Bolt The Dog Quotes

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Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunch-backed makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed form kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries' vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers, heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters' sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etiolated lacquerers; mottle-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men's wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of Last Chrysanthemum, where a puddle from last night's rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.
David Mitchell (The Thousand Autumns of Jacob de Zoet)
As we approached the shop, a dog began to bark. Seconds later, a furry drool-bedecked face pressed against the lower portion of the glass door, his whole butt shaking from how hard he wagged his tail. "What's gotten into you, Dexter?" Tyler muttered. Then he came closer and saw Bones and me on the other side of the glass. Oh HELL no, bolted across his mind. "Is that any way to greet old friends?" Bones asked dryly. Tyler drew his shoulders back, further stretching ther strained fabric of his shirt. "That's not a greeting, sugar. It's my answer to whatever you've come here to ask me to do.
Jeaniene Frost (Up from the Grave (Night Huntress, #7))
Once there was a gypsy queen who wore on her wrist a chain of six lucky charms - a golden crown, a silver horse, a butterfly caught in amber, a cat's eye shell, a bolt of lightning forged from the heart of a falling star, and the flower of the rue plant, herb of grace. The queen gave each of her six children one of the charms as their lucky talisman, but ever since the chain of charms was broken, the gypsies had been dogged with misfortune.
Kate Forsyth
The way Nate seemed to pull at me without meaning to, like a dog bolting after an elusive prize, dragging its hapless owner behind it. Nate was a force, momentarily stilled. The tide that threatened my sandcastle life.
Sarah Goodwin (After The Fall)
Nothing could quiet a happy crowd of kids like Mr. Holgren's unannounced appearance -- he loved superintending; he was made for it. So when he marched in that morning with a determined look on his face, we froze. Boys and girls recognize sinister as handily as dogs do. Here it was. My best guess now is he'd got it in his head to try "relating" to us -- but when he produced a paper pilgrim's hat from behind his back and put it on his own head, I think we all nearly bolted.
Leif Enger (Peace Like a River)
It’s all strange to me. I know I live on a fierce and magical planet, which sheds or surrenders rain or even flings it off in whipstroke after whipstroke, which fires out bolts of electric gold into the firmament at 186,000 miles per second, which with a single shrug of its tectonic plates can erect a city in half an hour. Creation … is easy, is quick. There’s also a universe, apparently. But I cannot bear to see the stars, even though I know they’re there all right, and I do see them, because Tod looks upward at night, as everybody does, and coos and points. The Plough. Sirius, the dog. The stars, to me, are like pins and needles, are like the routemap of a nightmare. Don’t join the dots.… Of the stars, one alone can I contemplate without pain. And that’s a planet. The planet they call the evening star, the morning star. Intense Venus.
Martin Amis (Time's Arrow)
Johnson phoned first thing this morning,” he said. “Apparently a new name came to him in a dream last night.” I rolled my eyes. “A dream?” “He’s serious,” Woodell said. “He’s always serious.” “He says he sat bolt upright in bed in the middle of the night and saw the name before him,” Woodell said. “What is it?” I asked, bracing myself. “Nike.” “Huh?” “Nike.” “Spell it.” “N-I-K-E,” Woodell said. I wrote it on a yellow legal pad. The Greek goddess of victory. The Acropolis.
Phil Knight (Shoe Dog)
Picture it. Nineteenth-century man with his horses, dogs, carts, slow motion. Then, in the twentieth century, speed up your camera. Books cut shorter. Condensations. Digests, Tabloids. Everything boils down to the gag, the snap ending.” “Snap ending.” Mildred nodded. “Classics cut to fit fifteen-minute radio shows, then cut again to fill a two-minute book column, winding up at last as a ten- or twelve-line dictionary resume. I exaggerate, of course. The dictionaries were for reference. But many were those whose sole knowledge of Hamlet (you know the title certainly, Montag; it is probably only a faint rumor of a title to you, Mrs. Montag), whose sole knowledge, as I say, of Hamlet was a one-page digest in a book that claimed: now at last you can read all the classics; keep up with your neighbors. Do you see? Out of the nursery into the college and back to the nursery; there’s your intellectual pattern for the past five centuries or more.” Mildred arose and began to move around the room, picking things up and putting them down. Beatty ignored her and continued: “Speed up the film, Montag, quick. Click, Pic, Look, Eye, Now, Flick, Here, There, Swift, Pace, Up, Down, In, Out, Why, How, Who, What, Where, Eh? Uh! Bang! Smack! Wallop, Bing, Bong, Boom! Digest-digests, digest-digest-digests. Politics? One column, two sentences, a headline! Then, in mid-air, all vanishes! Whirl man’s mind around about so fast under the pumping hands of publishers, exploiters, broadcasters that the centrifuge flings off all unnecessary, time-wasting thought!” Mildred smoothed the bedclothes. Montag felt his heart jump and jump again as she patted his pillow. Right now she was pulling at his shoulder to try to get him to move so she could take the pillow out and fix it nicely and put it back. And perhaps cry out and stare or simply reach down her hand and say, “What’s this?” and hold up the hidden book with touching innocence. “School is shortened, discipline relaxed, philosophies, histories, languages dropped, English and spelling gradually gradually neglected, finally almost completely ignored. Life is immediate, the job counts, pleasure lies all about after work. Why learn anything save pressing buttons, pulling switches, fitting nuts and bolts?
Ray Bradbury (Fahrenheit 451)
Aue sent an office boy with a message to the company’s original accountant, a Polish Jew named Itzhak Stern, who was at home with influenza. Aue was a political appointee with little accounting experience. He wanted Stern to come into the office and resolve the impasse over the bolts of linen. He had just sent the message off to Stern’s house in Podgórze when his secretary came into the office and announced that a Herr Oskar Schindler was waiting outside, claiming to have an appointment. Aue went into the outer room and saw a tall young man, placid as a large dog, tranquilly smoking. The two had met at a party the night before. Oskar had been there with a Sudeten German girl named Ingrid, Treuhänder, or supervisor, of a Jewish hardware company, just as Aue was Treuhänder of Buchheister’s. They were a glamorous couple, Oskar and this Ingrid, frankly in love, stylish, with lots of friends in the Abwehr.
Thomas Keneally (Schindler's List)
Cool.” Mai gathered her things and bolted out the door. “Last one to the car is a rotten egg.” Diode looked alarmed. “What?” “Relax.” I chuckled. “It’s just something people say.” He licked a front paw and smoothed the fur on his face. “People are, quite frankly, ridiculous.” “No argument here.
Hailey Edwards (Lie Down with Dogs (Black Dog, #3))
They had hoped, hated, loved, suffered, sung, and wept. They had known loss. They had surrounded and comforted themselves with objects. They had driven automobiles. They had walked dogs and pushed children on swing sets and waited in line at the grocery store. They had said stupid things. They had kept secrets, nurtured grudges, blown upon the embers of regret. They had worshipped a variety of gods or no god at all. They had awakened in the night to the sound of rain. They had apologized. They had attended various ceremonies. They had explained the history of themselves to psychologists, priests, lovers, and strangers in bars. They had, at unexpected moments, experienced bolts of joy so unalloyed, so untethered to events, that they seemed to come from above; they had longed to be known and, sometimes, almost were. Heirs
Justin Cronin (The City of Mirrors (The Passage, #3))
Allow me to introduce my shepherd,” The Under-King said from the mist ahead, standing beside a ten-foot-tall black dog. Each of its fangs were as long as one of her fingers. All hooked—like a shark’s. Designed to latch into flesh and hold tight while it ripped and shredded. Its eyes were milky white—sightless. Identical to the Under-King’s. Her light would have no effect on something that was already blind. The dog’s fur—sleek and iridescent enough that it almost resembled scales—flowed over bulky, bunched muscles. Claws like razor blades sliced into the dry ground. Hunt’s lightning crackled, skittering at Bryce’s feet. “That’s a demon,” he ground out. He’d fought enough of them to know. “An experiment of the Prince of the Ravine’s, from the First Wars,” the Under-King rasped. “Forgotten and abandoned here in Midgard during the aftermath. Now my faithful companion and helper. You’d be surprised how many souls do not wish to make their final offering to the Gate. The Shepherd…Well, it herds them for me. As it shall herd you.” “Fry this fucker,” Bryce muttered to Hunt as the dog snarled. “I’m assessing.” “Assess faster. Roast it like a—” “Do not make a joke about—” “Hot dog.” Bryce had no sooner finished saying the words than the hound lunged. Hunt struck, swift and sure, a lightning bolt spearing toward its neck.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
The people cast themselves down by the fuming boards while servants cut the roast, mixed jars of wine and water, and all the gods flew past like the night-breaths of spring. The chattering female flocks sat down by farther tables, their fresh prismatic garments gleaming in the moon as though a crowd of haughty peacocks played in moonlight. The queen’s throne softly spread with white furs of fox gaped desolate and bare, for Penelope felt ashamed to come before her guests after so much murder. Though all the guests were ravenous, they still refrained, turning their eyes upon their silent watchful lord till he should spill wine in libation for the Immortals. The king then filled a brimming cup, stood up and raised it high till in the moon the embossed adornments gleamed: Athena, dwarfed and slender, wrought in purest gold, pursued around the cup with double-pointed spear dark lowering herds of angry gods and hairy demons; she smiled and the sad tenderness of her lean face, and her embittered fearless glance, seemed almost human. Star-eyed Odysseus raised Athena’s goblet high and greeted all, but spoke in a beclouded mood: “In all my wandering voyages and torturous strife, the earth, the seas, the winds fought me with frenzied rage; I was in danger often, both through joy and grief, of losing priceless goodness, man’s most worthy face. I raised my arms to the high heavens and cried for help, but on my head gods hurled their lightning bolts, and laughed. I then clasped Mother Earth, but she changed many shapes, and whether as earthquake, beast, or woman, rushed to eat me; then like a child I gave my hopes to the sea in trust, piled on my ship my stubbornness, my cares, my virtues, the poor remaining plunder of god-fighting man, and then set sail; but suddenly a wild storm burst, and when I raised my eyes, the sea was strewn with wreckage. As I swam on, alone between sea and sky, with but my crooked heart for dog and company, I heard my mind, upon the crumpling battlements about my head, yelling with flailing crimson spear. Earth, sea, and sky rushed backward; I remained alone with a horned bow slung down my shoulder, shorn of gods and hopes, a free man standing in the wilderness. Old comrades, O young men, my island’s newest sprouts, I drink not to the gods but to man’s dauntless mind.” All shuddered, for the daring toast seemed sacrilege, and suddenly the hungry people shrank in spirit; They did not fully understand the impious words but saw flames lick like red curls about his savage head. The smell of roast was overpowering, choice meats steamed, and his bold speech was soon forgotten in hunger’s pangs; all fell to eating ravenously till their brains reeled. Under his lowering eyebrows Odysseus watched them sharply: "This is my people, a mess of bellies and stinking breath! These are my own minds, hands, and thighs, my loins and necks!" He muttered in his thorny beard, held back his hunger far from the feast and licked none of the steaming food.
Nikos Kazantzakis (The Odyssey: A Modern Sequel)
And now I see the outside of our house, with the latticed bedroom-windows standing open to let in the sweet-smelling air, and the ragged old rooks'-nests still dangling in the elm-trees at the bottom of the front garden. Now I am in the garden at the back, beyond the yard where the empty pigeon-house and dog-kennel are—a very preserve of butterflies, as I remember it, with a high fence, and a gate and padlock; where the fruit clusters on the trees, riper and richer than fruit has ever been since, in any other garden, and where my mother gathers some in a basket, while I stand by, bolting furtive gooseberries, and trying to look unmoved. A great wind rises, and the summer is gone in a moment. We are playing in the winter twilight, dancing about the parlour. When my mother is out of breath and rests herself in an elbow-chair, I watch her winding her bright curls round her fingers, and straitening her waist, and nobody knows better than I do that she likes to look so well, and is proud of being so pretty.
Charles Dickens (David Copperfield)
I decided early in graduate school that I needed to do something about my moods. It quickly came down to a choice between seeing a psychiatrist or buying a horse. Since almost everyone I knew was seeing a psychiatrist, and since I had an absolute belief that I should be able to handle my own problems, I naturally bought a horse. Not just any horse, but an unrelentingly stubborn and blindingly neurotic one, a sort of equine Woody Allen, but without the entertainment value. I had imagined, of course, a My Friend Flicka scenario: my horse would see me in the distance, wiggle his ears in eager anticipation, whinny with pleasure, canter up to my side, and nuzzle my breeches for sugar or carrots. What I got instead was a wildly anxious, frequently lame, and not terribly bright creature who was terrified of snakes, people, lizards, dogs, and other horses – in short, terrified of anything that he might reasonably be expected to encounter in life – thus causing him to rear up on his hind legs and bolt madly about in completely random directions. In the clouds-and-silver-linings department, however, whenever I rode him I was generally too terrified to be depressed, and when I was manic I had no judgment anyway, so maniacal riding was well suited to the mood. Unfortunately, it was not only a crazy decision to buy a horse, it was also stupid. I may as well have saved myself the trouble of cashing my Public Health Service fellowship checks, and fed him checks directly: besides shoeing him and boarding him – with veterinary requirements that he supplement his regular diet with a kind of horsey granola that cost more than a good pear brandy – I also had to buy him special orthopedic shoes to correct, or occasionaly correct, his ongoing problems with lameness. These shoes left Guicci and Neiman-Marcus in the dust, and, after a painfully aquired but profound understanding of why people shoot horse traders, and horses, I had to acknowledge that I was a graduate student, not Dr. Dolittle; more to the point, I was neither a Mellon nor a Rockefeller. I sold my horse, as one passes along the queen of spades, and started showing up for my classes at UCLA.
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
Many of the silliest ambiguities in the Internet memes come from newspaper headlines and magazine tag lines precisely because they have been stripped of all punctuation. Two of my favorites are MAN EATING PIRANHA MISTAKENLY SOLD AS PET FISH and RACHAEL RAY FINDS INSPIRATION IN COOKING HER FAMILY AND HER DOG. The first is missing the hyphen that bolts together the pieces of the compound word that was supposed to remind readers of the problem with piranhas, man-eating. The second is missing the commas that delimit the phrases making up the list of inspirations: cooking, her family, and her dog.
Steven Pinker (The Sense of Style: The Thinking Person's Guide to Writing in the 21st Century)
Gregori stepped away from the huddled mass of tourists, putting distance between himself and the guide. He walked completely erect,his head high, his long hair flowing around him. His hands were loose at his sides, and his body was relaxed, rippling with power. "Hear me now, ancient one." His voice was soft and musical, filling the silence with beauty and purity. "You have lived long in this world, and you weary of the emptiness. I have come in anwer to your call." "Gregori.The Dark One." The evil voice hissed and growled the words in answer. The ugliness tore at sensitive nerve endings like nails on a chalkboard. Some of the tourists actually covered their ears. "How dare you enter my city and interfere where you have no right?" "I am justice,evil one. I have come to set your free from the bounaries holding you to this place." Gregori's voice was so soft and hypnotic that those listening edged out from their sanctuaries.It beckoned and pulled, so that none could resist his every desire. The black shape above their head roiled like a witch's cauldron. A jagged bolt of lightning slammed to earth straight toward the huddled group. Gregori raised a hand and redirected the force of energy away from the tourists and Savannah. A smile edged the cruel set of his mouth. "You think to mock me with display,ancient one? Do not attempt to anger what you do not understand.You came to me.I did not hunt you.You seek to threaten my lifemate and those I count as my friends.I can do no other than carry the justice of our people to you." Gregori's voice was so reasonable, so perfect and pure,drawing obedience from the most recalcitrant of criminals. The guide made a sound,somewhere between disbelief and fear.Gregori silenced him with a wave of his hand, needing no distractions. But the noise had been enough for the ancient one to break the spell Gregori's voice was weaving around him. The dark stain above their heads thrashed wildly, as if ridding itself ot ever-tightening bonds before slamming a series of lightning strikes at the helpless mortals on the ground. Screams and moans accompanied the whispered prayers, but Gregori stood his ground, unflinching. He merely redirected the whips of energy and light, sent them streaking back into the black mass above their heads.A hideous snarl,a screech of defiance and hatred,was the only warning before it hailed. Hufe golfball-sized blocks of bright-red ice rained down toward them. It was thick and horrible to see, the shower of frozen blood from the skies. But it stopped abruptly, as if an unseen force held it hovering inches from their heads. Gregori remained unchanged, impassive, his face a blank mask as he shielded the tourists and sent the hail hurtling back at their attacker.From out of the cemetery a few blocks from them, an army of the dead rose up. Wolves howled and raced along beside the skeletons as they moved to intercept the Carpathian hunter. Savannah. He said her name once, a soft brush in her mind. I've got it, she sent back instantly.Gregori had his hands full dealing with the abominations the vampire was throwing at him; he did't need to waste his energy protecting the general public from the apparition. She moved out into the open, a small, fragile figure, concentrating on the incoming threat. To those dwelling in the houses along the block and those driving in their cars, she masked the pack of wolves as dogs racing down the street.The stick=like skeletons, grotesque and bizarre, were merely a fast-moving group of people. She held the illusion until they were within a few feet of Gregori.Dropping the illusion, she fed every ounce of her energy and power to Gregori so he could meet the attack.
Christine Feehan (Dark Magic (Dark, #4))
Dog Talk … I have seen Ben place his nose meticulously into the shallow dampness of a deer’s hoofprint and shut his eyes as if listening. But it is smell he is listening to. The wild, high music of smell, that we know so little about. Tonight Ben charges up the yard; Bear follows. They run into the field and are gone. A soft wind, like a belt of silk, wraps the house. I follow them to the end of the field where I hear the long-eared owl, at wood’s edge, in one of the tall pines. All night the owl will sit there inventing his catty racket, except when he opens pale wings and drifts moth-like over the grass. I have seen both dogs look up as the bird floats by, and I suppose the field mouse hears it too, in the pebble of his tiny heart. Though I hear nothing. Bear is small and white with a curly tail. He was meant to be idle and pretty but learned instead to love the world, and to romp roughly with the big dogs. The brotherliness of the two, Ben and Bear, increases with each year. They have their separate habits, their own favorite sleeping places, for example, yet each worries without letup if the other is missing. They both bark rapturously and in support of each other. They both sneeze to express plea- sure, and yawn in humorous admittance of embarrassment. In the car, when we are getting close to home and the smell of the ocean begins to surround them, they both sit bolt upright and hum. With what vigor and intention to please himself the little white dog flings himself into every puddle on the muddy road. Somethings are unchangeably wild, others are stolid tame. The tiger is wild, the coyote, and the owl. I am tame, you are tame. The wild things that have been altered, but only into a semblance of tameness, it is no real change. But the dog lives in both worlds. Ben is devoted, he hates the door between us, is afraid of separation. But he had, for a number of years, a dog friend to whom he was also loyal. Every day they and a few others gathered into a noisy gang, and some of their games were bloody. Dog is docile, and then forgets. Dog promises then forgets. Voices call him. Wolf faces appear in dreams. He finds himself running over incredible lush or barren stretches of land, nothing any of us has ever seen. Deep in the dream, his paws twitch, his lip lifts. The dreaming dog leaps through the underbrush, enters the earth through a narrow tunnel, and is home. The dog wakes and the disturbance in his eyes when you say his name is a recognizable cloud. How glad he is to see you, and he sneezes a little to tell you so. But ah! the falling-back, fading dream where he was almost there again, in the pure, rocky weather-ruled beginning. Where he was almost wild again, and knew nothing else but that life, no other possibility. A world of trees and dogs and the white moon, the nest, the breast, the heart-warming milk! The thick-mantled ferocity at the end of the tunnel, known as father, a warrior he himself would grow to be. …
Mary Oliver (Dog Songs: Poems)
Once, books appealed to a few people, here, there, everywhere. They could afford to be different. The world was roomy. But then the world got full of eyes and elbows and mouths. Double, triple, quadruple population. Films and radios, magazines, books levelled down to a sort of paste pudding norm [...]. [...] Nineteenth-century man with his horses, dogs, carts, slow motion. Then, in the twentieth century, speed up your camera. Books cut shorter. Condensations, Digests. Tabloids. Everything boils down to the gag, the snap ending. [...] Classics cut to fit fifteen-minute radio shows, then cut again to fill a two-minute book column, winding up at last as a ten- or twelve-line dictionary resume. I exaggerate, of course. The dictionaries were for reference. But many were those whose sole knowledge of Hamlet [...] was a one-page digest in a book that claimed: "now at least you can read all the classics; keep up with your neighbors". Do you see? Out of the nursery into the college and back to the nursery; there's your intellectual pattern for the past five centuries or more. [...] Speed up the film, Montag, quick. Click? Pic, Look, Eye, Now, Flick, Here, There, Swift, Pace, Up, Down, In, Out, Why, How, Who, What, Where, Eh? Uh! Bang! Smack! Wallop, Bing, Bong, Boom! Digest-digests, digest-digest-digests. Politics? One column, two sentences, a headline! Then, in mid-air, all vanishes! Whirl man's mind around about so fast under the pumping hands of publishers, exploiters, broadcasters, that the centrifuge flings off all unnecessary, time-wasting thought! [...] School is shortened, discipline relaxed, philosophies, histories, languages dropped, English and spelling gradually neglected, finally almost completely ignored. Life is immediate, the job counts, pleasure lies all about after work. Why learn anything save pressing buttons, pulling switches, fitting nuts and bolts? [...] The zipper displaces the button and a man lacks just that much time to think while dressing at dawn, a philosophical hour, and thus a melancholy hour. [...] Life becomes one big pratfall, Montag; everything bang, boff, and wow!
Ray Bradbury (Fahrenheit 451)
PANOTII LOOKS PUT OUT ABOUT BEING LEFT BEHIND AND dogs my steps as I stow his tack under the deep overhang on the south side of the wizard’s hovel. There’s plenty of grass here, water at the lake, and it’s not that cold yet, despite the shift in seasons. If the rains start before we get back, the horses can take shelter under the overhang. I’m not worried about them wandering off. Not one of them has stepped outside of the large makeshift corral of God Bolt pits since we got here. “You can’t come with us,” I tell him. “It’ll be cold and slippery. And big monsters will want to eat you.” He tosses his head, snorting. “Really big monsters. There might be Dragons. And the Hydra. And I can’t vouch for the friendliness of the Ipotane toward regular horses.” I blow gently into his nose. Panotii chuffs back. “You’ll be safe here, and if anyone tries to steal you, Grandpa Zeus will throw down a thunderbolt. Boom! No more horse thief.” “Zeus may have better things to do than babysit our horses,” Flynn says, stowing his own equine gear next to mine. I glance northward toward the Gods’ mountain home and speak loudly. “In that case, I’m announcing right now that I’ll make an Olympian stink if anything happens to my horse.” Flynn looks nervous and moves away from me like he’s expecting a God Bolt to come thundering down. “She’s not kidding.” Sunlight glints off Griffin’s windblown hair. Thick black stubble darkens his jaw. He flashes me a smile that brings out the slight hook in his nose, and something tightens in my belly. I turn back to Panotii and scratch under his jaw. “You’re in charge here.” His enormous ears flick my way. “You keep the others in line.” Panotii nods. I swear to the Gods, my horse nods. Brown Horse raises his head and pins me with a gimlet stare. I roll my eyes. “Fine. You can help. You’re both in charge.” Apparently satisfied, Griffin’s horse goes back to grazing, shearing the grass around him with neat, organized efficiency. Griffin and Brown Horse were made for each other. Panotii shoves his nose into my shoulder, knocking me back a step. Taking a handful of his chestnut mane, I stretch up on my toes to whisper into one of his donkey ears. “Seriously, you’re in charge. I’ll bet you can even rhyme.” Carver and Kato chuckle as they walk past. Griffin bands his arms around my waist from behind, surprising me. “I heard that.
Amanda Bouchet (Breath of Fire (Kingmaker Chronicles, #2))
Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike-topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunchbacked makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed from kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries’ vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers; heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters’ sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etoliated lacquerers; mottled-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men’s wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of the Last Chrysanthemum, where a puddle from last night’s rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.
David Mitchell (The Thousand Autumns of Jacob de Zoet)
Pixie lay in a basket by the fire where a dozen brown and white puppies wriggled around her.  She had surprised us by getting pregnant very soon after moving back in with us, and the puppies were just under four-weeks-old now. We couldn’t have been more thrilled, and Bandit couldn’t have been a better dad.  He seemed to have endless patience as they climbed all over him, these wriggling furballs of energy.  Literally everything excited them.   Sully kneeled down beside me to pet the nearest pup, one with a big brown patch over one eye and a butt that never quit shaking.   “Have you got names for them yet?”  I pointed at the one in his hand while Bandit said.  “That’s Patch” “Because of his eye, obviously,” I filled in. Hearing the name, Patch suddenly squirmed out of his hands and bolted for Bandit, but his little paws couldn’t quite get purchase on the new floor and he skidded all the way to Bandit who he bumped into, coming to a sudden stop.  Shaking his head, he looked up at Bandit with intelligent eyes, then sat, waiting for further instructions.  Sully and I shared a look.   They were too young to know their names or much more than that, but it definitely seemed that Patch had known his name and was now waiting for Bandit to begin a game or something.  I pointed at a different puppy, one with a white shape on his rump.   “That one’s Star.” Bandit said. The minute the iPad said his name, Star’s head shot up, then he too bounded over to sit beside his brother.  Sully’s mouth fell open.  “No way…. They’re too young to behave like this.” Feeling a wave of excitement, I watched as Bandit finished calling his kids.   “Panda, Ace, Champ…” As he called their names, each puppy jumped to attention, coming to sit in a neat row in front of Bandit until all twelve of them were in a line in front of him.   I snapped a look at Bandit.  “Did you know about this? Did you know they were super smart too?”  He snorted out of his nose, laughing at our shock.  Sully and I looked at each other, the same startled expression in our eyes. “But…” was all Sully could say.  I at least managed two whole words before the full ramifications of an entire household of super smart dogs could hit me. “Oh boy.
Jo Ho (The Chase Ryder Series: Complete Series)
DRILL BOLT HOLES AND CUT OPENING IN DOOR Drill prescribed boltholes. Next drill starter holes just inside the corners of the cutout rectangle for the jig saw blade. If the door is metal, pound a dimple into the surface at each hole location with a nail, and then drill through with progressively larger bits until you can fit your saw blade through. Cut along the side and bottom cutout lines with a jig saw. Cut the top side last. Tape the cutout in the door as you go to support it and to keep it from splintering or tearing
David Griffin (Black & Decker 24 Weekend Projects for Pets: Dog Houses, Cat Trees, Rabbit Hutches & More: Dog Houses, Cat Trees, Rabbit Hutches and More)
Rip-cut blocking from 2 × 6 framing lumber to span the gap between the inner and outer skins of the door. Cut to length, glue and clamp the blocking in place around perimeter of the hole. Re-drill the bolt holes and proceed with the installation.
David Griffin (Black & Decker 24 Weekend Projects for Pets: Dog Houses, Cat Trees, Rabbit Hutches & More: Dog Houses, Cat Trees, Rabbit Hutches and More)
You do not see any improvements you would make?" Miss Harding's smile turned mischievous. "Not at present. But I should have to see the inside. That is where ladies really excel, you know, in curtains and cushions and such." "Indeed," David murmured, remembering how Maude had filled the London house with bolts and piles of fabrics and wallpapers and pillows the instant they arrived. Everything in the very latest style. And then he thought of Emma's cosy sitting room, all books and family portraits and dog beds.
Amanda McCabe (Running from Scandal (Bancrofts of Barton Park, 2))
Daddy?” “I’m right here, baby.” Lumps form in my throat, going all the way down into the core of me. It’s his voice. His. Right there. I reach toward the doorknob but I don’t get to turn it. Nick smashes at me with his head, pushing against my lower jaw and cheek, like a blow. His muzzle moves my head away from the door. He presses his face in between me and the wood. Fur gets in my mouth. I spit it out and push at him. “That’s my dad. My dad.” I slap the door. “He’s on the other side. The pixies will get him.” Nick shows me his teeth. “I can’t lose him again, Nick.” The wolf snarls like he’s ready to bite. My head jerks back and away, but then I steady myself. “Get . . . out . . . of . . . the . . . way.” Pushing against his thick neck, I slam my hands against him over and over again, pummeling him. He doesn’t budge. “Move!” I order. “Move.” “Zara, is there a wolf in there with you? Do not trust him,” my dad’s voice says, calmly, really calmly. I grab a fistful of fur and freeze. All at once it hits me that something is not right. My dad would never be calm if I was in my bedroom with a wolf. He’d be stressed and screaming, breaking the door down, kicking it in like he did once when I was really little and had accidentally locked myself in the bathroom and couldn’t get the lock out of the bolt because it was so old. He’d kicked that door down, splintering the wood, clutching me to him. He’d kissed my forehead over and over again. “I’d never let anything happen to you, princess,” he’d said. “You’re my baby.” My dad would be kicking the door in. My dad would be saving me. “Let me in,” he says. “Zara . . .” Letting go of Nick, I stagger backward. My hands fly up to my mouth, covering it. Nick stops snarling at me and wags his fluffy tail. How would my dad know that it is a wolf in here and not a dog? How would he know that it isn’t pixies? I shudder. Nick pounds next to me, pressing his side against my legs. I drop my hands and plunge my fingers into his fur, burying them there, looking for something. Maybe comfort. Maybe warmth. Maybe strength. Maybe all three.
Carrie Jones (Need (Need, #1))
I won’t be here this afternoon, Ollie. I’m going home to Oklahoma, to my mama and daddy.” She cocked her head, a quizzical expression on her face. “When are you coming back?” “I’m not. I mean, I’m not coming back to live here. I’ll come to visit, maybe. And you can come and visit me.” Her hand separated from mine. She stared at me, her mouth hanging open. “But we need you, Rebekah.” I shook my head. “No, you don’t. Your daddy will take care of you, I promise.” “You can’t go.” Tears dripped down her pale cheeks, her voice escalating into hysteria. “You can’t leave us!” Then I noticed the back door standing open, James and Dan gaping at their sister, confusion screwing up their faces. Frank stood behind them, Janie in his arms. I wanted to crawl in a hole. It wasn’t supposed to go like this. My lips trembled, looking for words to comfort them. To comfort me. James bolted through the hallway and wrapped his arms around Ollie, buried his head in her chest. I squatted down in front of them, determined to hold back my emotions but sensing them rising out of my control. The children weren’t supposed to care as much as I did. I laid my hand on the back of James’s head as if giving him a blessing. “Good-bye, little man. I’ll miss you.” “Me, too?” Dan bowled into me now, Janie toddling behind. “You, too, Dan.” I wrapped my arm around him, my nose near the scruffy skin of his neck. I breathed in the peculiar little-boy scent, like a wet dog in a closed room. Then I lifted Janie and kissed her nose before setting her back on the floor.
Anne Mateer (Wings of a Dream)
One evening Steve and I didn’t feel like cooking, and we had ordered a pizza. I noticed that I was a bit leaky, but when you are enormously pregnant, all kinds of weird things happen with your body. I didn’t pay any particular attention. The next day I called the hospital. “You should come right in,” the nurse told me over the phone. Steve was fairly nearby, on the Gold Coast south of Brisbane, filming bull sharks. I won’t bother him, I thought. I’ll just go in for a quick checkup. “If everything checks out okay,” I told them at the hospital, “I’ll just head back.” The nurse looked to see if I was serious. She laughed. “You’re not going anywhere,” she said. “You’re having a baby.” I called Steve. He came up from the Gold Coast as quickly as he could, after losing his car keys, not remembering where he parked, and forgetting which way home was in his excitement. When he arrived at the hospital, I saw that he had brought the whole camera crew with him. John was just as flustered as anyone but suggested we film the event. “It’s okay with me,” Steve said. I was in no mood to argue. I didn’t care if a spaceship landed on the hospital. Each contraction took every bit of my attention. When they finally wheeled me into the delivery room at about eight o’clock that night, I was so tired I didn’t know how I could go on. Steve proved to be a great coach. He encouraged me as though it were a footy game. “You can do it, babe,” he yelled. “Come on, push!” At 9:46 p.m., a little head appeared. Steve was beside himself with excitement. I was in a fog, but I clearly remember the joy on his face. He helped turn and lift the baby out. I heard both Steve and doctor announce simultaneously, “It’s a girl.” Six pounds and two ounces of little baby girl. She was early but she was fine. All pink and perfect. Steve cut the umbilical cord and cradled her, gazing down at his newborn daughter. “Look, she’s our little Bindi.” She was named after a crocodile at the zoo, and it also fit that the word “bindi” was Aboriginal for “young girl.” Here was our own young girl, our little Bindi. I smiled up at Steve. “Bindi Sue,” I said, after his beloved dog, Sui. Steve gently handed her to me. We both looked down at her in utter amazement. He suddenly scooped her up in the towels and blankets and bolted off. “I’ve got a baby girl!” he yelled, as he headed down the hall. The doctor and midwives were still attending to me. After a while, one of the midwives said nervously, “So, is he coming back?” I just laughed. I knew what Steve was doing. He was showing off his beautiful baby girl to the whole maternity ward, even though each and every new parent had their own bundle of joy. Steve was such a proud parent. He came back and laid Bindi beside me. I said, “I couldn’t have done it if you hadn’t been here.” “Yes, you could have.” “No, I really needed you here.” Once again, I had that overwhelming feeling that as long as we were together, everything would be safe and wonderful. I watched Bindi as she stared intently at her daddy with dark, piercing eyes. He gazed back at her and smiled, tears rolling down his cheeks, with such great love for his new daughter. The world had a brand-new wildlife warrior.
Terri Irwin (Steve & Me)
At 9:46 p.m., a little head appeared. Steve was beside himself with excitement. I was in a fog, but I clearly remember the joy on his face. He helped turn and lift the baby out. I heard both Steve and doctor announce simultaneously, “It’s a girl.” Six pounds and two ounces of little baby girl. She was early but she was fine. All pink and perfect. Steve cut the umbilical cord and cradled her, gazing down at his newborn daughter. “Look, she’s our little Bindi.” She was named after a crocodile at the zoo, and it also fit that the word “bindi” was Aboriginal for “young girl.” Here was our own young girl, our little Bindi. I smiled up at Steve. “Bindi Sue,” I said, after his beloved dog, Sui. Steve gently handed her to me. We both looked down at her in utter amazement. He suddenly scooped her up in the towels and blankets and bolted off. “I’ve got a baby girl!” he yelled, as he headed down the hall. The doctor and midwives were still attending to me. After a while, one of the midwives said nervously, “So, is he coming back?” I just laughed. I knew what Steve was doing. He was showing off his beautiful baby girl to the whole maternity ward, even though each and every new parent had their own bundle of joy. Steve was such a proud parent.
Terri Irwin (Steve & Me)
The sound of pounding started again. “He’s not going to just go away,” Millie yelled. “Besides, we still have his dog.” “Oh, very well, I’ll deal with him,” Harriet said, struggling to her feet and heading out of the kitchen. She stalked down the short hallway, reached the door, pushed aside the bolt that secured it, twisted the lock, and then wrenched it open, her temper steadily rising when she looked at Oliver and found him smiling back at her, although his eyes held a distinct trace of temper. “What?” “Is that any way to greet your fiancé?” “You’re not my fiancé, you’ve only ever been my pretend fiancé, or maybe temporary fiancé would be a better way to put it. But since I’ve decided I can’t be trusted not to harm you if I have to spend any additional time in your company, you need to go away and leave me alone.” “Don’t you think you’re being a little overly dramatic? I mean—” Not allowing the annoying man to finish his sentence, Harriet shut the door in his face, locked it, brushed her hands together, turned, and pretended not to hear his demands for her to open up as she headed back toward the kitchen.
Jen Turano (After a Fashion (A Class of Their Own #1))
When utilizing the Intensity Trail as the initial starting exercise, have your trail layer tease the dog with the reward and verbally entice him to follow. If you are employing a food reward make sure the trail layer allows the dog to smell it so he knows what delicious tidbits are at the end of the trail. The trail layer then quickly runs away while still verbally teasing the dog. The scent article should be introduced or utilized during this exercise, so have your trail layer take an article of clothing (a hat or shirt) and drop it in front of the dog as they leave. Retired Instructor Paul Rice faces his dog the wrong direction The dog handler also needs to verbally entice the dog while making sure the trail layer quickly disappears from sight. This disappearing act is accomplished by using anything that blocks the dog’s vision, such as the corner of a building, a vehicle, etc. Do not allow the dog to watch the trail layer run for a long time, because it will learn to sight hunt rather than use its nose. Instructor/VA Deputy Sheriff Mike Szelc working an Intensity Trail Also, you do not want to inadvertently teach the dog that the trail will always be in front of them. To avoid making that mistake, the handler should always turn the dog so that it is facing a different or wrong direction. The dog will obviously try to swing around towards the correct direction, before and during the presentation of the scent article. The act of making the dog turn after the scent article is presented (instead of allowing him to bolt straight ahead) will avoid creating that weakness in the dog. Shortly after the trail layer has run away, present the scent article by bringing it up to the dog’s nose or pointing to it while saying, “find um.” Then quickly give your starting command such as “get um” and allow the dog to start.
Kevin Kocher (How to Train a Police Bloodhound and Scent Discriminating Patrol Dog)
My mother came over to give the new dog a good sniff. Daisy held still and then did the same back. She wasn’t shy with Rocky or me, either. When we came over, Daisy stuck her nose down to be sniffed, and even flopped down so we could wrestle with her. I liked Daisy, I decided. Wrestling was even more fun than chasing. But when Jennifer came outside with bowls of food and water, Daisy waited until Jennifer was far away before she bolted over to the food and devoured it in three gulps.
W. Bruce Cameron (Molly's Story)
I don’t know much about movies. Haven’t seen too many. And I don’t know anything about movie stars.” “Retired,” she said. “I’m sanding, varnishing, hauling trash and training my bird dog. I’m going to pick up another one pretty soon now—I picked the bitch and sire a while ago and she whelped, so as soon as they’ll let him go… And I don’t cook much, don’t bake at all, but as it happens I have sugar for my coffee. In case you want to borrow a cup for that cake you’re baking me.” “My thirty-year-old daughter has a man in her life—a good man—and they’re at the house every weekend,” he found himself explaining. “I have reasons to stay out of the house a lot. How much sugar do you keep on hand?” She grinned at him. “Plenty.” “I might need some as early as tomorrow evening,” he said. “That good man my daughter has is here for the weekend.” “Is that so?” Then Muriel turned her mount, facing the other way and said, “Luce!” She gave two short whistles. The Lab bolted back where she’d come from. Muriel looked over her shoulder and said, “Bring a decent bottle of red wine then,” she said. She put her horse into an easy canter and followed her dog. Walt sat there for a long time, till she was out of sight. “Damn,” he said aloud. *
Robyn Carr (Second Chance Pass)
My Daddy and My Car By Marilyn Akers, Georgia Grits At fifteen, I came home from school one afternoon to find a faded red car with a white hardtop and a damaged front fender parked in the driveway. Since my daddy often worked on cars, both for himself and others, I noticed it only in passing. That is until my daddy explained that it was a 1971 Mercury Comet…and it was mine! Trouble was, it had a blown engine, and it was my job to overhaul it. So after school and on weekends I washed car parts, rode to the junk yard for replacement parts (and foot-long hot dogs from the Dairy Queen), handed my dad all sorts of tools, fixed coffee with cream and sugar, and occasionally got to do a “real” job under the hood. I remember being so excited when he asked me to get on the creeper and roll under the car (the children were never allowed under the car!) to tighten a fender bolt. Another day, I helped him connect the spark-plug wires to the distributor cap. I asked him why this particular job was so important for him to show me. He replied, “So if you’re ever out with a boy and the car breaks down, you’ll know what to look for.” He meant intentional removal of the wires, and it didn’t occur to me until many years later to ask if that advice was from personal experience! When the engine work was done, we took it to Earl Scheib for one of his infamous $99 paint jobs. I was so proud of that car and the work done side by side with my dad. We sold it less than a year later, after I stuck my foot through a rusted hole in the floorboard. I lost my dad in 2001 following a sixteen-year battle with Alzheimer’s Disease. But the bond formed between a teenage daughter and her father, and the lessons I learned from him, will be with me for a lifetime.
Deborah Ford (Grits (Girls Raised in the South) Guide to Life)
In quick succession came the sweeping of chimneys, the clearing of pantries, and the shrouding of furniture. It was just as if the family were returning to St. Petersburg for the season, except that the dogs were released from their kennels, the horses from their stables, and the servants from their duties. Then, having filled a single wagon with some of the finest of the Rostovs’ furniture, the Count bolted the doors and set out for Moscow.
Amor Towles (A Gentleman in Moscow)
Let’s get this over with,” Walt blustered to Noah. “They’re setting up some mighty fine-looking food back at the house and those Riordans are circling like starving dogs. I’d like to get back there while they’re still sober enough to make the toasts.” Noah looked at his watch yet again. “Let’s give Ellie another minute—she’s helping with the music tonight. Tomorrow is a no-brainer, she can just start the CD and—” “You sure she’s coming, Noah?” Walt asked. “I saw her wrangling a couple of big suitcases down the stairs…” “You saw her what?” “When we were driving into town, past the Fitch house. She was on the stairs with a big suitcase—one still on top, one already sitting behind her car. I thought maybe she was…” “Oh, God, no,” Noah said. “George, handle this for a few minutes. Lucy, stay!” And then he bolted out the side door and ran down the street like the seat of his pants was on fire. Or like he might be losing the love of his life. When
Robyn Carr (Forbidden Falls)
I saw the sun’s bolt arc an unerring path to the man’s forehead. As it struck, the crows converged like night drawing breath. Dog
Steven Erikson (Deadhouse Gates (Malazan Book of the Fallen, #2))
Proximity We joined the dots from A to B, the line we drew from you to me, traced empty shores across the sea, over mountain top, past forest tree, along the roads and walking tracks, all bridges burned, no looking back, for the love we have, no gate can stop, no barking dog or bolted lock, for what is real is meant to be, when two hearts beat— in proximity.
Michael Faudet (Bitter Sweet Love)
When I saw Melite, I blanched: her husband was watching her. I said, trembling: 'May I push back the bolt on your double door to loosen the bolt-pin so that I can insert the tip of my key in the parting middle and penetrate your door's wet foundation?' With a side glance at her husband, she said, laughing, 'Keep clear of my door or the dog may get you.
Eratosthenes Scholasticus
You think I'm a loser!" Dagou yells. "Am I a loser for keeping us alive when all the decent places are moving to the strip? I keep your business going. You pay me almost nothing. My salary is a joke. I want an equal share of the profits." "Big man," sneers Leo. Ming knows Dagou will turn to Winnie a second before he does it. He always runs to their mother. "He grown up now," Winnie says. "Let him have his share." "You stay out of this! You gave up the business when you left it for this menstruation hut!" The table erupts. "Lay off it." "Don't talk to her like that!" "This is a Spiritual House." Leo pushes back his chair. Standing, he has the look of a beast on its hind legs: hairy, primitive, his long arms hanging almost to his knees. It isn't just the dark, unshaven hair sprouting in patches on his cheeks. There is something hungry yet remote in his close-set eyes. Everyone can see it. Some of them shrink back and turn away. Ming knows this eerie quality well. It has been there in his father for as long as he can remember. Long ago, he learned to escape its worst, to allow other members of the family to confront it. Now he climbs up into a place of refuge in his mind. A kind of hunting blind, where he can watch and wait. From above, Ming watches his brother. Dagou has the blank expression of someone who is only just becoming aware of what he's done. "'Don't talk to her like that,'" their father jeers. "Mama's boy! And you..." He grins wickedly at Winnie. Despite her vow of tranquility, she appears ready to bolt from her chair. The nuns seated on either side hold on to her arms. "You think he's still your diaper-filling lamb. You haven no idea what a dog he is. Ask him why he needs money now. Ask him. Ask him." Dagou looks around the table. "It's true I've fallen in love," he announces. "My whole life is changing." He pauses importantly. People stare at their plates. "Christ," says their father. "All this fuss over a decent fuck." The nuns gasp. Now Dagou's chair creaks, and he also rises to his feet. He is enormous and he swells with rage. His shoulders tense. He points at his father and his finger is shaking. It could be that he has decided, once and for all, to take down Big Chao. As the Sons of Liberty rose against King George. As the sons turned on Chronos, as he himself turned upon Uranus. So it will be in the family Chao.
Lan Samantha Chang (The Family Chao)
There was a man in Florence, a friar, Fra Savonarola, he induced all the people to think beauty was a sin. Some people think he was a magician and they fell under his spell for a season, they made fires in the streets and they threw in everything they liked, everything they had made or worked to buy, bolts of silk, and linen their mothers had embroidered for their marriage beds, books of poems written in the poet's hand, bonds and wills, rent-rolls, title deeds, dogs and cats, the shirts from their backs, the rings from their fingers, women their veils, and do you know what was worst, Johane – they threw in their mirrors. So then they couldn't see their faces and know how they were different from the beasts in the field and the creatures screaming on the pyre. And when they had melted their mirrors they went home to their empty houses, and lay on the floor because they had burned their beds, and when they got up next day they were aching from the hard floor and there was no table for their breakfast because they'd used the table to feed the bonfire, and no stool to sit on because they'd chopped it into splinters, and there was no bread to eat because the bakers had thrown into the flames the basins and the yeast and the flour and the scales. And you know the worst of it? They were sober. Last night they took their wine-skins …’ He turns his arm, in a mime of a man lobbing something into a fire. ‘So they were sober and their heads were clear, but they looked around and they had nothing to eat, nothing to drink and nothing to sit on.’ ‘But that wasn't the worst. You said the mirrors were the worst. Not to be able to look at yourself.’ ‘Yes. Well, so I think. I hope I can always look myself in the face. And you, Johane, you should always have a fine glass to see yourself. As you're a woman worth looking at.’ You
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
Every door had several large, heavy-duty dead bolts on both the inside and outside. All of the windows were bolted, and at each end of the farmhouse, large metal chains attached to huge steel rings were embedded securely into the wall. The previous owners had apparently chained very large guard dogs on both ends of the house. And they had barred the windows and put dead bolts on both sides of each door. What on earth were they afraid of? Tom wondered.
Colm A. Kelleher (Hunt for the Skinwalker: Science Confronts the Unexplained at a Remote Ranch in Utah)
Kristen never came home last night. Fuck, I shouldn’t have let her run off. I was just so shocked. It felt like she’d handed me a bomb and it detonated in my face, pelting me with emotional shrapnel. My ears had literally started to ring after what she’d said, and she’d bolted and jumped into the car of some girl she’d met during trivia, and she was gone in an instant. It happened so fast. I’d stayed up, waiting for her in her living room. Calling her cell phone, sending her text messages, begging her to come home and talk to me. She sent me a text around midnight saying only that she was okay, she wasn’t coming back, and to please walk the dog. Everything was finally clear. It all made sense. It was so obvious to me now I wondered how I couldn’t have known. The severe cramps, the spotting. Her history of anemia. The long periods. The walls she put between us. And all the fucked-up things I’ve said to her. That I wouldn’t adopt. That I wanted a huge family. That I’d left Celeste because she didn’t want children. Karaoke night suddenly looked totally different to me, the weeks after it where she’d gone cold—I’d told her that if Tyler didn’t want kids, she shouldn’t be with him. That the kid thing was too important. I’d actually told her that shit. I’d been talking Kristen out of dating me almost daily since the day I met her. Fuck, if only I’d known. I’d had all night to think about what it meant, and it didn’t change anything. I loved her. I couldn’t not be with her. That’s what it kept coming back to. I couldn’t walk away from her—I wasn’t even capable of it. The situation was fucked up and star-crossed, and I didn’t give a shit. She was the woman I loved, so we’d just have to deal with it.
Abby Jimenez (The Friend Zone (The Friend Zone, #1))
LITTLE LOST PUP He was lost! — Not a shade of doubt of that; For he never barked at a slinking cat. But stood in the square where the wind blew raw, With a drooping ear, and a trembling paw, And a mournful look in his pleading eye. And a plaintive sniff at the passer-by That begged as plain as a tongue could sue, " Oh, Mister, please may I follow you?" A lorn, wee waif of a tawny brown Adrift in the roar of a heedless town. Oh, the saddest of sights in a world of sin Is a little lost pup with his tail tucked inl Well, he won my heart (for I set great store On my own red Bute, who is here no more) So I whistled clear, and he trotted up. And who so glad as that small lost pup? Now he shares my board, and he owns my bed, And he fairly shouts when he hears my tread. Then if things go wrong, as they sometimes do. And the world is cold, and I'm feeling blue. He asserts his right to assuage my woes With a warm, red tongue and a nice, cold nose, And a silky head on my arm or knee, And a paw as soft as a paw can be. When we rove the woods for a league about He's as full of pranks as a school let out; For he romps and frisks like a three-months colt. And he runs me down like a thunder-bolt. Oh, the blithest of sights in the world so fair Is a gay little pup with his tail in air! - Anonymous
Robert Frothingham (Songs of Dogs, an Anthology Selected and Arranged by Robert Frothingham. (1920) [Leather Bound])
If you spot anything out of the ordinary, something that seems wrong, I urge you to contact the sheriff’s department. Anything that could relate to the missing victims. Discarded items of clothing. Shoes, purses . . .” Brittany took a step back and snapped her fingers. “Shiner. Drop it.” The dog let the cloth fall to the porch. Brittany swallowed and clutched Tanner tight. “Shiner. Inside.” The dog ran into the kitchen. Brittany followed, bolted the door, and found her phone. In the background, the FBI agent’s voice cut the air. With shaky fingers, Brittany called 911. “I need the police. My dog just brought home half a shirt. And it’s covered in blood.
Meg Gardiner (Into the Black Nowhere (UNSUB #2))
We stayed then until darkness was complete. The snow leopard dozed, immune to all threats. Other animals seemed like wretched, fearful creatures. A horse bolts at the slightest movement, a cat at the slightest sound, a dog detects an unfamiliar smell and jumps to its feet, an insect takes shelter, a herbivore dreads hearing something move behind it, even the human animal instinctively checks the corners when entering a room. Paranoia is an occupational hazard of living. But the leopard was confident of its absolutism. It dozed, utterly abandoned, since it was untouchable
Sylvain Tesson (The Art of Patience: Seeking the Snow Leopard in Tibet)
Larry's dog's named Earl P. Jessup Bowers, if you can get ready for that. And I should mention straightaway that I do not like dogs one bit, which is why I was glad when Larry said somebody had to go. Cats are bad enough. Horses are a total drag. By the age of nine I was fed up with all that noble horse this and noble horse that. They got good PR, horses. But I really can't use em. Was a fire once when I was little and some dumb horse almost burnt my daddy up messin around, twisting, snorting, broncing, rearing up, doing everything but comin on out the barn like even the chickens had sense enough to do. I told my daddy to let that horse's ass burn. Horses be as dumb as cows. Cows just don't have good press agents is all. I used to like cows when I was real little and needed to hug me something bigger than a goldfish. But don't let it rain, the dumbbells'll fall right in a ditch and you break a plow and shout yourself hoarse trying to get them fools to come up out the ditch. Chipmunks I don't mind when I'm at the breakfast counter with my tea and they're on their side of the glass doing Disney things in the yard. Blue jays are law-and-order birds, thoroughly despicable. And there's one prize fool in my Aunt Merriam's yard I will one day surely kill. He tries to "whip whip whippoorwill" like the Indians do in the Fort This or That movies when they're signaling to each other closing in on George Montgomery but don't never get around to wiping that sucker out. But dogs are one of my favorite hatreds. All the time woofing, bolting down their food, slopping water on the newly waxed linoleum, messin with you when you trying to read, chewin on the slippers.
Toni Cade Bambara
Another day and another passed of rough seas and lowering skies; of rolling and pitching, cold winds, and cold damp eating into bones softened by tropic warmth; of a treadmill of watches in a wheelhouse dank and gloomy by day and danker and gloomier by night; of sullen silent sailors and pale dog-tired officers, of meals in the wardroom eaten in silence, with the captain at the head of the table ceaselessly rolling the balls in his fingers and saying nothing except an infrequent grumpy sentence about the progress of the work requests. Willie lost track of time. He stumbled from the bridge to his coding, from coding to correcting publications, from corrections back up to the bridge, from the bridge to the table for an unappetizing bolted meal, from the table to the clipping shack for sleep which never went uninterrupted for more than a couple of hours. The world became narrowed to a wobbling iron shell on a waste of foamy gray, and the business of the world was staring out at empty water or making red-ink insertions in the devil’s own endless library of mildewed unintelligible volumes.
Herman Wouk (The Caine Mutiny)
Sir.” Chance extended a hand, which Kit shook. “Just stopping by.” “We crossed paths at the library,” I said quickly. “Chance is interested in a book Shelton mentioned, so he hitched a ride out here. His driver is coming to get him, but it might take a while. Okay if he waits at our place?” “His driver. Right.” Kit chuckled. “Not a problem. I’ll have my butler take care of you.” Chance feigned a laugh at my father’s lame joke. Please, please go inside. Kit refocused on me. “I came over to tell you—you’ll need to feed yourself tonight. I’ve got a pile of work to do and Whitney’s at her bridge club.” “Okay.” My curiosity got the better of me. “Something wrong?” “Too many morons in the world.” Kit’s lips curled into a frown. “Some day-tripping yahoos visited Loggerhead Island this morning and stirred up trouble. Smashed things, made a mess. Now I have to write a dozen incident reports for the environmental commission. As if I don’t have enough to do.” Shelton’s eyes narrowed. “Smashed things?” Kit nodded tiredly. “They took out the wolf-pack feeders. Painted hooky symbols on a few trees, which got the monkeys all riled. H-troop bolted their territory in the northern woods and won’t go back. You wouldn’t believe the howling.” Kit yawned, apparently missing the electric tension that had infused our group. “What hooky symbols?” I asked, as casually as possible. “Triangles.” Kit snorted in disbelief. “Big black-and-white triangles all over the place, and a red-eyed dog face on one of the feeders. Like these bozos were taunting Whisper’s pack. People can be such idiots.” My eyes flicked to Chance. Then Ben. No one needed to say it. The Trinity. On Loggerhead.
Kathy Reichs (Terminal: A Virals Novel)
This is all common knowledge but, as I very much doubt, the public at large are aware of what is the real and proper function of the Terrier, I shall make an attempt to give a picture of it. From the earliest times the Terrier was used to bolt Foxes, work to Badger and Otter and to kill vermin generally, and it was not until the latter half of the last century that the Show Bench came into being and artificial interest in the dog.…” (emphasis added). Sparrow’s lament is as true today as it was over 100 years ago; many terrier owners have no idea why their terriers behave as they do or the amount of work it can take to live with the typical terrier. The average dog owner has lost touch with the fact that, regardless of the lifestyles we now provide for them, our dogs are still, first and foremost, dogs.
Dawn Antoniak-Mitchell (Terrier-Centric Dog Training: From Tenacious to Tremendous (Dogwise Training Manual))
AMELIE AND HENRY didn’t come by the gym the next day. On Saturday, I thought I saw them once, beyond the wall of windows along the front of the gym, but when I looked again they were gone. I shrugged, deciding Henry must not have been as excited by the idea as Amelie thought he would be. A few minutes later I looked up to see them hovering near the speed bags, Amelie holding firmly to Henry’s arm, Henry looking as if he was about to bolt like a runaway seeing-eye dog and drag his poor sister with him. They were garnering some strange looks—Henry with his crazy bedhead, his darting glances, and jittery hands and Amelie because she stood so still with her eyes fixed straight ahead.
Amy Harmon (The Song of David (The Law of Moses, #2))
But sometimes unexpected things happen that can rouse an old memory, something seminal, a past event so momentous and strong that, like a rare old book, it dare not be touched too often for fear of tearing its brittle pages. Shelved and dusty, only its resonance remains, until something special comes along to yank it down from its ledge, open it to the proper page, and wrest the reader back to that exact moment in time, to the experience that, like a bolt of lightning, singed the reader’s heart forever. For
Steve Duno (Last Dog on the Hill: The Extraordinary Life of Lou)
The first time I noticed Francesca in the Rialto, I thought she was alone. Then the crowd shifted and I saw her massive Mother Superior standing at the stall of a spice merchant, picking through a sack of peppercorns, her nose twitching like a rabbit's, her face set and ready to do battle over the price. Francesca waited nearby, swinging her market basket and smiling at passersby. That smile snagged me, held me, and wouldn't let me go. She had all her teeth and they were white, so white, and her face was clean and sunstruck. A dog, small and wiry, sniffed the hem of her robe, and she knelt down to pet it. I heard her cooing and the dog nuzzled into her arms. She glanced around to be sure Mother Superior wasn't watching, then quickly took a sausage from her basket and fed it to the dog. He bolted it down greedily and then looked up at her with naked adoration. She laughed, and her laughter made me think of a field of wildflowers. Francesca pulled a square of lace from her sleeve to wipe the sausage grease from her fingers, and I had the fleeting thought that I'd never before seen a nun with such a fine lace handkerchief. But that thought vanished with the sight of Mother Superior rising up behind her. The older nun stood over her, shouting. "Don't you know better than to touch a stray animal? I swear, you're hopeless, girl. Hopeless." The light went out of Francesca's face. She moved off behind the older woman but looked back at the little dog and rolled her eyes. She waved good-bye and her fingers moved like butterflies.
Elle Newmark (The Book of Unholy Mischief)
I guess falling in love with mermaids is pretty dangerous," he finally said. "Did you?" Ariel asked in a small voice. "Fall for me? At all?" Eric gave her a measured look, treating the question seriously as she had his. "I did fall for you, just not in the way I expected it would happen. And maybe not in the way you hoped. It wasn't a lightning bolt. As I got to know you, I realized you were the most... energetic, fun, enthusiastic... alive girl I had ever met." He smiled at the memory- and Ariel felt her breath catch. "You know, for a boy who's all about sailing and running around with his dog and exploring, you were just about as perfect a companion as he could ever want. And beautiful, to boot. I would have been very lucky." He said this wistfully. Ariel wasn't sure when she was going to start breathing again.
Liz Braswell (Part of Your World)
The God of War should not be shoving a shopping cart piled with all my earthly belongings through a heat wave in New York City. Yet here I was, doing exactly that. Fuck me, I’d come to a low estate, and I was bitter about it. I growled to myself and aimed a much-diminished bolt of power at a man standing at a hot dog cart, and I felt a stab of gratification when he began yelling at the vendor over some imagined missing ingredient. It was cheap, but it was what I had anymore.
Jon Del Arroz (Mars: Planetary Anthology)