Audits Quotes

We've searched our database for all the quotes and captions related to Audits. Here they are! All 200 of them:

I don't let anyone touch me," I finally said. Why not?" Why not? Because I was tired of men. Hanging in doorways, standing too close, their smell of beer or fifteen-year-old whiskey. Men who didn't come to the emergency room with you, men who left on Christmas Eve. Men who slammed the security gates, who made you love them then changed their minds. Forests of boys, their ragged shrubs full of eyes following you, grabbing your breasts, waving their money, eyes already knocking you down, taking what they felt was theirs. (...) It was a play and I knew how it ended, I didn't want to audition for any of the roles. It was no game, no casual thrill. It was three-bullet Russian roulette.
Janet Fitch (White Oleander)
I like threesomes with two women, not because I'm a cynical sexual predator. Oh no! But because I'm a romantic. I'm looking for "The One." And I'll find her more quickly if I audition two at a time.
Russell Brand
Many phenomena - wars, plagues, sudden audits - have been advanced as evidence for the hidden hand of Satan in the affairs of Man, but whenever students of demonology get together the M25 London orbital motorway is generally agreed to be among the top contenders for exhibit A.
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
Valek leaned back in his chair and said to me, “I don’t think I would have made it past the audition,Yelena. I probably would have set my hair on fire by this point.” “What’s a singed head for the sake of art?” I teased. He laughed.
Maria V. Snyder (Poison Study (Study, #1))
I would like to say thank you on behalf of the group and ourselves and I hope we’ve passed the audition.
John Lennon
Confidence is the prize given to the mediocre
Robert Hughes
He auditioned with Lily, and he and Lily had incredible chemistry that sort of blazed off the scene. I’m just sitting here watching this on my computer, and you know, he was not the only person they’ve ever sent me to look at. I’ve gotten lots of headshots and this and that, and I’m watching the audition and I literally started crying because that was my Jace and Clary on the screen. And it’s an incredible feeling to see that even as an audition. This is amazing. He was snarky funny where he needed to be snarky funny, and he was badass where he needed to be badass. And he and Lily were incredible together
Cassandra Clare
I've been stabbed before. Barely a week ago, in fact. AND I've been audited, AND I come from a broken home. In short - no offense, shorty - you don't scare me.
MaryJanice Davidson (Undead and Unwed (Undead, #1))
See, some people politely encourage their tone-deaf friends to sing. Some people even convince them to go on live television and audition for national competitions. But me? I am not that friend.
Sarah Ockler (Bittersweet)
My life has been one big audition.
Elizabeth Eulberg (Take a Bow)
Most Americans have no real understanding of the operation of the international money lenders. The accounts of the Federal Reserve System have never been audited. It operates outside the control of Congress and manipulates the credit of the United States
Barry M. Goldwater
People were infected with the concept that happiness was something outside themselves, and a new and powerful form of loneliness was born.
Ryū Murakami (Audition: A Novel)
I feel his arm Lightly Over me. He takes one of my outstretched hands. Draws it beneath my stomach. "One more time..." This is not sex, Not friendship. Something Strange Special In the stillness of his breath, The waterlike way he moves. He is making a dance. We are making a dance.
Stasia Ward Kehoe (Audition)
If you looked through all my phases, you’d think they were different people auditioning for the same role.
Alvin Soprano
I've been in auditions without screens, and I can assure you that I was prejudiced. I began to listen with my eyes, and there is no way that your eyes don't affect your judgement. The only true way to listen is with your ears and your heart. (p.251)
Malcolm Gladwell (Blink: The Power of Thinking Without Thinking)
The wild things of this earth are not ours to do with as we please. They have been given to us in trust, and we must account for them to the generation which will come after us and audit our accounts.
William T. Hornaday
Quentin had an obsolete sailing ship that had been raised from the dead. He had psychotically effective swordsman and an enigmatic witch-queen. It wasn't the Fellowship of the Ring, but then again he wasn't trying to save the world from Sauron, he was trying to perform a tax audit on a bunch of hick islanders…
Lev Grossman (The Magician King (The Magicians, #2))
I didn’t think it was possible for so many words to come out of somebody’s mouth that quickly,” he said. “And I auditioned for Gilmore Girls.
Elissa Sussman (Funny You Should Ask)
It was the face of a human being who’d been constructed exclusively of wounds. Not time or history or ambition, nothing but wounds. The face of a person who could probably kill someone without feeling anything whatsoever.
Ryū Murakami (Audition)
It fills all Space, and what It fills, It is. What It thinks, that It utters; and what It utters, that It hears; and It itself is Thinker, Utterer, Hearer, Thought, Word, Audition; it is the One, and yet the All in All. Ah, the happiness, ah, the happiness of Being!
Edwin A. Abbott (Flatland: A Romance of Many Dimensions)
When I look at my friend's marriages, with their routine day-to-dayness, they actually seem far more romantic than any dating relationship might be. Dating seems romantic, but for the most part it's an extended audition. Marriage seems boring, but for the most part it's a state of comfort and acceptance. Dating is about grand romantic gestures that mean little over the long-term. Marriage is about small acts of kindness that bond you over a lifetime. It's quietly romantic. He makes her tea. She goes to the doctor appointment with him. They listen to each other's daily trivia. They put up with each other's quirks. They're there for each other.
Lori Gottlieb (Marry Him: The Case for Settling for Mr. Good Enough)
A person without self-confidence is incapable of being independent, and people who are dependent on their partners always create unhappiness. Always.
Ryū Murakami (Audition: A Novel)
Some people look like they sound better than they actually sound, because they look confident and have good posture," once musician, a veteran of many auditions, says. "Other people look awful when they play but sound great. Other people have that belabored look when they play, but you can't hear it in the sound. There is always this dissonance between what you see and hear" (p.251).
Malcolm Gladwell (Blink: The Power of Thinking Without Thinking)
Oh my gosh, don’t you both look pretty!” We looked like rejects from the auditions for The Sound of Music. “I will have to buy them – they are meant to be yours!” Karla waved her credit card around like a wand. “What a shame they didn’t have one in green for me. But then, it is a young girl’s style. I would’ve looked foolish.
Joss Stirling (Stealing Phoenix (Benedicts, #2))
One sure way to increase a businesses profits is to implement a process improvement program. When a business audits it's internal processes and extracts waste from those processes, the result is inevitably more time or money being leftover.
Hendrith Vanlon Smith Jr.
I am pretty sure the myth of me Is better than the reality.
Stasia Ward Kehoe (Audition)
No forgiveness for lies.
Ryū Murakami (Audition)
Well?" Nat says after a few seconds. "I'm surprised you're here again, Harriet. I thought you'd be busy auditioning for A Midsummer Night's Dream." I blink a few times in surprise. "No. I'm not." "You should be. I heard they're looking for an ass." Oh. Now why can't I think of quips like that when I need them?
Holly Smale (Geek Girl (Geek Girl, #1))
Something is definitely up. That or my family is auditioning for a remake of The Shining.
Victoria Scott (Fire & Flood (Fire & Flood, #1))
There are always two stories taking place at once, the narrative inside the play and the narrative around it, and the boundary between the two is more porous than you might think, that is both the danger and the excitement of the performance.
Katie Kitamura (Audition)
Wish my life were inside a book So I could turn to the ending, See if it is a love story Or a gothic disaster.
Stasia Ward Kehoe (Audition)
Your whole life, she says, you're searching for disaster—you're auditioning disasters—so you'll be well rehearsed when the ultimate disaster finally arrives.
Chuck Palahniuk (Haunted)
Americans like to make money; Canadians like to audit it. I know no other country where accountants have a higher social and moral status.
Northrop Frye
Are you auditioning for Romeo?” He shakes his head. “No way. I’d have to have my balls removed to play that pussy.” “Hey, that’s no way to talk about one of the greatest romantic heroes of all time.” “He’s not a hero, Taylor, he’s a limp, fickle dick who confuses lust with love and kills himself over a chick he’s just met.
Leisa Rayven (Bad Romeo (Starcrossed, #1))
After hanging up the phone Aoyama sank back back on the sofa feeling like a balloon in a warm blue sky.
Ryū Murakami (Audition)
So, what’s it gonna be, boys? We’ve got a new bartender to audition.” Cheers go up all around me. Olivia’s got a fan base already. She’s gonna make me a killing.
M. Leighton (Down to You (The Bad Boys, #1))
All year I've felt like I had to be on my best behavior, like I was auditioning for new friendships, new identities, a new life.
Emily Henry (People We Meet on Vacation)
Let us roam then, you and I, When the evening is splayed out across the sky [...] Paths that follow like a nagging accusation Of a minor violation To lead you to the ultimate reproof ... Oh, do not say, 'Bad kitty!' Let us go and prowl the city. In the rooms the cats run to and fro Auditioning for a Broadway show." (From The Love Song of J. Morris Housecat)
Henry N. Beard (Poetry for Cats: The Definitive Anthology of Distinguished Feline Verse)
If I had to do it all over again, would I still audition for Friends? You bet your ass I would. Would I drink again? You bet your ass I would. If I didn’t have alcohol to soothe my nerves and help me have fun, I would have leaped off a tall building sometime in my twenties.
Matthew Perry (Friends, Lovers and the Big Terrible Thing)
I started to think of friends I could lean on for some help, but, as always happened when I attempted this kind of social audit, I realised that far too many of them were abroad, dead, married to people who disapproved of me, or weren't really my friends, now that I came to think of it.
Hugh Laurie (The Gun Seller)
Anyone who thinks this world is without magic, hasn't been to a library.
Amy Fellner Dominy (Audition & Subtraction)
The idealized market was supposed to deliver ‘friction free’ exchanges, in which the desires of consumers would be met directly, without the need for intervention or mediation by regulatory agencies. Yet the drive to assess the performance of workers and to measure forms of labor which, by their nature, are resistant to quantification, has inevitably required additional layers of management and bureaucracy. What we have is not a direct comparison of workers’ performance or output, but a comparison between the audited representation of that performance and output. Inevitably, a short-circuiting occurs, and work becomes geared towards the generation and massaging of representations rather than to the official goals of the work itself. Indeed, an anthropological study of local government in Britain argues that ‘More effort goes into ensuring that a local authority’s services are represented correctly than goes into actually improving those services’. This reversal of priorities is one of the hallmarks of a system which can be characterized without hyperbole as ‘market Stalinism’. What late capitalism repeats from Stalinism is just this valuing of symbols of achievement over actual achievement. […] It would be a mistake to regard this market Stalinism as some deviation from the ‘true spirit’ of capitalism. On the contrary, it would be better to say that an essential dimension of Stalinism was inhibited by its association with a social project like socialism and can only emerge in a late capitalist culture in which images acquire an autonomous force. The way value is generated on the stock exchange depends of course less on what a company ‘really does’, and more on perceptions of, and beliefs about, its (future) performance. In capitalism, that is to say, all that is solid melts into PR, and late capitalism is defined at least as much by this ubiquitous tendency towards PR-production as it is by the imposition of market mechanisms.
Mark Fisher (Capitalist Realism: Is There No Alternative?)
Tell yourself that the world is outside, that it's not to be hidden from you, that you are going to thrust yourself forward and be relaxed in the world. You have chosen a field where you're going to be hurt to the blood. But to retreat from the pain is death
Stella Adler (The Art of Acting)
George Harrison: The day after the Blue Angel audition, John showed up to rehearsal with a long list of name suggestions, and I remember each and every one of them: the Deads-men, the Deadmen, the Undeads-men, the Undeadmen, the Rots, the Rotters, the Dirts, the Dirty Ones, the Grayboys, the Eaten Brains, the Eating Brains, the Mersey Beaters, the Mersey Beaten, the Bloodless, the Graves, the Headstones, and the Liverpools of Blood. Paul ripped off John's right arm and used it to slap John across the face, then he said, "Those're horrible, mate, just horrible, y'know.
Alan Goldsher
Audition? What did you have in mind?” He laughs. “Nothing too creative. I don’t want to push my luck with the sexual harassment thing. Yet.
M. Leighton (Down to You (The Bad Boys, #1))
I hope you change your mind and realize that you love me and that we should be together for the rest of our lives, but . . . I’m not going to audition for the part.
Taylor Jenkins Reid (One True Loves)
Three years later, Mr. Turley has received no reply to his letter. Nor can anybody account for the missing money: saints, it seems, are immune to audit.
Christopher Hitchens (The Missionary Position: Mother Teresa in Theory and Practice)
If you're asking where I found the skill, courage, and general fabulousness to perform emergency surgery in the middle of all this chaos, well. If you think that after auditioning all those guys to find the perfect boyfriend I was going to let a little thing like a tracheotomy get in the way of true love, you've clearly underestimated how tired I am of this search.
Amie Kaufman (Aurora's End (The Aurora Cycle, #3))
Her voice was trained, supple as leather, precise as a knife thrower's blade. Singing or talking, it had the same graceful quality, and an accent I thought at first was English, but then realized was the old-fashioned American of a thirties movie, a person who could get away with saying 'grand.' Too classic, they told her when she went out on auditions. It didn't mean old. It meant too beautiful for the times, when anything that lasted longer than six months was considered passe. I loved to listen to her sing, or tell me stories about her childhood in suburban Connecticut, it sounded like heaven.
Janet Fitch (White Oleander)
That’s what violence was: emotion leaking out from consciousness into the physical world, linking up with the muscles of the arms and shoulders and diaphragm and, inevitably, the face. Stifle emotion during an act of violence and the face becomes a blank, unreadable mask.
Ryū Murakami (Audition)
People always talked about having children as an event, as a thing that took place, they forgot that not having children was also something that took place, that is to say it wasn’t a question of absence, a question of lack, it had its own presence in the world, it was its own event.
Katie Kitamura (Audition)
There were a few other moves of his father's he could do without as well - the sucker punches, the ruffling of the hair, the way of pronouncing the word son, in a slightly deeper voice. This hearty way of talking was getting worse, as if his father were auditioning for the role of Dad, but without much hope.
Margaret Atwood (Oryx and Crake (MaddAddam, #1))
Only time can heal wounds as deep as that—a lot of time—and all you can really do is place yourself in its hands and try to consider the passing of each day a victory.
Ryū Murakami (Audition: A Novel)
She has carefully audited her life and found she has no requirement for a husband.
Helen Smith (Alison Wonderland)
To distort our faces with joy, or wail and weep with sorrow, or collapse in agony, or wallow in sentimentality – wasn’t an inviolable human trait but something we can lose simply by leading dull and dreary lives. ‘A rich emotional life,’ she’d written, ‘is a privilege reserved only for the daring few’.
Ryū Murakami (Audition)
Advertising departments, as you know, are crawling with people whose frontal lobes are so underdeveloped that if you flatter them a bit they'll swear shit is platinum.
Ryū Murakami (Audition)
Conflict is drama.
Michael Shurtleff (Audition: Everything an Actor Needs to Know to Get the Part)
Two people who want the same thing will never generate the same intensity as two people who want different things, or one person who wants into an absence, a void--...
Katie Kitamura (Audition)
No I am not okay. I've just been pulled out of play tryouts where I had to be the first to audition and everyone's trying out for the same parts, I just had a very bizarre conversation with the school secretary, Megan may be throwing up her cucumber sandwiches, I've broken five of the seven deadly sins in as many hours, a demon may be inside a girl in my world religions class, Grant Brawner called me by name, my license photo looks like a dead fish, I have to drive my friends all over town in two hours when I've never even driven without Dad before, none of my birthday wishes have come true yet, and now you're here with muffins like I'm in second grade? So, no, I am not ok.
Wendy Mass (Leap Day)
Oh God, Tessie... That is my daughter... And the next person who tries to get between my and my daughter is going to rue their existence on this earth... Every secret you've been keeping will find its way out. Every decision you make will be questioned. You will be audited, investigated, and transferred to the most hellish nightmare of a desk job I can find. Now, get out of my way. - Ivy
Jennifer Lynn Barnes (The Long Game (The Fixer, #2))
Oh, yeah, I’m a smoker now. Well, I’m not, but when Ruby said she was, I just went with it. It was something for us to bond over. Plus, I knew most of the people at the auditions smoked, so it seemed like the thing to do. Also, my mother would have hated it. All good reasons to take it up.
Leisa Rayven (Bad Romeo (Starcrossed, #1))
I’m very interested in the emotional honesty of things, which at times looks kind of ugly and at times looks scary and not polished, and so there were many times when I would audition for something and I would come from, for me, a very honest place, but it’s completely not what they’re looking for for that type of material. But I was always very steadfast in what I was interested in, and I felt like, I’m gonna tell the truth as best as I know it. And you eventually start to understand that the projects find you that meet up with that. It takes as long as it takes, and for me it took like 20 years, but I’m really glad. You know, the jobs always ultimately end up going to the person who’s supposed to tell that story, and those weren’t my stories to tell.
Brie Larson
Nice person, bad person -- that's not the level this girl is at. I can see you're crazy about her and probably won't be able to hear this, Ao-chan, but I think you'd be better off staying away from someone like her. I can't read her exactly, but I can tell you she's either a saint or a monster. Maybe both extremes at once, but not somewhere in between.
Ryū Murakami (Audition)
It's a piece of cake, being a lawyer or a doctor or a computer systems analyst or an accountant. Libraries are full of books telling you how to do it. The only textbooks for private eyes are on fiction shelves, and I don't remember ever reading one that told me how to interrogate an eight-year old without feeling like I was auditioning for the Gestapo.
Val McDermid (Crack Down (Kate Brannigan, #3))
The young people nowadays – men and women, amateurs and pros – generally fall into one of two categories: either they don’t know what it is that’s most important to them, or they know but don’t have the power to go after it. But this girl’s different. She knows what’s most important to her and she knows how to get it, but she doesn’t let on what it is. I’m pretty sure it’s not money, or success, or a normal happy life, or a strong man, or some weird religion, but that’s about all I can tell you. She’s like smoke: you think you’re seeing her clearly enough, but when you reach for her there’s nothing there. That’s a sort of strength, I suppose. But it makes her hard to figure out.
Ryū Murakami (Audition)
Karma is a balance sheet of life which debits and credit all your deeds.YourWhich is audited by our creator and actions are based on what we accumulated in it.
Abhysheq Shukla (KARMA)
Social tools leave a digital audit trail, documenting our learning journey—often an unfolding story—and leaving a path for others to follow.
Marcia Conner (The New Social Learning: A Guide to Transforming Organizations Through Social Media)
It seems to me that every day Is an audition.
Stasia Ward Kehoe (Audition)
When you go to auditions and you fail to prepare, prepare to fail.' -Paula Abdul
Colin Jost (A Very Punchable Face)
accipite haec, meritumque malis advertite numen, et nostras audite preces.
Virgil (The Aeneid (Translated): Latin and English)
It's a good idea to either have a cost accountant on payroll, hire a cost accountant to audit your business twice a year, or invest in good cost accounting software.
Hendrith Vanlon Smith Jr.
Having routine internal audits helps to make sure that the company passes it's external audits.
Hendrith Vanlon Smith Jr.
Left him delighted with the imaginary Audition of the phantasmal sea-surge,
Ezra Pound (Selected Poems of Ezra Pound)
You can surrender your day-to-day and the potential of your work to the burdens that surround you. Or, you can audit the way you work and own the responsibility of fixing it.
Jocelyn K. Glei (Manage Your Day-To-Day: Build Your Routine, Find Your Focus, and Sharpen Your Creative Mind)
She had seen early in life that there was none in this world to audit one's soul. A man could deform himself into the most miserable of creatures, and no holy hand would descend from the clouds and cry Halt. And if there was no auditor, then one must audit one's own soul, tenaciously and without mercy.
Rachel Kadish (The Weight of Ink)
Learn to love being single and being alone. It can be tough, but it can also be brilliant. It's down to you to make it work. If you don't love yourself, you're going to spend the rest of your life auditioning people to do it for you. We all know how crazy it is to leave your emotions in someone else's hands.
Daniel Sloss (Everyone You Hate is Going to Die: And Other Comforting Thoughts on Family, Friends, Sex, Love, and More Things That Ruin Your Life)
Maybe I just don't want another rejection," he shrugs. "I've had enough of that in my so-called acting career." Oh, so this is what it's all about. "But you're not auditioning for a role," I try to persuade him. "Aren't I?" he raises his eyebrows.
Alexandra Potter (Don't You Forget About Me)
Man’s greatest excuse to delay the inevitable.” “Can you not fucking talk like your auditioning for the role of Confucius?” “If you make a mistake and do not correct it, this is called a mistake.” Of course he goes and actually quotes Confucius. Fuck me.
Krista Ritchie (Hothouse Flower (Calloway Sisters #2))
Just doing the audition was going to be an experience, and I am a true collector of life experiences. I live for life experiences. I put them in my pocket like shiny rocks, and take them out every now and then to appreciate and reflect on them. I once read an article that the Eastern Indian culture considers those with AD(H)D to be old, wise souls that are coming to the end of their reincarnations, so they must pack as many life experiences and lessons into their few remaining lifetimes as possible. Makes sense to me--that's why we always have so much shit going on!
Stacey Turis (Here's to Not Catching Our Hair on Fire: An Absent-Minded Tale of Life with Giftedness and Attention Deficit - Oh Look! A Chicken!)
People were infected with the concept that happiness was something outside themselves, and a new and powerful form of loneliness was born. Mix loneliness with stress and enervation, and all sorts of madness can occur. Anxiety increases, and in order to obliterate the anxiety, people turn to extreme sex, violence, and even murder.
Ryū Murakami (Audition)
I think the waiters and hostess are beginning to recognize me. They must either think I'm the most popular girl in Chicago or a lesbian seriously looking for The One. Either option is far less embarrassing than the truth: 'I'm here auditioning best friends forever!
Rachel Bertsche (MWF Seeking BFF: My Yearlong Search For A New Best Friend)
The Don Quixote of the twenty-first century will not be a knight-errant struggling to revive the glories of feudalism but a bureaucrat in a brown suit, a tax collector yearning for a citizen to audit.
James Dale Davidson (The Sovereign Individual: Mastering the Transition to the Information Age)
This is from "Marabou Stork Nightmares". Bernard's Poem: Did you see her on the telly the other day good family entertainment the tabloids say But when you're backstage at your new faeces audition you hear the same old shite of your own selfish volition She was never a singer a comic or a dancer I cant say I was sad when I found out she had cancer Great Britain's earthy northern comedy queen takes the rand, understand from the racist Boer regime So now her cells are fucked and thats just tough titty I remember her act that I caught back in Sun City She went on and on about 'them from the trees with different skull shapes from the likes of you and me' Her Neo-Nazi spell it left me fucking numb the Boers lapped it up with zeal so did the British ex-pat scum But what goes round comes round they say so welcome to another dose of chemotherapy And for my part it's time to be upfront so fuck off and die you carcinogenic cunt.
Irvine Welsh (Marabou Stork Nightmares)
...I learned a valuable lesson that stays with me to this day and plays on a loop in my head any time I have a big audition. It goes a little something like this: "Bitch, stop wasting time fearing the worst! Living through the worst is never as hard as fearing it. Fight the fear and go do what you gotta do. That's what you came here for.
Retta (So Close to Being the Sh*t, Y’all Don’t Even Know)
It takes such a long time to realize that it’s worth it. I wonder why we’re engineered that way. We’re sleep-deprived to the point of madness those first couple of years and then one day you wake up and you see the little person you’ve created and she says a sentence to you and you realize that everything in your life has been an audition for the creation of that specific person. That you’re sending freestanding beings off into the world and it’s entirely on your shoulders.
Claire Lombardo (The Most Fun We Ever Had)
At my audition, I had one of those anxiety visions where you do something totally crazy in your mind, just to torture yourself with the possibility, just to wonder what would happen if you actually did it.
Rachel DeWoskin (Big Girl Small)
A Buyback Loop occurs as you continually audit your time to determine the low-value tasks that are sucking your energy. Then you transfer those tasks, optimally, to someone who’s better at them and enjoys them. Lastly, you fill your time with higher-value tasks that light you up and make you more money. Then you start the process over again.
Dan Martell (Buy Back Your Time: Get Unstuck, Reclaim Your Freedom, and Build Your Empire)
because I got distracted Googling for information on the nanny murder (a good journalist always checks her facts, particularly when the primary source is Sophie, a girl who spouts gossip like she’s auditioning to become the next Perez Hilton). It turns out however that Sophie was correct on all points about the murder, which isn’t that comforting.
Sarah Alderson (The Sound)
I needed no convincing of the fatal possibilities of government overreach, of the way the fatalities told the story of who the nation considered expendable, but, even after the low points of the previous decade, I believed in government, or at least believed in it more than the alternative. That my country might always expect me to audition for my life I accepted as fact, but I trusted the public charter of national government more than I trusted average white citizens acting unchecked.
Danielle Evans (The Office of Historical Corrections)
In Japan, even when you're alone, you're never really that lonely. But the loneliness you feel living among people with differently coloured skin and eyes, whose language you don't even speak very well - that sort of loneliness is something you feel down to the marrow of your bones.
Ryū Murakami (Audition)
Company engineers helped to design Westborough, and they made it functional and cheap. One contractor who did some work for Data General was quoted in Fortune as saying, “What they call tough auditing, we call thievery.
Tracy Kidder (The Soul of a New Machine)
Sales and theater have much in common. Both take guts. Salespeople pick up the phone and call strangers; actors walk onto the stage in front of them. Both invite rejection—for salespeople, slammed doors, ignored calls, and a pile of nos; for actors, a failed audition, an unresponsive audience, a scathing review. And both have evolved along comparable trajectories.
Daniel H. Pink (To Sell Is Human: The Surprising Truth About Moving Others)
People are accustomed to thinking of accounting as dry and boring, a necessary evil used primarily to prepare financial reports and survive audits, but that is because accounting is something that has become taken for granted.
Eric Ries (The Lean Startup)
Le Requiem de Mozart. Un souffle de l'au-delà y plane. Comment croire, après une pareille audition, que l'univers n'ait aucun sens? Il faut qu'il en ait un. Que tant de sublime se résolve dans le néant, le coeur, aussi bien que l'entendement, refuse de l'admettre. Quelque chose doit exister quelque part, un brin de réalité doit être contenu dans ce monde. Ivresse du possible qui rachète la vie. Craignons le retombement et le retour du savoir amer...
Emil M. Cioran (Notebooks)
SEC audits consisted primarily of confirming that a checklist of documents existed, not necessarily that these documents were accurate, not even that they reflected real trades—just that you had the proper papers in your files.
Harry Markopolos (No One Would Listen)
What’s happening?” he asked. The Marquis spared him a glance, and then returned his gaze to the action in front of them. “You,” he said, “are out of your depth, in deep shit, and, I would imagine, a few hours away from an untimely and undoubtedly messy end. We on the other hand are auditioning bodyguards.
Neil Gaiman (Neil Gaiman's Neverwhere)
A 389-page audit released in 2020 found that money overseen by the Mississippi Department of Human Services (DHS) and intended for the state’s poorest families was used to hire an evangelical worship singer who performed at rallies and church concerts; to purchase a Nissan Armada, Chevrolet Silverado, and Ford F-250 for the head of a local nonprofit and two of her family members; and even to pay the former NFL quarterback Brett Favre $1.1 million for speeches he never gave.
Matthew Desmond (Poverty, by America)
Internal controls and audit oversight are indispensable pillars of sound financial management, providing a framework for safeguarding assets, ensuring the accuracy and reliability of financial reporting, and promoting operational efficiency.
Hendrith Vanlon Smith Jr. (The Virtuous Boardroom: How Ethical Corporate Governance Can Cultivate Company Success)
Most of all, there is this truth: No matter how great your teachers may be, and no matter how esteemed your academy’s reputation, eventually you will have to do the work by yourself. Eventually, the teachers won’t be there anymore. The walls of the school will fall away, and you’ll be on your own. The hours that you will then put into practice, study, auditions, and creation will be entirely up to you.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
It is strange to hear my words Read back to me. I don't think I wrote them To have them ever leave the page. I think I only write What happens across my brain When my feet are too weary To dance anymore.
Stasia Ward Kehoe (Audition)
Yeah. He wants to be a…what do you call those guys?” “A sommelier?” “Right. Said he wanted to see your collection.” “At fifteen he’s already decided what he wants to be?” “Lots of guys have.” “Is that wise? To limit your options at such a young age?
Ryū Murakami (Audition: A Novel)
We are all persons courtesy of someone else, and since we need others to perceive us in order to experience ourselves, it is very hard to like yourself when those nearest you seem to doubt your worth. And when those around you don't see you as you want to see yourself, it is only too easy to lose the way and start auditioning instead for them.
Merle Shain (When Lovers Are Friends)
Ille mi par esse deo videtur ille, si fas est, superare divos, qui sedens adversus identitem te spectat et audit dulce ridentem, misero quod omnis eripit sensus mihi: nam simul te, Lesbia, aspexi, nihil est super mi lingua sed torpet, tenuis sub artus flamma demanat, sonitu suopte tintinant aures gemina, teguntur lumina nocte. otium, Catulle, tibi molestum est; otio exsultas nimiumque gestis; otium et reges prius et beatas perdidit urbes.
Catullus
The European Parliament responded by focusing on corporate governance. If corporations wanted to be legal citizens they could damned well shoulder the responsibilities of good citizenship as well as the benefits. Social as well as financial audits were the order of the day. Directives outlining standards for corporate citizenship were drafted and a lucrative niche for a new generation of management consultants emerged - those who could look at an organization and sound a warning if its structure rewarded pathological behaviour.
Charles Stross (Rule 34 (Halting State, #2))
Do you know those movies about the scary cult of, like, creepy kids who can read minds and worship the devil and live in the cornfields or something? Well, if they were casting for one of those movies, this girl would get the part. They wouldn’t even have to audition her. They would take one look at her and be like, Yes, you are creepy girl number three.
Freida McFadden (The Housemaid (The Housemaid, #1))
Crede în intuiție și Universul te va călăuzi.
Ryū Murakami (Audition)
Do I dare ask him for what I want, As if I knew it, Could find it on some page In some chapter In some book?
Stasia Ward Kehoe (Audition)
Am I lonelier now Than when my sad imagination Had him disappear? Heart torn, Loosing tiny droplets Of sorrow No tape can measure No needle can mend.
Stasia Ward Kehoe (Audition)
Developing and implementing IT governance design effectiveness and efficiency can be a multidirectional, interactive, iterative, and adaptive process.
Robert E. Davis (IT Auditing: IT Governance (IT Auditing, #4))
There's a fine line between stubborn and stupid.
Martin Cahill (Audition for the Fox)
In business, proactive tax compliance is key to avoiding costly penalties and audits.
Hendrith Vanlon Smith Jr.
Karma is the balance sheet of life which debits and credit all your deeds.YourWhich is audited by our creator and actions are based on what we accumulated in it.
Abhysheq Shukla (KARMA)
MANY PHENOMENA—wars, plagues, sudden audits—have been advanced as evidence for the hidden hand of Satan in the affairs of Man, but whenever students of demonology get together the M25 London orbital motorway is generally agreed to be among the top contenders for Exhibit A.
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
Keeping the whole safe for people to practice their audition pieces seems like the one good reason to fight this war. If music stops, and art ceases, and beauty fades, what have we then?
Julie Berry (Lovely War)
Because in fact we don’t want to see the thing itself, on a screen or on a stage, we don’t want to see actual pain or suffering or death, but its representation. Our awareness of the performance is what allows us to enjoy the emotion, to creep close to it and breathe in its atmosphere, performance allows this dangerous proximity.
Katie Kitamura (Audition)
You have to watch your step with women these days, Pops. She could be involved with Yakuza or something. Even some of the girls in my class -- you should hear the stuff they talk about. Fifteen years old, and there's nothing they don't know. We're not in the age of Peace and Love anymore.
Ryū Murakami (Audition)
The Afghan army and police forces looked robust on paper. But a large percentage materialized as ghost billets, or no show jobs. Afghan commanders inflated the numbers so they could pocket millions of dollars in salaries -- paid by US taxpayers -- for imaginary personnel, according to US government audits.
Craig Whitlock (The Afghanistan Papers: A Secret History of the War)
But sometimes things happen that no one hopes for. Events that cause everything you've worked towards, the life you've carefully constructed piece by piece, to come tumbling down all around you. No one is to blame, but you're left with a wound you can't heal on your own and can't believe you'll ever learn to accept, so you struggle to escape the pain. Only time can heal wounds as deep as that - a lot of time - and all you can really do is place yourself in its hands and try to consider the passing of each day a victory. You tough it out moment by moment, hour by hour, and after some weeks or months you begin to see signs of recovery. Slowly the wound heals into a scar.
Ryū Murakami (Audition)
My mind, a Venn diagram. You, the overlap and the intersect; a pulsating glimmer—omnipresent, a lighthouse with its glowing breath. You are the stone that skirts the river, that skips along its crystal plane; a surface skimmed by concentric shimmer, and trembles with the touch of rain. You are worlds that spin in orbit, a star who rose and fell; infinity summoned for audit— a penny toss in the wishing well.
Lang Leav (The Universe of Us)
Yet the drive to assess the performance of workers and to measure forms of labor which, by their nature, are resistant to quantification, has inevitably required additional layers of management and bureaucracy. What we have is not a direct comparison of workers’ performance or output, but a comparison between the audited representation of that performance and output. Inevitably, a short-circuiting occurs, and work becomes geared towards the generation and massaging of representations rather than to the official goals of the work itself.
Mark Fisher (Capitalist Realism: Is There No Alternative?)
In many ways the effect of the crash on embezzlement was more significant than on suicide. To the economist embezzlement is the most interesting of crimes. Alone among the various forms of larceny it has a time parameter. Weeks, months, or years may elapse between the commission of the crime and its discovery. (This is a period, incidentally, when the embezzler has his gain and the man who has been embezzled, oddly enough, feels no loss. There is a net increase in psychic wealth.) At any given time there exists an inventory of undiscovered embezzlement in — or more precisely not in — the country’s businesses and banks. This inventory — it should perhaps be called the bezzle — amounts at any moment to many millions of dollars. It also varies in size with the business cycle. In good times people are relaxed, trusting, and money is plentiful. But even though money is plentiful, there are always many people who need more. Under these circumstances the rate of embezzlement grows, the rate of discovery falls off, and the bezzle increases rapidly. In depression all this is reversed. Money is watched with a narrow, suspicious eye. The man who handles it is assumed to be dishonest until he proves himself otherwise. Audits are penetrating and meticulous. Commercial morality is enormously improved. The bezzle shrinks. … Just as the boom accelerated the rate of growth, so the crash enormously advanced the rate of discovery. Within a few days, something close to a universal trust turned into something akin to universal suspicion. Audits were ordered. Strained or preoccupied behavior was noticed. Most important, the collapse in stock values made irredeemable the position of the employee who had embezzled to play the market. He now confessed.
John Kenneth Galbraith (The Great Crash 1929)
I take pride in playing immigrant characters. I've come across people who had a negative opinion about playing Asian characters that have an accent. I've even met Asian actors who won't audition for a role that has an Asian accent. They believe these accented characters reinforce the stereotype of an Asian being the constant foreigner. Frankly, I can't relate. I was an immigrant. And no matter how Americanized I become, no matter how much Jay-Z I listen to, I'll always be an immigrant. Just because I don't speak English with an accent anymore doesn't mean that I'm better than the people who do. My job as an actor is not to judge anyone and to portray a character with humanity. There are real people with real Asian accents in the real world. I used to be one of them. And I'm damn proud of it.
Jimmy O. Yang (How to American: An Immigrant's Guide to Disappointing Your Parents)
Librarians are almost always very helpful and often almost absurdly knowledgeable. Their skills are probably underestimated and largely underemployed.
Charles Medawar (The Social Audit Consumer Handbook: A Guide to the Social Responsibilities of Business to the Consumer)
I hover over myself Watching. Mind and body separated, Each in control As though there are two puppeteers Working the strings of my marionette self.
Stasia Ward Kehoe (Audition)
Is truth here In the ugly unseemliness? The graceless moments Before and after Eyes are watching? In the unballerina The unperformed?
Stasia Ward Kehoe (Audition)
Her body disappears like my voice When I look too closely in the mirror Without the pages of a notebook, a pen To save me.
Stasia Ward Kehoe (Audition)
People were infected with the concept that happiness was something outside themselves,
Ryū Murakami (Audition)
To go into acting is like asking for admission to an insane asylum. Anyone may apply, but only the certifiably insane are admitted.
Michael Shurtleff (Audition: Everything an Actor Needs to Know to Get the Part)
To the perfectionist, there is always room for improvement. The perfectionist calls this humility. In reality, it is egotism. It is pride that makes us want to write a perfect script, paint a perfect painting, perform a perfect audition monologue.
Julia Cameron (The Artist's Way: A Spiritual Path to Higher Creativity)
List the worst things that the other party could say about you and say them before the other person can. Performing an accusation audit in advance prepares you to head off negative dynamics before they take root. And because these accusations often sound exaggerated when said aloud, speaking them will encourage the other person to claim that quite the opposite is true.         ■
Chris Voss (Never Split the Difference: Negotiating as if Your Life Depended on It)
Focus,” Mary muttered, chastising herself and her wandering mind. From her stereo came the soothing sounds of monks, vocalizing an ancient hymn meant to bring one closer to enlightenment. Credit where it was due, they were pretty good. Mary couldn’t remember ever hearing a bad singing monk, though. Was it just a byproduct of monkhood that one gained a great singing voice? Or maybe they had auditions before one got in. “Great, great, you want enlightenment, but I’ll need to hear you belt out some show tunes before we let you in.” Were there scouts out there scouring the vocal talents of a new generation and recruiting them to top-notch monasteries?
Drew Hayes (Super Powereds: Year 3)
She told me that real strength is the capacity for kindness to others, and that I should do whatever I could to find that kind of strength. She said she couldn’t tell me how to go about doing that, because she never found it herself, but that people who where strong enough to be kind to others could always get by in this world.
Ryū Murakami (Audition)
More and more often, I was surprised by the person in the mirror, it was not the lines at my mouth or the hollowness around my eyes, it was the lag in recognition that was the most troubling, the brief moment when I looked in the mirror and did not know who I was.
Katie Kitamura (Audition)
Before I met Isaac, before I auditioned for Hamlet, before I had anything else that was good here, I had you. You were the first person to break through the walls I’d built up around myself from all that shit with Xavier, and I just want to thank you for that.” “Dammit, Holloway,” Angie said, swiping her fingertips under her eyes. “You’re a life saver, McKenzie, okay?” I said. “You’re a fucking life saver.
Emma Scott (In Harmony)
But when we experience pain or trauma, we’re acutely aware that something is wrong. You want answers. “What is this? How do I get rid of this? Why is this happening to me? I don’t want this.” That’s why so much art, and music, in particular, becomes a great commiserating balm for pain. Joy doesn’t need to be audited. We’re just grateful to have had it at all. But pain, goddammit, we demand to know Who’s responsible for this?
Jeff Tweedy (Let's Go (So We Can Get Back): A Memoir of Recording and Discording with Wilco, Etc.)
What you see is what I am. I've not had my boobs done or my arse lifted, no nips, no tucks. No ribs removed, nothing. Those little strumpets we see on the silver screen today are mostly bathroom sealant. They buy breasts over the counter. What would you like, honey, small, medium or large? They give us stick insects and tell us it's beauty. If someone of their size went for an audition jn my day she'd have been shown a square meal and told to come back when she was a stone heavier. What's wring with curves? Anyone over a ten these days is regarded not as an average-sized woman but a marketing opportunity. Cream for this, pills for that, superfluous hair, collagen injection, quick weight-loss diets. Where's it going to end? We're pressured to expend so much money and effort ti be the 'perfect' shape when that shape is physically attainable by only one woman in a million. It's the cold face of capitalism, boys and girls, preying in misguided expectations. Besides, I always found perfection an overrated commodity
Jasper Fforde
Everyone is aware of the fact that visual and auditive perspective are identical; the only difference being that they are created and perceived by two physically different organs, the eye and the ear. How often the playing of a great master makes us think of a picture with a deep background and varying planes; the figures in the foreground almost leap out of the frame whereas in the background the mountains and clouds are lost in a blue haze.
Heinrich Neuhaus (The Art of Piano Playing)
Does it matter that people and things Have words, Have names? If not, Why read any book? A litany of useless letters Detached from bone, muscle. Or are words the only things that make the muscle, bone, memory, movement, Person Real?
Stasia Ward Kehoe (Audition)
He places one of his long fingers over my lips, silencing me. I can smell my own musky arousal on his digit and I have the strongest urge to take it in my mouth and suck it as I did earlier during my audition. He says nothing but drills into me with those dazzling eyes. I have the strangest feeling that he is looking into my soul. “Let us see where the wave takes us. I know I am going to enjoy the ride and I can guarantee our mutual satisfaction. Maybe we’ll be washed to shore, I just don’t know yet, but you can be certain of one thing…” I gaze up at him from his chest, breathing in the scent of his masculinity as I do. “What’s that, sir?” I ask, my voice betraying the curiosity I feel. He looks down at me for a long, hard moment before he answers. “I won’t let you drown.
Felicity Brandon (Submission at The Tower: The Depths of Desire)
And I would guess there’s a lot more similarity in how we suffer than the way we experience joy. Rejection stays with you, but I don’t think people register it when they’re happy. They don’t say, “I need to remember what this feels like.” It just goes by, and it’s perfect and awesome, and you feel grateful that you get to experience even a fleeting moment of pure, unbridled, unsarcastic bliss. But when we experience pain or trauma, we’re acutely aware that something is wrong. You want answers. “What is this? How do I get rid of this? Why is this happening to me? I don’t want this.” That’s why so much art, and music, in particular, becomes a great commiserating balm for pain. Joy doesn’t need to be audited. We’re just grateful to have had it at all. But pain, goddammit, we demand to know Who’s responsible for this?
Jeff Tweedy (Let's Go (So We Can Get Back): A Memoir of Recording and Discording with Wilco, Etc.)
I had found a woman whom I had not known, and who from day to day had grown stranger to me, yet closer. Now she seemed to be slipping away from me again, into a realm where all names are forgotten, where there is only darkness and perhaps certain unknown laws of darkness. She rejected that dark realm; she came back, but she no longer belonged to me as I had tried to believe. Perhaps she had never belonged to me; who, after all, belongs to whom, and what is it to belong to someone, to belong to one another? Isn't it a forlorn illusion, a convention? Time and again she turned back, as she called it, for an hour, for the duration of a glance, for a night. And always I felt like a bookkeeper who is not allowed to audit. I could only accept without question whatever this unaccountable, unhappy, damned, and beloved creature chose to be and to tell me. ... Loneliness demands a companion and does not ask who it is. If you don't know that, you may have been alone, but you were never lonely.
Erich Maria Remarque (The Night in Lisbon)
Bekka treated her role has Frankenstein's bride more like an audition to be Brett's bride. Every part of her body had been colored bright kelly green - even parts that her mother had stressed were 'not to be seen by anyone except God and the inside of a toilet bowl.' Instead of wearing a wig, Bekka had teased and then shellacked her own hair into a windblown cone and she'd used female-mustache bleach to create white streaks. Her seams, made of real suture thread, had been attached to her neck and wrists with clear double-sided costume tape because drawing them on with kohl would not have been 'honoring the character.' Her Costume Castle dress had been exchanged for something 'more authentic' from the Bridal Barn. If Brett didn't see his future in her heavily black-shadowed eyes tonight, he never would. Or so she believed.
Lisi Harrison (Monster High (Monster High, #1))
Laws continue to be enacted, and the regulatory environment has become more complex due to unacceptable conduct remediation. Consequently, entities continue to be compelled to demonstrate compliance with legal mandates through documented assurance assessments.
Robert E. Davis (Assuring IT Legal Compliance (Assurance Services, #1))
She’s hysterical, like I was in the Hollywood Homicide audition. Her hysteria frightens me and demands to be taken care of. ‘Never mind,’ I say loudly so Mom can hear it through her sobs. Her crying stops immediately, except for one leftover sniffle, but as soon as that sniffle is over, it’s complete silence. I’m not the only one who can cry on cue.
Jennette McCurdy (I'm Glad My Mom Died)
Maybe you’re prone to heartburn?
Andrew Givler (Dandelion Audit (Debt Collection, #2))
The death of someone close to you, he realized at that moment, was something you came to accept one concrete fact at a time.
Ryū Murakami (Audition: A Novel)
A gemba attitude means going to the source to check the facts to arrive at well-informed decisions
Stephen Asbury (Health & Safety, Environment and Quality Audits)
Now, the edges of these memories sharpen. I see the cracks in the studio floor beneath her feet, The lack of turnout in her fifth position.
Stasia Ward Kehoe (Audition)
Are we alike In that in-betweenness? Can he see, When I smile my blue eyes back At his brown ones, The country-city-woman-girl Dancer, student Bewildered Unbelonging Yearning?
Stasia Ward Kehoe (Audition)
It had been a heedless moment. I had entered the stage of life where there is a certain amount of immutability, in middle age, change is experienced primarily as a kind of attrition.
Katie Kitamura (Audition)
As for relegated/delegated responsibility to ensure organizational software licensing compliance, management is still accountable when intellectual property rights are violated. If the safeguarding responsibility is assigned to an ineffective and/or inefficient unit within an organization, IT audit should recommend an alternative arrangement after the risks are substantiated.
Robert E. Davis
Here, it is possible to be two things at once. Not a splitting of personality or psyche, but the natural superimposition of one mind on top of another mind. In the space between them, a performance becomes possible. You observe yourself, you watch yourself act, you hear yourself speak, a line that is articulated and then articulated again, and the meaning that is produced is at once entirely real—as it is experienced on stage, as it is experienced by the audience—and also the predictable result of your craft, the choices you have made, the control that cedes freedom.
Katie Kitamura (Audition)
Almost every job I have ever gotten was due to someone knowing my work or seeing me in something else. I was in UCB and Andy Richter suggested I do stuff for Conan. Being on Conan helped me land a part in Deuce Bigalow. My UCB television show and friends helped me get an audition for SNL; my SNL connections resulted in Parks and Recreation. See, years and years of hard work and little bits of progress isn’t nearly as entertaining as imagining me telling a joke in a Boston food court when suddenly Lorne Michaels walks up and says, “I must have you for a little show I do.
Amy Poehler (Yes Please)
When Archibald and Maggie met in that audition line, they had no idea what they were at the beginning of. They didn’t know that their love of dancing would make a place for others to love it too. Or that their love would branch out into the world and make children and then grandchildren. Or that their love would lead to mine. Maybe the whole point of love is to make more of itself.
Nicola Yoon (Instructions for Dancing)
The end will come when businessmen accept "You can't fight city hall" as their philosophy and settle down to "exist" within the framework of a completely-controlled, federally-dominated economy. When fear of a lost government contract, an income tax audit, or the disfavor of a vocal customer is more important for most Americans than standing up for principle, the fight will be over.
John A. Stormer (None Dare Call It Treason)
Addicts don't like when you tell them they are all the same. Of course not. Who would? But to me, addicts are like actresses, who all audition for the same role in a horror movie. It doesn't matter how they got to the audition. It doesn't matter how or where they grew up, once they get to the audition, all the actresses act in the same way and read the same lines. They all become the same character.
Oliver Markus (Sex and Crime: Oliver's Strange Journey)
What was true and solid begins to slide, dissolve. Your thoughts unravel faster than a satin ribbon Whose edge hasn't been burned Until you sit amidst a tangle of limp, pink threads, Unable to reason At all.
Stasia Ward Kehoe (Audition)
But I've found the truest form of love," he tells me. "It's two loves that can live in harmony." He looks down at me. I stare up at him. My heart on an ascent. "The circus and you," he whispers, "amour amour.
Krista Ritchie (The Failed Audition (Circus Is Family #1))
I see that you have come to the last stage of human life; you are close upon your hundreth year, or even beyond: come now, hold an audit of your life. Reckon how much of your time has been taken up by a money-lender, how much by a mistress, a patron, a client, quarreling with your wife, punishing your slaves, dashing about the city on your social obligations. Consider also the diseases which we have brought on ourselves, and the time too which has been unused. You will find that you have fewer years than you reckon. Call to mind when you ever had a fixed purpose; how few days have passed as you had planned; when you were ever at your own disposal; when your face wore its natural expression; when your mind was undisturbed; what work you have achieved in such a long life; how many have plundered your life when you were unaware of your losses; how much you have lost through groundless sorrow, foolish joy, greedy desire, the seductions of society; how little of your own was left to you. You will realize that you are dying prematurely.
Seneca (On the Shortness of Life: Life Is Long if You Know How to Use It (Penguin Great Ideas))
From eating at El Pollo Loco salsa bar to the Golden Globes buffet, I managed to stumble through this journey with the perseverance of an immigrant and the mindset of an American. I learned to thrive on being uncomfortable to pursue what I loved. The English language was uncomfortable, so I studied BET until it became my natural tongue. Doing stand-up was uncomfortable, so I hung out at the Comedy Palace until it became my second home. Auditions were uncomfortable, so I spent six hundred bucks a month on acting classes while I slept in some dude's living room for three hundred bucks until acting became my profession. I never looked at these challenges as barriers; I saw them as opportunities to grow. I'd rather try to pursue my dream knowing that I might fail miserably than to have never tried at all. That is How to American.
Jimmy O. Yang (How to American: An Immigrant's Guide to Disappointing Your Parents)
Forget about weak or strong, aggressive or passive. There are no passive characters, there are no weak ones. There is winning and there is losing, but every actor must fight for something he wants and needs. If you are concerned about getting what you need, then you will never let preconceived judgments get in your way.
Michael Shurtleff (Audition: Everything an Actor Needs to Know to Get the Part)
I wish I could concentrate on dancing Instead of spending so much time pretending I am still in junior high But with Rem, I want to be sixteen Or, like Alice in Wonderland, Sometimes smaller, Sometimes bigger still.
Stasia Ward Kehoe (Audition)
I hear you're a writer,' said 2040..."What are you writing about?' Not liking to discuss my writing with strangers, I had been privately auditioning possible conversation stoppers, but I didn't think that I would ever have the nerve to use one. But now, in the most awkward of situations, it seemed appropriate. 'Actually, I'm writing a biography,' I responded casually. 'About a man in Alaska who makes foie gras from penguins.
Phoebe Damrosch (Service Included: Four-Star Secrets of an Eavesdropping Waiter)
As much as I'd dreamed of being a part of Peter's tight-knit family, I realize now I'd also never cried in front of them, never complained about work or opened up about how hard I found it to trust new people. I'd never even used a curse word in front of them. Their perfection hadn't drawn me in– it had intimidated me. I spent our whole relationship auditioning, the same way I I always feel when I'm with Dad, praying I'm doing enough to make the cut.
Emily Henry (Funny Story)
The wealthy have also fought to underfund and defang the Internal Revenue Service, so it doesn’t have the resources to audit or fight dubious deductions. Only about 6 percent of tax returns of those with income of more than $1 million are audited, along with 0.7 percent of business tax returns. Meanwhile, there is one group that the IRS scrutinizes rigorously: the working poor with incomes below $20,000 a year who receive the Earned Income Tax Credit. More than one-third of all tax audits are focused on that group struggling to make ends meet, even as the agency cuts back on audits of the wealthy—while the top 5 percent of taxpayers account for more than half of all underreported income.
Nicholas D. Kristof (Tightrope: Americans Reaching for Hope)
Staying level with Tess was going to require fast thinking, which was mighty difficult considering all the blood he needed for said thought processes was now hurtling south. “What would this job involve?” “Only one task. Make. Me. Believe.” “That I’m your fiancé?” Cue her smile, sly and sexy. First time she’d let him in on that action, too. “That you want me more than your next breath.” If she moved forward a couple of inches, his boner would make her believe.
Kate Meader (Even the Score (Tall, Dark, and Texan, #1))
The Americans struggled to understand just how much support reached bin Laden in Afghanistan from Saudi sources. It appeared to be substantial, even into 2000. A Saudi government audit of the National Commercial Bank, the kingdom’s largest, showed that at least $3 million had flowed from its accounts to bin Laden. One of Saudi Arabia’s largest charities, the International Islamic Relief Organization, acknowledged that it had sent about $60 million to the Taliban.25
Steve Coll (Ghost Wars: The Secret History of the CIA, Afghanistan & Bin Laden from the Soviet Invasion to September 10, 2001)
In real life, we don't get to return to our twenties and step onto the airplane we were afraid to fly; or audition for the play that excited and scared us; or ask the beauty to dinner; or take the job in Boston, despite logistical concerns. What's done is done and all we can do is tell ourselves the intuitively well-crafted stories of what might have been. But in fiction, what has been done can be undone and what hasn't been done can be done -- and very often should be. No limitations. No excuses. And no regrets.
Robin Black
TRY THIS: AUDIT YOUR TIME Spend a week tracking how much time you devote to the following: family, friends, health, and self. (Note that we’re leaving out sleeping, eating, and working. Work, in all its forms, can sprawl without boundaries. If this is the case for you, then set your own definition of when you are “officially” at work and make “extra work” one of your categories.) The areas where you spend the most time should match what you value the most. Say the amount of time that your job requires exceeds how important it is to you. That’s a sign that you need to look very closely at that decision. You’re deciding to spend time on something that doesn’t feel important to you. What are the values behind that decision? Are your earnings from your job ultimately serving your values?
Jay Shetty (Think Like a Monk: Train Your Mind for Peace and Purpose Everyday)
Are you okay?” I want to grab him by the shoulders and check for physical damage. I’ll crack open his chest to check how bad his heart looks. “Me?” He thinks for a second. “Everyone just asks if she’s okay.” “Yeah, because she’s just lost you . Are you okay? Do I need to go and beat the shit out of her?” I notice one of the cabinets above me is ajar. For something to do, I put a hand up to close it. When my fingers hook into the tiny handle, the web-thin hinge breaks. Now I’m standing here with a broken door in my hand. I lean it against my leg and try to look cool, but I’m practically auditioning for SmackDown. Unwillingly, he laughs. I am going to beat Megan with this door until she realizes what a fuckup she’s made. He knows exactly what I’m thinking. “You’re always so vicious, DB.
Sally Thorne (99 Percent Mine)
And then there’s Mississippi. A 389-page audit released in 2020 found that money overseen by the Mississippi Department of Human Services (DHS) and intended for the state’s poorest families was used to hire an evangelical worship singer who performed at rallies and church concerts; to purchase a Nissan Armada, Chevrolet Silverado, and Ford F-250 for the head of a local nonprofit and two of her family members; and even to pay the former NFL quarterback Brett Favre $1.1 million for speeches he never gave. (Favre later returned the money.) There’s more.
Matthew Desmond (Poverty, by America)
Withnail: This is ridiculous. Look at me, I'm 30 in a month and I've got a sole flapping off my shoe. Marwood: It'll get better, it has to. Withnail: Easy for you to say, luvvie, you've had an audition. Why can't I have an audition? It's ridiculous. I've been to drama school. I'm good looking. I tell you, I've a fuck sight more talent that half the rubbish that gets on television. Why can't I get on television? Marwood: Well, I don't know. It'll happen. Withnail: Will it? That's what you say. The only programme I'm likely to get on is the fucking news.
Bruce Robinson (Withnail and I: the Original Screenplay)
Much of what bureaucrats do, after all, is evaluate things. They are continually assessing, auditing, measuring, weighing the relative merits of different plans, proposals, applications, courses of action, or candidates for promotion. Market reforms only reinforce this tendency. This happens on every level. It is felt most cruelly by the poor, who are constantly monitored by an intrusive army of moralistic box-tickers assessing their child-rearing skills, inspecting their food cabinets to see if they are really cohabiting with their partners, determining whether they have been trying hard enough to find a job, or whether their medical conditions are really sufficiently sever to disqualify them from physical labor. All rich countries now employ legions of functionaries whose primary function is to make poor people feel bad about themselves. (p. 41)
David Graeber (The Utopia of Rules: On Technology, Stupidity, and the Secret Joys of Bureaucracy)
No, making you realize that your body size isn’t something shameful, but something to be celebrated. People come in all different shapes, and one is not better over another. But for the record, I love every curve and dip that graces your beautiful frame. You’re perfection in human form.
Wendi Guff (Audited by the Anubis (Monstrous Meet Cutes #1))
Kaya makapal ang mukha ko at matigas ang bituka,e. Hindi kilala ang pagsuko dahil hangga't wala akong inaapakang tao, inilalaban ko ang magpapasaya sa puso ko- kahit mabasted nang ilang libong beses, 500 doon ay sa text pa; kahit hindi matanggap sa audition para sa role ni Pilosopo Tasyo sa El Fili; kahit madalas palakol sa exam; kahit hindi ako laging nakakapasa sa kung ano ang tingin ng iba na disente at tama, go pa rin. Sabi nga ng paborito kong mga philosophers, "Laban, laban!" [Sexbomb Girls]. Bawal bumawi kung ang gusto mo lang naman mapalanunan ay ligaya at pagmamahal.
Rod Marmol (Lahat Tayo May Period (At Iba Pang Punctuation Marks))
Here's the truth. If you have a choice between auditioning for a great role over a bad role, you are privileged. That means not only do you have a top agent who can get you in, you are at a level that you would be considered for it. Our profession at any given time has a 95 percent unemployment rate. Only 1 percent of actors are famous, and we won't get into defining famous. The 0.04 percent are the stories you read about in the media. 'Being picky,' 'dropping agents,' making far less than male counterparts. Never having any regrets in terms of roles they've taken. Yada, yada, yada.
Viola Davis (Finding Me)
It was as if he’d abandoned himself to his despair, but in fact, Aoyama knew, he was fervently searching for something. Something that, once found, would keep him from having to feel the pain of his wound. To just entrust oneself to time was to exterminate oneself, to temporarily accept a kind of death.
Ryū Murakami (Audition: A Novel)
Unthrifty loveliness, why dost thou spend   Upon thy self thy beauty's legacy?   Nature's bequest gives nothing, but doth lend,   And being frank she lends to those are free:   Then, beauteous niggard, why dost thou abuse   The bounteous largess given thee to give?   Profitless usurer, why dost thou use   So great a sum of sums, yet canst not live?   For having traffic with thy self alone,   Thou of thy self thy sweet self dost deceive:   Then how when nature calls thee to be gone,   What acceptable audit canst thou leave?     Thy unused beauty must be tombed with thee,     Which, used, lives th' executor to be.
William Shakespeare (Shakespeare's Sonnets)
When did pursuing your ambitions cross the line from brave into foolhardy? How did you know when to stop? In earlier, more rigid, less encouraging (and ultimately, more helpful) decades, things would be much clearer: you would stop when you turned forty, or when you got married, or when you had kids, or after five years, or ten years, or fifteen. And then you would go get a real job, and acting and your dreams for a career in it would recede into the evening, a melting into history as quiet as a briquette of ice sliding into a warm bath. But these were days of self-fulfillment, where settling for something that was not quite your first choice of a life seemed weak-willed and ignoble. Somewhere, surrendering to what seemed to be your fate had changed from being dignified to being a sign of your own cowardice. There were times when the pressure to achieve happiness felt almost oppressive, as if happiness were something that everyone should and could attain, and that any sort of compromise in its pursuit was somehow your fault. Would Willem work for year upon year at Ortolan, catching the same trains to auditions, reading again and again and again, one year maybe caterpillaring an inch or two forward, his progress so minute that it hardly counted as progress at all? Would he someday have the courage to give up, and would he be able to recognize that moment, or would he wake one day and look in the mirror and find himself an old man, still trying to call himself an actor because he was too scared to admit that he might not be, might never be? According
Hanya Yanagihara (A Little Life)
I have always found it difficult not to be moved by Jerusalem, even when I hated it—and God knows I have hated it for the sheer human cost of it. But the sight of it, from afar or inside the labyrinth of its walls, softens me. Every inch of it holds the confidence of ancient civilizations, their deaths and their birthmarks pressed deep into the city's viscera and onto the rubble of its edges. The deified and the condemned have set their footprints in its sand. It has been conqured, razed and, rebuilt so many times that its stones seem to possess life, bestowed by the audit trail of prayer and blood. Yet somehow, it exhales humility. It sparks an inherent sense of familiary in me—that doubtless, irrefutable Palestinian certainty that I belong to this land. It possesses me, no matter who conquers it, because its soil is the keeper of my roots, of the bones of my ancestors. Because it knows the private lust that flamed the beds of all my foremothers. Because I am the natural seed of its passionate, tempestuous past. I am a daughter of the land, and Jerusalem reassures me of this inalienable right, far more than the yellowed property deeds, the Ottoman land registries, the iron keys to our stolen homes, or UN resolutions and decrees of superpowers could ever do.
Susan Abulhawa (Mornings in Jenin)
It was easy to tell who at Ortolan was once an actor and was now a career waiter. The careerists were older, for one, and precise and fussy about enforcing Findlay’s rules, and at staff dinners they would ostentatiously swirl the wine that the sommelier’s assistant poured them to sample and say things like, “It’s a little like that Linne Calodo Petite Sirah you served last week, José, isn’t it?” or “Tastes a little minerally, doesn’t it? This a New Zealand?” It was understood that you didn’t ask them to come to your productions—you only asked your fellow actor-waiters, and if you were asked, it was considered polite to at least try to go—and you certainly didn’t discuss auditions, or agents, or anything of the sort with them. Acting was like war, and they were veterans: they didn’t want to think about the war, and they certainly didn’t want to talk about it with naïfs who were still eagerly dashing toward the trenches, who were still excited to be in-country. Findlay
Hanya Yanagihara (A Little Life)
But even in September, Thursday was a big money night, seven to eight hundred take-home, and that's what April concentrated on as she drove, Franny's chin starting to loll against her chest—April made herself think of that fat roll of tens and twenties she'd have at closing, how she'd fold it into the front pocket of her jeans then go to the house mom's office off the dressing room and give Tina a hundred before she found Franny in her pj's on Tina's brown vinyl couch, and she'd try not to think of the walls above Tina's desk covered with dancers' schedules and audition Polaroids of naked women, some of them under postcards from girls who came and went.
Andre Dubus III (The Garden of Last Days)
I've wondered about that before, why is it that so much Korean food is spicy? Korea has an incredibly rich culture, but history has been cruel to the people ... But no matter how bad your situation is, you need to eat. And spicy food is a powerful ally when your reserves of courage and energy are low because it stimulates your appetite.
Ryū Murakami (Audition)
I hope it's that she simply doesn't figure large enough in his life to be worth mentioning, Vita thought. And then she thought, if that was the case. It was therefore rather pathetic that Suzie loomed larger for her than for Tim, that Suzie was in some ways a more real presence in her life than in his. What she thought it boiled down to was that she really didn't want the woman he left her for to be the true, profound love of his life. I auditioned for that role. I put so much effort into it, I loved it. I'm not ready to let it go to someone else. But you keep forgetting he didn't leave you, Vita - you left him. And then she thought, is this a slewed version of Aesop's dog in the manger? I don't want him - but I don't want him wanting anyone else? And then she thought, For God's sake, shut up! This is doing me no good at all. All this thinking and wondering that I do isn't going to change him or the past. What a waste of quarter of an hour - sifting through all that emotional JUNK. She knew there was nothing of value in it- she'd been through it with a fine toothcomb over and again.
Freya North (Chances)
The Internal Revenue Service which collects taxation in America is also a private company, though the public believe it is part of their government. In 1863 the Bureau of Internal Revenue was formed to collect taxation, but in 1933, that year again, came the start of another coup on the American people. Three members of the Prescott Bush circle, Helen and Clifton Barton and Hector Echeverria, formed the Internal Revenue Tax and Audit Service, registered in Delaware, America’s flag of convenience state, where few questions are asked. Prescott Bush was the father of George Bush. In 1936, this organisation changed its name to the Internal Revenue Service and ran as a private company. In 1953, the original Bureau of Internal Revenue was disbanded, leaving the private Internal Revenue Service to collect all the taxes, illegal taxes most of them, too. This is controlled by the same people who own the Federal Reserve and the Virginia Company and it is bleeding America dry. The Internal Revenue Service was, appropriately, created by American Nazis who were funding Adolf Hitler under the coordination of Prescott Bush, George’s father.
David Icke (The Biggest Secret: The book that will change the World)
When he was barely 14, he auditioned on one of the most prestigious reality shows in South Korea, known as Superstar K. A show designed to find raw talent in the Korean music industry. The show achieved just that with the discovery of Jungkook. Interestingly, Jungkook did not win the show; neither was he part of the individuals who were selected. But his difference was evident to most of the individuals in the room, and before the show was over, he had received more than seven offers from seven different entertainment companies. The decision he made appeared to be the best decision he made all his life. He chose Big Hit Entertainment and started a 36-month training program with them.  Years later, he was quoted to have said that his present bandmate, Rap Monster, in the label was what influenced his decision.
S.C. Leon (BTS and Blackpink - The Kings and the Queens of K-POP - The guide to your favorite Kpop Biases with profiles, tours, fun facts and more! | UPDATED EDITION)
I knew that what Tomas—what the waiter, and the middle-aged couple sitting at the nearby table, what they had all been misled by was the current of intensity running between Xavier and me. Its source was an imbalance of want. Two people who want the same thing will never generate the same intensity as two people who want different things, or one person who wants into an absence, a void—as was in fact the case with Xavier, who wanted something from me that I could not give. More than that—he wanted something that I could not begin to fathom, a desire with which it felt dangerous to collude or to involve myself.
Katie Kitamura (Audition)
Every time Tesla interacted with Detroit it received a reminder of how the once-great city had been separated from its own can-do culture. Tesla tried to lease a small office in Detroit. The costs were incredibly low compared with space in Silicon Valley, but the city’s bureaucracy made getting just a basic office an ordeal. The building’s owner wanted to see seven years of audited financials from Tesla, which was still a private company. Then the building owner wanted two years’ worth of advanced rent. Tesla had about $50 million in the bank and could have bought the building outright. “In Silicon Valley, you say you’re backed by a venture capitalist, and that’s the end of the negotiation,” Tarpenning said. “But everything was like that in Detroit. We’d get FedEx boxes, and they couldn’t even decide who should sign for the package.
Ashlee Vance (Elon Musk: Inventing the Future)
You didn't call me last night." "Was I supposed to?" He looked down. "Just figured now that you had my number...Kept my phone on all night, just in case." He laughed. "I started to worry that it didn't work. Actually went out to a pay phone to test it." "You could have called me. That way you left me after lunch on Saturday, I figured..." I ended there and shrugged, not wanting to be mad at him or get into any kind of argument. "Anyway, after auditions I went to the gym with Steph, and I'm so behind in my homework it's not even funny." Of course I'd punched in his number about eighteen times without actually ever calling him. I wasn't sure what I'd say, and worried about how I'd feel if he didn't answer. "I shouldn't have left like that on Saturday." "Yeah, well." I waved my hands. "Don't worry about it. I have to finish getting ready. There's cereal and stuff...just make yourself at home.
Sara Zarr (Sweethearts)
But sometimes things happen that no one hopes for. Events that cause everything you’ve worked towards, the life you’ve carefully constructed piece by piece, to come tumbling down all around you. No one is to blame, but you’re left with a wound you can’t heal on your own and can’t believe you’ll ever learn to accept, so you struggle to escape the pain. Only time can heal wounds as deep as that – a lot of time – and all you can really do is place yourself in its hands and try to consider the passing of each day a victory.
Ryū Murakami (Audition)
HOW TO KNOW IF SOMEONE CAN BE TRUSTED Use this expanded checklist to audit your relationship with regard to your partner toward you and you toward him or her. Show this list and your responses to it to your partner. Ask him or her to use the same list regarding you. If you or your partner are not truly described by this list of positive qualities, discuss what action you can take to change things for the better. MY PARTNER   Shows integrity and lives in accord with standards of fairness and honesty in all his or her dealings. (There is a connection between integrity and trust in the Webster’s Dictionary definition: “Trust is the assured reliance on another’s integrity.”)   May operate on the basis of self-interest but never at my expense or the expense of others.   Will not retaliate, use the silent treatment, resort to violence, or hold a grudge.   Predictably shows me the five A’s.   Supports me when I need him or her. Keeps agreements. Remains faithful.   Does not lie or have a secret life. Genuinely cares about me.   Stands by me and up for me.   Is what he or she appears to be; wants to appear just as he or she is, no matter if at times that is unflattering.
David Richo (Daring to Trust: Opening Ourselves to Real Love and Intimacy)
For instance, the United States now has the highest corporate tax rate in the industrialized world: 39.1 percent (35 percent federal tax plus the average state tax). Even in Sweden, it’s only 22 percent. In France, it’s 34.4 percent—and their leaders are actual, card-carrying socialists! If that’s not enough to scare corporations away from building factories in America, consider all the other disincentives placed on them: the Obamacare mandates; the explosion of government regulations from the EPA, the FTC, and the whole alphabet soup of federal agencies; the fact that if they want to move money they made and had already paid taxes on in other nations back to America, where it could create jobs, we tax it again, eliminating their profits. The private research firm Audit Analytics calculated that between 2008 and 2013, American-owned corporations amassed over $2.1 trillion in profits overseas that were not brought back to the United States to be reinvested because they would be subject to double taxation. Imagine how big a “stimulus” it would be to job creation here at home to inject $2.1 trillion of nonborrowed money directly into private sector investment. Companies used to run to America; now they run from America.
Mike Huckabee (God, Guns, Grits, and Gravy: and the Dad-Gummed Gummint That Wants to Take Them Away)
People always talk about the health benefits of Japanese food,’ he said, ‘but I’m fascinated by other aspects of the Japanese dining experience. Like the whole system of serving food at a counter like this, with the customers all facing the same direction, instead of each other. It’s strange when you think about it. At a sushi bar, for example, everyone’s facing the itamae-san, and you discuss the things you’re eating – what type of squid this is, and where they’re caught, and how this is the season for them but they’ll only be at their best for another couple of weeks, and so on. Discussing the food with the chef even as you eat it – that’s a peculiar system.’ ‘I suppose it is, isn’t it? I don’t go to sushi restaurants very often – they’re so expensive – and I could probably count the number of times I’ve sat at the counter, but I know what you mean. There’s something about that atmosphere.’ ‘At its worst, it’s almost an atmosphere of collusion.’ ‘Collusion?’ ‘Everyone at the counter becomes a member of the group. In some sushi bars, all the customers are regulars and they all know each other. As an outsider, you need courage to walk into a place like that and take a seat. It’s a tight-knit little community, and harmony is of the utmost importance. Nobody’s confronting anyone else individually. The conversation all proceeds through the chef, who’s like a moderator or a master of ceremonies. You couldn’t spend some quiet time with a lover, for example, in a place like that, because you’d be isolating yourselves from the others and spoiling the atmosphere for everyone.
Ryū Murakami (Audition)
Every year before the Days of Awe, the Ba-al Shem Tov, the founder of Hasidic Judaism, held a competition to see who would blow the shofar for him on Rosh Hashanah. Now if you wanted to blow the shofar for the Ba-al Shem Tov, not only did you have to blow the shofar like a virtuoso, but you also had to learn an elaborate system of kavanot — secret prayers that were said just before you blew the shofar to direct the shofar blasts and to see that they had the proper effect in the supernal realms. All the prospective shofar blowers practiced these kavanot for months. They were difficult and complex. There was one fellow who wanted to blow the shofar for the Ba-al Shem Tov so badly that he had been practicing these kavanot for years. But when his time came to audition before the Ba-al Shem, he realized that nothing he had done had prepared him adequately for the experience of standing before this great and holy man, and he choked. His mind froze completely. He couldn’t remember one of the kavanot he had practiced for all those years. He couldn’t even remember what he was supposed to be doing at all. He just stood before the Ba-al Shem in utter silence, and then, when he realized how egregiously — how utterly — he had failed this great test, his heart just broke in two and he began to weep, sobbing loudly, his shoulders heaving and his whole body wracking as he wept. All right, you’re hired, the Ba-al Shem said. But I don’t understand, the man said. I failed the test completely. I couldn’t even remember one kavanah. So the Ba-al Shem explained with the following parable: In the palace of the King, there are many secret chambers, and there are secret keys for each chamber, but one key unlocks them all, and that key is the ax. The King is the Lord of the Universe, the Ba-al Shem explained. The palace is the House of God. The secret chambers are the sefirot, the ascending spiritual realms that bring us closer and closer to God when we perform commandments such as blowing the shofar with the proper intention, and the secret keys are the kavanot. And the ax — the key that opens every chamber and brings us directly into the presence of the King, where he may be — the ax is the broken heart, for as it says in the Psalms, “God is close to the brokenhearted.
Alan Lew (This Is Real and You Are Completely Unprepared: The Days of Awe as a Journey of Transformation)
All that day we went about stunned – we, the small town of real people behind the corporate logo of a ringed blue planet spinning through starry space. In the studio's Corner Store, in small groups that met on the company streets and in a hundred offices, we pieced our own experiences together with what was coming to light in the media. The suspect: a deranged, 43-year-old drifter who two days earlier had allegedly killed three people in Albuquerque, NM. He had fled to California where for reasons unknown he had been trying to contact actor-producer Michael Landon on the day of the shootings. The employees he had approached had repeatedly turned him away, since Landon had no particular connection with our studio. But just after dark the man had come back to the main gate again. He had walked up to a young actress waiting for her ride after an audition, said "hello" to her and then stepped over to the guardhouse. "I heard a shot and looked up," a secretary who had been passing nearby told me. "I saw Jeren fall and heard him groan. And there was this guy in a gray jacket just standing over him, pointing down at him with a gun. Then he raised the gun and pointed it at the other guard and shot again, and I saw Armando fall out the other side of the guardhouse. For a split second – just because we're at a movie studio – I thought it must be a movie they were filming. But there weren't any lights or cameras, and I realized it was real, and I thought, ‘He's gonna come after us because we saw it!' So I ran. I felt I was running for my life.
James Glaeg
Imagine yourself in your counterpart’s situation. The beauty of empathy is that it doesn’t demand that you agree with the other person’s ideas (you may well find them crazy). But by acknowledging the other person’s situation, you immediately convey that you are listening. And once they know that you are listening, they may tell you something that you can use. ■​The reasons why a counterpart will not make an agreement with you are often more powerful than why they will make a deal, so focus first on clearing the barriers to agreement. Denying barriers or negative influences gives them credence; get them into the open. ■​Pause. After you label a barrier or mirror a statement, let it sink in. Don’t worry, the other party will fill the silence. ■​Label your counterpart’s fears to diffuse their power. We all want to talk about the happy stuff, but remember, the faster you interrupt action in your counterpart’s amygdala, the part of the brain that generates fear, the faster you can generate feelings of safety, well-being, and trust. ■​List the worst things that the other party could say about you and say them before the other person can. Performing an accusation audit in advance prepares you to head off negative dynamics before they take root. And because these accusations often sound exaggerated when said aloud, speaking them will encourage the other person to claim that quite the opposite is true. ■​Remember you’re dealing with a person who wants to be appreciated and understood. So use labels to reinforce and encourage positive perceptions and dynamics
Chris Voss (Never Split the Difference: Negotiating as if Your Life Depended on It)
What I like to see is when actors use their celebrity in an interesting way. Some of them have charitable foundations, they do things like try to bring attention to the plight of women and girls in Afghanistan, or they're trying to save the White African Rhino, or they discover a passion for adult literacy, or what have you. All worthy causes, of course, and I knowtheir fame helps to get the word put. But let's be honest here.None of them went into the entertainment industry because they wanted to do good in the world. Speaking for myself, I didn't even think about until I was already successful. Before they were famous, my actor friends were just going to auditions and struggling to be noticed, taking any work they could find, acting for free in friends movies, working in restaurants or as caterers, just trying to get by. They acted because they loved acting, but also, let's be honest here, to be noticed. All they wantedf was to be seen. I've been thinking lately about immortality. What it means to be remembered, what I want to be remembered for, certainquestions concerning memory and fame. I love watching old movies. I watch the faces of long-dead actors on the screen, and I think about how they'll never truly die. I know that's a cliche but it happens to be true. Not just the famous ones who everyone knows, but the bit players, the maid carrying the tray, the butler, the cowboys in the bar, the third girl from the left in the night-club. They're all immortal to me. First we only want to be seen, but once we're seen, that's not enough anymore. Afterthat, we want to be remembered.
Emily St. John Mandel (Station Eleven)
Hope, though; now there’s a real pest. Hope doesn’t just nibble your cheese and chew holes in your skirting boards. Hope keeps you plodding on when it really is time to call it quits. Hope drags you to sixteen auditions in a single day, when there’s a nice job in your brother-in-law’s tannery just waiting for you. Hope keeps you going in Old Stairs or Paradise, even though there’s no money and nothing to eat and the landlord just took your chair and your chamber pot. Personally, I can see no great merit in simply being alive if you’re miserable and in pain, but Hope won’t let you go. She’s a tease, like bad children teasing a dumb animal, and I’ve made a point of avoiding her whenever I can. Still, sometimes she runs you down and there’s nowhere left for you to go. You can turn and fight her and lose, or let her scoop you up and turn your brain to mush. Hope against hope. We had human chains shifting those blocks with levers and rollers, through the narrow alleys where carts couldn’t go. We had shifts digging the ditch by lamplight, in the rain. And in every working party there was at least one man who cheerfully announced that it wasn’t going to work, the whole idea was stupid, the enemy’ll find a way round this in two shakes, just you see; and even he didn’t really believe it, because of Hope. Hope turns a hundred men and women ripping the skin off their hands on a coarse hemp rope into a street party. Someone tells a joke, or clowns around, or starts singing a favourite song from one of the shows, and Hope bursts through, like sappers, and next thing you know she’s everywhere, like smoke, or floodwater, or rats. We’re going to beat Ogus, she whispers in every ear, and this time it’ll be different.
K.J. Parker (How to Rule an Empire and Get Away with It (The Siege, #2))
Darwin’s Bestiary PROLOGUE Animals tame and animals feral prowled the Dark Ages in search of a moral: the canine was Loyal, the lion was Virile, rabbits were Potent and gryphons were Sterile. Sloth, Envy, Gluttony, Pride—every peril was fleshed into something phantasmic and rural, while Courage, Devotion, Thrift—every bright laurel crowned a creature in some mythological mural. Scientists think there is something immoral in singular brutes having meat that is plural: beasts are mere beasts, just as flowers are floral. Yet between the lines there’s an implicit demurral; the habit stays with us, albeit it’s puerile: when Darwin saw squirrels, he saw more than Squirrel. 1. THE ANT The ant, Darwin reminded us, defies all simple-mindedness: Take nothing (says the ant) on faith, and never trust a simple truth. The PR men of bestiaries eulogized for centuries this busy little paragon, nature’s proletarian— but look here, Darwin said: some ants make slaves of smaller ants, and end exploiting in their peonages the sweating brows of their tiny drudges. Thus the ant speaks out of both sides of its mealy little mouth: its example is extolled to the workers of the world, but its habits also preach the virtues of the idle rich. 2. THE WORM Eyeless in Gaza, earless in Britain, lower than a rattlesnake’s belly-button, deaf as a judge and dumb as an audit: nobody gave the worm much credit till Darwin looked a little closer at this spaghetti-torsoed loser. Look, he said, a worm can feel and taste and touch and learn and smell; and ounce for ounce, they’re tough as wrestlers, and love can turn them into hustlers, and as to work, their labors are mythic, small devotees of the Protestant Ethic: they’ll go anywhere, to mountains or grassland, south to the rain forests, north to Iceland, fifty thousand to every acre guzzling earth like a drunk on liquor, churning the soil and making it fertile, earning the thanks of every mortal: proud Homo sapiens, with legs and arms— his whole existence depends on worms. So, History, no longer let the worm’s be an ignoble lot unwept, unhonored, and unsung. Moral: even a worm can turn. 3. THE RABBIT a. Except in distress, the rabbit is silent, but social as teacups: no hare is an island. (Moral: silence is golden—or anyway harmless; rabbits may run, but never for Congress.) b. When a rabbit gets miffed, he bounds in an orbit, kicking and scratching like—well, like a rabbit. (Moral: to thine own self be true—or as true as you can; a wolf in sheep’s clothing fleeces his skin.) c. He populates prairies and mountains and moors, but in Sweden the rabbit can’t live out of doors. (Moral: to know your own strength, take a tug at your shackles; to understand purity, ponder your freckles.) d. Survival developed these small furry tutors; the morals of rabbits outnumber their litters. (Conclusion: you needn’t be brainy, benign, or bizarre to be thought a great prophet. Endure. Just endure.) 4. THE GOSSAMER Sixty miles from land the gentle trades that silk the Yankee clippers to Cathay sift a million gossamers, like tides of fluff above the menace of the sea. These tiny spiders spin their bits of webbing and ride the air as schooners ride the ocean; the Beagle trapped a thousand in its rigging, small aeronauts on some elusive mission. The Megatherium, done to extinction by its own bigness, makes a counterpoint to gossamers, who breathe us this small lesson: for survival, it’s the little things that count.
Philip Appleman
Consider a world in which cause and effect are erratic. Sometimes the first precedes the second, sometimes the second the first. Or perhaps cause lies forever in the past while effect in the future, but future and past are entwined. On the terrace of the Bundesterrasse is a striking view: the river Aare below and the Bernese Alps above. A man stands there just now, absently emptying his pockets and weeping. Without reason, his friends have abandoned him. No one calls any more, no one meets him for supper or beer at the tavern, no one invites him to their home. For twenty years he has been the ideal friend to his friends, generous, interested, soft-spoken, affectionate. What could have happened? A week from this moment on the terrace, the same man begins acting the goat, insulting everyone, wearing smelly clothes, stingy with money, allowing no one to come to his apartment on Laupenstrasse. Which was cause and which effect, which future and which past? In Zürich, strict laws have recently been approved by the Council. Pistols may not be sold to the public. Banks and trading houses must be audited. All visitors, whether entering Zürich by boat on the river Limmat or by rail on the Selnau line, must be searched for contraband. The civil military is doubled. One month after the crackdown, Zürich is ripped by the worst crimes in its history. In daylight, people are murdered in the Weinplatz, paintings are stolen from the Kunsthaus, liquor is drunk in the pews of the Münsterhof. Are these criminal acts not misplaced in time? Or perhaps the new laws were action rather than reaction? A young woman sits near a fountain in the Botanischer Garten. She comes here every Sunday to smell the white double violets, the musk rose, the matted pink gillyflowers. Suddenly, her heart soars, she blushes, she paces anxiously, she becomes happy for no reason. Days later, she meets a young man and is smitten with love. Are the two events not connected? But by what bizarre connection, by what twist in time, by what reversed logic? In this acausal world, scientists are helpless. Their predictions become postdictions. Their equations become justifications, their logic, illogic. Scientists turn reckless and mutter like gamblers who cannot stop betting. Scientists are buffoons, not because they are rational but because the cosmos is irrational. Or perhaps it is not because the cosmos is irrational but because they are rational. Who can say which, in an acausal world? In this world, artists are joyous. Unpredictability is the life of their paintings, their music, their novels. They delight in events not forecasted, happenings without explanation, retrospective. Most people have learned how to live in the moment. The argument goes that if the past has uncertain effect on the present, there is no need to dwell on the past. And if the present has little effect on the future, present actions need not be weighed for their consequence. Rather, each act is an island in time, to be judged on its own. Families comfort a dying uncle not because of a likely inheritance, but because he is loved at that moment. Employees are hired not because of their résumés, but because of their good sense in interviews. Clerks trampled by their bosses fight back at each insult, with no fear for their future. It is a world of impulse. It is a world of sincerity. It is a world in which every word spoken speaks just to that moment, every glance given has only one meaning, each touch has no past or no future, each kiss is a kiss of immediacy.
Alan Lightman (Einstein's Dreams)