Miami Quotes

We've searched our database for all the quotes and captions related to Miami. Here they are! All 100 of them:

Almost everything strange washes up near Miami.
Rick Riordan
But how did you know where we were?" Annabeth asked. Advanced planning, my dear. I figured you would wash up near Miami if you made it out of the Sea of Monsters alive. Almost everything strange washes up near Miami.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
Okay. Right. Horror meets romance meets erotica meets fantasy meets hip hop. Throw in some leather and some Miami Ink shit, stir with a baseball bat and a tire iron, sprinkle on some baby powder, and serve over a hot bed of Holy-Mary-mother-of-God-this-has-to-work-or-I'm-going-to-be-a-lawyer-for-the-rest-of-my-natural-life. No problem." (J.R. Ward on the elements of writing the Black Dagger Brotherhood)
J.R. Ward (The Black Dagger Brotherhood: An Insider's Guide (Black Dagger Brotherhood))
Another beautiful Miami day. Mutilated corpses with a chance of afternoon showers. I got dressed and went to work.
Jeff Lindsay (Darkly Dreaming Dexter (Dexter, #1))
I'm suprised he doesn't send Christmas cards," Antonio said. "I can see them now. Tasteful, embossed veilum cards, the best he can steal. Little notes in perfect penmanship,"Happy holidays. Hope everyone is well. I sliced up Ethan Ritter in Miami and scattered his remains in the Atlantic. Best wishes for the new year. Karl.
Kelley Armstrong (Bitten (Otherworld, #1))
Let me tell you, Alex. He's a crook. He's based here in Miami. He's a nasty piece of work." "He's mexican" Troy added.
Anthony Horowitz (Skeleton Key (Alex Rider, #3))
There was something that resonated on a deep… spiritual level… about cutting a man in half.
William Kely McClung (Super Ninja: The Sword of Heaven)
I bet if you look at the average teenager and the average adult, the average teenager has read more books in the last year than the average adult. Now of course the adult would be all like, 'I'm busy, I got a job, I got stuff to do.' WHATEVER! READ! I mean, you're watching CSI: Miami. Why would you be watching CSI: Miami, when you could be READING CSI: Miami, the novelization?
John Green
It reminded me of what Dad said after every snail’s crawl home from Albany when snow hit.“It’s New York, people. It’s winter. We get snow. If you aren’t prepared to deal with it, move to Miami.
Kelley Armstrong (Dangerous (Darkest Powers, #0.75))
Here: an exercise in choice. Your choice. One of these tales is true. She lived through the war. In 1959 she came to America. She now lives in a condo in Miami, a tiny French woman with white hair, with a daughter and a grand-daughter. She keeps herself to herself and smiles rarely, as if the weight of memory keeps her from finding joy. Or that's a lie. Actually the Gestapo picked her up during a border crossing in 1943, and they left her in a meadow. First she dug her own grave, then a single bullet to the back of the skull. Her last thought, before that bullet, was that she was four months' pregnant, and that if we do not fight to create a future there will be no future for any of us. There is an old woman in Miami who wakes, confused, from a dream of the wind blowing the wildflowers in a meadow. There are bones untouched beneath the warm French earth which dream of a daughter's wedding. Good wine is drunk. The only tears shed are happy ones.
Neil Gaiman (Fragile Things: Short Fictions and Wonders)
Cuando don Marinero Bisoño sale de Miami rumbo a las Bahamas, a lo mejor con un atlas como carta de navegación -y le aseguro que algunos de esos idiotas lo hacen-, se convierte en un accidente en busca de un lugar donde ocurrir.
Peter Benchley (The Island)
The more you believe in yourself, the more the world believes in you!
Isa Zapata
Acuérdate de lo que dicen: Hay veces que hasta el diablo necesita un rezo...
Fernanda Melchor (Aquí no es Miami)
Grady and Preston were both after the same mark in Paris a few years ago,” Julian said to Zane. “They met during what I hear was a drunken, debauched night of… selling antiques. That’s how I knew Ty had been there. I never saw him.” “Such unnecessary details,” Preston murmured. “Ty, seriously,” Zane grunted. “How is this my fault?” Ty asked in exasperation. “Do you have a history with every guy with a gun in the Northern hemisphere?” “Oh, like you don’t have some winners back there you hope we never run into. Let’s head to Miami and see what comes out of the woodwork.” “Ty.” “I like guys with guns!” “Oh my God,” Julian muttered as he rubbed at his eyes.
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
She dressed in bohemian clothes, penned novels, panted, and yearned to roam forgotten corners of the world. She was habitually defiant and fearless, and when she felt controlled, as she often did, she could be irresistibly willfull. Mostly, she was bored silly by the vanilla sort boys who trailed her around, and by the stodgy set in Miami Beach.
Laura Hillenbrand (Unbroken: A World War II Story of Survival, Resilience and Redemption)
James Bond, with two double bourbons inside him, sat in the final departure lounge of Miami Airport and thought about life and death.
Ian Fleming (Goldfinger (James Bond, #7))
It was wonderful, a stunning happy ending to what began as another tragic rock & roll story, as if Bob Dylan had been arrested in Miami for jacking off in a seedy little XXX theater while stroking the spine of a fat young boy.
Hunter S. Thompson (Kingdom of Fear: Loathsome Secrets of a Star-Crossed Child in the Final Days of the American Century)
There was however, a group of 507 individuals who were permanent street dwellers [in Miami.] These 507 were not indigent, down-on-their-luck families. They were single people and every one of them was mentally ill.
Pete Earley (Crazy: A Father's Search Through America's Mental Health Madness)
Hello, Olympus! Aeolus, master of the winds here, with weather every twelve! We‘ll have a low-pressure system moving over Florida today, so expect milder temperatures since Demeter wishes to spare the citrus farmers!‖ He gestured at the blue screen, but when Jason checked the monitors, he saw that a digital image was being projected behind Aeolus, so it looked like he was standing in front of a U.S. map with animated smiley suns and frowny storm clouds. ―Along the eastern seaboard—oh, hold on.‖ He tapped his earpiece. ―Sorry, folks! Poseidon is angry with Miami today, so it looks like that Florida freeze is back on! Sorry, Demeter. Over in the Midwest, I‘m not sure what St. Louis did to offend Zeus, but you can expect winter storms! Boreas himself is being called down to punish the area with ice. Bad news, Missouri! No, wait. Hephaestus feels sorry for central Missouri, so you all will have much more moderate temperatures and sunny skies.
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
This was Miami, after all. People come home every day to find their TVs gone, their jewelry and electronics all taken away; their space violated, their possessions rifled, and their dog pregnant.
Jeff Lindsay (Darkly Dreaming Dexter (Dexter, #1))
What’s the gun for? (Leta) I would lie and say it’s for bears or snakes, but mostly I use it for trespassers. (Aiden) Wow, Dexter, I’m impressed. Since we’re not in Miami and you haven’t a boat to hide the hacked-up bodies at sea, where are you keeping them? (Leta)
Sherrilyn Kenyon (Upon the Midnight Clear (Dark-Hunter, #12; Dream-Hunter, #2))
The August 1 story had carried their joint byline; the day afterward, Woodward asked Sussman if Bernstein's name could appear with his on the follow-up story - though Bernstein was still in Miami and had not worked on it. From the on, any Watergate story would carry both names. Their colleagues melded the two into one and gleefully named their byline Woodstein. -- Carl Bernstein, Bob Woodward
Carl Bernstein (All the President’s Men)
Neglected but Undefeated I stand today living the life I was told I would never live all because my faith grew.
Jonathan Anthony Burkett (Neglected But Undefeated: The Life Of A Boy Who Never Knew A Mother's Love)
If you ask most people today where the mentally ill are in our society, they will tell you they’re in state mental hospitals. They’re wrong. . . . They are in our jails and prisons. —Judge Steven Leifman Eleventh Judicial Circuit Miami, Florida
Pete Earley (Crazy: A Father's Search Through America's Mental Health Madness)
Mondays are the start of the work week which offer new beginnings 52 times a year!
David Dweck
Life’s a sequence of gambles. You’re going to win some. You’re going to lose some. But that doesn’t mean you shouldn’t play the game.
Nicole Williams (Mischief in Miami (Great Exploitations, #1))
Miami drivers have long ago take the simple chore of going from one place to another and turned it into a kind of high-speed, heavily armed game of high-stakes bumper cars.
Jeff Lindsay (Dexter by Design (Dexter, #4))
...in the best tradition of Miami watercraft, most of the other boaters seemed to be trying to kill me. I found that very relaxing. I was right at home. This is my country; these are my people.
Jeff Lindsay (Darkly Dreaming Dexter (Dexter, #1))
She feels like the first drags of fresh cigaretter but last crunches of cherry suckers. She feels like final coats of nail polish. She feels like lines of coke. She feels like knuckles you crack after a long day. She feels like Miami rain. She feels like empty football fields. She feels like full stadiums. She feels like absinthe. She feels like dangling from a helicopter. She feels like classical music. She feels like standing on a motorcycle. She feels like train tracks. She feels like frozen yogurt. She feels like destroying a piano. She feels like rooftops. She feels like fleeing from cops. She feels like stitches. She feels like strobe lights. She feels like blue carnival bears. She feels like curbs at 2 am. She feels like Cupid's Chokehold. She feels like running through Chicago. She feels like 1.2 million dollars. She feels like floors. She feels like everything he's ever wanted in life. […] “I love you more than I planned.
Julez (Duplicity)
You are never to be alone in a bedroom with a male.” She snorted. “You have no say over who I have in my bedroom. If I want to invite the entire Miami Dolphins team into my bed and have a big orgy while covered in chocolate sauce, you have no say in that whatsoever.” The brief image set fire to his blood, but he kept his temper on simmer, unwilling to let her bait him. Still, he kind of wanted to hunt down every player on the football team and turn them into stains on the Astroturf. “My house,” he gritted out, “my rules. No chocolate NFL orgies in my keep. I think that’s a reasonable request.
Larissa Ione (Lethal Rider (Lords of Deliverance, #3; Demonica, #8))
So, which one are you? The right or the wrong woman?” I looked him in the eyes and answered, “Both.
Nicole Williams (Mischief in Miami (Great Exploitations, #1))
I'd rather wear bare skin than raw silk any day.
Vicki Hendricks (Miami Purity)
That's the illusion of stillness. There is no secret. Only the implication of one by its possesor".
David Gilmour
I asked him if he wanted to play music but he refused. He said that the only thing he wanted to hear was the pleasure of my moans.
Shanora Williams (Hard to Resist (Hard to Resist, #1))
One of the finest quotes I ever overheard on the streets of Miami Beach was, 'He fucked me so hard my mother came.
David Leddick (How to Be Gay in the 21st Century)
Miami ... the floating-human-body-parts capital of America.
Carl Hiaasen (Bad Monkey (Andrew Yancy, #1))
I live in Miami, which can be a dangerous place, with a segment of the population capable of horrific acts of violence. And those are the police. The criminals are even worse.
Dave Barry (Live Right and Find Happiness (Although Beer is Much Faster))
By the 1800s, animal sacrifice had been largely discredited as a medical procedure; today it is rarely used outside of Miami.
Dave Barry (I'll Mature When I'm Dead: Dave Barry's Amazing Tales of Adulthood)
Some years ago I proposed a new tourism-promotion slogan for Miami. I even had a bumper sticker made. It said: 'Come back to Miami! We Weren't Shooting at YOU'.
Dave Barry (I'll Mature When I'm Dead: Dave Barry's Amazing Tales of Adulthood)
.My middle name is actually Noel." "So what's your first then?" From her expression, he was almost afraid to ask. Noel bit her bottom lip. "Christmas.
Katie Reus (Miami, Mistletoe & Murder (Red Stone Security, #4))
At nineteen, I certainly didn't know the answer, although I already knew more about death than most of the other pimple-ridden pudding heads in my sophomore class at the University of Miami.
Jeff Lindsay (Darkly Dreaming Dexter (Dexter, #1))
What do you mean? Why do you think you like them? That’s all you and I did together when you were little. Don’t you remember?” I. Don’t. Remember. I remember, It’s a sink-or-swim world, Noah. I remember, Act tough and you are tough. I remember every heart-stomping look of disappointment, of embarrassment, of bewilderment from him. I remember: If your twin sister wasn’t my spitting image I’d swear you came about from parthenogenesis. I remember the 49ers, the Miami Heat, the Giants, the World Cup. I do not remember Animal Planet.
Jandy Nelson (I'll Give You the Sun)
They drank a few glasses of soda after eating their pie and grooved behind the dope and the waitress and giggled and scratched for a while, then dropped another dexie, got a couple of containers of coffee, and split and continued toward Miami and the connections. They were quiet for a while, listening to the music and feeling warm and secure with the dope and the future, each smiling inwardly thinking about the end of their problems and the panic, at least for them.
Hubert Selby Jr. (Requiem for a Dream)
I can't see any point to hanging around a Burger King all day, no matter how much money you make. .... I'll tell you why. Your life would depend on the random desires of people who wanted a hamburger. So you can just forget about Burger King.
Charles Willeford (Miami Blues (Hoke Moseley #1))
Everyone is so cheerful and happy,” I said “This isn’t Mister Rogers Neighborhood, Dex. It’s Miami. Only the bad guys are happy.” She looked at me without expression, a perfect cop stare. “How come you’re not laughing and singing?” “Unkind, Deb. Very unkind. I’ve been good for months.” She took a sip of water. “Uh-huh. And it’s making you crazy.
Jeff Lindsay (Dearly Devoted Dexter (Dexter, #2))
I felt so heavy with love. I could feel it packed inside my chest.
Vicki Hendricks (Miami Purity)
You feel so...good,"she rasped out. "The piercing?"That was all he could manage as he pulled back then slid into her again.
Katie Reus (Miami, Mistletoe & Murder (Red Stone Security, #4))
To inspire the players, I adapted a quote from Walt Whitman and taped it on their lockers before the first game of the playoffs, against the Miami Heat. "Henceforth we seek not good fortune, we are ourselves good fortune".
Phil Jackson (Eleven Rings: The Soul of Success)
These books portray people in ways that are hurtful and wrong. Ceasing sales of these books is only part of our commitment and our broader plan to ensure Dr. Seuss Enterprises' catalog represents and supports all communities and families
Dr. Seuss
The two keys to success as a sportswriter are: 1) A blind willingness to believe anything you're told by the coaches, flacks, hustlers and other "official spokesmen" for the team-owners who provide the free booze ... and: 2) A Roget's Thesaurus, in order to avoid using the same verbs and adjectives twice in the same paragraph. Even a sports editor, for instance, might notice something wrong with a lead that said: "The precision-jack-hammer attack of the Miami Dolphins stomped the balls off the Washington Redskins today by stomping and hammering with one precise jack-thrust after another up the middle, mixed with pinpoint-precision passes into the flat and numerous hammer-jack stomps around both ends....
Hunter S. Thompson (Fear and Loathing on the Campaign Trail '72)
On the mainland of America, the Wampanoags of Massasoit and King Philip had vanished, along with the Chesapeakes, the Chickahominys, and the Potomacs of the great Powhatan confederacy. (Only Pocahontas was remembered.) Scattered or reduced to remnants were the Pequots, Montauks, Nanticokes. Machapungas, Catawbas, Cheraws, Miamis, Hurons, Eries, Mohawks, Senecas, and Mohegans. (Only Uncas was remembered.) Their musical names remained forever fixed on the American land, but their bones were forgotten in a thousand burned villages or lost in forests fast disappearing before the axes of twenty million invaders. Already the once sweet-watered streams, most of which bore Indian names, were clouded with silt and the wastes of man; the very earth was being ravaged and squandered. To the Indians it seemed that these Europeans hated everything in nature—the living forests and their birds and beasts, the grassy glades, the water, the soil, and the air itself.
Dee Brown (Bury My Heart at Wounded Knee: An Indian History of the American West)
When Amy returned to London she told me excitedly about some of the Hispanic women she’d seen in Miami, and how she wanted to blend their look – thick eyebrows, heavy eye-liner, bright red lipstick – with her passion for the sixties ‘beehive’.
Mitch Winehouse
To crank up a noisy bad stance out in a place like San Francisco and start yelling about “getting things done in Washington” is like sitting far back in the end zone seats at the Super Bowl and screaming at the Miami linebackers “Stop Duane Thomas!
Hunter S. Thompson (Fear and Loathing on the Campaign Trail '72)
And so I grew up. As normal as one can in a city as insane as Miami, in an era as schizophrenic as the 1990s, with parents as emotionally invested as landlords. I had killed one boy, one time. It wasn't like I was an out-of-control homicidal maniac.
Sascha Rothchild (Blood Sugar)
Dr. Seuss Enterprises listened and took feedback from our audiences including teachers, academics and specialists in the field as part of our review process. We then worked with a panel of experts, including educators, to review our catalog of titles
Dr. Seuss
How will we sing when Miami goes underwater, when the raft of garbage in the ocean gets as big as Texas, when the only remaining polar bear draws his last breath, when fracking, when Keystone, when Pruitt? I don’t know. And I imagine, sometimes, often, we will get it wrong. But I’m not celebrating the earth because I am an optimist—though I am an optimist. I am celebrating because this magnificent rock we live on demands celebration. I am celebrating because how in the face of this earth could I not?
Pam Houston (Deep Creek: Finding Hope in the High Country)
There is freedom in being a writer and writing. It is fulfilling your function. I used to think freedom meant doing whatever you want. It means knowing who you are, what you are supposed to be doing on this earth, and then simply doing it. It is not getting sidetracked, thinking you shouldn’t write any more about your Jewish family when that’s your role in life: to record their history, who they were in Brooklyn, on Long Island, at Miami Beach—the first generation of American Goldbergs—before it all passes and is gone.
Natalie Goldberg (Writing Down the Bones: Freeing the Writer Within)
(Olivia) “I’m stopping at the next exit for gas. I’ll get rid of the scrubs. You get out and walk around or by the time we get to Miami you’ll be too stiff to move.” “Don’t worry, when I get stiff I move very well,” he muttered as he turned to face away. “I heard that.
Rita Henuber (Under Fire (Under Fire #1))
Happiness includes all numbers. It's infinite and eternal.
Carlos Eire (Learning to Die in Miami: Confessions of a Refugee Boy)
La vida es una secuencia de apuestas. Vas a ganar algo. Vas a perder algo. Pero eso no significa que no debes participar en el juego.
Nicole Williams (Mischief in Miami (Great Exploitations, #1))
Peekaboo: Welcome to Miami
Jeff Lindsay (Double Dexter (Dexter, #6))
I know everyone will say in Miami, Tell me about Cuba. Most of them expecting an answer like, It is hell on earth. Or maybe a few, subversively, will ask me expecting an answer like, It is socialist paradise. I’d rather answer with a question, Tell me about the United States?
Gabriela Garcia (Of Women and Salt)
MY FIVE DOS FOR GETTING BACK INTO THE GAME: 1. Do expect defeat. It’s a given when the stakes are high and the competition is working ferociously to beat you. If you’re surprised when it happens, you’re dreaming; dreamers don’t last long. 2. Do force yourself to stop looking backward and dwelling on the professional “train wreck” you have just been in. It’s mental quicksand. 3. Do allow yourself appropriate recovery—grieving—time. You’ve been knocked senseless; give yourself a little time to recuperate. A keyword here is “little.” Don’t let it drag on. 4. Do tell yourself, “I am going to stand and fight again,” with the knowledge that often when things are at their worst you’re closer than you can imagine to success. Our Super Bowl victory arrived less than sixteen months after my “train wreck” in Miami. 5. Do begin planning for your next serious encounter. The smallest steps—plans—move you forward on the road to recovery. Focus on the fix. MY FIVE DON’TS: 1. Don’t ask, “Why me?” 2. Don’t expect sympathy. 3. Don’t bellyache. 4. Don’t keep accepting condolences. 5. Don’t blame others.
Bill Walsh (The Score Takes Care of Itself: My Philosophy of Leadership)
A good lawyer is part con man, part priest -- promising riches, threatening hell. My ethical rules are simple. I won't lie to the court or let a client do it. But I've never been in this position. How far would I go for a woman who mattered? Is there anything I wouldn't do to win?
Paul Levine (Flesh & Bones (Jake Lassiter, #7))
I’m a one-hundred-percent, made-in-Florida, dope-smugglin’, time-sharin’, spring-breakin’, log-flumin’, double-occupancy discount vacation. I’m a tall glass of orange juice and a day without sunshine. I’m the wind in your sails, the sun on your burn and the moon over Miami. I am the native.
Tim Dorsey (Hammerhead Ranch Motel (Serge Storms, #2))
Most travel experts recommend that even if your final destination is Miami, it's better to fly to an airport in some other city - if necessary, Seattle - and take a cab from there. Or, as Savvy Air Traveler magazine suggests, 'simply jump out of the plane while it's still over the Atlantic'.
Dave Barry (I'll Mature When I'm Dead: Dave Barry's Amazing Tales of Adulthood)
There was no Disney World then, just rows of orange trees. Millions of them. Stretching for miles And somewhere near the middle was the Citrus Tower, which the tourists climbed to see even more orange trees. Every month an eighty-year-old couple became lost in the groves, driving up and down identical rows for days until they were spotted by helicopter or another tourist on top of the Citrus Tower. They had lived on nothing but oranges and come out of the trees drilled on vitamin C and checked into the honeymoon suite at the nearest bed-and-breakfast. "The Miami Seaquarium put in a monorail and rockets started going off at Cape Canaveral, making us feel like we were on the frontier of the future. Disney bought up everything north of Lake Okeechobee, preparing to shove the future down our throats sideways. "Things evolved rapidly! Missile silos in Cuba. Bales on the beach. Alligators are almost extinct and then they aren't. Juntas hanging shingles in Boca Raton. Richard Nixon and Bebe Rebozo skinny-dipping off Key Biscayne. We atone for atrocities against the INdians by playing Bingo. Shark fetuses in formaldehyde jars, roadside gecko farms, tourists waddling around waffle houses like flocks of flightless birds. And before we know it, we have The New Florida, underplanned, overbuilt and ripe for a killer hurricane that'll knock that giant geodesic dome at Epcot down the trunpike like a golf ball, a solid one-wood by Buckminster Fuller. "I am the native and this is my home. Faded pastels, and Spanish tiles constantly slipping off roofs, shattering on the sidewalk. Dogs with mange and skateboard punks with mange roaming through yards, knocking over garbage cans. Lunatics wandering the streets at night, talking about spaceships. Bail bondsmen wake me up at three A.M. looking for the last tenant. Next door, a mail-order bride is clubbed by a smelly ma in a mechanic's shirt. Cats violently mate under my windows and rats break-dance in the drop ceiling. And I'm lying in bed with a broken air conditioner, sweating and sipping lemonade through a straw. And I'm thinking, geez, this used to be a great state. "You wanna come to Florida? You get a discount on theme-park tickets and find out you just bough a time share. Or maybe you end up at Cape Canaveral, sitting in a field for a week as a space shuttle launch is canceled six times. And suddenly vacation is over, you have to catch a plane, and you see the shuttle take off on TV at the airport. But you keep coming back, year after year, and one day you find you're eighty years old driving through an orange grove.
Tim Dorsey (Florida Roadkill (Serge Storms, #1))
Humphrey will go into a black neighborhood in Milwaukee and drench the streets with tears while deploring “the enduring tragedy” that life in Nixon’s America has visited on “these beautiful little children”—and then act hurt and dismayed when a reporter who covered his Florida campaign reminds him that “In Miami you were talking just a shade to the Left of George Wallace and somewhere to the Right of Mussolini.” Hubert
Hunter S. Thompson (Fear and Loathing on the Campaign Trail '72)
Are you nervous?"... "A little." "Do you want to stop?" "No, just go slow." "I can do that." He could do any damn thing she asked of him.
Savannah Stuart (Power Unleashed (Miami Scorcher, #3))
The Filipino houseboy was conscious now
Charles Willeford (Made in Miami)
Nadie ha llegado a ningún lugar viviendo en su pasado
Nicole Williams (Mischief in Miami (Great Exploitations, #1))
A las historias, como ya lo señaló Sartre, no las cuenta la realidad, las cuenta el lenguaje humano, la memoria.
Fernanda Melchor (Aquí no es Miami)
I've been ridiculed by silk-suited lawyers, jailed by ornery judges, and occasionally paid for services rendered. I never intended to be a hero, and I succeeded.
Paul Levine (Fool Me Twice (Jake Lassiter, #6))
The Correspondence-School Instructor Says Goodbye to His Poetry Students Goodbye, lady in Bangor, who sent me snapshots of yourself, after definitely hinting you were beautiful; goodbye, Miami Beach urologist, who enclosed plain brown envelopes for the return of your very “Clinical Sonnets”; goodbye, manufacturer of brassieres on the Coast, whose eclogues give the fullest treatment in literature yet to the sagging breast motif; goodbye, you in San Quentin, who wrote, “Being German my hero is Hitler,” instead of “Sincerely yours,” at the end of long, neat-scripted letters extolling the Pre-Raphaelites: I swear to you, it was just my way of cheering myself up, as I licked the stamped, self-addressed envelopes, the game I had of trying to guess which one of you, this time, had poisoned his glue. I did care. I did read each poem entire. I did say everything I thought in the mildest words I knew. And now, in this poem, or chopped prose, no better, I realize, than those troubled lines I kept sending back to you, I have to say I am relieved it is over: at the end I could feel only pity for that urge toward more life your poems kept smothering in words, the smell of which, days later, tingled in your nostrils as new, God-given impulses to write. Goodbye, you who are, for me, the postmarks again of imaginary towns—Xenia, Burnt Cabins, Hornell— their solitude given away in poems, only their loneliness kept. Galway Kinnell
Galway Kinnell (Three Books: Body Rags; Mortal Acts, Mortal Words; The Past)
At the prosecution table, Flagler gave me his Ivy League snicker. If I wanted, I could dangle him out the window by his ankles. But then, I was picking up penalties for late hits while he was singing tenor with the Whiffenpoofs. Okay, so I’m not Yale Law Review, but I’m proud of my diploma. University of Miami. Night division. Top half of the bottom third of my class.
Paul Levine (Lassiter (Jake Lassiter, #8))
Pilot scripts are particularly difficult to write because you have to introduce all the characters without it feeling like a series of introductions. You have to tell a story that’s not only funny and compelling but also dramatizes your main characters’ points of view and what the series would be about thematically (love, work, investigating sexy child murders in Miami, etc.).
Tina Fey (Bossypants)
It wasn't a lack of attraction to her husband that caused her problems. It was life. It was traffic. It was the Miami Dade Water and Sewer bills, it was trying to get ahead, and trying to be on time. Petty little thing, but zillions of them fused together.
Heather Graham (A Magical Christmas)
You raise them half-decent, and they grow up and leave. They move to Miami or California-- someplace with gourmet groceries and nude beaches because you've reared them to cook good and be liberal minded. It's just the opposite with your failures-- them kids stick to your tail like a cocklebur. You'd think it would be the other way around, but it's not. No matter how old I get, this will always amaze me.
Michael Lee West (American Pie)
…I relied on an unpublished report by Jose Fernandez-Partagas, a late-twentieth-century meteorologist who recreated for the National Hurricane Center the tracks of many historical hurricanes, among them the Galveston Hurricane. He was a meticulous researcher given to long hours in the library of the University of Miami, where he died on August 25, 1997, in his favorite couch. He had no money, no family, no friends--only hurricanes. The hurricane center claimed his body, had him cremated, and on August 31, 1998, launched his ashes through the drop-port of a P-3 Orion hurricane hunter into the heart of Hurricane Danielle. His remains entered the atmosphere at 28 N., 74.2 W., about three hundred miles due east of Daytona Beach.
Erik Larson (Isaac's Storm: A Man, a Time, and the Deadliest Hurricane in History)
So I returned to the northern strip of Miami Beach, the valley just far enough north to muffle the piercing South Beach celebratory voices, and just far enough south to dull the glittering lights of the Sunny Isles high rises, and I went to sleep in the city where exhausted people lived exhausted lives, but never stopped once to even ponder sleep--to even dream sleep an option, in the country that breeds ghosts, where the people can't understand why everything real always passes right through their arms. There was so much life out there for all of us, but so few would ever touch it. God, how I wanted to feel.
Jonathan LaPoma (Developing Minds: An American Ghost Story)
Justice requires lawyers who are prepared, witnesses who tell the truth, judges who know the law, and jurors who stay awake. Justice is the North Star, the burning bush, the holy virgin. It cannot be bought, sold, or mass produced. It is intangible, ineffable, and invisible, but if you are to spend your life in its pursuit, it is best to believe it exists, and that you can attain it.
Paul Levine (Flesh & Bones (Jake Lassiter, #7))
We also have a growing population of unwelcome out-of-town wildlife species that have come here and clearly intend to stay. Two invasive species in particular have caused serious concern: Burmese pythons, and New Yorkers. The New Yorkers have been coming here for years, which is weird because pretty much all they do once they get to Florida is bitch about how everything here sucks compared to the earthly paradise that is New York. They continue to root, loudly, for the Jets, the Knicks, the Mets, and the Yankees; they never stop declaring, loudly, that in New York the restaurants are better, the stores are nicer, the people are smarter, the public transportation is free of sharks, etc. The Burmese pythons are less obnoxious, but just as alarming in their own way.
Dave Barry (I'll Mature When I'm Dead: Dave Barry's Amazing Tales of Adulthood)
El estilo narrativo de Jorge me intrigaba: sabía entretejer el relato directo de lo sucedido con fragmentos de diálogo, con ademanes aferrados a su cuerpo, con sus propios pensamientos, los presentes y los pasados. Un jarocho de pura cepa, pensaba yo, fascinada; entrenado para la conservación de las hazañas viriles desde una cultura que desdeña lo escrito, que desconoce el archivo y favorece el testimonio, el relato verbal y dramático, el gozoso acto del habla.
Fernanda Melchor (Aquí no es Miami)
She feels like the first drags of fresh cigarettes but last crunches of cherry suckers. She feels like final coats of nail polish. She feels like lines of coke. She feels like knuckles you crack after a long day. She feels like Miami rain. She feels like empty football fields. She feels like full stadiums. She feels like absinthe. She feels like dangling from a helicopter. She feels like classical music. She feels like standing on a motorcycle. She feels like train tracks. She feels like frozen yogurt. She feels like destroying a piano. She feels like rooftops. She feels like fleeing from cops. She feels like stitches. She feels like strobe lights. She feels like blue carnival bears. She feels like curbs at 2 am. She feels like Cupid's Chokehold. She feels like running through Chicago. She feels like 1.2 million dollars. She feels like floors. She feels like everything he's ever wanted in life. […] “I love you more than I planned.
Julez (Duplicity)
The gods tempt us. They offer us riches and sweet smelling women, tres leches, each milk sweeter than the one before. But you cannot beat the gods. The grander house and the bigger deal only mean more borrowed time, more risk. When you build your life on a house of cards, you never know when the joker will turn up.
Paul Levine (Riptide (Jake Lassiter, #5))
It made me think of the nice old Marimekko-clad ladies I sometimes went to see in the Ritz Tower: gravel-voiced, turban-wearing, panther-braceleted widows looking to move to Miami, their apartments filled with smoked-glass and chromed-steel furniture that, in the seventies, they'd purchased through their decorators for the price of a good Queen Anne--but (I was responsible for telling them, reluctantly) had not held its value and could not be re-sold at even half what they'd bought it for.
Donna Tartt (The Goldfinch)
I'm a burger and brew guy in a paté and Chardonnay world. I'm as health conscious as the next guy, as long as the next guy is sitting on a bar stool. FALSE DAWN http://tinyurl.com/64qngk5
Paul Levine (False Dawn (Jake Lassiter, #3))
mainland of America, the Wampanoags of Massasoit and King Philip had vanished, along with the Chesapeakes, the Chickahominys, and the Potomacs of the great Powhatan confederacy. (Only Pocahontas was remembered.) Scattered or reduced to remnants were the Pequots, Montauks, Nanticokes. Machapungas, Catawbas, Cheraws, Miamis, Hurons, Eries, Mohawks, Senecas, and Mohegans. (Only Uncas was remembered.) Their musical names remained forever fixed on the American land, but their bones were forgotten in a thousand burned villages or lost in forests fast disappearing before the axes of twenty million invaders. Already the once sweet-watered streams, most of which bore Indian names, were clouded with silt and the wastes of man; the very earth was being ravaged and squandered. To the Indians it seemed that these Europeans hated everything in nature—the living forests and their birds and beasts, the grassy glades, the water, the soil, and the air itself.
Dee Brown (Bury My Heart at Wounded Knee: An Indian History of the American West)
I am still vaguely haunted by our hitchhiker’s remark about how he’d “never rode in a convertible before.” Here’s this poor geek living in a world of convertibles zipping past him on the highways all the time, and he’s never even ridden in one. It made me feel like King Farouk. I was tempted to have my attorney pull into the next airport and arrange some kind of simple, common-law contract whereby we could just give the car to this unfortunate bastard. Just say: “Here, sign this and the car’s yours.” Give him the keys and then use the credit card to zap off on a jet to some place like Miami and rent another huge fireapple-red convertible for a drug-addled, top-speed run across the water all the way out to the last stop in Key West … and then trade the car off for a boat. Keep moving. But this manic notion passed quickly. There was no point in getting this harmless kid locked up—and, besides, I had plans for this car. I was looking forward to flashing around Las Vegas in the bugger. Maybe do a bit of serious drag-racing on the Strip: Pull up to that big stoplight in front of the Flamingo and start screaming at the traffic: “Alright, you chickenshit wimps! You pansies! When this goddamn light flips green, I’m gonna stomp down on this thing and blow every one of you gutless punks off the road!” Right. Challenge the bastards on their own turf. Come screeching up to the crosswalk, bucking and skidding with a bottle of rum in one hand and jamming the horn to drown out the music … glazed eyes insanely dilated behind tiny black, gold-rimmed greaser shades, screaming gibberish … a genuinely dangerous drunk, reeking of ether and terminal psychosis. Revving the engine up to a terrible high-pitched chattering whine, waiting for the light to change … How often does a chance like that come around? To jangle the bastards right down to the core of their spleens. Old elephants limp off to the hills to die; old Americans go out to the highway and drive themselves to death with huge cars.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
The simple measure of sanity in housing prices, Zelman argued, was the ratio of median home price to income. Historically, in the United States, it ran around 3:1; by late 2004, it had risen nationally, to 4:1. “All these people were saying it was nearly as high in some other countries,” says Zelman. “But the problem wasn’t just that it was four to one. In Los Angeles it was ten to one and in Miami, eight-point-five to one.
Michael Lewis (The Big Short: Inside the Doomsday Machine)
Today is the starting line for the rest of your life. Yes, today is the tomorrow you worried about yesterday. The problem with the past is that we remember memories we shouldn't, and we don't forget what we should“ If your eyes are stuck in the rearview mirror, you're stuck in the past. If you're stuck in the past, you're not looking ahead. If you're not looking ahead, you can't hit the mark of your future. The universe doesn't care about your past. It is blind to it. The universe doesn't care that I wore pink pants in high school. (Hey, remember Miami Vice?) The universe doesn't care that I got in a fight with Francis Franken and lost. The universe doesn't care about your MBA from UCLA, your drug-dealing father, or that you wet your bed in junior high. The universe simply doesn't care. One person and one person only weaponizes past transgressions: you.
M.J. DeMarco (The Millionaire Fastlane: Crack the Code to Wealth and Live Rich for a Lifetime!)
Hickock whistled and rolled his eyes. "Wow!" he said, and then, summoning his talent for something very like total recall, he began an account of the long ride--the approximately ten thousand miles he and Smith had covered in the past six weeks. He talked for an hour and twenty-five minutes--from two-fifty to four-fifteen--and told, while Nye attempted to list them, of highways and hotels, motels, rivers, towns, and cities, a chorus of entwining names: Apache, El Paso, Corpus Christi, Santillo, San Luis Potosi, Acapulco, San Diego, Dallas, Omaha, Sweetwater, Stillwater, Tenville Junction, Tallahassee, Needles, Miami, Hotel Nuevo Waldorf, Somerset Hotel, Hotel Simone, Arrowhead Motel, Cherokee Motel, and many, many more. He gave them the name of the man in Mexico to whom he'd sold his own 1940 Chevrolet, and confessed that he had stolen a newer model in Iowa.
Truman Capote (In Cold Blood)
He stood then,unzipping his jeans.As he shoved them and his boxers over his lean hips,she swallowed hard.She´d kissed and licked his cock more than once over the past couple days so she´d gotten used to the piercing.He´d told her that his piercing was called an apadravya and from what she´d looked up online it was supposedly the most painful type of piercing to get in that region.Well,painful to heal,but it was also more pleasurable for him and his partner in the long term.Vertical,it pierced right through the head of his penis from top to bottom.There was a little ball at the top and one at the bottom,connected by a straight barbell.
Katie Reus (Miami, Mistletoe & Murder (Red Stone Security, #4))
or that they think I’d actually let them pay for my law school if I was going to go….I’ve told them a million times that I have the best car in the world, a car that has spanned the continent from Miami to Alaska, a car that has in all those thousands of miles not given me a single problem, a car that I will never trade in, a car that I am very strongly attached to—yet they ignore what I say and think I’d actually accept a new car from them! I’m going to have to be real careful not to accept any gifts from them in the future because they will think they have bought my respect.
Jon Krakauer (Into the Wild)
California during the 1940s had Hollywood and the bright lights of Los Angeles, but on the other coast was Florida, land of sunshine and glamour, Miami and Miami Beach. If you weren't already near California's Pacific Coast you headed for Florida during the winter. One of the things which made Miami such a mix of glitter and sunshine was the plethora of movie stars who flocked there to play, rubbing shoulders with tycoons and gangsters. Sometimes it was hard to tell the difference between the latter two. Miami and everything that surrounded it hadn't happened by accident. Carl Fisher had set out to make Miami Beach a playground destination during the 1930s and had succeeded far beyond his dreams. The promenade behind the Roney Plaza Hotel was a block-long lovers' lane of palm trees and promise that began rather than ended in the blue waters of the Atlantic. Florida was more than simply Miami and Miami Beach, however. When George Merrick opened the Biltmore Hotel in Coral Gables papers across the country couldn't wait to gush about the growing aura of Florida. They tore down Collins Bridge in the Gables and replaced it with the beautiful Venetian Causeway. You could plop down a fiver if you had one and take your best girl — or the girl you wanted to score with — for a gondola ride there before the depression, or so I'd been told. You see, I'd never actually been to Florida before the war, much less Miami. I was a newspaper reporter from Chicago before the war and had never even seen the ocean until I was flying over the Pacific for the Air Corp. There wasn't much time for admiring the waves when Japanese Zeroes were trying to shoot you out of the sky and bury you at the bottom of that deep blue sea. It was because of my friend Pete that I knew so much about Miami. Florida was his home, so when we both got leave in '42 I followed him to the warm waters of Miami to see what all the fuss was about. It would be easy to say that I skipped Chicago for Miami after the war ended because Pete and I were such good pals and I'd had such a great time there on leave. But in truth I decided to stay on in Miami because of Veronica Lake. I'd better explain that. Veronica Lake never knew she was the reason I came back with Pete to Miami after the war. But she had been there in '42 while Pete and I were enjoying the sand, sun, and the sweet kisses of more than a few love-starved girls desperate to remember what it felt like to have a man's arm around them — not to mention a few other sensations. Lake had been there promoting war bonds on Florida's first radio station, WQAM. It was a big outdoor event and Pete and I were among those listening with relish to Lake's sultry voice as she urged everyone to pitch-in for our boys overseas. We were in those dark early days of the war at the time, and the outcome was very much in question. Lake's appearance at the event was a morale booster for civilians and servicemen alike. She was standing behind a microphone that sat on a table draped in the American flag. I'd never seen a Hollywood star up-close and though I liked the movies as much as any other guy, I had always attributed most of what I saw on-screen to smoke and mirrors. I doubted I'd be impressed seeing a star off-screen. A girl was a girl, after all, and there were loads of real dolls in Miami, as I'd already discovered. Boy, was I wrong." - Where Flamingos Fly
Bobby Underwood (Where Flamingos Fly (Nostalgic Crime #2))
The sun rises in a clear sky that moves from black to gray to white to deep, pure crystal blue. One in Georgia packs his things he’s going to take a bus. Four in Mexico walk across scorched earth water in packs on their back. Two in Indiana best friends coming together they pack their best clothes while their parents wait to take them to the airport. One in Canada drives south. Sixty from China in a cargo container sail east. Four in New York pool their cash and buy a car and drop out of school and drive west. Sixteen cars of a passenger train crossing the Mojave only one stop left. One in Miami doesn’t know how she’s going to get there. Three in Montana have a truck none of them have any idea what they’re going to do once they arrive. A plane from Brazil sold out landing at LAX. Six in Chicago dreaming on shared stages they rented a van they’ll see if any of them can make it. Two from Arizona hitchhiking. Four more just crossed in Texas walking. Another one in Ohio with a motorcycle and a dream. All of them with their dreams. It calls to them and they believe it and they cannot say no to it, they cannot say no. It calls to them. It calls. Calls.
James Frey (Bright Shiny Morning)
One consequence, presumably unintended, of America’s failure to ratify the Kyoto Protocol has been the emergence of a not-quite-grassroots movement. In February 2005, Greg Nickels, the mayor of Seattle, began to circulate a set of principles that he called the “U.S. Mayors Climate Protection Agreement.” Within four months, more than a hundred and seventy mayors, representing some thirty-six million people, had signed on, including Mayor Michael Bloomberg of New York; Mayor John Hickenlooper of Denver; and Mayor Manuel Diaz of Miami. Signatories agreed to “strive to meet or beat the Kyoto Protocol targets in their own communities.” At around the same time, officials from New York, New Jersey, Delaware, Connecticut, Massachusetts, Vermont, New Hampshire, Rhode Island, and Maine announced that they had reached a tentative agreement to freeze power plant emissions from their states at current levels and then begin to cut them. Even Governor Arnold Schwarzenegger, the Hummer collector, joined in; an executive order he signed in June 2005 called on California to reduce its greenhouse gas emissions to 2000 levels by 2010 and to 1990 levels by 2020. “I say the debate is over,” Schwarzenegger declared right before signing the order.
Elizabeth Kolbert (Field Notes from a Catastrophe)
JFK asked his brother, Attorney General Robert Kennedy, to break up organized crime. Nobody high-up in government has tangled the Mafia. J. E. Hoover, the hired hands of FBI and CIA, ran the assassination teams. They have been used since World War II. JFK was attempting to end the oil-tax depletion rip-offs, to get tax money from oil companies. JFK instituted the nuclear test ban treaty, often called “the kiss of death,” to oppose the Pentagon. JFK called off the Invasion of Cuba. He allowed Castro to live, antagonized narcotics and gambling, oil and sugar interests, formerly in Cuba. JFK asked his brother, Attorney General Robert Kennedy, to break up the CIA, the “hidden government behind my back.” Allen Dulles was fired. Dulles, the attorney for international multinationals, was angry. JFK planned to withdraw troops from Vietnam after the 1964 elections. Nov. 24, 1963, two days after JFK’s burial, the Pentagon escalated the Vietnam war … with no known provocations, after JFK was gone. There was no chance Kennedy could survive antagonizing the CIA, oil companies, Pentagon, organized crime. He was not their man. The assassination of JFK employed people from the Texas-Southwest. It was not a Southern plot. Upstarts could not have controlled the northern CIA, FBI, Kennedy family connections. This was a more detailed, sophisticated conspiracy that was to set the pattern for future murders to take place. The murder was funded by Permindex, with headquarters in Montreal and Switzerland. Their stated purpose was to encourage trade between nations in the Western world. Their actual purpose was fourfold: 1) To fund and direct assassinations of European, Mid-East and world leaders considered threats to the western world, and to Petroleum Interests of their backers. 2) Provide couriers, agents for transporting and depositing funds through Swiss Banks for Vegas, Miami and the international gambling syndicate. 3) Coordinate the espionage activities of White Russian Solidarists and Division V of the FBI, headed by William Sullivan. 4) Build, acquire and operate hotels and gambling casinos. See: Nomenclature of an Assassination Cabal, by William Torbitt.
Mae Brussell (The Essential Mae Brussell: Investigations of Fascism in America)
How to Come Out as Gay Don’t. Don’t come out unless you want to. Don’t come out for anyone else’s sake. Don’t come out because you think society expects you to. Come out for yourself. Come out to yourself. Shout, sing it. Softly stutter. Correct those who say they knew before you did. That’s not how sexuality works, it’s yours to define. Being effeminate doesn’t make you gay. Being sensitive doesn’t make you gay. Being gay makes you gay. Be a bit gay, be very gay. Be the glitter that shows up in unexpected places. Be Typing . . . on WhatsApp but leave them waiting. Throw a party for yourself but don’t invite anyone else. Invite everyone to your party but show up late or not at all. If you’re unhappy in the closet but afraid of what’s outside, leave the door ajar and call out. If you’re happy in the closet for the time being, play dress-up until you find the right outfit. Don’t worry, it’s okay to say you’re gay and later exchange it for something else that suits you, fits, feels better. Watch movies that make it seem a little less scary: Beautiful Thing, Moonlight. Be southeast London, a daytime dance floor, his head resting on your shoulder. Be South Beach, Miami, night of water and fire, your head resting on his shoulder. Be the fabric of his shirt the muscles in his shoulder, your shoulder. Be the bricks, be the sand. Be the river, be the ocean. Remember your life is not a movie. Accept you will be coming out for your whole life. Accept advice from people and sources you trust. If your mother warns you about STDs within minutes of you coming out, try to understand that she loves you and is afraid. If you come out at fifteen, this is not a badge of honor, it doesn’t matter what age you come out. Be a beautiful thing. Be the moonlight, too. Remember you have the right to be proud. Remember you have the right to be you.
Dean Atta (The Black Flamingo)
Cribbage!” I declared, pulling out the board, a deck of cards, and pen and paper, “Ben and I are going to teach you. Then we can all play.” “What makes you think I don’t know how to play cribbage?” Sage asked. “You do?” Ben sounded surprised. “I happen to be an excellent cribbage player,” Sage said. “Really…because I’m what one might call a cribbage master,” Ben said. “I bet I’ve been playing longer than you,” Sage said, and I cast my eyes his way. Was he trying to tell u something? “I highly doubt that,” Ben said, “but I believe we’ll see the proof when I double-skunk you.” “Clearly you’re both forgetting it’s a three-person game, and I’m ready to destroy you both,” I said. “Deal ‘em,” Ben said. Being a horse person, my mother was absolutely convinced she could achieve world peace if she just got the right parties together on a long enough ride. I didn’t know about that, but apparently cribbage might do the trick. I didn’t know about that, but apparently cribbage might do the trick. The three of us were pretty evenly matched, and Ben was impressed enough to ask sage how he learned to play. Turned out Sage’s parents were historians, he said, so they first taught him the precursor to cribbage, a game called noddy. “Really?” Ben asked, his professional curiosity piqued. “Your parents were historians? Did they teach?” “European history. In Europe,” Sage said. “Small college. They taught me a lot.” Yep, there was the metaphorical gauntlet. I saw the gleam in Ben’s eye as he picked it up. “Interesting,” he said. “So you’d say you know a lot about European history?” “I would say that. In fact, I believe I just did.” Ben grinned, and immediately set out to expose Sage as an intellectual fraud. He’d ask questions to trip Sage up and test his story, things I had no idea were tests until I heard Sage’s reactions. “So which of Shakespeare’s plays do you think was better served by the Globe Theatre: Henry VIII or Troilus and Cressida?” Ben asked, cracking his knuckles. “Troilus and Cressida was never performed at the Globe,” Sage replied. “As for Henry VIII, the original Globe caught fire during the show and burned to the ground, so I’d say that’s the show that really brought down the house…wouldn’t you?” “Nice…very nice.” Ben nodded. “Well done.” It was the cerebral version of bamboo under the fingernails, and while they both tried to seem casual about their conversation, they were soon leaning forward with sweat beading on their brows. It was fascinating…and weird. After several hours of this, Ben had to admit that he’d found a historical peer, and he gleefully involved Sage in all kinds of debates about the minutiae of eras I knew nothing about…except that I had the nagging sense I might have been there for some of them. For his part, Sage seemed to relish talking about the past with someone who could truly appreciate the detailed anecdotes and stories he’d discovered in his “research.” By the time we started our descent to Miami, the two were leaning over my seat to chat and laugh together. On the very full flight from Miami to New York, Ben and Sage took the two seats next to each other and gabbed and giggled like middle-school girls. I sat across from them stuck next to an older woman wearing far too much perfume.
Hilary Duff (Elixir (Elixir, #1))