“
A boy may be as disagreeable as he pleases, but when a girl refuses to crap sunshine on command, the world mutters darkly about her moods.
”
”
Scott Lynch (The Republic of Thieves (Gentleman Bastard, #3))
“
Reading was like a drug, a dope. The novels created moods in which I lived for days.
”
”
Richard Wright (Black Boy)
“
It's subjunctive history. You know, the subjunctive? The mood used when something may or may not have happened. When it is imagined.
”
”
Alan Bennett (The History Boys)
“
She wanted letters. Real letters written in his handwriting on actual paper that she could hold and keep and read whenever the mood struck her. They were proof, solid and tangible, that someone was thinking about her.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
Ronan looked angry, but he was in the mood where he was going to look angry no matter what. "I don't know what I want. I don't know what the hell I am."
He got into the Camaro.
"You promised me," Gansey said through the open car door.
Ronan didn't look up."I know what I did, Gansey."
"Don't forget.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
Why couldn't I have just made it home without seeing them? I wasn't in the mood to play good freaking Samaritan to Beau and his trashy girlfriend.
”
”
Abbi Glines (The Vincent Boys (The Vincent Boys, #1))
“
... there had been the two little boys. Now they were gone, too. They loved her and called her and sent her e-mails and would still snuggle up to her to be petted when they were in the mood, but they were men, and though they would always be at the center of her life, she was no longer at the center of theirs.
”
”
Cathleen Schine (The Three Weissmanns of Westport)
“
„You're Ned Stark's bastard, aren't you?“
Jon felt a coldness pass right through him. He pressed his lips together and said nothing.
„Did I offend you?“ Lannister said. „Sorry. Dwarfs don't have to be tactful. Generations of capering fools in motley have won me the right to dress badly and say any damn thing that comes into my head.“ He grinned. „You are the bastard, though.“
„Lord Eddard Stark is my father,“ Jon admitted stiffly.
Lannister studied his face. „Yes,“ he said. „I can see it. You have more of the north in you than your brothers.“
„Half brothers,“ Jon corrected. He was pleased by the dwarf's comment, but he tried not to let it show.
„Let me give you some counsel, bastard,“ Lannister said. „Never forget what you are, for surely the world will not. Make it your strenght. Then it can never be your weakness. Armor yourself in it, and it will never be used to hurt you.“
Jon was in no mood for anyone's counsel. „What do you know about being a bastard?“
„All dwarfs are bastards in their father's eyes.“
„You are your mother's trueborn son of Lannister.“
„Am I?“ the dwarf replied, sardonic. „Do tell my lord father. My mother died birthing me, and he's never been sure.“
„I don't even know who my mother was,“ Jon said.
„Some woman, no doubt. Most of them are.“ He favored Jon with a rueful grin. „Remember this, boy. All dwarfs may be bastards, yet not all bastards need be dwarfs.“ And with that he turned and sauntered back into the feast, whistling a tune. When he opened the door, the light from within threw his shadow clear across the yard, and for just a moment Tyrion Lannister stood tall as a king.
”
”
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
“
They have two moods, hungry and horny. So if you see a boy without an erection, you should go make him a sandwich. - Girl, don't you dare listen to them. You tell them to make their own damn sandwiches.
”
”
Jillian Dodd (Kiss Me (The Keatyn Chronicles, #2))
“
That night for the first time in my life I realized that it is the physical presence of people and their spirits that gives a town life. With the absence of so many people, the town became scary., the night darker, and the silence unbearably agitating. Normally, the crickets and the birds sang in the evening before the sun went down. But this time they didn't, and the darkness set in very fast. The mood wasn't in the sky; the air was stiff, as if nature itself was afraid of what was happening.
”
”
Ishmael Beah (A Long Way Gone: Memoirs of a Boy Soldier)
“
Let me tell you girls a story, short and sweet. In high school, I was a junior varsity cheerleader dating a senior who was up for football scholarships. I'd slept with him several times willingly. One night I wasn't in the mood, but he was. So he held me down and forced me. The few people I told about it - including my best friend - pointed out what would happen to him if I told. They stressed the fact that I hadn't been a virgin, that we were dating, that we'd had sex before. So I kept quiet. I never even told my mother. That boy put bruises on my body. I was crying and begging him to stop and he didn't. That's called rape, ladies.
”
”
Tammara Webber (Easy (Contours of the Heart, #1))
“
You know that movie, where the little boy says 'I see dead people'?
The Sixth Sense.
Well, I see them all the time, and I'm getting tired of it. That's what's ruined my mood. Here it is, almost Christmas, and I didn't even think about putting up a tree, because I'm still seeing the autopsy lab in my head. I'm still smelling it on my hands. I come home on a day like this, after two postmortems, and I can't think about cooking dinner. I can't even look at a piece of meat without thinking of muscle fibers. All I can deal with is a cocktail. And then I pour the drink and smell the alcohol, and suddenly there I am, back in the lab. Alcohol, formalin, they both have that same sharp smell.
”
”
Tess Gerritsen (The Sinner (Rizzoli & Isles, #3))
“
Well … damn. You’re obviously in a mood.” “Am I?” There was danger in her tone. “Am I really? Why should that be exceptional? A boy may be as disagreeable as he pleases, but when a girl refuses to crap sunshine on command the world mutters darkly about her moods.
”
”
Scott Lynch (The Republic of Thieves (Gentleman Bastard, #3))
“
Peasants and princes, bailiffs and bakers' boys, merchants and mermaids, the figures were all immediately familiar. I had read these stories a hundred, a thousand, times before. They were stories everyone knew. But gradually, as I read, their familiarity fell away from them. They became strange. They became new. These characters were not the colored manikins I remembered from my childhood picture books, mechanically acting out the story one more time. They were people.... The stories were shot through with an unfamiliar mood. Everyone achieved their heart's desire...but only when it was too late did they realize the price they must pay for escaping their destiny. Every Happy Ever After was tainted.
”
”
Diane Setterfield (The Thirteenth Tale)
“
In the variety of the tone of her words, moods, hugs, kisses, brushes of the lips, and this night the upside-down kiss over the back of the chair with her dark eyes heavy hanging and her blushing cheeks full of sweet blood and sudden tenderness brooding like a hawk over the boy over the back, holding the chair on both sides, just an instant, the startling sudden sweet fall of her hair over my face and the soft downward brush of her lips, a moment's penetration of sweet lip flesh, a moment's drowned in thinking and kissing in it and praying and hoping and in the mouth of life when life is young to burn cool skin eye-blinking joy - I held her captured upside down, also for just a second, and savored the kiss which first had surprised me like a blind man's bluff so I didn't know really who was kissing me for the very first instant but now I knew and knew everything more than ever, as, grace-wise, she descended to me from the upper dark where I'd thought only cold could be and with all her heavy lips and breast in my neck and on my head and sudden fragrance of the night brought with her from the porch, of some 5 & 10 cheap perfumes of herself the little hungry scent of perspiration warm in her flesh like presciousness.
”
”
Jack Kerouac (Maggie Cassidy)
“
Lizzie rolled into school in a boy's school trousers and runners, uncaring of what anyone had to say about her appearance. She honestly didn’t seem to care what people thought. She dressed according to her mood and projected vibes the same way. She could show up tomorrow in a skirt and with a full face of makeup. She did what she wanted to do when she wanted to do it, unaware and uncaring of anyone else's opinion. She oozed a lazy sort of confidence with her long, dark blonde, swishing ponytail and makeup-free face, emphasizing those big, blue eyes of hers.
”
”
Chloe Walsh (Binding 13 (Boys of Tommen, #1))
“
Since Sienna was in an unusually cooperative mood, the session went well. He was returning from it midmorning - after a short detour - when a small naked body barreled into him in one of the main corridors. Steadying the boy with Tk, he looked down. The child lifted a finger to his lips. "Shh. I'm hiding." With that, he went behind Judd and scrambled into a small alcove. "Quickly!
Not sure why he obeyed the order, Judd backed up to stand in front of the alcove, arms crossed.
A flustered Lara came running around the corner a few seconds later. "Have you seen Ben? Four-year-old. Naked as a jaybird?"
"How tall is he?" Judd asked in his most overbearing Psy manner.
Lara stared. "He's four. How tall do you think he is? Have you seen him or not?"
"Let me think...did you say he was naked?"
"He was about to be bathed. Slippery little monkey."
A giggle from behind Judd.
Lara's eyes widened and then her lips twitched. "So you haven't seen him?"
"Without a proper description, I can't be sure."
The healer was obviously trying not to laugh. "You shouldn't encourage him - he's incorrigible as it is."
Judd felt childish hands on his left calf and then Ben poked his head out. "I'm incorwigeable, did ya hear?"
Judd nodded. "I do believe you've been found. Why don't you go have your bath?"
"Come on, munchkin." Lara held out a hand.
Surprisingly strong baby arms and legs wrapped around Judd's leg. "No. I wanna stay with Uncle Judd."
Lara anticipated his question. "Ben spends a lot of time with Marlee."
"I spend a lot of time with Marlee," a small voice piped up.
”
”
Nalini Singh (Caressed by Ice (Psy-Changeling, #3))
“
He was very interested in everything that lay to the North because no one ever went that way and he was never allowed to go there himself. When he was sitting out of doors mending the nets, and all alone, he would often look eagerly to the North. One could see nothing but a grassy slope running up to a level ridge and beyond that the sky with perhaps a few birds in it.
Sometimes if Arsheesh was there Shasta would say, 'O my Father, what is there beyond that hill?' And then if the fisherman was in a bad temper he would box Shasta's ears and tell him to attend to his work. Or if he was in a peaceable mood he would say, "O my son, do not allow your mind to be distracted by idle questions. For one of the poets has said, 'Application to business is the root of prosperity, but those who ask questions that do not concern them are steering the ship of folly towards the rock of indigence'.
Shasta thought that beyond the hill there must be some delightful secret which his father wished to hide from him. In reality, however, the fisherman talked like this because he didn't know what lay to the North. Neither did he care. He had a very practical mind.
”
”
C.S. Lewis (The Chronicles of Narnia (The Chronicles of Narnia, #1-7))
“
This susceptibility to impressions had been his undoing, no doubt. Still at his age he had, like a boy or a girl even, these alternations of mood; good days, bad days, for no reason whatever, happiness from a pretty face, downright misery at the sight of a frump.
”
”
Virginia Woolf (Mrs. Dalloway)
“
When I’m happy or sad or mad, anything, music is what I seek. I relate life to lyrics, tone to mood.
”
”
Meagan Brandy (Say You Swear (Boys of Avix, #1))
“
The most important point is that the girl’s moods are not changing because she’s moody. She is conditioning the boy to always be off balance. Off balance. Some toxic people will actually say out loud that they like keeping people off balance. If someone tells you that, run.
”
”
Shannon Thomas (Healing from Hidden Abuse: A Journey Through the Stages of Recovery from Psychological Abuse)
“
I went to work, but the mood of the book would not die; it lingered, coloring everything I saw, heard, did. I now felt that I knew what the white man were feeling. Merely because I had read a book that had spoken of how they lived and thought, I identified myself with that book.
”
”
Richard Wright (Black Boy)
“
What y'all ladies got to share? Hmmm, what you bitches got?"
Aunt Georgia sighed and squinted at the boy. She said, "The Lord loves a cheerful giver, but I'm just not in the mood."
The thug moved his hand from his crotch to his scalp, still scratching. "What in the hell's that supposed to mean?" Mrs. Cleveland raised and pumped her walking stick, which, it turned out, was a double-barreled shotgun.
"It means take one more step," she said, "and I'll blast you to hell, you ignorant-ass bastard.
”
”
Jabari Asim (A Taste of Honey: Stories)
“
This susceptibility to impressions had been his undoing no doubt. Still at his age he had, like a boy or a girl even, these alternations of mood; good days, bad days, for no reason whatever, happiness from a pretty face, downright misery at the sight of a frump. After
”
”
Virginia Woolf (Mrs. Dalloway)
“
We change our attitudes, our careers, our relationships. Even our age changes minute by minute. We change our politics, our moods, and our sexual preferences. We change our outlook, we change our minds, we change our sympathies. Yet when someone changes hir gender, we put hir on some television talk show. Well, here’s what I think: I think we all of us do change our genders. All the time. Maybe it’s not as dramatic as some tabloid headline screaming “She Was A He!” But we do, each of us, change our genders. In response to each interaction we have with a new or different person, we subtly shift the kind of man or woman, boy or girl, or whatever gender we’re being at the moment. We’re usually not the same kind of man or woman with our lover as we are with our boss or a parent. When we’re introduced for the first time to someone we find attractive, we shift into being a different kind of man or woman than we are with our childhood friends. We all change our genders.
”
”
Kate Bornstein (My Gender Workbook: How to Become a Real Man, a Real Woman, the Real You, or Something Else Entirely)
“
Even as a boy Jack had loved the smell of the ground softening in the thaw and coming back to life. Not this spring. A damp, moldy dreariness, something like loneliness, had settled over the homestead. At first Jack did not know its source. Maybe it was only his own mood. Perhaps it was the spring weather, with overcast skies and freezing rain that soaked through the cabin walls. Mabel, too, seemed beset by a morose restlessness.
”
”
Eowyn Ivey (The Snow Child)
“
But what did Grandpa’s ranch hand say about boys? They have two moods, hungry and horny. So if you see a boy without an erection, you should go make him a sandwich. That made Grandpa laugh, and Grandma say, Keatyn, don’t you dare listen to them. You tell them to make their own damn sandwiches.
”
”
Jillian Dodd (Kiss Me (The Keatyn Chronicles, #2))
“
In no mood for one of her silly games, I snatched it off her and scanned the page. It turned out to be a list of names, all of them boys, and some of whom I recognised. And then I noticed the title: ‘Operation: Popping the Cherry’. I leaped to my feet and fired a glare at each of them in turn, trying not to shout. ‘Are you shitting me?
”
”
Aurelia B. Rowl (Popping the Cherry)
“
I dreamed I stood upon a little hill,
And at my feet there lay a ground, that seemed
Like a waste garden, flowering at its will
With buds and blossoms. There were pools that dreamed
Black and unruffled; there were white lilies
A few, and crocuses, and violets
Purple or pale, snake-like fritillaries
Scarce seen for the rank grass, and through green nets
Blue eyes of shy peryenche winked in the sun.
And there were curious flowers, before unknown,
Flowers that were stained with moonlight, or with shades
Of Nature's willful moods; and here a one
That had drunk in the transitory tone
Of one brief moment in a sunset; blades
Of grass that in an hundred springs had been
Slowly but exquisitely nurtured by the stars,
And watered with the scented dew long cupped
In lilies, that for rays of sun had seen
Only God's glory, for never a sunrise mars
The luminous air of Heaven. Beyond, abrupt,
A grey stone wall. o'ergrown with velvet moss
Uprose; and gazing I stood long, all mazed
To see a place so strange, so sweet, so fair.
And as I stood and marvelled, lo! across
The garden came a youth; one hand he raised
To shield him from the sun, his wind-tossed hair
Was twined with flowers, and in his hand he bore
A purple bunch of bursting grapes, his eyes
Were clear as crystal, naked all was he,
White as the snow on pathless mountains frore,
Red were his lips as red wine-spilith that dyes
A marble floor, his brow chalcedony.
And he came near me, with his lips uncurled
And kind, and caught my hand and kissed my mouth,
And gave me grapes to eat, and said, 'Sweet friend,
Come I will show thee shadows of the world
And images of life. See from the South
Comes the pale pageant that hath never an end.'
And lo! within the garden of my dream
I saw two walking on a shining plain
Of golden light. The one did joyous seem
And fair and blooming, and a sweet refrain
Came from his lips; he sang of pretty maids
And joyous love of comely girl and boy,
His eyes were bright, and 'mid the dancing blades
Of golden grass his feet did trip for joy;
And in his hand he held an ivory lute
With strings of gold that were as maidens' hair,
And sang with voice as tuneful as a flute,
And round his neck three chains of roses were.
But he that was his comrade walked aside;
He was full sad and sweet, and his large eyes
Were strange with wondrous brightness, staring wide
With gazing; and he sighed with many sighs
That moved me, and his cheeks were wan and white
Like pallid lilies, and his lips were red
Like poppies, and his hands he clenched tight,
And yet again unclenched, and his head
Was wreathed with moon-flowers pale as lips of death.
A purple robe he wore, o'erwrought in gold
With the device of a great snake, whose breath
Was fiery flame: which when I did behold
I fell a-weeping, and I cried, 'Sweet youth,
Tell me why, sad and sighing, thou dost rove
These pleasent realms? I pray thee speak me sooth
What is thy name?' He said, 'My name is Love.'
Then straight the first did turn himself to me
And cried, 'He lieth, for his name is Shame,
But I am Love, and I was wont to be
Alone in this fair garden, till he came
Unasked by night; I am true Love, I fill
The hearts of boy and girl with mutual flame.'
Then sighing, said the other, 'Have thy will,
I am the love that dare not speak its name.
”
”
Alfred Bruce Douglas
“
Now you’re just being selfish,” Dominic said to Jaime, shaking his head. “You have that body for the rest of your life. I only want it for one night.”
Not in the mood to hear his packmate making moves—no matter how playful—on the female he intended to claim, Dante growled. “Dominic, no. Not to Jaime.”
“But—”
“No.”
Dominic sighed in resignation. “Okay, fine.”
Noticing that Trey seemed to find the whole thing extremely amusing, Dante raised a brow at him. “It’s funny now that he’s not saying this shit to Taryn?”
Trey smiled. “Of course.”
“I’ve always got some stored up for my gorgeous Alpha female,” said Dominic with an impish grin.
Instantly Trey’s smile fell from his face. “Dom, don’t do it.”
Dominic held his hands up, pleading innocence. “I was just going to ask her if she went to Boy Scouts…because she has my heart all tied in knots.”
Taryn groaned and chuckled at the same time.
”
”
Suzanne Wright (Wicked Cravings (The Phoenix Pack, #2))
“
The Eaton boys are a whole mood this morning.
”
”
Elsie Silver (Flawless (Chestnut Springs, #1))
“
A boy may be as disagreeable as he pleases, but when a girl refuses to crap sunshine on command the world mutters darkly about her moods.
”
”
Scott Lynch (The Republic of Thieves (Gentleman Bastard, #3))
“
And I was in a fine mood to kick the ass of the boy who had talked me into this only to run off.
”
”
Anna-Marie McLemore (Self-Made Boys: A Great Gatsby Remix)
“
I wish your moods were as easy to predict.. but there is no app to help me navigate.. your unhinged emotions.
”
”
Megan Fox (Pretty Boys Are Poisonous: Poems)
“
I’m in a foul mood, and the only thing that’s going to keep me from being a massive asshole to everyone I come in contact with lies between Coraline’s thighs.
”
”
Monty Jay (The Oath We Give (Hollow Boys, #5))
“
The plots and stories in the novels did not interest me so much as the point of view revealed. I gave myself over to each novel without reserve, without trying to criticize it; it was enough for me to see and feel something different. And for me, everything was something different. Reading was like a drug, a dope. The novels created moods in which I lived for days.
”
”
Richard Wright (Black Boy)
“
There was a few seconds' pause. Then Amit said: I meant, what were you thinking just now.
When? said Lata.
When you were looking at Pran and Savita. Over the pudding.
Oh.
Well, what?
I can't remember, said Lata with a smile.
Amit laughed.
Why are you laughing? asked Lata
I like making you feel uncomfortable, I suppose.
Oh. Why?
--Or happy--or puzzled--just to see your change of mood. It's such fun. I pity you!
Why? said Lata, startled.
Because you'll never know what a pleasure it is to be in your company.
Do stop talking like that, said Lata. Ma will come in any minute.
You're quite right. In that case: Will you marry me?
Lata dropped her cup. It fell to the floor and broke. She looked at the broken pieces--luckily, it has been empty--and then at Amit.
Quick! said Amit. Before they come running to see what's happened. Say yes.
Lata had knelt down; she was gathering he bits of the cup together and placing them on the delicately patterned blue-and-gold saucer.
Amit joined her on the floor. Her face was only a few inches away from his, but her mind appeared to be somewhere else. he wanted to kiss her but he sensed that there was no question of it. One by one she picked up the shards of china.
Was it a family heirloom? asked Amit.
What? I'm sorry--said Lata, snapped out of her trance by the words.
Well, I suppose I'll have to wait. I was hoping that by springing it on you like that I'd surprise you into agreeing...
...Do stop being idotic, Amit, said Lata. You're so brilliant, do you have to be so stupid as well? I should only take you seriously in black and white.
And in sickness and health.
Lata laughed: For better and for worse, she added.
”
”
Vikram Seth (A Suitable Boy (A Bridge of Leaves, #1))
“
Since I was a small boy, I had watched that forest for enemies or for game, and I knew its every mood and shading, how the sunlight fell through the leaves and where the shadows gathered. It held no mysteries for me but much of memory. I had played there as a child with Yance, Jubal, and Brian, later with Noelle. We had climbed its trees, picked berries there, and played hide-and-seek under its branches.
”
”
Louis L'Amour (The Warrior's Path (The Sacketts, #3))
“
But throughout history, while some humans have been our best friends and kept us safe, others have been our worst enemies. The major predators of human beings are other human beings. Our stress-response systems, therefore, are closely interconnected with the systems that read and respond to human social cues. As a result we are very sensitive to expressions, gestures and the moods of others. As we shall see, we interpret threat and learn to handle stress by watching how those around us. We even have special cells in our brains that fire, not when we move or express emotions, but when we see others do so.
”
”
Bruce D. Perry (The Boy Who Was Raised As a Dog: And Other Stories from a Child Psychiatrist's Notebook)
“
As I’ve told you many times, I’m split in two. One side contains my exuberant cheerfulness, my flippancy, my joy in life and, above all, my ability to appreciate the lighter side of things. By that I mean not finding anything wrong with flirtations, a kiss, an embrace, an off-color joke. This side of me is usually lying in wait to ambush the other one, which is much purer, deeper and finer. No one knows Anne’s better side, and that’s why most people can’t stand me. Oh, I can be an amusing clown for an afternoon, but after that everyone’s had enough of me to last a month. Actually, I’m what a romantic movie is to a profound thinker—a mere diversion, a comic interlude, something that is soon forgotten: not bad, but not particularly good either. I hate having to tell you this, but why shouldn’t I admit it when I know it’s true? My lighter, more superficial side will always steal a march on the deeper side and therefore always win. You can’t imagine how often I’ve tried to push away this Anne, which is only half of what is known as Anne—to beat her down, hide her. But it doesn’t work, and I know why. I’m afraid that people who know me as I usually am will discover I have another side, a better and finer side. I’m afraid they’ll mock me, think I’m ridiculous and sentimental and not take me seriously. I’m used to not being taken seriously, but only the “lighthearted” Anne is used to it and can put up with it; the “deeper” Anne is too weak. If I force the good Anne into the spotlight for even fifteen minutes, she shuts up like a clam the moment she’s called upon to speak, and lets Anne number one do the talking. Before I realize it, she’s disappeared. So the nice Anne is never seen in company. She’s never made a single appearance, though she almost always takes the stage when I’m alone. I know exactly how I’d like to be, how I am … on the inside. But unfortunately I’m only like that with myself. And perhaps that’s why—no, I’m sure that’s the reason why—I think of myself as happy on the inside and other people think I’m happy on the outside. I’m guided by the pure Anne within, but on the outside I’m nothing but a frolicsome little goat tugging at its tether. As I’ve told you, what I say is not what I feel, which is why I have a reputation for being boy-crazy as well as a flirt, a smart aleck and a reader of romances. The happy-go-lucky Anne laughs, gives a flippant reply, shrugs her shoulders and pretends she doesn’t give a darn. The quiet Anne reacts in just the opposite way. If I’m being completely honest, I’ll have to admit that it does matter to me, that I’m trying very hard to change myself, but that I’m always up against a more powerful enemy. A voice within me is sobbing, “You see, that’s what’s become of you. You’re surrounded by negative opinions, dismayed looks and mocking faces, people who dislike you, and all because you don’t listen to the advice of your own better half.” Believe me, I’d like to listen, but it doesn’t work, because if I’m quiet and serious, everyone thinks I’m putting on a new act and I have to save myself with a joke, and then I’m not even talking about my own family, who assume I must be sick, stuff me with aspirins and sedatives, feel my neck and forehead to see if I have a temperature, ask about my bowel movements and berate me for being in a bad mood, until I just can’t keep it up anymore, because when everybody starts hovering over me, I get cross, then sad, and finally end up turning my heart inside out, the bad part on the outside and the good part on the inside, and keep trying to find a way to become what I’d like to be and what I could be if … if only there were no other people in the world. Yours, Anne M. Frank ANNE’S DIARY ENDS HERE.
”
”
Anne Frank (The Diary of a Young Girl)
“
There was danger in her tone. “Am I really? Why should that be exceptional? A boy may be as disagreeable as he pleases, but when a girl refuses to crap sunshine on command the world mutters darkly about her moods.
”
”
Scott Lynch (The Republic of Thieves (Gentleman Bastard, #3))
“
On the night before the wedding, when Chips left the house to return to his hotel, she said, with mock gravity: "This is an occasion, you know--this last farewell of ours. I feel rather like a new boy beginning his first term with you. Not scared, mind you--but just, for once, in a thoroughly respectful mood. Shall I call you 'sir'--or would 'Mr. Chips' be the right thing? 'Mr. Chips,' I think. Good-bye, then--good-bye, Mr. Chips. . . .
”
”
James Hilton (Good-Bye, Mr. Chips)
“
...told me to stop being a stupid town boy. She said that if I ever tried to go away from her again, she'd break my legs. She's very romantic, that girl. Sweet as a kitten...if a kitten was a Siberian tiger with mood issues.
”
”
Jonathan Maberry (Fire & Ash (Rot & Ruin, #4))
“
His personal fulfillment did not lead him to evolve a cheerful Madonna; on the contrary this Madonna was sad; she had already, through his sculptures, known the Descent. The tranquility of his early bas-relief, when Mary still had her decision to make, could never be recaptured. This young mother was committed; she knew the end of her boy’s life. That was why she was reluctant to let him go, this beautiful, husky,healthy boy, his hand clasped for protection in hers. That
was why she sheltered him with the side of her cloak.
The child, sensitive to his mother’s mood, had a touch of melancholy about the eyes. He was strong, he had courage, he would step forth from the safe harbor of his mother’s lap, but just now he gripped her hand with the fingers of one hand, and with the
other held securely to her side. Or was it his own mother he was thinking about, sad because she must leave her son alone in the world? Himself, who clung to her?
”
”
Irving Stone (The Agony and the Ecstasy)
“
One Sunday at Woodside, gloomy and hungover, I wrote an instrumental that fitted my mood, and kept singing one line of lyrics over the top: ‘Life isn’t everything’. The next morning I found out that a boy called Guy Burchett who worked for Rocket had died in a motorbike crash at virtually the same time I was writing the song, so I called it ‘Song For Guy’. It was like nothing I’d ever done before, and my American record label refused to release it as a single – I was furious – but it became a colossal hit in Europe.
”
”
Elton John (Me)
“
We listened, as all boys in their better moods will listen (ay, and men too for the matter of that), to a man whom we felt to be, with all his heart and soul and strength, striving against whatever was mean and unmanly and unrighteous in our little world. It was not the cold, clear voice of one giving advice and warning from serene heights to those who were struggling and sinning below, but the warm, living voice of one who was fighting for us and by our sides, and calling on us to help him and ourselves and one another.
”
”
Thomas Hughes (Tom Brown's Schooldays (Tom Brown, #1))
“
This susceptibility to impressions had been his undoing, no doubt. Still at his age he had, like a boy or a girl even, these alternations of mood; good days, bad days, for no reason whatever, happiness from a pretty face, downright misery at the sight if a frump.
”
”
Virginia Woolf (Mrs. Dalloway)
“
…For many years now, that way of living has been scorned, and over the last 40 or 50 years it has nearly disappeared. Even so, there was nothing wrong with it. It was an economy directly founded on the land, on the power of the sun, on thrift and skill and on the people’s competence to take care of themselves. They had become dependent to some extent on manufactured goods, but as long as they stayed on their farms and made use of the great knowledge that they possessed, they could have survived foreseeable calamities that their less resourceful descendants could not survive. Now that we have come to the end of the era of cheap petroleum which fostered so great a forgetfulness, I see that we could have continued that thrifty old life fairly comfortably – could even have improved it. Now, we will have to return to it, or to a life necessarily as careful, and we will do so only uncomfortably and with much distress. Increasingly over the last maybe forty years, the thought has come to me that the old world, in which our people lived by the work of their hands, close to weather and earth, plants and animals, was the true world. And that the new world of cheap energy and ever cheaper money, honored greed and dreams of liberation from every restraint, is mostly theater. This new world seems a jumble of scenery and props never quite believable. An economy of fantasies and moods, in which it is hard to remember either the timely world of nature, or the eternal world of the prophets and poets. And I fear, I believe I know, that the doom of the older world I knew as a boy will finally afflict the new one that replaced it. The world I knew as a boy was flawed surely, but it was substantial and authentic. The households of my grandparents seemed to breathe forth a sense of the real cost and worth of things. Whatever came, came by somebody’s work.
”
”
Wendell Berry (Andy Catlett: Early Travels)
“
Christina was also in a gay mood: the paymaster had addressed her as Monsieur! The further we moved eastward, the more often was she taken for a boy. And this not only by Asiatics: in Delhi smart Major Gastrell spoke to her for fifteen minutes before suspecting that she was a woman.
”
”
Ella Maillart (The Cruel Way: Switzerland to Afghanistan in a Ford, 1939)
“
And Eisenstein was doing it,too!As a young boy Sasha had seen his Battleship Potemkin in the Khudoshestvennyi Theater on the Arbat Sqaure.The cashiers,ticket-takers,cloak room attendants, all were dressed in sailors' uniforms;it looked just grand,it set the mood.The world had acknowledged BATTLESHIP POTEMKIN as the best film and Eisenstein as the greatest director.Now the 'greatest' was loyally serving the tyrant and executioner.Here was an example for his argument with Gleb about genius and villainy. Gleb also read the paper and gave Sasha a meaningful glance. 'Well then one more sycophant.
”
”
Anatoli Rybakov (Dust and Ashes (Arbat tetralogy, #4))
“
When your mama was the geek, my dreamlets,' Papa would say, 'she made the nipping off of noggins such a crystal mystery that the hens themselves yearned toward her, waltzing around her, hypnotized with longing. "Spread your lips, sweet Lil," they'd cluck, "and show us your choppers!"'
This same Crystal Lil, our star-haired mama, sitting snug on the built-in sofa that was Arty's bed at night, would chuckle at the sewing in her lap and shake her head. 'Don't piffle to the children, Al. Those hens ran like whiteheads.'
Nights on the road this would be, between shows and towns in some campground or pull-off, with the other vans and trucks and trailers of Binewski's Carnival Fabulon ranged up around us, safe in our portable village.
After supper, sitting with full bellies in the lamp glow, we Binewskis were supposed to read and study. But if it rained the story mood would sneak up on Papa. The hiss and tick on the metal of our big living van distracted him from his papers. Rain on a show night was catastrophe. Rain on the road meant talk, which, for Papa, was pure pleasure.
'It's a shame and a pity, Lil,' he'd say, 'that these offspring of yours should only know the slumming summer geeks from Yale.'
'Princeton, dear,' Mama would correct him mildly. 'Randall will be a sophomore this fall. I believe he's our first Princeton boy.'
We children would sense our story slipping away to trivia. Arty would nudge me and I'd pipe up with, 'Tell about the time when Mama was the geek!' and Arty and Elly and Iphy and Chick would all slide into line with me on the floor between Papa's chair and Mama.
Mama would pretend to be fascinated by her sewing and Papa would tweak his swooping mustache and vibrate his tangled eyebrows, pretending reluctance. 'WellIll . . .' he'd begin, 'it was a long time ago . . .'
'Before we were born!'
'Before . . .' he'd proclaim, waving an arm in his grandest ringmaster style, 'before I even dreamed you, my dreamlets!'
'I was still Lillian Hinchcliff in those days,' mused Mama. 'And when your father spoke to me, which was seldom and reluctantly, he called me "Miss." '
'Miss!' we would giggle. Papa would whisper to us loudly, as though Mama couldn't hear, 'Terrified! I was so smitten I'd stutter when I tried to talk to her. "M-M-M-Miss . . ." I'd say.'
We'd giggle helplessly at the idea of Papa, the GREAT TALKER, so flummoxed.
'I, of course, addressed your father as Mister Binewski.
”
”
Katherine Dunn (Geek Love)
“
In subsequent experiences I frequently found the mothers of schizophrenic children to be extraordinarily narcissistic individuals like Mrs. X. This is not to say that such mothers are always narcissistic or that narcissistic mothers can’t raise non-schizophrenic children. Schizophrenia is an extremely complex disorder, with obvious genetic as well as environmental determinants. But one can imagine the depth of confusion in Susan’s childhood produced by her mother’s narcissism, and one can objectively see this confusion when actually observing narcissistic mothers interact with their children. On an afternoon when Mrs. X. was feeling sorry for herself Susan might have come home from school bringing some of her paintings the teacher had graded A. If she told her mother proudly how she was progressing in art, Mrs. X. might well respond: “Susan, go take a nap. You shouldn’t get yourself so exhausted over your work in school. The school system is no good anymore. They don’t care for children anymore.” On the other hand, on an afternoon when Mrs. X. was in a very cheerful mood Susan might have come home in tears over the fact that she had been bullied by several boys on the school bus, and Mrs. X. could say: “Isn’t it fortunate that Mr. Jones is such a good bus driver? He is so nice and patient with all you children and your roughhousing. I think you should be sure to give him a nice little present at Christmastime.” Since they do not perceive others as others but only as extensions of themselves, narcissistic
”
”
M. Scott Peck (The Road Less Traveled: A New Psychology of Love, Traditional Values and Spiritual Growth)
“
Chust a little farther. Keep your shoes on.”
Peter whispered to me. “Where does he get this stuff, anyway? Isn’t it pants? Aren’t we supposed to keep our pants on?”
“Maybe for Bodo shoes are more important. Maybe it’s a German thing.”
“You know, Chermans can hear very good. You are talking about me not very nice, I know it.”
“We were just talking about your creative colloquialisms,” said Peter.
I had no idea what that word meant, but it was fun to mess with Bodo, which is exactly what Peter was trying to do.
“Is dat like a fucktart?”
“What?” asked Peter, half choking.
“Fucktart. Dat’s a new word I learned today. Isn’t it a good one?”
“I told you before, Bodo,” I said, “it’s not fucktart. It’s fucktard. And you were right before. It’s not a nice word, so stop saying it.”
“I didn’t say fucktart. Dat was you. You are the lady saying all the fucktart words today. Or moron. She likes dat one, too. I think it means boy I luff.”
“Wow. You guys have one of the most messed up relationships I have ever seen,” said Peter, shaking his head. “Seriously. You fight to lighten the mood. You call each other names …”
“And we take showers togedder sometimes. Don’t forget dat.”
“Shut up, Bodo!”
“You do? Ew. That’s a public shower, you know.”
“We do not take showers together.”
“Yesss weeee doooo … ”
“One time! Okay? One time. And it’ll never happen again, I can promise you that.”
“I can promise you different!” said Bodo in a singsong voice.
”
”
Elle Casey (Warpaint (Apocalypsis, #2))
“
Shelton pushed Ben lightly. “Remember when you couldn’t flare without losing your temper? So Hi kicked you from behind to get you mad, and you threw him in the ocean?”
Ben snorted. “He deserved it.”
“I was providing a service,” Hi protested. “I recall Tory once trying to eat a mouse.”
I pinched my nose. “Ugh, don’t remind me.”
Ella giggled. “One time Cole lost his flare while carrying a boulder. It pinned his leg for an hour.”
Then everyone had a story. Our funeral became a wake.
The mood lifted as we swapped flare stories. It was cathartic. A way to say good-bye.
I caught Ben smiling at me. “I remember when Tory sniffed that mound of bird crap in the old lighthouse. I thought she’d vomit on the spot.”
Chance laughed. “I knew she was too clever. Always with a trick up her sleeve.”
The boys glanced at each other. Their smiles faded.
Something passed between them.
Abruptly, both looked at me.
I could see a question in their eyes. A resolve to see something through.
They talked. Oh God, they talked about me.
They’re going to make me choose.
In a flash of dread, I realized I could delay this no longer.
With another jolt, I realized I didn’t need to.
There was no point putting it off.
There was also no decision to make.
My eyes met a dark, intense pair staring back earnestly. Longingly. Fearfully.
I smiled. Even as my heart pounded.
Before anyone spoke, I stepped forward, legs shaking so badly I worried I might fall.
But my second foot successfully followed the first.
I walked over to Ben’s side.
Slipped my hand inside his.
Squeezed for dear life.
Ben’s eyes widened. He gasped quietly, his chest rising and falling.
I met his startled gaze. Smiled through my blushes.
A goofy smile split Ben’s face, one I’d never seen before. His fingers crushed mine.
No decision to make.
Tearing my eyes from Ben, I looked at Chance, found him watching me with a glum expression. Then he sighed, a wry smile twisting his lips.
Chance nodded slightly.
Not one word spoken. Volumes exchanged.
The silence stretched, like a living breathing force.
Finally, Hi cleared his throat. “Um.”
My face burned scarlet as I remembered our audience. Ella was gaping at me, a delighted grin on her face. Shelton looked like he might turn and run. Hi was rubbing the back of his neck, his face twisted in an uncomfortable grimace.
Still no one said a word.
This was the most painful moment of my life.
“So . . .” Hi drummed his thighs, eyes fixed to the pavement. “Right. A lot just happened there. Weirdly without anyone talking, but, um, yeah.
”
”
Kathy Reichs (Terminal (Virals, #5))
“
...generals outrank colonels who, in turn, outrank majors and captains and lieutenants, and everyone, but everyone, outranks children. Within the ranks of children, boys always outrank girls. One way of grinding this particularly irritating pecking order into the young girls was to teach them the old and ridiculous art of curtsying.
”
”
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
“
Where I lived at Pencey, I lived in the Ossenburger Memorial Wing of the new dorms. It was only for juniors and seniors. I was a junior. My roommate was a senior. It was named after this guy Ossenburger that went to Pencey. He made a pot of dough in the undertaking business after he got out of Pencey. What he did, he started these undertaking parlors all over the country that you could get members of your family buried for about five bucks apiece. You should see old Ossenburger. He probably just shoves them in a sack and dumps them in the river. Anyway, he gave Pencey a pile of dough, and they named our wing alter him. The first football game of the year, he came up to school in this big goddam Cadillac, and we all had to stand up in the grandstand and give him a locomotive—that's a cheer. Then, the next morning, in chapel, he made a speech that lasted about ten hours. He started off with about fifty corny jokes, just to show us what a regular guy he was. Very big deal. Then he started telling us how he was never ashamed, when he was in some kind of trouble or something, to get right down his knees and pray to God. He told us we should always pray to God—talk to Him and all—wherever we were. He told us we ought to think of Jesus as our buddy and all. He said he talked to Jesus all the time. Even when he was driving his car. That killed me. I can just see the big phony bastard shifting into first gear and asking Jesus to send him a few more stiffs. The only good part of his speech was right in the middle of it. He was telling us all about what a swell guy he was, what a hotshot and all, then all of a sudden this guy sitting in the row in front of me, Edgar Marsalla, laid this terrific fart. It was a very crude thing to do, in chapel and all, but it was also quite amusing. Old Marsalla. He damn near blew the roof off. Hardly anybody laughed out loud, and old Ossenburger made out like he didn't even hear it, but old Thurmer, the headmaster, was sitting right next to him on the rostrum and all, and you could tell he heard it. Boy, was he sore. He didn't say anything then, but the next night he made us have compulsory study hall in the academic building and he came up and made a speech. He said that the boy that had created the disturbance in chapel wasn't fit to go to Pencey. We tried to get old Marsalla to rip off another one, right while old Thurmer was making his speech, but be wasn't in the right mood.
”
”
J.D. Salinger (The Catcher in the Rye)
“
I got the groceries and lugged them all the way to Akinli’s dorm, running slightly behind because I couldn’t get into the building on my own. The university required ID cards to get into the dorms after six, and since I wasn’t an actual student, I had to wait for someone else to come along and scan his so I could piggyback in.
“You need some help?” the boy asked, his eyes lingering on my mouth.
I shook my head no.
“Aww, come on. That’s way too heavy for you.”
He came closer, and again I cursed our natural appeal. I wasn’t in danger exactly, and I knew that, but it didn’t make these encounters any less uncomfortable. I shook my head again.
“No, really, which floor are you on? I can—”
“Hey, Kahlen!” I looked up to see Akinli walking down the hall. His button-up was open over the gray shirt beneath it, but I was thrilled to see that he’d at least put one on. “I was starting to worry. Hey, Sam.”
“Hey.” The boy gave Akinli a look and headed toward the stairwell, his displeasure at Akinli’s arrival clear. In the meantime, I felt my mood lift significantly. I was now officially on my first date.
”
”
Kiera Cass (The Siren)
“
Then Jack turned to her.
Safari? That was the best excuse you could come up with for me not being at a meeting?"
She winced apologetically. "I'm sorry. I'm a terrible liar."
What was wrong with simple sickness? A nice, normal bout of food poisoning?"
He was in a bad mood. I kind of got carried away," she admitted.
Boy, are you lucky I watched Tarzan so much as a kid.
”
”
Sarah Mayberry (Can't Get Enough)
“
It doesn’t help I nearly ran over some chick crossing the street on campus as I was leaving. I was in a pissy mood, still am, and wasn’t paying enough attention. I could’ve hit her, which is scary as fuck, but then me being me I honked at her like it was her fault. I can be a real fucking prick. I don’t even mean to … most of the time. There are other times where I get enjoyment out of it. I don’t know what that says about me, but it’s true.
”
”
Micalea Smeltzer (Bad Boys Break Hearts (The Boys, #1))
“
Asia is rising against me.
I haven't got a chinaman's chance.
I'd better consider my national resources.
My national resources cousist of two joints of marijuana millions of
genitals an unpublishable private literature that goes 1400
miles an hour and twentyfive-thousand mental institutions.
I say nothing about my prisons nor the millions of underprivileged
who live in my flowerpots under the light of five hundred
suns.
I have abolished the whorehouses of France, Tangiers is the next
to go.
My ambition is to be President despite the fact that I'm a Catholic.
America how can I write a holy litany in your silly mood?
I will continue like Henry Ford my strophes are as individual as
his automobiles more so they're all different sexes.
America I will sell you strophes $2500 apiece $500 down on your
old strophe
America free Tom Mooney
America save the Spanish Loyalists
America Sacco & V anzetti must not die
America I am the Scottsboro boys.
America when I was seven momma took me to Communist Cell
meetings they sold us garbanzos a handful per ticket
a ticket costs a nickel and the speeches were free
everybody was angelic and sentimental about the workers
it was all so sincere you have no idea what a good thing
the party was in 1835 Scott Nearing was a grand old man
a real mensch Mother Bloor made me cry I once saw
Israel Amter plain. Everybody must have been a spy.
America you don't really want to go to war.
America it's them bad Russians.
Them Russians them Russians and them Chinamen. And them
Russians.
The Russia wants to eat us alive. The Russia's power mad. She
wants to take our cars from out our garages.
Her wants to grab Chicago. Her needs a Red Readers' Digest.
Her wants our auto plants in Siberia. Him big bureaucracy
running our fillingstations.
That no good. Ugh. Him make Indians learn read. Him need
big black niggers. Hah. Her make us all work sixteen hours
a day. Help.
America this is quite serious.
America this is the impression I get from looking in the television
set.
America is this correct?
I'd better get right down to the job.
It's true I don't want to join the Army or turn lathes in precision
parts factories, I'm nearsighted and psychopathic anyway.
America I'm putting my queer shoulder to the wheel.
”
”
Allen Ginsberg (Howl: And Other Poems)
“
I can’t imagine anyone dumb enough to think they could ever take you on and win. Damn, boy. You are ripped!” Gaping even wider, he gave one more squeeze to Talyn’s massive biceps. Fain bristled at Chayden’s impressed tone. “He’s the same size I am.” Chayden finally quit molesting Talyn’s arm and snorted disdainfully at Fain. “Yeah, but he’s a lot scarier than you are, Hauk.” Talyn cracked a cocky grin that really didn’t help Fain’s foul mood, as Galene laughed. While
”
”
Sherrilyn Kenyon (Born of Betrayal (The League #8))
“
Above the decorous walking around me, sounds of footsteps leaving the verandas of far-flung buildings and moving toward the walks and over the walks to the asphalt drives lined with whitewashed stones, those cryptic messages for men and women, boys and girls heading quietly toward where the visitors waited, and we moving not in the mood of worship but of judgement; as though even here in the filtering dusk, here beneath the deep indigo sky, here, alive with looping swifts and darting moths, here in the hereness of the night not yet lighted by the moon that looms blood-red behind the chapel like a fallen sun, its radiance shedding not upon the here-dusk of twittering bats, nor on the there-night of cricket and whippoorwill, but focused short-rayed upon our place of convergence; and we drifting forward with rigid motions, limbs stiff and voices now silent, as though on exhibit even in the dark, and the moon a white man's bloodshot eye.
”
”
Ralph Ellison (Invisible Man)
“
The thought of kissing Fitz in front of Keefe was more than just awkward. It felt… wrong, somehow. “I am staying out of it,” Ro insisted. “It’s not like I’m dragging them to separate corners—though we all know I could. I just figured I should make sure that our sweet, innocent little Blondie noticed that her teal-eyed wonder boy left out that crucial detail, since I know it’s kinda hard to think when a cute boy is leaning in with his eyes all heavy-lidded and his lips all puckery. And I thought she might want a little further clarification before she got lost in all the ‘YIPPEE! HE’S KISSING ME’—but what do I know?” Fitz’s glare could’ve withered forests. “And I thought the fact that I was about to kiss her made it pretty clear how I feel.” “Does it, though?” Ro asked, tapping her chin with a painted claw. “I mean, I guess it could. Or it could mean you’re in the mood for some lip-on-lip action—and hey, no one’s judging you. Smooching rocks!
”
”
Shannon Messenger (Legacy (Keeper of the Lost Cities, #8))
“
What do you and Chris even talk about?” he asks. “You have nothing in common.”
“What do we talk about?” I counter.
Peter laughs. “Point taken.” He pushes away from the wall and puts his head in my lap, and I go completely still.
I try to make my voice sound normal as I say, “You’re in a really strange mood today.”
He raises an eyebrow at me. “What kind of mood am I in?” Peter sure loves to hear about himself. Normally, I don’t mind, but today I’m not in the mood to oblige him. He already has too many people in his life telling him how great he is.
“The obnoxious kind,” I say, and he laughs.
“I’m sleepy.” He closes his eyes and snuggles against me. “Tell me a bedtime story, Covey.”
“Don’t flirt,” I tell him.
His eyes fly open. “I wasn’t!”
“Yes, you were. You flirt with everyone. It’s like you can’t help yourself.”
“Well, I don’t ever flirt with you.” Peter sits back up and checks his phone, and suddenly I’m wishing I didn’t say anything at all.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
Human social life is built on this ability to “reflect” each other and respond to those reflections, with both positive and negative results. For example, if you are feeling great and go to work where your supervisor is in a vile mood, soon you will probably feel lousy, too. If a teacher becomes angry or frustrated, the children in her classroom may begin to misbehave, reflecting the powerful emotion being expressed by the teacher. To calm a frightened child, you must first calm yourself.
”
”
Bruce D. Perry (The Boy Who Was Raised As a Dog: And Other Stories from a Child Psychiatrist's Notebook)
“
PROLOGUE Zoey “Wow, Z, this is a seriously awesome turnout. There are more humans here than fleas on an old dog!” Stevie Rae shielded her eyes with her hand as she looked around at the newly lit-up campus. Dallas was a total jerk, but we all admitted that the twinkling lights he’d wrapped around the trunks and limbs of the old oaks gave the entire campus a magickal, fairy-like glow. “That is one of your more disgusting bumpkin analogies,” Aphrodite said. “Though it’s accurate. Especially since there are a bunch of city politicians here. Total parasites.” “Try to be nice,” I said. “Or at least try to be quiet.” “Does that mean your daddy, the mayor, is here?” Stevie Rae’s already gawking eyes got even wider. “I suppose it does. I caught a glimpse of Cruella De Vil, a.k.a. She Who Bore Me, not long ago.” Aphrodite paused and her brows went up. “We should probably keep an eye on the Street Cats kittens. I saw some cute little black and white ones with especially fluffy fur.” Stevie Rae sucked air. “Ohmygoodness, your mamma wouldn’t really make a kitten fur coat, would she?” “Faster than you can say Bubba’s drinkin’ and drivin’ again,” Aphrodite mimicked Stevie Rae’s Okie twang. “Stevie Rae—she’s kidding. Tell her the truth,” I nudged Aphrodite. “Fine. She doesn’t skin kittens. Or puppies. Just baby seals and democrats.” Stevie Rae’s brow furrowed. “See, everything is fine. Plus, Damien’s at the Street Cats booth, and you know he’d never let one little kitten whisker be hurt—let alone a whole coat,” I assured my BFF, refusing to let Aphrodite mess up our good mood. “Actually, everything is more than fine. Check out what we managed to pull off in a little over a week.” I sighed in relief at the success of our event and let my gaze wander around the packed school grounds. Stevie Rae, Shaylin, Shaunee, Aphrodite, and I were manning the bake sale booth (while Stevie Rae’s mom and a bunch of her PTA friends moved through the crowd with samples of the chocolate chip cookies we were selling, like, zillions of). From our position near Nyx’s statue, we had a great view of the whole campus. I could see a long line at Grandma’s lavender booth. That made me smile. Not far from Grandma, Thanatos had set up a job application area, and there were a bunch of humans filling out paperwork there. In the center of the grounds there were two huge silver and white tents draped with more of Dallas’s twinkling lights. In one tent Stark and Darius and the Sons of Erebus Warriors were demonstrating weaponry. I watched as Stark was showing a young boy how to hold a bow. Stark’s gaze lifted from the kid and met mine. We shared a quick, intimate smile
”
”
P.C. Cast (Revealed (House of Night #11))
“
In the evenings they would sometimes sit out in the garden and listen to the steady hum of the bees‘ industry and breathe in the honey in full flow. The Boys learnt how the different sounds from the hive denoted different moods, different activities, and that each worker, far from being a mere gatherer of nectar or builder of comb, carried out a whole host of duties at various points in her short life―a nursemaid to the larvae, a sentry to keep out robber bees, a carpet sweeper to keep the hive tidy, a punka-wallah when it got too hot.
”
”
Mick Jackson (Five Boys)
“
Amory had rather a Puritan conscience. Not that he yielded to it--later in life he almost completely slew it--but at fifteen it made him consider himself a great deal worse than other boys... unscrupulousness... the desire to influence people in almost every way, even for evil... a certain coldness and lack of affection, amounting sometimes to cruelty... a shifting sense of honor... an unholy selfishness... a puzzled, furtive interest in everything concerning sex.
There was, also, a curious strain of weakness running crosswise through his make-up... a harsh phrase from the lips of an older boy (older boys usually detested him) was liable to sweep him off his poise into surly sensitiveness, or timid stupidity... he was a slave to his own moods and he felt that though he was capable of recklessness and audacity, he possessed neither courage, perseverance, nor self-respect.
Vanity, tempered with self-suspicion if not self-knowledge, a sense of people as automatons to his will, a desire to "pass" as many boys as possible and get to a vague top of the world... with this background did Amory drift into adolescence.
”
”
F. Scott Fitzgerald (This Side of Paradise)
“
When a boy grows up in a “dysfunctional” family (perhaps there is no other kind of family), his interior warriors will be killed off early. Warriors, mythologically, lift their swords to defend the king. The King in a child stands for and stands up for the child’s mood. But when we are children our mood gets easily overrun and swept over in the messed-up family by the more powerful, more dominant, more terrifying mood of the parent. We can say that when the warriors inside cannot protect our mood from being disintegrated, or defend our body from invasion, the warriors collapse, go into trance, or die. The inner warriors I speak of do not cross the boundary aggressively; they exist to defend the boundary. The Fianna, that famous band of warriors who defended Ireland’s borders, would be a model. The Fianna stayed out all spring and summer watching the boundaries, and during the winter came in. But a typical child has no such protection. If a grown-up moves to hit a child, or stuff food into the child’s mouth, there is no defense—it happens. If the grown-up decides to shout, and penetrate the child’s auditory boundaries by sheer violence, it happens. Most parents invade the child’s territory whenever they wish, and the child, trying to maintain his mood by crying, is simply carried away, mood included. Each child lives deep inside his or her own psychic house, or soul castle, and the child deserves the right of sovereignty inside that house. Whenever a parent ignores the child’s sovereignty, and invades, the child feels not only anger, but shame. The child concludes that if it has no sovereignty, it must be worthless. Shame is the name we give to the sense that we are unworthy and inadequate as human beings. Gershen Kauffman describes that feeling brilliantly in his book, Shame, and Merle Fossum and Marilyn Mason in their book, Facing Shame, extend Kauffman’s work into the area of family shame systems and how they work. When our parents do not respect our territory at all, their disrespect seems overwhelming proof of our inadequacy. A slap across the face pierces deeply, for the face is the actual boundary of our soul, and we have been penetrated. If a grown-up decides to cross our sexual boundaries and touch us, there is nothing that we as children can do about it. Our warriors die. The child, so full of expectation of blessing whenever he or she is around an adult, stiffens with shock, and falls into the timeless fossilized confusion of shame. What is worse, one sexual invasion, or one beating, usually leads to another, and the warriors, if revived, die again. When a boy grows up in an alcoholic family, his warriors get swept into the river by a vast wave of water, and they struggle there, carried downriver. The child, boy or girl, unprotected, gets isolated, and has more in common with snow geese than with people.
”
”
Robert Bly (Iron John: A Book about Men)
“
Escape. It was later that she realized there were no wars in New Orleans: no wars, not here.
The last war was on a different shore, with different people, in a different country, and there’s no going back, back to that life. She realizes this now, but that doesn’t make it ache any less. In fact, the ache grows. It grows into two boys, and the two boys grow into two sons, and those two sons grow to look like their father, uncannily like their father in their moods, their movements, their voices, so that it’s always like she’s losing him again—to the world, to life, to fate.
”
”
Eric Nguyen
“
I was already an atheist, and by my senior year I had became obsessed with the question “What is the meaning of life?” I wrote my personal statement for college admissions on the meaninglessness of life. I spent the winter of my senior year in a kind of philosophical depression—not a clinical depression, just a pervasive sense that everything was pointless. In the grand scheme of things, I thought, it really didn’t matter whether I got into college, or whether the Earth was destroyed by an asteroid or by nuclear war. My despair was particularly strange because, for the first time since the age of four, my life was perfect. I had a wonderful girlfriend, great friends, and loving parents. I was captain of the track team, and, perhaps most important for a seventeen-year-old boy, I got to drive around in my father’s 1966 Thunderbird convertible. Yet I kept wondering why any of it mattered. Like the author of Ecclesiastes, I thought that “all is vanity and a chasing after wind” (ECCLESIASTES 1:14) . I finally escaped when, after a week of thinking about suicide (in the abstract, not as a plan), I turned the problem inside out. There is no God and no externally given meaning to life, I thought, so from one perspective it really wouldn’t matter if I killed myself tomorrow. Very well, then everything beyond tomorrow is a gift with no strings and no expectations. There is no test to hand in at the end of life, so there is no way to fail. If this really is all there is, why not embrace it, rather than throw it away? I don’t know whether this realization lifted my mood or whether an improving mood helped me to reframe the problem with hope; but my existential depression lifted and I enjoyed the last months of high school.
”
”
Jonathan Haidt (The Happiness Hypothesis: Finding Modern Truth in Ancient Wisdom)
“
What the hell is all this I read in the papers?"
"Narrow it down for me," Alan suggested.
"I suppose it might have been a misprint," Daniel considered, frowning at the tip of his cigar before he tapped it in the ashtray he kept secreted in the bottom drawer of his desk. "I think I know my own flesh and blood well enough."
"Narrow it just a bit further," Alan requested, though he'd already gotten the drift.It was simply too good to end it too soon.
"When I read that my own son-my heir, as things are-is spending time fraternizing with a Campbell, I know it's a simple matter of misspelling. What's the girl's name?"
Along with a surge of affection, Alan felt a tug of pure and simple mischief. "Which girl is that?"
"Dammit,boy! The girl you're seeing who looks like a pixie.Fetching young thing from the picture I saw.Good bones; holds herself well."
"Shelby," Alan said, then waited a beat. "Shelby Campbell."
Dead silence.Leaning back in his chair, Alan wondered how long it would be before his father remembered to take a breath. It was a pity, he mused, a real pity that he couldn't see the old pirate's face.
"Campbell!" The word erupted. "A thieving, murdering Campbell!"
"Yes,she's fond of MacGregor's as well."
"No son of mine gives the time of day to one of the clan Campbell!" Daniel bellowed. "I'll take a strap to you, Alan Duncan MacGregor!" The threat was as empty now as it had been when Alan had been eight, but delivered in the same full-pitched roar. "I'll wear the hide off you."
"You'll have the chance to try this weekend when you meet Shelby."
"A Campbell in my house! Hah!"
"A Campbell in your house," Alan repeated mildly. "And a Campbell in your family before the end of the year if I have my way."
"You-" Emotions warred in him. A Campbell versus his firmest aspiration: to see each of his children married and settled, and himself laden with grandchildren. "You're thinking of marriage to a Campbell?"
"I've already asked her.She won't have me...yet," he added.
"Won't have you!" Paternal pride dominated all else. "What kind of a nitwit is she? Typical Campbell," he muttered. "Mindless pagans." Daniel suspected they'd had some sorcerers sprinkled among them. "Probably bewitched the boy," he mumbled, scowling into space. "Always had good sense before this.Aye, you bring your Campbell to me," he ordered roundly. "I'll get to the bottom of it."
Alan smothered a laugh, forgetting the poor mood that had plagued him only minutes earlier. "I'll ask her."
"Ask? Hah! You bring the girl, that daughter of a Campbell, here."
Picturing Shelby, Alan decided he wouldn't iss the meeting for two-thirds the popular vote. "I'll see you Friday, Dad.Give Mom my love."
"Friday," Daniel muttered, puffing avidly on his cigar. "Aye,aye, Friday."
As he hung up Alan could all but see his father rubbing his huge hands togther in anticipation. It should be an interesting weekened.
”
”
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
“
How nice that our former stable boy has begotten a namesake from my elder daughter,” the countess remarked acidly. “This will be the first of many brats, I am sure. Regrettably there is still no heir to the earldom…which is your responsibility, I believe. Come to me with news of your impending marriage to a bride of good blood, Westcliff, and I will evince some satisfaction. Until then, I see little reason for congratulations.”
Though he displayed no emotion at his mother’s hard-hearted response to the news of Aline’s child, not to mention her infuriating preoccupation with the begetting of an heir, Marcus was hard-pressed to hold back a savage reply. In the midst of his darkening mood, he became aware of Lillian’s intent gaze.
Lillian stared at him astutely, a peculiar smile touching her lips. Marcus arched one brow and asked sardonically, “Does something amuse you, Miss Bowman?”
“Yes,” she murmured. “I was just thinking that it’s a wonder you haven’t rushed out to marry the first peasant girl you could find.”
“Impertinent twit!” the countess exclaimed.
Marcus grinned at the girl’s insolence, while the tightness in his chest eased. “Do you think I should?” he asked soberly, as if the question was worth considering.
“Oh yes,” Lillian assured him with a mischievous sparkle in her eyes. “The Marsdens could use some new blood. In my opinion, the family is in grave danger of becoming overbred.”
“Overbred?” Marcus repeated, wanting nothing more than to pounce on her and carry her off somewhere. “What has given you that impression, Miss Bowman?”
“Oh, I don’t know…” she said idly. “Perhaps the earth-shattering importance you attach to whether one should use a fork or spoon to eat one’s pudding.”
“Good manners are not the sole province of the aristocracy, Miss Bowman.” Even to himself, Marcus sounded a bit pompous.
“In my opinion, my lord, an excessive preoccupation with manners and rituals is a strong indication that someone has too much time on his hands.”
Marcus smiled at her impertinence. “Subversive, yet sensible,” he mused. “I’m not certain I disagree.”
“Do not encourage her effrontery, Westcliff,” the countess warned.
“Very well—I shall leave you to your Sisyphean task.”
“What does that mean?” he heard Daisy ask.
Lillian replied while her smiling gaze remained locked with Marcus’s. “It seems you avoided one too many Greek mythology lessons, dear. Sisyphus was a soul in Hades who was damned to perform an eternal task…rolling a huge boulder up a hill, only to have it roll down again just before he reached the top.”
“Then if the countess is Sisyphus,” Daisy concluded, “I suppose we’re…”
“The boulder,” Lady Westcliff said succinctly, causing both girls to laugh.
“Do continue with our instruction, my lady,” Lillian said, giving her full attention to the elderly woman as Marcus bowed and left the room. “We’ll try not to flatten you on the way down.
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
Ravi has such nice manners--probably because he is English, and isn’t it a fact that English people have better manners than Americans? He says sorry a lot. “Sorry, can I just…” “Sorry?” His accent is charming, I keep saying pardon so he’ll speak again.
For my part, I try to lighten the mood with questions about England. I ask him why English people call private school public school, if his public school was anything like Hogwarts, if he’s ever met the royal family. His answers are: because they are open to the paying public; they had head boys and head girls and prefects but no Quidditch; and he once saw Prince William at Wimbledon, but only the back of his head.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
The more I thought about my gloves and my yellowness, the more depressed I got, and I decided, while I was walking and all, to stop off and have a drink somewhere. I’d only had three drinks at Ernie’s, and I didn’t even finish the last one. One thing I have, it’s a terrific capacity. I can drink all night and not even show it, if I’m in the mood. Once, at the Whooton School, this other boy, Raymond Goldfarb, and I bought a pint of Scotch and drank it in the chapel one Saturday night, where nobody’d see us. He got stinking, but I hardly didn’t even show it. I just got very cool and nonchalant. I puked before I went to bed, but I didn’t really have to—I forced myself.
”
”
J.D. Salinger (The Catcher in the Rye)
“
When K & I returned to the gingerbread house after taking Nana home, I was beyond exhausted. But I couldn't sleep, not for a long time. I stayed awake. Thinking of boys, of myself, & of all the intersections in between.
...
Regardless, there were times when I was at least part boy. A femme boy deep down. Shy sweater fag, my cardigan on hand to comfort me in the cold world. Bookworm queer boy at heart, K told me on more than one occasion. Certain moods & I was the most enviable of drag princesses, eyelashes all a-flutter & my fingers tickling the air with each gesture. Sometimes I was full of flirtatious swagger, but that playful swag could turn fierce snarl for defense, if need be. Never, I promised myself one line I wouldn't cross, never would I be the mean kind of boy that laughed me back inside the store's red doors when I did no good at hot afternoon sour pissing contests. Of course, there were plenty of times I was such a fairy lady that I ceased to be even part boy.
Yes, Rob would have accused me of bringing the communal growl down for saying I'm part boy. And pre-Stonewall dykes would have wanted to call my game. What kind of dyke was I, anyway? Good question. Simple & complicated all at once, I wasn't a pigeon to be tucked away neatly into a hole. I didn't wear a fixed category without feeling pain. I was more, or less, or something different entirely.
”
”
Felicia Luna Lemus (Trace Elements of Random Tea Parties)
“
Sean started the engine and putted through the marina waters, and Adam had the nerve to plop onto the seat across the aisle from me. Sean reached the edge of the idle zone and cranked the boat into top speed. Adam called to me so softly I could barely catch his words over the motor, “Close your legs.”
“What for? I waxed!” I looked down to make sure. This was okay now, because Sean was facing the other way and couldn’t hear me in the din. Indeed, I was clean. I spread my legs even wider, put my arms on the back of the seat, and generally took up as much room as possible, like a boy. I glanced back over at Adam. “Does it make you uncomfortable for me to sit this way?”
He watched me warily. “Yes.”
“May I suggest that this is your problem and not mine?”
He licked his lips and bent toward me. “If it keeps Sean from asking you out, it’s going to be your problem, and you’re going to make it my problem.”
“Speaking of which,” I said, crossing my legs like a girl. “Thanks for staying out of my way. How the hell am I supposed to get Sean to ask me out when he’s all pissy?”
“You wanted me to lose to him at team calisthenics? That was too sweet to miss.”
“You didn’t have to win by quite so much, Adam. You knew I needed him in a good mood. You didn’t have to rub it in.”
Adam grinned. “And you wanted me to stop growing?”
“Do not make a joke about your size. If you can’t think of anything to talk about except your large size, please say nothing at all.
”
”
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
“
You remember the Latin?"
"Of course. Vir prudens non contra ventum mingit." I couldn't see his face. Cease of the hood, but it could tell by the tone of his voice that he was completely serious. Or at least trying to be. I wrinkled my forehead as I attempted to translate.
"Wait a second," Seth said, pulling back his hood to demonstrate his utter confusion. "I thought their greeting was Non ducor, duco. 'I am not led, I lead.'"
Liam's shoulders began shaking just as I finished my rough translation. "A wise man does not urinate against the wind?" I pulled down my hood and looked at Liam. He winked at me, and it was pretty much the most beautiful thing I'd ever seen in my life. Normally, I'm very anti-wink when it comes to guys, but in this case it was a wink of absolution. It was a wink that meant Liam and I were actually going to be okay.
"You've been planning that all night, haven't you?" I reached over and squeezed his arm. It was the first time I had touched him in at least twenty-four hours, and his strong forearm felt so good beneath my fingertips. When he grabbed my hand and quickly brought my palm to his lips, I felt all the air leave my body. As much as I hated to admit it, for fear of sounding like a ridiculous, boy-crazed damsel in distress, it felt good to have my boyfriend back.
Taylor whipped back her hood, her blue eyes icy. "I'm so glad this is such a joke to you," she spat, clearly not in the mood for games.
Liam dropped my hand and sat up a little straiter. "Sorry T., I've got it non ducor, duco. Don't worry.
”
”
Lisa Roecker (The Lies That Bind (The Liar Society, #2))
“
Hero was left with Mr. Stoke, and at once shocked and enchanted him by confiding that she had no notion how many servants she ought to employ, but hoped he would not think it necessary for her to have too many. 'For I dare say I shan't know how to go on at all. At least, just at first I shall not, though I expect I shall soon get into the way of it.'
Finally, it was decided that a cook, a butler, two abigails, and a page-boy or footman should, in addition to his lordship's man, her ladyship's personal maid, a coachman, two grooms, and the Tiger, be sufficient to ensure the young couple a moderate degree of comfort. Mr. Stoke engaged himself to interview all menials applying for the various posts, and to hire those he considered the most desirable. He then took his leave of his patrons and went away in an extremely thoughtful mood.
”
”
Georgette Heyer (Friday's Child)
“
There was once a little girl who wanted to play ball with the boys, but they wouldn’t let her.” She made sure she had his full attention before continuing. “So she went home and cut all her hair off.” “Why would she do that?” “So she could pretend to be a boy.” Jay stood up and grabbed a ball to bounce. “She then played and won the tournament for them.” “Did they find out?” He let the ball bounce away to stare at her. “Yes,” Amisha said. “And she was no longer allowed to play. The team struggled to win another tournament, and that’s when they realized they should change the rules.” “But, Mummy, girls still can’t play sports,” Jay said, his young mind confused. “No, they can’t, but if they’re not allowed to do things, we’ll never find out what they can do.” She tapped him on the nose to lighten the mood. “I am so lucky to have three smart sons.” She set the strap of his satchel over his young shoulder. “Maybe one of you will help to change our world. What do you think?
”
”
Sejal Badani (The Storyteller's Secret)
“
Tris,” he says. “What did they do to you? You’re acting like a lunatic.”
“That’s not very nice of you to say,” I say. “They put me in a good mood, that’s all. And now I really want to kiss you, so if you could just relax--”
“I’m not going to kiss you. I’m going to figure out what’s going on,” he says.
I pout my lower lip for a second, but then I grin as the pieces come together in my mind.
“That’s why you like me!” I exclaim. “Because you’re not very nice either! It makes so much more sense now.”
“Come on,” he says. “We’re going to see Johanna.”
“I like you, too.”
“That’s encouraging,” he replies flatly. “Come on. Oh, for God’s sake. I’ll just carry you.”
He swings me into his arms, one arm under my knees and the other around my back. I wrap my arms around his neck and plant a kiss on his cheek. Then I discover that the air feels nice on my feet when I kick them, so I move my feet up and down as he walks us toward the building where Johanna works.
When we reach her office, she is sitting behind a desk with a stack of paper in front of her, chewing on a pencil eraser. She looks up at us, and her mouth drifts open slightly. A hunk of dark hair covers the left side of her face.
“You really shouldn’t cover up your scar,” I say. “You look prettier with your hair out of your face.”
Tobias sets me down too heavily. The impact is jarring and hurts my shoulder a little, but I like the sound my feet made when they hit the floor. I laugh, but neither Johanna nor Tobias laughs with me. Strange.
“What did you do to her?” Tobias says, terse. “What in God’s name did you do?”
“I…” Johanna frowns at me. “They must have given her too much. She’s very small; they probably didn’t take her height and weight into account.”
“They must have given her too much of what?” he says.
“You have a nice voice,” I say.
“Tris,” he says, “please be quiet.”
“The peace serum,” Johanna says. “In small doses, it has a mild, calming effect and improves the mood. The only side effect is some slight dizziness. We administer it to members of our community who have trouble keeping the peace.”
Tobias snorts. “I’m not an idiot. Every member of your community has trouble keeping the peace, because they’re all human. You probably dump it into the water supply.”
Johanna does not respond for a few seconds. She folds her hands in front of her.
“Clearly you know that is not the case, or this conflict would not have occurred,” she says. “But whatever we agree to do here, we do together, as a faction. If I could give the serum to everyone in this city, I would. You would certainly not be in the situation you are in now if I had.”
“Oh, definitely,” he says. “Drugging the entire population is the best solution to our problem. Great plan.”
“Sarcasm is not kind, Four,” she says gently. “Now, I am sorry about the mistake in giving too much to Tris, I really am. But she violated the terms of our agreement, and I’m afraid that you might not be able to stay here much longer as a result. The conflict between her and the boy--Peter--is not something we can forget.”
“Don’t worry,” says Tobias. “We intend to leave as soon as humanly possible.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
After that came more injections, pills, low-quality eggs, toilets and screens with naked women on them and the pressure to fill the plastic cup, baptisms they didn’t attend, the question “So when’s the first child coming along?” repeated ad nauseum, operating rooms he wasn’t allowed to enter so that he could hold her hand and she wouldn’t feel so alone, more debt, other people’s babies, the babies of those who could, fluid retention, mood swings, conversations about the possibility of adopting, phone calls to the bank, children’s birthday parties they wanted to escape, more hormones, chronic fatigue and more unfertilized eggs, tears, hurtful words, Mother’s Days in silence, the hope for an embryo, the list of possible names, Leonardo if it was a boy, Aria if it was a girl, pregnancy tests thrown helplessly into the trash can, fights, the search for an egg donor, questions about genetic identity, letters from the bank, the waiting, the fears, the acceptance that maternity isn’t a question of chromosomes, the mortgage, the pregnancy, the birth, the euphoria, the happiness, the death.
”
”
Agustina Bazterrica (Tender Is the Flesh)
“
The pièce de résistance, put into the can on the very first day, owed its inspiration to Little Richard, who would whip audiences to further frenzy between numbers by self-congratulatory cries of “Well...all right!” Buddy turned the phrase into a gentle love song infused with all his special quality of patience and optimism and his developing ability to make personal sentiments into universal ones. “Well, All Right” is a riposte to all the criticism and condescension that teenagers faced from their elders in the rock 'n' roll fifties—and have in every decade since. The setting is as adventurously simple as that of “Everyday”: Buddy plays flamenco-accented acoustic guitar, with only a plashing cymbal for company. The mood is not one of youthful anger and defiance but of maturity before its time: calm, stoical, steadfast in affirming its “dreams and wishes.” The intimacy in the voice could equally be that of lover or elder brother. Girl or boy, you can imagine you and he are alone together, gazing into the fire and imagining a bright future when the young will “live and love with all our might,” which could almost be a prophecy of the sixties' hippie culture.
”
”
Philip Norman (Rave On: The Biography of Buddy Holly)
“
And after they had made love, she became more than everything for him. Like that other source of domestic strife, Saeeda Bai too made hungry where most she satisfied. Part of it was simply the delicious skill with which she made love. But even more than that it was her nakhra, the art of pretended hurt or disaffection that she had learned from her mother and other courtesans in the early days in Tarbuz ka Bazaar. Saeeda Bai practised this with such curious restraint that it became infinitely more believable. One tear, one remark that implied—perhaps, only perhaps implied— that something he had said or done had caused her injury—and Maan's heart would go out to her. No matter what the cost to himself, he would protect her from the cruel, censorious world. For minutes at a time he would lean over her shoulder and kiss her neck, glancing every few moments at her face in the hope of seeing her mood lift. And when it did, and he saw that same bright, sad smile that had so captivated him when she sang at Holi at Prem Nivas, he would be seized by a frenzy of sexual desire. Saeeda Bsi seemed to know this, and graced him with a smile only when she herself was in the mood to satisfy him.
”
”
Vikram Seth (A Suitable Boy)
“
All the while, he was conscious of the sound of water. Dahlia was taking a shower. No matter how hard he tried to prevent it, his imagined insisted on conjuring up a vivid picture of Dahlia naked, wet, her hair slick and her face turned up to the hot spray. He closed his eyes against the image and groaned softly. Where had all his self-discipline gone? His tremendous control? He couldn’t blame energy, sexual or otherwise, for his fantasies. It was the glimpse of her bare bottom, the curve of her hip. Her bare breasts gleaming at him in the sun. Or maybe it was her smile. She didn’t smile often, but when she did, Nicolas could swear it was for him alone, no one else. And then there was her skin . . .
“Hey! Lover boy! Stop mooning around and hit the shower. You smell like a swamp rat, and it just doesn’t do a thing to put me in the mood.” Dahlia stood in the doorway, a towel wrapped around her like a sarong. Her hair was up in a towel and she was dripping water all over the floor. She’d obviously come downstairs straight from her shower to scold him for his indiscretions, but changed her mind.
“You’re not helping me with my overactive imagination,” he pointed out as he walked toward her.
”
”
Christine Feehan (Mind Game (GhostWalkers, #2))
“
Captain! Firing at us! We are in forbidden territory.”
Forbidden, that is, by our own people. A rectangle in which our own people fired on any plane, friend or enemy. We had orders to fly round it, but the Group never bothered to observe these traffic regulations. Well, it was Dutertre who set the course, not I. Nobody could blame me.
“Firing hard?”
“Doing as well as they can.”
“Want to go back and round?”
“Oh, no.”
His tone was matter-of-fact. We had been through our storm. For men like us, this anti-aircraft fire was a mere April shower. Still....
“Dutertre, wouldn’t it be silly to be brought down by our own guns?”
“They won’t bring anything down. Just giving themselves a little exercise.”
Dutertre was in a sarcastic mood. Not I. I was happy. I was impatient to be back with the Group again.
“They are, for a fact. Firing like....”
The gunner! Come to, has he? This is the first time on board that he has opened his mouth without being spoken to. He took in the whole jaunt without feeling the need of speech. Unless that was he who muttered “Boy! oh, boy!” when the shells were thickest. But you wouldn’t call that blabbing, exactly. He spoke now because machine guns are his specialty—and how can you keep a specialist quiet about his specialty?
”
”
Antoine de Saint-Exupéry (Flight To Arras)
“
Syn pulled his boxers on and quietly left the bedroom, walking angrily to the kitchen. He turned the corner and wanted to throw a shit-fit at the sight before him. Day was standing at his stove loading some type of egg dish onto a plate before turning and setting it in front of God. God folded down one side of his newspaper, peering at Syn from behind it.
“Well good morning, sunshine,” Day said way too cheerily for five-fucking-a.m. “We brought breakfast.”
Syn clenched his jaw, trying not to yell at his superior officers. “Have you two lost your fuckin’ minds? Come on. It’s, it’s ... early.” Syn turned his wrist, forgetting he didn’t have his watch on yet. “Damn, you guys are always at the office, or at a crime scene, or over fucking here at god-awful hours.”
“Oh, it’s early?” Day said disbelievingly. God shrugged like he hadn’t realized either.
“Seriously. When the fuck do you guys sleep?”
“Never,” God said nonchalantly.
“When do you fuck?” Syn snapped.
“Always,” Day quipped. “Just did thirty minutes ago. Nice couch by the way, real comfy, sorry for the stain.” Syn tiredly flipped Day off.
“Don’t be pissed,” Day sing-songed. “A dab of Shout will get that right out.”
Syn rubbed angrily at his tired eyes, growling, “Day.”
“He’s not in a joking mood, sweetheart,” God said from behind his paper. “You know we didn’t fuck on your couch so calm the hell down. Damn you’re moody in the morning. Unless ... We weren’t interrupting anything, were we? So, how’s porn boy?” God’s gruff voice filled the kitchen, making Syn cringe.
“First of all. Don’t fucking call him that, ever, and damnit God. Lower your voice. Shit. He’s still asleep,” Syn berated his Lieutenant, who didn’t look the slightest bit fazed by Syn’s irritation. “You guys could let him sleep, he’s had a rough night, ya know.”
Day leaned his chest against God’s large back, draping his arms over his shoulders. “Oh damn, what kind of friends are we? It was rough, huh?” Day looked apologetic.
“Yes, it was, Day. He just–”
“Try water-based lube next time,” Day interrupted, causing God to choke on his eggs.
“Day, fuck.” Syn tried not to grin, but when he thought about it, it really was funny.
“I knew I’d get you to smile. Have some breakfast Sarge, we gotta go question the crazy chicks. You know how much people feel like sharing when they’ve spent a night in jail.”
“Damn. Alright, just let me–”
“Wow. Something smells great.” Furi’s deep voice reached them from down the hall as he made his way to the kitchen. “You cook babe? Who knew? I’ll have the Gladiator portion.” Furi used his best Roman accent as he sauntered into the kitchen with his hands on hips and his head high.
Syn turned just as Furi noticed God and Day.
“Oh, fuck, shit, Jesus Christ!” Furi stumbled, his eyes darting wildly between all of them. “Damn, I’m so sorry.” Furi looked at Syn trying to gauge exactly how much he’d fucked up just now.
Syn smiled at him and Furi immediately lost the horrified expression. Syn held his hand out and mouthed to him 'it's okay.
”
”
A.E. Via
“
Hymn to Mercury : Continued
71.
Sudden he changed his plan, and with strange skill
Subdued the strong Latonian, by the might
Of winning music, to his mightier will;
His left hand held the lyre, and in his right
The plectrum struck the chords—unconquerable
Up from beneath his hand in circling flight
The gathering music rose—and sweet as Love
The penetrating notes did live and move
72.
Within the heart of great Apollo—he
Listened with all his soul, and laughed for pleasure.
Close to his side stood harping fearlessly
The unabashed boy; and to the measure
Of the sweet lyre, there followed loud and free
His joyous voice; for he unlocked the treasure
Of his deep song, illustrating the birth
Of the bright Gods, and the dark desert Earth:
73.
And how to the Immortals every one
A portion was assigned of all that is;
But chief Mnemosyne did Maia's son
Clothe in the light of his loud melodies;—
And, as each God was born or had begun,
He in their order due and fit degrees
Sung of his birth and being—and did move
Apollo to unutterable love.
74.
These words were winged with his swift delight:
'You heifer-stealing schemer, well do you
Deserve that fifty oxen should requite
Such minstrelsies as I have heard even now.
Comrade of feasts, little contriving wight,
One of your secrets I would gladly know,
Whether the glorious power you now show forth
Was folded up within you at your birth,
75.
'Or whether mortal taught or God inspired
The power of unpremeditated song?
Many divinest sounds have I admired,
The Olympian Gods and mortal men among;
But such a strain of wondrous, strange, untired,
And soul-awakening music, sweet and strong,
Yet did I never hear except from thee,
Offspring of May, impostor Mercury!
76.
'What Muse, what skill, what unimagined use,
What exercise of subtlest art, has given
Thy songs such power?—for those who hear may choose
From three, the choicest of the gifts of Heaven,
Delight, and love, and sleep,—sweet sleep, whose dews
Are sweeter than the balmy tears of even:—
And I, who speak this praise, am that Apollo
Whom the Olympian Muses ever follow:
77.
'And their delight is dance, and the blithe noise
Of song and overflowing poesy;
And sweet, even as desire, the liquid voice
Of pipes, that fills the clear air thrillingly;
But never did my inmost soul rejoice
In this dear work of youthful revelry
As now. I wonder at thee, son of Jove;
Thy harpings and thy song are soft as love.
78.
'Now since thou hast, although so very small,
Science of arts so glorious, thus I swear,—
And let this cornel javelin, keen and tall,
Witness between us what I promise here,—
That I will lead thee to the Olympian Hall,
Honoured and mighty, with thy mother dear,
And many glorious gifts in joy will give thee,
And even at the end will ne'er deceive thee.'
79.
To whom thus Mercury with prudent speech:—
'Wisely hast thou inquired of my skill:
I envy thee no thing I know to teach
Even this day:—for both in word and will
I would be gentle with thee; thou canst reach
All things in thy wise spirit, and thy sill
Is highest in Heaven among the sons of Jove,
Who loves thee in the fulness of his love.
80.
'The Counsellor Supreme has given to thee
Divinest gifts, out of the amplitude
Of his profuse exhaustless treasury;
By thee, 'tis said, the depths are understood
Of his far voice; by thee the mystery
Of all oracular fates,—and the dread mood
Of the diviner is breathed up; even I—
A child—perceive thy might and majesty.
”
”
Percy Bysshe Shelley (The Complete Poetical Works of Percy Bysshe Shelley)
“
Housman would not have appealed so deeply to the people who were young in 1920 if it had not been for another strain in him, and that was his blasphemous, antinomian, "cynical" strain. The fight that always occurs between the generations was exceptionally bitter at the end of the Great War; this was partly due to the war itself, and partly it was an indirect result of the Russian Revolution, but an intellectual struggle was in any case due at about that date. Owing probably to the ease and security of life in England, which even the war hardly disturbed, many people whose ideas were formed in the 'eighties or earlier had carried them quite unmodified into the nineteen-twenties. Meanwhile, so far as the younger generation was concerned, the official beliefs were dissolving like sand-castles. The slump in religious belief, for instance, was spectacular. For several years the old—young antagonism took on a quality of real hatred. What was left of the war generation had crept out of the massacre to find their elders still bellowing the slogans of 1914, and a slightly younger generation of boys were writhing under dirty-minded celibate schoolmasters. It was to these that Housman appealed, with his implied sexual revolt and his personal grievance against God. He was patriotic, it was true, but in a harmless old-fashioned way, to the tune of red coats and "God save the Queen" rather than steel helmets and "Hang the Kaiser." And he was satisfyingly anti-Christian—he stood for a kind of bitter, defiant paganism, a conviction that life is short and the gods are against you, which exactly fitted the prevailing mood of the young; and all in charming fragile verse that was composed almost entirely of words of one syllable.
”
”
George Orwell (All Art is Propaganda: Critical Essays)
“
As for the Economy, this new embodiment as I called it of Fate or the Gods, this global power that governs the lives of Chinese workers in village factories, Brazilian miners, children working cocoa plantations in West Africa, sex workers in Mumbai, real estate salesmen in Connecticut, sheep-farmers in Scotland or on the Darling Downs, disembodied voices in call centres in Bangalore, workers in the hospitality industry in Cancun or Venice or Fiji, keeping them fatefully interconnected, in its mysterious way, by laws that do exist, the experts assure us, though they cannot agree on what they are- it is too impersonal, too implacable for us to live comfortably with, or even to catch hold of and defy.
When we were in the hands of the Gods, we had stories that made these distant beings human and brought them close. They got angry, they took our part or turned violently against us. They fell in love with us and behaved badly. They had their own problems and fought with one another, and like us were sometimes foolish. But their interest in us was personal. They watched over us and were concerned though in moments of willfulness or boredom they might also torment us as “wanton boys” do flies. We had our ways of obtaining their help as intermediaries. We could deal with them.
The Economy is impersonal. It lacks manageable dimensions. We have discovered no mythology to account for its moods. Our only source of information about it, the Media and their swarm of commentators, bring us “reports,” but these do not help: a possible breakdown in the system, a new crisis, the descent of Greece, or Ireland or Portugal, like Jove’s eagle, of the IMF. We are kept in a state of permanent low-level anxiety broken only by outbreaks of alarm.
”
”
David Malouf (The Happy Life: The Search for Contentment in the Modern World (Quarterly Essay #41))
“
As I’ve told you many times, I’m split in two. One side contains my exuberant cheerfulness, my flippancy, my joy in life and, above all, my ability to appreciate the lighter side of things. By that I mean not finding anything wrong with flirtations, a kiss, an embrace, an off-color joke. This side of me is usually lying in wait to ambush the other one, which is much purer, deeper and finer. No one knows Anne’s better side, and that’s why most people can’t stand me. Oh, I can be an amusing clown for an afternoon, but after that everyone’s had enough of me to last a month. Actually, I’m what a romantic movie is to a profound thinker—a mere diversion, a comic interlude, something that is soon forgotten: not bad, but not particularly good either. I hate having to tell you this, but why shouldn’t I admit it when I know it’s true? My lighter, more superficial side will always steal a march on the deeper side and therefore always win. You can’t imagine how often I’ve tried to push away this Anne, which is only half of what is known as Anne—to beat her down, hide her. But it doesn’t work, and I know why. I’m afraid that people who know me as I usually am will discover I have another side, a better and finer side. I’m afraid they’ll mock me, think I’m ridiculous and sentimental and not take me seriously. I’m used to not being taken seriously, but only the “lighthearted” Anne is used to it and can put up with it; the “deeper” Anne is too weak. If I force the good Anne into the spotlight for even fifteen minutes, she shuts up like a clam the moment she’s called upon to speak, and lets Anne number one do the talking. Before I realize it, she’s disappeared. So the nice Anne is never seen in company. She’s never made a single appearance, though she almost always takes the stage when I’m alone. I know exactly how I’d like to be, how I am … on the inside. But unfortunately I’m only like that with myself. And perhaps that’s why—no, I’m sure that’s the reason why—I think of myself as happy on the inside and other people think I’m happy on the outside. I’m guided by the pure Anne within, but on the outside I’m nothing but a frolicsome little goat tugging at its tether. As I’ve told you, what I say is not what I feel, which is why I have a reputation for being boy-crazy as well as a flirt, a smart aleck and a reader of romances. The happy-go-lucky Anne laughs, gives a flippant reply, shrugs her shoulders and pretends she doesn’t give a darn. The quiet Anne reacts in just the opposite way. If I’m being completely honest, I’ll have to admit that it does matter to me, that I’m trying very hard to change myself, but that I’m always up against a more powerful enemy. A voice within me is sobbing, “You see, that’s what’s become of you. You’re surrounded by negative opinions, dismayed looks and mocking faces, people who dislike you, and all because you don’t listen to the advice of your own better half.” Believe me, I’d like to listen, but it doesn’t work, because if I’m quiet and serious, everyone thinks I’m putting on a new act and I have to save myself with a joke, and then I’m not even talking about my own family, who assume I must be sick, stuff me with aspirins and sedatives, feel my neck and forehead to see if I have a temperature, ask about my bowel movements and berate me for being in a bad mood, until I just can’t keep it up anymore, because when everybody starts hovering over me, I get cross, then sad, and finally end up turning my heart inside out, the bad part on the outside and the good part on the inside, and keep trying to find a way to become what I’d like to be and what I could be if … if only there were no other people in the world.
”
”
Anne Frank (The Diary Of a Young Girl)
“
Take the famous slogan on the atheist bus in London … “There’s probably no God. Now stop worrying and enjoy your life.” … The word that offends against realism here is “enjoy.” I’m sorry—enjoy your life? Enjoy your life? I’m not making some kind of neo-puritan objection to enjoyment. Enjoyment is lovely. Enjoyment is great. The more enjoyment the better. But enjoyment is one emotion … Only sometimes, when you’re being lucky, will you stand in a relationship to what’s happening to you where you’ll gaze at it with warm, approving satisfaction. The rest of the time, you’ll be busy feeling hope, boredom, curiosity, anxiety, irritation, fear, joy, bewilderment, hate, tenderness, despair, relief, exhaustion … This really is a bizarre category error.
But not necessarily an innocent one … The implication of the bus slogan is that enjoyment would be your natural state if you weren’t being “worried” by us believer … Take away the malignant threat of God-talk, and you would revert to continuous pleasure, under cloudless skies. What’s so wrong with this, apart from it being total bollocks?
… Suppose, as the atheist bus goes by, that you are the fifty-something woman with the Tesco bags, trudging home to find out whether your dementing lover has smeared the walls of the flat with her own shit again. Yesterday when she did it, you hit her, and she mewled till her face was a mess of tears and mucus which you also had to clean up. The only thing that would ease the weight on your heart would be to tell the funniest, sharpest-tongued person you know about it: but that person no longer inhabits the creature who will meet you when you unlock the door. Respite care would help, but nothing will restore your sweetheart, your true love, your darling, your joy. Or suppose you’re that boy in the wheelchair, the one with the spasming corkscrew limbs and the funny-looking head. You’ve never been able to talk, but one of your hands has been enough under your control to tap out messages. Now the electrical storm in your nervous system is spreading there too, and your fingers tap more errors than readable words. Soon your narrow channel to the world will close altogether, and you’ll be left all alone in the hulk of your body. Research into the genetics of your disease may abolish it altogether in later generations, but it won’t rescue you. Or suppose you’re that skanky-looking woman in the doorway, the one with the rat’s nest of dreadlocks. Two days ago you skedaddled from rehab. The first couple of hits were great: your tolerance had gone right down, over two weeks of abstinence and square meals, and the rush of bliss was the way it used to be when you began. But now you’re back in the grind, and the news is trickling through you that you’ve fucked up big time. Always before you’ve had this story you tell yourself about getting clean, but now you see it isn’t true, now you know you haven’t the strength. Social services will be keeping your little boy. And in about half an hour you’ll be giving someone a blowjob for a fiver behind the bus station. Better drugs policy might help, but it won’t ease the need, and the shame over the need, and the need to wipe away the shame.
So when the atheist bus comes by, and tells you that there’s probably no God so you should stop worrying and enjoy your life, the slogan is not just bitterly inappropriate in mood. What it means, if it’s true, is that anyone who isn’t enjoying themselves is entirely on their own. The three of you are, for instance; you’re all three locked in your unshareable situations, banged up for good in cells no other human being can enter. What the atheist bus says is: there’s no help coming … But let’s be clear about the emotional logic of the bus’s message. It amounts to a denial of hope or consolation, on any but the most chirpy, squeaky, bubble-gummy reading of the human situation. St Augustine called this kind of thing “cruel optimism” fifteen hundred years ago, and it’s still cruel.
”
”
Francis Spufford
“
The turning-point [in Klosters, Switzerland in 1988]
[Diana’s sister] Jane’s wonderfully solid. If you ring up with a drama, she says: ‘Golly, gosh, Duch, how horrible, how sad and how awful’ and gets angry. But my sister Sarah swears: ‘Poor Duch, such a shitty thing to happen.’ My father says: ‘Just remember we always love you.’
But that summer [1988] when I made so many cock-ups I sat myself down in the autumn, when I was in Scotland, and I remember saying to myself: ‘Right, Diana, it’s no good, you’ve got to change it right round, this publicity, you’ve got to grow up and be responsible. You’ve got to understand that you can’t do what other 26- and 27-year olds are doing. You’ve been chosen to do a position so you must adapt to the position and stop fighting it.’ I remember my conversation so well, sitting by water. I always sit by water when contemplating.
Stephen Twigg [a therapist] who comes to see me said once: ‘Whatever anybody else thinks of you is none of your business.’ That sat with me. Then once someone said to me, when I said I’ve got to go up to Balmoral, and they said: ‘Well, you’ve got to put up with them but they’ve also got to put up with you.’ This myth about me hating Balmoral--I love Scotland but just the atmosphere drains me to nothing. I go up ‘strong Diana.’ I come away depleted of everything because they just suck me dry, because I tune in to all their moods and, boy, are there some undercurrents there! Instead of having a holiday, it’ the most stressful time of the year. I love being out all day. I love the stalking.
I’m much happier now. I’m not blissful but much more content than I’ve ever been. I’ve really gone down deep, scraped the bottom a couple times and come up again and it’s very nice meeting people now and talking about tai-chi and people say: ‘Tai-chi--what do you know about tai-chi?’ and I said: ‘An energy flow,’ and all this and they look at me and they say: ‘She’s the girl who’s supposed to like shopping and clothes the whole time. She’s not supposed to know about spiritual things.
”
”
Andrew Morton (Diana: Her True Story in Her Own Words)
“
The morning was already setting up to be hectic, and Jon thanked his lucky stars that Jessie was so good at his job and a constant spark-plug of activity.
Oh god, you did not just think Jessie was a spark-plug? You really are getting old. Next thing you know you’ll being saying whipper-snappers and break a hip getting out of bed. He shook his head. I guess I had a good run.
Jessie quickly re-entered the office. “Alright. Elisabeth has her caffeine fix and said she’ll be down to say goodbye in a few. So let’s get this bad boy going for the week.
Travel plans are done for next month and meetings for the week are in you planner so I’m assuming they’ll be no more complaining about flying coach class this time?” Jessie gave a sly wink and kept organizing his desk.
“Yes. And for that I thank you for that my color-coding, hyper computer organized planner. We have to make sure the next presentation for Chicago is ready in three weeks; the storyboards for the new campaign ideas have to be finished by Tuesday the 16th so we can get them shipped before I head out there.”
“And let’s not forget our important morning ritual.”
Jon looked at Jessie with a question about to form before the realization hit him. His expression changed from confused to stern. “No cat videos Jessie. I swear. Enough of the cat videos.”
“C’mon. You know you love them and they brighten your dour moods. Look at this one.” Jessie turned his screen and Jon begrudgingly looked at the cute little puppy and kitten with captions over them. “How can you not love this?” Jessie smiled. “The cute little kitty tells the playful puppy not to do it and yet the puppy bonks the little kitty on the head with his little puppy paw. “Boop Boop.” And then the cat swipes at the puppy and it falls off the bed. You know this is internet gold.”
Jon smiled. “Can we get back to work?”
Jessie nodded and then walked up to Jon - without hesitating, he bonked him lightly on the head. “Boop.” He paused and added, “I think this puppy is onto something.” Jessie grinned ear to ear still. “I pledge, from now on if something makes me as happy as this bonking picture I’m just going to say Boop boop.”
Jon stood stone-faced but a second later, could not stop his smile. “I am not amused.” Jon shook the smile away. “Now, if you’re done boop booping me, there is something else I want to talk with you about.”
Jessie looked at Jon with a quizzical smile.
“Not to blow my own horn but I have a new and brilliant thought my young apprentice.”
Jessie opened his mouth to comment on the blowing horn, but Jon held up his hand and cut him off.
“Stop it.”
Jessie closed his mouth and swallowed the sexual innuendo-laced comment he had forming on the tip of his tongue.
”
”
Matthew Alan
“
Sean was watching me, though. And Sean wiped the bryozoa residue from his hand across my stomach. This was the third time a boy had ever touched my bare tummy, and I’d had enough.
Through gritted teeth, like any extra movement might spread the bryozoa further across my skin, I told him, “I like you less than I did.” I bailed over the side of the boat-the side opposite where the bryozoa returned to its native habitat. Deep in the warm water, I scrubbed at my tummy with both hands. A combination of bryozoa waste and Sean germs: it was the best of times, it was the worst of times. Leaning toward worst, because now I had slime on my hands. Or maybe this was psychosomatic. Holding my hands open in front of me in the water, I didn’t see any slime. I rubbed my hands together anyway.
Something dove into the water beside me in a rush of bubbles. I came up for air. Sean surfaced, too, tossing sparkling drops of water from his hair. “You still like me a lot, though, right?”
“No prob. Green is the new black.” Giving up on getting clean, I swam a few strokes back toward the platform to get out again. What I needed was a shower with chlorinated water and disinfectant soap. I might need to bubble out my belly button with hydrogen peroxide.
“What if I made it up to you?” He splashed close behind me. “What if I helped you get clean? We don’t want you dirty.” He moved both hands around me under the water, up and down across my tummy.
It was the fourth time a boy had touched my tummy! And it was very awkward. He bobbed so close behind me that I had a hard time treading water without kicking him. I needed to choose between flirting and breathing.
Cameron and my brother leaned over the side of the boat and gaped at us, which didn’t help matters. I’d been afraid of this. Flirting with Sean was no fun if the other boys acted like we were lepers. Well, okay, it was fun, but not as fun as it was supposed to be.
Obviously I would need to give McGullicuddy the little dolphin talk. I wasn’t sure I could do this with Cameron-Cameron and I didn’t have heart-to-heart convos-but I might need to make an exception, if he continued to watch us like we were a dirty movie on Pay-Per-View (which I’d also seen a lot of. Life with boys).
BEEEEEEEEEEEEEEEE-
Sean and I started and turned toward the boat. Still behind the steering wheel, Adam had his chin in his hand and his elbow on the horn.
-EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE
Damn it! I turned around to face Sean and gave him a wry smile, but he’d already taken his hands away from my tummy. The horn really ruined the mood.
-EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE
Sean hauled himself up onto the platform. I followed close behind him, and (glee!) he put out a hand to help me. Cameron and my brother yelled at Adam.
-EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEP. “Oh!” Adam said as if he’d had no idea he’d been laying on the horn. He looked at his elbow like it belonged to someone else.
I was in the boat with Sean now, and he was still holding my hand. Or, maybe I was still clinging to his hand, but this is a question of semantics. In any case, I pulled him by the hand past the other boys to the bow. We didn’t have privacy. There was no privacy on a wakeboarding boat. At least we had the boat’s windshield between us and the others.
As I turned to sit down on the bench, I stuck out my tongue at Adam behind the windshield. He crossed his eyes at me.
”
”
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
“
So what brought you here?” Emilio asks. I don’t set the icing bag down, because it’s nice to have something to do with my hands, although they’re suddenly shaking. “I wanted to talk to you about Peck.” “What about her?” “I wanted to see if you’d have any objections to me asking her to marry me.” I hear a whoop from the other room. Emilio rolls his eyes. “Why do you want to marry her?” Why do I want to marry her? She’s just Peck. And I feel like she was made for me. “Um…” “The answer is no, if that’s the best you can do.” He points to the cupcakes. “Ice them,” he says. I ice quietly for a few minutes, trying to gather my thoughts. “Didn’t expect you to give up quite so easily,” he suddenly says. I look up. “Oh, I’m not giving up. I’m just thinking.” “You about done with that?” I shake my head. “Not yet.” “Keep icing.” Suddenly, Marta strolls into the room. There’s purpose in her stride and I back up against the wall, because I’m afraid I’m her target. But I quickly see I’m not. She goes for Emilio, but he must be used to this. He runs around the corner of the center island and she chases him. She picks up a rolling pin and runs, but he runs a little bit faster. Suddenly, she stops and blows a stray lock of hair from her eyes. “Stop tormenting the poor boy,” she says. She shakes the rolling pin at him. “Oh, Jesus Christ,” he breathes. “I was having fun with it!” He grins. Then he sobers completely. “Did Peck tell you about the day we met?” “Yes, sir,” I tell him. “What she didn’t tell you was my side of it.” He rubs at the back of his hand. “I had been hanging out in the boys’ ward at the home, and one of the little assholes bit me on the back of the hand, so I was in a bad mood. I wanted nothing more than to get out of there. I walked around the corner, trying to find Marta, and I saw her sitting beside a little girl. I took one look at that kid and I said to myself, She’s my daughter.” He takes a deep breath. “I know it sounds stupid, and I suppose it should. But she was sitting there on the edge of the bed and she wouldn’t speak. But when she looked at me, she said a million words with her eyes.” Marta wipes a tear from her cheek. “I have loved that little girl from the minute I met her. I never doubted that she belonged to us, and neither did she.” He waits a beat. “The first time she spoke to me was when she had a set of drumsticks in her hand.” He looks at me. “Do you know what she said?” I shake my head, and swallow past the lump in my throat. “She took my hand and said, ‘I’m glad you’re my dad.’ It was one big stutter, and I loved every syllable. She makes me so fucking proud.” He points a finger at me. “She’s fucking perfect, so if you so much as make her cry, I will find you and jam her drumsticks so far up your ass that you’ll taste them ten years from now. Do you understand?” “Yes, sir.” I swallow again. “So, yes, you can marry my daughter. And you better make her happy every day for the rest of her life, because I will be watching. Understand?” “Yes, sir.” He points to the cupcakes. “Keep icing.” “Yes, sir.” I grin. Marta lays a hand on my shoulder. “Did you get a ring yet?” “No, ma’am. I wanted to get permission first.” She looks at Emilio and quirks a brow. He nods. She disappears into a bedroom and comes back a minute later with a box. “It was my mother’s,” Emilio says. “Peck used to try it on all the time when she was small, and she loves it. So you can use it if you want to.” He’s grumbling, but I can tell he’s serious. I pop open the box and stare down at a beautiful antique ring. “It’s lovely. Are you sure it’s okay if I use it?” He nods. He points to the cupcakes. “Keep icing.” “Yes, sir.” I smile.
”
”
Tammy Falkner (Zip, Zero, Zilch (The Reed Brothers, #6))
“
Having passed this rather negative judgment Professor Huemer, in a more sentimental mood, added: "Yet, as experience shows, what happens at school has not much bearing on life, and while model pupils sink from view without leaving a trace, the difficult boys develop only when they have the elbow room they need. My former pupil Hitler seems to belong to this latter species and I hope from the bottom of my heart that he will recover from his recent hardships and upsets and live to see the fulfillment of those ideals which he harbours in his bosom, which do credit to him, as they do to any German.
”
”
August Kubizek (The Young Hitler I Knew)
“
All finished. Don’t look, though. You and your man must be surprised together.”
“Siena,” Cass cautioned quickly. “He is not my man.”
“If he looked at me the way he looks at you, I would not be so quick to denounce him,” Siena teased, her eyes brightening in a way that reminded Cass quite a bit of Feliciana. She stepped back from Cass and gave a satisfied nod. “And now--for me. Shall I change into something more revealing as well?”
Cass realized that Siena intended to accompany her. “I--I think it’s better if Falco and I go off on our own.”
Siena’s flawless skin paled. “Unchaperoned? But that’s unacceptable. If your aunt found out, she’d run me out of the villa, if she didn’t kill me first.”
So true. Cass could just hear Agnese shrieking about what Matteo would think. “She won’t find out,” Cass promised. “She’ll be gone for days. And I won’t make a very realistic prostitute with a maidservant in tow.” Cass didn’t bother to point out that of all the rules she might break that evening, departing with Falco unchaperoned was the very least of them.
Siena agreed reluctantly, but her good mood had vanished. She led Cass back to the portego, to where Falco waited. A slow smile spread over the boy’s face.
“Almost perfect,” he murmured. He bent down and gave the seam of Cass’s dress a yank. Cass yelped. The shiny fabric slit up the side so that a hint of her shapely calf peeped out. “Now it’s perfect.”
Cass glared at him. Siena gasped, then clapped a hand over her mouth. “Please be careful,” she begged. “Your aunt would never forgive me…”
Falco flashed his dazzling smile at the lady’s maid. “Nothing bad will happen to her. You have my word.
”
”
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
“
Did I interrupt something? A sordid little tryst, perhaps?”
“You must be joking.” Cass was in no mood for humor. Besides, the closest she’d ever been to a tryst was when he’d fallen on top of her in the street earlier that day.
“Always. Sadly, you don’t seem like the type of girl who would be up for a midnight…encounter.” Falco’s eyes drifted downward. “Too bad.”
Cass realized her cloak had fallen open, exposing the white nightgown she wore underneath. She pulled the velvet fabric tight around her body. Then the shrubbery rippled once more with unfamiliar movement. Cass’s heart froze.
“We should get out of here,” she said. “It’s not safe.”
“Not safe?” Falco raised an eyebrow. “Why? Because it’s dark and you might accidentally trip over your own two feet? I feel quite safe. In fact, I was just settling in to do some reading.”
Cass furrowed her brow. “Reading?”
Falco wagged her journal in front of her. “This is yours, I presume.” A slow smile spread across his face. “Let’s find out exactly what you’ve been doing, shall we?”
“Give it back!” Cass reached for the journal, but Falco easily dodged her. He opened the leather-bound book to a random page and cleared his throat. Clutching a hand to his chest, he pretended to read aloud in a high-pitched voice. “Oh, how I love the way his fingers explore my soft flesh. The way his eyes see into my very soul.”
This time, Cass managed to snatch the book out of his hands. “That is not what it says.”
“I guess that means you won’t be keeping me warm tonight?” Falco quirked an eyebrow. Before she could muster up a response, he laughed. “Then again, the accommodations probably wouldn’t meet your standards. You’ve probably never slept on anything but the finest satins, have you?”
Cass hoped the darkness camouflaged her scarlet cheeks. Who was this boy to talk to her the way he did? “Is that why you’re here? Looking for a date?” Cass gestured toward a row of pointed headstones. “I do believe you’re in luck. I see some ladies who won’t be able to refuse you.” The words flew out of her mouth before she could rethink them.
“Funny. And correct. Sort of. I was actually just looking for a place to get a little rest.” For a second, the smile dropped from his face, and an expression passed across it that Cass couldn’t identify.
“Sleep in a graveyard?” Cass frowned. “You can’t be serious.
”
”
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
“
You know the saddest part? Josh and I will never be friends like we were before. Not after all this. That part's just over now. He was my best friend."
I give her fake-wounded eyes to lighten the mood, so she won't start crying again. "Hey, I thought I was your best friend!"
"You're not my best friend. You're my sister, and that's more."
It is more.
"Josh and I started out so easy, so fun, and now we're like strangers. I''ll never have that person back, who I knew better than anyone and who knew me so well."
I feel a pinch in my heart. When she says it that way, it's so sad. "You could become friends again, after some time has passed." But it wouldn't be the same, I know that. You'd always be mourning what once was. It would always be a little bit... less.
”
”
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))