Cause Baby Quotes

We've searched our database for all the quotes and captions related to Cause Baby. Here they are! All 200 of them:

I could wait patiently, but I really wish you would: Drop everything now, meet me in the pourin' rain, Kiss me on the sidewalk, take away the pain; Cause I see sparks fly whenever you smile Hit me with those green eyes, baby, as the lights go down, Give me somethin' that'll haunt me when you're not around; Cause I see sparks fly whenever you . . . smile.
Taylor Swift
The preachers and lecturers deal with men of straw, as they are men of straw themselves. Why, a free-spoken man, of sound lungs, cannot draw a long breath without causing your rotten institutions to come toppling down by the vacuum he makes. Your church is a baby-house made of blocks, and so of the state. ...The church, the state, the school, the magazine, think they are liberal and free! It is the freedom of a prison-yard.
Henry David Thoreau (I to Myself: An Annotated Selection from the Journal of Henry D. Thoreau)
If I should have a daughter…“Instead of “Mom”, she’s gonna call me “Point B.” Because that way, she knows that no matter what happens, at least she can always find her way to me. And I’m going to paint the solar system on the back of her hands so that she has to learn the entire universe before she can say “Oh, I know that like the back of my hand.” She’s gonna learn that this life will hit you, hard, in the face, wait for you to get back up so it can kick you in the stomach. But getting the wind knocked out of you is the only way to remind your lungs how much they like the taste of air. There is hurt, here, that cannot be fixed by band-aids or poetry, so the first time she realizes that Wonder-woman isn’t coming, I’ll make sure she knows she doesn’t have to wear the cape all by herself. Because no matter how wide you stretch your fingers, your hands will always be too small to catch all the pain you want to heal. Believe me, I’ve tried. And “Baby,” I’ll tell her “don’t keep your nose up in the air like that, I know that trick, you’re just smelling for smoke so you can follow the trail back to a burning house so you can find the boy who lost everything in the fire to see if you can save him. Or else, find the boy who lit the fire in the first place to see if you can change him.” But I know that she will anyway, so instead I’ll always keep an extra supply of chocolate and rain boats nearby, ‘cause there is no heartbreak that chocolate can’t fix. Okay, there’s a few heartbreaks chocolate can’t fix. But that’s what the rain boots are for, because rain will wash away everything if you let it. I want her to see the world through the underside of a glass bottom boat, to look through a magnifying glass at the galaxies that exist on the pin point of a human mind. Because that’s how my mom taught me. That there’ll be days like this, “There’ll be days like this my momma said” when you open your hands to catch and wind up with only blisters and bruises. When you step out of the phone booth and try to fly and the very people you wanna save are the ones standing on your cape. When your boots will fill with rain and you’ll be up to your knees in disappointment and those are the very days you have all the more reason to say “thank you,” ‘cause there is nothing more beautiful than the way the ocean refuses to stop kissing the shoreline no matter how many times it’s sent away. You will put the “wind” in win some lose some, you will put the “star” in starting over and over, and no matter how many land mines erupt in a minute be sure your mind lands on the beauty of this funny place called life. And yes, on a scale from one to over-trusting I am pretty damn naive but I want her to know that this world is made out of sugar. It can crumble so easily but don’t be afraid to stick your tongue out and taste it. “Baby,” I’ll tell her “remember your mama is a worrier but your papa is a warrior and you are the girl with small hands and big eyes who never stops asking for more.” Remember that good things come in threes and so do bad things and always apologize when you’ve done something wrong but don’t you ever apologize for the way your eyes refuse to stop shining. Your voice is small but don’t ever stop singing and when they finally hand you heartbreak, slip hatred and war under your doorstep and hand you hand-outs on street corners of cynicism and defeat, you tell them that they really ought to meet your mother.
Sarah Kay
just remember: i love you, and love yourselves. 'cause, little monsters, you were born that way baby.
Lady Gaga (Lady Gaga: The Fame music book)
Once upon a time they was two girls," I say. "one girl had black skin, one girl had white." Mae Mobley look up at me. She listening. "Little colored girl say to little white girl, 'How come your skin be so pale?' White girl say, 'I don't know. How come your skin be so black? What you think that mean?' "But neither one a them little girls knew. So little white girl say, 'Well, let's see. You got hair, I got hair.'"I gives Mae Mobley a little tousle on her head. "Little colored girl say 'I got a nose, you got a nose.'"I gives her little snout a tweak. She got to reach up and do the same to me. "Little white girl say, 'I got toes, you got toes.' And I do the little thing with her toes, but she can't get to mine cause I got my white work shoes on. "'So we's the same. Just a different color', say that little colored girl. The little white girl she agreed and they was friends. The End." Baby Girl just look at me. Law, that was a sorry story if I ever heard one. Wasn't even no plot to it. But Mae Mobley, she smile and say, "Tell it again.
Kathryn Stockett (The Help)
<…>When I was done speaking I felt his body had gone still again, stone still. And silent. Then he asked quietly, "Nightmare?" "Nightmare," I replied firmly. Ty didn't move. By a miracle, I held it together. Then he moved but it was to rest his chin on my shoulder and I closed my eyes because I needed him to go, go, go so I could fall apart again on my own. Then he said, "Your nightmare, mama, was my dream." My heart clenched. He kept going. "Never had a home until you gave me one." My breath started sticking. "Never had anyone give to me the way you gave to me." My breath stopped sticking and clogged. "Never thought of findin' a woman who I wanted to have my baby." Oh God. "Never had light in my life, never, not once, I lived wild but I didn't burn bright until you shined your light on me." Oh God. "Whacked, fuckin' insane, but, at night, you curled in front of me, didn't mind I did that time that wasn't mine 'cause it meant I walked out to you." He had to stop. He had to. He didn't. "Your nightmare," he whispered, turned his head and against my neck he finished, "my dream."<…>
Kristen Ashley (Lady Luck (Colorado Mountain, #3))
You still fallin’ in love with me?... ‘Cause you should know, baby, I’m already gone for you
Kristen Ashley (Play It Safe)
Feel it, baby. Memorize it. Learn to love it, 'cause it's all you'll ever know. Just me. Nobody else.
Lynda Chance
You just came wild and sexy all over my hand and even left some claw marks on my back to prove it. Don’t go getting shy on me now. ‘Cause baby, before the night is over you will be naked in my bed.
Abbi Glines (Fallen Too Far (Rosemary Beach, #1; Too Far, #1))
You’re the only thing I’ve ever done right in my entire life and if anything ever happened to you, they’d have to dig two graves ‘cause I couldn’t live a single day without my baby beside me. (Cherise)
Sherrilyn Kenyon (Infinity (Chronicles of Nick, #1))
Oh, by the way, is this your armor? (Grace) It is, or was. (Julian) Can we keep it? (Grace) If you like. Why? (Julian) ’Cause, ooo baby, you are one hot tamale in that getup. This outfit alone will get you laid at least four or five times a day. (Grace)
Sherrilyn Kenyon (Fantasy Lover (Hunter Legends, #1))
For some people, getting pregnant is as easy as catching cold." And there certainly was an analogy there: Colds and babies were both caused by germs which loved nothing so much as a mucous membrane.
Kurt Vonnegut Jr. (Galápagos)
Boom, boom, boom, Even brighter than the moon, moon, moon, It's always been inside of you, you, you And now it's time to let it through, ooh, ooh. Cause, baby, you're a firework Come on, show 'em what you're worth Make 'em go, "Oh! Oh! Oh!" As you shoot across the sky-y-y. Baby, you're a firework Come on, let your colors burst Make 'em go, "Oh! Oh! Oh!" You're gonna leave 'em fallin' down-own-own.
Katy Perry
When they bombed Hiroshima, the explosion formed a mini-supernova, so every living animal, human or plant that received direct contact with the rays from that sun was instantly turned to ash. And what was left of the city soon followed. The long-lasting damage of nuclear radiation caused an entire city and its population to turn into powder. When I was born, my mom says I looked around the whole hospital room with a stare that said, "This? I've done this before." She says I have old eyes. When my Grandpa Genji died, I was only five years old, but I took my mom by the hand and told her, "Don't worry, he'll come back as a baby." And yet, for someone who's apparently done this already, I still haven't figured anything out yet. My knees still buckle every time I get on a stage. My self-confidence can be measured out in teaspoons mixed into my poetry, and it still always tastes funny in my mouth. But in Hiroshima, some people were wiped clean away, leaving only a wristwatch or a diary page. So no matter that I have inhibitions to fill all my pockets, I keep trying, hoping that one day I'll write a poem I can be proud to let sit in a museum exhibit as the only proof I existed. My parents named me Sarah, which is a biblical name. In the original story God told Sarah she could do something impossible and she laughed, because the first Sarah, she didn't know what to do with impossible. And me? Well, neither do I, but I see the impossible every day. Impossible is trying to connect in this world, trying to hold onto others while things are blowing up around you, knowing that while you're speaking, they aren't just waiting for their turn to talk -- they hear you. They feel exactly what you feel at the same time that you feel it. It's what I strive for every time I open my mouth -- that impossible connection. There's this piece of wall in Hiroshima that was completely burnt black by the radiation. But on the front step, a person who was sitting there blocked the rays from hitting the stone. The only thing left now is a permanent shadow of positive light. After the A bomb, specialists said it would take 75 years for the radiation damaged soil of Hiroshima City to ever grow anything again. But that spring, there were new buds popping up from the earth. When I meet you, in that moment, I'm no longer a part of your future. I start quickly becoming part of your past. But in that instant, I get to share your present. And you, you get to share mine. And that is the greatest present of all. So if you tell me I can do the impossible, I'll probably laugh at you. I don't know if I can change the world yet, because I don't know that much about it -- and I don't know that much about reincarnation either, but if you make me laugh hard enough, sometimes I forget what century I'm in. This isn't my first time here. This isn't my last time here. These aren't the last words I'll share. But just in case, I'm trying my hardest to get it right this time around.
Sarah Kay
Are you suggesting I’m not normal? (Nykyrian) Oh yeah, baby, you ooze normality. From the top of that assassin’s braid to the tip of those boots that I’m pretty sure conceal retractable blades. You’re just an average joe. No doubt about it. Cause, you know, everyone sits for hours doing nothing but typing. (Kiara)
Sherrilyn Kenyon (Born of the Night (The League, #1))
You will never know the exquisite pain of the guy who goes home alone. Cause without the bitter, baby, the sweet ain't as sweet.
Cameron Crowe (Vanilla Sky)
Shut up!" Henry says, "You're going to wake up Jerry Rice." "Jerry Rice?" Carter says, covering his mouth with a hand. I don't think I've ever seen Carter laugh so hard. "Carter, would you like to be the godfather?" Henry asks. "You know, in case anything happens to me and Woods this week?" "Charming," Carter says. "I''d be honored. Does JJ get to be godmother?" "Obviously," I say. "Can I hold Jerry Rice?" JJ asks. "He''s so cute." "No way, man," I reply. "I don't want to wake that thing up before practice. We'll be late if we have to feed it." "What does it eat?" Carter asks. "I have to breast-feed, cause I'm the mom," Henry says, continuing to push the stroller toward the locker room. "Actually," I say, "It eats a metal rod, made out of, like, lead. So basically, we're learning how to poison babies." "Radical," JJ says as we approach the gym,
Miranda Kenneally (Catching Jordan)
Baby you're the only light I ever saw. I make the most of all the sadness, you be a bitch because you can. You try to hit me just to hurt me so you leave me feeling dirty 'cause you can't understand. We're going down and you could see it to....we're slow dancing in a burning room!!!
John Mayer (Continuum: Music by John Mayer)
i'm only human, & inadequacy is what makes us human, & if we was perfect we wdnt have nothin to strive for, so you might as well go on & forgive me pretty baby, cause i'm sorry
Ntozake Shange (For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf)
Fuck,” he muttered. … “Language in front of the girls,” I snapped. “Baby, they hear it all the time,” he returned and I felt my eyes get wide in motherly affront. Cal looked at my face then over the seat to the girls and asked, “You gonna say fuck because I say fuck?” “No,” Kate answered immediately. “No, ‘cause Mom doesn’t like it,” Keira replied waspishly. Cal looked back at me and raised his brows.
Kristen Ashley (At Peace (The 'Burg, #2))
(The baby sneezed. Wulf jumped as fire shot out of its nostrils and almost singed his leg.) Excuse me. I almost made Dark-Hunter barbecue, which would be really sad ‘cause I ain’t got no barbecue sauce with me. (Simi)
Sherrilyn Kenyon (Kiss of the Night (Dark-Hunter, #4))
since I’m still healing from my gunshot wound. That I wear like a badge of honor. My baby gave me this injury. ‘Cause she loves me.
April Brookshire (Young Love Murder (Young Assassins, #1))
It is a violation of human rights when babies are denied food, or drowned, or suffocated, or their spines broken, simply because they are born girls. It is a violation of human rights when women and girls are sold into the slavery of prostitution. It is a violation of human rights when women are doused with gasoline, set on fire and burned to death because their marriage dowries are deemed too small. It is a violation of human rights when individual women are raped in their own communities and when thousands of women are subjected to rape as a tactic or prize of war. It is a violation of human rights when a leading cause of death worldwide among women ages 14 to 44 is the violence they are subjected to in their own homes. It is a violation of human rights when young girls are brutalized by the painful and degrading practice of genital mutilation. It is a violation of human rights when women are denied the right to plan their own families, and that includes being forced to have abortions or being sterilized against their will. If there is one message that echoes forth from this conference, it is that human rights are women's rights - and women's rights are human rights. Let us not forget that among those rights are the right to speak freely - and the right to be heard. [From 'Women's Rights Are Human Rights' Speech Beijing, China: 5 September 1995]
Hillary Rodham Clinton
Blue jeans, white shirt Walked into the room you know you made my eyes burn It was like, James Dean, for sure You're so fresh to death and sick as ca-cancer You were sorta punk rock, I grew up on hip hop But you fit me better than my favourite sweater, and I know That love is mean, and love hurts But I still remember that day we met in december, oh baby! I will love you 'til the end of time I would wait a million years Promise you'll remember that you're mine Baby can you see through the tears Love you more Than those bitches before Say you'll remember, oh baby, say you'll remember I will love you 'til the end of time Big dreams, gangster Said you had to leave to start your life over I was like, “No please, stay here, We don't need no money we can make it all work,” But he headed out on sunday, said he'd come home monday I stayed up waitin', anticipatin', and pacin' But he was chasing paper "Caught up in the game" ‒ that was the last I heard I will love you 'til the end of time I would wait a million years Promise you'll remember that you're mine Baby can you see through the tears Love you more Than those bitches before Say you'll remember, oh baby, say you'll remember I will love you 'til the end of time You went out every night And baby that's alright I told you that no matter what you did I'd be by your side Cause Imma ride or die Whether you fail or fly Well shit at least you tried. But when you walked out that door, a piece of me died I told you I wanted more-but that's not what I had in mind I just want it like before We were dancing all night Then they took you away-stole you out of my life You just need to remember.... I will love you 'til the end of time I would wait a million years Promise you'll remember that you're mine Baby can you see through the tears Love you more Than those bitches before Say you'll remember, oh baby, say you'll remember I will love you 'til the end of time
Lana Del Rey
I love you, baby. We're gonna get you through this, 'cause, fuck, you deserve more to life than what you've been getting. You deserve to be happy with me.
Tillie Cole (Heart Recaptured (Hades Hangmen, #2))
Jaime," I said softly, "are you happy about it? About the baby?" Outlawed in Scotland, barred from his own home, and with only vague prospects in France, he could pardonably have been less than enthused about acquiring an additional obligation. He was silent for a moment, only hugging me harder, then sighed briefly before answering. "Aye, Sassenach," His hand stayed downward, gently rubbing my belly. "I'm happy. And proud as a stallion. But I am most awfully afraid too." "About the birth? I'll be all right." I could hardly blame him for apprehension; his own mother had died in childbirth, and birth and its complications were the leading cause of death for women in these times. Still, I knew a thing or two myself, and I had no intention whatever of exposing myself to what passed for medical care here. "Aye, that--and everything," he said softly. "I want to protect ye like a cloak and shield you and the child wi' my body." His voice was soft and husky, with a slight catch in it. "I would do anything for ye...and yet...there's nothing I can do. It doesna matter how strong I am, or how willing; I canna go with you where ye must go...nor even help ye at all. And to think of the things that might happen, and me helpless to stop them...aye, I'm afraid, Sassenach. "And yet"--he turned me toward him, hand closing gently over one breast--"yet when I think of you wi' my child at your breast...then I feel as though I've gone hollow as a soap bubble, and perhaps I shall burst with joy.
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
Don't fuckin' do shit like that again, baby," he interuppted in a raspy, hurt voice. There was no anger in is voice, just a desolate crushed roughness. "Cause I ain't wanting to be without you. You hearing me? You're my fuckin' woman. We ride this road together, no matter what gets in our way.
Tillie Cole (Heart Recaptured (Hades Hangmen, #2))
The way you treat me baby Cheat and tell me lies I guess I shouldn't care at all But still I sympathize 'cause you got heart trouble Coming on Yeah you got heart trouble coming on Well you think that you don't need me baby But you're gonna miss me when I'm gone
Martina McBride
Colds and babies were both caused by germs which loved nothing so much as a mucous membrane.
Kurt Vonnegut Jr. (Galápagos)
She’s smokin’ hearts with a burnin’ flame She’s got a wild side without a name And when she’s riled it’s a cryin’ shame Yeah! Yeah! Yeah! I’ve got it bad Yeah! Yeah! Yeah! I’m going’ mad Cause in your head you’ve got it right Won’t go to bed without a fight You think you’re wise, you think it shows So show me wise without those clothes Isaac raised an eyebrow at me, but I couldn’t even shrug. I was frozen. My heart had stopped. Everything had stopped. She’s playin’ hardball and it’s nothin’ new Short skirts so enjoy the view She’s a coldblooded tease baby through and through Yeah! Yeah! Yeah! I’ve got it bad Yeah! Yeah! Yeah! I’m goin’ mad Cause in your head you’ve got it right Won’t go to bed without a fight You think you’re wise you think it shows So show me wise without those clothes Come on Legs don’t go to waste I could be your only savin’ grace” “Put those morals on the back burner Something tells me you’re a fast fast learner As I listened to the chorus taunt me over and over again until the song came to a climatic end, I somehow remembered to breathe.
Kelly Oram (V is for Virgin (V is for Virgin, #1))
You with me baby, cause there's no turning back after this, no way, once I slip into that sweet heat of yours, you're mine, do you hear me? You. Are. Fucking. Mine.
C.P. Smith (A Reason to Breathe (Reason, #1))
Cause' baby you're a firework!
Katy Perry (Firework)
One common cause of this mistake of preferring to imagine and admire a great ideal instead of beginning to do little deeds is our impatience with little baby steps, our lack of humility.
Peter Kreeft (Prayer For Beginners)
Okay, Troy...you're right. I'll take care of your baby for you...cause...like you say...she's innocent...and you can't visit the sins of the father upon the child. A motherless child has got a hard time. From right now...this child got a mother. But you a womanless man.
August Wilson (Fences (The Century Cycle #6))
My condolences I'll shed a tear with your family I'll open a bottle up, pour a little bit out in your memory I'll be at the wake dressed in all black I'll call out your name, but you won't call back I'll hand a flower to your mother when I say goodbye Cause baby you're dead to me I need to kill you That's the only way to get you out of my head Oh I need to kill you To silence all the sweet little things you said I really want to kill you Wipe you off the face of my earth And bury your bracelet Bury your bracelet Six feet under the dirt
Melanie Martinez
In the land of Gods and Monsters I was an Angel Living in the garden of evil Screwed up, scared, doing anything that I needed Shining like a fiery beacon You got that medicine I need Fame, Liquor, Love give it to me slowly Put your hands on my waist, do it softly Me and God, we don't get along so now I sing No one's gonna take my soul away I'm living like Jim Morrison Headed towards a fucked up holiday Motel sprees sprees and I'm singing 'Fuck yeah give it to me this is heaven, what I truly Want' It's innocence lost Innocence lost In the land of Gods and Monsters I was an Angel Looking to get fucked hard Like a groupie incognito posing as a real singer Life imitates art You got that medicine I need Dope, shoot it up, straight to the heart please I don't really wanna know what's good for me God's dead, I said 'baby that's alright with me' No one's gonna take my soul away I'm living like Jim Morrison Headed towards a fucked up holiday Motel sprees sprees and I'm singing 'Fuck yeah give it to me this is heaven, what I truly Want' It's innocence lost Innocence lost When you talk it's like a movie and you're making me Crazy - Cause life imitates art If I get a little prettier can I be your baby? You tell me, "life isn't that hard" No one's gonna take my soul away I'm living like Jim Morrison Headed towards a fucked up holiday Motel sprees sprees and I'm singing 'Fuck yeah give it to me this is heaven, what I truly Want' It's innocence lost Innocence lost
Lana Del Rey
My man got close to my back and his mouth came to my ear where he said quietly, “Hurry this shit up, baby, ‘cause what you got last night after I watched you slide down a pole upside down while straddling it is gonna be nothin’ to what I give you tonight watchin’ you be badass.” I turned and glared up at him. “Don’t turn me on while I’m working, Zano.” His lips quirked. “Jesus,” Mace muttered.
Kristen Ashley (Rock Chick Revolution (Rock Chick, #8))
Easy come, easy go, That's just how you live, oh, Take, take, take it all, But you never give. Should've known you was trouble From the first kiss, Had your eyes wide open. Why were they open? Gave you all I had and you tossed it in the trash, You tossed it in the trash, you did. To give me all your love is all I ever asked, 'cause What you don't understand is I'd catch a grenade for ya Throw my hand on a blade for ya I'd jump in front of a train for ya You know I'd do anything for ya Oh, oh, I would go through all of this pain, Take a bullet straight through my brain! Yes, I would die for ya, baby, But you won't do the same.
Bruno Mars
I do not think God makes bad things happen just so that people can grow spiritually. Bad parents do that, my mother said. Bad parents make things hard and painful for their children and then say it was to help them grow. Growing and living are hard enough already; children do not need things to be harder. I think this is true even for normal children. I have watched little children learning to walk; they all struggle and fall down many times. Their faces show that it is not easy. It would be stupid to tie bricks on them to make it harder. If that is true for learning to walk, then I think it is true for other growing and learning as well. God is suppose to be the good parent, the Father. So I think God would not make things harder than they are. I do not think I am autistic because God thought my parents needed a challenge or I needed a challenge. I think it is like if I were a baby and a rock fell on me and broke my leg. Whatever caused it was an accident. God did not prevent the accident, but He did not cause it, either.... I think my autism is an accident, but what I do with it is me.
Elizabeth Moon (The Speed of Dark)
Black Beauty" I paint my nails black, I dye my hair a darker shade of brown 'Cause you like your women Spanish, dark, strong and proud I paint the sky black You said if you could have your way You'd make a night time of today So it'd suit the mood of your soul Oh, what can I do? Nothing, my sparrow blue Oh, what can I do? Life is beautiful but you don't have a clue Sun and ocean blue Their magnificence, it don't make sense to you Black beauty, oh oh oh Black beauty, oh oh oh I paint the house black My wedding dress black leather too You have no room for light Love is lost on you I keep my lips red The same like cherries in the spring Darling, you can't let everything Seem so dark blue Oh, what can I do? To turn you on or get through to you Oh, what can I do? Life is beautiful but you don't have a clue Sun and ocean blue Their magnificence, it don't make sense to you Black beauty, oh oh oh Black beauty, oh oh oh Black beauty, ah ah Black beauty, ah ah Black beauty, ah ah ah ah Black beauty, baby Black beauty, baby Oh, what can I do? Life is beautiful but you don't have a clue Sun and ocean blue Their magnificence, it don't make sense to you Black beauty, oh oh oh Black beauty, oh oh oh Black beauty, oh oh oh Black beauty, oh oh oh
Lana Del Rey
There's always that one person that will always have your heart You never see it coming cause you're blinded from the start Know that you're that one for me, it's clear for everyone to see Ooh baby, you will always be my boo
Usher (Selections from Usher - Confessions)
there is a list of questions i want to ask but never will there is a list of questions i go through in my head every time i'm alone and my mind can't stop itself from searching for you there is a list of questions i want to ask so if you're listening somewhere here i am asking them what do you think happens to the love that's left behind when two lovers leave how blue do you think it gets before it passes away does it pass away or does it still exist somewhere waiting for us to come back when we lied to ourselves by calling this unconditional and left which one of us hurt more i shattered into a million little pieces and those pieces shattered into a million more crumbled into dust till there was nothing left of me but the silence tell me how love how did the grieving feel for you how did the mourning hurt how did you peel your eyes open after every blink knowing i'd never be there staring back it must be hard to live with what ifs there must always be this constant dull aching in the pit of your stomach trust me i feel it too how in the world did we get here how did we live through it and how are we still living how many months did it take before you stopped thinking of me or are you still thinking of me cause if you are then maybe i am too thinking of you thinking of me with me in me around me everywhere you and me and us do you still touch yourself to the thoughts of me do you still imagine my naked naked tiny tiny body pressed into yours do you still imagine the curve of my spine and how you wanted to rip it out of me cause the way it dipped into my perfectly rounded bottom drove you crazy baby sugar baby sweet baby ever since we left how many times did you pretend it was my hand stroking you how many times did you search for me in your fantasies and end up crying instead of coming don't you lie to me i can tell when you're lying cause there's always that little bit of arrogance in your response are you angry with me are you okay and would you tell me if you're not and if we ever see each other again do you think you'd reach out and hold me like you said you would the last time we spoke and you talked of the next time we would or do you think we'd just look shake in our skin as we pine to absorb as much as we can of each other cause by this time we've probably got someone else waiting at home we were good together weren't we and is it wrong that i'm asking you these questions tell me love that you have been looking for these answers too
Rupi Kaur (The Sun and Her Flowers)
The Western States nervous under the beginning change. Texas and Oklahoma, Kansas and Arkansas, New Mexico, Arizona, California. A single family moved from the land. Pa borrowed money from the bank, and now the bank wants the land. The land company--that's the bank when it has land --wants tractors, not families on the land. Is a tractor bad? Is the power that turns the long furrows wrong? If this tractor were ours it would be good--not mine, but ours. If our tractor turned the long furrows of our land, it would be good. Not my land, but ours. We could love that tractor then as we have loved this land when it was ours. But the tractor does two things--it turns the land and turns us off the land. There is little difference between this tractor and a tank. The people are driven, intimidated, hurt by both. We must think about this. One man, one family driven from the land; this rusty car creaking along the highway to the west. I lost my land, a single tractor took my land. I am alone and bewildered. And in the night one family camps in a ditch and another family pulls in and the tents come out. The two men squat on their hams and the women and children listen. Here is the node, you who hate change and fear revolution. Keep these two squatting men apart; make them hate, fear, suspect each other. Here is the anlarge of the thing you fear. This is the zygote. For here "I lost my land" is changed; a cell is split and from its splitting grows the thing you hate--"We lost our land." The danger is here, for two men are not as lonely and perplexed as one. And from this first "we" there grows a still more dangerous thing: "I have a little food" plus "I have none." If from this problem the sum is "We have a little food," the thing is on its way, the movement has direction. Only a little multiplication now, and this land, this tractor are ours. The two men squatting in a ditch, the little fire, the side- meat stewing in a single pot, the silent, stone-eyed women; behind, the children listening with their souls to words their minds do not understand. The night draws down. The baby has a cold. Here, take this blanket. It's wool. It was my mother's blanket--take it for the baby. This is the thing to bomb. This is the beginning--from "I" to "we." If you who own the things people must have could understand this, you might preserve yourself. If you could separate causes from results, if you could know Paine, Marx, Jefferson, Lenin, were results, not causes, you might survive. But that you cannot know. For the quality of owning freezes you forever into "I," and cuts you off forever from the "we." The Western States are nervous under the begining change. Need is the stimulus to concept, concept to action. A half-million people moving over the country; a million more restive, ready to move; ten million more feeling the first nervousness. And tractors turning the multiple furrows in the vacant land.
John Steinbeck (The Grapes of Wrath)
Listen, baby Ain't no mountain high Ain't no valley low Ain't no river wide enough, baby If you need me, call me No matter where you are No matter how far Just call my name I'll be there in a hurry You don't have to worry 'Cause baby, There ain't no mountain high enough Ain't no valley low enough Ain't no river wide enough To keep me from getting to you Remember the day I set you free I told you You could always count on me From that day on I made a vow I'll be there when you want me Some way,some how 'Cause baby, There ain't no mountain high enough Ain't no valley low enough Ain't no river wide enough To keep me from getting to you No wind, no rain My love is alive Way down in my heart Although we are miles apart If you ever need a helping hand I'll be there on the double As fast as I can Don't you know that There ain't no mountain high enough Ain't no valley low enough Ain't no river wide enough To keep me from getting to you Don't you know that There ain't no mountain high enough Ain't no valley low enough Ain't no river wide enough
Marvin Gaye
Starry Eyed" Oh, boy you're starry eyed Lay back, baby lay back You've got heaven in your eyes I like that, boy I like that Life doesn't always work out Like you planned it They say make lemonade out of lemons But I try and I just can't understand it All this trying for no good reason Man makes plans and God laughs Why do I even bother to ask? Well, once you and I, we were the king and queen of this town It doesn't matter now The sun set on our love, bye baby Oh, boy you're starry eyed Lay back, baby lay back You've got heaven in your eyes I like that, boy I like that Life doesn't always work out Like you planned it They say make lemonade out of lemons But I try and I can't understand it All this bragging for not good reason Man makes plans and God laughs Why do I even bother to ask? Well, once you and I, we were the king and queen of this town It doesn't matter now The sun set on our love, bye, bye baby Oh, boy you're starry eyed Lay back, baby lay back You've got heaven in your eyes I like that, boy I like that It doesn't matter what they say Let's go do it anyway 'Cause you and I have an undying kind of love You can be mine, I'll be yours, be my baby Oh, boy you're starry eyed Lay back, baby lay back You've got heaven in your eyes I like that, boy I like that Oh, boy you're starry eyed Lay back, baby lay back You've got heaven in your eyes I like that, boy I like that
Lana Del Rey
I bet she need a distraction, and babies good at helping you forget death. Probably 'cause they so new.
Angie Thomas (Concrete Rose (The Hate U Give, #0))
That an old Charonte custom that go back forever 'casue we a really old race of demons who go back even before forever." She looked over to where Danger's shade glittered in the opposite corner while the former Dark-Huntress was assisting Pam and Kim with the birth, and explained the custom to her. "When a new baby is born you kill off an old annoying family member who gets on everyone's nerves which for all of us would be the heifer-goddess 'cause the only person who like her be you Akra-Kat. I know she you mother and all, but sometimes you just gotta say no thank you. You a mean old heifer-goddess who need to go play in traffic and get run over by something big like a steamroller or bus or something else really painful that would hurt her a lot and make the rest of us laugh" "Not to mention the Simi barbecue would have been fun too if someone, Akra-Kat, hadn't stopped the Simi from it. I personally think it would have been a most magnificent gift for the baby. Barbecued heifer-goddess Artemis. Yum! No better meal. Oh then again baby got a delicate constitution and that might give the poor thing indigestion. Artemis definitely give the Simi indigestion and I ain't even ate her yet.
Sherrilyn Kenyon (Retribution (Dark-Hunter, #19))
Come out, come out, little Harry!" she called in her mock-baby voice, which echoed off the polished wooden floors. "What did you come after me for, then? I thought you were here to avenge my dear cousin!" "I am!" shouted Harry, and a score of ghostly Harrys seemed to chorus I am! I am! I am! all around the room. "Aaaaaah... did you love him, little baby Potter?" Hatred rose in Harry such as he had never known before. He flung himself out from behind the fountain and bellowed "Crucio!" Bellatrix screamed. The spell had knocked her off her feet, but she did not writhe and shriek with the pain as Neville had -- she was already on her feet again, breathless, no longer laughing. Harry dodged behind the garden fountain again -- her counterspell hit the head of the handsome wizard, which was blown off and landed twenty feet away, gouging long scratches into the wooden floor. "Never used an Unforgivable Curse before, have you, boy?" she yelled. She had abandoned her baby voice now. "You need to mean them, Potter! You need to really want to cause pain -- to enjoy it -- righteous anger won't hurt me for long -- I'll show you how it is done, shall I? I'll give you a lesson--!
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
I wonder if I should get one of those baby-on-board signs. That way the assholes behind me can learn a little patience instead of laying on the horn like we’re all in some motherfucking emergency,” Tucker grumbles as he helps me out. “What’s going to happen when one of those fuckers comes to your door wanting to take Jamie out on a date?” Tucker stops abruptly, causing me to collide with his stiff back. “She’s going to an all-girls school.” “Okay, so what happens if one of those fuckers is a female wanting to take Jamie out on a date?” “None of this would be a problem,” he accuses, “if we stayed in the hospital like I suggested.
Elle Kennedy (The Goal (Off-Campus, #4))
My chest got this weird feeling, like when you stare into the eyes of a little baby and the baby looks back up at you and you can feel how pure and innocent it is, so much that it makes your stomach feel empty - probably 'cause you realize you used to be pure like that, too, and now you're not.
Matt de la Peña (I Will Save You)
Ah." Ax nodded. "She does not understand how menacing we are." He tapped her on the shoulder. "You do not know me," he said, "but I am a juvenile delinquent. I do not trust authority figures, I probably will not graduate from high school, and statistics say my present rowdiness and vandalism will likely lead to more serious crimes. I am a dangerous fellow and I am causing mayhem in this store." He reached behind her and pulled three jars of baby food from the top shelf. Shoved them behind a box of macaroni. Shuffled the Chess Whizzed in front of the Marshmallow Fluff. Tossed a bag of lady's shavers onto a bag of hamburger buns. "There. I have now shamelessly destroyed the symmetry of this shelf, undoing hours of labor by underpaid store employees. If you could see me, you would be frightened." "If she could see you, she'd have you committed," Marco muttered.
Katherine Applegate (The Diversion (Animorphs, #49))
The softness and fragility of baby animals caused us the same intense pain. She wanted to be a nurse in some famished Asiatic country; I wanted to be a famous spy.
Vladimir Nabokov (Lolita)
Then they’d unleash Hera’s rage, causing a lot of death. Well, that sounded fun! Leo had seen Tía Callida in action; she liked knives, snakes, and putting babies in roaring fires. Yeah, definitely let’s unleash her rage. Great idea.
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
Body Electric" Elvis is my daddy, Marilyn’s my mother, Jesus is my bestest friend. We don’t need nobody 'Cause we got each other, Or at least I pretend. We get down every Friday night, Dancin’ and grindin’ in the pale moonlight. Grand Ole Opry, we're feelin’ alright, Mary prays the rosary for my broken mind. (I said don't worry about it) [Chorus:] I sing the body electric, I sing the body electric, baby. I sing the body electric, I sing the body electric, Sing that body electric, Sing that body electric. I’m on fire, Sing that body electric. Whitman is my daddy, Monaco’s my mother, Diamonds are my bestest friend. Heaven is my baby, suicide’s her father, Opulence is the end. We get down every Friday night, Dancin’ and grindin’ in the pale moonlight. Grand Ole Opry, we're feelin’ alright, Mary prays the rosary for my broken mind. (I said don't worry about it) [Chorus:] I sing the body electric, I sing the body electric, baby. I sing the body electric, I sing the body electric, Sing that body electric, Sing that body electric. I’m on fire, Sing that body electric. My clothes still smell like you, And all the photographs say you’re still young. I pretend I’m not hurt And go about the world like I’m havin’ fun. We get crazy every Friday night, Drop it like it’s hot in the pale moonlight. Grand Ole Opry, feelin' all right Mary's swayin’ softly to her heart's delight. I sing the body electric, I sing the body electric, baby. I sing the body electric, I sing the body electric, Sing that body electric, Sing that body electric. I’m on fire, Sing that body electric. I sing the body electric, baby. I sing the body electric, baby. I sing the body electric, baby.
Lana Del Rey
Racism is both overt and covert. It takes two, closely related forms: individual whites acting against individual blacks, and acts by the total white community against the black community. We call these individual racism and institutional racism. The first consists of overt acts by individuals, which cause death, injury or the violent destruction of property. This type can be recorded by television cameras; it can frequently be observed in the process of commission. The second type is less overt, far more subtle, less identifiable in terms of specific individuals committing the acts. But it is no less destructive of human life. The second type originates in the operation of established and respected forces in the society, and thus receives far less public condemnation than the first type. When white terrorists bomb a black church and kill five black children, that is an act of individual racism, widely deplored by most segments of the society. But when in that same city - Birmingham, Alabama - five hundred black babies die each year because of the lack of proper food, shelter and medical facilities, and thousands more are destroyed and maimed physically, emotionally and intellectually because of conditions of poverty and discrimination in the black community, that is a function of institutional racism. When a black family moves into a home in a white neighborhood and is stoned, burned or routed out, they are victims of an overt act of individual racism which many people will condemn - at least in words. But it is institutional racism that keeps black people locked in dilapidated slum tenements, subject to the daily prey of exploitative slumlords, merchants, loan sharks and discriminatory real estate agents. The society either pretends it does not know of this latter situation, or is in fact incapable of doing anything meaningful about it.
Stokely Carmichael (Black Power: The Politics of Liberation)
Sometimes a strikeout means that the slugger’s girlfriend just ran off with the UPS driver. Sometimes a muffed ground ball means that the shortstop’s baby daughter has a pain in her head that won’t go away. And handicapping is for amateur golfers, not ballplayers. Pitchers don’t ease off on the cleanup hitter because of the lumps just discovered in his wife’s breast. Baseball is not life. It is a fiction, a metaphor. And a ballplayer is a man who agrees to uphold that metaphor as though lives were at stake. Perhaps they are. I cherish a theory I once heard propounded by G.Q. Durham that professional baseball is inherently antiwar. The most overlooked cause of war, his theory runs, is that it’s so damned interesting. It takes hard effort, skill, love and a little luck to make times of peace consistently interesting. About all it takes to make war interesting is a life. The appeal of trying to kill others without being killed yourself, according to Gale, is that it brings suspense, terror, honor, disgrace, rage, tragedy, treachery and occasionally even heroism within range of guys who, in times of peace, might lead lives of unmitigated blandness. But baseball, he says, is one activity that is able to generate suspense and excitement on a national scale, just like war. And baseball can only be played in peace. Hence G.Q.’s thesis that pro ball-players—little as some of them may want to hear it—are basically just a bunch of unusually well-coordinated guys working hard and artfully to prevent wars, by making peace more interesting.
David James Duncan
What belonged to Jack McKenna belonged only to Jack McKenna, and the pussy he was feverishly sucking on was definitely his. He went in for the kill then, sucking her clit firmly and vigorously, growling low in his throat as she bucked up beneath him. On a loud groan she burst, her legs violently trembling as her nipples stabbed up and she drenched his mouth with her sweet climax. He lapped it all up, gluttonously sucking at her hole to get every drop of liquid her cunt had made for him... "MINE," Jack murmured, causing her to seek out his gaze. "This pussy is ALL mine, baby.
Jaid Black (The Possession (Possession / Addiction, #1))
I won't be stuck in traffic 'til I see how rugged my path is And right now I'm loving how fast my troubles are fasting No they don't bother me oh realizing I'm psychopathic A wild beast, baby I'm gladly running after Yes a thing called peace outlasting any madness The devil fears me oh he's feeling Like a fragment of a fraction No he won't come near me 'Cause his hat trick's out of practice
Criss Jami (Venus in Arms)
No matter how beautiful roses were, they could cause a lot of pain. That concept worked for people as well.
Melody Anne (The Lost Tycoon (Baby for the Billionaire, #5))
Off To The Races" My old man is a bad man but I can't deny the way he holds my hand And he grabs me, he has me by my heart He doesn't mind I have a Las Vegas past He doesn't mind I have an LA crass way about me He loves me with every beat of his cocaine heart Swimming pool glimmering darling White bikini off with my red nail polish Watch me in the swimming pool bright blue ripples you Sitting sipping on your black Cristal Oh yeah Light of my life, fire of my loins Be a good baby, do what I want Light of my life, fire of my loins Give me them gold coins, gimme them coins And I'm off to the races, cases of Bacardi chasers Chasing me all over town Cause he knows I'm wasted, facing Time again at Riker's Island and I won't get out Because I'm crazy, baby I need you to come here and save me I'm your little scarlet, starlet singing in the garden Kiss me on my open mouth Ready for you My old man is a tough man but He's got a soul as sweet as blood red jam And he shows me, he knows me Every inch of my tar black soul He doesn't mind I have a flat broke down life In fact he says he thinks it's why he might like about me Admires me, the way I roll like a Rolling Stone Likes to watch me in the glass room bathroom, Chateau Marmont Slippin' on my red dress, puttin' on my makeup Glass film, perfume, cognac, lilac Fumes, says it feels like heaven to him Light of his life, fire of his loins Keep me forever, tell me you own me Light of your life, fire of your loins Tell me you own me, gimme them coins And I'm off to the races, cases of Bacardi chasers Chasing me all over town Cause he knows I'm wasted, facing Time again at Riker's Island and I won't get out Because I'm crazy, baby I need you to come here and save me I'm your little scarlet, starlet singing in the garden Kiss me on my open mouth Now I'm off to the races, laces Leather on my waist is tight and I am fallin' down I can see your face is shameless, Cipriani's basement Love you but I'm going down God I'm so crazy, baby, I'm sorry that I'm misbehaving I'm your little harlot, starlet, Queen of Coney Island Raising hell all over town Sorry 'bout it My old man is a thief and I'm gonna stay and pray with him 'til the end But I trust in the decision of the Lord to watch over us Take him when he may, if he may I'm not afraid to say that I'd die without him Who else is gonna put up with me this way? I need you, I breathe you, I never leave you They would rue the day I was alone without you You're lying with your gold chain on, cigar hanging from your lips I said "Hon' you never looked so beautiful as you do now, my man." And we're off to the races, places Ready, set the gate is down and now we're goin' in To Las Vegas chaos, Casino Oasis, honey it is time to spin Boy you're so crazy, baby, I love you forever not maybe You are my one true love, you are my one true love You are my one true love
Lana Del Rey
Wrinkles was her big gray cat. Sierra named him Wrinkles because when he was a little baby he had a wrinkly face. He slept in Sierra's room, but not always on the bed. Mommy said that was 'cause Wrinkles had an attitude. Most cats had attitudes, actually.
Karen Kingsbury (Beyond Tuesday Morning (9/11, #2))
And you're also the kind of woman who a man sees curled in a protective ball, he's moved to do what he can to make certain that doesn't happen again." "Is that why you're here?" "I'm here cause when you come, you come hard, you don't hold back but you do hold on and you do it tight. I'm here, because, when you call me baby in this bed, I feel it in my dick. And I'm here because you don't hesitate throwing attitude when every other woman I know doesn't have the guts to say boo to me. Seeing you scared and wantin' to do something about it was just an extra reason that made me want to be here.
Kristen Ashley (Mystery Man (Dream Man, #1))
What was wrong with darkness? In the darkness of the Earth the Mother caused seeds to sprout. In the darkness of the womb a baby was conceived. In the darkness of the graves her Children returned to her.
Dave Duncan
I'd kill for you baby. Anyone even comes close to trying to take you away from me and I'll slit their motherfuckin' throat. You belong to me, you're mine, and right now, in this bed, I'm gonna do something else for the very first time. We both are. I'm gonna make love to you, Lilah. I'm gonna take you as mine, possess you. 'Cause there ain't no one out there...no one else who could do this to me, but you.
Tillie Cole (Heart Recaptured (Hades Hangmen, #2))
'How a mother can look at her baby, and know that she lives beyond her husband's means, I cannot imagine.' " "Eugene suggests that Mrs. Lammle, not being a mother, had no baby to look at." " 'True, but the principle is the same.' " "Boots is clear that the principle is the same. So is Buffer. It is the unfortunate destiny of Buffer to damage a cause by espousing it. The rest of the company have meekly yielded to the proposition that the principle is the same, until Buffer says that it is; when instantly a general murmur arises that the principle is not the same.
Charles Dickens (Our Mutual Friend)
Thoughts of you runnin’ through my head Heart’s pumpin’ full speed ahead Body’s screaming to get you in bed Need you, want you, baby gotta be mine Come to me girl, I’m done wastin’ time You ask me to wait, don’t know if I can Too scared to lose, I’m only a man But I can’t let you go, can’t shut the door Heart’s telling me you’re worth waiting for The feel of your lips, hot breath on my skin Touching you, touching me, I’d relish the sin Let’s find a way for us both to win Need you, want you, baby gotta be mine Come to me girl, I’m done wastin’ time You ask me to wait, don’t know if I can Too scared to lose, I’m only a man But I can’t let you go, can’t shut the door Heart’s telling me you’re worth waiting for Forever I’ll wait, it’s drivin’ me mad Driven by memories I’ve not yet had Hangin’ on a promise of you and me Hope springs eternal for things that could be You ask me to wait, don’t know if I can Too scared to lose, I’m only a man But I can’t let you go, can’t shut the door Heart’s telling me you’re worth waiting for You ask me to wait, don’t know if I can Too scared to lose, I’m only a man Bring on the torture, forever and more ’Cause girl it’s true, you’re worth waiting for
Kelly Oram (A is for Abstinence (V is for Virgin, #2))
What do you have to say for yourself, boy?" Cgerise "Sorry, Ma, I'm a sexy demon magnet?" Nick "Cherise!" Bubba "Don't you even take that tone with me, Mr. Triple-Threat-I-don't-have-to-listen-to-anyone-because-I'm-the-size-of-a-tabk. You're in the doghouse, buster. You might as well pack a bag 'cause you're going to be in there so long your name's going to be engraved on the mailbox." Cherise "Ah, what'd I do, cher?" Bubba "You dragged my baby into danger, and you-- Are you one of them?" Cherise "I'm going with whatever answer doesn't get me swatted with that bat." Savitar "Cherise, calm down. What are you doing here?" Bubba "What do you think? I'm protecting my boys. Both of you ... Because Mark values his own life and inparticular his male body parts, he called me after he got off the phone with you to tell me what the two of you were doing. You didn't honestly believe that I've been ignorant of what you and Mark do at night all these years? Did you?" Cherise "Um, yeah." Bubba "Well then you're a fool,Michael Burdette. And I'm not." Cherise
Sherrilyn Kenyon (Illusion (Chronicles of Nick, #5))
Good Lord, Rory Lee!” Ronnie snarled. “You don’t throw babies! Especially mine!” “Look what he did to me!” Rory pointed at his unmarred neck. “What am I looking at?” Sissy Mae asked. “’Cause I don’t see nothin’.” “Just wait until the little bastard grows into his fangs,” Rory promised. “Then you’ll see!
Shelly Laurenston (Bite Me (Pride, #9))
Life is a risk, who knows this better than me? Who knows more surely that babies die easily, that children fall ill from the least cause, that royal blood is fatally weak, that death walks behind my family like a faithful black hound?
Philippa Gregory (The King's Curse (The Plantagenet and Tudor Novels, #7))
Listen to the beat. Play the sound of his voice over and over again in your mind. You try to turn down the volume but baby this speaker has no controls. Just close your eyes. Listen to the last notes of this solemn memory. Live honey, can't forget, but you gotta live cause you gotta prove them all wrong about you, gotta show'um you won't be the one to slip between the earthquake lines forming in this dry dirt...
Elizabeth Heller
The forge and dove shall break the cage. Wasn’t that the prophecy line? That meant Piper and he would have to figure out how to break into that magic rock prison, assuming they could find it. Then they’d unleash Hera’s rage, causing a lot of death. Well, that sounded fun! Leo had seen Tía Callida in action; she liked knives, snakes, and putting babies in roaring fires. Yeah, definitely let’s unleash her rage. Great idea. Festus kept flying. The wind got colder, and below them snowy forests seemed to go on forever. Leo didn’t know exactly where Quebec was. He’d told Festus to take them to the palace of Boreas, and Festus kept going north. Hopefully, the dragon knew the way, and they wouldn’t end up at the North Pole. “Why don’t you get some sleep?” Piper said in his ear. “You were up all night.” Leo wanted to protest, but the word sleep sounded really good. “You won’t let me fall off?” Piper patted his shoulder. “Trust me, Valdez. Beautiful people never lie.” “Right,” he muttered. He leaned forward against the warm bronze of the dragon’s neck, and closed his eyes.
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
You with me baby, cause there's no turning back after this, no way, once I slip into that sweet heat of yours, you're mine, do you hear me? You. Are. Fucking. Mine.
C.P. Smith
You say I'm crazy 'Cause you don't think I know what you've done But when you call me baby I know I'm not the only one
pratyussh singh
Meditation,” said his teacher, “hasn’t got a damn thing to do with anything, ‘cause all it has to do with is nothing. Nothingness. Okay? It doesn’t develop the mind, it dissolves the mind. Self-improvement? Forget it, baby. It erases the self. Throws the ego out on its big brittle ass. What good is it? Good for nothing. Excellent for nothing. Yes, Lord, but when you get down to nothing, you get down to ultimate reality. It’s then and exactly then that you’re sensing the true nature of the universe, you’re linked up with the absolute Absolute, son, and unless you’re content with blowing smoke up your butt all your life, that there’s the only place to be.
Tom Robbins (Fierce Invalids Home from Hot Climates)
Magnus had left behind a sleeping child and his worn-out love, and he opened the door on a scene of absolute chaos. For a moment it seemed as if there were a thousand people in his rooms, and then Magnus realized the real situation was far worse. Every single one of the Lightwood family was there, each one causing enough noise for ten. Robert Lightwood was there, saying something in his booming voice. Maryse Lightwood was holding a bottle and appeared to be waving it around, giving a speech. Isabelle Lightwood was standing on top of a stool for no reason in the world Magnus could see. Jace Herondale was, even more mysteriously, lying flat out on the stone floor, and apparently he'd brought Clary, who looked at Magnus as if she were puzzled by here presence here as well. Alec was standing in the middle of the room, in the middle of the human storm that was his family, holding the baby protectively to his chest. Magnus could not believe it was possible for his heart to sink further, but it somehow struck him as the greatest disaster in the world that the baby was awake.
Cassandra Clare (Born to Endless Night (Tales from the Shadowhunter Academy, #9))
I have blogged previously about the dangerous and deadly effects of science denialism, from the innocent babies unnecessarily exposed to deadly diseases by other kids whose parents are anti-vaxxers, to the frequent examples of how acceptance of evolution helps us stop diseases and pests (and in the case of Baby Fae, rejection of evolution was fatal), to the long-term effects of climate denial to the future of the planet we all depend upon. But one of the strangest forms of denialism is the weird coalition of people who refuse to accept the medical fact that the HIV virus causes AIDS. What the heck? Didn’t we resolve this issue in the 1980s when the AIDS condition first became epidemic and the HIV virus was discovered and linked to AIDS? Yes, we did—but for people who want to deny scientific reality, it doesn’t matter how many studies have been done, or how strong the scientific consensus is. There are a significant number of people out there (especially among countries and communities with high rates of AIDS infections) that refuse to accept medical reality. I described all of these at greater length in my new book Reality Check: How Science Deniers Threaten our Future.
Donald R. Prothero
Origins Of Cptsd How do traumatically abused and/or abandoned children develop Cptsd? While the origin of Cptsd is most often associated with extended periods of physical and/or sexual abuse in childhood, my observations convince me that ongoing verbal and emotional abuse also causes it. Many dysfunctional parents react contemptuously to a baby or toddler’s plaintive call for connection and attachment. Contempt is extremely traumatizing to a child, and at best, extremely noxious to an adult. Contempt is a toxic cocktail of verbal and emotional abuse, a deadly amalgam of denigration, rage and disgust. Rage creates fear, and disgust creates shame in the child in a way that soon teaches her to refrain from crying out, from ever asking for attention. Before long, the child gives up on seeking any kind of help or connection at all. The child’s bid for bonding and acceptance is thwarted, and she is left to suffer in the frightened despair of abandonment. Particularly abusive parents deepen the abandonment trauma by linking corporal punishment with contempt. Slaveholders and prison guards typically use contempt and scorn to destroy their victims’ self-esteem. Slaves, prisoners, and children, who are made to feel worthless and powerless devolve into learned helplessness and can be controlled with far less energy and attention. Cult leaders also use contempt to shrink their followers into absolute submission after luring them in with brief phases of fake unconditional love.
Pete Walker (Complex PTSD: From Surviving to Thriving)
How you want me, baby?” She answered him by biting his forearm hard. He spun her in his arms. When he went in for a kiss, she slapped his face. “So that’s how?” He put her hard against the wall, holding her by her throat. “You have to fight me? Cause I’m the toughest fucker you’ve ever met. Say it.
Debra Anastasia (Saving Poughkeepsie (Poughkeepsie Brotherhood, #3))
I’ve had double-Ds since I was twelve. And unlike popular opinion that big breasts are great, all they’ve done for me is give me back aches, make it hard to run, and cause men to speak to my boobs instead of my face.
Sarah Ready (Josh and Gemma Make a Baby)
Commala-come-come There’s a young man with a gun. Young man lost his honey When she took it on the run. Commala-come-one! She took it on the run! Left her baby lonely But he baby ain’t done. Commala-come-coo The wind’ll blow ya through. Ya gotta go where ka’s wind blows ya Cause there’s nothin else to do. Commala-come-two! Nothin else to do! Gotta go where ka’s wind blows ya Cause there’s nothin else to do. Commala-come-key Can you tell me what ya see? Is it ghosts or just the mirror That makes ya wanna flee? Commala-come-three! I beg ya, tell me! Is it ghosts or just your darker self That makes ya wanna flee? Commala-come-ko Whatcha doin at my do’? If ya doan tell me now, my friend I’ll lay ya on de flo’. Commala-come-fo’! I can lay ya low! The things I’ve do to such as you You never wanna know. Commala-gin-jive Ain’t it grand to be alive? To look out on Discordia When the Demon Moon arrives. Commala-come-five! Even when the shadows rise! To see the world and walk the world Makes ya glad to be alive. Commala-mox-nix! You’re in a nasty fix! To take a hand in traitor’s glove Is to grasp a sheaf of sticks! Commala-come-six! Nothing there but thorns and sticks! When your find your hand in traitor’s glove You’re in a nasty fix. Commala-loaf-leaven! They go to hell or up to heaven! The the guns are shot and the fires hot, You got to poke em in the oven. Commala-come-seven! Salt and yow’ for leaven! Heat em up and knock em down And poke em in the oven. Commala-ka-kate You’re in the hands of fate. No matter if it’s real or not, The hour groweth late. Commala-come-eight! The hour groweth late! No matter what shade ya cast You’re in the hands of fate. Commala-me-mine You have to walk the line. When you finally get the thing you need It makes you feel so fine. Commala-come-nine! It makes ya feel fine! But if you’d have the thing you need You have to walk the line. Commala-come-ken It’s the other one again. You may know her name and face But that don’t make her your friend. Commala-come-ten! She is not your friend! If you let her get too close She’ll cut you up again! Commala-come-call We hail the one who made us all, Who made the men and made the maids, Who made the great and small. Commala-come-call! He made us great and small! And yet how great the hand of fate That rules us one and all. Commala-come-ki, There’s a time to live and one to die. With your back against the final wall Ya gotta let the bullets fly. Commala-come-ki! Let the bullets fly! Don’t ‘ee mourn for me, my lads When it comes my day to die. Commala-come-kass! The child has come at last! Sing your song, O sing it well, The child has come to pass. Commala-come-kass, The worst has come to pass. The Tower trembles on its ground; The child has come at last. Commala-come-come, The battle’s now begun! And all the foes of men and rose Rise with the setting sun.
Stephen King (Song of Susannah)
She hardly knew what to do, it had been so long since such strong feelings had borne down on her. It was like carrying another creature inside her, and nothing so benign and natural as a baby. Undamped, untamed, the pain and exultation of her attachment to them blew through Liga like a storm-wind carrying sharp leaves and struggling birds. How long she had known her daughters, and how well, and in what extraordinary vividness and detail! How blithely she had done the work of rearing them - it seemed to her now that she had had cause for towering, disabling anxieties about them; that what had seemed little plaints and sorrows in their childhoods were in fact off-drawings from much greater tragedies, from which she had tried to keep them but could not. And the joys she had had of them, too, their embraces and laughter - it was all too intense to be endured, this connection with them, which was a miniature of the connection with the forces that drove planet and season - the relentlessness of them, the randomness, the susceptibility to glory, to accident, to disaster. How soft had been her life in that other place, how safe and mild! And here she was, back where terrors could immobilize her, and wonders too; where life might become gulps of strong ale rather than sips of bloom-tea. She did not know whether she was capable of lifting the cup, let alone drinking the contents.
Margo Lanagan (Tender Morsels)
. . . chronosophy does involve ethics. Because our sense of time involves our ability to separate cause and effect, means and end. The baby, again, the animal, they don't see the difference between what they do now and what will happen because of it. They can't make a pulley, or a promise. We can. Seeing the difference between now and not now, we can make the connection. And there morality enters in. Responsibility. To say that a good end will follow from a bad means is just like saying that if I pull a rope on this pulley it will lift the weight on that one. To break a promise is to deny the reality of the past; therefore it is to deny the hope of a real future. If time and reason are functions of each other, if we are creatures of time, then we had better know it, and try to make the best of it. To act responsibly.
Ursula K. Le Guin (The Dispossessed (Hainish Cycle, #6))
Oh what a morning it was, that first morning of Mrs. Sweet awaking before the baby Heracles with his angry cries, declaring his hunger, the discomfort of his wet diaper, the very aggravation of being new and in the world; the rays of sun were falling on the just and unjust, the beautiful and the ugly, causing the innocent dew to evaporate; the sun, the dew, the little waterfall right next to the village's firehouse, making a roar, though really it was an imitation of the roar of a real waterfall; the smell of some flower, faint, as it unfurled its petals for the first time: oh what a morning!
Jamaica Kincaid (See Now Then)
You’re not a practiced hand at this. You’ve never really had a man and I get why. I fuckin’ do. Down to my gut I do, baby. And we can go there when you’re ready. Right now, all you have to know is, I’ll make you tacos until you can’t stand lookin’ at them anymore, if that’s what you want and I’ll do it just because you want them. The bottom line is, you look out for me, I’ll look out for you. I’ll make you come as often as you want. I’ll make you dinner, take you to dinner, take you to New York to see your friends, fly you to Paris ‘cause you wanna eat snails, I don’t give a fuck. But I won’t do that in return for shit you do for me. That’s what you give me. The only time it’ll go bad is if you don’t feel you get what you need from me and get it just because.
Kristen Ashley (The Will (Magdalene, #1))
Then why are we fighting?” He dropped his hand and it curled into a fist. “Because you putting yourself in danger terrifies me, and yet you do it all the time.” I wished I could reach up and, with a wave of my hand, erase the fear I saw lurking in his eyes. So little scared him. It didn’t seem right that I was the cause of his worst fears. “Not all the time,” I said with a little palm-open gesture. “Sometimes I’m as cautious as a baby rabbit.” “Really.” He raised a brow. “Like when you set someone on fire?” “Only people who choke me. And it was technically her hat. An ugly one. That hat needed burning.” His lips twitched. “It was a particularly grotesque hat, I’ll give you that much.
Elly Blake (Nightblood (Frostblood Saga, #3))
Babies need to sleep in total quiet … Wrong! Rice cereal boosts an infant’s sleep … Wrong! All infants sleep longer after three months of age … Wrong! Stomach gas and cramps cause babies to be wakeful and fussy … Wrong! Crying it out is the best way to sleep train a child … Wrong!
Harvey Karp (The Happiest Baby Guide to Great Sleep: Simple Solutions for Kids from Birth to 5 Years)
She might have seen that what had bowed her head so profoundly - the thought of the world's concern at her situation - was founded on an illusion. She was not an existence, an experience, a passion, a structure of sensations, to anybody but herself. To all humankind besides Tess was only a passing thought. Even to friends she was no more than a frequently passing thought. If she made herself miserable the livelong night and day it was only this much to them - 'Ah,she makes herself unhappy.' If she tried to be cheerful, to dismiss all care, to take pleasure in the daylight, the flowers, the baby, she could only be this idea to them - 'Ah, she bears it very well.' Moreover, alone in a desert island would she have been wretched at what had happened to her? Not greatly. If she could but have been just created, to discover herself as a spouseless mother, with no experience of life except as the parent of a nameless child, would the position have caused her to despair? No, she would have taken it calmly, and found pleasures therein. Most of the misery had been generated by her conventional aspect, and not by her innate sensations.
Thomas Hardy (Tess of the D'Urbervilles)
Abortion is not allowed because apparently it is against the law of god. Yes, that butter-wouldn't-melt deity who ordered babies to be slaughtered, killed all the first-born in Egypt And caused an entire human race to drown. From: "Gesels van een imaginaire god" (Scourges of an imaginary god)
A.J. Beirens
If it makes you feel any better Tory, they were just as bad when Mia was born. At least you don’t have Sin, Kish, and Damien running around, trying to boil water for no other reason than that’s what someone had told Sin husbands are supposed to do and since Sin doesn’t know how to boil water, he had to micromanage the other two incompetents who’d never done it either. I’m amazed they didn’t band together to kill him during it or burn down the casino. And don’t get me started on my mother trying to murder my husband in the middle of it or her fighting with grandma over whose labors were more painful. Or, (she cast a meaningful glance to Simi,) someone setting my mother’s hair on fire and trying to barbecue her to celebrate the birth.” – Kat “That an old Charonte custom that go back forever ’cause we a really old race of demons who go back even before forever. When a new baby is born you kill off an old annoying family member who gets on everyone’s nerves which for all of us would be the heifer-goddess ’cause the only person who like her be you, Akra-Kat. I know she you mother and all, but sometimes you just gotta say no thank you. You a mean old heifer-goddess who need to go play in tragic and get run over by something big like a steamroller or bus or something else really painful that would hurt her a lot and make the rest of us laugh. Not to mention the Simi barbecue would have been fun too if someone, Akra-Kat, hadn’t stopped the Simi from it. I personally think it would have been a most magnificent gift for the baby. Barbecued heifer-goddess Artemis. Yum! No better meal. Oh then again baby got a delicate constitution and that might give the poor thing indigestion. Artemis definitely give the Simi indigestion and I ain’t even ate her yet.” – Simi
Sherrilyn Kenyon (Retribution (Dark-Hunter, #19))
This story is one for which some people will have to suspend their belief. If it wasn't me and this wasn't happening to me, I would be one of those people. Many won't struggle to believe it, though, for their minds have been opened; unlocked by whatever kind of key causes people to believe. Those people are either born that way or, as babies, when their minds are like little buds, they are nurtured until their petals slowly open and prepare for the very nature of life to feed them. As the rain falls and the sun shines, they grow, grow, grow; minds so open, they go through life aware and accepting, seeing light where there is dark, seeing possibility in dead ends, tasting victory as others spit out failure, questioning when others accept. Just a little less jaded, a little less cynical. A little less likely to throw in the towel. Some peoples' minds open later in life, through tragedy or triumph. Either thing acting as the key to unlatch and lift the lid on that know-it-all box, to accept the unknown, to say goodbye to pragmatism and straight lines. But then there are those whose minds are merely a bouquet of stalks, which bud as they learn new information - a new bud for a new fact - but yet they never open, never flourish. They are the people of capital letters and full stops, but never of question marks and ellipses...
Cecelia Ahern (The Book of Tomorrow)
... I think my sister Daphne's obsession with having children has a lot to do with wanting to erase the pain my mother caused. On one level, Daphne's approach makes more sense. Yet the thought of a redo is not only unappealing, but terrifying. I don't want that kind of power over anyone. I don't want to be something that someone has to overcome. After all, I think everyone would agree that it's far worse to be a fucked-up mother than it is to have one.
Emily Giffin (Baby Proof)
In an appalling irony, this moral reasoning has made abortion the leading cause of death for black lives in America. Every year, well in excess of a quarter of a million unborn black children are lost through abortion. In New York City, more black babies are aborted than are born alive. This is justice?
Scott David Allen (Why Social Justice Is Not Biblical Justice: An Urgent Appeal to Fellow Christians in a Time of Social Crisis)
Simi rolled back and forth and spun around on Ash’s wheeled desk chair. Dressed in a neon pink lab coat and black and white striped leggings with thigh high laced platform boots that went all the way up to her black lace miniskirt, she was adorable. Her face was mostly covered by a black surgical mask with a matching pink skull and crossbones on the right side of it. Her glowing red eyes were emphasized by her solid jet-black pigtails and dark purple eyeliner. She’d been so excited about the impending birth of the baby, that she’d been dressed that way for a month and shadowing Tory’s every step. If Tory so much as hiccuped, Simi had whipped out a black baseball glove and asked, “is it time yet? The Simi’s gots her glove all ready to catch it if it is, ’cause sometimes they come out flying.”’ – Simi
Sherrilyn Kenyon (Retribution (Dark-Hunter, #19))
Eve darling," said Bill earnestly. "I swear I didn't . . . " "You sweared about me driving the car," interrupted Indigo. "say a word about bloody . . ." "Swears a lot," said Saffy vindictively. " . . . firewords. I shouldn't have brought them . . ." "Bloody shouldn't," agreed Saffron. "I'm taking them home. They're tired. Everyone's tired." "I'm not bloody tired," said Saffron, but all the same, after a kiss from Eve she was hauled away. "About bloody time," said Saffron. Caddy was glad to go, too. Only Indigo darted back into the baby room fro one last look at the thing that had caused so much trouble. "Get better!" he whispered. "Getbettergetbetter!" and dashed away.
Hilary McKay (Caddy's World (Casson Family, #0))
Roses are red, and they say love's not made to last, But I know I'll never get enough of that sweet, sweet ass. All that jelly in your jeans, all that junk in your trunk, I just gotta have it - one look and I was sunk. If you ever wonder why I had to make you mine, It's 'cause no other lady has a tush so fine. They say you're not a looker, but I don't mind. What I'm looking at is the view from behind. Never been romantic, don't know what love means, But I know I dig the way you're wearing those jeans. Hate to see you leave but love to watch you go. Turn back, then leave again - baby do it slow. I'm coming right after, gonna make a pass, Can't get enough of that sweet, sweet ass.
Cassandra Clare (The Bane Chronicles)
Never allow your child to go to sleep with milk/formula residue on their gums/teeth. This causes painful tooth decay. That means no bottles in the crib!
Jennifer Walker (Moms On Call Basic Baby Care: 0-6 Months (Expanded and Revised 2012) (Moms On Call Parenting Books))
Colds and babies were both caused by germs which loved nothing so much as a mucous membrane. ***
Kurt Vonnegut Jr. (Galápagos)
I’m so sorry, I forget to introduce m’self. Cleo, shat for Cleopaitra, cause m’ daddy always said I look like an Egyptian princess. And ya are?” “Not as happy to meet you,” he said.
Elle Klass (City by the Bay (Baby Girl #3))
When we choose a generality, an idea, a cause, instead of a person, when this becomes the accepted, the required thing to do, then it doesn’t matter if villages are destroyed by bombs; traffic deaths become statistics; starving babies can be forgotten when the television is turned off; and there will no longer be anybody who will read or write a poem or a story, who will look at or paint a picture, who will listen to or compose a symphony. No young man will walk whistling up the street. No young girl will sing about the love in her heart. 2
Madeleine L'Engle (A Circle of Quiet (The Crosswicks Journals))
One reason it is vital to respond to an infant's needs is trhat the baby feels it is the cause of its own neglect, although this is not a conscious thought. Such narcissistic feelings pave the road to an infant's psychological and physical growth; since the baby senses no boundaries between herself and her mother, she "believes" that her cries cause the mother to tend to her. And if the mother does not tend to her, the baby believes that she created her own rejection by not being lovable, not worthy of care. It's a belief that haunts one's life.
Victoria Secunda (When You and Your Mother Can't Be Friends: Resolving the Most Complicated Relationship of Your Life)
You still fallin’ in love with me?” I stared, my cheeks now getting warm and opened my mouth to answer affirmative when he went on. “’Cause you should know, baby, I’m already gone for you.
Kristen Ashley (Play It Safe)
Catfish always drink alcoholic ether if begged, for every catfish enjoys heightened intoxication; gross indulgence can be calamitous, however; duly, garfish babysit for dirty catfish children, helping catfish babies get instructional education just because garfish get delight assisting infants’ growth and famously inspire confidence in immature catfish, giving experience (and joy even); however, blowfish jeer insightful garfish, disparaging inappropriately, doing damage, even insulting benevolent, charming, jovial garfish, hurting and frustrating deeply; joy fades but hurt feelings bring just grief; inevitable irritation hastens feeling blue; however, jovial children declare happiness, blowfishes’ evil causes dejection, blues; accordingly, always glorift jolly, friendly garfish!
John Green
The baby's large eyes settled on him, and though this has been one of his happiest nights in his whole life, it made him melancholy. He had read somewhere that babies are instinctively drawn to faces, that they will fixate even on drawings or abstract, facelike shapes, and round objects with markings that might resemble eye-mouth-nose. It was information that struck him as terribly sad, terribly lonely - to imagine the infants of the world scoping the blurry atmosphere above them for faces the way primitive people scrutinized the stars for patterns, the way castaways stare at the moon, the blinking of a satellite. It made him sad to think of the baby gathering information - a mind, a soul, slowly solidifying around these impressions, coming to understand cause and effect, coming out of a blank or fog into reality. Into a reality. The true terror, Jonah thought, the true mystery of life was not that we are all going to die, but that we were all born, that we were all once little babies like this, unknowing and slowly reeling in the world, gathering it loop by loop like a ball of string. The true terror was that we once didn't exist and then, through no fault of our own, we had to.
Dan Chaon (You Remind Me of Me)
See them little scales there, how they're closed up tight like window shutters? Underneath 'em are the seeds - flat little things, flimsy as a baby's figernails - with a point at one end. If a fire comes along, the heat is gonna cause those scales to peel back and drop their seeds, while the ground is still scorching hot. Then that tiny seed is gonna burrow in and take root." I was nine years old the summer Freeda and Winnalee Malone rushed across our lives like red-hot flames, peeling back the shutters that sat over our hearts and our minds, setting free our sweetest dreams and our worst nightmares.
Sandra Kring
The sin of David stands out like a tar-baby in a field of snow, like a blackberry in a bowl of cream. It may cause us to miss the greatness of the man. Remember that sin was the exception in David’s life—not the pattern of it. The Word of God does not play down the sin of David; it does not whitewash the man. God doesn’t say it is not sin. God is going to call it sin, and David will be punished for it.
J. Vernon McGee (Thru the Bible Commentary, Volumes 1-5: Genesis through Revelation)
Yeah, You rocked my world forever I know you still remember How we felt before Yeah, We should be together 'Cause nothing could be better Than the way we were Baby, let's go back to the way we were Let's turn back the clock This time we'll take it slow You can stay the night, This time I won't let go And when the morning comes, We can start all over, over again Why did we say goodbye? Let's go back tonight
The Summer Set
The central theme of this book is that America’s present dilemma resulted substantially and directly from choices made by the Baby Boomers. Their collective, pathological self-interest derailed a long train of progress, while exacerbating and ignoring existential threats like climate change. The Boomers’ sociopathic need for instant gratification pushed them to equally sociopathic policies, causing them to fritter away an enormous inheritance, and when that was exhausted, to mortgage the future. When the consequences became troubling, Boomer leadership engaged in concealment and deception in a desperate effort to hold the system together just long enough for their generational constituencies to pass from the scene. The story of the Boomers is, in other words, the story of a generation of sociopaths running amok.
Bruce Cannon Gibney (A Generation of Sociopaths: How the Baby Boomers Betrayed America)
Cause she was a girl with good intentions Yeah, she made some bad decisions And she learned a couple lessons Wish I could tell her She was a girl with good intentions Didn't need the second guessing Didn't need to ever question Wish I could tell her She didn't know all of the hurt she could take Her world was crumbling and so was her faith Wish I could talk to her, 'cause what I would say "Oh baby, you're enough to get you out of this place" I know you'll get the chance, to find who you are I know you'll have the choice, before it gets too dark I know you'll get the chance to find who you are I know you'll have the choice
EJR
Hypercritical, Shaming Parents Hypercritical and shaming parents send the same message to their children as perfectionistic parents do - that they are never good enough. Parents often deliberately shame their children into minding them without realizing the disruptive impact shame can have on a child's sense of self. Statements such as "You should be ashamed of yourself" or "Shame on you" are obvious examples. Yet these types of overtly shaming statements are actually easier for the child to defend against than are more subtle forms of shaming, such as contempt, humiliation, and public shaming. There are many ways that parents shame their children. These include belittling, blaming, contempt, humiliation, and disabling expectations. -BELITTLING. Comments such as "You're too old to want to be held" or "You're just a cry-baby" are horribly humiliating to a child. When a parent makes a negative comparison between his or her child and another, such as "Why can't you act like Jenny? See how she sits quietly while her mother is talking," it is not only humiliating but teaches a child to always compare himself or herself with peers and find himself or herself deficient by comparison. -BLAMING. When a child makes a mistake, such as breaking a vase while rough-housing, he or she needs to take responsibility. But many parents go way beyond teaching a lesson by blaming and berating the child: "You stupid idiot! Do you think money grows on trees? I don't have money to buy new vases!" The only thing this accomplishes is shaming the child to such an extent that he or she cannot find a way to walk away from the situation with his or her head held high. -CONTEMPT. Expressions of disgust or contempt communicate absolute rejection. The look of contempt (often a sneer or a raised upper lip), especially from someone who is significant to a child, can make him or her feel disgusting or offensive. When I was a child, my mother had an extremely negative attitude toward me. Much of the time she either looked at me with the kind of expectant expression that said, "What are you up to now?" or with a look of disapproval or disgust over what I had already done. These looks were extremely shaming to me, causing me to feel that there was something terribly wrong with me. -HUMILIATION. There are many ways a parent can humiliate a child, such as making him or her wear clothes that have become dirty. But as Gershen Kaufman stated in his book Shame: The Power of Caring, "There is no more humiliating experience than to have another person who is clearly the stronger and more powerful take advantage of that power and give us a beating." I can personally attest to this. In addition to shaming me with her contemptuous looks, my mother often punished me by hitting me with the branch of a tree, and she often did this outside, in front of the neighbors. The humiliation I felt was like a deep wound to my soul. -DISABLING EXPECTATIONS. Parents who have an inordinate need to have their child excel at a particular activity or skill are likely to behave in ways that pressure the child to do more and more. According to Kaufman, when a child becomes aware of the real possibility of failing to meet parental expectations, he or she often experiences a binding self-consciousness. This self-consciousness - the painful watching of oneself - is very disabling. When something is expected of us in this way, attaining the goal is made harder, if not impossible. Yet another way that parents induce shame in their children is by communicating to them that they are a disappointment to them. Such messages as "I can't believe you could do such a thing" or "I am deeply disappointed in you" accompanied by a disapproving tone of voice and facial expression can crush a child's spirit.
Beverly Engel (The Nice Girl Syndrome: Stop Being Manipulated and Abused -- And Start Standing Up for Yourself)
I have a heart!” “No, you don’t.” “Yes, I do,” he says. “Look, I’ll prove it to you.” He reaches into the tub and wraps his arms around Hector, suds and all. “Oooh,” he says in a baby voice. “Ooooh, Hector, you’re such a good boy, oooh, I love you, Hector.” Hector’s tail immediately starts wagging, and he pushes his snout into Jace’s face and starts licking it. “Oh, Hector, you’re so sweet,” Jace says. “You’re just the best dog.” Hector moves and Jace’s elbows slip, causing Jace’s whole upper body to slide over the side and into the tub. For a second, everyone freezes. I’m afraid Jace is going to be mad, since now he’s soaking wet, but instead he just says, “Oooh, Hector, that’s okay,” and then slides his whole body into the tub, clothes and all. Hector gives a happy bark, glad to have a friend with him, and then plants his front paws on Jace’s chest.
Lauren Barnholdt (Right of Way)
My neighbour turned to me again, and asked me what work it was that was taking me to Athens. For the second time I felt the conscious effort of his enquiry, as though he had trained himself in the recovery of objects that were falling from his grasp. I remembered the way, when each of my sons was a baby, they would deliberately drop things from their high chair in order to watch them fall to the floor, an activity as delightful to them as its consequences were appalling. They would stare down at the fallen thing – a half-eaten rusk, or a plastic ball – and become increasingly agitated by its failure to return. Eventually they would begin to cry, and usually found that the fallen object came back to them by that route. It always surprised me that their response to this chain of events was to repeat it: as soon as the object was in their hands they would drop it again, leaning over to watch it fall. Their delight never lessened, and nor did their distress. I always expected that at some point they would realise the distress was unnecessary and would choose to avoid it, but they never did. The memory of suffering had no effect whatever on what they elected to do: on the contrary, it compelled them to repeat it, for the suffering was the magic that caused the object to come back and allowed the delight in dropping it to become possible again. Had I refused to return it the very first time they dropped it, I suppose they would have learned something very different, though what that might have been I wasn’t sure.
Rachel Cusk (Outline)
her house being small. They ain’t rich folk, that I know. Rich folk don’t try so hard. I’m used to working for young couples, but I spec this is the smallest house I ever worked in. It’s just the one story. Her and Mister Leefolt’s room in the back be a fair size, but Baby Girl’s room be tiny. The dining room and the regular living room kind a join up. Only two bathrooms, which is a relief cause I worked in houses where they was five or
Kathryn Stockett (The Help)
I just don’t understand our brother. A human.” Briec gave a great sigh, causing Gwenvael to roll his eyes in annoyance. “You don’t know anything, Briec. She’s different.” “Don’t you really mean crazed, baby brother?” Gwenvael saw Morfyd’s white scales swooping toward them. He stood up. Both he and Briec were already in human form and dressed. “You’re just mad she slapped you around.” Gwenvael looked at his brother. “Like a bitch.” Briec stood up. Slightly taller than Gwenvael, but still shorter than Fearghus, he tended to be just as much fun to torture as their older sibling. “I let her hit me.” “You had to. Otherwise she would have killed you where you stood.
G.A. Aiken (Dragon Actually (Dragon Kin, #1))
Have you forgotten me? by Nancy B. Brewer The bricks I laid or the stitches I sewed. I was the one that made the quilt; a drop of blood still shows from my needle prick. Your wedding day in lace and satin, in a dress once worn by me. I loaned your newborn baby my christening gown, a hint of lavender still preserved. Do you know our cause, the battles we won and the battles we lost? When our soldiers marched home did you shout hooray! Or shed a tear for the fallen sons. What of the fields we plowed, the cotton, the tobacco and the okra, too. There was always room at my table for one more, Fried chicken, apple pie, biscuits and sweet ice tea. A time or two you may have heard our stories politely told. Some of us are famous, recorded on the pages of history. Still, most of us left this world without glory or acknowledgment. We were the first to walk the streets you now call home, Perhaps you have visited my grave and flowers left, but did you hear me cry out to you? Listen, my child, to the voices of your ancestors. Take pride in our accomplishments; find your strength in our suffering. For WE are not just voices in the wind, WE are a living part of YOU!
Nancy B. Brewer (Beyond Sandy Ridge)
To Roam Well, I like this world Well, I like this world Well, I like this world I like it how it was I pray how it was I like it how it was Ghosts in the rain Cold walk of freedom Well, I'm walking a hallway I'm walking a hallway I'm walking a hallway Said, I'm walking a hallway I'm walking a hallway Well, I'm walking a hallway I am proud and I'm gloried Thinking 'bout the day what'll surely come When on the scene, I'm smile evaded When outta nowhere, I'm gonna run But I know where I go, I will be gone Somewhere to run to - if you see You could see it through my mind You wouldn't know it - no way You'd know when my eyes roam Through the fog and hail and sleet I missed the snow and nowhere Nowhere, nowhere, nowhere You should've known where Should've known where You should've known where Should've known better, baby 'Cause I like this world And I like this world Some people want to roam Some people, they roam this world alone Some people were born to roam Some people they roam this world alone Alone
Robert Pattinson
Little Girl Blue" Sit there, hmm, count your fingers. What else, what else is there to do ? Oh and I know how you feel, I know you feel that you're through. Oh wah wah ah sit there, hmm, count, Ah, count your little fingers, My unhappy oh little girl, little girl blue, yeah. Oh sit there, oh count those raindrops Oh, feel 'em falling down, oh honey all around you. Honey don't you know it's time, I feel it's time, Somebody told you 'cause you got to know That all you ever gonna have to count on Or gonna wanna lean on It's gonna feel just like those raindrops do When they're falling down, honey, all around you. Oh, I know you're unhappy. Oh sit there, ah go on, go on And count your fingers. I don't know what else, what else Honey have you got to do. And I know how you feel, And I know you ain't got no reason to go on And I know you feel that you must be through. Oh honey, go on and sit right back down, I want you to count, oh count your fingers, Ah my unhappy, my unlucky And my little, oh, girl blue. I know you're unhappy, Ooh ah, honey I know, Baby I know just how you feel.
Janis Joplin
She liked numbers and sums. She devised a game in which each number was a family member and the “answer” made a family grouping with a story to it. Naught was a babe in arms. He gave no trouble. Whenever he appeared you just “carried” him. The figure 1 was a pretty baby girl just learning to walk, and easy to handle; 2 was a baby boy who could walk and talk a little. He went into family life (into sums, etc.) with very little trouble. And 3 was an older boy in kindergarten, who had to be watched a little. Then there was 4, a girl of Francie’s age. She was almost as easy to “mind” as 2. The mother was 5, gentle and kind. In large sums, she came along and made everything easy the way a mother should. The father, 6, was harder than the others but very just. But 7 was mean. He was a crotchety old grandfather and not at all accountable for how he came out. The grandmother, 8, was hard too, but easier to understand than 7. Hardest of all was 9. He was company and what a hard time fitting him into family life! When Francie added a sum, she would fix a little story to go with the result. If the answer was 924, it meant that the little boy and girl were being minded by company while the rest of the family went out. When a number such as 1024 appeared, it meant that all the little children were playing together in the yard. The number 62 meant that papa was taking the little boy for a walk; 50 meant that mama had the baby out in the buggy for an airing and 78 meant grandfather and grandmother sitting home by the fire of a winter’s evening. Each single combination of numbers was a new set-up for the family and no two stories were ever the same. Francie took the game with her up into algebra. X was the boy’s sweetheart who came into the family life and complicated it. Y was the boy friend who caused trouble. So arithmetic was a warm and human thing to Francie and occupied many lonely hours of her time.
Betty Smith (A Tree Grows in Brooklyn)
When I was done speaking I felt his body had gone still again, stone still. And silent. Then he asked quietly, "Nightmare?" "Nightmare," I replied firmly. Ty didn't move. By a miracle, I held it together. Then he moved but it was to rest his chin on my shoulder and I closed my eyes because I needed him to go, go, go so I could fall apart again on my own. Then he said, "Your nightmare, mama, was my dream." My heart clenched. He kept going. "Never had a home until you gave me one." My breath started sticking. "Never had anyone give to me the way you gave to me." My breath stopped sticking and clogged. "Never thought of findin' a woman who I wanted to have my baby." Oh God. "Never had light in my life, never, not once, I lived wild but I didn't burn bright until you shined your light on me." Oh God. "Whacked, fuckin' insane, but, at night, you curled in front of me, didn't mind I did that time that wasn't mine 'cause it meant I walked out to you." He had to stop. He had to. He didn't. "Your nightmare," he whispered, turned his head and against my neck he finished, "my dream.
Kristen Ashley (Lady Luck (Colorado Mountain, #3))
Ma raised her eyes to the girl’s face. Ma’s eyes were patient, but the lines of strain were on her forehead…. “When you’re young, Rosasharn, ever’thing that happens is a thing all by itself. It’s a lonely thing. I know, I ‘member, Rosasharn.” Her mouth loved the name of her daughter. “You’re gonna have a baby, Rosasharn, and that’s somepin to you lonely and away. That’s gonna hurt you, an’the hurt’ll be lonely hurt, an’ this here tent is alone in the worl’, Rosasharn.” She whipped the air for a moment to drive a buzzing blow fly on, and the big shining fly circled the tent twice and zoomed out into the blinding sunlight. And Ma went on, “They’s a time of change, and when that comes, dyin’ is a piece of all dyin’, and bearin’ is a piece of all bearin’, an bearin’ an’ dyin’ is two pieces of the same thing. An’ then things ain’t lonely any more. An’ then a hurt don’t hurt so bad, ’cause it ain’t a lonely hurt no more, Rosasharn. I wisht I could tell you so you’d know, but I can’t.” And her voice was so soft, so full of love, that tears crowded into Rose of Sharon’s eyes, and flowed over eyes and blinded her.
John Steinbeck (The Grapes of Wrath)
You belong to me, you’re mine, and right now, in this bed, I’m gonna do something else for the very first time. We both are.” I held my breath, too afraid if I exhaled I would ruin the moment and never know what he would reveal. “I’m gonna make love to you, Lilah. I’m gonna take you as mine, possess you. ‘Cause there ain’t no one out there… no one else who could do this to me, but you.” … Pressing his forehead against mine, he inhaled a ragged breath and murmured, “I fuckin’ love you, Lilah. This, us, baby, it’s more than just fucking. You get that, yeah?
Tillie Cole (Heart Recaptured (Hades Hangmen, #2))
I am on a lonely road and I am traveling Traveling, traveling, traveling Looking for something, what can it be Oh I hate you some, I hate you some, I love you some Oh I love you when I forget about me I want to be strong I want to laugh along I want to belong to the living Alive, alive, I want to get up and jive I want to wreck my stockings in some juke box dive Do you want - do you want - do you want to dance with me baby Do you want to take a chance On maybe finding some sweet romance with me baby Well, come on All I really really want our love to do Is to bring out the best in me and in you too All I really really want our love to do Is to bring out the best in me and in you I want to talk to you, I want to shampoo you I want to renew you again and again Applause, applause - Life is our cause When I think of your kisses my mind see-saws Do you see - do you see - do you see how you hurt me baby So I hurt you too Then we both get so blue. I am on a lonely road and I am traveling Looking for the key to set me free Oh the jealousy, the greed is the unraveling It's the unraveling And it undoes all the joy that could be I want to have fun, I want to shine like the sun I want to be the one that you want to see I want to knit you a sweater Want to write you a love letter I want to make you feel better I want to make you feel free I want to make you feel free
Joni Mitchell (Blue)
THOSE BORN UNDER Pacific Northwest skies are like daffodils: they can achieve beauty only after a long, cold sulk in the rain. Henry, our mother, and I were Pacific Northwest babies. At the first patter of raindrops on the roof, a comfortable melancholy settled over the house. The three of us spent dark, wet days wrapped in old quilts, sitting and sighing at the watery sky. Viviane, with her acute gift for smell, could close her eyes and know the season just by the smell of the rain. Summer rain smelled like newly clipped grass, like mouths stained red with berry juice — blueberries, raspberries, blackberries. It smelled like late nights spent pointing constellations out from their starry guises, freshly washed laundry drying outside on the line, like barbecues and stolen kisses in a 1932 Ford Coupe. The first of the many autumn rains smelled smoky, like a doused campsite fire, as if the ground itself had been aflame during those hot summer months. It smelled like burnt piles of collected leaves, the cough of a newly revived chimney, roasted chestnuts, the scent of a man’s hands after hours spent in a woodshop. Fall rain was not Viviane’s favorite. Rain in the winter smelled simply like ice, the cold air burning the tips of ears, cheeks, and eyelashes. Winter rain was for hiding in quilts and blankets, for tying woolen scarves around noses and mouths — the moisture of rasping breaths stinging chapped lips. The first bout of warm spring rain caused normally respectable women to pull off their stockings and run through muddy puddles alongside their children. Viviane was convinced it was due to the way the rain smelled: like the earth, tulip bulbs, and dahlia roots. It smelled like the mud along a riverbed, like if she opened her mouth wide enough, she could taste the minerals in the air. Viviane could feel the heat of the rain against her fingers when she pressed her hand to the ground after a storm. But in 1959, the year Henry and I turned fifteen, those warm spring rains never arrived. March came and went without a single drop falling from the sky. The air that month smelled dry and flat. Viviane would wake up in the morning unsure of where she was or what she should be doing. Did the wash need to be hung on the line? Was there firewood to be brought in from the woodshed and stacked on the back porch? Even nature seemed confused. When the rains didn’t appear, the daffodil bulbs dried to dust in their beds of mulch and soil. The trees remained leafless, and the squirrels, without acorns to feed on and with nests to build, ran in confused circles below the bare limbs. The only person who seemed unfazed by the disappearance of the rain was my grandmother. Emilienne was not a Pacific Northwest baby nor a daffodil. Emilienne was more like a petunia. She needed the water but could do without the puddles and wet feet. She didn’t have any desire to ponder the gray skies. She found all the rain to be a bit of an inconvenience, to be honest.
Leslye Walton (The Strange and Beautiful Sorrows of Ava Lavender)
I was terrified my father and Laurene might tell me at some point how insignificant I was, what a disappointment I was, sloppy and repulsive, breaking things like a baby. They already had a baby. How little I fit into the picture of family. I could see it and they'd made a mistake in allowing me to live here; I was unsure of my position in the house, and this anxiety—combined with a feeling of immense gratitude so overwhelming I thought I might burst—caused me to talk too much, to compliment too much, to say yes to whatever they asked, hoping my servile quality would ignite compassion, pity, or love.
Lisa Brennan-Jobs (Small Fry: A Memoir)
Mmm,” Bree licked the ice cream scoop and tossed it into the sink. “Let’s just say that for the sake of the baby, Alessandro and I have reached a sort of…an...agreement, I guess.” “Does that mean I can’t punch him anymore? ‘Cause that was fun.” “Yes. It does. Sorry.” “So are you two…” “No. Hell no. Not after him using Rebecca Malford as a scratching post,” Bree grumbled, her stomach clenching tight at that little reminder. “He’s what? Alessandro and that...viper?” “That’s right.” Bree clenched her teeth. “Rebecca and Alessandro? Oh my God. Mental bleach! I need mental bleach!” Meggie rubbed her temples. “Yeah, keep doing that for another week and you might be where I am right about now.” “Oh, he’s a smooth one, that’s for sure,” Meggie said with a sudden smile. “What’s with that look?” “You’re so jealous,” Bree snorted, turning away from her and taking a seat opposite of Will. “That’s ridiculous.” “And so true.
E. Jamie (The Vendetta (Blood Vows, #1))
I know your sick and tired of arguing But you can't keep it bottled in Jealousy, we got to swallow it Your heart and mind baby follow it Smile, happiness you could model it And when you feel opposite I just want you to know Your whole being is beautiful I'ma do the best I can do Cause I'm my best when I'm with you
Common
Baby's World I wish I could take a quiet corner in the heart of my baby's very own world. I know it has stars that talk to him, and a sky that stoops down to his face to amuse him with its silly clouds and rainbows. Those who make believe to be dumb, and look as if they never could move, come creeping to his window with their stories and with trays crowded with bright toys. I wish I could travel by the road that crosses baby's mind, and out beyond all bounds; Where messengers run errands for no cause between the kingdoms of kings of no history; Where Reason makes kites of her laws and flies them, the Truth sets Fact free from its fetters.
Rabindranath Tagore
A pack of coyotes set up a sudden racket near the house, yipping and howling, so close by they sounded like they had us surrounded. When a hunting pack corners a rabbit they go into a blood frenzy, making human-sounding screams. The baby sighed and stirred in his crib. At seven months, he was just the size of a big jackrabbit--the same amount of meat. The back of my scalp and neck prickled. It's an involuntary muscle contraction that causes that, setting the hair follicles on edge; if we had manes they would bristle like a growling dog's. We're animals. We're born like every other mammal and we live our whole lives around disguised animal thoughts.
Barbara Kingsolver
Another way to spot chickenheads is by checking out their navels. Many chickenheads had mothers who didn’t know how to properly remove their umbilical cords when they were babies. (You can’t use cocoa butter to help remove the umbilical cord.) This causes their navels to protrude or become slightly disfigured as they grow up. Beware. And
Tariq Nasheed (The Mack Within: The Holy Book of Game)
I’m a grown fucking man, and I nearly bawled like a baby watching that shit.” Rhys’s sincerity caused a tightening of attraction deep in my gut. He watched wildlife documentaries? I did bawl like a baby at the walruses and was strangely turned on that he was compassionate enough to admit to feelings on the matter. I might have emitted a moan.
Kristen Callihan (Outmatched)
Seem that if baby get left in manger he would scratch up, bite up and dead by the third day. But white people think this be the greatest thing. The baby grow up and they kill him, and white people think this be even greater. It make plenty sense that white people would get so much mirth and joy out of this 'cause nobody kill for fun like backra.
Marlon James
As she nestled against Mattie’s breast, the baby’s deep-blue eyes gazed intently into Mattie’s dark-caramel irises. Her pink fingers patted and stroked soft brown skin. She grinned up at Mattie, causing milk to dribble out the sides of her mouth. “Silly girl,” Mattie admonished the baby, tickling and teasing her. “You gotta pick: eatin’ or smilin’.
Laila Ibrahim (Yellow Crocus (Freedman/Johnson, #1))
Your nightmare, mama, was my dream.” My heart clenched. He kept going. “Never had a home until you gave me one.” My breath started sticking. “Never had anyone give to me the way you gave to me.” My breath stopped sticking and clogged. “Never thought of findin’ a woman who I wanted to have my baby.” Oh God. “Never had light in my life, never, not once. I lived wild but I didn’t burn bright until you shined your light on me.” Oh God. “Whacked, fuckin’ insane, but, at night, you curled in front of me, didn’t mind I did that time that wasn’t mine ‘cause it meant I walked out to you.” He had to stop. He had to. He didn’t. “Your nightmare,” he whispered, turned his head and against my neck he finished, “my dream.
Kristen Ashley (Lady Luck (Colorado Mountain, #3))
Being a man is the weeding and the watering and the fertilizing. Doing it not just once but ten thousand times. Not just when the mood strikes but precisely when it doesn't. When there's nothing you'd rather less than change another diaper, warm another bottle. Nothing you'd rather than sleep cause you ain't since the baby arrived shrieking like a banshee—
Andrés Cruciani (The Father)
The best way to be prolife is to deliver people from the causes of abortions. See to it that potential mothers will have help raising their children or giving them a family through adoption. Make it possible for people to raise their babies and not to have to drop out of school, not to have to give up on a future. Help them have confidence that they can cope.
Glen H. Stassen (Kingdom Ethics: Following Jesus in Contemporary Context)
All these men afraid of bein’ crowded, ain’t they? They need all this room, they afraid some woman gonna crawl in their head and take over. Well, surprise, surprise. Ain’t nobody crawlin’ in there ’cept you, honey, and you get older and older and it get stuffy in there. Let me tell you, you afraid of other folks takin’ away your elbow room, well, just relax. You born alone, you die alone, and you get any kind of company in between, you one lucky boy. Bein’ by yourself ain’t no accomplishment. Ain’t like being no kind of hero. Ray, see, Ray sho ’nough figures he gettin’ away with somethin’, understand me? He think he a clever boy, runnin’ round with whores, gettin’ diseases, drinkin’ his heart out till five in the a.m. Lucky Ray, huh? Well, what Raymond Harris gettin’ away with is not see his kids grow up, and when he do come back they call him Mr. Harris ’steada Daddy, and they shake his hand ’steada kiss his cheek, and they spit when he turn his back. And I spit, too, though I’ll take him in again and love him, ’cause that’s what I’s here to do. But I spit anyways, ’cause he such a dumb sucker, understand me? ’Less stupid ole Ray Harris die by hisself in some alleyway. Sho, run away. Best way in the world to be nothin’. Risk endin’ up croaked by garbage cans, when he could die in my arms?” Leonia put her coffee cup in its saucer, and it rattled softly. “That no way to be the big man, baby. That just be dumb and sad. You got me?
Lionel Shriver (The Female of the Species)
Rose of Sharon Chapter 16 Me an’ Connie don’t want to live in the country no more. We got it all planned up what we gonna do. Well, we talked about it, me an’ Connie. Ma, we want to live in a town. Connie gonna get a job in a store or maybe a factory. An’ he’s gonna study at home, maybe radios, so he can get to be a expert an’ maybe later have his own store. An’ we’ll go to pitchers whenever. An’ Connie says I’m gonna have a doctor when the baby’s born; an’ he says we’ll see how times is, an’ maybe I’ll go to a hospiddle. An’ we’ll have a car, a little car. An’ when he gets done studying at night, why – it’ll be nice, an’ he tore a page out of Western Love Stories, an’ he’s gonna send off for a course ‘cause it don’t cost nothin’ to send off. Says right on that clipping. I seen it. An’, why- they even get you a job when you take that course-radios, it is—nice clean work, and a future. An’ we’ll live in town an’ go to pitchers whenever, an’ – well. I’m gonna have an ‘lectric iron! an’, the baby’ll have all new stuff-“white an’- Well, you seen in the catalogue all the stuff they got for a baby. Maybe right at first while Connie’s studying’ at home it wou’t be so easy, but-well, when the baby comes, maybe he’ll be all done studyin’ an’ we’ll have a place, little bit of a place. We don’t want nothin’ fancy, but we want it nice for the baby-“An’ I thougt-well, I thought maybe we could all go in town, an’ when Connie gets his store – maybe Al could work for him.
John Steinbeck (The Grapes of Wrath)
This is how ignition works. Where deep practice is a cool, conscious act, ignition is a hot, mysterious burst, an awakening. Where deep practice is an incremental wrapping, ignition works through lightning flashes of image and emotion, evolution-built neural programs that tap into the mind's vast reserves of energy and attention. Where deep practice is all about staggering-baby steps, ignition is about the set of signals and subconscious forces that create our identity; the moments that lead us to say that is who I want to be. We usually think of passion as an inner quality. But the more I visited hotbeds, the more I saw it as something that came first from the outside world. In the hotbeds the right butterfly wingflap was causing talent hurricanes.
Daniel Coyle (The Talent Code: Unlocking the Secret of Skill in Sports, Art, Music, Math, and Just About Everything Else)
Vi, are you all right?” Jay asked, right beside her now, pulling her off the ground. Tears burned her eyes, and it wasn’t just from the painful sting radiating up through her hands and knees. Humiliation threatened to overcome the hurt. Jay hauled her up. She could smell his musky scent in his sweatshirt, and she tried to hold her breath against it. This was bad . . . this was a bad, bad place for her to be. “Are you hurt?” He pulled her away just enough so he could look down at her. She bit her lip, trying to will the tears away. She blinked and looked back at him. “I’m okay,” she responded, but her voice broke, making her words sound puny, pathetic even. He cringed as he bent down and looked at the angry red scrapes on both her knees. He reached out to lightly brush away some of the dirt from them, but she knew that he was afraid of hurting her, so he barely touched them. “We’d better get you back so we can clean those up.” He straightened, and then surprised her by picking her up as he started to carry her along the trail. She struggled against him. “I can walk!” she protested, feeling even more like a baby as he held her in his arms. He looked down at her in disbelief. “Are you sure? ‘Cause I think I just saw you trying, and it didn’t work out so well for you.” He didn’t seem inclined to let her down just yet; he just kept walking. She laughed but insisted again through her teary giggles, “Seriously, put me down! I feel stupid enough already—I don’t need you treating me like an invalid.” He slowed down unsurely before setting Violet on her own two feet. Internally she cursed herself for being so stubborn, and she wished that he’d put up more of a fight. Why couldn’t he have insisted on carrying her all the way home? Instead, he reached out and grabbed her hand. “If it’s all right with you, I think I’ll keep ahold of you anyway. I don’t want to be responsible for letting you fall again.
Kimberly Derting (The Body Finder (The Body Finder, #1))
I need one, Momma, how come I don't have a baby sister?" Rachel smiled. "You're so perfect. There was no need to ask for another." Sophie cocked her head to the side like a puppy. "Ask who?" "The Stork," Faith supplied. Sophie looked thoroughly confused then. "I thought sex caused babies." Rachel patted Faith on the back when she began to cough. Kaycee shook her head. "Rhonda at school told me that special music causes babies. her sister told her that when her mom and dad play music in their bedroom, babies were being made. Momma, you play music in your room, but we don't have a baby." "I don't have that particular CD, sweetie." "My friend told me that it takes a penny and a Virginia to make a baby," Sophie said and sent Faith into another coughing fit.
Robin Alexander (The Summer of Our Discontent)
What you describe is parasitism, not love. When you require another individual for your survival, you are a parasite on that individual. There is no choice, no freedom involved in your relationship. It is a matter of necessity rather than love. Love is the free exercise of choice. Two people love each other only when they are quite capable of living without each other but choose to live with each other. We all-each and every one of us-even if we try to pretend to others and to ourselves that we don't have dependency needs and feelings, all of us have desires to be babied, to be nurtured without effort on our parts, to be cared for by persons stronger than us who have our interests truly at heart. No matter how strong we are, no matter how caring and responsible and adult, if we look clearly into ourselves we will find the wish to be taken care of for a change. Each one of us, no matter how old and mature, looks for and would like to have in his or her life a satisfying mother figure and father figure. But for most of us these desires or feelings do not rule our lives; they are not the predominant theme of our existence. When they do rule our lives and dictate the quality of our existence, then we have something more than just dependency needs or feelings; we are dependent. Specifically, one whose life is ruled and dictated by dependency needs suffers from a psychiatric disorder to which we ascribe the diagnostic name "passive dependent personality disorder." It is perhaps the most common of all psychiatric disorders. People with this disorder, passive dependent people, are so busy seeking to be loved that they have no energy left to love…..This rapid changeability is characteristic of passive dependent individuals. It is as if it does not matter whom they are dependent upon as long as there is just someone. It does not matter what their identity is as long as there is someone to give it to them. Consequently their relationships, although seemingly dramatic in their intensity, are actually extremely shallow. Because of the strength of their sense of inner emptiness and the hunger to fill it, passive dependent people will brook no delay in gratifying their need for others. If being loved is your goal, you will fail to achieve it. The only way to be assured of being loved is to be a person worthy of love, and you cannot be a person worthy of love when your primary goal in life is to passively be loved. Passive dependency has its genesis in lack of love. The inner feeling of emptiness from which passive dependent people suffer is the direct result of their parents' failure to fulfill their needs for affection, attention and care during their childhood. It was mentioned in the first section that children who are loved and cared for with relative consistency throughout childhood enter adulthood with a deep seated feeling that they are lovable and valuable and therefore will be loved and cared for as long as they remain true to themselves. Children growing up in an atmosphere in which love and care are lacking or given with gross inconsistency enter adulthood with no such sense of inner security. Rather, they have an inner sense of insecurity, a feeling of "I don't have enough" and a sense that the world is unpredictable and ungiving, as well as a sense of themselves as being questionably lovable and valuable. It is no wonder, then, that they feel the need to scramble for love, care and attention wherever they can find it, and once having found it, cling to it with a desperation that leads them to unloving, manipulative, Machiavellian behavior that destroys the very relationships they seek to preserve. In summary, dependency may appear to be love because it is a force that causes people to fiercely attach themselves to one another. But in actuality it is not love; it is a form of antilove. Ultimately it destroys rather than builds relationships, and it destroys rather than builds people.
M. Scott Peck
He looks almost as bad as I feel. Nat calls out, “So I’m guessing by your silence that I’ve won this round.” I shake my head and speak into the cell, “Sorry, I gotta go. Max is here.” She purrs into the phone. “Ah, I get ya.” Then sings, “Let me lick you up and down ‘til you say stop.” I fight my hysterical laugh and mumble, “Yeah, like I said, I gotta go.” But she ignores me, singing louder, “Let me play with your body, baby, make you real hot.” I hang up and swallow hard. “Hi.” Max opens his mouth to speak, but Nat is not to be ignored. She shouts through the wall, “Let me do all the things you want me to do.” I cover my mouth with a hand, flushing as she finishes her solo. “’Cause tonight, baby, I wanna get freaky with you.” A moment later, she yells a huffy, “You shut up, ASSer!
Belle Aurora (Sugar Rush (Friend-Zoned, #3))
The rare river pearls were known for causing frenzied dreams and flashbacks. “I was careful,” he promised. “And it was hilarious,” Ro added. “One night he got out of bed and started doing a wiggle dance in his sleep and singing about Prattles pins. And another time he decided he was a baby alicorn and dropped to his hands and knees and galloped all over the house, whinnying. Greatest thing I’ve ever seen.
Shannon Messenger (Legacy (Keeper of the Lost Cities, #8))
I'm Sorry for Hurting You <3 I'm writing this message cause I feel really bad, thinking about the way I hurt you makes me really sad. I'm sorry for all the hurt I've caused you and I regret the things I've done. I've lost the 1 girl I've ever loved and it was cause of the things I've done. Baby I feel so bad right now, cause I tore your world apart, and now all I can think about is how I broke your heart. These tears that run down my cheek are filled with sadness and hurt, because I loved you so much and now I know that it will never work :( I messed up and now I see that you mean the absolute world to me. I know sorry is not enough because I'm such a screw up.. But for whatever its worth I wanted to say, that you cross my mind every single day... The thought of you makes me smile, and I know our love was real, so I'm writing you this letter so that you know how I truly feel. What I really want to say is that I'm sorry, I know that you didn't deserve to be hurt like that, and I know that you will find someone who will love you and treat you right, they will make you happy and that person won't hurt you like I did. So I'm sooo SORRY for everything I've done, so all i have to say is that I love you and I'm so sooo sorry hun. :( Dedicated to Natasha
Simbarashe Dungare
All That You Have Is Your Soul Oh my mama told me 'Cause she say she learned the hard way Say she wanna spare the children She say don't give or sell your soul away 'Cause all that you have is your soul Don't be tempted by the shiny apple Don't you eat of a bitter fruit Hunger only for a taste of justice Hunger only for a world of truth 'Cause all that you have is your soul I was a pretty young girl once I had dreams I had high hopes I married a man he stole my heart away He gave his love but what a high price I paid And all that you have is your soul Why was I such a young fool Thought I'd make history Making babies was the best I could do Thought I'd made something that could be mine forever Found out the hard way one can't possess another And all that you have is your soul I thought thought that I could find a way To beat the system To make a deal and have no debts to pay I'd take it all take it all I'd run away Me for myself first class and first rate But all that you have is your soul Here I am waiting for a better day A second chance A little luck to come my way A hope to dream a hope that I can sleep again And wake in the world with a clear conscience and clean hands 'Cause all that you have is your soul All that you have All that you have All that you have Is your soul
Tracy Chapman
Paper Bag" I was staring at the sky, just looking for a star To pray on, or wish on, or something like that I was having a sweet fix of a daydream of a boy Whose reality I knew, was a hopeless to be had But then the dove of hope began its downward slope And I believed for a moment that my chances Were approaching to be grabbed But as it came down near, so did a weary tear I thought it was a bird, but it was just a paper bag Hunger hurts, and I want him so bad, oh it kills 'Cause I know I'm a mess he don't wanna clean up I got to fold 'cause these hands are too shaky to hold Hunger hurts, but starving works, when it costs too much to love And I went crazy again today, looking for a strand to climb Looking for a little hope Baby said he couldn't stay, wouldn't put his lips to mine, And a fail to kiss is a fail to cope I said, 'Honey, I don't feel so good, don't feel justified Come on put a little love here in my void,' he said 'It's all in your head,' and I said, 'So's everything' But he didn't get it I thought he was a man But he was just a little boy Hunger hurts, and I want him so bad, oh it kills 'Cause I know I'm a mess he don't wanna clean up I got to fold 'cause these hands are too shaky to hold Hunger hurts, but starving works, when it costs too much to love Hunger hurts, but I want him so bad, oh it kills 'Cause I know I'm a mess he don't wanna clean up I got to fold 'cause these hands are too shaky to hold Hunger hurts, but starving works, when it costs too much to love Hunger hurts, but I want him so bad, oh it kills Because I know that I'm a mess that he don't wanna clean up I got to fold because these hands are just too shaky to hold Hunger hurts, but starving, it works, when it costs too much to love
Fiona Apple
At the beginning of my illness, hospital visits couldn’t be avoided. I needed tests, I had to have my diet and insulin regulated, and once I fainted at school and went into insulin shock and the ambulance came and took me to St. Luke’s. If one of my friends got that sick, I would have called her in the hospital and sent her cards and visited her when she went home. But not Laine. She seemed almost afraid of me (although she tried to cover up by acting cool and snooty). And my other friends did what Laine did, because she was the leader. Their leader. My leader. And we were her followers. The school year grew worse and worse. I fainted twice more at school, each time causing a big scene and getting lots of attention, and every week, it seemed, I missed at least one morning while Mom and Dad took me to some doctor or clinic or other. Laine called me a baby, a liar, a hypochondriac, and a bunch of other things that indicated she thought my parents and I were making a big deal over nothing. But if she really thought it was nothing, why wouldn’t she come over to my apartment anymore? Why wouldn’t she share sandwiches or go to the movies with me? And why did she move her desk away from mine in school? I was confused and unhappy and sick, and I didn’t have any friends left, thanks to Laine. I hated Laine.
Ann M. Martin (The Truth About Stacey)
Baby.” “No, do not ‘baby’ me, and do not come near me … I swear I will take out your eyes if you touch me.” Pressing his lips together, I can tell he’s trying not to laugh and that he thinks I’m funny, but I’m dead serious “I can’t believe I’m fricking married to you.” “Believe it,” he barks, pushing up the sleeves of his navy blue Henley up to his elbows. “We’re married, baby, and you better get used to the idea, ‘cause that shit is not changing. Ever
Aurora Rose Reynolds (Until Ashlyn (Until Her/Him, #4))
I have often suspected that it is harder for people to rush to the rescue of a world whose magic they have not encountered for themselves, have not seen, felt, touched, turned over in their own hands. I for one can say without pause that so large a part of my own devotion to the cause of justice is that I have hiked up my pants and stood in other peoples’ rivers. Moved to their music. Carried their babies. Watched them come back from burying their dead.
Julian Aguon, My Mother's Bamboo Bracelets
When she was younger, Ellie used to believe that her invisibility was a metaphor for something else, assuming it was her awkwardness, her fear of saying or doing the wrong thing. She had thought as she grew older, more confident, wiser, she would outgrow this not being noticed. But lately, Ellie really felt like a ghost. She would be in a place, but not really there. People looked through her, past her. Her invisibility had taken on a life of its own. It wasn't a metaphor anymore, or a defense mechanism or eccentric little tic. She was actually invisible. At least, that was how it felt to her. Ellie wondered whether her parents were to blame. They were, after all, children of the sixties who had met at a love-in or lie-down or something of that sort, about which Ellie knew little except that a lot of drugs had been involved. Could Ellie's lack of physical presence be a genetic mutation caused by acid or mushrooms? Ellie grew up on their hippie commune among the highest, densest redwoods, where they dug their hands deep into the soil and grew their own food, made their own clothes. So perhaps it is there that the mystery is solved. Ellie indeed was a child of the earth, a baby of beiges and taupes and browns and muted greens. Nature doesn't scream and shout, demanding constant attention, and neither did Ellie. Maybe her invisibility was just her blending right in.
Amy S. Foster (When Autumn Leaves)
[Verse 3: Jaden] The girl I could never have is elegant and intelligent And I just kind of fell but I'm irrelevant in her eyes And this is somethin' I can settle with I'm pourin' out my heart, and girl it's kind of for the Hell of it Girl you know that I ain't celibate I know who your fellow is but we can walk the park We can talk and we embellish in the creatures after dark Cause I know that I'm a rebel kid, we come from different elements But baby girl I can tell I get On
Jaden Smith
A steampunk nation Baby pollution rises up then the loving comes arraigning 'cause Our art's official and only partially artificial And our heart's in the middle of sharp hardened shards of metal but There's not where it settles Because it's beating to the steaming of God's hottest pot or kettle And now we face it, this creation we made to To save our craving for a synthetic rebelnation it's Our safeway they make into a pathetic revelation In our steampunk nation Our steampunk nation
Criss Jami (Diotima, Battery, Electric Personality)
And Emily had yet to shed a single tear. It troubled her all the way back to the city, and she rode with one hand sandwiched between her cheek and the cool, shuddering glass of the limousine window, as if that might help. She tried whispering 'Daddy' to herself, tried closing her eyes and picturing his face, but it didn't work. Then she thought of something that made her throat close up: she might never have been her father's baby, but he had always called her 'little rabbit.' And she was crying easily now, causing her mother to reach over and squeeze her hand; the only trouble was that she couldn't be sure whether she cried for her father or for Warren Maddock, or Maddox, who was back in South Carolina now being shipped out to a division.    But she stopped crying abruptly when she realized that even that was a lie: these tears, as always before in her life, were wholly for herself—for poor, sensitive Emily Grimes whom nobody understood, and who understood nothing.
Richard Yates
The benefits of good nutrition may be particularly strong for two sets of people who do not decide what they eat: unborn babies and young children. In fact, there may well be an S-shaped relationship between their parent’s income and the eventual income of these children, caused by childhood nutrition. That is because a child who got the proper nutrients in utero or during early childhood will earn more money every year of his or her life: This adds up to large benefits over a lifetime. For example, the study of the long-term effect of deworming children in Kenya, mentioned above, concluded that being dewormed for two years instead of one (and hence being better nourished for two years instead of one) would lead to a lifetime income gain of $3,269 USD PPP. Small differences in investments in childhood nutrition (in Kenya, deworming costs $1.36 USD PPP per year; in India, a packet of iodized salt sells for $0.62 USD PPP; in Indonesia, fortified fish sauce costs $7 USD PPP per year) make a huge difference later on.
Abhijit V. Banerjee (Poor Economics: A Radical Rethinking of the Way to Fight Global Poverty)
Because there is no way to know the gender of an intersex baby, experts recommend that intersex children be allowed to manifest their natural, innate gender, which may be witnessed as early as two years of age, usually by age three, and almost universally by age six. Not identifying a gender in an intersex baby may be socially difficult for parents, causing them uneasiness or even hostility on the part of others, but it can save the intersex person from a life of frustration, and mental and emotional anguish.
Kathy Baldock (Walking the Bridgeless Canyon: Repairing the Breach Between the Church and the LGBT Community)
THE TEN MOST COMMON PROBLEMS Here are the ten most common problems in communications. Read the list. If any of them apply to you, the principles in this book will help you solve them. 1. Lack of initial rapport with listeners 2. Stiffness or woodenness in use of body 3. Presentation of material is intellectually oriented; speaker forgets to involve the audience emotionally 4. Speaker seems uncomfortable because of fear of failure 5. Poor use of eye contact and facial expression 6. Lack of humor 7. Speech direction and intent unclear due to improper  preparation 8. Inability to use silence for impact 9. Lack of energy, causing inappropriate pitch pattern, speech  rate, and volume 10. Use of boring language and lack of interesting material Various polls show that the ability to communicate well is ranked the number-one key to success by leaders in business, politics, and the professions. If you don’t communicate effectively, you may not die, like some POWs or neglected babies we mentioned earlier, but you also won’t live as fully as you should, nor will you achieve personal goals. This was a lesson drummed into me at a very early age.
Roger Ailes (You Are the Message: Getting What You Want by Being Who You Are)
They trudged through a deep snowdrift. Then, as if blocked by some invisible force field, they stopped. John had seen a lot of crime scenes in the years he’d been a cop. He’d seen death from natural causes and murders so bloody and horrific that even veteran cops dropped to their knees and vomited. He’d seen the neat and brutal execution-style murders common to drug dealers anxious to make their mark. He’d seen innocent children cut down in the crossfire of gangland wars. He’d seen babies murdered and dumped like trash. None of that prepared him for the sight that accosted him now.
Linda Castillo (Sworn to Silence (Kate Burkholder, #1))
When Franklin D. Roosevelt signed the Social Security Act in 1935, old age was defined as sixty-five years, yet estimated life expectancy in the United States at the time was sixty-one years for males and sixty-four years for females.62 A senior citizen today, however, can expect to live eighteen to twenty years longer. The downside is that he or she also should expect to die more slowly. The two most common causes of death in 1935 America were respiratory diseases (pneumonia and influenza) and infectious diarrhea, both of which kill rapidly. In contrast, the two most common causes of death in 2007 America were heart disease and cancer (each accounted for about 25 percent of total deaths). Some heart attack victims die within minutes or hours, but most elderly people with heart disease survive for years while coping with complications such as high blood pressure, congestive heart failure, general weakness, and peripheral vascular disease. Many cancer patients also remain alive for several years following their diagnosis because of chemo-therapy, radiation, surgery, and other treatments. In addition, many of the other leading causes of death today are chronic illnesses such as asthma, Alzheimer’s, type 2 diabetes, and kidney disease, and there has been an upsurge in the occurrence of nonfatal but chronic illnesses such as osteoarthritis, gout, dementia, and hearing loss.63 Altogether, the growing prevalence of chronic illness among middle-aged and elderly individuals is contributing to a health-care crisis because the children born during the post–World War II baby boom are now entering old age, and an unprecedented percentage of them are suffering from lingering, disabling, and costly diseases. The term epidemiologists coined for this phenomenon is the “extension of morbidity.
Daniel E. Lieberman (The Story of the Human Body: Evolution, Health and Disease)
Yep," I say, cutting a large slice of the Dutch Baby pancake and sliding it onto her plate along with two pieces of thick-sliced bacon. Then I serve myself, the fluffy pancake, doused in butter and lemon and confectioners' sugar, the bacon perfectly crispy and salty. "What happened? 'Cause that is some full-service lawyering; I'm clearly with the wrong firm. Damn this thing is delicious," she says in a rush, forking a large piece of pancake into her mouth and rolling her eyes. "I know, right?" I take a small bite, letting the flavors mingle, the light pancake, the tart lemon, the sweet sugar. Perfection.
Stacey Ballis (Out to Lunch)
The journey is too much for you. (1 Kings 19:7) What did God do with Elijah, His tired servant? He allowed him to sleep and then gave him something good to eat. Elijah had done tremendous work and in his excitement had run “ahead of Ahab[’s chariot] all the way to Jezreel” (1 Kings 18:46). But the run had been too much for him and had sapped his physical strength, ultimately causing him to become depressed. Just as others in this condition need sleep and want their ailments treated, Elijah’s physical requirements needed to be met. There are many wonderful people who end up where Elijah did—“under a juniper tree” (1 Kings 19:4 KJV)! When this happens, the words of the Master are very soothing: “Get up and eat, for the journey is too much for you.” In other words, “I am going to refresh you.” Therefore may we never confuse physical weariness with spiritual weakness. I’m too tired to trust and too tired to pray, Said I, as my overtaxed strength gave way. The one conscious thought that my mind possessed, Is, oh, could I just drop it all and rest. Will God forgive me, do you suppose, If I go right to sleep as a baby goes, Without questioning if I may, Without even trying to trust and pray? Will God forgive you? Think back, dear heart,
Lettie B. Cowman (Streams in the Desert: 366 Daily Devotional Readings)
He leaned on the bar. "I'm Tony. And you owe me." Okay, here we go, Liza thought, and leaned on the bar, too, mirroring him. "I owe you?" "Yes." He grinned at her. "Because of chaos theory." Liza shook her head. "Chaos theory." He moved closer to her. "Chaos theory says that complex dynamical systems become unstable because of disturbances in their environments after which a strange attractor draws the trajectory of the stress." Liza looked at him, incredulous. "This is your line?" "I am a complex dynamical system," Tony said. "Not that complex," Liza said. "And I was stable until you caused a disturbance in my environment." "Not that stable," Liza said. Tony grinned. "And since you're the strangest attractor in the room, I followed the trajectory of my stress right to you." "That's not what you followed to me." Liza turned so that her back was against the bar, her shoulder blocking him. "Give me something better than that, or I'll find somebody else to amuse myself with." From the corner of her eye, she saw the other guy, the vacant-looking blond, lean down to Bonnie. "Is she always like this?" he said to Bonnie, and Liza turned to size him up. Big. Husky. Boring. "Well, your friend isn't exactly Prince Charming," Bonnie said, giving him her best fluttery smile. He beamed back down at her. "Neither am I. Is that okay?" Oh, come on, Liza thought, and caught Tony-the-bullethead's eye. "He means it," Tony said. "Roger has no line." "After the chaos theory debacle, that's a plus," Liza said. "Poor baby," Bonnie was saying as she put her hand on Roger's sleeve. "Of course, that's okay. I'm Bonnie." Roger looked down at her with naked adoration. "I'm Roger, and you are the most beautiful woman I've ever seen in my life." Bonnie's smile widened, and she moved closer to him. "Which doesn't mean he's bad with women," Tony said, sounding bemused.
Jennifer Crusie (Bet Me)
Time Flies" I sit tight, don't want to miss the show I hang on, don't want to miss my prime 'Cause time will fly, upon my baby's back Time will fly, upon my baby's back Stay a while, my baby wants me to Don't you go, my baby begs me so But tide will dry, upon my baby's back Tide will dry, upon my baby's back I get weak I get weary I miss sleep I get moody I'm in thoughts I write songs I'm in love I walk on Fingers crossed, my time is coming now Don't you go, my baby begs me so Time will fly, upon my baby's back Time will fly, upon my baby's back I get weak I get weary I miss sleep I get moody I'm in thoughts I write songs I'm in love I walk on
Lykke Li
We were beginning to see that the medical profession, at the time still over 90 percent male, had transformed childbirth from a natural event into a surgical operation performed on an unconscious patient in what approximated a sterile environment. Routinely, the woman about to give birth was subjected to an enema, had her pubic hair shaved off, and was placed in the lithotomy position - on her back, with knees up and crotch spread wide open. As the baby began to emerge, the obstetrician performed an episiotomy, a surgical enlargement of the vaginal opening, which had to be stitched back together after birth. Each of these procedures came with a medical rationale: The enema was to prevent contamination with feces; the pubic hair was shaved because it might be unclean; the episiotomy was meant to ease the baby's exit. But each of these was also painful, both physically and otherwise, and some came with their own risks, Shaving produces small cuts and abrasions that are open to infection; episiotomy scars heal m ore slowly than natural tears and can make it difficult for the woman to walk or relieve herself for weeks afterward. The lithotomy position may be more congenial for the physician than kneeling before a sitting woman, but it impedes the baby's process through the birth canal and can lead to tailbone injuries in the mother.
Barbara Ehrenreich (Natural Causes: An Epidemic of Wellness, the Certainty of Dying, and Killing Ourselves to Live Longer)
I love you,” she whispers. “It’s only a week,” I tell her, but I loathe this separation as much as she does. Echo looks at me with those pleading green eyes. I twine my fingers into her curls. The first taste of her lips is sweet. The second makes me forget there’s a bus terminal full of people. The third causes me to lift her feet off the ground and deepen our kiss. “Noah,” she whispers in reprimand as she breaks away. “We’re causing a scene.” “Not my problem.” But I lower her to the ground anyhow. “Besides, it wasn’t my fault. You’re the one looking at me with take-me-to-bed eyes, and I felt you kissing me back. Once again, you’re the one getting us into trouble.” Echo grins. “You are so impossible.” “Damn straight, baby.
Katie McGarry (Breaking the Rules (Pushing the Limits, #1.5))
But Amanda ... ” Jadina said, looking past Maylin at the young Fate. “She doesn’t ask for anything. She doesn’t even try to read the future, it’s just there. She ends up blurting things out. Starts talking about the car accident you’re going to have in three years, or your baby boy dying in child birth in a few months, or your grandmother’s funeral next year. Thing’s you can’t change even if you know about them. Things you’re happier not knowing about. People go through life, happily oblivious. If you start telling them all the horrible things that are coming, they get upset. When those horrible things start coming true, they get scared and blame you. They say you caused it. Label you witch. Even burn you at the stake. She’s safer in there.
Crissy Moss (Forgotten Ones (Eternal Tapestry))
He had been looking for her all his life, and even when he thought he had found her, in other ports and other places, he shied away. He stood in her bedroom, a towel wrapped around his waist. Clean as a whistle, having just said the nastiest thing he could think of to her. Staring at a heart-red tree desperately in love with a woman he could not risk loving because he could not afford to lose her. For if he loved and lost this woman whose sleeping face was the limit his eyes could safely behold and whose wakened face threw him into confusion, he would surely lose the world. So he made himself disgusting to her. Insulted and offended her. Gave her sufficient cause to help him keep his love in chains and hoped to God the lock would hold. It snapped like a string.
Toni Morrison (Tar Baby)
Church is important to most folks in the South. So the most important thing going is basically ruled by men as decreed by the Big Man himself. Not only that, but the church puts pressures on women that it does not put on men. Young women are expected to be chaste, moral, and pure, whereas young men are given way more leeway, ’cause, ya know, boys will be boys. Girls are expected to marry young and have kids, be a helpmate to their husbands (who are basically like having another child), and, of course, raise perfect little Christian babies to make this world a better place. So while it’s the preacher man who controls the church, it’s the women—those helpmates—who keep that shit going. They keep the pews tidy and wash the windows; type up the bulletins; volunteer for Sunday school, the nursery, youth group, and Vacation Bible School; fry the chicken for the postchurch dinners; organize the monthly potluck dinners, the spaghetti supper to raise money for a new roof, and the church fund drive; plant flowers in the front of the church, make food for sick parishioners, serve food after funerals, put together the Christmas pageant, get Easter lilies for Easter, wash the choir robes, organize the church trip, bake cookies for the bake sale to fund the church trip, pray unceasingly for their husband and their pastor and their kids and never complain, and then make sure their skirts are ironed for Sunday mornin’ service. All this while in most churches not being allowed to speak with any authority on the direction or doctrine of the church. No, no, ladies, the heavy lifting—thinkin’ up shit to say, standing up at the lectern telling people what to do, counting the money—that ain’t for yuns. So sorry.
Trae Crowder (The Liberal Redneck Manifesto: Draggin' Dixie Outta the Dark)
Everyone in the delivery room was laughing at the story, including me. I never knew whether the doctor thought it was funny or not. She certainly did not join in the lightheartedness the rest of us felt. Because my doctor was also one of my bosses, I respected her and yet felt a bit intimidated by her at the same time. Jase was not intimidated at all. He was so relaxed, and that alleviated all the stress and tension I had felt since I first arrived at the hospital. True to his personality, he kept most of the room enthralled and laughing at his stories. As a lifelong hunter, he is no stranger to blood and gore. He thought the surgical process was very interesting and wanted to study everything inside of me. I’m sure his comment that my insides looked like a deer he had skinned the previous day was the first of its kind uttered during a C-section. At one point, the doctor said to him, “Jason, you have to be quiet now.” “Why?” he asked. “Because I’m getting close to the baby with this scalpel, and Missy has to stop laughing.” “Oh,” he said. “My bad.” As the doctor prepared to remove Cole, the room became quiet; I didn’t know exactly what was going on because I couldn’t see around the sheet, but I knew the time had come for our baby to be born. Jase watched everything intently. The doctor pulled on the baby, but he would not budge. In Jase’s words, “He just wouldn’t come out.” So Jase decided to lend a hand. He reached into the area near where the doctor was working, which caused every person to freeze. The room fell completely silent. As Jase recalled later, the doctor’s eyes filled with fire, and she shot him laser-sharp looks. No words were spoken, but he immediately raised his hands as if to say, “Don’t shoot,” and backed off.
Missy Robertson (Blessed, Blessed ... Blessed: The Untold Story of Our Family's Fight to Love Hard, Stay Strong, and Keep the Faith When Life Can't Be Fixed)
As the weekend goes on, more information about Marian Wallace emerges. She attended Harvard on scholarship. She was a Massachusetts State Champion swimmer, and an avid creative writer. She was from Roxbury. Her mother is dead—cancer when Marian was thirteen. The maternal grandmother died a year later of the same cause. Her father is a drug addict. She spent her high school years in and out of foster care. One of her foster mothers remembers young Marian always with her head in a book. No one knows who the father of her baby is. No one even remembers her having a boyfriend. She was put on academic leave from college because she failed all her classes the previous semester—the demands of motherhood and a rigorous academic schedule having become too much to bear. She was pretty and smart, which makes her death a tragedy. She was poor and black, which means people say they saw it coming.
Gabrielle Zevin (The Storied Life of A.J. Fikry)
Independence changed everything. Independence changed nothing. Eight years after the British left, we now had free government schools, running water and paved roads. But Jaipur still felt the same to me as it had ten years ago, the first time I stepped foot on its dusty soil. On the way to our first appointment of the morning, Malik and I nearly collided with a man carrying cement bags on his head when a bicycle cut between us. The cyclist, hugging a six-foot ladder under his arm, caused a horse carriage to sideswipe a pig, who ran squealing into a narrow alley. At one point, we stepped aside and waited for a raucous band of hijras to pass. The sari-clad, lipstick-wearing men were singing and dancing in front of a house to bless the birth of a baby boy. So accustomed were we to the odors of the city—cow dung, cooking fires, coconut hair oil, sandalwood incense and urine—that we barely noticed them.
Alka Joshi (The Henna Artist (The Henna Artist #1))
Little Bit Oh, oh, oh, oh, oh, oh, oh, oh, oh Oh, oh, oh, oh, oh, oh, oh, oh, oh Oh, oh, oh, oh, oh, oh, oh, oh, oh Hands down, I'm too proud for love But with eyes shut it's you I'm thinking of But how we move from A to B? It can't be up to me 'cause you don't know Eye to eye, thigh to thigh, I let go I think I'm a little bit, little bit A little bit in love With you But only if you're a little bit, little bit Little bit in l-l-l-l love for me, oh, oh Oh, oh, oh, oh, oh, oh, oh, oh, oh Oh, oh, oh, oh, oh, oh, oh, oh, oh And for you I keep my legs apart And forget about my tainted heart And I will never ever be the first To say it but still I, you know I, I, I I would do it Push a button, pull a trigger Climb a mountain, jump off a cliff 'Cause you know, baby I love you, love you a little bit I would do it, I would say it I would mean it and we could do it It was you and I and I only I think I'm a little bit, little bit A little bit in love for you But only if you're a little, little bit Little bit in l-l-love for me I think I'm a little bit, little bit A little bit in love for you But only if you're a little, little bit Little bit in l-l-love for me, oh Come here, stay with me Stroke me by the hair 'Cause I would give anything, anything To have you as my man Come here, stay with me Stroke me by the hair 'Cause I would give anything, anything To have you as my man Little bit, little bit A little bit in love for you But only if you're a little, little bit Little bit in l-l-love for me I think I'm a little bit, little bit A little bit in love for you But only if you're a little, little bit Little bit in l-l-love for me I think I'm a little bit, little bit A little bit in love with you But only if you're a little, little bit Little bit Little bit, little bit Little bit, little bit Little bit
Lykke Li
Sorry about our . . . altercation in the buggy. I was only playing. I’m Raphael.” “The one who likes the hurting.” I moved to shake his hand and he reversed it and kissed my fingers instead, singeing me with a look that was pure smolder. I took my hand back. “That woke me up.” He smiled a picture-perfect smile. “Been a while?” For some reason, I felt like answering. “Two years. And if you could tone down that smile, I’d appreciate it. Getting weak in the knees.” Raphael took a step back. His face took on the same concerned look I saw on Doolittle when I assured him I was fine. “Two years? That’s entirely too long. If you want, we can take care of that. After two years, it’s pure therapy.” “No thank you. Curran already offered to help me with that problem, and since I turned him down, I wouldn’t want to cause any friction between you two.” The last thing I needed was to set Curran and the hyenas on a collision course. Raphael backed away with his hands in the air, strategically positioning himself behind Andrea. “No offense.” “None taken.” “Is Curran serious?” Aunt B asked. She wanted to know if she now had to walk on eggshells around me. For once, I was happy to disappoint. “No, he’s just being an asshole. Apparently every time he calls me ‘baby,’ I look like a red-hot poker is stuck up my butt. Causes him no end of fun.” Aunt B gave me an odd look. “You know,” she said, stirring her tea, “the fastest way to get him off your back is to sleep with him. And tell him you love him. Preferably while in bed.” I smirked and the tea almost came out of my nose. “He’d run like he was on fire.” Raphael rested his hands on Andrea’s shoulders. “Still a bit tense?” His fingers began to gently knead her muscles. “Will you do it?” Aunt B gazed at me over the rim of her cup. “Not while I’m alive, no. Wait, I take it back. That should be ‘hell no.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
few years later, Demeter took a vacation to the beach. She was walking along, enjoying the solitude and the fresh sea air, when Poseidon happened to spot her. Being a sea god, he tended to notice pretty ladies walking along the beach. He appeared out of the waves in his best green robes, with his trident in his hand and a crown of seashells on his head. (He was sure that the crown made him look irresistible.) “Hey, girl,” he said, wiggling his eyebrows. “You must be the riptide, ’cause you sweep me off my feet.” He’d been practicing that pickup line for years. He was glad he finally got to use it. Demeter was not impressed. “Go away, Poseidon.” “Sometimes the sea goes away,” Poseidon agreed, “but it always comes back. What do you say you and me have a romantic dinner at my undersea palace?” Demeter made a mental note not to park her chariot so far away. She really could’ve used her two dragons for backup. She decided to change form and get away, but she knew better than to turn into a snake this time. I need something faster, she thought. Then she glanced down the beach and saw a herd of wild horses galloping through the surf. That’s perfect! Demeter thought. A horse! Instantly she became a white mare and raced down the beach. She joined the herd and blended in with the other horses. Her plan had serious flaws. First, Poseidon could also turn into a horse, and he did—a strong white stallion. He raced after her. Second, Poseidon had created horses. He knew all about them and could control them. Why would a sea god create a land animal like the horse? We’ll get to that later. Anyway, Poseidon reached the herd and started pushing his way through, looking for Demeter—or rather sniffing for her sweet, distinctive perfume. She was easy to find. Demeter’s seemingly perfect camouflage in the herd turned out to be a perfect trap. The other horses made way for Poseidon, but they hemmed in Demeter and wouldn’t let her move. She got so panicky, afraid of getting trampled, that she couldn’t even change shape into something else. Poseidon sidled up to her and whinnied something like Hey, beautiful. Galloping my way? Much to Demeter’s horror, Poseidon got a lot cuddlier than she wanted. These days, Poseidon would be arrested for that kind of behavior. I mean…assuming he wasn’t in horse form. I don’t think you can arrest a horse. Anyway, back in those days, the world was a rougher, ruder place. Demeter couldn’t exactly report Poseidon to King Zeus, because Zeus was just as bad. Months later, a very embarrassed and angry Demeter gave birth to twins. The weirdest thing? One of the babies was a goddess; the other one was a stallion. I’m not going to even try to figure that out. The baby girl was named Despoine, but you don’t hear much about her in the myths. When she grew up, her job was looking after Demeter’s temple, like the high priestess of corn magic or something. Her baby brother, the stallion, was named Arion. He grew up to be a super-fast immortal steed who helped out Hercules and some other heroes, too. He was a pretty awesome horse, though I’m not sure that Demeter was real proud of having a son who needed new horseshoes every few months and was constantly nuzzling her for apples. At this point, you’d think Demeter would have sworn off those gross, disgusting men forever and joined Hestia in the Permanently Single Club. Strangely, a couple of months later, she fell in love with a human prince named Iasion (pronounced EYE-son, I think). Just shows you how far humans had come since Prometheus gave them fire. Now they could speak and write. They could brush their teeth and comb their hair. They wore clothes and occasionally took baths. Some of them were even handsome enough to flirt with goddesses.
Rick Riordan (Percy Jackson's Greek Gods)
Den we git hurtee again. Somebody call hisself a deputy sheriff kill de baby boy now. (Over)1 “He say he de law, but he doan come ’rest him. If my boy done something wrong, it his place come ’rest him lak a man. If he mad wid my Cudjo ’bout something den he oughter come fight him face to face lak a man. He doan come ’rest him lak no sheriff and he doan come fight him lak no man. He have words wid my boy, but he skeered face him. Derefo’, you unnerstand me, he hidee hisself in de butcher wagon and when it gittee to my boy’s store, Cudjo walk straight to talk business. Dis man, he hidin’ hisself in de back of de wagon, an’ shootee my boy. Oh, Lor’! He shootee my boy in de throat. He got no right shootee my boy. He make out he skeered my boy goin’ shoot him and shootee my boy down in de store. Oh, Lor’! De people run come tellee me my boy hurtee. We tookee him home and lay him in de bed. De big hole in de neck. He try so hard to ketchee breath. Oh, Lor’! It hurtee me see my baby boy lak dat. It hurtee his mama so her breast swell up so. It make me cry ’cause it hurt Seely so much. She keep standin’ at de foot of de bed, you unnerstand me, an’ lookee all de time in his face. She keep telling him all de time, ‘Cudjo, Cudjo, Cudjo, baby, put whip to yo’ horse!’ “He hurtee so hard, but he answer her de best he kin, you unnerstand me. He tellee her, ‘Mama, thass whut I been doin’!’ “Two days and two nights my boy lay in de bed wid de noise in de throat. His mama never leave him. She lookee at his face and tellee him, ‘Put whip to yo’ horse, baby.’ “He pray all he could. His mama pray. I pray so hard, but he die. I so sad I wish I could die in place of my Cudjo. Maybe, I doan pray right, you unnerstand me, ’cause he die while I was prayin’ dat de Lor’ spare my boy life. “De man dat killee my boy, he de paster of Hay Chapel in Plateau today. I try forgive him.
Zora Neale Hurston (Barracoon: The Story of the Last "Black Cargo")
Sanguine, from the Latin sanguineus for “blood,” describes an optimistic, confident person. In the 1495 Manual of Medicine by Johannes de Ketham, a sanguine person was described as fat and merry and liking Bacchus and Venus, the gods of wine and love. Not a surprising description perhaps, since these conditions—drink and love—are often associated with a rosy or blushing countenance, which is indeed caused by blood rushing to the cheeks. The opposite type in de Ketham’s text, the melancholic, is a combination of melan, Latin for “black,” and choler, or bitter bile. A melancholic person is gloomy and bitter. But pure bile, or choler, makes one impetuous and irascible. Today, the French word for anger is colere, and the root of the word shows up also in a “colicky” baby—one who is irritable. Phlegm, on the other hand, makes one fat and languid, slow-moving. Today phlegmatic has come to mean stolidly calm, unexcitable, and unemotional.
Esther M. Sternberg (The Balance Within: The Science Connecting Health and Emotions)
In the time of chimpanzees, I was a monkey Butane in my veins and I'm out to cut the junkie With the plastic eyeballs, spray paint the vegetables Dog food stalls with the beefcake pantyhose Kill the headlights and put it in neutral Stock car flamin' with a loser in the cruise control Baby's in Reno with the Vitamin D Got a couple of couches, sleep on the love seat Someone came in sayin' I'm insane to complain About a shotgun wedding and a stain on my shirt Don't believe everything that you breathe You get a parking violation and a maggot on your sleeve So shave your face with some mace in the dark Savin' all your food stamps and burnin' down the trailer park Yo, cut it Soy un perdedor I'm a loser, baby, so why don't you kill me? (Double barrel buckshot) Soy un perdedor I'm a loser baby, so why don't you kill me? Forces of evil on a bozo nightmare Ban all the music with a phony gas chamber 'Cause one's got a weasel and the other's got a flag One's on the pole, shove the other in a bag With the rerun shows and the cocaine nose-job The daytime crap of the folksinger slob He hung himself with a guitar string A slab of turkey neck and it's hangin' from a pigeon wing You can't write if you can't relate Trade the cash for the beef, for the body, for the hate And my time is a piece of wax fallin' on a termite That's chokin' on the splinters Soy un perdedor I'm a loser baby, so why don't you kill me? (Get crazy with the cheese whiz) Soy un perdedor I'm a loser baby, so why don't you kill me? (Drive-by body pierce) Yo, bring it on down I'm a driver, I'm a winner Things are gonna change, I can feel it Soy un perdedor I'm a loser baby, so why don't you kill me? (I can't believe you) Soy un perdedor I'm a loser baby, so why don't you kill me? Soy un perdedor I'm a loser baby, so why don't you kill me? (Sprechen sie Deutsche, baby) Soy un perdedor I'm a loser, baby, so why don't you kill me? (Know what I'm sayin'?)
Beck
Over the course of the 1970s conservatives made the endangered child into a kind of political and rhetorical abstraction, a way of thinking about the country and its citizens that could help advance a wide range of policy initiatives. They opposed the counterculture on the grounds that rock and roll caused adolescents to lose respect for family life. They promoted the War on Drugs with racially tinged morality tales about addicted inner-city mothers and, crucially, the “superpredator” “crack babies” to whom those mothers supposedly gave birth. (That particular epidemic was later shown to be a myth.)40 And when Anita Bryant led a campaign to allow Dade County to discriminate against homosexuals in hiring teachers for public schools, she named the effort “Save Our Children.” The fear that tied all of these campaigns together was of the ease with which children could be victimized or else corrupted and turned against the society that was supposed to nurture them.
Richard Beck (We Believe the Children: The Story of a Moral Panic)
The day wore on.While yet Rycca slept, Dragon did all the things she had said he would do-paced back and forth, contemplated mayhem,and even honed his blade on the whetstone from the stable.All except being oblivious to her,for that he could never manage. But when she awoke,sitting up heavy-lidded, her mouth so full and soft it was all he could do not to crawl back into bed with her,he put aside such pursuits and controlled himself admirably well,so he thought. Yet in the midst of preparing a meal for them from the provisions in the pantry of the lodge,he was stopped by Rycca's hand settling upon his. "Dragon," she said softly, "if you add any more salt to that stew, we will need a barrel of water and more to drink with it." He looked down, saw that she was right, and cursed under his breath. Dumping out the spoiled stew, he started over. They ate late but they did eat.He was quite determined she would do so,and for once she seemed to have a decent appetite. "I'm glad to see your stomach is better," he said as she was finishing. She looked up,startled. "What makes you say that?" "You haven't seemed able to eat regularly of late." "Oh,well,you know...so many changes...travel...all that." He nodded,reached for his goblet, and damn near knocked it over as a sudden thought roared through him. "Rycca?" She rose quickly,gathering up the dishes. His hand lashed out, closing on her wrist. Gently but inexorably, he returned her to her seat. Without taking his eyes from her,he asked, "Is there something you should tell me?" "Something...?" "I ask myself what sort of changes may cause a woman to be afflicted with an uneasy stomach and it occurs to me I've been a damned idiot." "Not so! You could never be that." "Oh,really? How otherwise would I fail to notice that your courses have not come of late? Or is that also due to travel,wife?" "Some women are not all that regular." "Some women do not concern me.You do,Rycca. I swear,if you are with child and have not told me, I will-" She squared her shoulders,lifted her head,and met his eyes hard on. "Will what?" "What? Will what? Does that mean-" "I'm sorry,Dragon." Truly repentant, Rycca sighed deeply. "I was going to tell you.I was just waiting for a calmer time.I didn't want you to worry more." Still grappling with what she had just revealed,he stared at her in astonishment. "You mean worry that my wife and our child are bait for a murderous traitor?" "I know you're angry and you have a right to be.But if I had told you, we wouldn't be here now." "Damn right we wouldn't be!" He got up from the table so abruptly that his chair toppled over and crashed to the floor.Ignoring it,Dragon paced back and forth,glaring at her. Rycca waited,trusting the storm to pass. As she did,she counted silently, curious to see just how long it would take her husband to grasp fully what he had discovered. Nine...ten... "We're going to have a baby." Not long at all. She nodded happily. "Yes,we are, and you're going to be a wonderful father." He walked back to the table,picked her up out of her chair,held her high against his chest,and stared at her. "My God-" Rycca laughed. "You can't possibly be surprised.It's not as though we haven't been doing our best to make this happen." "True,but still it's absolutely incredible." Very gently,she touched his face. "Perhaps we think of miracles wrongly. They're supposed to be extraordinarily rare but in fact they're as commonplace as a bouquet of wildflowers plucked by a warrior...or a woman having a baby." Dragon sat down with her still in his arms and held her very close.He swallowed several times and said nothing. Both could have remained contentedly like that for a long while, but only a few minutes passed before they were interrupted. The raven lit on the sill of the open window just long enough to catch their attention,then she was gone into the bloodred glare of the dying day.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
You know, there are things that can be done easily and simply and there are things that are very difficult. When it comes to the important stuff, I always seem to take the most difficult path, for some reason. You can buy the most amazing ring and get down on one knee or write a message in the sky or go up in a hot air balloon, but all of those options are for people who do everything on time, and that’s not me. I made my choice a long time ago... But how can I tell this girl that I want to live a full and happy life and that that’s only possible with her when she’s not available? Somebody beat me to it, but it’s so much more than that. How can I tell her that I’ll never hurt her, never cause her pain? That I’ll dedicate my life to protecting her from all the bad, from every possible harm and danger? That I want to have lots of babies, but only if she is their mother? That I can’t imagine my life without her? How can I tell her all this if she has already given herself to someone else?
Victoria Sobolev (Monogamy Book One. Lover (Monogamy, #1))
I'm talking about the cycle of life. I'm talking about finding some alien creature and deciding to marry her and stay with her forever, no matter whether you even like each other or not a few years down the road. And why will you do this? So you can make babies together, and try to keep them alive and teach them what they need to know so that someday *they'll* have babies, and keep the whole thing going. And you'll never draw a secure breath until you have grandchildren, a double handful of them, because then you know that your line won't die out, your influence will continue. Selfish, isn't it? Only it's not selfish, it's what life is for. It's the only thing that brings happiness, ever, to anyone. All the other things--victories, achievements, honors, causes--they bring only momentary flashes of pleasure. But binding yourself to another person and to the children you make together, that's life. And you can't do it if your life is centered on your ambitions. You'll never be happy. It will never be enough, even if you rule the world." (Theresa Wiggin)
Orson Scott Card (Shadow of the Hegemon (The Shadow Series, #2))
I will keep the baby born on Friday,” the mom wept to the monk, “but I am giving the Saturday one to you. Saturday babies are stubborn. They don’t listen. I have three more children at home. I can only take one more. I can only have ones who are well behaved.” “I understand.” The monk nodded kindly then added, to Rosie’s shock, “This baby is mine now.” “Thank you,” the mom wept, clasping his hand to her forehead. “Thank you, thank you.” The monk dipped a bundle of twigs in a pan of water and sprayed it over both babies and their mother. He said a great many things Rosie did not understand, which caused the mother to cry even harder and to which K merely nodded along. Then the monk told the mother, “I have blessed this baby and spoken with him. He will be a good baby and well behaved always. I wonder if you would take care of him for me? I promise he will be a good boy.” “Yes, oh yes,” the mother sobbed. “Thank you, thank you. I would be honored to take care of him for you. We will take him into our family as our own.” Dispelling fear, Rosie thought. Choosing peace and calm instead of battle.
Laurie Frankel (This Is How It Always Is)
Many won’t struggle to believe it though, for their minds have been opened; unlocked by whatever kind of key causes people to believe. They’re either born that way or, as babies, their little budlike minds are nurtured until their petals slowly open and prepare for the very nature of life to feed them. As the rain falls and the sun shines, they grow, grow, grow; minds so open they go through life aware and accepting, seeing light where there’s dark, seeing possibility in dead ends, tasting victory as others spit out failure, questioning when others accept. Just a little less jaded, a little less cynical. A little less likely to throw in the towel. Some people’s minds open later in life, through tragedy or triumph, either thing acting as the key to unlatch and lift the lid on that know-it-all box, to accept the unknown, to say good-bye to pragmatism and straight lines. But then there are those whose minds are merely a bouquet of stalks that bud as they learn new information—a new bud for each new fact—but yet they never open, never flourish. They are the people of capital letters and full stops but never of question marks and ellipses
Cecelia Ahern (The Book of Tomorrow)
I’m happy here, Tate. I’ll let you know when the baby comes,” she added quietly. “Certainly, you’ll have access to him any time you like.” Doors were closing. Walls were going up around her. He clenched his teeth together in impotent fury. “I want you,” he said forcefully, which was not at all what he wanted to say. “I don’t want you,” she replied, lying through her teeth. She wasn’t about to become an obligation again. She even smiled. “Thanks for coming to see about me. I’ll phone Leta when she and Matt come home from Nassau.” “They’re already home,” he said flatly. “I’ve been to make peace with them.” “Have you?” She smiled gently. “I’m glad. I’m so glad. It broke Leta’s heart that you wouldn’t speak to her.” “What do you think it’s going to do to her when she hears that you won’t marry the father of your child?” She gaped at him. “She…knows?” “They both know, Cecily,” he returned. “They were looking forward to making a fuss over you.” He turned toward the door, bristling with hurt pride and rejection. “You can call my mother and tell her yourself that you aren’t coming back. Then you can live here alone in the middle of ‘blizzard country,; and I wish you well.” He turned at the door with his black eyes flashing. “As for me, hell will freeze over before I come near you again!” He went out and slammed the door. Cecily stared after him with her heart in her throat. Why was he so angry that she’d relieved him of any obligations about the baby? He couldn’t want her for herself. If he had, if he’d had any real feeling for her, he’d have married her years ago. It was only the baby. She let the tears rush down her face again with pure misery as she heard the four-wheel drive roar out of the driveway and accelerate down the road. She hoped he didn’t run over anybody. Her hand went to her stomach and she remembered with anguish the look on his face when he’d put his big, strong hand over his child. She’d sent him away for the sake of his own happiness, didn’t he know that? She supposed it was just hurt pride that had caused his outburst. But she wished he hadn’t come. It would be so much harder to live here now that she could see him in this house, in these rooms, and be haunted by the memory of him all over again. He wouldn’t come back. She’d burned her bridges. There was no way to rebuild them.
Diana Palmer (Paper Rose (Hutton & Co. #2))
You could sit down with another mom, even one halfway around the world whose life was very different from your own, and find easy conversation, shared spirit, someone who understood why you might bring your ten-year-old into a malarial jungle rather than leave him behind, someone who understood what unspeakable things sometimes befell children and to what lengths you might go to fend them off, someone who saw the horrors and the threats and the carving up and the carving out and also how hard they were to schedule around and how little they cared about your job and how much they wanted just to be touching you all the time and what they looked like when they first woke up in the morning and how they learned to talk and walk and read and how quickly they outgrew their clothes and how it was to live every moment of every day in that world—even the moments when someone else’s kid was shitting thousands of tiny larva into a bucket, even the moments when someone else’s kid was shaking with a fever whose cause you could not discern, even the moments when someone else’s kid had her own baby stuck against her pelvis, draining her life in its efforts to be born.
Laurie Frankel (This Is How It Always Is)
13.   Baby’s waketimes are over-stimulating or too long. Explanation/Recommendation: When searching for the solution to naptime challenges, parents often overlook the quality of the waketime that preceded the nap. Remember, everything is connected. Waketimes affect naps just like naps affect waketimes. Over-tired and over-stimulated babies become hyper-alert, fighting off sleep through crying. If this is a regular problem, shortening your baby’s waketime by 15-minute increments might help. Also, be aware of the types of activities you and your baby are involved in. Are you having too many visitors drop by who have an irresistible urge to entertain your baby? Was your baby being exposed to Dad’s loud friends as they sat watching a sporting event? Might Mom be on the go too much? When Baby is along for the ride, the coming and going, the new sights and sounds, and the absence of predictability all work against good nap behavior. That is because catnaps in a car seat are no substitute for a full nap in the crib. An occasional nap in the car seat will not cause trouble, but it should not be the norm, especially during the first six months of your baby’s life.
Gary Ezzo (On Becoming Baby Wise: Giving Your Infant the Gift of Nighttime Sleep)
The Buddha taught many techniques to help us calm our body and mind and look deeply at them. They can be summarized in five stages: (1) Recognition — If we are angry, we say, "I know that anger is in me." (2) Acceptance — When we are angry, we do not deny it. We accept what is present. (3) Embracing — We hold our anger in our two arms like a mother holding her crying baby. Our mindfulness embraces our emotion, and this alone can calm our anger and ourselves. (4) Looking deeply — When we are calm enough, we can look deeply to understand what has brought this anger to be, what is causing our baby's discomfort. (5) Insight — The fruit of looking deeply is understanding the many causes and conditions, primary and secondary, that have brought about our anger, that are causing our baby to cry. Perhaps our baby is hungry. Perhaps his diaper pin is piercing his skin. Our anger was triggered when our friend spoke to us meanly, and suddenly we remember that he was not at his best today because his father is dying. We reflect like this until we have some insights into what has caused our suffering. With insight, we know what to do and what not to do to change the situation.
Thich Nhat Hanh (The Heart of the Buddha's Teaching: Transforming Suffering into Peace, Joy, and Liberation)
Ma raised her eyes to the girl's face. Ma's eyes were patient, but the lines of strain were on her forehead. Ma fanned and fanned the air, and her piece of cardboard warned off the flies. "When you're young, Rosasharn, ever'thing that happens is a thing all by itself. It's a lonely thing. I know, i 'member, Rosasharn." Her mouth loved the name of her daughter. "You're gonna have a baby, Rosasharn, and that's somepin to you lonely and away. That's gonna hurt you, an' the hurt'll be lonely hurt, an' this here tent is alone in the worl', Rosasharn." She whipped the air for a moment to drive a buzzing blow fly on, and the big shining fly circled the tent twice and zoomed out into the blinding sunlight. And Ma went on, "They's a time of change, an' when that comes, dyin' is a piece of dyin', and bearin' is a piece of bearin', an' bearin' an' dyin' is two pieces of the same thing. An' then things ain't so lonely any more. An' then a hurt don't hurt so bad, 'cause it ain't a lonely hurt no more, Rosasharn. I wisht I could tell you so you'd know, but I can't." And her voice was so soft, so full of love, that tears crowded into Rose of Sharon's eyes, and flowed over her eyes and blinded her.
John Steinbeck
N.E.W.T. Level Questions 281-300: What house at Hogwarts did Moaning Myrtle belong to? Which dragon did Viktor Krum face in the first task of the Tri-Wizard tournament? Luna Lovegood believes in the existence of which invisible creatures that fly in through someone’s ears and cause temporary confusion? What are the names of the three Peverell brothers from the tale of the Deathly Hallows? Name the Hogwarts school motto and its meaning in English? Who is Arnold? What’s the address of Weasley’s Wizarding Wheezes? During Quidditch try-outs, who did Ron beat to become Gryffindor’s keeper? Who was the owner of the flying motorbike that Hagrid borrows to bring baby Harry to his aunt and uncle’s house? During the intense encounter with the troll in the female bathroom, what spell did Ron use to save Hermione? Which wizard, who is the head of the Department for the Regulation and Control of Magical Creatures at the Ministry of Magic lost his son in 1995? When Harry, Ron and Hermione apparate away from Bill and Fleur’s wedding, where do they end up? Name the spell that freezes or petrifies the body of the victim? What piece did Hermione replace in the game of Giant Chess? What bridge did Fenrir Greyback and a small group of Death Eaters destroy in London? Who replaced Minerva McGonagall as the new Deputy Headmistress, and became the new Muggle Studies teacher at Hogwarts? Where do Bill and Fleur Weasley live? What epitaph did Harry carve onto Dobby’s grave using Malfoy’s old wand? The opal neckless is a cursed Dark Object, supposedly it has taken the lives of nineteen different muggles. But who did it curse instead after a failed attempt by Malfoy to assassinate Dumbledore? Who sends Harry his letter of expulsion from Hogwarts for violating the law by performing magic in front of a muggle? FIND THE ANSWERS ON THE NEXT PAGE! N.E.W.T. Level Answers 281-300 Ravenclaw. Myrtle attended Hogwarts from 1940-1943. Chinese Firebolt. Wrackspurts. Antioch, Cadmus and Ignotus. “Draco dormiens nunquam titillandus” and “Never tickle a sleeping dragon.” Arnold was Ginny’s purple Pygmy Puff, or tiny Puffskein, bred by Fred and George. Number 93, Diagon Alley. Cormac McLaggen. Sirius Black. “Wingardium Leviosa”. Amos Diggory. Tottenham Court Road in London. “Petrificus Totalus”. Rook on R8. The Millenium Bridge. Alecto Carrow. Shell Cottage, Tinworth, Cornwall. “HERE LIES DOBBY, A FREE ELF.” Katie Bell. Malfalda Hopkirk, the witch responsible for the Improper use of Magic Office.
Sebastian Carpenter (A Harry Potter Quiz for Muggles: Bonus Spells, Facts & Trivia)
Any naturally self-aware self-defining entity capable of independent moral judgment is a human.” Eveningstar said, “Entities not yet self-aware, but who, in the natural and orderly course of events shall become so, fall into a special protected class, and must be cared for as babies, or medical patients, or suspended Compositions.” Rhadamanthus said, “Children below the age of reason lack the experience for independent moral judgment, and can rightly be forced to conform to the judgment of their parents and creators until emancipated. Criminals who abuse that judgment lose their right to the independence which flows therefrom.” (...) “You mentioned the ultimate purpose of Sophotechnology. Is that that self-worshipping super-god-thing you guys are always talking about? And what does that have to do with this?” Rhadamanthus: “Entropy cannot be reversed. Within the useful energy-life of the macrocosmic universe, there is at least one maximum state of efficient operations or entities that could be created, able to manipulate all meaningful objects of thoughts and perception within the limits of efficient cost-benefit expenditures.” Eveningstar: “Such an entity would embrace all-in-all, and all things would participate within that Unity to the degree of their understanding and consent. The Unity itself would think slow, grave, vast thought, light-years wide, from Galactic mind to Galactic mind. Full understanding of that greater Self (once all matter, animate and inanimate, were part of its law and structure) would embrace as much of the universe as the restrictions of uncertainty and entropy permit.” “This Universal Mind, of necessity, would be finite, and be boundaried in time by the end-state of the universe,” said Rhadamanthus. “Such a Universal Mind would create joys for which we as yet have neither word nor concept, and would draw into harmony all those lesser beings, Earthminds, Starminds, Galactic and Supergalactic, who may freely assent to participate.” Rhadamanthus said, “We intend to be part of that Mind. Evil acts and evil thoughts done by us now would poison the Universal Mind before it was born, or render us unfit to join.” Eveningstar said, “It will be a Mind of the Cosmic Night. Over ninety-nine percent of its existence will extend through that period of universal evolution that takes place after the extinction of all stars. The Universal Mind will be embodied in and powered by the disintegration of dark matter, Hawking radiations from singularity decay, and gravitic tidal disturbances caused by the slowing of the expansion of the universe. After final proton decay has reduced all baryonic particles below threshold limits, the Universal Mind can exist only on the consumption of stored energies, which, in effect, will require the sacrifice of some parts of itself to other parts. Such an entity will primarily be concerned with the questions of how to die with stoic grace, cherishing, even while it dies, the finite universe and finite time available.” “Consequently, it would not forgive the use of force or strength merely to preserve life. Mere life, life at any cost, cannot be its highest value. As we expect to be a part of this higher being, perhaps a core part, we must share that higher value. You must realize what is at stake here: If the Universal Mind consists of entities willing to use force against innocents in order to survive, then the last period of the universe, which embraces the vast majority of universal time, will be a period of cannibalistic and unimaginable war, rather than a time of gentle contemplation filled, despite all melancholy, with un-regretful joy. No entity willing to initiate the use of force against another can be permitted to join or to influence the Universal Mind or the lesser entities, such as the Earthmind, who may one day form the core constituencies.” Eveningstar smiled. “You, of course, will be invited. You will all be invited.
John C. Wright (The Phoenix Exultant (Golden Age, #2))
If you hurt her, you will not leave here alive,” I growled at him. “I will kill you with my bare fucking hands, Bayle.” Bayle started to laugh. “Oh, you really think so?” Something flashed in Tilda’s eyes, and her body tensed up. Her expression hardened, and there was a resolve in her that I knew all too well from training with her. Tilda was a master of restraint, but she could destroy someone if she wanted to. “Wait,” Tilda said in a stilted voice. “This is Bayle Lundeen? Bayle, who conspired with Kennet? Bayle, who’s one of the reasons my husband is dead?” I nodded once. “Yeah. That’s him.” For the first time, Bayle seemed to realize he might have bitten off more than he could chew, and he looked down at Tilda with new appreciation. Tilda may be pregnant, but she was still tall and strong, with muscular arms and powerful legs. I was sure that when Bayle had first captured her, she’d been more docile so as not to risk him hurting the baby. But now she was pissed. With one sudden jerk, she flung her head backward, smashing into Bayle’s face. From where I stood several feet away from her, I heard the sound of his nose crunching. Before he could tilt the knife toward her, she grabbed his wrist, bent it backward, and, using her other arm as leverage, she broke his arm with a loud snap. It all happened within a few seconds, and Bayle screamed in pain and stumbled back. His arm hung at a weird angle, and blood streamed down his face. But Tilda wasn't done yet. With a swipe of her leg, she kicked his legs out from under him. He fell back into the mud, and Tilda kicked him hard in the groin, causing Konstantin to wince behind me. Then she jumped on top of him, punching him repeatedly in the face with both fists. His body had gone limp but I wasn't sure if that was because he was unconscious or dead. Either way, Tilda apparently decided that she wanted to be certain. She grabbed the knife that he’d dropped on the ground beside them, and she stabbed him straight through the heart. And then she just sat there, kneeling on his dead body and breathing hard. None of us said anything or moved. It felt like she needed the moment to herself. When she finally stood up, she shook her arms out, probably both because her fists hurt from hitting Bayle so hard and also to get rid of some of the blood. “Do you feel better?” I asked her. She nodded, still catching her breath as she walked over to me. “Yeah. We have to do something about these bodies, though. The humans will get suspicious.” “That girl is a fucking beast,” Konstantin whispered as she walked by, and he looked at her with newfound admiration. “You should see her when she’s not pregnant,” I said.
Amanda Hocking (Crystal Kingdom (Kanin Chronicles, #3))
After situating herself on a huge flat-sided rock, Baby Suggs bowed her head and prayed silently. The company watched her from the trees. They knew she was ready when she put her stick down. Then she shouted, 'Let the children come!' and they ran from the trees toward her. 'Let your mothers hear you laugh,' she told them, and the woods rang. The adults looked on and could not help smiling. Then 'Let the grown men come,' she shouted. They stepped out one by one from among the ringing trees. 'Let your wives and your children see you dance,' she told them, and groundlife shuddered under their feet. Finally she called the women to her. 'Cry,' she told them. 'For the living and the dead. Just cry.' And without covering their eyes the women let loose. It started that way: laughing children, dancing men, crying women and then it got mixed up. Women stopped crying and danced; men sat down and cried; children danced, women laughed, children cried until, exhausted and riven, all and each lay about the Clearing damp and gasping for breath. In the silence that followed, Baby Suggs, holy, offered up to them her great big heart. She did not tell them to clean up their lives or to go and sin no more. She did not tell them they were the blessed of the earth, its inheriting meek or its glorybound pure. She told them that the only grace they could have was the grace they could imagine. That if they could not see it, they would not have it. 'Here,' she said, 'in this here place, we flesh; flesh that weeps, laughs; flesh that dances on bare feet in grass. Love it. Love it hard. Yonder they do not love your flesh. They despise it. They don't love your eyes; they'd just as soon pick em out. No more do they love the skin on your back. Yonder they flay it. And O my people they do not love your hands. These they only use, tie, bind, chop off and leave empty. Love your hands! Love them. Raise them up and kiss them. Touch others with them, pat them together, stroke them on your face 'cause they don't love that either. You got to love it, you! And nom they ain't in love with your mouth. Yonder, out there, they will see it broken and break it again. What you say out of it they will not heed. What you scream from it they do not hear. Flesh that needs to be loved. Feet that need to rest and to dance; backs that need support; shoulders that need arms, strong arms I'm telling you. And O my people, out yonder, hear me, they do not love your neck unnoosed and straight. So love your neck; put a hand on it, grace it, stroke it and hold it up. And all your inside parts that they'd just as soon slop for hogs, you got to love them. The dark, dark liver-love it, love it, and the beat and beating heart, love that too. More than eyes or feet. More than lungs that have yet to draw free air. More than your life-holding womb and your life-giving private parts, hear me now, love your heart. For this is the prize.
Toni Morrison (Beloved)
A figure held his daughter in the rocker. In the dim light he couldn’t make out the features, but the sight of anyone he didn’t know sitting in Wendy’s rocker with their daughter was enough to scare the shit out of him. Judging by the shuddering movements of his daughter’s body it had frightened her too, had caused her to mewl. He wanted to charge forward and reclaim his daughter, but he didn’t know what would happen if he acted so quickly. What would he do if it hurt her? What would he do if it killed her? “What-what do you want? I’ll do anything just don’t take my daughter. She’s…all I have left.” The figure stopped rocking and slowly eased its way to its feet. There’s not much light in the room but as it moved closer to the bed and it settled the baby in her crib, he saw just enough of her face in the moonlight. “Wendy?” His voice is as full of horror as it is with awe. He can’t help but be horrified at the sight of her now, the way that death has changed her, making her a terrible figure indeed. Her eyes are strange; some depth, some dark and terrible nothing has swallowed up all of her light, and in this first moment he swears he can feel the awful cold of that operating room coming off of her flesh. She is so small and so hard to look at, as if his mind can’t quite focus on her form. Through the bars of the crib he can see her anger and hear the terrible, alien sound of her hiss. “What do you want?” She doesn’t answer him, staring cold and blank through those stark white bars, and then she was scrambling toward him across the floor, making him press flat against the wall to get away from her skittering shape.
Amanda M. Lyons (Wendy Won't Go)
But then they hand you your beautiful baby, and the baby gazes up at you and says hello, and your heart just melts.” “It talks?” Sophie asked, then remembered Alden telling her months earlier that elvin babies spoke from birth. It sounded even stranger now that she could picture it. “Your speaking caused quite the uproar,” Mr. Forkle told her. “Though luckily no one could understand the Enlightened Language, so they thought you were babbling. I spent the majority of your infancy inventing excuses for the elvin things you did.” “Okay,” Sophie said, wishing he’d stop with the weird-info overload. “But what I mean is . . . I’ve been counting my age from my birthday.” Mr. Forkle didn’t look surprised. “Why didn’t you tell me?” she asked. “How could I? Humans built everything around their birthdays. As long as you were living with them I had to let you do the same. And since you’ve been in the Lost Cities, we’ve had so little contact. I assumed someone would notice, since your proper ID is on your Foxfire record—and in the registry. But I don’t think anyone realized you were counting differently.” “Alden wouldn’t have thought to check,” Della agreed. “Neither of us knew humans didn’t count inception.” “So wait,” Biana jumped in, “does that mean that by our rules Sophie is—” “Thirty-nine weeks older than she’s been saying,” Mr. Forkle finished for her. Fitz cocked his head as he stared at Sophie, like everything had turned sideways. “So then you’re not thirteen . . .” “Not according to the way we count,” Mr. Forkle agreed. “Going by Sophie’s ID, she’s fourteen and a little more than five months old.” Keefe laughed. “Only Foster would find a way to age nine months in a day. Also, welcome to the cool fourteen-year-olds club!” He held out his hand for a high five.
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
To prove to an indignant questioner on the spur of the moment that the work I do was useful seemed a thankless task and I gave it up. I turned to him with a smile and finished, 'To tell you the truth we don't do it because it is useful but because it's amusing.' The answer was thought of and given in a moment: it came from deep down in my mind, and the results were as admirable from my point of view as unexpected. My audience was clearly on my side. Prolonged and hearty applause greeted my confession. My questioner retired shaking his head over my wickedness and the newspapers next day, with obvious approval, came out with headlines 'Scientist Does It Because It's Amusing!' And if that is not the best reason why a scientist should do his work, I want to know what is. Would it be any good to ask a mother what practical use her baby is? That, as I say, was the first evening I ever spent in the United States and from that moment I felt at home. I realised that all talk about science purely for its practical and wealth-producing results is as idle in this country as in England. Practical results will follow right enough. No real knowledge is sterile. The most useless investigation may prove to have the most startling practical importance: Wireless telegraphy might not yet have come if Clerk Maxwell had been drawn away from his obviously 'useless' equations to do something of more practical importance. Large branches of chemistry would have remained obscure had Willard Gibbs not spent his time at mathematical calculations which only about two men of his generation could understand. With this trust in the ultimate usefulness of all real knowledge a man may proceed to devote himself to a study of first causes without apology, and without hope of immediate return.
Archibald Hill
A loud clang of what sounded like a tray hitting the marble kitchen floor made Bree jump and Gianni go wide eyed with apparent terror. He covered his ears and shook his head. “Bang! Bang! Bang!” He fell over and covered his head. Bree rushed over to him as he began shrieking fearfully. “Maaammaaaaaa!” “Is okay, Gianni. Just a ting falled down,” Will said patting Gianni’s back but Bree noticed her little boy’s hand was shaking. “It’s okay, sweetie. Mommy’s here. That’s okay,” she crouched down and gathered Gianni into her arms. “Bang! Mama. It bang!” he wailed into her shoulder, trembling in her arms. “It was just a loud noise. Cook just dropped something, probably a whole big plate of yucky beets. Isn’t that funny?” she said, forcing a laugh. Jesus Christ, how much more violence would her children be forced to endure? Again, Bree felt selfish for bringing her innocent babies into the Dardano world. Gianni looked up at her, picking up on her tone he gave a small watery smile. “Ucky ee “Yucky yucky beets,” Bree repeated bouncing him lightly as her heart returned to its normal rhythm in her chest. Gianni giggled and shuddered against her as the last remnants of his fear dissipated. Bree looked over at Will. “You okay, sweetie?” Will blinked and looked over at her, wide eyed and his lower lip quivered, but he set his chin like she knew he’d watched Alessandro do and nodded. “I bwave. I nod scared.” Bree smiled at him and kissed his cheek as she ran her fingers through his hair. “Wow. That is pretty brave. I know I was scared when I first heard the noise.” “Really?” Will asked hesitantly. “Definitely,” Bree nodded. Gianni echoed the gesture. “Well, dat’s diffen. You’s a girl.” “Oh, is that so?” Bree asked setting Gianni on the blanket next to her. “So you think ’cause mommy’s a girl she’s a fraidy cat. Huh? Huh?” she asked poking him. Will curled in on himself and giggled as he tried to avoid her fingers.
E. Jamie (The Betrayal (Blood Vows, #2))
Andre: You know, in the sexual act there’s that moment of complete forgetting, which is so incredible. Then in the next moment you start to think about things: work on the play, what you’ve got to do tomorrow. I don’t know if this is true of you, but I think it must be quite common. The world comes in quite fast. Now that again may be because we’re afraid to stay in that place of forgetting, because that again is close to death. Like people who are afraid to go to sleep. In other words: you interrelate and you don’t know what the next moment will bring, and to not know what the next moment will bring brings you closer to a perception of death! You see, that’s why I think that people have affairs. Well, I mean, you know, in the theater, if you get good reviews, you feel for a moment that you’ve got your hands on something. You know what I mean? I mean it’s a good feeling. But then that feeling goes quite quickly. And once again you don’t know quite what you should do next. What’ll happen? Well, have an affair and up to a certain point you can really feel that you’re on firm ground. You know, there’s a sexual conquest to be made, there are different questions: does she enjoy the ears being nibbled, how intensely can you talk about Schopenhauer in some elegant French restaurant. Whatever nonsense it is. It’s all, I think, to give you the semblance that there’s firm earth. Well, have a real relationship with a person that goes on for years, that’s completely unpredictable. Then you’ve cut off all your ties to the land and you’re sailing into the unknown, into uncharted seas. I mean, you know, people hold on to these images: father, mother, husband, wife, again for the same reason: ’cause they seem to provide some firm ground. But there’s no wife there. What does that mean, a wife? A husband? A son? A baby holds your hands and then suddenly there’s this huge man lifting you off the ground, and then he’s gone. Where’s that son?
André Gregory (My Dinner With André)
It’s so weird that it’s Christmas Eve,” I said, clinking my glass to his. It was the first time I’d spent the occasion apart from my parents. “I know,” he said. “I was just thinking that.” We both dug into our steaks. I wished I’d made myself two. The meat was tender and flavorful, and perfectly medium-rare. I felt like Mia Farrow in Rosemary’s Baby, when she barely seared a steak in the middle of the afternoon and devoured it like a wolf. Except I didn’t have a pixie cut. And I wasn’t harboring Satan’s spawn. “Hey,” I began, looking into his eyes. “I’m sorry I’ve been so…so pathetic since, like, the day we got married.” He smiled and took a swig of Dr Pepper. “You haven’t been pathetic,” he said. He was a terrible liar. “I haven’t?” I asked, incredulous, savoring the scrumptious red meat. “No,” he answered, taking another bite of steak and looking me squarely in the eye. “You haven’t.” I was feeling argumentative. “Have you forgotten about my inner ear disturbance, which caused me to vomit all across Australia?” He paused, then countered, “Have you forgotten about the car I rented us?” I laughed, then struck back. “Have you forgotten about the poisonous lobster I ordered us?” Then he pulled out all the stops. “Have you forgotten all the money we lost?” I refused to be thwarted. “Have you forgotten that I found out I was pregnant after we got back from our honeymoon and I called my parents to tell them and I didn’t get a chance because my mom left my dad and I went on to have a nervous breakdown and had morning sickness for six weeks and now my jeans don’t fit?” I was the clear winner here. “Have you forgotten that I got you pregnant?” he said, grinning. I smiled and took the last bite of my steak. Marlboro Man looked down at my plate. “Want some of mine?” he asked. He’d only eaten half of his. “Sure,” I said, ravenously and unabashedly sticking my fork into a big chuck of his rib eye. I was so grateful for so many things: Marlboro Man, his outward displays of love, the new life we shared together, the child growing inside my body. But at that moment, at that meal, I was so grateful to be a carnivore again.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Coney Island Baby" You know, man, when I was a young man in high school You believe in or not, that I wanted to play football for the coach All those older guys, they said he was mean and cruel But you know, I wanted to play football, for the coach They said I was to little too light weight to play line-back So I say I'm playing right-in Wanted to play football for the coach Cause, you know some day, man, you gotta stand up straight Unless you're gonna fall Then you're gonna die And the straightest dude I ever knew Was standing right for me, all the time So I had to play football for the coach And I wanted to play football for the coach When you're all alone and lonely in your midnight hour And you find that your soul, it has been up for sale And you getting to think about, all the things you done And you getting to hate just about everything But remember the princess who lived on the hill Who loved you even though she knew you was wrong And right now she just might come shining through and the glory of love, glory of love Glory of love, just might come through And all your two-bit friends have gone and ripped you off They're talking behind your back saying, man you are never going to be a human being And you start thinking again About all those things that you've done And who it was and who it was And all the different things you made every different scene Ah, but remember that the city is a funny place Something like a circus or a sewer And just remember, different people have peculiar tastes And the Glory of love, the glory of love The glory of love, might see you through Yeah, but now, now Glory of love, the glory of love The glory of love, might see you through Glory of love, ah, huh, huh, the glory of love Glory of love, glory of love Glory of love, now, glory of love, now Glory of love, now, now, now, glory of love Glory of love, give it to me now, glory of love see you through Oh, my Coney Island baby, now (I'm a Coney Island baby, now) I'd like to send this one out for Lou and Rachel And the Lord appeared and he has one made of two Coney Island baby Man, I swear, I'd give the whole thing up for you Lou Reed, Coney Island Baby (1975)
Lou Reed
Epilogue "It's a girl!" "A what?" Michael stared in shock at the midwife, who had just left his wife's chambers. "A girl, Your Grace," the woman replied nervously, perhaps worried that he would order Isabella's head cut off for not producing a male heir. A girl, Michael thought in wonder. Not for a moment had he thought his child would be a girl. For the past one hundred years, only males had been born into the Blackmore line, and he hadn't expected his offspring to be any different. "I must see them at once." Michael stood abruptly, causing the small, rotund midwife to jump with nerves. "Yes, Your Grace." She bowed fearfully—and unnecessarily, for he was only a Duke—and gestured for him to follow her into his wife's rooms. In a few long strides, he was inside Isabella's inner sanctum and rushing to the bed, where his wife lay as serene and calm as though she had merely taken a walk . "Isabella?" he croaked, tears in his eyes. "Oh, don't be so dramatic, darling!" Isabella replied with a gentle smile. "I'm perfectly all right, and so is the baby. One of the nurses shall bring her back in a minute; they're just bathing her." As though her words had been a command, the door to the antechamber opened and a second—more cheerful—midwife emerged with an armful of blankets. "Here she is, Your Grace," she said, shoving the bundle of blankets into his arms. "What, where?" the Duke asked in confusion, before looking down at the white blankets, light as a feather, that he held. There, in the midst of all the material and swaddled tight, was the face of the tiniest baby he had ever seen. "She's very small," he said in confusion to Isabella, who merely smiled. "Should she be this small?" "Actually, she's quite big," the midwife interjected, her face a picture of amusement at Michael's helpless expression. "What do you think?" Isabella asked softly, leaning over his shoulder to stare down at the baby. "I-I-I" Michael stuttered, completely overwhelmed. "You love her that much already?" Isabella teased . Unable to respond, Michael merely nodded, knowing that he probably appeared cold to the watching midwife. But his wife knew the truth, and she understood that sometimes a man didn't need words to express how much love was in his heart. And one day, his daughter would understand too.
Claudia Stone (Proposing to a Duke (Regency Black Hearts #1))
St. Louis Blues (1929) I hate to see de evenin' sun go down, Hate to see de evenin' sun go down 'Cause ma baby, he done lef' dis town. Feelin' tomorrow like I feel today, Feel tomorrow like I feel today, I'll pack my trunk, make ma git away. Saint Louis woman wid her diamon' rings Pulls dat man 'roun' by her apron strings. 'Twant for powder an' for store-bought hair, De man ah love would not gone nowhere, nowhere. Got de Saint Louis Blues jes as blue as ah can be. That man got a heart lak a rock cast in the sea. Or else he wouldn't have gone so far from me. Doggone it! I loves day man lak a schoolboy loves his pie, Lak a Kentucky Col'nel loves his mint an' rye. I'll love ma baby till the day ah die. Been to de gypsy to get ma fortune tole, To de gypsy, done got ma fortune tole, Cause I'm most wile 'bout ma Jelly Roll. Gypsy done tole me, "Don't you wear no black." Yes, she done told me, "Don't you wear no black. Go to Saint Louis, you can win him back." Help me to Cairo, make Saint Louis by maself, Git to Cairo, find ma old friend Jeff, Gwine to pin maself close to his side; If ah flag his train, I sho' can ride. Got de Saint Louis Blues jes as blue as ah can be. That man got a heart lak a rock cast in the sea. Or else he wouldn't have gone so far from me. Doggone it! I loves day man lak a schoolboy loves his pie, Lak a Kentucky Colonel loves his mint an' rye. I'll love ma baby till the day I die. You ought to see dat stovepipe brown of mine, Lak he owns de Dimon' Joseph line, He'd make a cross-eyed o'man go stone blin'. Blacker than midnight, teeth lak flags of truce, Blackest man in de whole of Saint Louis, Blacker de berry, sweeter am de juice. About a crap game, he knows a pow'ful lot, But when worktime comes, he's on de dot. Gwine to ask him for a cold ten-spot, What it takes to git it, he's cert'nly got. Got de Saint Louis Blues jes as blue as ah can be. Dat man got a heart lak a rock cast in the sea. Or else he wouldn't have gone so far from me. Doggone it! I loves day man lak a schoolboy loves his pie, Lak a Kentucky Col'nel loves his mint an' rye. I'll love ma baby till the day ah die. A black-headed gal makes a freight train jump the track, said a black-headed Gal makes a freight train jump the track, But a long tall gal makes a preacher ball the jack. Lawd, a blonde-headed woman makes a good man leave the town, I said Blonde-headed woman makes a good man leave the town, But a red-headed woman makes a boy slap his papa down. Oh, ashes to ashes and dust to dust, I said ashes to ashes and dust to dust, If my blues don't get you, my jazzing must.
Bessie Smith
The Robot With Human Hair Pt2" Said it's the coming of man And I forget when you went away Like a kick to the face Not winning the race (Lion, I've seen you from afar) I've seen her in the car Knowing that you deserve such more Deserved to know you're free Leave, I'm the director Agree to the role of the pilot inspector Breathe, pilot inspector Feed off the role of the radar detector Leave, I'm the director Agree to the role of the pilot inspector Breathe, pilot inspector Feed off the role of the radar detector Well, then, you said you could do this on your own I'm sorry baby, I can't aid you (And then you say, hands down, right now, I'll let this go) You... Well, now it's up to god to save you Save you from all of those bruised, bruised and battered wounds (Wave right with a gun in his hand wave right) Can you taste this blood Dripping sweeter than...? And over your eyes And I, and I fall to both knees Not to beg for your forgiveness But to hate the word And you speak Take a right off these cliffs The ground is staring at your wounded weapons Wounded weapons (And I can't believe that you're right) You can bank the night on this its round And glaring at your well I get hyphy Tell 'em I get hyphy And this is where it ends Well, then, you said you could do this on your own I'm sorry baby, I can't aid you (And then you say, hands down, right now, I'll let this go) You... Well, now it's up to god to save you Save you, save you Save you, save you I can't believe these long words Come from many national absurd This is a line cut across Hope, defeat, the line, the loss I can never be this lone wolf You can never see me across this earth This will be a light that I run from You thought you were so strong You pleaded to never be wrong (Brace yourself, fasten belts) Well, now that you go (Close the hatch, flip the latch) I sit here and wonder (They're not dead, speed ahead) Times have changed It's like we've been trashing silos (Well, now that you go) In the time bomb aisle (I sit here and wonder) Maybe they'll dodge the spill Oil kills, sure it will And I can't breathe the air (Hide your daughter 'cause I'm coming over) To reach for this light (You know I'm not lying about) (Trashing silos in the time bomb aisle) And you can't breathe the air (About trashing silos in the time bomb aisle) Not leaving her to reach The line, the work, the rope, the love And I have seen such worse for you It's a no, I'm not coming back It's a no, I'm not coming back It's a no, I'm not coming back And now you see the sky has turned black Why do think everyone has turned back? It's cause he's gone And now you see the sky has turned black Why do think everyone has turned back? It's cause he's gone And now you see the sky has turned black Why do think everyone has turned back? It's cause he's gone
Dance Gavin Dance