Private Traps Quotes

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I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend. The one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, every shiver of your body. I want to know where to touch you, I want to know how to touch you. I want to know convince you to design a smile just for me. Yes, I do want to be your friend. I want to be your best friend in the entire world.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend," he says. "The one who will memorise the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, every shiver of your body, Juliette-
Tahereh Mafi (Unravel Me (Shatter Me, #2))
I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend," he says, " the one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, and every shiver of your body, ...." ........ " I want to know where to touch you," he says, " i want to know how to touch you. I want to know how to convince you design a smile just for me." ...... " Yes, " he says, " i do want to be your bestfriend". He says, " I want to be your bestfriend in the entire world". --- Aaron Warner
Tahareh Mafi
You destroy me." "Juliette," he says and he mouths the name, barely speaking at all, and he's pouring molten lava into my limbs and I never even knew I could melt straight to death. "I want you," he says. He says "I want all of you. I want you inside and out and catching your breath and aching for me like I ache for you." He says it like it's a lit cigarette lodged in his throat, like he wants to dip me in warm honey and he says "It's never been a secret. I've never tried to hide that from you. I've never pretended I wanted anything less." "You-you said you wanted f-friendship-" "Yes," he says, he swallows, "I did. I do. I do want to be your friend. He nods and I register the slight movement in the air between us. "I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend," he says. "The one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, every shiver of your body, Juliette-" "No," I gasp. "Don't-don't s-say that-" "I want to know where to touch you," he says. "I want to know how to touch you. I want to know how to convince you to design a smile just for me." I feel his chest rising, falling, up and down and up and down and "Yes," he says. "I do want to be your friend." He says "I want to be your best friend in the entire world." "I want so many things," he whispers. "I want your mind. Your strength. I want to be worth your time." His fingers graze the hem of my top and he says "I want this up." He tugs on the waist of my pants and says "I want these down." He touches the tips of his fingers to the sides of my body and says, "I want to feel your skin on fire. I want to feel your heart racing next to mine and I want to know it's racing because of me, because you want me. Because you never," he says, he breathes, "never want me to stop. I want every second. Every inch of you. I want all of it." And I drop dead, all over the floor. "Juliette." I can't understand why I can still hear him speaking because I'm dead, I'm already dead, I've died over and over and over again. He swallows, hard, his chest heaving, his words a breathless, shaky whisper when he says "I'm so-I'm so desperately in love with you-
Tahereh Mafi (Unravel Me (Shatter Me, #2))
Our spirits have their own private way of understanding each other, of becoming intimate, while our external persons are still trapped in the commerce of ordinary words, in the slavery of social rules. Souls have their own needs and their own ambitions, which the body ignores when it sees that it's impossible to satisfy them or achieve them.
Luigi Pirandello
I want to be that friend you fall hopelessly in love with. The one you take into your arms and into your bed and into that private world you keep trapped in your head. I want to be that kind of friend.-Waren
Tahereh Mafi (Unravel Me (Shatter Me, #2))
And if she’d been able to choose her options a few hours ago, being trapped in a dead vampire’s private study with an angry Fae would not have been one of them.
Genevieve Cogman (The Invisible Library (The Invisible Library, #1))
Norman Bates: ... No one really runs away from anything. It's like a private trap that holds us in like a prison. You know what I think? I think that we're all in our private traps, clamped in them, and none of us can ever get out. We scratch and we claw, but only at the air, only at each other, and for all of it, we never budge an inch. Marion Crane: Sometimes... we deliberately step into those traps. Norman Bates: I was born into mine. I don't mind it anymore. Marion Crane: Oh, but you should. You should mind it. Norman Bates: Oh, I do... [laughs] Norman Bates: But I say I don't.
Joseph Stephano
The first time you lose a parent, a part of you gets trapped there; trapped less in the moment of grief than in the knowledge of the end of childhood, the inevitable dwindling of the days.
Julia Armfield (Private Rites)
A wish for a future no longer tainted by the past. A future that held joy, not regret. A future that offered love instead of loneliness.
Irene Hannon (Trapped (Private Justice #2))
Investigations “eliminated solipsism but not the horror.” The only difference between this new predicament and that of the Tractatus was that rather than being trapped alone in our private thoughts, we were trapped together, with other people, in the institution of language.
James Ryerson (Fate, Time, and Language: An Essay on Free Will)
At present, in this vicinity, the best part of the land is not private property; the landscape is not owned, and the walker enjoys comparative freedom. But possibly the day will come when it will be partitioned off into so-called pleasure-grounds, in which a few will take a narrow and exclusive pleasure only,—when fences shall be multiplied, and man-traps and other engines invented to confine men to the public road, and walking over the surface of God’s earth shall be construed to mean trespassing on some gentleman’s grounds. To enjoy a thing exclusively is commonly to exclude yourself from the true enjoyment of it. Let us improve our opportunities, then, before the evil days come.
Henry David Thoreau (Walking)
I'm talking about an intense, private bonding between a dominant personality and a submissive one. Between two people who have chosen to make a loving gift to one another of themselves...not just of their bodies, but of the parts of themselves that they hold back from the rest of the world. The control dynamic in a relationship like that may look uneven, but the power is really quite...balanced
Indigo Wren (The Trap)
most days in life are ordinary. When special ones roll around, celebrate and make happy memories to carry you through the dull days.
Irene Hannon (Trapped (Private Justice #2))
Remember not the events of the past, the things of long ago consider not.
Irene Hannon (Trapped (Private Justice, #2))
Sometimes he’s most evident in small gestures of kindness. And those gestures can be found even in the worst situations.
Irene Hannon (Trapped (Private Justice #2))
I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
A boy leans over me: ruddy hair, a broken nose. He reminds me of the too-clever fox, another one of Ana Kuya's stories, smart enough to get out of a one trap, but too foolish to realise he won't escape a second.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
The so-called “black magician” is a “new brain” hominid fear-merchant who has somewhere learned that there are more powerful intimidations than physical assault. The dimensions of horror, terror and mindwarp are discovered. You can scare more people, and acquire greater power, by the exploitation of psychic assault. When a human’s “mind” or reality-construct is threatened, the person virtually ceases to exist as human, and regresses to the status of a terrorized mammal in a trap. Just as the physical bully feeds on fear and is thrown off stride by the appearance of real courage, the psychic terrorist feeds on gullibility and is baffled by intelligence. When the bully confronts true courage, he automatically ceases to attack. Instead, he seeks to make the maverick into an ally, and often offers the position of second-in-command. If that is declined in a respectful (not churlish) manner, he will probably agree to recognize the other as a separate sovereign with a private turf. The psychic terrorist, similarly, is only accustomed to bamboozling the credulous. Confronted with a self-disciplined independent mind, he hesitates. Eventually, like the physical bully, he laughs and offers comradeship. “You and me, we’re smart. We’re not like these other jerks.” A nudge and a conspiratorial wink.
Robert Anton Wilson
God doesn’t expect perfection. All he asks is that we learn from our mistakes and try to do better in the future. He forgives us far more easily than we often forgive ourselves. He also heals the brokenhearted and saves those whose spirit is crushed.
Irene Hannon (Trapped (Private Justice #2))
the entire notion of the state undermining some primordial family privacy is a myth, because the nuclear family has never existed as an autonomous, private unit except where it was the synthetic creation of outside forces. The strong nuclear family is in large measure a creation of the strong state.
Stephanie Coontz (The Way We Never Were: American Families and the Nostalgia Trap)
Assholes are like cockroaches. If you shine a light on them, they run for cover. At our workplace, we’re starting to insist on more transparency, less backroom chatter, and an end to the secrecy that allows our resident asshole to carry on his antics. We share information with each other, refuse to let him trap us into private discussions of our coworkers, and generally don’t give him permission to manipulate us. It’s driving him nuts! He’s run out of allies (who were never very willing to begin with), and he doesn’t know what to do next.
Robert I. Sutton (The Asshole Survival Guide: How to Deal with People Who Treat You Like Dirt)
As always when he worked with this much concentration he began to feel a sense of introverting pressure. There was no way out once he was in, no genuine rest, no one to talk to who was capable of understanding the complexity (simplicity) of the problem or the approaches to a tentative solution. There came a time in every prolonged effort when he had a moment of near panic, or "terror in a lonely place," the original semantic content of the word. The lonely place was his own mind. As a mathematician he was free from subjection to reality, free to impose his ideas and designs on his own test environment. The only valid standard for his work, its critical point (zero or infinity), was the beauty it possessed, the deft strength of his mathematical reasoning. THe work's ultimate value was simply what it revealed about the nature of his intellect. What was at stake, in effect, was his own principle of intelligence or individual consciousness; his identity, in short. This was the infalling trap, the source of art's private involvement with obsession and despair, neither more nor less than the artist's self-containment, a mental state that led to storms of overwork and extended stretches of depression, that brought on indifference to life and at times the need to regurgitate it, to seek the level of expelled matter. Of course, the sense at the end of a serious effort, if the end is reached successfully, is one of lyrical exhilaration. There is air to breathe and a place to stand. The work gradually reveals its attachment to the charged particles of other minds, men now historical, the rediscovered dead; to the main structure of mathematical thought; perhaps even to reality itself, the so-called sum of things. It is possible to stand in time's pinewood dust and admire one's own veronicas and pavanes.
Don DeLillo (Ratner's Star)
I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend, the one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, every shiver of you body. " ... "I want to know where to touch you. I want to know how to touch you. I want to know how to convince you to design a smile just for me." ... "I want to be your best friend in the entire world
Tahereh Mafi (Unravel Me (Shatter Me, #2))
According to Isaiah, true practice of religion ought to result in concrete change, the breaking of yokes. He does not mean the occasional private act of liberation, but “to break the chains of injustice.” What could this mean other than a transformation of the structures of societies that trap people in hopelessness? Jesus has in mind the creation of a different type of world.
Esau McCaulley (Reading While Black: African American Biblical Interpretation as an Exercise in Hope)
They knew where they were headed but they didn’t know where they were going. Retina shrugged the thought. Roma complained about the possibility they were walking into a trap. After all, he was one of the scientists that decided Solstice’s fate. Retina was adamant no one knew him. Lorenzo didn’t care about anything much but reaching Zharfar after Retina surgically removed his Unicell Groper. They were headed to Africa in what seemed a semi commercial private plane. Eight people including the pilots travelled. They weren’t supposed to know any more particulars. But Lorenzo’s watch placed the coordinates in both numbers and words. They were in West Africa, country Nigeria, state Osun, and township Isura. None of them had ever heard of it, the town, but they were there. And they had travelled for miles, over highly forested nonresidential areas and mountain peaks before they stopped. Wherever they were going was greatly isolated, Roma thought.
Dew Platt
Everything becomes a blur when you travel beyond a certain speed. Distant objects may still be clear in outline, but the blurred foreground makes it impossible to attend to them. This landscape is unreal and the passengers in the express train turn to their books, their thoughts or their private fantasies. The subjectivism of our age has a good deal to do with this imprisonment in a speeding vehicle, and the fact that we made this vehicle ourselves, with all the tireless care that children give to a contrivance of wood and wire, does not save us from the sense of being trapped without hope of escape. A further effect of such vertiginous speed is a kind of anaesthesia, entirely natural when the operation of the senses by which we normally make contact with our environment is suspended. With no opportunity to assimilate what is going on, our powers of assimilation are inevitably weakened and certain numbness sets in; nothing is fully savoured and nothing is properly understood. Even fear (which exists to forewarn us of danger) is suspended. This would be so even if speed of change were the only factor involved, but the kind of environment in which a large part of humanity lives today --- the environment created by technology at the service of immediate, short-term needs – does much to intensify this effect. Outside of works of art which embody something beyond our physical needs, our own constructions bore us. Those who, when they have built something and admired the finished product for a decent moment, are ready to pull it down and start on something new have good sense on their side.
Charles Le Gai Eaton (King of the Castle: Choice and Responsibility in the Modern World (Islamic Texts Society))
The dead," he had said once, "need nothing from the living, and the living can give nothing to the dead." At twenty-two, it had sounded precocious; at thirty-four, it sounded mature, and this pleased Michael very much. He had liked being mature and reasonable. He disliked ritual and pomposity, routine and false emotion, rhetoric and sweeping gestures. Crowds made him nervous. Pageantry offended him. Essentially a romantic, he had put away the trappings of romance, although he had loved them deeply and never known.
Peter S. Beagle (A Fine and Private Place)
Yes,” he says, he swallows, “I did. I do. I do want to be your friend.” He nods and I register the slight movement in the air between us. “I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend,” he says. “The one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, every shiver of your body, Juliette—” “No,” I gasp. “Don’t—don’t s-say that—” I don’t know what I’ll do if he keeps talking I don’t know what I’ll do and I don’t trust myself “I want to know where to touch you,” he says. “I want to know how to touch you. I want to know how to convince you to design a smile just for me.” I feel his chest rising, falling, up and down and up and down and “Yes,” he says. “I do want to be your friend.” He says “I want to be your best friend in the entire world.” I can’t think. I can’t breathe “I want so many things,” he whispers. “I want your mind. Your strength. I want to be worth your time.” His fingers graze the hem of my top and he says “I want this up.” He tugs on the waist of my pants and says “I want these down.” He touches the tips of his fingers to the sides of my body and says, “I want to feel your skin on fire. I want to feel your heart racing next to mine and I want to know it’s racing because of me, because you want me. Because you never,” he says, he breathes, “never want me to stop. I want every second. Every inch of you. I want all of it.” And I drop dead, all over the floor.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend. The one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, every shiver of your body. I want to know where to touch you, I want to know how to touch you. I want to know convince you to design a smile just for me. Yes, I do want to be your friend. I want to be your best friend in the entire world.
Tahereh Mafi (Shatter Me (Shatter Me, #1))
I did not trap myself inside my walls this time. I've torn down the walls that trapped me from exiting. This time, I put up a protective wall to keep you out instead. You cannot enter. I am inside, in a private, exclusive and intimate therapy session. So yes, there is a wall. But this time it's effectively serving its purpose
Niedria D. Kenny
The progress of Sybilla though a market was the progress of worker bee through a bower of intently propagating blossoms. Everything stuck. From the toy stall she bought two ivory dolls, a hen whistle, a rattle and a charming set of miniature bells for a child’s skirts: all were heroically received and borne by Tom, henceforth marked by a faint, distracted jingling. From the spice booth, set with delicious traps for the fat purse, she took cinnamon, figs, cumin seed and saffron, ginger, flower of gillyflower and crocus and—an afterthought—some brazil for dyeing her new wool. These were distributed between Christian and Tom. They listened to a balladmonger, paid him for all the verses of “When Tay’s Bank,” and bought a lengthy scroll containing a brand-new ballad which Tom Erskine read briefly and then discreetly lost. “No matter,” said the Dowager cheerfully, when told. “Dangerous quantity, music. Because it spouts sweet venom in their ears and makes their minds all effeminate, you know. We can’t have that.” He was never very sure whether she was laughing at him, but rather thought not. They pursued their course purposefully, and the Dowager bought a new set of playing cards, some thread, a boxful of ox feet, a quantity of silver lace and a pair of scissors. She was dissuaded from buying a channel stone, which Tom, no curling enthusiast, refused utterly to carry, and got a toothpick in its case instead. They watched acrobats, invested sixpence for an unconvincing mermaid and finally stumbled, flattened and hot, into a tavern, where Tom forcibly commandeered a private space for the two women and brought them refreshments. “Dear, dear,” said Lady Culter, seating herself among the mute sea of her parcels, like Arion among his fishes. “I’m afraid I’ve forgotten which are the squashy ones. Never mind. If we spread them out, they can’t take much hurt, I should think. Unless the ox feet … Oh. What a pity, Tom. But I’m sure it will clean off.
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
He found himself taking note of the trappings of this, the king’s most private room. [...] the etched windows over the garden, the gilt-edged mirror on the opposite wall, the intricately woven carpets . . . In a way, Mazur ben Avren thought, all these delicate things were bulwarks, the innermost defenses of civilized man against the rain and dark, and ignorance.
Guy Gavriel Kay (The Lions of Al-Rassan)
Shall we, my lady?" "You go on," she said coolly. "I need to speak to Mr. Pinter alone." Glancing from her to Jackson, the duke nodded. "I'll expect a dance from you later, my dear," he said with a smile that rubbed Jackson raw. "Of course." Her gaze locked with Jackson's. "I'd be delighted." The minute the duke was gone, however, any "delight" she was feeling apparently vanished. "How dare you interfere! You should be upstairs searching my suitors' rooms or speaking to their servants or something useful instead of-" "Do you realize what could have happened if I hadn't come along?" he snapped. "This room is private and secluded, with a nice hot stove keeping it cozy. All he would have had to do was lay you down on one of those damned benches that are everywhere and-" He caught himself. But not quickly enough. "And what?" she prodded. "I would have let him ravish me like the wanton I am?" Confound it all. "I wasn't saying that." "That's what it sounded like. Apparently you have some notion that I have no restraint, no ability to resist the attentions of a man I've known since childhood." "You have no idea what a man can do to a woman!" Jackson shouted. She paled. "It was just a kiss." He strode up to her, driven by a madness he couldn't control. "That's how it begins. A man like him coaxes you into a kiss, then a caress, then..." "I would never let it go beyond a kiss," she said in outrage. "What sort of woman do you think I am?" He backed her toward the wall. "The sort who is too trusting to realize what some men are really after. You can't control every situation, my lady. Some men take what they want, and there isn't a damned thing you can do about it." "I know more about the true nature of men than you think." She stopped short as she came up against the wall. "I can take care of myself." "Can you?" He thrust his hands against the wall on either side of her, trapping her. He thought of his mother and the heartbreak she'd endured because some nobleman had taken a fancy to her. A roiling sickness swamped him at the idea of Lady Celia ever suffering such a thing because she was too reckless and naïve to recognize that she was not invincible. Bending in close, he lowered his voice. "You really believe you can stop any man who wants to hurt you, no matter how strong and determined he is?" Challenge shone in her eyes. "Absolutely." It was time someone made her realize he vulnerability. "Prove it," he growled. Then he brought his mouth down on hers.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Images of him continued to plague me, unbidden and cruelly tantalising: the mesmerizing blue eyes that compelled me to share with him my most private fears; the feel of his thick, untidy hair as the sunlight split it into myriad shades of gold; the soft laugh that touched my soul; his aloof but unpretentious manner; his confident assurance that I could make my own choices. I shuddered at the thought of Steldor's attitude toward me, for he saw me as only a woman, relegated to supervising that household, planning and executing social events and raising the children. All he really wanted was my presence in his bed, which made me all the more unwilling to comply. Steldor's glance made me uncomfortable, his patronising laugh made me cringe, his condescension frequently led to my humiliation. In Narians arms, I had felt extraordinary happiness; in Steldor's I felt trapped.
Cayla Kluver (Allegiance (Legacy, #2))
In Flemish bond, headers alternate with stretchers from brick to brick. Flemish bond is much more popular than English, not because it is stronger, but because it is more economical since every facade has more long faces than short ones, and thus requires fewer bricks. But there were many other patterns—Chinese bond, Dearne’s bond, English garden-wall bond, cross bond, rat-trap bond, monk bond, flying bond, and so on—each signifying a different configuration of headers and stretchers.
Bill Bryson (At Home: A Short History of Private Life)
We should set an audacious goal of enacting policies to encourage the private sector to create 10 million new jobs. Enough for full recovery. Good, blue-collar jobs with strong wages and work with dignity. High-paying white-collar jobs in expanding technologies. Full-time jobs, not people trapped in endless part-time positions. Multiple, exciting job opportunities for young people coming out of school. Get government out of the way and unleash the creativity of millions of small businesses.
Ted Cruz (A Time for Truth: Reigniting the Promise of America)
Elliptic curve multiplication is a type of function that cryptographers call a “trap door” function: it is easy to do in one direction (multiplication) and impossible to do in the reverse direction (division). The owner of the private key can easily create the public key and then share it with the world knowing that no one can reverse the function and calculate the private key from the public key. This mathematical trick becomes the basis for unforgeable and secure digital signatures that prove ownership of bitcoin funds.
Andreas M. Antonopoulos (Mastering Bitcoin: Programming the Open Blockchain)
I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend. The one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, every shiver of your body. I want to know where to touch you, I want to know how to touch you. I want to know convince you to design a smile just for me. Yes, I do want to be your friend. I want to be your best friend in the entire world.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
There were things that burned away at me, not only as a private individual, but also as a citizen of our century, our pixelated age. What does it mean to be lonely? How do we live, if we’re not intimately engaged with another human being? How do we connect with other people, particularly if we don’t find speaking easy? Is sex a cure for loneliness, and if it is, what happens if our body or sexuality is considered deviant or damaged, if we are ill or unblessed with beauty? And is technology helping with these things? Does it draw us closer together, or trap us behind screens?
Olivia Laing (The Lonely City: Adventures in the Art of Being Alone)
We have to recognize that we’re nothing, the Pastor says. In the surface world, when they returned from the mine and showered and entered their homes, they were princes, kings, spoiled sons, well-fed fathers, Romeos. They believed their private worlds of home and family spun thanks to their labor, and that as workingmen and breadwinners they had every right to expect their world to revolve around their needs. Now the heart of the mountain has collapsed on top of them, and they are trapped by a block of stone, an object whose newness and perfection suggest, to some, a divine judgment.
Héctor Tobar (Deep Down Dark: The Untold Stories of 33 Men Buried in a Chilean Mine, and the Miracle That Set Them Free)
Only those who have lost as much as we have see the particularly nasty slice of smile on someone who thinks they’re winning when they say “Get over it.” This is the thing: If you have the option to not think about or even consider history, whether you learned it right or not, or whether it even deserves consideration, that’s how you know you’re on board the ship that serves hors d’oeuvres and fluffs your pillows, while others are out at sea, swimming or drowning, or clinging to little inflatable rafts that they have to take turns keeping inflated, people short of breath, who’ve never even heard of the words hors d’oeuvres or fluff. Then someone from up on the yacht says, “It’s too bad those people down there are lazy, and not as smart and able as we are up here, we who have built these strong, large, stylish boats ourselves, we who float the seven seas like kings.” And then someone else on board says something like, “But your father gave you this yacht, and these are his servants who brought the hors d’oeuvres.” At which point that person gets tossed overboard by a group of hired thugs who’d been hired by the father who owned the yacht, hired for the express purpose of removing any and all agitators on the yacht to keep them from making unnecessary waves, or even referencing the father or the yacht itself. Meanwhile, the man thrown overboard begs for his life, and the people on the small inflatable rafts can’t get to him soon enough, or they don’t even try, and the yacht’s speed and weight cause an undertow. Then in whispers, while the agitator gets sucked under the yacht, private agreements are made, precautions are measured out, and everyone quietly agrees to keep on quietly agreeing to the implied rule of law and to not think about what just happened. Soon, the father, who put these things in place, is only spoken of in the form of lore, stories told to children at night, under the stars, at which point there are suddenly several fathers, noble, wise forefathers. And the boat sails on unfettered. If you were fortunate enough to be born into a family whose ancestors directly benefited from genocide and/or slavery, maybe you think the more you don’t know, the more innocent you can stay, which is a good incentive to not find out, to not look too deep, to walk carefully around the sleeping tiger. Look no further than your last name. Follow it back and you might find your line paved with gold, or beset with traps.
Tommy Orange (There There)
It is not necessary or advantageous to give your opinion about everything to everyone. It is not your job to be a form of cheap entertainment for those around you. This is a trap that is very easy to fall into and is the downfall of many people. While it is certainly okay to chat with your buddies or other people about meaningless things in order to be affable, you should be careful of your conversation even on such relaxed occasions. It is all too easy to get carried away with your conversation and express opinions which can be offensive and used against you at a later time. Be genial and social, but at the same time be aware and thoughtful concerning your private beliefs.
Bohdi Sanders (Modern Bushido: Living a Life of Excellence)
At present, in this vicinity, the best part of the land is not private property; the landscape is not owned, and the walker enjoys comparative freedom. But possibly the day will come when it will be partitioned off into so-called pleasure-grounds, in which a few will take a narrow and exclusive pleasure only—when fences shall be multiplied, and man-traps and other engines invented to confine men to the PUBLIC road, and walking over the surface of God's earth shall be construed to mean trespassing on some gentleman's grounds. To enjoy a thing exclusively is commonly to exclude yourself from the true enjoyment of it. Let us improve our opportunities, then, before the evil days come.
Henry David Thoreau (Walking)
To extend the digital metaphor, both rivals must also reconsider the fitness of their apps for the twenty-first century. In his book Civilization, Niall Ferguson identifies six 'killer apps' - ideas and institutions that drove the extraordinary divergence in prosperity between the West and the rest of the world after 1500. These are competition, the scientific revolution, property rights, modern medicine, consumer society, and work ethic. While noting China's great reconvergence with the West since 1970, Niall wonders if China can sustain its progress without killer app number three: secure private property rights. I worry that the American work ethic has lapsed into mediocrity, while its consumer society has become decadent.
Graham Allison (Destined for War: Can America and China Escape Thucydides’s Trap?)
Our spirits have their own private way of understanding one another, of becoming intimate, while our external persons are still trapped in the commerce of ordinary words, in the slavery of social rules. Souls have their own needs and their own ambitions, which the body ignores when it sees that it's impossible to satisfy them or achieve them. And every now and then when two people communicate only with their souls, if they are suddenly alone somewhere, they are full of anguish and feel almost a violent repulsion at the thought of the slightest physical contact, an uneasiness that drives them apart, but ceases immediately when a third person appears. Then, the anguish past, the two souls seek each other again with relief and again exchange smiles at a distance.
Luigi Pirandello (The Late Mattia Pascal)
William the Testy. On the contrary, he conceived that the true wisdom of legislation consisted in the multiplicity of laws. He accordingly had great punishments for great crimes, and little punishments for little offences. By degrees the whole surface of society was cut up by ditches and fences, and quickset hedges of the law, and even the sequestered paths of private life so beset by petty rules and ordinances, too numerous to be remembered, that one could scarce walk at large without the risk of letting off a spring-gun or falling into a man-trap. In a little while the blessings of innumerable laws became apparent; a class of men arose to expound and confound them. Petty courts were instituted to take cognizance of petty offences, pettifoggers began to abound, and the community was soon set together by the ears.
Washington Irving (Knickerbocker's History of New York, Complete)
If government had declined to build racially separate public housing in cities where segregation hadn’t previously taken root, and instead had scattered integrated developments throughout the community, those cities might have developed in a less racially toxic fashion, with fewer desperate ghettos and more diverse suburbs. If the federal government had not urged suburbs to adopt exclusionary zoning laws, white flight would have been minimized because there would have been fewer racially exclusive suburbs to which frightened homeowners could flee. If the government had told developers that they could have FHA guarantees only if the homes they built were open to all, integrated working-class suburbs would likely have matured with both African Americans and whites sharing the benefits. If state courts had not blessed private discrimination by ordering the eviction of African American homeowners in neighborhoods where association rules and restrictive covenants barred their residence, middle-class African Americans would have been able gradually to integrate previously white communities as they developed the financial means to do so. If churches, universities, and hospitals had faced loss of tax-exempt status for their promotion of restrictive covenants, they most likely would have refrained from such activity. If police had arrested, rather than encouraged, leaders of mob violence when African Americans moved into previously white neighborhoods, racial transitions would have been smoother. If state real estate commissions had denied licenses to brokers who claimed an “ethical” obligation to impose segregation, those brokers might have guided the evolution of interracial neighborhoods. If school boards had not placed schools and drawn attendance boundaries to ensure the separation of black and white pupils, families might not have had to relocate to have access to education for their children. If federal and state highway planners had not used urban interstates to demolish African American neighborhoods and force their residents deeper into urban ghettos, black impoverishment would have lessened, and some displaced families might have accumulated the resources to improve their housing and its location. If government had given African Americans the same labor-market rights that other citizens enjoyed, African American working-class families would not have been trapped in lower-income minority communities, from lack of funds to live elsewhere. If the federal government had not exploited the racial boundaries it had created in metropolitan areas, by spending billions on tax breaks for single-family suburban homeowners, while failing to spend adequate funds on transportation networks that could bring African Americans to job opportunities, the inequality on which segregation feeds would have diminished. If federal programs were not, even to this day, reinforcing racial isolation by disproportionately directing low-income African Americans who receive housing assistance into the segregated neighborhoods that government had previously established, we might see many more inclusive communities. Undoing the effects of de jure segregation will be incomparably difficult. To make a start, we will first have to contemplate what we have collectively done and, on behalf of our government, accept responsibility.
Richard Rothstein (The Color of Law: A Forgotten History of How Our Government Segregated America)
The fury which destroys an opponent’s character, would stop at nothing, if barriers were thrown down. That which is true of the leaders in politics, is true of subordinates. Political dishonesty in voters runs into general dishonesty, as the rotten speck taints the whole apple. A community whose politics are conducted by a perpetual breach of honesty on both sides, will be tainted by immorality throughout. Men will play the same game in their private affairs, which they have learned to play in public matters. The guile, the crafty vigilance, the dishonest advantage, the cunning sharpness;—the tricks and traps and sly evasions; the equivocal promises, and unequivocal neglect of them, which characterize political action, will equally characterize private action. The mind has no kitchen to do its dirty work in, while the parlor remains clean. Dishonesty is an atmosphere; if it comes into one apartment, it penetrates into every one. Whoever will lie in politics, will lie in traffic. Whoever will slander in politics, will slander in personal squabbles. A professor of religion who is a dishonest politician, is a dishonest Christian. His creed is a perpetual index of his hypocrisy.
Henry Ward Beecher (Twelve Causes of Dishonesty)
There is, perhaps, no class of men on the face of the earth, says Captain Bonneville, who lead a life of more continued exertion, peril, and excitement, and who are more enamored of their occupations, than the free trappers of the West. No tail, no danger, no privation can turn the trapper from his pursuit. His passionate excitement at times resembles mania. In vain may the most vigilant and cruel savages best his path, in vain may rocks and precipices and wintry torrents oppose his progress, let but a single track of a beaver meet his eye, and he forgets all the dangers and defies all difficulties. At times, he may be seen with his traps on his shoulder, buffeting his way across rapid streams, amidst floating blocks of ice: at other times, he is to be found with his traps swung on his back clambering the most rugged mountains, scaling or descending the most frightful precipices, searching, by routes inaccessible to the horse, and never before trodden by white man, for springs and lakes unknown to his comrades, and where he may meet with his favorite game. Such is the mountaineer, the hardy trapper of the West, and such, as we have slightly sketched it, is the wild, Robin Hood kind of life, with all its strange and motley populace, now existing in full vigor among the Rocky Mountains.
Washington Irving
Here i sit all broken hearted Came to sleep that's when it started. Broken dreams from behind Fall beneath me so unkind. Sorrow swallows sucks and chews, All the dreams I had to lose. Thinking of all the lies i was told Makes me feel hollow and cold. Behind my smile I force on my face Is a broken man not having a place. I wonder aimless through the night Depression is the demon I fight. They all ask me how I'm doing Its hard to stop the pain pursuing. I choke pain down and grin so wide Only to kill the fear inside. Sleep deprived awake and tired this curse is a trap all ready wired. Just sleep more they all say I would if the past would go away. It's better now to be alone Than lied and cheated to the bone. I hate the life I've lived thus far And gladly wear this awful scar. It has gotten easier that is no lie, I no longer wish that I would die. I dream of days when I feel this pain and deal with it without strain. I do not know where I will go only god will ever know. I pray for all the promises forgotten, the empty chords that fell all rotten. I aim to search look and seek This life i want simple and meek. It makes the past so very grey The thoughts of future day The night will fade and dissolve I march on with no resolve Ahead i walk through pain and sorrow Only to seek a better tomorrow
Private
Old Hubert must have had a premonition of his squalid demise. In October he said to me, ‘Forty-two years I’ve had this place. I’d really like to go back home, but I ain’t got the energy since my old girl died. And I can’t sell it the way it is now. But anyway before I hang my hat up I’d be curious to know what’s in that third cellar of mine.’ The third cellar has been walled up by order of the civil defence authorities after the floods of 1910. A double barrier of cemented bricks prevents the rising waters from invading the upper floors when flooding occurs. In the event of storms or blocked drains, the cellar acts as a regulatory overflow. The weather was fine: no risk of drowning or any sudden emergency. There were five of us: Hubert, Gerard the painter, two regulars and myself. Old Marteau, the local builder, was upstairs with his gear, ready to repair the damage. We made a hole. Our exploration took us sixty metres down a laboriously-faced vaulted corridor (it must have been an old thoroughfare). We were wading through a disgusting sludge. At the far end, an impassable barrier of iron bars. The corridor continued beyond it, plunging downwards. In short, it was a kind of drain-trap. That’s all. Nothing else. Disappointed, we retraced our steps. Old Hubert scanned the walls with his electric torch. Look! An opening. No, an alcove, with some wooden object that looks like a black statuette. I pick the thing up: it’s easily removable. I stick it under my arm. I told Hubert, ‘It’s of no interest. . .’ and kept this treasure for myself. I gazed at it for hours on end, in private. So my deductions, my hunches were not mistaken: the Bièvre-Seine confluence was once the site where sorcerers and satanists must surely have gathered. And this kind of primitive magic, which the blacks of Central Africa practise today, was known here several centuries ago. The statuette had miraculously survived the onslaught of time: the well-known virtues of the waters of the Bièvre, so rich in tannin, had protected the wood from rotting, actually hardened, almost fossilized it. The object answered a purpose that was anything but aesthetic. Crudely carved, probably from heart of oak. The legs were slightly set apart, the arms detached from the body. No indication of gender. Four nails set in a triangle were planted in its chest. Two of them, corroded with rust, broke off at the wood’s surface all on their own. There was a spike sunk in each eye. The skull, like a salt cellar, had twenty-four holes in which little tufts of brown hair had been planted, fixed in place with wax, of which there were still some vestiges. I’ve kept quiet about my find. I’m biding my time.
Jacques Yonnet (Paris Noir: The Secret History of a City)
Data sliced sufficiently finely begin once again to tell stories. The top 1 percent of the income distribution—representing household incomes in excess of roughly $475,000—comprises only about 1.5 million households. If one adds up the numbers of vice presidents or above at S&P 1500 companies (perhaps 250,000), professionals in the finance sector, including in hedge funds, venture capital, private equity, investment banking, and mutual funds (perhaps 250,000), professionals working at the top five management consultancies (roughly 60,000), partners at law firms whose profits per partner exceed $400,000 (roughly 25,000), and specialist doctors (roughly 500,000), this yields perhaps 1 million people. These are surely not all one-percenters, but they are all plausibly parts of the top 1 percent, and this group might comprise half—a sizable share—of 1 percent households overall. At the very least, the people in these known and named jobs constitute a material, rather than just marginal or eccentric, part of the top 1 percent of the income distribution. They are also, of course, the people depicted in journalistic accounts of extreme jobs—the people who regularly cancel vacation plans, spend most of their time on the road, live in unfurnished luxury apartments, and generally subsume themselves in work, encountering their personal lives only occasionally, and as strangers.
Daniel Markovits (The Meritocracy Trap: How America's Foundational Myth Feeds Inequality, Dismantles the Middle Class, and Devours the Elite)
Of course, he thought, if he ever thought about it at all, that he would be remembered for some of the many small works he wrote and published, mostly travel chronicles, though not necessarily travel chronicles in the modern sense, but little books that are still charming today and, how shall I say, highly perceptive, anyway as perceptive as they could be, little books that made it seem as if the ultimate purpose of each of his trips was to examine a particular garden, gardens sometimes forgotten, forsaken, abandoned to their fate, and whose beauty my distinguished forebear knew how to find amid the weeds and neglect. His little books, despite their, how shall I say, botanical trappings, are full of clever observations and from them one gets a rather decent idea of the Europe of his day, a Europe often in turmoil, whose storms on occasion reached the shores of the family castle, located near Gorlitz, as you’re likely aware. Of course, my forebear wasn’t oblivious to the storms, no more than he was oblivious to the vicissitudes of, how shall I say, the human condition. And so he wrote and published, and in his own way, humbly but in fine German prose, he raised his voice against injustice. I think he had little interest in knowing where the soul goes when the body dies, although he wrote about that too. He was interested in dignity and he was interested in plants. About happiness he said not a word, I suppose because he considered it something strictly private and perhaps, how shall I say, treacherous or elusive. He had a great sense of humor, although some passages of his books contradict me there. And since he wasn’t a saint or even a brave man, he probably did think about posterity. The bust, the equestrian statue, the folios preserved forever in a library. What he never imagined was that he would be remembered for lending his name to a combination of three flavors of ice cream.
Roberto Bolaño (2666)
The phone went off. Private caller. “Thank fuck,” he said as he accepted it. “Payne—” “No.” Manny closed his eyes: Her brother sounded like hell. “Where is she.” “We don’t know. And there’s nothing that we can do from here—we’re trapped inside.” The guy exhaled like he was smoking something. “What the fuck happened before she left? I thought she’d be spending all night with you. It’s cool if you two . . . you know . . . but why did she leave so early?” “I told her it wasn’t going to work out.” Long silence. “What the fuck are you thinking?” Clearly if it hadn’t been all bright and sunny outside, motherfucker would have been knocking on Manny’s door, looking to kick some Italian ass. “I thought that would make you happy.” “Oh, yeah. Abso—break my sister’s fucking heart. I’m all for that.” Another sharp exhale, like he was blowing smoke. “She’s in love with you, asshole.” Didn’t that stop him in his tracks. But he got back with the program. “Listen, she and I . . .” At that point, he was supposed to explain the stuff about the results of his physical and how he was all freaked out and didn’t know what the repercussions were. But the trouble was, in the hours since Payne had taken off, he’d come to realize that however true that shit was, there was a more fundamental thing going on at the core of him: He was being a little bitch. What the go-away had really been about was the fact that he was shitting in his pants because he’d actually fallen in love with a woman . . . female . . . whatever. Yeah, there was a tremendous overlay of metaphysical stuff he didn’t understand and couldn’t explain, blah, blah, blah. But at the center of it all, he felt so much for Payne that he didn’t know himself anymore, and that was the terrifying part. He’d pussied out when he’d had the chance. But that was done now. “She and I are in love,” he said clearly. And damn him to hell, he should have had the balls to tell her. And hold her. And keep her. “So like I said, what the fuck are you thinking.” “Excellent question.” -Manny & Vishous
J.R. Ward (Lover Unleashed (Black Dagger Brotherhood, #9))
If you have the option to not think about or even consider history, whether you learned it right or not, or whether it even deserves consideration, that’s how you know you’re on board the ship that serves hors d’oeuvres and fluffs your pillows, while others are out at sea, swimming or drowning, or clinging to little inflatable rafts that they have to take turns keeping inflated, people short of breath, who’ve never even heard of the words hors d’oeuvres or fluff. Then someone from up on the yacht says, “It’s too bad those people down there are lazy, and not as smart and able as we are up here, we who have built these strong, large, stylish boats ourselves, we who float the seven seas like kings.” And then someone else on board says something like, “But your father gave you this yacht, and these are his servants who brought the hors d’oeuvres.” At which point that person gets tossed overboard by a group of hired thugs who’d been hired by the father who owned the yacht, hired for the express purpose of removing any and all agitators on the yacht to keep them from making unnecessary waves, or even referencing the father or the yacht itself. Meanwhile, the man thrown overboard begs for his life, and the people on the small inflatable rafts can’t get to him soon enough, or they don’t even try, and the yacht’s speed and weight cause an undertow. Then in whispers, while the agitator gets sucked under the yacht, private agreements are made, precautions are measured out, and everyone quietly agrees to keep on quietly agreeing to the implied rule of law and to not think about what just happened. Soon, the father, who put these things in place, is only spoken of in the form of lore, stories told to children at night, under the stars, at which point there are suddenly several fathers, noble, wise forefathers. And the boat sails on unfettered. If you were fortunate enough to be born into a family whose ancestors directly benefited from genocide and/or slavery, maybe you think the more you don’t know, the more innocent you can stay, which is a good incentive to not find out, to not look too deep, to walk carefully around the sleeping tiger. Look no further than your last name. Follow it back and you might find your line paved with gold, or beset with traps.
Tommy Orange (There There)
We fell into the trap of approving too much money too soon, based on overdependence on apparent company results that were in fact not repeatable and sustainable in the marketplace.
Bill Ferris (Inside Private Equity: Thrills, spills and lessons by the author of Nothing Ventured, Nothing Gained)
But it would still be his own personal fear which would force him to stay aboard with the trapped Operator Stronach, not his bravery. Because Captain John Herschell’s private nightmare was that of being seen to fail in his responsibility to those under his command. The prospect of being drowned or blown to bloodied lumps was secondary to a terrible wound like that.
Brian Callison (THE SEXTANT)
Why are clowns so creepy?” “You’re afraid of clowns?” “I didn’t say that. I just said they’re creepy.” Miranda watched him, amused. The best defense was an even better offense. “You’re staring,” Gage mumbled. “I can’t help it.” “Why? Do I have a messy face, too?” “No.” Miranda couldn’t resist. “You have dimples.” He squirmed self-consciously. “I guess.” “I bet you get teased a lot.” “Is there some relevant point to this?” Miranda did her best to keep a straight face. “Just that they’re so cute.” “Stop it.” “Are you blushing?” “Shut up.” Oh, Gage, you have no idea…if Marge and Joanie were here right now, they’d jump all over you. Still flustered, Gage signaled the waitress. But it was someone else who walked over instead. “Private conversation?” Etienne greeted them. “No,” Gage answered, a little too quickly. “Intimate conversation?” “I was just telling him about his…” Miranda began, but Gage looked so trapped, she didn’t have the heart to bring Etienne into it. “Just telling him about--” “We were talking about the gallery,” Gage broke in. “That building she was wondering about.” Etienne glanced purposefully from Gage to Miranda and back again. “I don’t know, from where I was standing over there, you were looking a little embarrassed.” “The opera house. I was telling her what I found out.” “Okay, if you say so.” “It’s true!” “And I said okay. I believe you. You gonna eat the rest of those fries?” Gage slid his plate across the table as Etienne slid in beside Miranda. Etienne shot her a secret wink. “It’s not the thing with the dimples again, is it?” he asked innocently. “I don’t know what it is with girls, the way y’all love his--” “Why are you here?” Gage asked. Getting to his feet, he pointed toward the restrooms. “I’ll be right back. You can leave the tip.” “I was going to anyway.
Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
The Axis was growing bolder in the final months of 1940. Japan invaded Vietnam, expanding its empire in East Asia. The Nazis confiscated the private radios and telephones of Jewish families and cordoned off the Warsaw Ghetto with barbed wire, trapping 400,000 adults and children, most of them Polish Jews.
Jason Fagone (The Woman Who Smashed Codes: A True Story of Love, Spies, and the Unlikely Heroine Who Outwitted America's Enemies)
Plasma escapes containment to displace great gulps of dirt and air. It turns running men and women into gray puffs of instant cinder, then blows them into dust with howling wind. A thick layer of surface sand ripples into moving sheets of gooey glass that flow stickily down flattened dunes, pooling into molten lakes at the bottom. Rolling sheets engulf craters and ruins, encasing scalded bones of dead armor and bits of wrecked trench works. More liquid glass captures screaming fighters inside hardening silicate globes. a man’s or woman’s last moment of life and pain and final scream trapped in clear, golden glass sarcophagi. They’ll cool later, lying atop the desert like huge, ancient insects locked in Triassic amber. They’ll be the most prized of all Amasian death-glass, illegal but kept anyway in secret private collections.
Kali Altsoba (Rikugun: The Orion War)
can right here,” Marge replied and looked inside. “The thing is empty.” Celeste smiled at the sight of Marge finally trapping a paper between her oversized colorful mitts. “Thank you, Suzy Homemaker. All you need is an apron.” While we hurried to search the room, the doorbell rang. Drat. The three of us froze. We had every right to be here and I was getting tired of explaining that to Alex. I was hoping we’d be gone before he showed up at the door. We headed to the landing to see Deborah peeking out the window. She nodded when she saw us. “Yes, I’m afraid it’s him,” she whispered. I knew what was coming next: a mournful look from Alex, along with a little speech about interference with an important police investigation. Could we get in trouble? What were exactly the rules when we were working in a private home and hired by the homeowner? I’d promised him I’d be careful. But surely we had every right to be here, working for our client. The gig was up in any case. Alex had surely seen Marge’s car out front. “Let’s hurry to the couch,” I said, keeping my voice very low. “Then he might think that we’re only here to talk and to consult with Deborah.” “Quick, let’s go,” Celeste said. “Deborah, could you hold off for just a second before you let him in?” Deborah scowled. “I don’t really want to let him in at all. He’s a looker, but obnoxious. You take your time. He can cool his heels and wait.” Celeste wasn’t taking any chances. “Go!” she said, touching me on the back since I was closest to the stairs. Things moved quickly from that point. As I tended to do at the most important times, I tripped and fell flat on my face. Thankfully, my glasses stayed on. I’d nearly made it safely down the stairs when my foot got caught on the carpet. Marge and Celeste were right behind me, almost flying in their haste. We ended up in one big pile in front of a frowning Deborah. “And you’re sure that you’re detectives?” she asked doubtfully. “The real official thing,” Marge squeaked, rubbing her shoulder with the bright orange oven mitt. We limped to the couch as Deborah headed to the door. I heard a familiar voice as she let him in, and we arranged ourselves oh so casually on the couch, as if we’d been there all along. Alex wasn’t pleased at all. He and Deborah were both scowling as they walked into the room. And for all the unpleasantness, we hadn’t found a thing. Operation Search the Office Before Alex had not been a success. Chapter Seven Despite the pain in my left knee (and the tight quarters on the loveseat), I tried to look the part of an innocent working woman who’d come to talk – and only talk – to a client in distress. “What are you three up to?” Alex gave us a
Deany Ray (Diced (A Charlie Cooper Mystery, Volume 3))
I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend. The one who memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, every shiver of your body. I want to know where to touch you, I want to know how to touch you. I want to know a smile designed just for me. Yes, I do want to be your friend. I want to be your best friend in the entire world.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend. The one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, every shiver of your body. I want to know where to touch you, I want to know how to touch you. I want to know convince you to design a smile just for me. Yes, I do want to be your friend. I want to be your best friend in the entire world.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
Ruhn finished off his beer, setting it on the coffee table before the massive TV in the living room. Declan, seated to his left, did the same. “All right,” Dec said, “espionage time.” Flynn, smoking some mirthroot that Ruhn desperately needed a bit of, chuckled. “Our sweet son Ruhn is all grown up and spying for rebels.” “Shut up,” Ruhn growled. “I knew I should have done this in private.” “Where would be the fun in that?” Dec asked. “Plus, shouldn’t someone be here in case it’s, I don’t know, a trap or something?” “Then why the fuck is he smoking?” Ruhn nodded to where Flynn blew smoke rings. “Because I’m a self-destructive yet insanely charming idiot?” Flynn grinned. “Emphasis on insane, Dec muttered.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
Csikszentmihalyi said that kids who are in flow have parents with high expectations and who give them opportunities. “For instance, we find that kids who are in flow often at home have a place where they feel private, where they can be by themselves. And at first we thought, ‘Oh, well the rich kids have that.’ No. Rich kids have no more chance to have privacy than poor kids. It’s not having a big place, it’s just having a place where you feel, ‘Okay, here I can do what I want to do.
Julie Lythcott-Haims (How to Raise an Adult: Break Free of the Overparenting Trap and Prepare Your Kid for Success)
One thing leads to another in this world, Flamen, and we human beings get dragged along like—like dead leaves spinning in the wake of a skimmer. Diablo was saying a while back how you fine down your principles so that a machine can handle them, and pretty soon the person using the machine comes to imagine that this is how it’s always been— there never was a subtler way of thinking. That’s some of where it’s at, but it’s not all by any means. Take the fine expensive home you live in, with its automatic defenses and its mines sown under the lawn like daffodil-bulbs. You shut yourself up behind armor-plate, you shut your mind too. You advertise Guardian traps on your show, don’t you—those steel bands spiked like an Iron Maiden? What’s the mentality of someone who’s prepared to come home from visiting neighbors and find a corpse hung up in the doorway? I say he’s already insane when he commits himself to that course of action, and you don’t have to wait for him to lose his marbles under an overdose of Ladromide before he stops thinking as a responsible mature person ought to! And what’s the reason that’s advanced for acting this way?” He rounded on Reedeth. “You know! You probably have it dinned into you a dozen times a day at your work! ‘Be an individual!’” Conroy contrived to make the slogan sound obscene. “And what’s this been twisted into? The biggest Big Lie in history! It’s no use making your life so private you refuse to learn from other people’s experience—you just get stuck in a groove of mistakes you need never have made. We have more knowledge available at the turn of a switch than ever before, we can bring any part of the world into our own homes, and what do we do with it? Half the time we advertise goods people can’t afford, and anyhow they’ve got the color and hold controls adrift because the pretty patterns are fun to look at when you’ve bolted and barred your mind with drugs. Split! Divide! Separate! Shut your eyes and maybe it’ll go away! “We mine our gardens, we close our frontiers, we barricade our cities with Macnamara lines to shut off black from white, we divide, divide, divide!” A stamp emphasized each repetition of the word. “It gets into our families, goddamn it, it gets into our very love-making! Christ, do you know I had a girl student last year who thought she was having an affair with a boy back home and all they’d ever done was sit in front of the comweb and masturbate at each other? Twenty miles apart! They’d never even kissed! We’re going insane, our whole blasted species—we’re heading for screaming ochlophobia! Another couple of generations and husbands will be afraid to be alone in the same room with their wives, mothers will be afraid of their babies, if there are any babies!
John Brunner (The Jagged Orbit)
Why Is a Path Important? We all know people who make a lot of money, but hate their work. We also know people who do not make a lot of money and hate their work. And we all know people who just work for money. A classmate of mine from the Merchant Marine Academy also realized he did not want to spend his life at sea. Rather than sail for the rest of his life, he went to law school after graduation, spending three more years becoming a lawyer and entering private practice in the S quadrant. He died in his early fifties. He had become a very successful, unhappy lawyer. Like me, he had two professions by the time he was 26. Although he hated being a lawyer, he continued being a lawyer because he had a family, kids, a mortgage, and bills to pay. A year before he died, I met him at a class reunion in New York. He was a bitter man. “All I do is sweep up behind rich guys like you. They pay me nothing. I hate what I do and who I work for.” “Why don’t you do something else?” I asked. “I can’t afford to stop working. My first child is entering college.” He died of a heart attack before she graduated. He made a lot of money via his professional training, but he was emotionally angry, spiritually dead, and soon his body followed. I realize this is an extreme example. Most people do not hate what they do as much as my friend did. Yet it illustrates the problem when a person is trapped in a profession and unable to find their path.
Robert T. Kiyosaki (Rich Dad's CASHFLOW Quadrant: Rich Dad's Guide to Financial Freedom)
The actor must not only 'do his job' in a conscientious manner, which is what anyone must do; he must also trap his unconscious (a neat trick) and he must trap it on cue (a neater trick). [...] Should the actor work out the details of his part in personal terms, should he succeed in engaging his own secret anxieties and enjoyments - his private beliefs, his dream-life characteristics, should he then insinuate these secrets into the ebbing and flowing of the play, he will be inevitably swept into the main lines of the action - he will be forced unconsciously from point to point in his performance. The more certainly and firmly these guide ropes have been rigged, the more the actor can afford to forget them and begin to shade his playing. Most observes say to actors, 'How do you remember all those lines?' What a lovely irony, since the actor's most elusive achievement is to forget them! Or, to put it more clearly, to know them so well and to understand their implications so well that he can afford to forget them. Marlon Brando once said, 'I am good when I forget. When I can sit on stage and think of catching a fish. I have just sunk the hook, there's a tug on the line, and at that preoccupied moment, I hear my cue. My God, what is my line? And then I say my line, because the motor memory will save you if you really believe. So I say my line, the line I thought I'd forgotten, and it's good, man. It's really good.' Sounds mysterious, but it isn't. It is merely a neat trick. Catching Pegasus by the heel is a neat trick. It proceeds not from hard labor but from a knowledge of the self. Such knowledge is hard-bought, but it is not like digging ditches. It is a giving-over of the ego. [...]
William Charles Redfield (Letters from an Actor)
The actor must not only 'do his job' in a conscientious manner, which is what anyone must do; he must also trap his unconscious (a neat trick) and he must trap it on cue (a neater trick). [...] Should the actor work out the details of his part in personal terms, should he succeed in engaging his own secret anxieties and enjoyments - his private beliefs, his dream-life characteristics, should he then insinuate these secrets into the ebbing and flowing of the play, he will be inevitably swept into the main lines of the action - he will be forced unconsciously from point to point in his performance. The more certainly and firmly these guide ropes have been rigged, the more the actor can afford to forget them and begin to shade his playing. Most observes say to actors, 'How do you remember all those lines?' What a lovely irony, since the actor's most elusive achievement is to forget them! Or, to put it more clearly, to know them so well and to understand their implications so well that he can afford to forget them. Marlon Brando once said, 'I am good when I forget. When I can sit on stage and think of catching a fish. I have just sunk the hook, there's a tug on the line, and at that preoccupied moment, I hear my cue. My God, what is my line? And then I say my line, because the motor memory will save you if you really believe. So I say my line, the line I thought I'd forgotten, and it's good, man. It's really good.' Sounds mysterious, but it isn't. It is merely a neat trick. Catching Pegasus by the heel is a neat trick. It proceeds not from hard labor but from a knowledge of the self. Such knowledge is hard-bought, but it is not like digging ditches. It is a giving-over of the ego.
William Charles Redfield (Letters from an Actor)
I want to be the friend you fall hopelessly in love with. The one you take into your arms and in your bed and into the private world you keep trapped in your head. I want to be that kind of friend." He says. " The one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, every shiver of your body, Juliette- " "I want to know where to touch you, I want to know how to touch you. I want to know how o convince you to design a smile just for me." "Yes," He says "I do want to be your friend. I want to be your best friend in the enitre world.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
For decades, Green activists have been attacking our sources of energy. Every single one has been demonized. Coal, which liberated mankind from the Malthusian trap, gave us manufacturing, railroads, and steamships; more than doubled our life expectancy; and saved almost all of us from having to be dirt farmers. Oil, which substantially replaced coal in the 20th century, made airplanes and the private automobile possible, along with the rest of the modern world. And, starting in the 1960s and ’70s, hydropower, nuclear fission, and even natural gas have come under the guns of the activists. The currently fashionable “renewables,” such as wind and solar power, have largely escaped the attacks. Battery-powered electric cars are the darlings of the Greens. But this is because they are simply not capable of providing anywhere near the energy or range that civilization depends on at a price it can afford. Should any of these, or other new forms of energy, prove actually usable on a large scale, they would be attacked just as viciously as fracking for natural gas, which cuts CO2 emissions in half, and nuclear power, which would eliminate them entirely.
J. Storrs Hall (Where Is My Flying Car?)
Now anyone I encounter might lash out. What happens then might as well be my private thoughts come to life. I’ve walked past Gandalf, heading toward the right side of the fork, when he moves in a flash, striking out hard with his walking stick down low on the back of my ankles. It hurts. And it disrupts my balance. I fall forward, dropping my gun and barely catching myself with my hands before my face hits the dirt. Then the old man is on top of me, the grizzled face that looked so harmless twisted into a predatory grin. I kick out instinctively and push him off me, but he’s stronger than he looks. He grabs for me again, using his weight to hold down my legs and wrenching one of my arms so it’s trapped. But I still have one hand free. My mind roaring fiercely with terror and outrage both, I fumble with my hand until I can feel the butt of my dropped gun. I’ve been trained to fight. For years now. First by Mack. Then by Maria, who leads the group of women I used to travel with. I’m no longer a trapped and trembling girl, and I’m not going to be her again. I grab the gun and swing it hard to slam into the man’s head. He roars in pain and backs off slightly, giving me enough time to fit my fingers around the trigger and aim. I shoot, blowing Gandalf’s head off.
Claire Kent (Beacon (Kindled #8))
The more he fought looking at attractive women, the more he felt compelled to stare at their private parts. This led him to try to avoid streets where he might see attractive women—and as I will explain later, avoiding almost any situation increases our fears of it. In short, Father Jack was trapped in a downward spiral that is common in our patients and is often what leads them to seek treatment with us. Fortunately for Father Jack, simply stopping thought suppression and no longer avoiding places where he would see attractive women were enough to tame his bad thoughts.
Lee Baer (The Imp of the Mind: Exploring the Silent Epidemic of Obsessive Bad Thoughts)
I was beginning to feel uneasy about falling into the authorised biographer’s trap of becoming privy to secrets that could not be divulged. I could see that I was heading toward some kind of confrontation with Michael. The way he handled it would be another means of assessing his character.
Carl Rollyson (A Private Life of Michael Foot)
To assert the subjective, transcendent, intangible nature of the mind, in opposition to the physical body, is to keep flipping the same dualism on its head, like preaching a mindfulness doctrine that is one half neuroscience and thr other half Buddhism. To return to a vision of the mental realm as entirely private and invisible to the outside world is to remain trapped in a state of affairs where we keep asking ourselves neurotic and paranoid questions, such as 'What am I really feeling?" or "I wonder if he is truly happy". It is in this sort of confused philosophical territory that the owner of the brain scanner can promise to resolve all moral and political questions, once and for all.
William Davies (The Happiness Industry: How the Government and Big Business Sold Us Well-Being)
But ability is not just the product of birth. Ability is stretched or stunted by the family that you live with, and the neighborhood you live in—by the school you go to and the poverty or the richness of your surroundings. It is the product of a hundred unseen forces playing upon the little infant, the child, and finally the man. We know the causes are complex and subtle … . First, Negroes are trapped—as many whites are trapped—in inherited, gate-less poverty. They lack training and skills. They are shut in, in slums, without decent medical care. Private and public poverty combine to cripple their capacities … . We are trying to attack these evils through our poverty program, through our education program, through our medical care and our other health programs, and a dozen more of the Great Society programs that are aimed at the root causes of this poverty. But there is a second cause—much more difficult to explain, more deeply grounded, more desperate in its force. It is the devastating heritage of long years of slavery; and a century of oppression, hatred, and injustice. For Negro poverty is not white poverty … . These differences are not racial differences. They are solely and simply the consequence of ancient brutality, past injustice, and present prejudice. The
George Lakoff (Thinking Points: Communicating Our American Values and Vision)
Well, go in,” said Pandora. “It’s open to the public.” “So, for once, we won’t have to destroy private property,” Uncle Mort said, opening the door. “Look how far we’ve come, gang—” A shriveled, bony fist punched him in the face. Since there wasn’t much force behind the blow, however, it just sort of shoved him off balance for a second. Uncle Mort rubbed his cheek, as if he’d been stung by a mosquito. “Ow.” “Don’t you dare come in here!” a little man in a bow tie and suspenders yelled. He stared out at them from behind a pair of humongous old-man glasses, his wispy white hairs quivering as he shouted. When the Juniors came in anyway, he got even angrier. “Don’t you dare take another step!” They took another step. “Don’t you dare—” “Turlington!” Pandora blared, holding up a balled fist of her own. “You shut that pie hole of yours or I’ll stuff it with a hearty slice of knuckle cobbler!” “Knuckle cobbler?” Lex whispered to Driggs. “Good name for a band,” he replied. The man almost fainted. “Pan—Pandora?” “Damn straight!” She puffed out her chest and trapped him up against the wall. “Now, you’re going to let these friends of mine bunk here for the evening, and you’re going to be real nice and real pleasant about it, and above all, you’re not even going to think of ratting us out. Got it?” “Yes, yes,” he said, shaking. “Whatever you need. I think I might even have some pillows and blankets left over from the last overnight camp, in the closet behind the—” Pandora karate-chopped the side of his head. The Juniors watched as he went down like a sack. “What’d you do that for?” Uncle Mort asked once the poor man stopped twitching. “He would have ratted,” Pandora said with confidence. “Old Turly was my partner for a brief stint back in our younger days. Thick as thieves, we were. But he’s a squirrelly bastard, I know that much.” “So are you,” Uncle Mort pointed out. “That’s why we were such good friends!” Uncle Mort stared at her for a moment more, then rubbed his eyes. “Okay. Fine. Make yourselves at home, kids. Just step right on over the unconscious senior citizen.
Gina Damico (Rogue (Croak, #3))
One of the particularly striking things about the middle class proclivity for authenticity is that it significantly blurs the boundaries between public and private life. It involves projecting the internal search for authenticity into ever more public spaces. Almost any aspect of social life, even the most apparently inauthentic, becomes a potential zone for articulating our true self. For instance, employees seek to express and explore their authentic identities in their place of employment (Fleming and Sturdy, 2011). This encourages employees to bring what had previously been considered as private sentiments such as love, desire, and emotions into the workplace (Illouz, 2006; 2008). At the same time, we also witness the extension of the workplace into all aspects of our private lives (see also Fleming and Spicer, 2004). This can mean the number of hours and effort devoted to work time is radically extended. Many of the activities such as socializing, undertaking leisure activities and even romance become implicated with work. As our private life shifts into the public sphere it becomes denuded of intimacy and subjected to forms of cold instrumental calculation. Moreover, our public life becomes increasingly infused with emotive and highly personal expressions that had once been curbed by reason, rationality and due process.
André Spicer (Guilty lives: The authenticity trap at work)
Two small squirrel monkeys seemed to be trapped in their own private Samuel Beckett play, caught in a web made of equal parts dependence and loathing.
Hope Jahren (Lab Girl)
A white-handed gibbon was draped limply across our walkway, either asleep or dead or someplace in between. Two small squirrel monkeys seemed to be trapped in their own private Samuel Beckett play, caught in a web made of equal parts dependence and loathing. In ironic proximity, two other squirrel monkeys were getting along very, very well by the looks of it. A
Hope Jahren (Lab Girl)
The people's need to share has turned into a massive disease. It has taken them to the most private meaningless part of their lives. In such circumstance, values become redefined and what has been worthless in the past, has become the core value of the new age. The disaster starts where the essence of the discourse changes. The modern age, with all its technological advances, has taken human to the fast fall. We are going down faster than being trapped into a mire. The transition of the discourse has also given us a great gift, senselessness. Therefore, we have transitioned into piles of senseless machines, drained of human essentiality and drowning into a giant mire. The sad part is, due to the lack of true sense, we don't even feel it. Our only safety guard, which is entirely absurd and phantasmagoric, comes from following the majority of the world's population. As long as we feel belonged to preponderancy, our nonsense will absolutely make sense.
Kambiz Shabankare
There was a young man from Nantucket Who got hit on the head with a bucket It started to throb So he got out his knob And got all the nurses to suck it. I chuckled, then the hairs on the back of my neck started to prickle. I looked up to see Nurse Sarah (late twenties or early thirties, chirpy, on the cuddly side—she could have been Gary’s twin sister) reading over my shoulder. “Sorry, love,” she said. “This is the NHS. You’ll have to go private if you want that kind of service.
J.L. Merrow (Heat Trap (The Plumber’s Mate, #3))
public park along the Merrimack River in the center of the historic downtown, voted unanimously to pay a private animal control agent $75 for each skunk he trapped and killed. Four skunks were soon
Anonymous
His cavernous laugh fills her head, fills the graveyard, fills her soul with utter despair. Blue hugs her battered knees, rocking backward and forwards on the cold damp earth while the fiendish voice echoes around the dell, that wretched crimson-drenched necropolis that has somehow become her entire world. She bows her head under the weight of that despair, and feels as though she will never ever move again. She will be trapped here for eternity – this is her punishment, her own private corner of Hell, bathed in blood and tormented by the mad merriment of a monster.
Laura M. Hughes (Danse Macabre)
Many of us parents, particularly us moms, are “doing parenting” the way we did college, perhaps grad school, and, if we chose it, the world of work, that is, throwing ourselves at it full bore, running the PTA or soccer snack schedule the way we ran our student groups or corporate meetings, leaning in to our kids’ lives as if they are the metrics and deliverables of our little private corporation. How our kids look, what they eat, how they dress, what activities they pursue, what they achieve have become reflections of us. Of how we see ourselves. Like their life is our accomplishment. Like their failures are our fault. Many
Julie Lythcott-Haims (How to Raise an Adult: Break Free of the Overparenting Trap and Prepare Your Kid for Success)
And indeed today as it struggles with its financial crisis, the central issue in Greek politics remains resentment of the influence of Brussels, Germany, the International Monetary Fund, and other external actors, which are seen as pulling strings behind the back of a weak Greek government. Although there is considerable distrust of government in American political culture, by contrast, the basic legitimacy of democratic institutions runs very deep. Distrust of government is related to the Greek inability to collect taxes. Americans loudly proclaim their dislike of taxes, but when Congress mandates a tax, the government is energetic in enforcement. Moreover, international surveys suggest that levels of tax compliance are reasonably high in the United States; higher, certainly, than most European countries on the Mediterranean. Tax evasion in Greece is widespread, with restaurants requiring cash payments, doctors declaring poverty-line salaries, and unreported swimming pools owned by asset-hiding citizens dotting the Athenian landscape. By one account, Greece’s shadow economy—unreported income hidden from the tax authorities—constitutes 29.6 percent of total GDP.24 A second factor has to do with the late arrival of capitalism in Greece. The United States was an early industrializer; the private sector and entrepreneurship remained the main occupations of most Americans. Greece urbanized and took on other trappings of a modern society early on, but it failed to build a strong base of industrial employment. In the absence of entrepreneurial opportunities, Greeks sought jobs in the state sector, and politicians seeking to mobilize votes were happy to oblige. Moreover, the Greek pattern of urbanization in which whole villages moved from the countryside preserved intact rural patronage networks, networks that industry-based development tended to dissolve.
Francis Fukuyama (Political Order and Political Decay: From the Industrial Revolution to the Globalization of Democracy)
Will you dine with me, or no?” I shook my head again, not trusting my voice. “A dance, then,” he suggested unexpectedly, with a laughing gleam in his eyes. “I must have some recompense for my hospitality.” “I do not dance.” “I’ll keep the step simple,” he promised, and I shook my head helplessly. It was unheard of, I thought, to dance in private with a man, and that man not your husband. It would be improper, wanton, and yet the thought of it set my blood racing with unladylike excitement. “There is no music,” I remarked, retreating another step. Richard de Mornay smiled. “Would you like me to call for my stableboy? He is unequaled on the lute, and I’m sure he would favor us with a danceable tune.” “No,” I said hastily. I had no desire for a witness to my folly. “Then you must make do without. Or I could sing, if you wish it.” He held out his hand. “Come, you are no coward. One dance, a simple step, and the debt is paid.” Trapped, I took his hand. He did sing, after all, softly and in French. He had a deep and pleasant voice, and his warm breath fanned my cheek as he twirled me round and round the deserted, echoing room. It was a sinful feeling.
Susanna Kearsley (Mariana)
Perhaps he too is pretending to be someone he isn't. Perhaps we all are: everyone in here - the people to my left and right and all along the row, staring at their screens, enjoying their private, insignificant deceits, or else trapped by them and wishing they could escape.
Sophie Hannah (A Game for All the Family)
I did. I do. I do want to be your friend. I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend. The one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, every shiver of your body, Juliette.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
You have food?” The sound of his chuckle did things to my insides, and I couldn’t wait to celebrate privately with him when we got home. “Yeah, we’ve got food.” Pulling me close, he grabbed a fistful of my ass. “Can’t have you wasting away. This ass is too delicious.” “Liam!” I whisper-yelled. “We have company.” “Let them stare.” “Later,” I promised. Confident, he responded, “Oh, sweetheart, you say that like you have a choice.” Hannah’s voice broke into our intimate moment. “You two know you’re not an exhibit in the zoo, right? People didn’t come here hoping to view a mating ritual.” Pausing, she added, “Well, some people.” Liam pulled back enough to glare at her. “What would we do without you, Hannah?” “Love you too, Liam.” She smirked up at him, not the least bit intimidated.
Siena Trap (Playing Pretend with the Prince (The Remington Royals, #2))
I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend. The one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, every shiver of your body. I want to know where to touch you, I want to know how to touch you. I want to know convince you to design a smile just for me. Yes, I do want to be your friend. I want to be your best friend in the entire world.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
Sitting across from Amy for nine hours was torture, especially once the word dick had left her mouth, followed by her eyes dropping to the vicinity of my fly. I could see the curiosity in their green depths after I teased her over her book. My offer to take her into the bedroom of the private plane had been genuine. If she’d said yes, I would have taken her back and shown her exactly how a real man fucked. Then, she could decide whether the explicit scenes in her book were fictitious. I was losing my damn mind. There was no other explanation.
Siena Trap (Playing Pretend with the Prince (The Remington Royals, #2))
I want to be the friend you fall in love with. The one you take into your arms and into your bed and into the private world you keep trapped in you head. I want to be that kind of friend.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
Solutions to the many problems that wellness culture presents have to be systemic and collective, not just individual and private.
Christy Harrison (The Wellness Trap: Break Free from Diet Culture, Disinformation, and Dubious Diagnoses, and Find Your True Well-Being)
You know what I think? I think that . . . we're all in our private traps—clamped in them—and none of us can ever get out. We scratch and claw, but only at the air, only at each other, and for all of it, we never budge an inch.
Alfred Hitchcock
Oh, please tell me you gave him a private little lingerie show and then got down on your knees to pray to the altar of his hot-as-hell body.
Siena Trap (A Bunny for the Bench Boss (Indy Speed Hockey, #1))
You know what I think? I think that . . . we're all stuck in our private traps—clamped in them—and none of us can ever get out. We scratch and claw, but only at the air, only at each other, and for all of it, we never budge an inch.
Alfred Hitchcock
Estimates suggest that $7.6 trillion of wealth is hidden in tax havens all over the world. The international finance sector acts as a 'circulation system for criminal money acquired through drug trafficking, terrorism, piracy, human trafficking, proliferation and tax evasion.' When we look at the international financial system, we don't find a free-market paradise. Instead, we find incredibly powerful institutions in both the public and private sector shaping the conditions faced by everyone else. Financial institutions 'dress themselves up in liberal trappings of the market, yet capture the old sovereignty of the state all the better to squeeze the social body to feed their own profits.' Yet all this power is held without any democratic accountability. Politicians, technocrats, and financiers work together to decide everything from the interest rates we pay on our loans to who gets what when a state files for bankruptcy. If everyone had a say in determining how these rules were made and enforced, rather than just a privileged few, we'd live in a very different world.
Grace Blakeley (Vulture Capitalism: Corporate Crimes, Backdoor Bailouts, and the Death of Freedom)
You know what I think? I think that . . . we're all stuck in our private traps—clamped in them—and none of us can ever get out. We scratch and we claw, but only at the air, only at each other, and for all of it, we never budge an inch." – Norman Bates from Psycho
Alfred Hitchcock