Sellouts Quotes

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Silence can be either protest or consent, but most times it’s fear.
Paul Beatty (The Sellout)
That’s the problem with history, we like to think it’s a book—that we can turn the page and move the fuck on. But history isn’t the paper it’s printed on. It’s memory, and memory is time, emotions, and song. History is the things that stay with you.
Paul Beatty (The Sellout)
...you have to ask yourself two questions: Who am I? And how may I become myself?
Paul Beatty (The Sellout)
It’s illegal to yell ‘Fire!’ in a crowded theater, right?” “It is.” “Well, I’ve whispered ‘Racism’ in a post-racial world.
Paul Beatty (The Sellout)
Because the chief commodity a writer has to sell is his courage. And if he has none, he is more than a coward. He is a sellout and a fink and a heretic, because writing is a holy chore.
Harlan Ellison (Dangerous Visions)
My father had a theory that poor people are the best drivers because they can’t afford to carry car insurance and have to drive like they live, defensively.
Paul Beatty (The Sellout)
Foy was no Tree of Knowledge, at most he was a Bush of Opinion
Paul Beatty (The Sellout)
If New York is the City That Never Sleeps, then Los Angeles is the City That’s Always Passed Out on the Couch.
Paul Beatty (The Sellout)
If Disneyland was indeed the Happiest Place on Earth, you'd either keep it a secret or the price of admission would be free and not equivalent to the yearly per capita income of a small sub-Saharan African nation like Detroit.
Paul Beatty (The Sellout)
Unmitigated Blackness is coming to the realization that as fucked up and meaningless as it all is, sometimes it’s the nihilism that makes life worth living.
Paul Beatty (The Sellout)
I'm so fucking tired of black women always being described by their skin tones! Honey-colored this! Dark-chocolate that! My paternal grandmother was mocha-tinged, café-au-lait, graham-fucking-cracker brown! How come they never describe the white characters in relation to foodstuffs and hot liquids? Why aren't there any yogurt-colored, egg-shell-toned, string-cheese-skinned, low-fat-milk white protagonists in these racist, no-third-act-having books? That's why black literature sucks!
Paul Beatty (The Sellout)
People eat the shit you shovel them.
Paul Beatty (The Sellout)
If he was indeed an “autodidact,” there’s no doubt he had the world’s shittiest teacher.
Paul Beatty (The Sellout)
I think everyone has one day like this, and some people have more than one. It's the day of the accident, the midlife crisis, the breakdown, the meltdown, the walkout, the sellout, the giving up, giving away, or giving in. The day you stop drinking, or the day you start. The day you know things will never be the same again.
Heather Sellers (You Don't Look Like Anyone I Know: A True Story of Family, Face Blindness, and Forgiveness)
There is a tendency on the left, to think if someone in any way disagrees with the left it must be for the lowest possible reason and if you found the lowest possible motive you have found the right one. Theres this whole culture of no one would leave us or quarrel with us if they weren't a sellout. It is actually a very sick mentality and very widespread.
Christopher Hitchens
Where are you supposed to go when you no longer feel welcome in the places you turned to because you didn't feel welcome anywhere else?
Laura Jane Grace (Tranny: Confessions of Punk Rock's Most Infamous Anarchist Sellout)
one’s self-worth comes from how one chooses to navigate that space.
Paul Beatty (The Sellout)
The real question is not where do ideas come from but where do they go.
Paul Beatty (The Sellout)
Act your age, not your shoe size … Factio vestri aevum, non vestri calceus amplitudo.
Paul Beatty (The Sellout)
Tu dormis, tu perdis … You snooze, you lose.
Paul Beatty (The Sellout)
I understand now that the only time black people don't feel guilty is when we've actually done something wrong, because that relieves us of the cognitive dissonance of being black and innocent, and in a way the prospect of going to jail becomes a relief.
Paul Beatty (The Sellout)
We wanted to be huge, but knew deep down we never would be. That's the punk mentality, always shooting yourself in the foot before even taking the first step.
Laura Jane Grace (Tranny: Confessions of Punk Rock's Most Infamous Anarchist Sellout)
Dumbfounded, I stood before the court, trying to figure out if there was a state of being between “guilty” and “innocent.” Why were those my only alternatives? I thought. Why couldn’t I be “neither” or “both”? After a long pause, I finally faced the bench and said, “Your Honor, I plead human.
Paul Beatty (The Sellout)
The wretched of the Earth, he calls us. People too poor to afford cable and too stupid to know that they aren’t missing anything.
Paul Beatty (The Sellout)
Like Nazis at a Ku Klux Klan rally, they were comfortable ideologically, but not in terms of corporate culture.
Paul Beatty (The Sellout)
Police are killing black men. Mona Scott-Young is killing black women.
Darnell Lamont Walker
I don’t care if you’re black, white, brown, yellow, red, green, or purple.’ We’ve all said it. Posited as proof of our nonprejudicial ways, but if you painted any one of us purple or green, we’d be mad as hell.
Paul Beatty (The Sellout)
The face that feigns acknowledgment that the better man got the promotion, even though deep down you and they both know that you really are the better man and that the best man is the woman on the second floor.
Paul Beatty (The Sellout)
I'm a woman; in so many ways I've been programmed to please. I took the job and spent time hunkered over figures, budgets, charts, and fiscal-year projections. I tried, but I hated it. "Working at a job you don't like is the same as going to prison every day," my father used to say. He was right. I felt imprisoned by an impressive title, travel, perks, and a good salary. On the inside, I was miserable and lonely, and I felt as if I was losing myself. I spent weekends working on reports no one read, and I gave presentations that I didn't care about. It made me feel like a sellout and, worse, a fraud. Now set free, like any inmate I had to figure out what to do with the rest of my life.
Kathleen Flinn (The Sharper Your Knife, the Less You Cry: Love, Laughter, and Tears at the World's Most Famous Cooking School)
Your daddy doesn't know his assonance from his elegy! And he calls himself a poet.
Paul Beatty (The Sellout)
I sit in a thickly padded char that, much like this country, isn't quite as comfortable as it looks.
Paul Beatty (The Sellout)
And although like most black males raised in Los Angeles, I’m bilingual only to the extent that I can sexually harass women of all ethnicities in their native languages, I understood the gist of the message.
Paul Beatty (The Sellout)
Weary and stuffed from being force-fed the falsehood that when one of your kind makes it, it means that you’ve all made it.
Paul Beatty (The Sellout)
And if you think about it, pretty much everything that made the twentieth century bearable was invented in a California garage: the Apple computer, the Boogie Board, and gangster rap.
Paul Beatty (The Sellout)
She sometimes wondered what her twenty-two-year-old self would think of today's Emma Mayhew. Would she consider her self-centered? Compromised? A bourgeois sell-out, with her appetite for home ownership and foreign travel, clothes from Paris and expensive haircuts? Would she find her conventional, with her new surname and hopes for a family life? Maybe, but then the twenty-two-year-old Emma Morley wasn't such a paragon either: pretentious, petulant, lazy, speechifying, judgmental. Self-pitying, self-righteous, self-important, all of the selfs except self-confident, the quality that she always needed most.
David Nicholls
That's the difference between most oppressed peoples of the world and American blacks. They vow never to forget, and we want everything expunged from our record, sealed and filed away for eternity.
Paul Beatty (The Sellout)
You guys want to get a brostitute?" "Prostidudes!" I laughed at them along with everyone else, the whole time knowing the truth about myself, that I wished I were so brave. Not knowing who you are is a terrible feeling. I've been called a "sellout" many times in life for the choices I've made in my musical career. But this experience, that moment--that's what it feels like to truly sell out.
Laura Jane Grace (Tranny: Confessions of Punk Rock's Most Infamous Anarchist Sellout)
There were times when I thought I had to take sides. One side of me wanted me to stay bitter because it felt like I was a sellout. That side of me kept me busy day in and out. When it came to that side of me, it made me a prisoner. It drew a thick line between war and peace. Nevertheless, that side made me so bitter and angry all the time. I never had peace...and sadly, I never smiled. I gave people power over me because I was always angry.” ~Love is respect ♥~
Charlena E. Jackson (In Love With Blindfolds On)
I watched Joan tuck my daughter back into bed and hoped that one day Evelyn would remember this moment of a stoned Joan Jett putting her to sleep and asking, “Are you going to dream of doggies and kitties?
Laura Jane Grace (Tranny: Confessions of Punk Rock's Most Infamous Anarchist Sellout)
The meetings consisted mostly of the members who showed up every other week arguing with the ones who came every other month about what exactly “bimonthly” means.
Paul Beatty (The Sellout)
The path of social advancement is, and must be, strewn with broken friendships.
H.G. Wells
Dumbfounded, I stood before the court, trying to figure out if there was a state of being between “guilty” and “innocent.” Why were those my only alternatives? I thought. Why couldn’t I be “neither” or “both”?
Paul Beatty (The Sellout)
This may be hard to believe, coming from a black man, but I’ve never stolen anything. Never cheated on my taxes or at cards. Never snuck into the movies or failed to give back the extra change to a drugstore cashier indifferent to the ways of mercantilism and minimum-wage expectations. I’ve never burgled a house. Held up a liquor store. Never boarded a crowded bus or subway car, sat in a seat reserved for the elderly, pulled out my gigantic penis and masturbated to satisfaction with a perverted, yet somehow crestfallen, look on my face. But here I am, in the cavernous chambers of the Supreme Court of the United States of America, my car illegally and somewhat ironically parked on Constitution Avenue, my hands cuffed and crossed behind my back, my right to remain silent long since waived and said goodbye to as I sit in a thickly padded chair that, much like this country, isn’t quite as comfortable as it looks.
Paul Beatty (The Sellout)
Daddy never believed in closure. He said it was a false psychological concept. Something invented by therapists to assuage white Western guilt. In all his years of study and practice, he’d never heard a patient of color talk of needing “closure.” They needed revenge. They needed distance. Forgiveness and a good lawyer maybe, but never closure. He said people mistake suicide, murder, lap band surgery, interracial marriage, and overtipping for closure, when in reality what they’ve achieved is erasure.
Paul Beatty (The Sellout)
Who was I kidding? I'm a farmer, and farmers are natural segregationists. We separate the wheat from the chaff. I'm not Rudolf Hess, P. W. Botha, Capitol Records, or present-day U.S. of A. Those motherfuckers segregate because they want to hold on to power. I'm a farmer: we segregate in an effort to give every tree, every plant, every poor Mexican, every poor nigger, a chance for equal access to sunlight and water; we make sure every living organism has room to breathe.
Paul Beatty (The Sellout)
Bemoan being lower-middle-class and colored in a police state that protects only rich white people and movie stars of all races, though I can’t think of any Asian-American ones.
Paul Beatty (The Sellout)
Money talks, bullshit walks … Pecunia sermo, somnium ambulo.
Paul Beatty (The Sellout)
One of the many sad ironies of African-American life is that every banal dysfunctional social gathering is called a “function.
Paul Beatty (The Sellout)
They say a cigarette takes three minutes off your life, but good hashish makes dying seem so far away.
Paul Beatty (The Sellout)
I wasn’t fed; I was presented with lukewarm appetitive stimuli. I wasn’t punished, but broken of my unconditioned reflexes. I wasn’t loved, but brought up in an atmosphere of calculated intimacy and intense levels of commitment.
Paul Beatty (The Sellout)
You sold out! We elected you, and you sold out! The next time we have an election, I think everyone should vote for himself. Or we might just as well vote for Charlie Brown! Yes, next year we may even say, 'You're elected, Charlie Brown!
Charles M. Schulz (You're Not Elected, Charlie Brown)
the Lost City of White Male Privilege, a controversial municipality whose very existence is often denied by many (mostly privileged white males). Others state categorically that the walls of the locale have been irreparably breached by hip-hop and Roberto Bolaño’s prose. That the popularity of the spicy tuna roll and a black American president were to white male domination what the smallpox blankets were to Native American existence.
Paul Beatty (The Sellout)
That crap about being better off under slavery is too much even for you, isn't it, Foy?' 'At least McJones cares.' 'Come on, he cares about black people like a seven-footer cares about football. He has to care because what else would he be good at.
Paul Beatty (The Sellout)
Sometimes I wish Darth Vader had been my father. I'd have been better off. I wouldn't have a right hand, but I definitely wouldn't have the burden of being black and constantly having to decide when and if I gave a shit about it. Plus, I'm left-handed.
Paul Beatty (The Sellout)
When hip-hop was born she had no commercial home, and was an invention of beautiful creativity. Born from a beautiful struggle, today she is mostly a 'ratchet' bitch spitting nonsense from her pimp's mansion.
T.F. Hodge (From Within I Rise: Spiritual Triumph over Death and Conscious Encounters With the Divine Presence)
Before civilization, artists painted for the living. Today, most paint for a living.
Mokokoma Mokhonoana
The formulaic repetitiveness of filing and stuffing envelopes appeals to me in some fundamental life-affirming way.
Paul Beatty (The Sellout)
If Jean Valjean had me representing him,” he likes to say, “then Les Misérables would’ve only been six pages long. Dismissed—Loaf of Bread Pilfery.
Paul Beatty (The Sellout)
Sitting here on the steps of the Supreme Court smoking weed, under the “Equal Justice Under Law” motto, staring into the stars, I’ve finally figured out what’s wrong with Washington, D.C. It’s that all the buildings are more or less the same height and there’s absolutely no skyline, save for the Washington Monument touching the night sky like a giant middle finger to the world.
Paul Beatty (The Sellout)
The nineties were not an age for the aspirant. The worst thing you could be was a sellout, and not because selling out involved money. Selling out meant you needed to be popular, and any explicit desire for approval was enough to prove you were terrible.
Chuck Klosterman (The Nineties: A Book)
Motherfuckers from Harvard to Harlem respect the Pew Research Center, and hearing this, the concerned patrons turned around in their squeaky plastic seats as best they could, given that donut shop swivel chairs swivel only six degrees in either direction.
Paul Beatty (The Sellout)
Conservatives and those on the right are usually willing to settle for thinking themselves correct on political issues; those on the left have always needed to feel not so much that they are correct but that they are also good. Disagree with someone on the right and he is likely to think you obtuse, wrong, sentimental, foolish, a dope; disagree with someone one the left and he is more likely to think you selfish, cold-hearted, a sellout, evil-in league with the devil, he might say, if he didn't think religious terminology too coarse for our secular age. To this day one will hear of people who fell for Communism in a big way let off the hook because they were sincere; if one's heart is in the right place, nothing else matters, even if one's naive opinions made it easier for tyrants to murder millions.
Joseph Epstein
I seriously doubt that some slave ship ancestor, in those idle moments between being raped and beaten, was standing knee-deep in their own feces rationalizing that, in the end, the generations of murder, unbearable pain and suffering, mental anguish, and rampant disease will all be worth it because someday my great-great-great-great-grandson will have Wi-Fi, no matter how slow and intermittent the signal is.
Paul Beatty (The Sellout)
the reason they don’t permit cameras has nothing to do with maintaining decorum and dignity. It’s to protect the country from seeing what’s underneath Plymouth Rock. Because the Supreme Court is where the country takes out its dick and tits and decides who’s going to get fucked and who’s getting a taste of mother’s milk. It’s constitutional pornography in there, and what did Justice Potter once say about obscenity? I know it when I see it.
Paul Beatty (The Sellout)
This whole city’s a Freudian slip of the tongue, a concrete hard-on for America’s deeds and misdeeds. Slavery? Manifest Destiny? Laverne & Shirley? Standing by idly while Germany tried to kill every Jew in Europe? Why some of my best friends are the Museum of African Art, the Holocaust Museum, the Museum of the American Indian, the National Museum of Women in the Arts. And furthermore, I’ll have you know, my sister’s daughter is married to an orangutan.
Paul Beatty (The Sellout)
The only people discussing “race” with any insight and courage are loud middle-aged white men who romanticize the Kennedys and Motown, well-read open-minded white kids like the tie-dyed familiar sitting next to me in the Free Tibet and Boba Fett T-shirt, a few freelance journalists in Detroit, and the American hikikomori who sit in their basements pounding away at their keyboards composing measured and well-thought-out responses to the endless torrent of racist online commentary.
Paul Beatty (The Sellout)
You’d rather be here than in Africa. The trump card all narrow-minded nativists play. If you put a cupcake to my head, of course, I’d rather be here than any place in Africa, though I hear Johannesburg ain’t that bad and the surf on the Cape Verdean beaches is incredible. However, I’m not so selfish as to believe that my relative happiness, including, but not limited to, twenty-four-hour access to chili burgers, Blu-ray, and Aeron office chairs is worth generations of suffering. I seriously doubt that some slave ship ancestor, in those idle moments between being raped and beaten, was standing knee-deep in their own feces rationalizing that, in the end, the generations of murder, unbearable pain and suffering, mental anguish, and rampant disease will all be worth it because someday my great-great-great-great-grandson will have Wi-Fi, no matter how slow and intermittent the signal is.
Paul Beatty (The Sellout)
Some time after dinner a newsboy rushed into the lobby of the Ambassador with extra editions of a German-language paper, the only one I can read since I do not know Czech. The headlines said: Chamberlain to fly to Berchtesgaden tomorrow to see Hitler! The Czechs are dumbfounded. They suspect a sell-out and I’m afraid they’re right.
William L. Shirer (Berlin Diary: The Journal of a Foreign Correspondent 1934-41)
As 1968 began to ebb into 1969, however, and as "anticlimax" began to become a real word in my lexicon, another term began to obtrude itself. People began to intone the words "The Personal is The Political." At the instant I first heard this deadly expression, I knew as one does from the utterance of any sinister bullshit that it was - cliché is arguably forgiven here - very bad news. From now on it would be enough to be a member of a sex or gender, or epidermal subdivision, or even erotic "preference," to qualify as a revolutionary. In order to begin a speech or ask a question from the floor, all that would be necessary by way of preface would be the words: "Speaking as a..." The could follow any self-loving description. I will have to say this much for the old "hard" Left: we earned our claim to speak and intervene by right of experience and sacrifice and work. It would never have done for any of us to stand up and say that our sex or sexuality pr pigmentation or disability were qualifications in themselves. There are many ways of dating the moment when The Left lost - or I would prefer to say, discarded its moral advantage, but this was the first time that I was to see the sellout conducted so cheaply.
Christopher Hitchens (Hitch 22: A Memoir)
One if by Land Cruiser. Two if by C-class Mercedes. The bougies are coming! The bougies are coming!
Paul Beatty (The Sellout)
Listing hard to the right like a drunken seaman with an inner ear infection.
Paul Beatty (The Sellout)
That there’s something about the craziness that he had to go through that’s kept me relatively sane.
Paul Beatty (The Sellout)
Semper Fi, Semper Funky
Paul Beatty (The Sellout)
What goes around, comes around … Quod circumvehitur, revehitur.
Paul Beatty (The Sellout)
Crip up or grip up … Criptum vexo vel carpo vex.
Paul Beatty (The Sellout)
It was the nihilism and self-destructive nature of punk rock that I first latched on to. Live fast, die young.
Laura Jane Grace (Tranny: Confessions of Punk Rock's Most Infamous Anarchist Sellout)
And this country, the latent hight school homosexual that it is, the mulatto passing for white that it is, the Neanderthal incessantly plucking its unibrow that it is, needs people like him. It needs somebody to throw baseballs at, to fag-bash, to nigger-stomp, to invade, to embargo. Anything that, like baseball, keeps a country that's constantly preening in the mirror from actually looking in the mirror and remembering where the bodies are buried.
Paul Beatty (The Sellout)
Feigned or not, sometimes I'm jealous of Hominy's oblivousness, because he, unlike America, has turned the page. That's the problem with history, we like to think of it's a book – that we can turn the page and move the fuck on. But history isn't the paper it's printed on. It's memory, and memory is time, emotions, and song. History is the things that stay with you.
Paul Beatty (The Sellout)
Through his pierced brain the breezes sang Will you drop dead you pig of a sell-out But from the sky as black as the forehead of his fathers no crayfish came to the aid of his lobsters
Benjamin Péret
I was called an 'ethnic traitor' and kicked in the pit of the stomach, then called a 'sellout' and stuck across the face again. I really couldn't understand what the last one meant. I knew the literal meaning of the word, of course, but I just couldn't bring myself to think that I was a sellout. I could sense the incongruity of the label but didn't have words to express it. Then someone who was able to say exactly what I was feeling appeared, like a superhero. A voice rose up from the back of the classroom. "We've never belonged to a country we could sell out
Kazuki Kaneshiro (Go)
For more than half my life, Against Me! had been the thing that pushed me forward, the thing that held me back, and the thing that almost killed me. But this time, it was the thing that saved me.
Laura Jane Grace (Tranny: Confessions of Punk Rock's Most Infamous Anarchist Sellout)
I tried to read this book, Huckleberry Finn, to my grandchildren, but I couldn't get past page six because the book is fraught with the 'n-word'. And although they are the deepest-thinking, combat-ready eight- and ten-year-olds I know, I knew my babies weren't ready to comprehent Huckleberry Finn on its own merits. That's why I took the liberty to rewrite Mark Twain's masterpiece. Where re repugnant 'n-word' occurs, I replaced it with 'warrior' and the word 'slave' with 'dark-skinned volunteer'.
Paul Beatty (The Sellout)
There should be a Stage IV of black identity—Unmitigated Blackness. I’m not sure what Unmitigated Blackness is, but whatever it is, it doesn’t sell. On the surface Unmitigated Blackness is a seeming unwillingness to succeed. It’s Donald Goines, Chester Himes, Abbey Lincoln, Marcus Garvey, Alfre Woodard, and the serious black actor. It’s Tiparillos, chitterlings, and a night in jail. It’s the crossover dribble and wearing house shoes outside. It’s “whereas” and “things of that nature.” It’s our beautiful hands and our fucked-up feet. Unmitigated Blackness is simply not giving a fuck. Clarence Cooper, Charlie Parker, Richard Pryor, Maya Deren, Sun Ra, Mizoguchi, Frida Kahlo, black-and-white Godard, Céline, Gong Li, David Hammons, Björk, and the Wu-Tang Clan in any of their hooded permutations. Unmitigated Blackness is essays passing for fiction. It’s the realization that there are no absolutes, except when there are. It’s the acceptance of contradiction not being a sin and a crime but a human frailty like split ends and libertarianism. Unmitigated Blackness is coming to the realization that as fucked up and meaningless as it all is, sometimes it’s the nihilism that makes life worth living. Sitting
Paul Beatty (The Sellout)
Let me tell you something, man. I sat here at this desk during the war as one report after another of Arab sellouts came in. The Egyptian Chief of Staff selling secrets to the Germans; Cairo all decked out to welcome Rommel as their liberator; the Iraqis going to the Germans; the Syrians going to the Germans; the Mufti of Jerusalem a Nazi agent. I could go on for hours. You must look at Whitehall’s side of this, Bruce. We can’t risk losing our prestige and our hold on the entire Middle East over a few thousand Jews.” Sutherland sighed. “And this is our most tragic mistake of all, Sir Clarence. We are going to lose the Middle East despite it.” “You are all wound up, Bruce.” “There is a right and a wrong, you know.” General Sir Clarence Tevor-Browne smiled slightly and shook his head sadly. “I have learned very little in my years, Bruce, but one thing I have learned. Foreign policies of this, or any other, country are not based on right and wrong. Right and wrong? It is not for you and me to argue the right or the wrong of this question. The only kingdom that runs on righteousness is the kingdom of heaven. The kingdoms of the earth run on oil. The Arabs have oil.” Bruce Sutherland was silent. Then he nodded. “Only the kingdom of heaven runs on righteousness,
Leon Uris (Exodus)
Initially I had been attracted to punk and anarchism because I saw them as a means to make a positive change, where everyone was equal. While there were some people in the scene who upheld those values, the more punks I dealt with, the more I realized that most of them were privileged white kids taking advantage of this idealism.
Laura Jane Grace (Tranny: Confessions of Punk Rock's Most Infamous Anarchist Sellout)
The story of the herd of seals. Hundreds of them on a beach; among them the hunter killing one after the other with a club. Together they could easily have crushed him— but they lay there, watching him come to murder, and did not move; he was only killing a neighbor— one neighbor after the other. The story of the European seals. The sunset of civilization. Tired shapeless Götterdämmerung. The empty banners of human rights. The sell-out of a continent. The onrushing deluge. The haggling for the last prices. The old dance of despair on the volcano. Peoples again slowly being driven into a slaughterhouse. The fleas would save themselves when the sheep were being sacrificed. As always.
Erich Maria Remarque (Arch of Triumph: A Novel of a Man Without a Country)
Washington, D.C., with its wide streets, confounding roundabouts, marble statues, Doric columns, and domes, is supposed to feel like ancient Rome (that is, if the streets of ancient Rome were lined with homeless black people, bomb-sniffing dogs, tour buses, and cherry blossoms).
Paul Beatty (The Sellout)
At the zoo, I stood in front of the primate cage listening to a woman marvel at how “presidential” the four-hundred-pound gorilla looked sitting astride a shorn oaken limb, keeping a watchful eye over his caged brood. When her boyfriend, his finger tapping the informational placard, pointed out the “presidential” silverback’s name coincidentally was Baraka, the woman laughed aloud, until she saw me, the other four-hundred-pound gorilla in the room, stuffing something that might have been the last of a Big Stick Popsicle or a Chiquita banana in my mouth.
Paul Beatty (The Sellout)
A lesson any writer can use. Don’t be afraid. That simple; don’t let them scare you. There’s nothing they can do to you. If they kick you out of films, do TV. If they kick you out of TV, write novels. If they won’t buy your novels, sell short stories. Can’t do that, then take a job as a bricklayer. A writer always writes. That’s what he’s for. And if they won’t let you write one kind of thing, if they chop you off at the pockets in the market place, then go to another market place. And if they close of all the bazaars, then by God go and work with your hands till you can write, because the talent is always there. But the first time you say, “Oh, Christ, they’ll kill me!” then you’re done. Because the chief commodity a writer has to sell is his courage. And if he has none, he is more than a coward. He is a sellout and a fink and a heretic, because writing is a holy chore.
Harlan Ellison (Dangerous Visions)
I’d rather be judged by twelve than carried by six. It’s a maxim, an oft-repeated rap lyric, a last-ditch rock and hard place algorithm that on the surface is about faith in the system but in reality means shoot first, put your trust in the public defender, and be thankful you still have your health. I
Paul Beatty (The Sellout)
When she finished, the white teacher, his face streaked with tears, tapped his boss on the shoulder, and like a television cop handing in his badge and gun, he solemnly removed the shiny new Teach for America button fastened to his sweater vest, placed it in Charisma’s palm, and walked off into the squall.
Paul Beatty (The Sellout)
To avoid being mistaken for a sellout, I chose my friends carefully. The more politically active black students. The foreign students. The Chicanos. The Marxist professors and structural feminists and punk-rock performance poets. We smoked cigarettes and wore leather jackets. At night, in the dorms, we discussed neocolonialism, Franz Fanon, Eurocentrism, and patriarchy. When we ground out our cigarettes in the hallway carpet or set our stereos so loud that the walls began to shake, we were resisting bourgeois society’s stifling constraints. We weren’t indifferent or careless or insecure. We were alienated. But
Barack Obama (Dreams from My Father: A Story of Race and Inheritance)
You know, there used to be a difference between authentic music and sellout music. I'm talking about when I was young, in the sixties? Back then we knew there was a soullessness to the sellouts, and we wanted to be on the side of the artists. But now? Being a sellout is the authentic thing. When Molly Miller says 'I'm just being real,' what she means is that everyone wants money and fame and any artist who claims otherwise is lying. the only fundamental truth is greed, and the only question is who is up front about this. That's the new authenticity. Molly Miler can never be accused of selling out because selling out was her goal all along.
Nathan Hill (The Nix)
(Later in my journey I was told of an outrageous but apparently successful attempt to bring tourists to Great Nicobar. During the monsoon torrential rain comes down spectacularly. A bright Indian entrepreneur advertised a tour for rich Arabs from the arid Gulf who could sit on their hotel balcony and watch rain for a week. It was a sell-out.)
Michael Palin (Around The World In Eighty Days)
During social studies, otherwise known as Dad's cirriculum as the Ways and Means of the Indefatigable White People, my father used to warn me about listening to rap or the blues with Caucasian strangers. And as I got older, I'd be admonished not to play Monopoly, drink more than two beers, or smoke weed with them either. For such activities can breed a false sense of familiarity . And nothing, from a hungry jungle cat to the African ferryboat, is more dangerous than a white person on what they think is familiar ground.
Paul Beatty (The Sellout)
That summer, in a small house near the beach, he began to write a book. He knew it would be the last thing he ever did, so he decided to write something advocating a crazy, preposterous idea—one so outlandish that nobody had ever written a book about it before. He was going to propose that gay people should be allowed to get married, just like straight people. He thought this would be the only way to free gay people from the self-hatred and shame that had trapped Andrew himself. It’s too late for me, he thought, but maybe it will help the people who come after me. When the book—Virtually Normal—came out a year later, Patrick died when it had only been in the bookstores for a few days, and Andrew was widely ridiculed for suggesting something so absurd as gay marriage. Andrew was attacked not just by right-wingers, but by many gay left-wingers, who said he was a sellout, a wannabe heterosexual, a freak, for believing in marriage. A group called the Lesbian Avengers turned up to protest at his events with his face in the crosshairs of a gun. Andrew looked out at the crowd and despaired. This mad idea—his last gesture before dying—was clearly going to come to nothing. When I hear people saying that the changes we need to make in order to deal with depression and anxiety can’t happen, I imagine going back in time, to the summer of 1993, to that beach house in Provincetown, and telling Andrew something: Okay, Andrew, you’re not going to believe me, but this is what’s going to happen next. Twenty-five years from now, you’ll be alive. I know; it’s amazing; but wait—that’s not the best part. This book you’ve written—it’s going to spark a movement. And this book—it’s going to be quoted in a key Supreme Court ruling declaring marriage equality for gay people. And I’m going to be with you and your future husband the day after you receive a letter from the president of the United States telling you that this fight for gay marriage that you started has succeeded in part because of you. He’s going to light up the White House like the rainbow flag that day. He’s going to invite you to have dinner there, to thank you for what you’ve done. Oh, and by the way—that president? He’s going to be black.
Johann Hari (Lost Connections: Uncovering the Real Causes of Depression – and the Unexpected Solutions)
But in the end we found it impossible to ignore the impassioned pleas of the Lost City of White Male Privilege, a controversial municipality whose very existence is often denied by many (mostly privileged white males). Others state categorically that the walls of the locale have been irreparably breached by hip-hop and Roberto Bolaño’s prose. That the popularity of the spicy tuna roll and a black American president were to white male domination what the smallpox blankets were to Native American existence. Those inclined to believe in free will and the free market argue that the Lost City of White Male Privilege was responsible for its own demise, that the constant stream of contradictory religious and secular edicts from on high confused the highly impressionable white male. Reduced him to a state of such severe social and psychic anxiety that he stopped fucking. Stopped voting. Stopped reading. And, most important, stopped thinking that he was the end-all, be-all, or at least knew enough to pretend not to be so in public. But in any case, it became impossible to walk the streets of the Lost City of White Male Privilege, feeding your ego by reciting mythological truisms like “We built this country!” when all around you brown men were constantly hammering and nailing, cooking world-class French meals, and repairing your cars. You couldn’t shout “America, love it or leave it!” when deep down inside you longed to live in Toronto.
Paul Beatty (The Sellout)
Curtis grew up to become King Cuz. A gangster well respected for his brain and his derring-do. His set, the Rollin’ Paper Chasers, was the first gang to have trained medics at their rumbles. A shoot-out would pop off at the swap meet and the stretcher-bearers would cart off the wounded to be treated in some field hospital set up behind the frontlines. You didn’t know whether to be sad or impressed. It wasn’t long after that innovation that he applied for membership to NATO. Everybody else is in NATO. Why not the Crips? You going to tell me we wouldn’t kick the shit out of Estonia?
Paul Beatty (The Sellout)
Many years later after the sell-outs, betrayals, and hatred which would tear us apart, when our brotherhood had been destroyed, I’d always look back and remember that night. That fucking wild night at the KeyClub, when the smoke stung my eyes but my world was full of nothing but blind hope. When life was not a mockery, but a very real fire which flamed through my veins like the most incredible drug... the night when Kelly-Lee Obann, drunk, high and barely 20 the time, looked out through his hair with a terrible nakedness and said to me; “We’re not gonna make it out of this alive. You know that, right?
H. Alazhar (City of Paradise)
In 7.81 square miles of vaunted black community, the 850 square feet of Dum Dum Donuts was the only place in the "community" where one could experience the Latin root of the word, where a citizen could revel in common togetherness. So one rainy Sunday afternoon, not long after the tanks and media attention had left, my father ordered his usual. He sat at the table nearest the ATM and said aloud, to no one in particular, "Do you know that the average household net worth for whites is $113,149 per year, Hispanics $6,325, and black folks $5,677?" "For real?" "What's your source material, nigger?" "The Pew Research Center." Motherfuckers from Harvard to Harlem respect the Pew Research Center, and hearing this, the concerned patrons turned around in their squeaky plastic seats as best they could, given that donut shop swivel chairs swivel only six degrees in either direction. Pops politely asked the manager to dim the lights. I switched on the overhead projector, slid a transparency over the glass, and together we craned our necks toward the ceiling, where a bar graph titled "Income Disparity as Determined by Race" hovered overhead like some dark, damning, statistical cumulonimbus cloud threatening to rain on our collective parades. "I was wondering what that li'l nigger was doing in a donut shop with a damn overhead projector.
Paul Beatty (The Sellout)