Rapture (Fallen, #4))
The operation would be in a week...I didn't know if I would survive. How I longed to go back to reading! There was nowhere I longed to be more than the university campus. I was preparing for a master's on fantasy literature. I was interested in why the country's literature did not include this distinctive genre. I had this great passion for studying and writing, which they explained in my household with the story of the umbilical cord. When I was born, and at my father's request, my elder sister buried my umbilical cord in the courtyard of her primary school. My father attributed my {brother's} academic failure to the fact that my mother buried his umbilical cord in the garden of our house.
Hassan Blasim (The Iraqi Christ)
But something began to compel me. How might I discover how to see only that shimmering radiance? Would it be possible for me to see my brothers and sisters as my Father sees His children? I discovered that the way to see with the eyes of Christ begins with the acceptance that I, as a creator—created in the image of God—literally choose every experience and call it to me, that I create the veils through which I view creation. I began to shift my perspective slightly. And I began to be seen as someone who was rebelling against the teachings of my Essene elders. For I began to move away from striving for God, striving for perfection, and began to cultivate within myself the process of allowing.
Shanti Christo Foundation (The Way of Mastery ~ Part One: The Way of the Heart (The Way of Mastery))
Now he was only a short day’s ride from the capital and worried about what he would find. Akiko, the elder of his two sisters, had married an official during his absence and moved away, but Yoshiko was still at home. He tried to imagine his mother ill, her fierce strength gone, and
I.J. Parker (The Hell Screen (Sugawara Akitada, #5))
David was one of nine children, and Sydney was one of four. Their respective siblings produced, between 1910 and 1927, twenty-one children with the surnames Mitford, Farrer, Kearsey, Bowyer, Bowles and Bailey, and many of these first cousins were to play major parts in the lives of the Mitford children as they grew up and visited each other’s homes. But the network of kinsmen who were to people the lives of the Mitford children were rooted further back in the family tree. Both of David’s parents – ‘Bertie’ Mitford (Bertram, 1st Lord Redesdale) and Lady Clementine Ogilvy – came from large families, and he remained close to many of them and to their numerous offspring.* ---- In addressing this question, one of Clementine Churchill’s daughters stated that her mother never learned the identity of her natural father though she knew he was not Henry Hozier.14 Bertie Mitford is the most likely suspect, even though the poet and writer Wilfred Scawen Blunt claimed that Natty confessed to him that her two elder daughters were fathered by Captain George ‘Bay’ Middleton, known by his foxhunting contemporaries as ‘the bravest of the brave’, and to history as the dashing lover of the sporting Empress, Elizabeth of Austria.15 This, however, must be set against the fact that Natty told a close friend, just before the birth of Clementine, that the child she was carrying was ‘Lord Redesdale’s’.
Mary S. Lovell (The Sisters: The Saga of the Mitford Family)
SCHEDULE OF SHOWS: 2:00 - 2:10: Admittance 2:10 - 2:15: The Khünbish Sisters 2:15 - 2:20: Helen Keller 2:20 - 2:30: The Fantastic Zippy and Trainer 2:30 - 2:35: [teeth and claw marks] 2:35 - 2:40: Intermission 2:40 - 2:41: erotic_performance.exe 2:41 - 2:45: The Council of Libidinous Elders 2:45 - 3:20: Serial No. 223244-09-P 3:20 - 3:30: [indecipherable cuneiform script]
Anonymous
A more interesting question was asked by a small boy, who had been brought along by his elder sister: ‘You’re a Muslim,’ he said to the fast bowler Irfan Pathan, ‘so why aren’t you playing for Pakistan?
James Astill (The Great Tamasha: Cricket, Corruption and the Turbulent Rise of Modern India (Wisden Sports Writing))
If you are an elder sister, what if one day your little brother comes home with one of his fingers broken for picking up a piece of bread, or his jaw displaced just because you committed the blunder of sending him to school with lunch during Ramadan? Living in such a place with no respect, or even concern, for rationality and evidence, having such insane people around you, what can you do? How can you live? That feeling of being a slave, bound to pretend to be what you are not, forbidden to express yourself and required to do as told, cannot be described in words…
Atheist Republic (Your God Is Too Small: 50 Essays on Life, Love & Liberty Without Religion)
The first of the tests is the overcoming of appetite. This involves their doing a two days’ walk or hunt without food, and then being brought suddenly before a fire on which some choice kangaroo steak or other native delicacy is being cooked. They are required to take only a small portion of this. The next is the test of pain. The young boys and girls submit to having their noses pierced, their bodies marked, and to being laid down upon hot embers thinly covered with boughs. The third is the test of fear. The young people are told awesome and hair-raising stories about ghosts and the muldarpe, the Evil Spirit or the Devil-devil. After all these tests they are put to sleep in a lonely place, or near the burial-place of the tribe. During the night the elders, who are made hideous with white clay and bark headdresses, appear, making weird noises. Those of the candidates who show no signs of having had a disturbed night are then admitted as fully initiated members of the tribe. No youth or maiden is allowed to marry without having passed these tests. A proposed marriage is talked over first by all the old members of the tribe. The uncle on the mother’s side is the most important relative, and it is he who finally selects the wife. The actual marriage ceremony takes place during the time of festivals. The husband does not look at or speak to his mother-in-law, although he is husband in name to all his sisters-in-law.
W. Ramsay Smith (Myths and Legends of the Australian Aborigines)
As men & women of God we should not seek to expose the weaknesses of our brother or sister by gossiping, backbiting or slandering them however, we should cover them in prayer
Elder Walter S. Strong III
The LDS Church teaches that it was in the preexistent world that Jesus and Lucifer, two elder "brothers"" (sexually begotten sons of God as we all are)," vied before the "council of gods" for the honor of becoming the Savior of mankind. The plan that Jesus proposed was approved by the council's majority vote. In anger, Lucifer drew one-third of the brothers and sisters into rebellion against the council's decision. He then became the Devil, and his followers the demons." Mormons
Ed Decker (The God Makers: A Shocking Expose of What the Mormon Church Really Believes)
STEP 7  –   Humility We humbly ask a Higher Power and our friends to help us to change. In Step 7 we finally have the knowledge, desire and allies to change. The knowledge we have is the self-knowledge gained from the inventories and lists we made while facing South. Our allies are the sobriety Elders and the Red Road brothers and sisters we’ve been sitting with in our sobriety circles and healing circles. Creator is an ally
White Bison (The Red Road to Welbriety: In The Native American Way)
When they were children, Mama’s elder sister had been dubbed the smart one and Mama the beautiful one. This was how my grandmother had raised them. As if a woman could not be both beautiful and smart.
Tess Uriza Holthe (When the Elephants Dance)
The husband’s responsibility also extends beyond his immediate family to any unmarried sisters and his elderly parents. The husband makes sure that any personal interests of members are subordinate to the family as a whole. Husbands tend to be more authoritarian and do not show affection to wives and family in public. In fact, the showing of affection in public can be fraught with danger. Public displays of affection are forbidden in the region, including Bahrain. It
Harvey Tripp (Culture Shock! Bahrain (Culture Shock! Guides))
This story created a sensation when it was first told. It appeared in the papers and many big Physicists and Natural Philosophers were, at least so they thought, able to explain the phenomenon. I shall narrate the event and also tell the reader what explanation was given, and let him draw his own conclusions. This was what happened. A friend of mine, a clerk in the same office as myself, was an amateur photographer; let us call him Jones. Jones had a half plate Sanderson camera with a Ross lens and a Thornton Picard behind lens shutter, with pneumatic release. The plate in question was a Wrattens ordinary, developed with Ilford Pyro Soda developer prepared at home. All these particulars I give for the benefit of the more technical reader. Mr. Smith, another clerk in our office, invited Mr. Jones to take a likeness of his wife and sister-in-law. This sister-in-law was the wife of Mr. Smith's elder brother, who was also a Government servant, then on leave. The idea of the photograph was of the sister-in-law. Jones was a keen photographer himself. He had photographed every body in the office including the peons and sweepers, and had even supplied every sitter of his with copies of his handiwork. So he most willingly consented, and anxiously waited for the Sunday on which the photograph was to be taken. Early on Sunday morning, Jones went to the Smiths'. The arrangement of light in the verandah was such that a photograph could only be taken after midday; and so he stayed there to breakfast. At about one in the afternoon all arrangements were complete and the two ladies, Mrs. Smiths, were made to sit in two cane chairs and after long and careful focussing, and moving the camera about for an hour, Jones was satisfied at last and an exposure was made. Mr. Jones was sure that the plate was all right; and so, a second plate was not exposed although in the usual course of things this should have been done. He wrapped up his things and went home promising to develop the plate the same night and bring a copy of the photograph the next day to the office. The next day, which was a Monday, Jones came to the office very early, and I was the first person to meet him. "Well, Mr. Photographer," I asked "what success?" "I got the picture all right," said Jones, unwrapping an unmounted picture and handing it over to me "most funny, don't you think so?" "No, I don't ... I think it is all right, at any rate I did not expect anything better from you ...", I said. "No," said Jones "the funny thing is that only two ladies sat ..." "Quite right," I said "the third stood in the middle." "There was no third lady at all there ...", said Jones. "Then you imagined she was there, and there we find her ..." "I tell you, there were only two ladies there when I exposed" insisted Jones. He was looking awfully worried. "Do you want me to believe that there were only two persons when the plate was exposed and three when it was developed?" I asked. "That is exactly what has happened," said Jones. "Then it must be the most wonderful developer you used, or was it that this was the second exposure given to the same plate?" "The developer is the one which I have been using for the last three years, and the plate, the one I charged on Saturday night out of a new box that I had purchased only on Saturday afternoon." A number of other clerks had come up in the meantime, and were taking great interest in the picture and in Jones' statement. It is only right that a description of the picture be given here for the benefit of the reader. I wish I could reproduce the original picture too, but that for certain reasons is impossible. When the plate was actually exposed there were only two ladies, both of whom were sitting in cane chairs. When the plate was developed it was found that there was in the picture a figure, that of a lady, standing in the middle. She wore a broad-edged dhoti (the reader should not forget that all the characters are Indians), only the upper half of her
Anonymous
Sanskrita, “polished, complete.” Sanskrit is the elder sister of all Indo-European tongues. Its alphabetical script is called Devanagari; literally, “divine abode.” “Who knows my grammar knows God!” Panini, great philologist of ancient India, paid that tribute to the mathematical and psychological perfection of Sanskrit. He who would track language to its lair must indeed end as omniscient. 2
Paramahansa Yogananda (Autobiography of a Yogi (Self-Realization Fellowship))
...He called her, at random, Big Sister (Chị), Aunt (Cô) and Great-Aunt (Bác). No one held it against him that he came from elsewhere, from a place where personal pronouns exist so that they can remain impersonal. In the absence of those pronouns, the Vietnamese language imposes a relationship from the very first contact: the younger of the two interlocutors must respect and obey the elder, and conversely, the elder must give advice and protection to the younger. If someone were to listen to a conversation between them, he would be able to guess that, for example, the younger one is the nephew of one of his mother's older brothers. Similarly, if the conversation were taking place between two people with no family ties, it would be possible as well to determine whether the elder is younger than the parents of the other.
Kim Thúy (Mãn)
The Everland night possessed a beauty unmatched in the lands of Men. In daylight, the sister suns warmed the world: Goldmantle, the elder sister, was the largest and most beautiful, her hue that of gilded bronze; Bright-Eye, the younger, was smaller, and she burned white-hot. They traveled across the sky-vault together, Bright-Eye’s heat tempered behind Goldmantle’s ample sphere, both looking down upon the Thresholds of the long-shattered Eld Green, ever-faithful sentinels over their fragmented kindred. It was the night, however, that truly revealed the Eld Green’s beauty. The Greatmoon, Pearl-in-Darkness, loomed large in the heavens. Even in the daytime the Greatmoon was an impressive sight, although only a milky shadow of his luminous radiance in the night. He
Daniel Heath Justice (The Way of Thorn and Thunder)
As a teacher to many teenage boys (and sister to more than one), I can tell you that those without a father have not cornered the market on needing to think before they act. And as the wife of a man who grew up without a father in the home and the daughter of another, I can assure that their mothers worked hard at teaching them how to show deference to their elders.
Jasmine Holmes
Leo glanced around the hall without interest. "Barring any structural repairs, we would need about twenty-five to thirty thousand pounds, at least." The figure caused Amelia to blanch. She lowered her gaze to the pockmarked floor at her feet and rubbed her temples. "Well, one thing is obvious. We need the advantage of wealthy in-laws. Which means you should start looking for available heiresses, Leo." She flicked a playful glance at her sister. "And you, Poppy—you'll have to catch a viscount, or at the very least a baron." Her brother rolled his eyes. "Why not you? I don't see why you should be exempt from having to marry for the family's benefit." Poppy gave her sister a sly glance. "At Amelia's age, women are far beyond thoughts of Romance and passion." "One never knows," Leo told Poppy. "She may catch an elderly gentleman who needs a nurse." Amelia was tempted to skewer them both with the tart observation that she had already been in love once, and she would not care to repeat the experience.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
There were two sisters, they went playing, To see their father’s ships come sailing … And when they came unto the sea-brim The elder did push the younger in.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))