Driveway Painting Quotes

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Pete had stopped the car at the bottom of a long brick driveway. Tina saw a large low house that stretched across the open space. It looked like an ordinary suburban house, with white painted cladding. She could see curtains in the windows. All of them were open. Tina could imagine Lockie’s mother walking into his room every morning to open the curtains and then staring at the empty bed where her son should have been.
Nicole Trope (The Boy Under the Table)
I consider these things idly. Each one of them seems the same size as all the others. Not one seems preferable. Fatigue is here, in my body, in my legs and eyes. That is what gets you in the end. Faith is only a word, embroidered.   I look out at the dusk and think about its being winter. The snow falling, gently, effortlessly, covering everything in soft crystal, the mist of moonlight before a rain, blurring the outlines, obliterating color. Freezing to death is painless, they say, after the first chill. You lie back in the snow like an angel made by children and go to sleep. Behind me I feel her presence, my ancestress, my double, turning in midair under the chandelier, in her costume of stars and feathers, a bird stopped in flight, a woman made into an angel, waiting to be found. By me this time. How could I have believed I was alone in here? There were always two of us. Get it over, she says. I'm tired of this melodrama, I'm tired of keeping silent. There's no one you can protect, your life has value to no one. I want it finished.   As I'm standing up I hear the black van. I hear it before I see it; blended with the twilight, it appears out of its own sound like a solidification, a clotting of the night. It turns into the driveway, stops. I can just make out the white eye, the two wings. The paint must be phosphorescent. Two men detach themselves from the shape of it, come up the front steps, ring the bell. I hear the bell toll, ding-dong, like the ghost of a cosmetics woman, down in the hall. Worse is coming, then. I've
Margaret Atwood (The Handmaid's Tale (The Handmaid's Tale, #1))
When Rachel was 5, her parents got a divorce; the kind that involved bitter mudslinging, hidden bank accounts, and cans of paint splashed on the driveway at midnight. A week later, Rachel told her mother that her daddy used to stick his finger inside her vagina. She has told me that one time, she was wearing a Little Mermaid nightgown and eating Froot Loops at the kitchen table. The second time, she was wearing a pink Cinderella nightgown and watching a Franklin video in her parents' bedroom. Rachel's mother, Miriam, has verified that her daughter had a Little Mermaid nightgown and a Cinderella nightgown, the summer she was 3 years old. She remembers borrowing the Franklin video from her sister-in-law. Back then, she and her husband were still living together. Back then, there were times she left her husband alone with their little girl.
Jodi Picoult (Perfect Match)
When she finally reached it, she bent forward and looked through the peephole. Jay was grinning back at her from outside. Her heart leaped for a completely different reason. She set aside her crutches and quickly unbolted the door to open it. "What took you so long?" Her knee was bent and her ankle pulled up off the ground. She balanced against the doorjamb. "What d'you think, dumbass?" she retorted smartly, keeping her voice down so she wouldn't alert her parents. "You scared the crap out of me, by the way. My parents are already in bed, and I was all alone down here." "Good!" he exclaimed as he reached in and grabbed her around the waist, dragging her up against him and wrapping his arms around her. She giggled while he held her there, enjoying everything about the feel of him against her. "What are you doing here? I thought I wouldn't see you till tomorrow." "I wanted to show you something!" He beamed at her, and his enthusiasm reached out to capture her in its grip. She couldn't help smiling back excitedly. "What is it?" she asked breathlessly. He didn't release her; he just turned, still holding her gently in his arms, so that she could see out into the driveway. The first thing she noticed was the officer in his car, alert now as he kept a watchful eye on the two of them. Violet realized that it was late, already past eleven, and from the look on his face, she thought he must have been hoping for a quiet, uneventful evening out there. And then she saw the car. It was beautiful and sleek, painted a glossy black that, even in the dark, reflected the light like a polished mirror. Violet recognized the Acura insignia on the front of the hood, and even though she could tell it wasn't brand-new, it looked like it had been well taken care of. "Whose is it?" she asked admiringly. It was way better than her crappy little Honda. Jay grinned again, his face glowing with enthusiasm. "It's mine. I got it tonight. That's why I had to go. My mom had the night off, and I wanted to get it before..." He smiled down at her. "I didn't want to borrow your car to take you to the dance." "Really?" she breathed. "How...? I didn't even know you were..." She couldn't seem to find the right words; she was envious and excited for him all at the same time. "I know right?" he answered, as if she'd actually asked coherent questions. "I've been saving for...for forever, really. What do you think?" Violet smiled at him, thinking that he was entirely too perfect for her. "I think it's beautiful," she said with more meaning than he understood. And then she glanced back at the car. "I had no idea that you were getting a car. I love it, Jay," she insisted, wrapping her arms around his neck as he hoisted her up, cradling her like a small child." "I'd offer to take you for a test-drive, but I'm afraid that Supercop over there would probably Taser me with his stun gun. So you'll have to wait until tomorrow," he said, and without waiting for an invitation he carried her inside, dead bolting the door behind him. He settled down on the couch, where she'd been sitting by herself just moments before, without letting her go. There was a movie on the television, but neither of them paid any attention to it as Jay reclined, stretching out and drawing her down into the circle of his arms. They spent the rest of the night like that, cradled together, their bodies fitting each other perfectly, as they kissed and whispered and laughed quietly in the darkness. At some point Violet was aware that she was drifting into sleep, as her thoughts turned dreamlike, becoming disjointed and fuzzy and hard to hold on to. She didn't fight it; she enjoyed the lazy, drifting feeling, along with the warmth created by the cocoon of Jay's body wrapped protectively around her. It was the safest she'd felt in days...maybe weeks... And for the first time since she'd been chased by the man in the woods, her dreams were free from monsters.
Kimberly Derting (The Body Finder (The Body Finder, #1))
Determined to get back on track with the kitchen renovation, Aggie decided to ask Luke if another coat of paint was necessary, or if she should carry in the flooring now. “Okay, Luke…” Aggie looked around for him, and eventually she saw him through the picture window in the living room. He was out front, guiding a large truck, as it backed up the driveway. Curious as to who was backing in, Aggie dashed out the door and tripped down the steps, fortunately unseen by teasing children or an over-protective Luke. When she saw Luke and a man she didn’t recognize unloading cabinets from the truck, she gasped. “Luke, where did you find them? They are exactly what I wanted!” Her squeals of excitement brought children from every corner of the house. Even Tavish the hermit stepped from his own little world to see what made Aggie squeal with such obvious delight. Luke and Laird helped unload each cabinet from the truck and carry them to the back step. Once finished, Luke thanked the driver for bringing them, as he handed the man a check. The burly man jumped into the truck, and as he put it in gear, he stuck his head out the window and said, “Hey, Luke. Anytime you feel like building more cabinets like those, let me know. My wife is green right now. I’d love to see her natural color again.” With that, the truck slowly drove down the driveway and pulled onto the road.
Chautona Havig (Ready or Not (Aggie's Inheritance, #1))
My mother and I lived at my grandfather’s house, a Manhasset landmark nearly as famous as Steve’s bar. People often drove by Grandpa’s and pointed, and I once heard passersby speculating that the house must suffer from some sort of “painful house disease.” What it really suffered from was comparisons. Set among Manhasset’s elegant Gingerbread Victorians and handsome Dutch Colonials, Grandpa’s dilapidated Cape Cod was doubly appalling. Grandpa claimed he couldn’t afford repairs, but the truth was, he didn’t care. With a touch of defiance and a perverse pride he called his house the Shit House, and paid no attention when the roof began to sag like a circus tent. He scarcely noticed when paint peeled away in flakes the size of playing cards. He yawned in Grandma’s face when she pointed out that the driveway had developed a jagged crack, as if lightning had struck it—and in fact lightning had. My cousins saw the lightning bolt sizzle up the driveway and just miss the breezeway. Even God, I thought, is pointing at Grandpa’s house.
J.R. Moehringer (The Tender Bar)
somewhere in your house—maybe on a little evergreen tree at a time far removed from Christmas. Get one of those adult coloring books with whimsical patterns. Paint your nails an offbeat color; you can paint your toenails if you don’t want to share such personal expression with the world. Draw something fun on the driveway with chalk, such as the giant chalk game of Chutes and Ladders one study participant reported creating. Blow bubbles on a break. None of this is life-changing of course, but when things are different, seeing these fancies can nudge us out of the mindless state that tends to characterize day-to-day life. Hours always march into the past, but at least they can carry a little whimsy with them as they whistle on their way.
Laura Vanderkam (Tranquility by Tuesday: 9 Ways to Calm the Chaos and Make Time for What Matters)
Fair warning, my place isn’t exactly a palace.” Not a palace but a waking dream. A vision I had the night Dominic told me he wanted nothing for a future. A vivid dream of a long driveway lined with Bradford pear trees that bloom white in the spring. A driveway that leads to a house on top of a hill floating in the middle of the mountains. A small house with lots of built-in bookshelves, cozy reading nooks draped with soft plush blankets and throw pillows. And behind it, a garden filled to the brim with every imaginable scent and color. I’d searched for nearly a month before I found something resembling what I dreamt of. The day I closed on it, I painted the front door blood red. And then I stocked the fridge with a rare wine. My last touch was adding my French Bulldog, Beau.
Kate Stewart (Exodus (The Ravenhood Duet, #2))
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You heard me. Harass her again and I’ll paint my driveway with your brains. You won’t be the first man I’ve killed, but you could easily be the last.
Elsie Silver (Hopeless (Chestnut Springs, #5))
Hudson Creek is a decaying strip of buildings on either side of the highway, clinging to the road like barnacles on a rotting pier. If this were an ecosystem, I’d say it was on the verge of collapse. FOR SALE signs litter stretches of property with dilapidated buildings that look like they haven’t had two-legged occupants in years. Occasionally I spot signs of life. Aluminum-sided trailers covered in faded paint with clothes dangling nearby on lines. Someone lives there, if this is what you can call living. I’ve seen plenty of poverty in my travels. Not all of it radiates despair. I’ve been to slums where the electricity falters at night, but the live music keeps going. I’ve visited shantytowns where a new pair of shoes is as rare as a Tesla, yet people wear homespun clothes as vibrant as any I’ve seen. Hudson Creek has none of that. There’s no new construction. No signs that the town is fighting for life. The only things not falling apart are the shiny new cars I occasionally spot in weed-infested driveways. These people have mixed-up priorities. Or do they? Would you invest in landscaping if you knew your property values were going to keep declining? Maybe it’s better to spend your money on an escape pod with leather seats and a Bluetooth system.
Andrew Mayne (The Naturalist (The Naturalist, #1))
SEVERAL MINUTES LATER, MR. BYRNE PULLS INTO THE DRIVEWAY of a modest beige stucco house with brown trim. As soon as he turns off the car, Mrs. Byrne looks back at me and says, “We’ve decided on Dorothy.” “You like that name?” Mr. Byrne asks. “For goodness’ sake, Raymond, it doesn’t matter what she thinks,” Mrs. Byrne snaps as she opens her car door. “Dorothy is our choice, and Dorothy she will be.” I turn the name over in my mind: Dorothy. All right. I’m Dorothy now. The stucco is chipped and paint is
Christina Baker Kline (Orphan Train)
My Suburban was parked on the graveled driveway, the dull sheen of the black paint making it look a little worse for the wear. Not to mention the huge dent over the back left wheel where a deer had decided it wanted to commit suicide.
Liliana Hart (Dirty Little Secrets (J.J. Graves Mystery #1))
My Daddy and My Car By Marilyn Akers, Georgia Grits At fifteen, I came home from school one afternoon to find a faded red car with a white hardtop and a damaged front fender parked in the driveway. Since my daddy often worked on cars, both for himself and others, I noticed it only in passing. That is until my daddy explained that it was a 1971 Mercury Comet…and it was mine! Trouble was, it had a blown engine, and it was my job to overhaul it. So after school and on weekends I washed car parts, rode to the junk yard for replacement parts (and foot-long hot dogs from the Dairy Queen), handed my dad all sorts of tools, fixed coffee with cream and sugar, and occasionally got to do a “real” job under the hood. I remember being so excited when he asked me to get on the creeper and roll under the car (the children were never allowed under the car!) to tighten a fender bolt. Another day, I helped him connect the spark-plug wires to the distributor cap. I asked him why this particular job was so important for him to show me. He replied, “So if you’re ever out with a boy and the car breaks down, you’ll know what to look for.” He meant intentional removal of the wires, and it didn’t occur to me until many years later to ask if that advice was from personal experience! When the engine work was done, we took it to Earl Scheib for one of his infamous $99 paint jobs. I was so proud of that car and the work done side by side with my dad. We sold it less than a year later, after I stuck my foot through a rusted hole in the floorboard. I lost my dad in 2001 following a sixteen-year battle with Alzheimer’s Disease. But the bond formed between a teenage daughter and her father, and the lessons I learned from him, will be with me for a lifetime.
Deborah Ford (Grits (Girls Raised in the South) Guide to Life)
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