Lying On The Couch Quotes

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I wanted so badly to lie down next to her on the couch, to wrap my arms around her and sleep. Not fuck, like in those movies. Not even have sex. Just sleep together in the most innocent sense of the phrase. But I lacked the courage and she had a boyfriend and I was gawky and she was gorgeous and I was hopelessly boring and she was endlessly fascinating. So I walked back to my room and collapsed on the bottom bunk, thinking that if people were rain, I was drizzle and she was hurricane.
John Green (Looking for Alaska)
Only the wounded healer can truly heal. (97)
Irvin D. Yalom (Lying on the Couch)
Magnus glared at him out of gold-green eyes. “If I wanted to lie on a couch and complain to someone about my parents, I’d hire a psychiatrist.” “Ah,” said Jace. “But my services are free.” “I heard that about you.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
I Wandered Lonely as a Cloud I wandered lonely as a cloud That floats on high o'er vales and hills, When all at once I saw a crowd, A host, of golden daffodils; Beside the lake, beneath the trees, Fluttering and dancing in the breeze. Continuous as the stars that shine And twinkle on the milky way, They stretched in never-ending line Along the margin of a bay: Ten thousand saw I at a glance, Tossing their heads in sprightly dance. The waves beside them danced; but they Out-did the sparkling waves in glee: A poet could not but be gay, In such a jocund company: I gazed--and gazed--but little thought What wealth the show to me had brought: For oft, when on my couch I lie In vacant or in pensive mood, They flash upon that inward eye Which is the bliss of solitude; And then my heart with pleasure fills, And dances with the daffodils.
William Wordsworth (I Wander'd Lonely as a Cloud)
Writers don't make any money at all. We make about a dollar. It is terrible. But then again we don't work either. We sit around in our underwear until noon then go downstairs and make coffee, fry some eggs, read the paper, read part of a book, smell the book, wonder if perhaps we ourselves should work on our book, smell the book again, throw the book across the room because we are quite jealous that any other person wrote a book, feel terribly guilty about throwing the schmuck's book across the room because we secretly wonder if God in heaven noticed our evil jealousy, or worse, our laziness. We then lie across the couch facedown and mumble to God to forgive us because we are secretly afraid He is going to dry up all our words because we envied another man's stupid words. And for this, as I said, we are paid a dollar. We are worth so much more.
Donald Miller (Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality)
It is better for you to be free of fear lying upon a pallet, than to have a golden couch and a rich table and be full of trouble.
Epicurus
What? 'Borderline patients play games'? That what you said? Ernest, you'll never be a real therapist if you think like that. That's exactly what I meant earlier when I talked about the dangers of diagnosis. There are borderlines and there are borderlines. Labels do violence to people. You can't treat the label; you have to treat the person behind the label. (17)
Irvin D. Yalom (Lying on the Couch)
The prefect evening...lying down on the couch beside the bookcase and reading himself sleepy...Jim lying opposite him at the other end of the couch, also reading; the two of them absorbed in their books yet so completely aware of each other's presence.
Christopher Isherwood (A Single Man)
As I saw it, all my mother's life, my father held her down, like lead strapped to her ankles. She was buoyant by nature; she wanted to travel, go to the theater, go to museums. What he wanted was to lie on the couch with the Times over his face, so that death, when it came, wouldn't seem a significant change.
Louise Glück (Ararat)
I sat up in bed. "What did he say?" Tyson groaned, still half asleep. He was lying facedown on the couch, his feet so far over the edge they were in the bathroom. "The happy man said...bowling practice?" I hoped he was right, but then there was an urgent knock on the suite's interior door. Annabeth stuck her head in--her blonde hair in a rat's nest. "DISEMBOWLING practice?
Rick Riordan
So I ring Justine Kalinsky and I say, "It's Francesca Spinelli," and she says, "Francesca, you've got to stop using last names. How are you doing?" and I say "I feel like shit", and I don't know how it happens, but by eight o'clock that night I'm lying next to her on the couch with Siobhan and Tara and we're eating junk food and watching a Keanu movie. And I want to stay on that couch for the rest of my life.
Melina Marchetta (Saving Francesca)
He had learned long ago that, in general, the easier it was for anxious patients to reach him, the less likely they were to call. (107)
Irvin D. Yalom (Lying on the Couch)
He moves suddenly so that his hand is cupping my sex, and one of his fingers sinks slowly into me. His other arm holds me firmly in place around my waist. “This is mine,” he whispers aggressively. “All mine. Do you understand?” He eases his finger in and out as he gazes down at me, gauging my reaction, his eyes burning. “Yes, yours…” Abruptly, he moves, doing several things at once: Withdrawing his fingers, leaving me wanting, unzipping his fly, and pushing me down onto the couch so he’s lying on top of me. “Hands on your head,” he commands through gritted teeth as he kneels up, forcing my legs wider… “We don’t have long. This will be quick, and it’s for me, not you. Do you understand? Don’t come, or I will spank you,” he says through clenched teeth.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
. . . he lies on the couch with only his pants, boots and bandages wrapped around him. I thought about taking off his pants and boots when I sprayed the blood off him in the shower, but decided that I wasn’t here to make him comfortable.
Susan Ee (Angelfall (Penryn & the End of Days, #1))
For oft, when on my couch I lie in vacant or in pensive mood they flash upon that inward eye which is the bliss of solitude
William Wordsworth
Remember that summer you liked that girl who worked at the boardwalk? Angie?” “No,” he said, but I knew he was lying. “What about her?” “Did you ever hook up with her?” Conrad finally lifted his head up from the couch. “No,” he said. “I don’t believe you.” “I tried, once. But she socked me in the head and said she wasn’t that kind of girl.I think she was a Jehovah’s Witness or something.
Jenny Han (It's Not Summer Without You (Summer, #2))
So live, that when thy summons comes to join The innumerable caravan which moves To that mysterious realm where each shall take His chamber in the silent halls of death, Thou go not, like the quarry-slave at night,Scourged to his dungeon; but, sustain'd and soothed By an unfaltering trust, approach thy grave,Like one who wraps the drapery of his couch About him, and lies down to pleasant dreams." Thanatopsis
William Cullen Bryant (Thanatopsis; To a Waterfowl; A Midsummer Sonnet)
Sitting on couch, lying legs apart Dark dirty naked. Smiling at me, Wicked lazy lusty eyes. I moaned, When saw movement inside his silent, The thick forest of pubic hair.
Delicious David (Dark Desires: II Gay Erotic Poems (Dark Desires #2))
Nonetheless, the past is part of your present consciousness—it forms the spectacles through which you experience the present.
Irvin D. Yalom (Lying On The Couch)
A schizophrenic out for a walk is a better model than a neurotic lying on the analyst's couch.
Deleuze Guattari
Used to be he was my heart's desire. His forthright gaze, his expert hands: I'd lie on the couch with my eyes closed just thinking about it. Never about the fact that everything changes, that even this, my best passion, would not be immune. No, I would bask on in an eternal daydream of the hands finding me, the gaze like a winding stair coaxing me down. . . . Until I caught a glimpse of something in the mirror: silly girl in her lingerie, dancing with the furniture-- a hot little bundle, flush with cliches. Into that pair of too-bright eyes I looked and saw myself. And something else: he would never look that way.
Deborah Garrison (A Working Girl Can't Win)
Just like that. From a hundred miles an hour to asleep in a nanosecond. I wanted so badly to lie down next to her on the couch, to wrap my arms around her and sleep. Not f*ck, like in those movies. Not even have sex. Just sleep together, in the most innocent sense of the phrase. But I lacked the courage and she had a boyfriend and I was gawky and she was gorgeous and I was hopelessly boring and she was endlessly fascinating. So I walked back to my room and collapsed on the bottom bunk, thinking that if people were rain, I was drizzle and she was a hurricane.
John Green (Looking for Alaska)
Where the bee sucks, there suck I In the cow-slip's bell i lie There I couch when owls do cry
William Shakespeare (The Tempest)
Can you tell me in one sentence what is meant by logotherapy?" he asked. "At least, what is the difference between psychoanalysis and logotherapy?" "Yes," I said, "but in the first place, can you tell me in one sentence what you think the essence of psychoanalysis is?" This was his answer: "During psychoanalysis, the patient must lie down on a couch and tell you things which sometimes are very disagreeable to tell." Whereupon I immediately retorted with the following improvisation: "Now, in logotherapy the patient may remain sitting erect but he must hear things which sometimes are very disagreeable to hear.
Viktor E. Frankl (Man's Search for Meaning)
No amount of lies, no matter how cleverly couched, will ever outstrip or outlast God’s truth, nor will any lie ever outreach His grace. The Lord knows those who are His, His sheep hear His voice, and the arm of the Lord is never so short that He cannot save.
Frank E. Peretti (Piercing the Darkness)
So, I'm lying on the couch and Laura walks in and I say, 'Free at last,' and she says 'You're free all right, you're free to do the dishes.' So I say, 'You're talking to the former president, baby,' and she said, 'consider this your new domestic policy agenda.
George W. Bush
Where the bee sucks, there suck I: In a cowslip’s bell I lie; There I couch when owls do cry. On the bat’s back I do fly After summer merrily. Merrily, merrily shall I live now Under the blossom that hangs on the bough.
William Shakespeare (The Tempest)
I wanted to lie hour after hour on a couch, pouring out the dark, secret places of my heart--do this feeling that over my shoulder sat humanity and wisdom and generosity, a munificent heart--do this until that incredibly lovely day when the great man would say to me, his voice grave and dramatic with discovery: "This is you, Exley. Rise and go back into the world a whole man.
Frederick Exley (A Fan's Notes (A Fan's Notes, #1))
There’s a carcass composed entirely of sexual tension lying abandoned on the couch. I wonder if she can see it, too.
Christina Lauren (Dark Wild Night (Wild Seasons, #3))
Wait,” she paused, “you slept on the couches?” Vhalla rolled onto her side to look up at him. “Of course.” His brow furrowed slightly. “Did you think I would creep into your bed as you slept and spend the night lying with you without your permission?
Elise Kova (Fire Falling (Air Awakens, #2))
Now, I learned a long time ago how to be quiet on the outside while I'm freaking on the inside. How to turn away like I don't see all the things that need to be seen, just to keep peace. How to lie low and act like I want nothing, expect nothing, and hope for nothing so I don't become more trouble than I'm worth. I'm five months short of eighteen and I know how to be cursed and ignored and left behind, how to swallow a thousand tears and ignore a thousand delibarate cruelties, but it's two in the morning on New Year's Eve and I'm mad and scared and bone tired and really, really sick of acting like I'm grateful to be staying on a hairy, sagging, dog-stained couch in a junky, mildewed trailer with a fat, dangerous, volatile drunk who sweats stale beer and wallows in his own wastewater, and who doesn't think there's one thing wrong with taking his crap life out on his dog, who comes bellying back for forgiveness every single time, no matter how rotten the treatment-
Laura Wiess (Ordinary Beauty)
I'd never been much of an athlete, due to a physical condition I'd had since birth (unathleticism). Perhaps if there were a sport centered around lying on your couch in a neurotic stupor all day, I'd take an interest.
Colson Whitehead (The Noble Hustle: Poker, Beef Jerky, and Death)
You must learn to call on the Lord. Don’t sit all alone or lie on the couch, shaking your head and letting your thoughts torture you. Don’t worry about how to get out of your situation or brood about your terrible life, how miserable you feel, and what a bad person you are. Instead, say, “Get a grip on yourself, you lazy bum! Fall on your knees, and raise your hands and eyes toward heaven. Read a psalm. Say the Lord’s Prayer, and tearfully tell God what you need.
Martin Luther (Faith Alone: A Daily Devotional)
One thing I’ve started to suspect about myself is that I’m some kind of confusingly extroverted introvert. I just want to sit here on the couch with a tumblerful of the good booze Alice brought, soak in the music and the conversation, and not talk to anyone. I want to be invisible and lie down on the couch and fall asleep to the muffled sounds of conversation, like a child in the back seat of the car being driven safely through the night by grown-ups who love her.
Catherine Newman (We All Want Impossible Things)
I saw thee once - only once - years ago: I must not say how many - but not many. It was a July midnight; and from out A full-orbed moon, that, like thine own soul, soaring, Sought a precipitate pathway up through heaven, There fell a silvery-silken veil of light, With quietude, and sultriness, and slumber, Upon the upturn'd faces of a thousand Roses that grew in an enchanted garden, Where no wind dared stir, unless on tiptoe - Fell on the upturn'd faces of these roses That gave out, in return for the love-light, Their odorous souls in an ecstatic death - Fell on the upturn'd faces of these roses That smiled and died in the parterre, enchanted By thee, and by the poetry of thy presence. Clad all in white, upon a violet bank I saw thee half reclining; while the moon Fell upon the upturn'd faces of the roses, And on thine own, upturn'd - alas, in sorrow! Was it not Fate, that, on this July midnight - Was it not Fate, (whose name is also Sorrow,) That bade me pause before that garden-gate, To breathe the incense of those slumbering roses? No footsteps stirred: the hated world all slept, Save only thee and me. (Oh, Heaven! - oh, G**! How my heart beats in coupling those two words!) Save only thee and me. I paused - I looked - And in an instant all things disappeared. (Ah, bear in mind the garden was enchanted!) The pearly lustre of the moon went out: The mossy banks and the meandering paths, The happy flowers and the repining trees, Were seen no more: the very roses' odors Died in the arms of the adoring airs. All - all expired save thee - save less than thou: Save only divine light in thine eyes - Save but the soul in thine uplifted eyes. I saw but them - they were the world to me. I saw but them - saw only them for hours - Saw only them until the moon went down. What wild heart-histories seemed to lie enwritten Upon those crystalline, celestial spheres! How dark a wo! yet how sublime a hope! How silently serene a sea of pride! How daring an ambition! yet how deep - How fathomless a capacity for love! But now, at length, dear Dian sank from sight, Into a western couch of thunder-cloud; And thou, a ghost, amid the entombing trees Didst glide away. Only thine eyes remained. They would not go - they never yet have gone. Lighting my lonely pathway home that night, They have not left me (as my hopes have) since. They follow me - they lead me through the years. They are my ministers - yet I their slave. Their office is to illumine and enkindle - My duty, to be saved by their bright fire, And purified in their electric fire, And sanctified in their elysian fire. They fill my soul with Beauty (which is Hope,) And are far up in Heaven - the stars I kneel to In the sad, silent watches of my night; While even in the meridian glare of day I see them still - two sweetly scintillant Venuses, unextinguished by the sun!
Edgar Allan Poe (The Raven and Other Poems)
You guys…your family really is its own world.” He slid his hand up her side, underneath the sweater. “You know what?” “What?” Her hand landed on his chest. Lucian guided her back until she was lying on the couch as he rose above her. Those beautiful whiskey-colored eyes met his. “I want you in this world – my world.
Jennifer L. Armentrout (Moonlight Sins (de Vincent, #1))
A strong, vague persuasion that it was better to go forward than backward, and that I could go forward— that a way, however narrow and difficult, would in time open— predominated over other feelings: its influence hushed them so far, that at last I became sufficiently tranquil to be able to say my prayers and seek my couch. I had just extinguished my candle and lain down, when a deep, low, mighty tone swung through the night. At first I knew it not; but it was uttered twelve times, and at the twelfth colossal hum and trembling knell, I said: “I lie in the shadow of St. Paul’s.
Charlotte Brontë (Villette)
Fear will always be a tenant in your mind, but do not make fear the landlord of your mind.
Wisdom Primus (Being Successful While Lying On the Couch! Really?: How to beat procrastination, develop confidence and take massive actions to achieve what you want in life.)
To Helen I saw thee once-once only-years ago; I must not say how many-but not many. It was a july midnight; and from out A full-orbed moon, that, like thine own soul, soaring, Sought a precipitate pathway up through heaven, There fell a silvery-silken veil of light, With quietude, and sultriness, and slumber Upon the upturn'd faces of a thousand Roses that grew in an enchanted garden, Where no wind dared to stir, unless on tiptoe- Fell on the upturn'd faces of these roses That gave out, in return for the love-light Thier odorous souls in an ecstatic death- Fell on the upturn'd faces of these roses That smiled and died in this parterre, enchanted by thee, by the poetry of thy prescence. Clad all in white, upon a violet bank I saw thee half reclining; while the moon Fell on the upturn'd faces of the roses And on thine own, upturn'd-alas, in sorrow! Was it not Fate that, on this july midnight- Was it not Fate (whose name is also sorrow) That bade me pause before that garden-gate, To breathe the incense of those slumbering roses? No footstep stirred; the hated world all slept, Save only thee and me. (Oh Heaven- oh, God! How my heart beats in coupling those two worlds!) Save only thee and me. I paused- I looked- And in an instant all things disappeared. (Ah, bear in mind this garden was enchanted!) The pearly lustre of the moon went out; The mossy banks and the meandering paths, The happy flowers and the repining trees, Were seen no more: the very roses' odors Died in the arms of the adoring airs. All- all expired save thee- save less than thou: Save only the divine light in thine eyes- Save but the soul in thine uplifted eyes. I saw but them- they were the world to me. I saw but them- saw only them for hours- Saw only them until the moon went down. What wild heart-histories seemed to lie enwritten Upon those crystalline, celestial spheres! How dark a woe! yet how sublime a hope! How silently serene a sea of pride! How daring an ambition!yet how deep- How fathomless a capacity for love! But now, at length, dear Dian sank from sight, Into western couch of thunder-cloud; And thou, a ghost, amid the entombing trees Didst glide away. Only thine eyes remained. They would not go- they never yet have gone. Lighting my lonely pathway home that night, They have not left me (as my hopes have) since. They follow me- they lead me through the years. They are my ministers- yet I thier slave Thier office is to illumine and enkindle- My duty, to be saved by thier bright light, And purified in thier electric fire, And sanctified in thier Elysian fire. They fill my soul with Beauty (which is Hope), And are far up in heaven- the stars I kneel to In the sad, silent watches of my night; While even in the meridian glare of day I see them still- two sweetly scintillant Venuses, unextinguished by the sun!
Edgar Allan Poe
Just like that. From a hundred miles an hour to asleep in a nanosecond. I wanted so badly to lie down next to her on the couch, to wrap my arms around her and sleep. Not fuck, like in those movies. Not even have sex. Just sleep together, in the most innocent sense of the phrase. But I lacked the courage and she had a boyfriend and I was gawky and she was gorgeous and I was hopelessly boring and she was endlessly fascinating. So I walked back to my room and collapsed on the bottom bunk, thinking that if people were rain, I was drizzle and she was a hurricane.
John Green (Looking for Alaska)
When I’m with friends now, as an adult, I don’t want to have polite adult tea and talk about our jobs. I don’t want to sit in dress pants while we talk about a New Yorker article. Not really. I want to lie on the couch, cozy in blankets, watching movies, feeling safe enough to pass out and stay the night if we want to. I want to turn English muffins into foundations for pizza bagels at ten p.m., even though they’re not as good as bagels and we know it. I want to tell each other things we can’t talk about online, or we can’t tell our coworkers, and to cry and still be lovable, even if we’re in pain sometimes. To break in front of each other, and pick up the pieces together, before making some dumb joke and telling each other we love each other and knowing we’re safe to be all of it.
Lane Moore (How to Be Alone: If You Want To, and Even If You Don't)
Paralytic It happens. Will it go on? ---- My mind a rock, No fingers to grip, no tongue, My god the iron lung That loves me, pumps My two Dust bags in and out, Will not Let me relapse While the day outside glides by like ticker tape. The night brings violets, Tapestries of eyes, Lights, The soft anonymous Talkers: 'You all right?' The starched, inaccessible breast. Dead egg, I lie Whole On a whole world I cannot touch, At the white, tight Drum of my sleeping couch Photographs visit me ---- My wife, dead and flat, in 1920 furs, Mouth full of pearls, Two girls As flat as she, who whisper 'We're your daughters.' The still waters Wrap my lips, Eyes, nose and ears, A clear Cellophane I cannot crack. On my bare back I smile, a buddha, all Wants, desire Falling from me like rings Hugging their lights. The claw Of the magnolia, Drunk on its own scents, Asks nothing of life.
Sylvia Plath (Ariel)
It's just one of those things, like some people don't sink when they go in the pool, some know how to throw a ball so it goes toward the person holding the mitt. I have no idea how people do those things; I'm good at schoolwork. That works out well because it frees up my time for my hobbies, like lying on the couch eating M&M's.
Rachel Vail (You, Maybe: The Profound Asymmetry of Love in High School)
You know those afternoons," he asks, drawing a shaking breath, "where you’re just going along, doing fine, and then afternoon comes and it feels like you’ve just got the wind knocked out of you and everything is wrong?" He sighs and slowly pushes himself so he’s sitting upright. His shoulders are slumped. "That’s all," he says. "It’s just one of those afternoons." We are silent for a minute. Then he lies back down on the couch. I should say I love him. I should say it will be all right. But it won’t. I walk down the hall to my bedroom. I lie down on my side and stare at the wall, the blue-flowered wallpaper next to my nose. Despite my best efforts, I start to cry. I know those afternoons.
Marya Hornbacher (Madness: A Bipolar Life)
Ohmigod,” I moan, clutching my stomach. I’m sure I’m going to be sick. I’m going to become an exhibitionist vomiter. My heart is back to beating—racing, actually—as a new level beyond mortification slams into me. I sounded just like the actress in that awful video of Ben’s that Kacey made me watch over the summer. Literally. I accidently walked in on those weirdos watching it one night. Kacey took that as an opportunity to pin me down on the couch while Trent, Dan, and Ben howled with laughter at my flaming cheeks and horrified shrieks. My sister is the Antichrist. This is all her fault. Hers and Stayner’s. And those stupid Jell-O shooters.
K.A. Tucker (One Tiny Lie (Ten Tiny Breaths, #2))
Her eyes are closed when I reach the couch again. She looks so peaceful just lying there. I watch her for a moment, wishing I knew what the hell was going through her head, but I refuse to ask. I can carve pumpkins just as well as she can.
Colleen Hoover (This Girl (Slammed, #3))
Do you remember how glad Gepetto was when Pinocchio first danced without strings?
Irvin D. Yalom (Lying on the Couch)
If your dreams are so simple and easy to attain, why don’t you walk straight to them and take them?
Wisdom Primus (Being Successful While Lying On the Couch! Really?: How to beat procrastination, develop confidence and take massive actions to achieve what you want in life.)
For oft, when on my couch I lie In vacant or in pensive mood, They flash upon that inward eye Which is the bliss of solitude; And then my heart with pleasure fills, And dances with the daffodils.
William Wordsworth (I Wander'd Lonely as a Cloud)
As I lie on my couch by the fireplace, looking out from my hillside home at the snow leading down to the ocean, with the right woman in my arms, a glass of Bordeaux beside me and a Puccini opera on the stereo system, knowing that I’ve earned the pleasure I feel, I’m so glad I didn’t let someone else decide what’s best for me.
Harry Browne (How I Found Freedom in an Unfree World: A Handbook for Personal Liberty)
43. My couch is 92 inches; it’s a deep green three-cushion. It seats hundreds. But that’s not why I got it. I got it because, lying down the long way, in the spooning-in-front-of-a-movie way, in the head-to-toe lying with a pair of lamps burning and a pair of people reading, it fits me and another – it fits her – really well.
Nathan Englander (What We Talk About When We Talk About Anne Frank)
There are times the lies get to me, times I weary of battering myself against the obstacles of denial, hatred, fear-induced stupidity, and greed, times I want to curl up and fall into the problem, let it sweep me away as it so obviously sweeps away so many others. I remember a spring day a few years ago, a spring day much like this one, only a little more sun, and warmer. I sat on this same couch and looked out this same window at the same ponderosa pine. I was frightened, and lonely. Frightened of a future that looks dark, and darker with each passing species, and lonely because for every person actively trying to shut down the timber industry, stop abuse, or otherwise bring about a sustainable and sane way of living, there are thousands who are helping along this not-so-slow train to oblivion. I began to cry. The tears stopped soon enough. I realized we are not so outnumbered. We are not outnumbered at all. I looked closely, and saw one blade of wild grass, and another. I saw the sun reflecting bright off the needles of pine trees, and I heard the hum of flies. I saw ants walking single file through the dust, and a spider crawling toward the corner of the ceiling. I knew in that moment, as I've known ever since, that it is no longer possible to be lonely, that every creature on earth is pulling in the direction of life--every grasshopper, every struggling salmon, every unhatched chick, every cell of every blue whale--and it is only our own fear that sets us apart. All humans, too, are struggling to be sane, struggling to live in harmony with our surroundings, but it's really hard to let go. And so we lie, destroy, rape, murder, experiment, and extirpate, all to control this wildly uncontrollable symphony, and failing that, to destroy it.
Derrick Jensen
Orange Juice? Sure. Toast? Sure. One last time on the couch? Sure. Phone number? Sure. See you again? Oooh, absolutely. That was the lie I told. Probably not, that was the truth, that was that which went unspoken.
T. Scott McLeod (All That Is Unspoken)
Were you ever going to tell me?” “About the Grail?” He returned to the couch and handed her a glass. “I wasn’t planning on it.” She knocked back the rum and swallowed, setting the empty glass on the table. Impressive. She met his eyes. “So even if we had slept together last night, you were going to keep telling me you were descended from a pirate, not an actual pirate.” He took a swig, his gaze locked on hers. “Would you have believed me?” “No.” She shrugged. “Just wondering how long you would have lied to me.” “I could ask you the same thing.” She rolled her eyes. “I played you. There’s a difference.” She shrugged. “Besides that, was before our no lies between us deal.” “I see this as more of an omission.” He finished off his drink and placed the glass beside hers. “In my defense, I’ve never told anyone who I really am. You’re the first.” She raised a brow. “Are you saying I should feel…special?” “Aye.” He cleared his throat. “I’ve never taken a bullet for anyone either, not even my crew.” “Thanks for that.” A reluctant smile curved her lips as she met his eyes. “Pretty heroic for a pirate.” He chuckled. “It’s less heroic when you’re certain you won’t die.” “But you knew it would hurt.” He nodded slowly. “True.” She pinched her fingertips close together in the air. “It might’ve been a tiny bit heroic.” Her dark eyes sparkled with the mischief he was growing much too fond of. “Not bad for a pirate.” He admitted.
Lisa Kessler (Pirate's Pleasure (Sentinels of Savannah, #3))
The horror was, Cleopatra meant something to these modern people of the twentieth century which was altogether wrong. She had become a symbol of licentiousness, when in fact she had possessed a multitude of amazing talents. They had punished her for her one flaw by forgetting everything else…Remembered, but not for what she was. A painted whore lying on a silken couch. - Ramses
Anne Rice (The Mummy (Ramses the Damned #1))
He pictures the evening he might have spent, snugly at home, fixing the food he has bought, then lying down on the couch beside the bookcase and reading himself slowly sleepy. At first glance this is an absolutely convincing and charming scene of domestic contentment. Only after a few instants does George notice the omission that makes it meaningless. What is left out of the picture is Jim, lying opposite him at the other end of the couch, also reading; the two of them absorbed in their books yet so completely aware of each other's presence.
Christopher Isherwood (A Single Man)
I let go of him and remain standing. I promised myself I would do this, if I ever had the chance again.. I promised I would do this the first moment I could. 'I love you,' I say, the words coming out in an unintelligible rush. Cardan looks taken aback. Or possibly I spoke so fast he's not even sure what I said. 'You need not say it out of pity,' he says finally, with great deliberateness. 'Or because I was under a curse. I have asked you to lie to me in the past, in this very room, but I would beg you not to lie now.' My cheeks heat at the memory of those lies. 'I have not made myself easy to love,' he says, and I hear the echo of his mother's words in his. When I imagined telling him, I thought I would say the words, and it would be like pulling off a bandage- painful and swift. But I didn't think he would doubt me. 'I first started liking you when we went to talk to the rulers of the low Courts,' I say. 'You were funny, which was weird. And when we went to Hollow Hall, you were clever. I kept remembering how you'd been the one to get us out of the brugh after Dain's coronation, right before I put the knife to your throat.' He doesn't try to interrupt, so I have to choice but to barrel on. 'After I tricked you into being High King,' I say. 'I thought once you hated me, I could go back to hating you. But I didn't. And I felt so stupid. I thought I would get my heart broken. I thought it was a weakness that you would use against me. But then you saved me from the Undersea when it would have been much more convenient to just leave me to rot. After that, I started to hope my feelings were returned. But then there was the exile-' I take a ragged breath. 'I hid a lot, I guess. I thought if I didn't, if I let myself love you, I would burn up like a match. Like the whole matchbook.' 'But now you've explained it,' he says. 'And you do love me.' 'I love you,' I confirm. 'Because I am clever and funny,' he says, smiling. 'You didn't mention my handsomeness.' 'Or your deliciousness,' I say. 'Although those are both good qualities.' He pulls me to him, so that we're both lying on the couch. I look down at the blackness of his eyes and the softness of his mouth. I wipe a fleck of dried blood from the top of one pointed ear. 'What was it like?' I ask. 'Being a serpent.' He hesitates. 'It was like being trapped in the dark,' he says. 'I was alone, and my instinct was to lash out. I was perhaps not entirely an animal, but neither was I myself. I could not reason. There was only feelings- hatred and terror and the desire to destroy.' I start to speak, but he stops me with a gesture. 'And you.' He looks at me, his lips curving in something that's not quite a smile; it's more and less than that. 'I knew little else, but I always knew you.' And when he kisses me, I feel as though I can finally breathe again.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
It’s the small touches a woman brings to a man’s home, like the matching throw pillows on the couch or the faint whiff of jasmine from the diffuser on the bookshelf, that every other woman notices the second she walks through the front door.
Ashley Elston (First Lie Wins)
The snores alone were quite a study, varying from the mild sniff to the stentorian snort, which startled the echoes and hoisted the performer erect to accuse his neighbor of the deed, magnanimously forgive him, and wrapping the drapery of his couch about him, lie down to vocal slumber. After listening for a week to this band of wind instruments, I indulged in the belief that I could recognize each by the snore alone, and was tempted to join the chorus by breaking out with John Brown's favorite hymn: "Blow ye the trumpet, blow!
Louisa May Alcott (Hospital Sketches)
It's almost impossible for those who have had an intimate relationship to return to a formal one.
Irvin D. Yalom (Lying on the Couch)
You can't live your life by always looking over your shoulder, always imagining that your friends are going to screw you.
Irvin D. Yalom (Lying on the Couch)
Please note, doing it against a wall, not as easy as it’s written. There’s a lot of fumbling involved. Also, shower sex equals awkward as hell, especially when the shower head starts to drown you. Sex doggy style while lying over a couch, exhilarating, but watch out for queefing.
Meghan Quinn (The Virgin Romance Novelist (The Virgin Romance Novelist, #1))
For oft, when on my couch I lie In vacant or in pensive mood, They flash upon that inward eye Which is the bliss of solitude; And then my heart with pleasure fills, And dances with the daffodils.
Philip Smith (100 Best-Loved Poems)
You’re asking me what I want for breakfast and I’m telling you about how when the worst thing happened, I didn’t even cry. You’re handing me a receipt from the laundromat down the street and I’m passing you a bundle of letters that I wrote to God when I was fourteen and scared. You’re passing me the milk after you drip it into your coffee and I’m half laughing about the psychiatrist’s office and how there’s actually a couch and it’s made of blue tweed. You’re trying to do the normal things and I am throwing up dull pieces of truth onto our kitchen table. I can’t lie anymore. These are the things I’ve done and they’re mostly sad. These are the places I’ve been and they’re mostly awful. This life has woven itself into the notches of my spine and I hear it creak every time I stand.
Fortesa Latifi
You have been my friend in the cosmos; you have been my only friend on this planet - the only soul to sense and seek for me within the repellent form which lies on this couch. We shall meet again - perhaps in the shining mists of Orion’s Sword, perhaps on a bleak plateau in prehistoric Asia. Perhaps in unremembered dreams tonight; perhaps in some other form an aeon hence, when the solar system shall have been swept away.
H.P. Lovecraft
It was she made me acquainted with love. She went by the peaceful name of Ruth I think, but I can't say for certain. Perhaps the name was Edith. She had a hole between her legs, oh not the bunghole I had always imagined, but a slit, and in this I put, or rather she put, my so-called virile member, not without difficulty, and I toiled and moiled until I discharged or gave up trying or was begged by her to stop. A mug's game in my opinion and tiring on top of that, in the long run. But I lent myself to it with a good enough grace, knowing it was love, for she had told me so. She bent over the couch, because of her rheumatism, and in I went from behind. It was the only position she could bear, because of her lumbago. It seemed all right to me, for I had seen dogs, and I was astonished when she confided that you could go about it differently. I wonder what she meant exactly. Perhaps after all she put me in her rectum. A matter of complete indifference to me, I needn't tell you. But is it true love, in the rectum? That's what bothers me sometimes. Have I never known true love, after all? She too was an eminently flat woman and she moved with short stiff steps, leaning on an ebony stick. Perhaps she too was a man, yet another of them. But in that case surely our testicles would have collided, while we writhed. Perhaps she held hers tight in her hand, on purpose to avoid it. She favoured voluminous tempestuous shifts and petticoats and other undergarments whose names I forget. They welled up all frothing and swishing and then, congress achieved, broke over us in slow cascades. And all I could see was her taut yellow nape which every now and then I set my teeth in, forgetting I had none, such is the power of instinct. We met in a rubbish dump, unlike any other, and yet they are all alike, rubbish dumps. I don't know what she was doing there. I was limply poking about in the garbage saying probably, for at that age I must still have been capable of general ideas, This is life. She had no time to lose, I had nothing to lose, I would have made love with a goat, to know what love was. She had a dainty flat, no, not dainty, it made you want to lie down in a corner and never get up again. I liked it. It was full of dainty furniture, under our desperate strokes the couch moved forward on its castors, the whole place fell about our ears, it was pandemonium. Our commerce was not without tenderness, with trembling hands she cut my toe-nails and I rubbed her rump with winter cream. This idyll was of short duration. Poor Edith, I hastened her end perhaps. Anyway it was she who started it, in the rubbish dump, when she laid her hand upon my fly. More precisely, I was bent double over a heap of muck, in the hope of finding something to disgust me for ever with eating, when she, undertaking me from behind, thrust her stick between my legs and began to titillate my privates. She gave me money after each session, to me who would have consented to know love, and probe it to the bottom, without charge. But she was an idealist. I would have preferred it seems to me an orifice less arid and roomy, that would have given me a higher opinion of love it seems to me. However. Twixt finger and thumb tis heaven in comparison. But love is no doubt above such contingencies. And not when you are comfortable, but when your frantic member casts about for a rubbing-place, and the unction of a little mucous membrane, and meeting with none does not beat in retreat, but retains its tumefaction, it is then no doubt that true love comes to pass, and wings away, high above the tight fit and the loose.
Samuel Beckett (Molloy / Malone Dies / The Unnamable)
Stonefur, couching beside Bluestar's body, let out a purr of amusement. "It's easy to see where Graystripe's loyalties lie," he remarked. "Yes," Mistyfoot agreed. "No cat ever really thought he would stay in RiverClan.
Erin Hunter (The Darkest Hour (Warriors, #6))
Present in body and absent in spirit, he lies back on the couch, shamed by his own… potentials in his soul that will not be subdued. He feels himself inwardly subversive, imagining in his passivity extremes of aggression and desire that must be suppressed. Solution: more work, more money, more drink, more weight, more things, more infotainment.
James Hillman (The Soul's Code: In Search of Character and Calling)
Love?” I question, wanting to know his answer. “Yeah, love. I can see myself falling in love with you and as much as I’m trying not to, it’s not working.” He says quietly. He sits down next to me and leans back into the couch. “I don’t know what else to say. I shouldn’t have to sell myself to you. You either like me or you don’t. Thing is, you can’t lie. I know you feel something, you just have to let yourself believe I’m good enough to be a part of your life.
Heidi McLaughlin (My Unexpected Forever (Beaumont #2))
Some people never go crazy. Me, sometimes I'll lie down behind the couch for 3 or 4 days. They'll find me there. It's Cherub, they'll say, and they pour wine down my throat rub my chest sprinkle me with oils. Then, I'll rise with a roar, rant, rage - curse them and the universe as I send them scattering over the lawn. I'll feel much better, sit down to toast and eggs, hum a little tune, Suddenly become as lovable as a pink overfed whale. Some people never go crazy. What truly horrible lives they must lead.
Charles Bukowski
It's this feeling that you want to love strangers, that you want to kiss the man at the post office, or the woman at the dry cleaners - you want to wrap you arms around life, life itself, but you can't and this feeling wells up in you, and there is nowhere to put this great happiness - and you're floating - and then you fall down and become unbearably sad. And you have to go lie down on the couch.
Sarah Ruhl (Melancholy Play)
Sometimes I don’t understand why my arms don’t drop from my body with fatigue, why my brain doesn’t melt away. I am leading an austere life, stripped of all external pleasure, and am sustained only by a kind of permanent frenzy, which sometimes makes me weep tears of impotence but never abates. I love my work with a love that is frantic and perverted, as an ascetic loves the hair shirt that scratches his belly. Sometimes, when I am empty, when words don’t come, when I find I haven’t written a single sentence after scribbling whole pages, I collapse on my couch and lie there dazed, bogged down in a swamp of despair, hating myself and blaming myself for this demented pride that makes me pant after a chimera. A quarter of an hour later, everything has changed; my heart is pounding with joy.
Gustave Flaubert
I like it here, said Skedi quietly. So many secrets, so many interpretations. So many little lies. Inara looked around and breathed in the scent of paper, bark, wood and parchment. Like a thousand autumns packed into the curving room. So many truths too, she said. Some truths are too bright to look at directly, that is why they couch them in paper.
Hannah Kaner (Sunbringer (Fallen Gods #2))
He tipped his head up. "Do you think that stars have shadows?" She followed his gaze. They were close enough to Springfield for light pollution to dull the night skies, but galaxies still spangled above them. The moon had marched nearly to the end of her night, ready to stagger to her own bed at dawn. "I guess if there's some brighter star," she said, thinking of lying on the couch months ago, a deep-voiced man explaining the universe on her television while she tried to convince herself to apply for a new job. "Like the kind that's about to become a black hole. Don't they flare first?" Vince nodded. "Quasars. They flare as they're dying. I guess that would give any other star nearby a shadow.
Holly Black (Book of Night (Book of Night, #1))
After Bà ngoại died, his mother’s light dimmed, and seeing her shriveled in the corner of the couch, her head down and lit blue by her Game Boy, playing endless Tetris day after day, her hair thinning, he figured he had to do something. You lose the dead as the earth takes them, but the living you still have a say in. And so he said it. And so he lied.
Ocean Vuong (The Emperor of Gladness)
Forget that crap about the patient not being ready for therapy! It's the therapy that's not ready for the patient - Lying on a couch
Irvin D. Yalom
Nothing's ever worse than to go unnoticed through life.
Irvin D. Yalom (Lying on the Couch)
..poking in the ashes of the past is just an excuse to evade personal responsibility for our actions.
Irvin D. Yalom
Якби він не був таким вимогливим до себе, імовірно, він значно поблажливіше ставився б і до інших людей.
Irvin D. Yalom (Lying on the Couch)
lying down on the couch and watching shirtless Henry Cavill take a bath, her mouth slightly open.
RuNyx (The Reaper (Dark Verse, #2))
But for now, like always, we couldn't sit around on the couches and contemplate our world and what might lie ahead. We were outside, getting ready.
Cherie Dimaline (The Marrow Thieves)
I miss being with you, lying on a couch and doing nothing. I miss being bored next to you. I miss hearing you breathe and feeling the warmth of your body. I miss watching TV.
R.E. Vance (Gone God World)
Seymour a Ernest: "A veces el destino nos coloca en una posición dónde lo correcto resulta equivocado
Irvin D. Yalom (Lying on the Couch)
Both extremes -- overwork and idleness -- should be avoided. I believe that someone lying on a perfumed couch is just as dead as someone dragged along by the executioner's hook.
Seneca (Letters from a Stoic)
Aleksey was lying down on the couch working on not throwing up.
John Wiltshire (The Paths Less Travelled (The Winds of Fortune, #2))
No,” he said harshly, plopping down on the living room couch. “Then what was it?” “Her hair.” “Huh?” “Her hair. On the app, she was a brunette, but when I got there, she was a blonde.” I blinked repeatedly. Full-on blank stare. “Come again?” “I’m just saying, it’s obvious that if she’d lie about something like that, she’d lie about gonorrhea and chlamydia.” The
Brittainy C. Cherry (The Gravity of Us (Elements, #4))
How wonderful it was to be loved so much by that selfless and magnificent man. And how awful, unbearable – here Carol cried even louder – to never see him again, to lose him forever!
Irvin D. Yalom (Lying on the Couch)
He recited from memory, with the stylishness and verve of a polished Shakespearean actor, “Listen to me, people, hear these words: ‘So live, that when thy summons comes to join the innumerable caravan, which moves to that mysterious realm where each shall take his chambers in the silent halls of death, thou go not, like the miserable quarry slave at night, confined to his deep dark dungeon, but soothed and sustained by an unfaltering trust, approach thy grave, like one who wraps the drapery of his own couch about him, and lies down to pleasant dreams.’” 
John M Vermillion (Packfire (Simon Pack, #9))
We know what it is to get out of bed on a freezing morning in a room without a fire, and how the very vital principle within us protests against the ordeal. Probably most persons have lain on certain mornings for an hour at a time unable to brace themselves to the resolve. We think how late we shall be, how the duties of the day will suffer; we say, “I must get up, this is ignominious,” etc.; but still the warm couch feels too delicious, the cold outside too cruel, and resolution faints away and postpones itself again and again just as it seemed on the verge of bursting the resistance and passing over into the decisive act. Now how do we ever get up under such circumstances? If I may generalize from my own experience, we more often than not get up without any struggle or decision at all. We suddenly find that we have got up. A fortunate lapse of consciousness occurs; we forget both the warmth and the cold; we fall into some revery connected with the day’s life, in the course of which the idea flashes across us, “Hollo! I must lie here no longer” – an idea which at that lucky instant awakens no contradictory or paralyzing suggestions, and consequently produces immediately its appropriate motor effects. It was our acute consciousness of both the warmth and the cold during the period of struggle, which paralyzed our activity then and kept our idea of rising in the condition of wish and not of will. The moment these inhibitory ideas ceased, the original idea exerted its effects.
William James (The Principles of Psychology: Volume 2)
1 The summer our marriage failed we picked sage to sweeten our hot dark car. We sat in the yard with heavy glasses of iced tea, talking about which seeds to sow when the soil was cool. Praising our large, smooth spinach leaves, free this year of Fusarium wilt, downy mildew, blue mold. And then we spoke of flowers, and there was a joke, you said, about old florists who were forced to make other arrangements. Delphiniums flared along the back fence. All summer it hurt to look at you. 2 I heard a woman on the bus say, “He and I were going in different directions.” As if it had something to do with a latitude or a pole. Trying to write down how love empties itself from a house, how a view changes, how the sign for infinity turns into a noose for a couple. Trying to say that weather weighed down all the streets we traveled on, that if gravel sinks, it keeps sinking. How can I blame you who kneeled day after day in wet soil, pulling slugs from the seedlings? You who built a ten-foot arch for the beans, who hated a bird feeder left unfilled. You who gave carrots to a gang of girls on bicycles. 3 On our last trip we drove through rain to a town lit with vacancies. We’d come to watch whales. At the dock we met five other couples—all of us fluorescent, waterproof, ready for the pitch and frequency of the motor that would lure these great mammals near. The boat chugged forward—trailing a long, creamy wake. The captain spoke from a loudspeaker: In winter gray whales love Laguna Guerrero; it’s warm and calm, no killer whales gulp down their calves. Today we’ll see them on their way to Alaska. If we get close enough, observe their eyes—they’re bigger than baseballs, but can only look down. Whales can communicate at a distance of 300 miles—but it’s my guess they’re all saying, Can you hear me? His laughter crackled. When he told us Pink Floyd is slang for a whale’s two-foot penis, I stopped listening. The boat rocked, and for two hours our eyes were lost in the waves—but no whales surfaced, blowing or breaching or expelling water through baleen plates. Again and again you patiently wiped the spray from your glasses. We smiled to each other, good troopers used to disappointment. On the way back you pointed at cormorants riding the waves— you knew them by name: the Brants, the Pelagic, the double-breasted. I only said, I’m sure whales were swimming under us by the dozens. 4 Trying to write that I loved the work of an argument, the exhaustion of forgiving, the next morning, washing our handprints off the wineglasses. How I loved sitting with our friends under the plum trees, in the white wire chairs, at the glass table. How you stood by the grill, delicately broiling the fish. How the dill grew tall by the window. Trying to explain how camellias spoil and bloom at the same time, how their perfume makes lovers ache. Trying to describe the ways sex darkens and dies, how two bodies can lie together, entwined, out of habit. Finding themselves later, tired, by a fire, on an old couch that no longer reassures. The night we eloped we drove to the rainforest and found ourselves in fog so thick our lights were useless. There’s no choice, you said, we must have faith in our blindness. How I believed you. Trying to imagine the road beneath us, we inched forward, honking, gently, again and again.
Dina Ben-Lev
But the editor in chief was already balding and worked a lot. He was at the mercy of his family and apartment. He enjoyed lying down on the couch for a spell after dinner and reading Pravda before bed.
Ilya Ilf (The Twelve Chairs)
I want to be invisible and lie down on the couch and fall asleep to the muffled sounds of conversation, like a child in the back seat of the car being driven safely through the night by grown-ups who love her.
Catherine Newman (We All Want Impossible Things)
She saw it in her mind's eye like a movie playing, the haunting memories from her childhood she couldn't seem to shake blending together into one raw, aching image. Her mother lying in a darkened room for days, her face swollen with tears. The inevitable ashtray overrun with ashes, the acrid scent of pot smoke in the air. The bed or couch or futon may have been different from year to year as Evie moved them around from apartment to commune to funky cottage, but her mother was always the same. Falling hard for some man, immersing herself in romantic fantasies that were crushed when the guy left. And the guy always left. Her mother's inability to get a grasp on reality had too often left Mischa to care for her younger sister, to care for her mother, from too young an age. She remembered shaking Evie awake, trying to get her to eat. To get up and take a shower, take her and Raine to school. No kid should have to do that. No kid should have to witness the way Evie had allowed herself to be ravaged by love. No woman should allow that to happen.
Eve Berlin (Temptation's Edge (Edge, #3))
I turned onto my side, pulling the blanket up over my shoulder and closing my eyes. I wasn’t sure how long I’d been lying there when I felt a hand on my hip. I opened my eyes and saw Mack crouched next to me, balanced on the balls of his feet. Shirtless. My breath caught. He put a finger to his lips. My heart started to pound. Was this real or a dream? Without wanting to know for sure, I put my hand in his and rose from the couch. He led me through the dining room and into his bedroom, closing the door soundlessly behind me. “Mack. What are you doing?” I whispered. Instead of answering, he pushed me back against the door and kissed me hard and deep, his arms caging me on either side. “I changed my mind.” “Why?” “Because I’ve been lying here for fucking hours and I can’t stop thinking about how much I want you.” His voice was quiet but gravelly, more growl than whisper. “But you said—” “I know what I said. But I’ve decided I’d rather be reckless than responsible tonight. If you’re in, I’m in.” I put my hands on his chest and pushed him back. “I’m in.
Melanie Harlow (Irresistible (Cloverleigh Farms, #1))
That doesn’t sound like a school trivia night,” said Mrs. Patty Ponder to Marie Antoinette. “That sounds like a riot.” The cat didn’t respond. She was dozing on the couch and found school trivia nights to be trivial.
Liane Moriarty (Big Little Lies)
Where the bee sucks. there suck I: In a cowslip's bell I lie; There I couch when owls do cry. On the bat's back I do fly After summer merrily. Merrily, merrily shall I live now Under the blossom that hangs on the bough.
William Shakespeare (The Tempest)
Знаєте, ми завжди святкуємо їх, немовби вони є приводом для радості, але я завжди гадав, що все навпаки — дні народження то сумні віхи нашого життя, які свідчать про його минущість, і ми святкуємо їх, аби подолати смуток.
Irvin D. Yalom (Lying on the Couch)
To him who in the love of Nature holds Communion with her visible forms, she speaks A various language; for his gayer hours She has a voice of gladness, and a smile And eloquence of beauty, and she glides Into his darker musings, with a mild And healing sympathy, that steals away Their sharpness, ere he is aware. When thoughts Of the last bitter hour come like a blight Over thy spirit, and sad images Of the stern agony, and shroud, and pall, And breathless darkness, and the narrow house, Make thee to shudder, and grow sick at heart;— Go forth, under the open sky, and list To Nature’s teachings, while from all around— Earth and her waters, and the depths of air— Comes a still voice— Yet a few days, and thee The all-beholding sun shall see no more In all his course; nor yet in the cold ground, Where thy pale form was laid, with many tears, Nor in the embrace of ocean, shall exist Thy image. Earth, that nourished thee, shall claim Thy growth, to be resolved to earth again, And, lost each human trace, surrendering up Thine individual being, shalt thou go To mix for ever with the elements, To be a brother to the insensible rock And to the sluggish clod, which the rude swain Turns with his share, and treads upon. The oak Shall send his roots abroad, and pierce thy mould. Yet not to thine eternal resting-place Shalt thou retire alone, nor couldst thou wish Couch more magnificent. Thou shalt lie down With patriarchs of the infant world—with kings, The powerful of the earth—the wise, the good, Fair forms, and hoary seers of ages past, All in one mighty sepulchre. The hills Rock-ribbed and ancient as the sun,—the vales Stretching in pensive quietness between; The venerable woods—rivers that move In majesty, and the complaining brooks That make the meadows green; and, poured round all, Old Ocean’s gray and melancholy waste,— Are but the solemn decorations all Of the great tomb of man. The golden sun, The planets, all the infinite host of heaven, Are shining on the sad abodes of death, Through the still lapse of ages. All that tread The globe are but a handful to the tribes That slumber in its bosom.—Take the wings Of morning, pierce the Barcan wilderness, Or lose thyself in the continuous woods Where rolls the Oregon, and hears no sound, Save his own dashings—yet the dead are there: And millions in those solitudes, since first The flight of years began, have laid them down In their last sleep—the dead reign there alone. So shalt thou rest, and what if thou withdraw In silence from the living, and no friend Take note of thy departure? All that breathe Will share thy destiny. The gay will laugh When thou art gone, the solemn brood of care Plod on, and each one as before will chase His favorite phantom; yet all these shall leave Their mirth and their employments, and shall come And make their bed with thee. As the long train Of ages glide away, the sons of men, The youth in life’s green spring, and he who goes In the full strength of years, matron and maid, The speechless babe, and the gray-headed man— Shall one by one be gathered to thy side, By those, who in their turn shall follow them. So live, that when thy summons comes to join The innumerable caravan, which moves To that mysterious realm, where each shall take His chamber in the silent halls of death, Thou go not, like the quarry-slave at night, Scourged to his dungeon, but, sustained and soothed By an unfaltering trust, approach thy grave, Like one who wraps the drapery of his couch About him, and lies down to pleasant dreams.
William Cullen Bryant (Thanatopsis)
Door’s open!” she shouted. She was in her underwear, lying on the floor, arms outstretched and legs up against the couch. She tilted her head back and looked at me upside down. “Charlie, darling! Why are you standing on your head?
Daniel Keyes (Flowers for Algernon)
We entered the cool cave of the practice space with all the long-haired, goateed boys stoned on clouds of pot and playing with power tools. I tossed my fluffy coat into the hollow of my bass drum and lay on the carpet with my worn newspaper. A shirtless boy came in and told us he had to cut the power for a minute, and I thought about being along in the cool black room with Joey. Let's go smoke, she said, and I grabbed the cigarettes off the amp. She started talking to me about Wonder Woman. I feel like something big is happening, but I don't know what to do about it. With The Straight Girl? I asked in the blankest voice possible. With everything. Back in the sun we walked to the edge of the parking lot where a black Impala convertible sat, rusted and rotting, looking like it just got dredged from a swamp. Rainwater pooling on the floor. We climbed up onto it and sat our butts backward on the edge of the windshield, feet stretched into the front seat. Before she even joined the band, I would think of her each time I passed the car, the little round medallions with the red and black racing flags affixed to the dash. On the rusting Chevy, Joey told me about her date the other night with a girl she used to like who she maybe liked again. How her heart was shut off and it felt pretty good. How she just wanted to play around with this girl and that girl and this girl and I smoked my cigarette and went Uh-Huh. The sun made me feel like a restless country girl even though I'd never been on a farm. I knew what I stood for, even if nobody else did. I knew the piece of me on the inside, truer than all the rest, that never comes out. Doesn't everyone have one? Some kind of grand inner princess waiting to toss her hair down, forever waiting at the tower window. Some jungle animal so noble and fierce you had to crawl on your belly through dangerous grasses to get a glimpse. I gave Joey my cigarette so I could unlace the ratty green laces of my boots, pull them off, tug the linty wool tights off my legs. I stretched them pale over the car, the hair springing like weeds and my big toenail looking cracked and ugly. I knew exactly who I was when the sun came back and the air turned warm. Joey climbed over the hood of the car, dusty black, and said Let's lie down, I love lying in the sun, but there wasn't any sun there. We moved across the street onto the shining white sidewalk and she stretched out, eyes closed. I smoked my cigarette, tossed it into the gutter and lay down beside her. She said she was sick of all the people who thought she felt too much, who wanted her to be calm and contained. Who? I asked. All the flowers, the superheroes. I thought about how she had kissed me the other night, quick and hard, before taking off on a date in her leather chaps, hankies flying, and I sat on the couch and cried at everything she didn't know about how much I liked her, and someone put an arm around me and said, You're feeling things, that's good. Yeah, I said to Joey on the sidewalk, I Feel Like I Could Calm Down Some. Awww, you're perfect. She flipped her hand over and touched my head. Listen, we're barely here at all, I wanted to tell her, rolling over, looking into her face, we're barely here at all and everything goes so fast can't you just kiss me? My eyes were shut and the cars sounded close when they passed. The sun was weak but it baked the grime on my skin and made it smell delicious. A little kid smell. We sat up to pop some candy into our mouths, and then Joey lay her head on my lap, spent from sugar and coffee. Her arm curled back around me and my fingers fell into her slippery hair. On the February sidewalk that felt like spring.
Michelle Tea
Ці події та емоції настільки ним заволоділи, що він почав ототожнювати себе з ними... Ваш клієнт перетворився на обставини, в яких опинився, він втратив відчуття свого "я", яке переживає ці події як один із часових відрізків існування.
Irvin D. Yalom (Lying on the Couch)
For our afternoon, I’ve decided to attempt to give Rhiannon the satisfaction of being fully alone. Not the lethargy of lying on the couch or the dull monotony of drifting off in math class. Not the midnight wandering in a sleeping house or the pain of being left in a room after the door has been slammed shut. This alone is not a variation of any of those. This alone is its own being. Feeling the body, but not using it to sidetrack the mind. Moving with purpose, but not in a rush.
David Levithan (Every Day (Every Day, #1))
These empty desires cause the most suffering, Epicurus thought, since they are difficult to obtain. “It is better for you to lie upon a bed of straw and be free of fear, than to have a golden couch and an opulent table, yet be troubled in mind.
Eric Weiner (The Socrates Express: In Search of Life Lessons from Dead Philosophers)
But it's there. Dread. Every day is an opportunity to fuck up. Every decision, every meeting, every report. There's no success, only the temporary aversion of failure. Dread. From the buzz and jingle of my alarm until I finally get back to sleep. Dread. Weighing cold in my gut, winding up around my oesophagus, seizing my throat. Dread. I lie stretched out on the couch or on my bed or just supine on the floor. Dread. I repeat the day over, interrogate it for errors or missteps or – anything. Dread, dread, dread, dread. Anything at all could be the thing that fucks everything up. I know it. That truth reverberates in my chest, a thumping bass line. Dread, dread, it's choking me. Dread. I don't remember when I didn't feel this.
Natasha Brown (Assembly)
Wes gasps for air. His ass ripples around my cock, squeezing me so hard it triggers an orgasm I feel in the tips of my fingers and the soles of my feet. I give in to it, my arms wrapped around my boyfriend’s strong chest as I come inside him. We’re both unsteady on our feet, so I pull out and tug him onto the couch. He collapses beside me, his dark hair tickling my chin as we lie there recovering from yet another round of spectacular sex. I don’t think I’ll ever get used to how good the sex is.
Sarina Bowen (Him (Him, #1))
It was a lot easier to seem tough when there was no one watching you lie in bed all day, too depressed to take a shower. To let people believe you were on a bender when you didn’t show up for work instead of having to admit you couldn’t make yourself get up off the couch. A lot easier to allow yourself to descend into hysterical sobbing when there was no one else to witness it, no less a terrifying Blight. She supposed her own shadow had always been there, though she hadn’t given it much thought.
Holly Black (Thief of Night (Book of Night, #2))
There is currently a real relationship, which is not determined by the past, which exists at the moment we are living; two souls who touch each other, influenced more by the future than by the distant past – by the still-no, by the destiny that awaits us. The friendship between us, the fact that we meet to face and endure the vicissitudes of life. And that a relationship of this form – pure, full of understanding, mutual, equal – sets you free and represents the most powerful force we have to heal.
Irvin D. Yalom (Lying on the Couch)
I didn't open my eyes, because my job was to lie on the couch without moving so that he might murmur, "Ah, my beauty is asleep." A few times in the past, I had let out a little snore at that moment, just for verisimilitude. But he did not like that at all.
Madeline Miller (Galatea)
What a picture was there,—with no human eye to behold it! Two human forms, a sailor and a sailor-boy, lying side by side upon a raft scarce twice the length of their own bodies, in the midst of a vast ocean, landless and limitless as infinity itself both softly and soundly asleep,—as if reposing upon the pillow of some secure couch, with the firm earth beneath and a friendly roof extended over them! Ah, it was a striking tableau, that frail craft with its sleeping crew,—such a spectacle as is seldom seen by human eye!
Walter Scott (The Greatest Sea Novels and Tales of All Time)
For some we loved, the loveliest and the best That from his Vintage rolling Time hath prest, Have drunk their Cup a Round or two before, And one by one crept silently to rest. And we, that now make merry in the Room They left, and Summer dresses in new bloom Ourselves must we beneath the Couch of Earth Descend — ourselves to make a Couch — for whom? Ah, make the most of what we yet may spend, Before we too into the Dust descend; Dust into Dust, and under Dust to lie Sans Wine, sans Song, sans Singer, and — sans End!
Omar Khayyám (رباعيات خيام)
I shook my head. “You think you understand it. You think that when you’re ninety-six you’ll lie down on the couch after a big Thanksgiving dinner and not wake up, but even then you’re not really sure. Maybe there’ll be some special dispensation for you. Everybody thinks that.
Ann Patchett (The Dutch House)
He laughed. “Nobody is allowed to be mad ever?” “In my perfect world.” “Your perfect world sounds exhausting.” I shook my head even though I was still lying back on the couch. “No, it would be amazing.” “So you’re ready to forgive your friend because anger is better if nonexistent?
Kasie West (Sunkissed)
After school, Peter and I are lying on the couch; his feet are hanging off the end. He’s still in his costume, but I’ve changed into my regular clothes. “You always have the cutest socks,” he says, lifting up my right foot. These ones are gray with white polka dots and yellow bear faces. Proudly I say, “My great-aunt sends them from Korea. Korea has the cutest stuff, you know.” “Can you ask her to send me some too? Not bears, but maybe, like, tigers. Tigers are cool.” “Your feet are too big for socks as cute as these. Your toes would pop right out. You know what, I bet I could find you some socks that fit at…um, the zoo.” Peter sits up and starts tickling me. I gasp out, “I bet the--pandas or gorillas have to--keep their feet warm somehow…in the winter. Maybe they have some kind of deodorized sock technology as well.” I burst into giggles. “Stop…stop tickling me!” “Then stop being mean about my feet!” I’ve got my hand burrowed under his arm, and I am tickling him ferociously. But by doing so, I have opened myself up to more attacks. I yell, “Okay, okay, truce!” He stops, and I pretend to stop, but sneak a tickle under his arm, and he lets out a high-pitched un-Peter-like shriek. “You said truce!” he accuses. We both nod and lie back down, out of breath. “Do you really think my feet smell?” I don’t. I love the way he smells after a lacrosse game--like sweat and grass and him. But I love to tease, to see that unsure look cross his face for just half a beat. “Well, I mean, on game days…” I say. Then Peter attacks me again, and we’re wrestling around, laughing, when Kitty walks in, balancing a tray with a cheese sandwich and a glass of orange juice. “Take it upstairs,” she says, sitting down on the floor. “This is a public area.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Sisters of the torn shirts. Sisters of the chase around the desk, casting couch, hotel room, file cabinet. Sisters dragging shattered dreams, bruised hopes, ambitions abandoned in the dirt. Sisters fishing one by one in the lake of shame. Hooks baited with fear always come back empty. Truth dawns slow when you've been beaten and lied to, but it burns hard and bright once it wakes. Sisters, drop everything. Walk away from the lake, leaning on each other's shoulders when you need the support. Feel the contractions of another truth ready to be born. Shame turned inside out is rage.
Laurie Halse Anderson (Shout)
Any Morning Just lying on the couch and being happy. Only humming a little, the quiet sound in the head. Trouble is busy elsewhere at the moment, it has so much to do in the world. People who might judge are mostly asleep; they can’t monitor you all the time, and sometimes they forget. When dawn flows over the hedge you can get up and act busy. Little corners like this, pieces of Heaven left lying around, can be picked up and saved. People won’t even see that you have them, they are so light and easy to hide. Later in the day you can act like the others. You can shake your head. You can frown.
William Stafford (Ask Me: 100 Essential Poems of William Stafford)
sing to those that hold the vital shears And turn the adamantine spindle round Of which the fate of gods and men is wound. Such sweet compulsion doth in music lie To lull the daughters of Necessity, And keep unsteady Nature to her law, And the low world in measured motion draw After the heavenly tune.
Arthur Quiller-Couch (Poetry)
There,” said Rhy, slouching onto the couch. “That wasn’t so hard.” Kell looked at his brother with a mixture of surprise and awe. “You know,” he said, taking up the mask, “if you can rule half as well as you can lie, you’re going to make an incredible king.” Rhy’s smile was a dazzling thing. “Thank you.
Victoria Schwab (A Gathering of Shadows (Shades of Magic, #2))
the satisfaction of being fully alone. Not the lethargy of lying on the couch or the dull monotony of drifting off in math class. Not the midnight wandering in a sleeping house or the pain of being left in a room after the door has been slammed shut. This alone is not a variation of any of those. This alone is its own being. Feeling the body, but not using it to sidetrack the mind. Moving with purpose, but not in a rush. Conversing not with the person next to you, but with all of the elements. Sweating and aching and climbing and making sure not to slip, not to fall, not to get too lost, but lost enough.
David Levithan (Every Day (Every Day, #1))
Страждання розвиваються за законами еволюції: вони існують, вони мають початок і кінець. Ви навіть можете спробувати згадати з ним моменти з його минулого: чи відчував він такий гнів або ж страждання раніше, чи пригадує він, що біль ущухав, бо ж і цей біль теж ущухне, перетворившись на ледь уловимий спогад.
Irvin D. Yalom (Lying on the Couch)
During psychoanalysis, the patient must lie down on a couch and tell you things which sometimes are very disagreeable to tell.” Whereupon I immediately retorted with the following improvisation: “Now, in logotherapy the patient may remain sitting erect but he must hear things which sometimes are very disagreeable to hear.
Viktor E. Frankl (Man's Search for Meaning)
She was not to eat anything that was inside the house unless it was given to her, even if it was something that sounded good while she chewed it, like cardboard boxes or plastic serving utensils, and in particular she was not to eat anything of Adam’s or from Aurora’s bedroom and if she did, she would be punished. She was not supposed to call Ronan Kerah because he had a name and she was perfectly capable of forming any word she liked, unlike Chainsaw, who only had a beak. She was allowed to climb on nearly anything except for the cars because hooves were not good for metal and also her hands were always very grubby. She did not have to take a bath or otherwise wash herself unless she wanted to come in the house, and she could not lie about having washed herself if she wanted to be allowed on a couch because God, Opal, your legs smell like wet dog. She was not allowed to steal. Hiding objects from other people counted as stealing, unless the objects were presents, which you hid but then laughed about later. Dead things were not to be eaten on the porch, which was a hard rule, because living things were also not to be eaten on the porch. She was not to run in the road or try to return to the ley line without someone with her, which was a silly rule, because the ley line felt like a dream and under no circumstance would she willingly return to one of those. She was to only tell the truth because Ronan always told the truth, but she felt this was the most unfair rule of all because Ronan could dream himself a new truth if he liked and she had to stick with the one she was currently living. She was to remember that she was a secret.
Maggie Stiefvater (Opal (The Raven Cycle, #4.5))
The Convergence of the Twain Thomas Hardy, 1840 - 1928 (Lines on the loss of the “Titanic”) I In a solitude of the sea Deep from human vanity, And the Pride of Life that planned her, stilly couches she. II Steel chambers, late the pyres Of her salamandrine fires, Cold currents thrid, and turn to rhythmic tidal lyres. III Over the mirrors meant To glass the opulent The sea-worm crawls—grotesque, slimed, dumb, indifferent. IV Jewels in joy designed To ravish the sensuous mind Lie lightless, all their sparkles bleared and black and blind. V Dim moon-eyed fishes near Gaze at the gilded gear And query: “What does this vaingloriousness down here?”. . . VI Well: while was fashioning This creature of cleaving wing, The Immanent Will that stirs and urges everything VII Prepared a sinister mate For her—so gaily great— A Shape of Ice, for the time far and dissociate. VIII And as the smart ship grew In stature, grace, and hue In shadowy silent distance grew the Iceberg too. IX Alien they seemed to be: No mortal eye could see The intimate welding of their later history. X Or sign that they were bent By paths coincident On being anon twin halves of one August event, XI Till the Spinner of the Years Said “Now!” And each one hears, And consummation comes, and jars two hemispheres.
Thomas Hardy
It strikes me, Ernest said, that he has lost his objectivity. It's so caught in the latter of these events and feelings, that he totally identified with them. We need to find a way to help him detach a little. We need to help him see himself from a distance, even from a cosmic perspective. Your client has become one with his problems – he has lost the feeling of continuity of the self that lives these events, which constitute only a small glimpse of his existence. And what makes matters worse is his assumption that the current unhappiness is going to be permanent — always the same. Of course, that's a characteristic of depression – the combination of sadness and pessimism.
Irvin D. Yalom (Lying on the Couch)
What did you say?” I asked, walking to her, putting my hand on the small of her back. “Shhhh,” she said. “I’m sleeping.” Just like that. From a hundred miles an hour to asleep in a nanosecond. I wanted so badly to lie down next to her on the couch, to wrap my arms around her and sleep. Not fuck, like in those movies. Not even have sex. Just sleep together, in the most innocent sense of the phrase. But I lacked the courage and she had a boyfriend and I was gawky and she was gorgeous and I was hopelessly boring and she was endlessly fascinating. So I walked back to my room and collapsed on the bottom bunk, thinking that if people were rain, I was drizzle and she was a hurricane.
John Green (Looking for Alaska)
Nevertheless, as we follow the invisible warfare swirling around the life of one wounded, searching sinner, the core message rings clear: No amount of lies, no matter how cleverly couched, will ever outstrip or outlast God’s truth, nor will any lie ever outreach His grace. The Lord knows those who are His, His sheep hear His voice, and the arm of
Frank E. Peretti (Piercing the Darkness)
It [depression] lives with you, an invisible roommate, up until the time you start sinking, and then it sprawls itself across your couch and kicks its feet up on your coffee table and uses up all the hot water. Never pays its half of the rent, either. You can be ok for months, for years before it creeps back in, telling you lies like 'you will always feel this way' and 'no one will love you because of it' and 'why bother'. Once, you could tell they were lies, but now they wheigh down your shoulders and take up space in your lungs. Sometimes they come out of nowhere. Other times, some grim event helps yank you back to that dark place. And, you are so fucking exhausted, so you let it happen.
Rachel Lynn Solomon (Weather Girl)
John lowers himself onto the couch, kicks off his shoes, then stretches out, lies down, and adjusts his head on the pillows. Usually he sits cross-legged on the sofa, so this is a first. I notice, too, that there’s no food today. “Okay, you win,” he begins with a sigh. “Win what?” I ask. “The pleasure of my company,” he deadpans. I raise my eyebrows.
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
She locked herself in her room. She needed time to get used to her maimed consciousness, her poor lopped life, before she could walk steadily to the place allotted her. A new searching light had fallen on her husband's character, and she could not judge him leniently: the twenty years in which she had believed in him and venerated him by virtue of his concealments came back with particulars that made them seem an odious deceit. He had married her with that bad past life hidden behind him, and she had no faith left to protest his innocence of the worst that was imputed to him. Her honest ostentatious nature made the sharing of a merited dishonor as bitter as it could be to any mortal. But this imperfectly taught woman, whose phrases and habits were an odd patchwork, had a loyal spirit within her. The man whose prosperity she had shared through nearly half a life, and who had unvaryingly cherished her—now that punishment had befallen him it was not possible to her in any sense to forsake him. There is a forsaking which still sits at the same board and lies on the same couch with the forsaken soul, withering it the more by unloving proximity. She knew, when she locked her door, that she should unlock it ready to go down to her unhappy husband and espouse his sorrow, and say of his guilt, I will mourn and not reproach. But she needed time to gather up her strength; she needed to sob out her farewell to all the gladness and pride of her life. When she had resolved to go down, she prepared herself by some little acts which might seem mere folly to a hard onlooker; they were her way of expressing to all spectators visible or invisible that she had begun a new life in which she embraced humiliation. She took off all her ornaments and put on a plain black gown, and instead of wearing her much-adorned cap and large bows of hair, she brushed her hair down and put on a plain bonnet-cap, which made her look suddenly like an early Methodist. Bulstrode, who knew that his wife had been out and had come in saying that she was not well, had spent the time in an agitation equal to hers. He had looked forward to her learning the truth from others, and had acquiesced in that probability, as something easier to him than any confession. But now that he imagined the moment of her knowledge come, he awaited the result in anguish. His daughters had been obliged to consent to leave him, and though he had allowed some food to be brought to him, he had not touched it. He felt himself perishing slowly in unpitied misery. Perhaps he should never see his wife's face with affection in it again. And if he turned to God there seemed to be no answer but the pressure of retribution. It was eight o'clock in the evening before the door opened and his wife entered. He dared not look up at her. He sat with his eyes bent down, and as she went towards him she thought he looked smaller—he seemed so withered and shrunken. A movement of new compassion and old tenderness went through her like a great wave, and putting one hand on his which rested on the arm of the chair, and the other on his shoulder, she said, solemnly but kindly— "Look up, Nicholas." He raised his eyes with a little start and looked at her half amazed for a moment: her pale face, her changed, mourning dress, the trembling about her mouth, all said, "I know;" and her hands and eyes rested gently on him. He burst out crying and they cried together, she sitting at his side. They could not yet speak to each other of the shame which she was bearing with him, or of the acts which had brought it down on them. His confession was silent, and her promise of faithfulness was silent. Open-minded as she was, she nevertheless shrank from the words which would have expressed their mutual consciousness, as she would have shrunk from flakes of fire. She could not say, "How much is only slander and false suspicion?" and he did not say, "I am innocent.
George Eliot (Middlemarch)
I have to go in with Raquel and fix this curse. Why don’t you come in and . . . umm, lie down on the couch or something.” Reth gave me a humorless smile. “In all our time with each other, have I ever struck you as the type to nap on a couch?” I snickered. “Not really. But it would be entertaining for me, at least. I’ll bet you snore, even.” He looked indignant. “What makes you think I even sleep?” “Do you?” “Not in the same way you do. Go and waste your time trying to ‘fix’ Lend. I will try my best not to die waiting.” I took a step away, then turned back. “Wait, seriously? Are you going to die?” He smiled, this time a genuine one. “I knew you cared. Not at the moment, but I will need you for something very soon.
Kiersten White (Endlessly (Paranormalcy, #3))
How clear she shines ! How quietly I lie beneath her guardian light; While heaven and earth are whispering me, " To morrow, wake, but, dream to-night." Yes, Fancy, come, my Fairy love ! These throbbing temples softly kiss; And bend my lonely couch above And bring me rest, and bring me bliss. The world is going; dark world, adieu ! Grim world, conceal thee till the day; The heart, thou canst not all subdue, Must still resist, if thou delay ! Thy love I will not, will not share; Thy hatred only wakes a smile; Thy griefs may wound–thy wrongs may tear, But, oh, thy lies shall ne'er beguile ! While gazing on the stars that glow Above me, in that stormless sea, I long to hope that all the woe Creation knows, is held in thee ! And, this shall be my dream to-night; I'll think the heaven of glorious spheres [Page 104] Is rolling on its course of light In endless bliss, through endless years; I'll think, there's not one world above, Far as these straining eyes can see, Where Wisdom ever laughed at Love, Or Virtue crouched to Infamy; Where, writhing 'neath the strokes of Fate, The mangled wretch was forced to smile; To match his patience 'gainst her hate, His heart rebellious all the while. Where Pleasure still will lead to wrong, And helpless Reason warn in vain; And Truth is weak, and Treachery strong; And Joy the surest path to Pain; And Peace, the lethargy of Grief; And Hope, a phantom of the soul; And Life, a labour, void and brief; And Death, the despot of the whole !
Emily Brontë (The Complete Poems)
He sits back on the couch, nonchalantly adjusting the suit jacket around his narrow hips as if his cock isn’t straining the shiny fabric of his slacks. “If you’re here strictly on business…” I lurch off the coffee table and stand on the opposite side. “Explain that.” I point at his erection. “Making money gets my dick hard.” Where did this heartless douche in a tin can come from?
Pam Godwin (One is a Promise (Tangled Lies, #1))
I have been lying on my couch for thirteen, going on fourteen months. I have barely gone out. I have fed myself and made ends meet. I hope that’s not the proudest of me you could be. I hope surviving not being married to a doctor anymore is not the greatest thing you can imagine for me. I went to school. I’m going to live another fifty years probably. I hope this isn’t the highlight.
Linda Holmes (Evvie Drake Starts Over)
Ah, mighty uncertainty!" said the doctor. "Have you thought of all the doors that have shut at night and opened again? Of women who have looked about with lamps, like you, and who have scurried on fast feet? Like a thousand mice they go this way and that, now fast, now slow, some halting behind doors, some trying to find the stairs, all approaching or leaving their misplaced mouse-meat that lies in some cranny, on some couch, down on some floor, behind some cupboard; and all the windows, great and small, from which love and fear have peered, shining and in tears. Put those windows end to end and it would be a casement that would reach around the world; and put those thousand eyes into one eye and you would have the night combed with the great blind searchlight of the heart.
Djuna Barnes (Nightwood)
— Мій дідусь народився в Неаполі, — мовила Керол. — Я майже його не пам’ятаю, але пригадую, що він вчив мене грати в шахи. І коли ми закінчували партію й починали збирати фігури, він завжди говорив ту саму фразу, я чую його м’який голос навіть зараз: «Ось бачиш, Керол, життя подібне до шахової партії: коли гру закінчено, всі фігури — пішаки, королі, королеви — потрапляють до однієї коробки».
Irvin D. Yalom (Lying on the Couch)
It is a fact. And it’s a fact that I want to take care of you. I want to wipe your tears after a hard day and eat your bread until I’m fat. I want to lie on the couch with you until you fall asleep. And if the weight of my arm is what you need to stay asleep, it’s yours. Forever my arms are yours, Addison, because I will love you forever. You’re my home and I want to build a life with you too.
Amy Daws (Honeymoon Phase (Mountain Men Matchmaker, #3))
So live, that when thy summons comes to join The innumerable caravan, which moves To that mysterious realm, where each shall take His chamber in the silent halls of death, Thou go not, like the quarry-slave at night, Scourged to his dungeon, but, sustained and soothed By an unfaltering trust, approach thy grave, Like one who wraps the drapery of his couch About him, and lies down to pleasant dreams.
Jon Meacham (And There Was Light: Abraham Lincoln and the American Struggle)
The worst part is understanding you’re going to die.' She looked at me, her black eyebrows raised. 'You didn’t understand that?' I shook my head. 'You think you understand it. You think that when you’re ninety-six you’ll lie down on the couch after a big Thanksgiving dinner and not wake up, but even then you’re not really sure. Maybe there’ll be some special dispensation for you. Everybody thinks that.
Ann Patchett (The Dutch House)
They were sitting on the couch chatting politely with me, not touching, or so it seemed, except that I happened to glance down and I saw that their hands were lying next to each other on the couch, and that Nick was caressing Alice’s little finger with his own. I remember being shocked by a feeling of pure envy. I wanted to be Alice, young and lovely, feeling the secret caress of a handsome boy’s fingertip.
Liane Moriarty (What Alice Forgot)
Alarmingly, though, on top of the bookcase there is also a family portrait of Bea with two just-as-striking blond-and-blue-eyed sisters and a pair of handsome proud Nordic parents, whose stares make me aware of the vast age difference between Bea and me, and I am profoundly ashamed to be here buying drugs in this girl's apartment. What I'd really like to do, I think, is lie down on this couch and take a nap.
Jess Walter
You have been my friend in the cosmos; you have been my only friend on this planet—the only soul to sense and seek for me within the repellent form which lies on this couch. We shall meet again—perhaps in the shining mists of Orion’s Sword, perhaps on a bleak plateau in prehistoric Asia. Perhaps in unremembered dreams tonight; perhaps in some other form an aeon hence, when the solar system shall have been swept away.
H.P. Lovecraft (H.P. Lovecraft Short Stories)
The mortals no longer want you.' Wren shook her head, because that couldn't be true. Her mother and father loved her. Her mother cut the crusts off her sandwiches and kissed her on the tip of her nose to make her giggle. Her father cuddled up with her to watch movies and then carried her to bed when she fell asleep on the couch. She knew they loved her. And yet the certainty with which Lord Jarel spoke plucked at her terror
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
As best I could understand it, the Buddha’s main thesis was that in a world where everything is constantly changing, we suffer because we cling to things that won’t last. A central theme of the Buddha’s “dharma” (which roughly translates to “teaching”) revolved around the very word that had been wafting through my consciousness when I used to lie on my office couch, pondering the unpredictability of television news: “impermanence.
Dan Harris (10% Happier)
The first thing I see when I wake, still on the couch in the hotel room, are the birds flying over her collarbone. Her shirt, retrieved from the floor in the middle of the night because of the cold, is pulled down on one side from where she’s lying on it. We have slept close to each other before, but this time feels different. Every other time we were there to comfort each other or to protect each other; this time we’re here just because we want to be--and because we fell asleep before we could go back to the dormitory. I stretch out my hand and touch my fingertips to her tattoos, and she opens her eyes. She wraps an arm around me and pulls herself across the cushions so she’s right up against me, warm and soft and pliable. “Morning,” I say. “Shh,” she says. “If you don’t acknowledge it, maybe it will go away.” I draw her toward me, my hand on her hip. Her eyes are wide, alert, despite just having opened. I kiss her cheek, then her jaw, then her throat, lingering there for a few seconds. Her hands tighten around my waist, and she sighs into my ear. My self-control is about to disappear in five, four, three… “Tobias,” she whispers, “I hate to say this, but…I think we have just a few things to do today.” “They can wait,” I say against her shoulder, and I kiss the first tattoo, slowly. “No, they can’t!” she says.
Veronica Roth (Allegiant (Divergent, #3))
She’d mopped the floors that morning; they were shiny and everything smelled like lemons and clean house. The phone was ringing in the kitchen, she came running in to answer it, and she slipped. She hit her head on the floor, and she was unconscious, but then she woke up and she was fine. That was her lucid interval. That’s what they call it. A little while later she said she had a headache, she went to lie down on the couch, and then she didn’t wake up.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
I looked at the sofa. I wanted to lie down on it and close my eyes. I wanted him to just do the therapy to me, suck it out of me while I slept. I wanted a complete overhaul. I wanted new limbs. I wanted a new neck to hold up a whole new head. I wanted to be hypnotized, brainwashed, monitored, imploded, reconstituted, turned invisible. turned inside out, and cured. I wanted my organs replaced with all new organs, no scars. I wanted him to hover over me and infuse the stew of me with clear insights and shiny bits. I wanted all this change to happen while I lay semi-dozing, in a state of beauty and receptivity, quietly thrumming, on the couch. But it wasn’t a lie-down kind of a couch. It was a forward-facing, upright, massive ship of a thing – a sofa for adults, for work, for serious conversation, maybe for reading John Steinbeck or drafting torts. There had never been a free association on this sofa in its entire life.
Heather Sellers (You Don't Look Like Anyone I Know: A True Story of Family, Face Blindness, and Forgiveness)
It takes a very long time to sever a marriage in which children are involved. There is a table, two chairs, and a small pile of bargaining chips. This is how it begins, but it ends with one chair in an empty room. The days darken. The children are slices open and split down the middle. Someone takes an arm; someone takes a foot. The car pulling into the driveway on a Friday afternoon becomes a hearse, and everything is couched in lies. The house of old assumes a silence.
Kate Mulgrew
Excavators uncovered one of Malta's most famous Neolithic sculptures, the "Sleeping Lady" of the Hypogeum, off the main hall. She reclines peacefully on her side, head in hand...This sculpture and another one shown lying on her stomach on a couch reminds us of initiation and healing rites known in later classical times. During these various classical ceremonies, the initiate spent a night in the temple (or cave or other remote place). The initiate experienced a night of visions and dreams, with spiritual or physical healing taking place...This rite probably derived from Neolithic practices that likened sleeping in a cave, temple, or underground chamber to slumbering in the goddess' uterus before spiritual reawakening. For the living, such a ritual brought physical healing and spiritual rebirth. For the dead, burial within underground chambers, shaped and colored like the uterus, represented the possibility of regeneration through the goddess' symbolic womb.
Marija Gimbutas (The Living Goddesses)
Slave, my hands are sticky. Come, wash them. Bring the perfumed water." Passia waved at me with a finger slick with honey. She was radiant, lying on the couch next to Helene. Both were dressed in new stolae that Aelia had gifted them for the holiday. I grinned and rushed forward with the basin and a towel. "Permission to speak," I asked her as I took her sticky hand in mine. She smirked. "Permission granted." I slowly ran the damp towel across each slender finger. I kept my voice low so only she could hear. "Later, my dear Domina, I would be delighted to wash you in private." She raised an eyebrow at me. "I think you will have to prove yourself first, boy." I bowed in front of her, my head on the tiles. "I will do anything you require, Domina." "Good. Now fetch me some more honey fritters. And you will clean my hands again, when I call for you." I winked at her. "Yes, Domina. Anything for you." That night our lovemaking tasted sweeter than all the honey in Iberia.
Crystal King (Feast of Sorrow)
I wanted so badly to lie down next to her on the couch, to wrap my arms around her and sleep. Not fuck, like in those movies. Not even have sex. Just sleep together, in the most innocent sense of the phrase. But I lacked the courage and she had a boyfriend and I was gawky and she was gorgeous and I was hopelessly boring and she was endlessly fascinating. So I walked back to my room and collapsed on the bottom bunk, thinking that if people were rain, I was drizzle and she was a hurricane.
John Green (Looking for Alaska)
They had such a good meet-cute,” I croak. “What’s a meet-cute?” Peter’s lying on his side now, his head propped up on his elbow. He looks so adorable I could pinch his cheeks, but I refrain from saying so. His head is big enough as it is. “A meet-cute is when the hero and heroine meet for the very first time, and it’s always in a charming way. It’s how you know they’re going to end up together. The cuter the better.” “Like in Terminator, when Reese saves Sarah Connor from the Terminator and he says, ‘Come with me if you want to live.’ Freaking amazing line.” “I mean, sure, I guess that’s technically a meet-cute…I was thinking more like It Happened One Night. We should add that to our list.” “Is that in color or black-and-white?” “Black-and-white.” Peter groans and falls back against the couch cushions. “It’s too bad we don’t have a meet-cute,” I muse. “You jumped me in the hallway at school. I think that’s pretty cute.” “But we already knew each other, so it doesn’t really count.” I frown. “We don’t even remember how we met. How sad.” “I remember meeting you for the first time.” “Nuh-uh. Liar!” “Hey just because you don’t remember something doesn’t mean I don’t. I remember a lot of things.” “Okay, so how did we meet?” I challenge. I’m sure that whatever comes out of his mouth next will be a lie. Peter opens his mouth, then snaps it shut. “I’m not telling.” “See! You just can’t think of anything.” “No, you don’t deserve to know, because you don’t believe me.” I roll my eyes. “So full of it.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Just like that. From a hundred miles an hour to asleep in a nanosecond. I wanted so badly to lie down next to her on the couch, to wrap my arms around her and sleep...Just sleep together, in the most innocent sense of the phrase. But I lacked the courage and she had a boyfriend and I was gawky and she was gorgeous and I was hopelessly boring and she was endlessly fascinating. So I walked back to my room and collapsed on the bottom bunk, thinking that if people were rain, I was a drizzle and she was a hurricane
John Green (Looking for Alaska)
Lie down, then, on the soft couch which the analyst provides, and try to think up something different. The analyst has endless time and patience; every minute you detain him means money in is pocket. Whether you whine, howl, beg, weep, cajole, pray or curse-he listens. He is just a big ear minus a sympathetic nervous system. He is impervious to everything but truth. If you think it pays to fool him then fool him. Who will be the loser? If you think he can help you, and not yourself, then stick to him until you rot.
Henry Miller (Sexus (The Rosy Crucifixion, #1))
How did the name misfit even come about?" Sam asked. "It's so... dumb." Willo laughed. "Well, it's really not," she said. "We used to call them all sorts of slang terms: kooks, greasers, killjoys, chumps, and we had to keep changing the name as times changed. We used nerds for a long time, and then we started calling them dweebs." Willo hesitated. "And then a group of kids wasn't so nice to your mom." "I had braces," Deana said. "I had pimples. I had a perm. You do the math." She smiled briefly, but Sam could tell the pain was still there. Deana continued: "And I worked here most of the time so I really didn't get a chance to do a lot with friends after school. It was hard." This time, Willo reached out to rub her daughter's leg. "Your mom was pretty down one Christmas," she said. "All of the kids were going on a ski trip to a resort in Boyne City, but she had to stay here and work during the holiday rush. She was moping around one night, lying on the couch and watching TV..." "... stuffing holiday cookies in my mouth," Deana added. "... and Rudolph the Red-Nosed Reindeer came on. She was about to change the channel, but I made her sit back down and watch it with me. Remember the part about the Island of Misfit Toys?" Sam nodded. Willo continued. "All of those toys that were tossed away and didn't have a home because they were different: the Charlie-in-the-Box, the spotted elephant, the train with square wheels, the cowboy who rides an ostrich..." "... the swimming bird," Sam added with a laugh. "And I told your mom that all of those toys were magical and perfect because they were different," Willo said. "What made them different is what made them unique." Sam looked at her mom, who gave her a timid smile. "I walked in early the next morning to open the pie pantry, and your mom was already in there making donuts," Willo said. "She had a big plate of donuts that didn't turn out perfectly and she looked up at me and said, very quietly, 'I want to start calling them misfits.' When I asked her why, she said, 'They're as good as all the others, even if they look a bit different.' We haven't changed the name since.
Viola Shipman (The Recipe Box)
— Well, while I was trying to break away from Laura, the image of an amoeba that splits in two suddenly came to mind – something I hadn't thought about since my biology class in high school. I was like the two halves of the amoeba that separate piece by piece, until there is only a thin trickle left to bind us. And then a noise – a painful crackling – and we separated. I got out of bed, got dressed, looked at the clock, and thought, "Just fourteen hours until I'm going to be in bed with Laura again, holding us in my arms." And then I came here.
Irvin D. Yalom (Lying on the Couch)
All things were ready for us at our birth; it is we that have made everything difficult for ourselves, through our disdain for what is easy.” –Seneca, c. 4 BC–65 AD “Philosophy consists in avoiding excess in everything.” –Pythagoras, c. 570 BC–c. 495 BC “It is better for you to be free of fear lying upon a bed of straw, than to have a golden couch and a lavish table and be full of trouble.” –Epicurus, c. 341 BC–c. 270 BC “Very little is needed to make a happy life; it is all within yourself, in your way of thinking.” –Marcus Aurelius, 121–180 AD
Francine Jay (Miss Minimalist: Inspiration to Downsize, Declutter, and Simplify)
Just like that. From a hundred miles an hour to asleep in a nanosecond. I wanted so badly to lie down next to her on the couch, to wrap my arms around her and sleep. Not fuck, like in those movies. Not even have sex. Just sleep together in the most innocent sense of the phrase. But I lacked the courage and she had a boyfriend and I was gawky and she was gorgeous and I was hopelessly boring an d she was endlessly fascinating. So I walked back to my room and collapsed on the bottom bunk, thinking that is people were rain, I was drizzle and she was hurricane.
John Green (Looking for Alaska)
I looked through her phone a couple of times when she was in the shower, searching for text messages, but found nothing. If she’d received any incriminating texts, she had deleted them. She wasn’t stupid, apparently, just occasionally careless. It was possible I’d never know the truth. I might never find out. In a way, I hoped I wouldn’t. Kathy peered at me as we sat on the couch after the walk. “Are you all right?” “What do you mean?” “I don’t know. You seem a bit flat.” “Today?” “Not just today. Recently.” I evaded her eyes. “Just work. I’ve got a lot on my mind.” Kathy nodded. A sympathetic squeeze of my hand. She was a good actress. I could almost believe she cared. “How are rehearsals going?” “Better. Tony came up with some good ideas. We’re going to work late next week to go over them.” “Right.” I no longer believed a word she said. I analyzed every sentence, the way I would with a patient. I was looking for subtext, reading between the lines for nonverbal clues—subtle inflections, evasions, omissions. Lies. “How is Tony?” “Fine.” She shrugged, as if to indicate she couldn’t care less. I didn’t believe that.
Alex Michaelides (The Silent Patient)
Peeking into the living room through the bathroom's connecting door, she called out, "You gonna be okay out there, Owen?" He was lying on his back, long flannel-pajama-clad legs crossed at the ankle and arm up over hi head. Cover off to the side. No shirt. Jeez, his chest was broad and defined, stomach cut with ridges of muscles. He turned a lazy gaze from the fire to where she stood in the doorway. "I'm god. Thank you, for everything." Good, indeed. She'd never look at that couch the same way again. She hugged herself. "Okay, well, give a shout if yuo need anything, or just help yourself. G'night.
Laura Kaye (North of Need (Hearts of the Anemoi, #1))
There’s a large living area that opens into the kitchen at the far end, with tall windows that look over the wide expanse of sky and sea. The white linen couch and armchairs are rumpled and so soft, they threaten to swallow you when you drop into them. Braided rugs lie higgledy-piggledy, a patchwork of color over wide knotted floorboards. A fireplace is set into a brick wall, painted white and stained with smoke from years of use. There’s a stack of logs on one side and a vintage steamer trunk that’s full of blankets on the other. An upright piano stands under the staircase that leads to the second floor.
Carley Fortune (This Summer Will Be Different)
Can you tell me in one sentence what is meant by logotherapy?" he asked. "At least, what is the difference between psychoanalysis and logotherapy?" "Yes," I said, "but in the first place, can you tell me in one sentence what you think the essence of psychoanalysis is?" This was his answer: "During psychoanalysis, the patient must lie down on a couch and tell you things which sometimes are very disagreeable to tell." Whereupon I immediately retorted with the following improvisation: "Now, in logotherapy the patient may remain sitting erect but he must hear things which sometimes are very disagreeable to hear.
Viktor E. Frankl
Every culture has its own creation myth, its own cosmology. And in some respects every cosmology is true, even if I might flatter myself in assuming mine is somehow truer because it is scientific. But it seems to me that no culture, including scientific culture, has cornered the market on definitive answers when it comes to the ultimate questions. Science may couch its models in the language of mathematics and observational astronomy, while other cultures use poetry and sacrificial propitiations to defend theirs. But in the end, no one knows, at least not yet. The current flux in the state of scientific cosmology attests to this, as we watch physicists and astronomers argue over string theory and multiverses and the cosmic inflation hypothesis. Many of the postulates of modern cosmology lie beyond, or at least at the outer fringes, of what can be verified through observation. As a result, aesthetics—as reflected by the “elegance” of the mathematical models—has become as important as observation in assessing the validity of a cosmological theory. There is the assumption, sometimes explicit and sometimes not, that the universe is rationally constructed, that it has an inherent quality of beauty, and that any mathematical model that does not exemplify an underlying, unifying simplicity is to be considered dubious if not invalid on such criteria alone. This is really nothing more than an article of faith; and it is one of the few instances where science is faith-based, at least in its insistence that the universe can be understood, that it “makes sense.” It is not entirely a faith-based position, in that we can invoke the history of science to support the proposition that, so far, science has been able to make sense, in a limited way, of much of what it has scrutinized. (The psychedelic experience may prove to be an exception.)
Dennis J. McKenna (The Brotherhood of the Screaming Abyss)
What’s wrong?” Lane ran his thumb over my cheek. “I wish… I just…” I frowned, trying to find the words I wanted. “I want to go home. I want to go check on Iggy. I want this to be a really bad and really long nightmare. I wish that instead of being in the truck, we were on our couch. You’d be sitting with your legs stretched out and I’d be lying on your lap. We could watch a movie. We’d be having a beer and nachos… I’d kill for a fucking beer right now.” I stopped my rambling to swallow down the lump forming in my throat. “It will be okay.” He pressed his lips to my forehead. “I don’t know what the fuck is going on, but someone will figure it out and they’ll find a way to fix it. We’re safe here for now.” He maneuvered over the shift stick settled himself beside me. I laid my head against his shoulder and closed my eyes as he smoothed my hair. “Lane?” “Hmmm?” I looked up at him and raised a hand to touch his cheek. My heart skipped, my lips brushed over his, and I took a deep breath. I remembered all those times I’d told him, but at the same time hadn’t told him. I decided that from now on, for whatever time we had left, he’d know. “I love you, Lane. Always have.” His smile melted every bone in my body. “I love you, Gabrielle. Always will.
Meaka Kyel
THEY WALKED UP TO the front door, rang the bell. Del scratched his neck and looked at the yellow bug light and said, “I feel like a bug.” “You look like a bug. You fall down out there?” “About four times. We weren’t running so much as staggering around. Potholes full of water . . . I see you kept your French shoes nice and dry.” “English. English shoes . . . French shirts. Italian suits. Try to remember that.” “Makes my nose bleed,” Del said. The door opened, and Green looked out: she was still fully dressed, including the jacket that covered her gun and the fashionable shoes that she could run in. She took a long look at Del, and asked, “Where’re Dannon and Carver?” “Dead,” Lucas said. “Where’s Grant?” “In the living room.” “You want to invite us in?” She opened the door, and they stepped inside, and followed her to the living room. Grant was there, still dressed as she had been on the stage; she was curled in an easy chair, with a drink in her hand, high heels on the floor beside her. Schiffer was lying on a couch, barefoot; a couple of Taryn’s staff people, a young woman and a young man, were sitting on the floor, making a circle. Another man, heavier and older, was sitting in a leather chair facing Grant. Lucas didn’t recognize him, but recognized the type: a guy who knew where all the notional bodies were buried, a guy who could get the vice president on the telephone.
John Sandford (Silken Prey (Lucas Davenport #23))
But to sell Flush was unthinkable. He was of the rare order of objects that cannot be associated with money. Was he not of the still rarer kind that, because they typify what is spiritual, what is beyond price, become a fitting token of the disinterestedness of friendship; may be offered in that spirit to a friend, if one is so lucky enough as to have one, who is more like a daughter than a friend; to a friend who lies secluded all through the summer months in a back bedroom in Wimpole Street, to a friend who is no other than England’s foremost poetess, the brilliant, the doomed, the adored Elizabeth Barrett herself? Such were the thoughts that came more and more frequently to Miss Mitford as she watched Flush rolling and scampering in the sunshine; as she sat by the couch of Miss Barrett in her dark, ivy-shaded London bedroom. Yes; Flush was worthy of Miss Barrett; Miss Barrett was worthy of Flush. The sacrifice was a great one; but the sacrifice must be made. Thus, one day, probably in the early summer of the year 1842, a remarkable couple might have been seen taking their way down Wimpole Street—a very short, stout, shabby, elderly lady, with a bright red face and bright white hair, who led by the chain a very spirited, very inquisitive, very well-bred golden cocker spaniel puppy. They walked almost the whole length of the street until at last they paused at No. 50. Not without trepidation, Miss Mitford the bell.
Virginia Woolf (Flush)
..Then he continued questioning me: “What school do you stand for?” I answered, “It is my own theory; it is called logotherapy.” “Can you tell me in one sentence what is meant by logotherapy?” he asked. “At least, what is the difference between psychoanalysis and logotherapy?” “Yes,” I said, “but in the first place, can you tell me in one sentence what you think the essence of psychoanalysis is?” This was his answer: “During psychoanalysis, the patient must lie down on a couch and tell you things which sometimes are very disagreeable to tell.”“Whereupon I immediately retorted with the following improvisation: “Now, in logotherapy the patient may remain sitting erect but he must hear things which sometimes are very disagreeable to hear.
Viktor E. Frankl
I would dance all day in my basement listening to Off the Wall. You young people really don’t understand how magical Michael Jackson was. No one thought he was strange. No one was laughing. We were all sitting in front of our TVs watching the “Thriller” video every hour on the hour. We were all staring, openmouthed, as he moonwalked for the first time on the Motown twenty-fifth anniversary show. When he floated backward like a funky astronaut, I screamed out loud. There was no rewinding or rewatching. No next-day memes or trends on Twitter or Facebook posts. We would call each other on our dial phones and stretch the cord down the hall, lying on our stomachs and discussing Michael Jackson’s moves, George Michael’s facial hair, and that scene in Purple Rain when Prince fingers Apollonia from behind. Moments came and went, and if you missed them, you were shit out of luck. That’s why my parents went to a M*A*S*H party and watched the last episode in real time. There was no next-day M*A*S*H cast Google hangout. That’s why my family all squeezed onto one couch and watched the USA hockey team win the gold against evil Russia! We all wept as my mother pointed out every team member from Boston. (Everyone from Boston likes to point out everyone from Boston. Same with Canadians.) We all chanted “USA!” and screamed “YES!” when Al Michaels asked us if we believed in miracles. Things happened in real time and you watched them together. There was no rewind. HBO arrived in our house that same year. We had
Amy Poehler (Yes Please)
Within minutes, melancholy engulfed him, as was usually the case in bookstores. Books everywhere, screaming for attention from the large presentation tables, shamelessly exposing their purple or iridescent green covers, piled up on the floor and patiently waiting to be put on the shelf, pouring out of the tables, sprinkled on the floor. Near the back wall of the store, huge piles of missed books were waiting with a sullen air to return to their forger. Next to them stood cardboard boxes still unopened, filled with young and brilliant volumes that burned with impatience to live their moment of glory. Ernest's heart trembled the moment he thought about his new baby. What chance did a frail soul have, in this sea of books, to swim and hold on to the surface?
Irvin D. Yalom (Lying on the Couch)
Ah-ah! Another kiss. Come here to me, Charlotte-Rose. Come and kiss me.' He flung himself down on the couch and held out his arms to me. I rose and went slowly towards him, searching his face, my stomach fluttering with nerves. His face softened. 'I will not hurt you, chérie.' He drew me down so our mouths met and clung. It was a long, long kiss. Somehow, I found myself lying back on the cushions, the Marquis' body half-covering mine, his hand tangling my hair, one shoulder bared to the cool night air. He lifted his mouth from mine, smiled at me and then shifted his body so that his mouth was at the junction of my collarbones, his tongue tracing lazy circles in the hollow. I sighed. My bones seemed made of honey, my skin dancing with a million tiny stars.
Kate Forsyth (Bitter Greens)
She had a collection of matchbooks from extravagant places, dropped here and there on tables in the dingy apartment she still shared with Gregg. They made it look as if she lived a gay, mad life. What a typical picture for anyone from out of New York: career girl's apartment, stockings drying over the shower rod, clothes flung helter-skelter in the rush to get to the office on time, to a date on time, a bottle of wine there too, wads of dust lying under the studio couch because you couldn't clean except weekends and sometimes not even then, and all those brightly colored matchbooks with names of well-known eating places, so that even if one managed only two good and sufficient meals a week one could still light one's cigarettes for the rest of the week with the memory.
Rona Jaffe (The Best of Everything)
Maybe we should do some more homework.” Homework had been their code word for making out before they’d realized that they hadn’t been fooling anyone. But Jay was true to his word, especially his code word, and his lips settled over hers. Violet suddenly forgot that she was pretending to break free from his grip. Her frail resolve crumbled. She reached out, wrapping her arms around his neck, and pulled him closer to her. Jay growled from deep in his throat. “Okay, homework it is.” He pulled her against him, until they were lying face-to-face, stretched across the length of the couch. It wasn’t long before she was restless, her hands moving impatiently, exploring him. She shuddered when she felt his fingers slip beneath her shirt and brush over her bare skin. He stroked her belly and higher, the skin of his hands rough against her soft flesh. His thumb brushed the base of her rib cage, making her breath catch. And then, like so many times before, he stopped, abruptly drawing back. He shifted only inches, but those inches felt like miles, and Violet felt the familiar surge of frustration. He didn’t say a word; he didn’t have to. Violet understood perfectly. They’d gone too far. Again. But Violet was frustrated, and it was getting harder and harder to ignore her disappointment. She knew they couldn’t play this unsatisfying game forever. “So you’re going to Seattle tomorrow?” He used the question to fill the rift between them, but his voice shook and Violet was glad he wasn’t totally unaffected. She wasn’t as quick to pretend that everything was okay, especially when what she really wanted to do was to rip his shirt off and unbutton his jeans. But they’d talked about this. And, time and time again, they’d decided that they needed to be sure. One hundred percent. Because once they crossed that line… She and Jay had been best friends since the first grade, and up until last fall that’s all they’d ever been. Now that she was in love with him, she couldn’t imagine losing him because they made the wrong decision. Or made it too soon. She decided to let Jay have his small talk. For now. “Yeah, Chelsea wants to go down to the waterfront and maybe do some shopping. It’s easier to be around her when it’s just the two of us. You know, when she’s not always…on.” “You mean when she’s not picking on someone?” “Exactly.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
Reproductive hormones aren’t the only hormones that affect how you look and feel and think. Among the most influential are the hormones produced by your thyroid gland. Too little thyroid, and you feel like a slug. Hypothyroidism makes you feel like you just want to lie on the couch all day with a bag of chips. Everything works slower, including your heart, your bowels, and your brain. When we perform SPECT scans of people with hypothyroidism, we see decreased brain activity. Many other studies confirm that overall low brain function in hypothyroidism leads to depression, cognitive impairment, anxiety, and feelings of being in a mental fog. The thyroid gland drives the production of many neurotransmitters that run the brain, such as serotonin, dopamine, adrenaline, and noradrenaline. A
Daniel G. Amen (Unleash the Power of the Female Brain: Supercharging Yours for Better Health, Energy, Mood, Focus, and Sex)
One week to immerse yourself fully in the gloomy sensation that the world will never sparkle again. Then you will rise from your mourning couch and greet the new day,” Lady Abercrombie said firmly. “Do you have a mourning couch? Most people assume it’s merely a settee in a somber color, but it’s really more like a divan, with an open side to accommodate the lethargy of dejection. If you don’t have anything suitable, I can send one over. I keep several on hand, as I find it beneficial to my spirit to mourn the end of a relationship in a variety of environments.” The image of the Countess of Abercrombie going from room to room to lie languidly on each divan for a few minutes before rising to move on to the next one made her smile, which she assumed had been the widow’s goal in describing the absurd scene.
Lynn Messina (An Infamous Betrayal (Beatrice Hyde-Clare Mysteries, #3))
In my anguish I cried to the LORD, and he answered by setting me free. Psalm 118:5 You must learn to call on the Lord. Don’t sit all alone or lie on the couch, shaking your head and letting your thoughts torture you. Don’t worry about how to get out of your situation or brood about your terrible life, how miserable you feel, and what a bad person you are. Instead, say, “Get a grip on yourself, you lazy bum! Fall on your knees, and raise your hands and eyes toward heaven. Read a psalm. Say the Lord’s Prayer, and tearfully tell God what you need.” This passage teaches us to call on him. Similarly, David said, “I pour out my complaint before him; before him I tell my trouble” (Psalm 142:2). God wants you to tell him your troubles. He doesn’t want you to keep them to yourself. He doesn’t want you to struggle with them all alone and torture yourself. Doing this will only multiply your troubles.
Martin Luther (Faith Alone: A Daily Devotional)
I panted as he pulled me back through the entryway, hands on my waist, kissing the whole way, and collapsed backward onto the gray leather couch, which felt softer than my skin. I fell on top of him, straddling his lap. He kissed his way down my neck and across the collar of my blouse, leaving a trail of fire behind. "Enough of that," I panted, ripping my shirt over my head. Thank goodness I'd worn a decent bra today---blue satin with a bow in the middle, not frayed or torn anywhere. He eyed it with a growl of approval, but maybe it wasn't a growl for the bra at all, because a moment of fumbling over my back and---pop---I shook off my now unfastened bra. "And to think you didn't like me at first." He drank me in unabashedly, his eyes roaming from belly to breasts to nose to eyes, and each inch his eyes traveled made me feel more and more powerful. Like I could go anywhere, do anything. Except all I wanted to do was right here. I ground against him, feeling his cock already hard and strong under his zipper. "Who says I like you now?" He gasped and pulled me tighter onto him. "If this is what you do to people you don't like, what do you do to people you do like?" I silenced him with another kiss as I rubbed up and down him again. Now my own sex was throbbing, and I sucked in a breath with every movement. I kept moving up and down as he kissed my breasts, tongue tracing lightly over each nipple. When I couldn't take it anymore, I tumbled to the side, lying down on the couch and pulling him on top of me. Because his was an expensive couch and not the cheap one my old roommate had bought at Ikea, there was plenty of room for us to writhe without making me feel like I might topple off the edge. He went down to kiss my breasts again... and kept going. His tongue slid down my stomach, did a lazy circle around my belly button. I clenched my teeth, holding back a beg for more as he slowly, slowly, way too slowly unzipped my skirt and tugged it down. I kicked it off, along with my underwear, when he reached my knees, nearly clipping him on the ear. When I felt close to the edge, I reached down and pulled him up. My hand moved down and took over, zeroing in on just the right spot on my clit. It didn't take long. I shuddered against his shoulder, biting back a cry, then wondered why I was biting it back and let it out. Breathing hard, my head collapsed back into the cushion. I was a little worried that now post-orgasm clarity would descend upon me and be like, What the hell are you doing, Julie? but the post-orgasm clarity seemed to approve. With a wink and a nudge, it made me pull away, and the desire roared back inside me. "That's why it's great to have a clitoris," I told Bennett. "Multiple orgasms.
Amanda Elliot (Best Served Hot)
Hey beautiful,” Trey answers, sounding exhausted. “Hey you.” My heart clenches in my chest from the sound of his voice. He breathes heavily. “I’m sitting here, shirt off, beer in hand, TV on, and I feel so fucking empty.” The image of him lying on the couch we bought together, his beautiful body stretched out across the cushions, makes me ache in places I haven’t ached in a long time. I want him so bad. “I’m missing my girl tucked against my chest.” “I would give anything to be there right now,” I answer honestly. Sighing, he asks, “Remember that piece of spaghetti I threw on the ceiling the night before you left?” “Yeah.” I smile to myself, thinking about that night. Trey insisted upon making spaghetti and meatballs for me. He came home with a grocery bag full of pasta, spaghetti sauce, and pre-made meatballs. When cooking the noodles, he told me an “old wives’ tale.” He said if you throw the noodles to the ceiling and it sticks, then the pasta is done. What he didn’t realize is if that pasta never comes down, you overcooked it. “It fell this morning. Scared the shit out of me. I thought it was a spider trying to bury itself in my hair while I was making eggs.” A laugh bursts out of me as I think about Trey bouncing around the apartment, spaghetti in hair thinking it was a spider. “Oh no. Miss Pasta-relli finally fell?” “She did and that squirrely bitch knew exactly what she was doing, too. Trying to scare the crap right out of me.” “Seems like she did.” I chuckle. “But I got the last laugh when I turned the trash compactor on. Her little pasta self squiggled down the drain. Revenge never felt so sweet.” Still laughing, I shake my head. “Is this what your life has come to? Fighting with old, overcooked pasta?” “I’m telling you, Amelia, with you gone, I’ve lost my damn mind.” “Sounds like it
Meghan Quinn (The Other Brother (Binghamton, #4))
Not much time had passed when he opened his eyes to find her standing over him. “Umm,” she said nervously. “Can you…? This is awkward. I’m still very squeamish about a man even seeing me on the treadmill, but could you share the bed, in your clothes, and manage not to do anything? I mean, even in your sleep?” “I’m okay right here, Brie. Don’t worry about me.” “I’m not worried about… I just thought, that couch isn’t big enough. And there’s a bed in the loft, but I just don’t want you way up there. And I… Could you lie beside me on the bed without—” “I’m not going to try anything with you, Brie. I know you can’t handle that.” “I don’t think I can sleep unless you’re…closer,” she said very softly. “Aw, honey…” “Then come on,” she said, turning back to the bedroom. He didn’t move for a moment, thinking. It didn’t take long. He wanted to be next to her, but he didn’t have to be. But if she needed him, he was there. He stood and got rid of his belt because of the big buckle, but everything else stayed on. And he went to the bedroom. She was curled up under the covers, her back facing out, leaving him room. So he lay down on the bed on top of the covers, giving her that security. “Okay?” he asked. “Okay,” she murmured. It wasn’t a big bed, just a double, and it was impossible to keep a lot of space between them. He curved around her back, spooning her, his face against her hair, his wrist resting over her hip. “Okay?” he asked. “Okay,” she murmured. He nestled in, his cheek against the fragrant silkiness of all that loose hair, his body wrapped around hers, though separated by layers of clothes and quilts, and it was a long, long time before he found sleep. By her even breathing, Mike knew she rested comfortably and that made him feel good. When he woke in the morning, she had turned in her sleep and lay in the crook of his arm, snuggled up close to him, her lips parted slightly, her breath soft and warm against his cheek. And he thought, Oh damn, she’s right—this is going to just break the hell out of my heart. *
Robyn Carr (Whispering Rock (Virgin River, #3))
With the nausea gone, evenings with Marlboro Man slowly began resembling the way they’d been before. We watched movies on the couch together--his head on one end, my head on the other, our legs in a tangled mess of coziness. He’d play with my toes. I’d rub his calves, which were rock hard and tough from day after day on horseback. After the purgatory of the previous weeks, things were officially delicious again. Marlboro Man was delicious again. After a love-drenched honeymoon in Australia, we’d returned home to a bitter reality that had put a screeching halt to what should have been the most romantic days of our lives together. Since my nausea had been so bad that the mere smell of skin made me sick, it had been difficult for me to lie in bed with him some nights--let alone entertain any other thoughts. It had been a cold, frigid autumn in more ways than one. If Marlboro Man hadn’t been so happy about his child developing in my body, I imagined he might have taken me back for a refund. I was so glad that this time had finally passed.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
The tornadic bundle of legs and arms and feet and hands push farther into the kitchen until only the occasional flailing limb is visible from the living room, where I can’t believe I’m still standing. A spectator in my own life, I watch the supernova of my two worlds colliding: Mom and Galen. Human and Syrena. Poseidon and Triton. But what can I do? Who should I help? Mom, who lied to me for eighteen years, then tried to shank my boyfriend? Galen, who forgot this little thing called “tact” when he accused my mom of being a runaway fish-princess? Toraf, who…what the heck is Toraf doing, anyway? And did he really just sack my mom like an opposing quarterback? The urgency level for a quick decision elevates to right-freaking-now. I decide that screaming is still best for everyone-it’s nonviolent, distracting, and one of the things I’m very, very good at. I open my mouth, but Rayna beats me to it-only, her scream is much more valuable than mine would have been, because she includes words with it. “Stop it right now, or I’ll kill you all!” She pushed past me with a decrepit, rusty harpoon from God-knows-what century, probably pillaged from one of her shipwreck excursions. She waves it at the three of them like a crazed fisherman in a Jaws movie. I hope they don’t notice she’s got it pointed backward and that if she fires it, she’ll skewer our couch and Grandma’s first attempt at quilting. It works. The bare feet and tennis shoes stop scuffling-out of fear or shock, I’m not sure-and Toraf’s head appears at the top of the counter. “Princess,” he says, breathless. “I told you to stay outside.” “Emma, run!” Mom yells. Toraf disappears again, followed by a symphony of scraping and knocking and thumping and cussing. Rayna rolls her eyes at me, grumbling to herself as she stomps into the kitchen. She adjusts the harpoon to a more deadly position, scraping the popcorn ceiling and sending rust and Sheetrock and tetanus flaking onto the floor like dirty snow. Aiming it at the mound of struggling limbs, she says, “One of you is about to die, and right now I don’t really care who it is.” Thank God for Rayna. People like Rayna get things done. People like me watch people like Rayna get things done. Then people like me round the corner of the counter as if they helped, as if they didn’t stand there and let everyone they love beat the shizzle out of one another. I peer down at the three of them all tangled up. Crossing my arms, I try to mimic Rayna’s impressive rage, but I’m pretty sure my face is only capable of what-the-crap-was-that. Mom looks up at me, nostrils flaring like moth wings. “Emma, I told you to run,” she grinds out before elbowing Toraf in the mouth so hard I think he might swallow a tooth. Then she kicks Galen in the ribs. He groans, but catches her foot before she can re-up. Toraf spits blood on the linoleum beside him and grabs Mom’s arms. She writhes and wriggles, bristling like a trapped badger and cussing like sailor on crack. Mom has never been girlie. Finally she stops, her arms and legs slumping to the floor in defeat. Tears puddle in her eyes. “Let her go,” she sobs. “She’s got nothing to do with this. She doesn’t even know about us. Take me and leave her out of this. I’ll do anything.” Which reinforces, right here and now, that my mom is Nalia. Nalia is my mom. Also, holy crap.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Just a kiss." He traced the curve of her jaw, a feather-light touch over soft skin. "One kiss." She bit her lip, her eyes dark with desire. "No one has ever asked to kiss me. It usually just happens. We're talking on the couch or lying on the bed and then our faces move closer and I know we're going to kiss. My heart starts to pound in anticipation and I hold my breath and..." "Shhhh." He slid his hand around her neck and pushed himself up so he could clearly see her face. "Is it now?" she whispered. "Yes. It's now." He kissed her gently, softly, pressing his lips against the soft bow of her mouth. Everything stilled, the sounds of the emergency room fading away beneath the pounding of his heart and the rush of blood in his ears. With a sigh, she opened to him, stealing his breath with the slow sweep of her tongue. Abandoning himself to the sweetness of her mouth, he pulled her on top of him, palms skimming her lush curves, fingers sinking into the silk of her hair. Her scent, the soft moans and panting breaths, the tremble of her body, the white-hot heat that blazed between them. It was too much and not enough.
Sara Desai (The Singles Table (Marriage Game, #3))
Before I could lie and tell him I was fine, I was wrapped up tenderly in his arms and he was lifting me and my big bag easily over the threshold into the house. I could hear the sounds of Hero following as Danner locked the door behind us, armed an alarm and then walked with me into a little living room off the kitchen. He sat us down with me straddling his lap, my bag forgotten beside us. Hero jumped up on the couch next to him and let out a contented groan. I held my breath as Danner gently unwound my arms from around his neck and then tipped my chin down with his thumb so he could look into my eyes. He had a way of looking at me that seared me to my very soul. It was as if he could read every thought I’d ever had, every feeling I’d never been able to correctly express in the blue of my irises, as if he would happily drown in the blacks of my eyes. He looked at me as if his world began and ended in my gaze. I swallowed thickly as that look hit the well of emotion at the heart of me and tears sprung forth. “Lion.” “Rosie,” he breathed, the thumb at my chin gliding up the angle of my jaw over the shell of my ear and then the hair over my temple with the rest of his fingers. “My Rosie, what happened?
Giana Darling (Good Gone Bad (The Fallen Men, #3))
He leaned down and kissed me, warm and soft. "I do have a trick to get you to relax though." And I knew exactly what his idea of "relaxing" was. "We're at work!" "We're alone at work," he teased, lifting me off my feet and walking away with me in his arms. "You're insatiable!" I laughed as he bound up the stairs. "Only when it comes to you, love." In his office, he kicked the door shut behind him before setting me on the small couch by the bookshelves. He caged me in his arms and leaned down to kiss my neck. "What do you think you're doing?" My lips protested, but my head moved to the side, giving him more room to kiss me. "Are we still trying for a faeling?" he asked. "These things can take quite a bit of time, you know." "It could take decades!" "A sacrifice I'm willing to make," he teased. Wrapping my fingers around his tie, I gently tugged his face down to mine so I could kiss him, reminiscent of our first kiss that had cemented the bond between us half a year ago. "Whatever happens, happens. I'm not as impatient as you, Lord of Winter." "Only for you," Devin answered. "Only ever for you, love." He kissed me again, deeper and hungrier than before, and I wrapped my arms around his neck and melted into him.
Sabrina Blackburry (Dirty Lying Faeries (The Enchanted Fates, #1))
Somehow, the strife made our marriage better. We got back to holding hands and making out on the couch, touching each other during the day, and cuddling in bed. We’d been distracted by everything, and now we returned to what was important. We laughed; we had fun. I felt again like we were made for each other. There is a point for everyone, I think, where physical attraction is everything, and it can lead to love. A person looks beautiful to you, and therefore you love them. Beyond that, as you grow with them, as your love deepens, your perception of beauty starts to deepen. At that point, what you love becomes beautiful-or rather, you are better equipped to recognize the inherent beauty. We were there. Chris would gaze at me in the mirror from the bedroom as I was getting ready for bed, and his eyes would be filled with love. I would lie next to him on the bed and just feel loved, secure in the knowledge that the most amazing man in the world had me in his arms. And yet, there was a little part of me, a nagging part, that told me I didn’t deserve all this happiness. I remember calling a girlfriend around this time and raving about how our marriage seemed to have gone to a new level: Amazing. Then I added, “But I feel like something bad is going to happen to one of us. Because it’s just too perfect.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
Dot didn’t answer. The Sheriff bared his teeth at her. “You ugly, disgusting pig.” He raised his hand to strike her— Hester’s demon slammed into him, bashing the Sheriff in the groin with its horns. Before it could gore him again, a scim ripped through the demon’s claw, pinning the demon to the ceiling. The Sheriff crumpled to the floor, wailing high-pitched noises. Hester gasped, buckling against the wall, as if the wind had been crushed out of her, her skin turning white. Overhead, her red-skinned demon bleated in pain. “H-H-Hester, you okay?” Agatha sputtered. But Hester wasn’t listening, her eyes bloodshot and still fixed on the Sheriff. “Too bad for you, your daughter has friends,” she said. “Lots of friends,” Anadil seethed. “And if you ever touch Dot, you ever speak to her like that again, those friends will tear out your throat,” said Hester. “We will kill her own father to protect her and we won’t feel an ounce of guilt. You don’t know us. You don’t know what we’re capable of.” “And you don’t know the truth about your daughter either,” said Anadil, red glare slashing through the Sheriff. “She isn’t an embarrassment or ugly or any of the other lies you dump on her. She’s a miracle. You know why? Because she came from stock like you and is still the best friend anyone could ask for.” Dot’s face flooded with tears, her whole body quivering. The Sheriff sobbed in pain behind the couch.
Soman Chainani (Quests for Glory (The School for Good and Evil: The Camelot Years #1))
With a sigh of resignation, I dial Ryder’s number. Exactly seven minutes later, he knocks on the door. Ryder to the rescue. I resist the urge to look around for his white horse. “Okay, where is he?” he asks with a frown. His hair is wet, his T-shirt clinging damply to his skin. I’d either caught him in the shower or in the pool. Probably the pool, since he smells vaguely of chlorine. I hook a thumb toward the living room. “In there. Passed out on the couch.” He looks at me sharply. “You haven’t been drinking, have you?” He’s lucky I don’t slap him. “I was sitting upstairs in my room, minding my own business, when he showed up at the door. What do you think? Asshat,” I add under my breath. His brow furrows. “What was that?” “Nothing. C’mon. Get him out of there before he makes a mess.” “What about his car?” I shrug. “I’ll drive it school tomorrow and get a ride home from Lucy or something.” “I’ll drive you home,” he offers. Correction: he asserts--arrogantly, as if he’s used to giving orders. “We need to go get those tarps and sandbags anyway.” “How did you…?” I trail off as the answer dawns on me. “My dad e-mailed you, didn’t he?” “Called me, actually. We’ll go after school tomorrow. After practice,” he amends. “Yeah. Fine, whatever.” Truthfully, I wasn’t looking forward to lugging sandbags by myself. I wasn’t even sure how I was going to fit them in my little Fiat. Problem solved. Now to solve my other problem--the one lying on my couch.
Kristi Cook (Magnolia (Magnolia Branch, #1))
It was simple: we are the storytellers. Imagination in Ireland was beyond the beyond. It was out there. It was Far Out before far out was invented in California, because sitting around in a few centuries of rain breeds these outlands of imagination. As evidence, think of Abraham Stoker, confined to bed until he was eight years old, lying there breathing damp Dublin air with no TV or radio but the heaving wheeze of his chest acting as pretty constant reminder that soon he was heading Elsewhere. Even after he was married to Florence Balcombe of Marino Crescent (she who had an unrivalled talent for choosing the wrong man, who had already given up Oscar Wilde as a lost cause in the Love Department when she met this Bram Stoker and thought: he seems sweet), even after Bram moved to London he couldn’t escape his big dark imaginings in Dublin and one day further down the river he spawned Dracula (Book 123, Norton, New York). Jonathan Swift was only settling into a Chesterfield couch in Dublin when his brain began sailing to Lilliput and Blefuscu (Book 778, Gulliver’s Travels, Jonathan Swift, Penguin, London). Another couple of deluges and he went further, he went to Brobdingnag, Laputa, Bainbarbi, Glubbdubdrib, Luggnagg and . . . Japan, before he went furthest of all, to Houyhnhnms. Read Gulliver’s Travels when you’re sick in bed and you’ll be away. I’m telling you. You’ll be transported, and even as you’re being carried along in the current you’ll think no writer ever went this Far. Something like this could only be dreamt up in Ireland. Charles Dickens recognised that.
Niall Williams
A glance at the clock on the nightstand told me I still had several hours until morning, and I knew I was in for a long night. I wasn’t quite ready to get back in bed, and my throat felt dry, so I left the bedroom and padded into the kitchen for a bottle of cool water. On my way back through the living room, I glanced at the couch and froze. Holt was lying there with a blanket tossed over his legs. “You’re sleeping on the couch?” I said, surprise lacing my tone. “I figured it was too soon to climb into bed with you,” he drawled. A warm flush spread over my limbs. The idea of sharing a bed with him… of being tangled up in his arms and legs… was entirely too appealing. “I’m an idiot.” He chuckled. “And why is that?” Because I should have realized that he only had one bed in this house and I was hogging it. He did say my scent was on his sheets. Geez, how slow on the uptake was I? “I should be the one sleeping out here.” “No.” It sounded like a command. “Yes.” He moved so fast I barely saw him, and then he was towering over me, my eyes left to stare at the very wide expanse of his chiseled chest. “What kind of a man do you think I am?” he drawled. “What?” I said, not really listening to his words. His body was the ultimate distraction. “Do you really think I would let someone—a girl—who was just released from the hospital, still bruised and burned, sleep on my couch?” “I’m sure I would be more comfortable there than you would be.” “Go back to bed, Katie.” He crossed his arms over his chest. “And if I don’t?” I challenged. I didn’t really care for the overbearing type. “If you don’t, I’m going to rip my shirt off you right here and do things to your body that will echo through your limbs long after I stop touching you.
Cambria Hebert (Torch (Take It Off, #1))
Having done with the cares of business, Oblomov liked to withdraw into himself and live in the world of his own creation. He was not unacquainted with the joys of lofty thoughts; he was not unfamiliar with human sorrows. Sometimes he wept bitterly in his heart of hearts over the calamities of mankind and experienced secret and nameless sufferings and anguish and a yearning for something far away, for the world, perhaps, where Stolz used to carry him away. ... Sweet tears flowed from his eyes. It would also happen that sometimes he would be filled with contempt for human vice, lies, and slanders, for the evil that was rife in the world, and he was consumed by a desire to point out to man his sores, and suddenly thoughts were kindled in him, sweeping through his head like waves of the sea, growing into intentions, setting his blood on fire, flexing his muscles, and swelling his veins; then his intentions turned to strivings; moved by a spiritual force, he would change his position two or three times in one minute, and half-rising on his couch with blazing eyes, stretch forth his hand and look around him like one inspired. ... In another moment the striving would turn into a heroic act – and then, heavens! What wonders, what beneficent results might one not expect from such a lofty effort! But the morning passed, the day was drawing to its close, and with it Oblomov's exhausted energies were crying out for a rest: the storms and emotions died down, his head recovered from the spell of his reverie, and his blood flowed more slowly in his veins. Oblomov turned on his back quietly and wistfully and, fixing a sorrowful gaze at the window and the sky, mournfully watched the sun setting gorgeously behind a four-storied house. How many times had he watched the sun set like that!
Ivan Goncharov (Oblomov)
I’m really not in the mood for your bullshit, Patrick. Go, before Ryder sees your car in the driveway or something.” “Oh, you expectin’ Ryder?” he slurs. “He gonna ride in on his white horse like a knight and save you? Is that what your hopin’ for? Maybe that’s why you been holdin’ out on me. You wanna give it to him instead.” His eyes are glassy, slightly unfocused. It’s obvious I can’t let him drive home like this. Shit. Ignoring his drunken little tirade, I reach for his hand and drag him into the living room, pushing him toward the velvet sofa. “C’mon, Patrick, you need to lie down. I’m going to call someone to come pick you up.” His legs buckle the minute they hit the cushions, and he crumples into a heap--half on the floor, half on the sofa. He starts to make a retching noise, and I hurriedly slip off my hoodie and shove it under his face. “I swear, if you puke on my sofa, I’m going to freaking kill you.” Mercifully, he doesn’t. Instead, he starts making a quiet, snuffling noise. Like he’s passed out cold. I run upstairs and grab my cell from my bedroom, trying to decide who to call. Obviously, Ryder makes the most sense, since he lives just up the road and can be here in a matter of minutes. But what if he mentions it to his mom? I mean, I can tell him not to, but then it makes me look guilty, like I’m trying to hide something. It’s not my fault that Patrick showed up on my doorstep unannounced. I run through the other options in my head. Calling Ben or Mason is about the same as calling Ryder. They’re his best friends. They talk. I could try Tanner. He is my cousin, so I could invoke some sort of family loyalty oath of silence or something. Only problem is, Tanner lives on the far side of town--about as far away from here as anyone can be and still live in Magnolia Branch. Which means leaving a passed-out, about-to-puke Patrick on my couch for a good twenty minutes, waiting for a ride. Nope. Not gonna happen. With a sigh of resignation, I dial Ryder’s number. Exactly seven minutes later, he knocks on the door. Ryder to the rescue. I resist the urge to look around for his white horse.
Kristi Cook (Magnolia (Magnolia Branch, #1))
heu, uatum ignarae mentes! quid uota furentem, quid delubra iuuant? est mollis flamma medullas interea et tacitum uiuit sub pectore uulnus. uritur infelix Dido totaque uagatur urbe furens, qualis coniecta cerua sagitta, quam procul incautam nemora inter Cresia fixit pastor agens telis liquitque uolatile ferrum nescius: illa fuga siluas saltusque peragrat Dictaeos; haeret lateri letalis harundo. nunc media Aenean secum per moenia ducit Sidoniasque ostentat opes urbemque paratam, incipit effari mediaque in uoce resistit; nunc eadem labente die conuiuia quaerit, Iliacosque iterum demens audire labores exposcit pendetque iterum narrantis ab ore. post ubi digressi, lumenque obscura uicissim luna premit suadentque cadentia sidera somnos, sola domo maeret uacua stratisque relictis incubat. illum absens absentem auditque uidetque, aut gremio Ascanium genitoris imagine capta detinet, infandum si fallere possit amorem. non coeptae adsurgunt turres, non arma iuuentus exercet portusue aut propugnacula bello tuta parant: pendent opera interrupta minaeque murorum ingentes aequataque machina caelo. (Alas, poor blind interpreters! What woman In love is helped by offerings or altars? Soft fire consumes the marrow-bones, the silent Wound grows, deep in the heart. Unhappy Dido burns, and wanders, burning, All up and down the city, the way a deer With a hunter’s careless arrow in her flank Ranges the uplands, with the shaft still clinging To the hurt side. She takes Aeneas with her All through the town, displays the wealth of Sidon, Buildings projected; she starts to speak, and falters, And at the end of the day renews the banquet, Is wild to hear the story, over and over, Hangs on each word, until the late moon, sinking, Sends them all home. The stars die out, but Dido Lies brooding in the empty hall, alone, Abandoned on a lonely couch. She hears him, Sees him, or sees and hears him in Iulus, Fondles the boy, as if that ruse might fool her, Deceived by his resemblance to his father. The towers no longer rise, the youth are slack In drill for arms, the cranes and derricks rusting, Walls halt halfway to heaven.) Book IV 65-89
Virgil (The Aeneid)
Sometimes Marlboro Man and I would venture out into the world--go to the city, see a movie, eat a good meal, be among other humans. But what we did best was stay in together, cooking dinner and washing dishes and retiring to the chairs on his front porch or the couch in his living room, watching action movies and finding new and inventive ways to wrap ourselves in each other’s arms so not a centimeter of space existed between us. It was our hobby. And we were good at it. It was getting more serious. We were getting closer. Each passing day brought deeper feelings, more intense passion, love like I’d never known it before. To be with a man who, despite his obvious masculinity, wasn’t at all afraid to reveal his soft, affectionate side, who had no fears or hang-ups about declaring his feelings plainly and often, who, it seemed, had never played a head game in his life…this was the romance I was meant to have. Occasionally, though, after returning to my house at night, I’d lie awake in my own bed, wrestling with the turn my life had taken. Though my feelings for Marlboro Man were never in question, I sometimes wondered where “all this” would lead. We weren’t engaged--it was way too soon for that--but how would that even work, anyway? It’s not like I could ever live out here. I tried to squint and see through all the blinding passion I felt and envision what such a life would mean. Gravel? Manure? Overalls? Isolation? Then, almost without fail, just about the time my mind reached full capacity and my what-ifs threatened to disrupt my sleep, my phone would ring again. And it would be Marlboro Man, whose mind was anything but scattered. Who had a thought and acted on it without wasting even a moment calculating the pros and cons and risks and rewards. Who’d whisper words that might as well never have existed before he spoke them: “I miss you already…” “I’m thinking about you…” “I love you…” And then I’d smell his scent in the air and drift right off to Dreamland. This was the pattern that defined my early days with Marlboro Man. I was so happy, so utterly content--as far as I was concerned, it could have gone on like that forever. But inevitably, the day would come when reality would appear and shake me violently by the shoulders. And, as usual, I wasn’t the least bit ready for it.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
How long will a man lie i’th earth ere he rot ? Clow. Fayth if a be not rotten before a die, as we haue many pockie corſes, that will ſcarce hold the laying in, a will laſt you ſom eyght yeere, or nine yeere. A Tanner will laſt you nine yeere. Ham. Why he more then another ? Clow. Why ſir, his hide is ſo tand with his trade, that a will keepe out water a great while ; & your water is a ſore decayer of your whorſon dead body, heer's a ſcull now hath lyen you i'th earth 23. yeeres. Ham. Whoſe was it ? Clow. A whorſon mad fellowes it was, whoſe do you think it was ? Ham. Nay I know not. Clow. A peſtilence on him for a madde rogue, a pourd a flagon of Reniſh on my head once ; this ſame skull ſir, was ſir Yoricks skull, the Kings Iester. Ham. This ? Clow. Een that. Ham. Alas poore Yorick, I knew him Horatio, a fellow of infinite ieſt, of moſt excellent fancie, hee hath bore me on his backe a thouſand times, and now how abhorred in my imagination it is: my gorge riſes at it. Heere hung thoſe lyppes that I haue kiſt I know not howe oft, where be your gibes now ? your gamboles, your ſongs, your flaſhes of merriment, that were wont to ſet the table on a roare, not one now to mocke your owne grinning, quite chapfalne. Now get you to my Ladies table, & tell her, let her paint an inch thicke, to this favour ſhe must come, make her laugh at that. Hora. What's that my Lord ? Ham. Dooſt thou thinke Alexander lookt a this faſhion i'th earth ? Hora. Een ſo. Ham. And ſmelt ſo pah. Hora. Een ſo my Lord. Ham. To what baſe vſes wee may returne Horatio ? Why may not imagination trace the noble duſt of Alexander, till a find it ſtopping a bunghole ? Hor. Twere to conſider too curiouſly to confider ſo. Ham. No faith, not a iot, but to follow him thether with modeſty enough, and likelyhood to leade it. Alexander dyed, Alexander was buried, Alexander returneth to duſt, the duſt is earth , of earth vvee make Lome & why of that Lome whereto he was conuerted, might they not ſtoppe a Beare-barrell ? Imperious Ceſar dead, and turn'd to Clay, Might ſtoppe a hole, to keepe the wind away. O that that earth which kept the world in awe, Should patch a wall t'expell the waters flaw. But ſoft, but ſoft awhile, here comes the King, The Queen, the Courtiers, who is this they follow? And with ſuch maimed rites ? this doth betoken, The corſe they follow, did with deſprat hand Foredoo it owne life, twas of ſome eſtate, Couch we a while and marke.
William Shakespeare
What no one tells you is that there will be a last time you ever carry your child. A last time you tuck them in. A last time they run into your arms off the school bus. All through his infancy, Dylan was attached to me, almost literally. I nursed him, and he was fussy, so I carried him almost constantly, patting his back, humming to him, breathing in his delicious baby scent. He didn’t walk till he was fourteen months old, and I loved that, because I got to carry him that much longer. I took him for hikes in a backpack, his little knees hitting my ribs. I carried him on my shoulders, him clinging to fistfuls of my hair. I loved every minute. He was an affectionate boy full of drooly kisses and cuddles. He was generous with his hugs, from Paul at the post office to Christine, our librarian. And especially with me. Every night when I read him bedtime stories, his sweet little head would rest against my shoulder, and he’d idly stroke my arm, smelling like Dove soap and baby shampoo. Driving in the car was like a tranquilizer dart for Dylan . . . even bumping down our long dirt road wouldn’t wake him up, and I’d park the car, get out and unbuckle him, then lift his sweaty little body into my arms to carry him inside and just sit on the couch with him in my arms, heart against heart. And then one day, he no longer needed that. The bedtime stories stopped when he was about ten and wanted to read to himself. The last time I attempted to carry him from the car, he woke up and said, “It’s okay, Mom. I’m awake.” He never needed that again. Had someone told me “This is the last time you’ll get to carry your son,” I would have paid more attention. I would have held him as long as I could. They don’t tell you that your son will stop kissing you with sweet innocence, and those smooches will be replaced with an obligatory peck. They don’t tell you that he won’t want a piggyback ride ever again. That you can’t hold his hand anymore. That those goofy, physical games of chasing and tickling and mock wrestling will end one day. Permanently. All those natural, easy, physical gestures of love stop when your son hits puberty and is abruptly aware of his body . . . and yours. He doesn’t want to hug you the same way, finding your physicality perhaps a little . . . icky . . . that realization that Mom has boobs, that Mom’s stomach is soft, that Mom and Dad have sex, that Mom gets her period. The snuggles stop. This child, the deepest love of your life, won’t ever stroke your arm again. You’ll never get to lie in bed next to him for a bedtime chat, those little talks he used to beg for. No more tuck-ins. No more comforting after a bad dream. The physical distance between the two of you is vast . . . it’s not just that he’ll only come so close for the briefest second, but also the simple fact that he isn’t that little boy anymore. He’s a young man, a fully grown male with feet that smell like death and razor stubble on his once petal-soft cheeks.
Kristan Higgins (Out of the Clear Blue Sky)
I’ll let you off your leash, but you have to show some manners. No humping, no pissing on anything man made, and keep the crotch greetings exclusive to your four-legged fury friends. Got it?” Swarley nods because I’ve made him part human over the past few months and I’m pretty sure I saw him roll his eyes at me too. Guess I’d better start getting used to sassiness and eye rolling … read that on a parenting blog too. Note to self. Find more positive bloggers that paint the picture of parenthood with rainbows, fairies, and pixie dust. “Sydney?” I turn. “Hey, Dane!” He bends down to let his dogs off their leashes. “Gosh, I didn’t think you’d be back. How was Paris?” Which part? The view of the ceiling from the couch or the drain from the top of the toilet? “Great!” Extremely sugarcoated … maybe teetering on an outright lie. “So how long are you staying?” He rests his hands on his hips. Dane is adorable. I’m sure grown men don’t like to be called adorable; hell, I didn’t like it when Lautner said it to me, but Dane is just that. Tall, dark, and admittedly handsome with a boyish grin that makes me want to take him home, bake him cookies, and pour him a tall glass of milk. “I’m not sure. Trevor and Elizabeth just moved to San Diego and I’m staying at their house until it sells or until I find something else.” He cocks his head to the side. “Yet, they left Swarley?” Turning my gaze to look for the wild pooch, I shake my head. “Their condo association doesn’t allow large pets. They’ve been looking for a new home for him, but for now I have him.” “You two have come a long way since the first day you showed up at my office.” Clasping my hands behind my back, I look down and kick at the dirt. “Yeah, you’re right. As of lately, I’ve considered taking him myself. But until I know where I’m going to end up, offering it would be a little premature if not irresponsible.” “Grad school with a dog. You’d have to find some place to live that allows pets.” My faces wrinkles as I peek up at him. “I’m not going to grad school, at least not for a while. Something’s kind of come up.” “Oh?” Dane’s hands shift from his hips to crossing over his chest as he widens his stance. I blow out a long breath, scrubbing my hands over my face. My fingers trace my eyebrows as I meet his eyes again. “I’m … pregnant.” Dane’s eye are going to pop out of his head and the dogs will be chasing them if he opens them any wider. “I’m sorr—or congrat—or—” I smile because his adorableness doubles when he gets all nervous and starts stuttering. “It’s congratulations now … ‘I’m sorry’ was last month.” He nods in slow motion. “So you came back for Lautner?” “No … well, yes, but that backfired on me. He’s … moved on.” “Moved on? Are you serious? From … you?” I shrug, bobbing my head up and down. “Well … he’s a fuc—a freaking idiot.” As much pain as this conversation brings me, I still manage to let a giggle escape with an accompanying smile. “You’re right. He is a fucafreaking idiot.” Dane grins. “Especially because he’s with Claire.” His eyes go wide again. “Dr. Brown?” I nod. “Dr. Fucafreaking Brown.” Dane mouths WOW! “Exactly.
Jewel E. Ann (Undeniably You)
[The Kerner R]eport does not say that Americans are racist. If it did, the only answer would be to line everybody up, all 200 million of us, then line up 200,000 psychiatrists, and have us all lie on couches for ten years trying to understand the problem and for ten years more learning how to deal with it. All over the country people are beating their breasts crying mea culpa--"I'm so sorry that I am a racist"--which means, really, that they want to cop out because if racism is to be solved on an individual psychological basis, then there is little hope. What the Kerner Report is really saying is that the institutions of America brutalize not only Negroes but also whites who are not racists but who in many communities have to use racist institutions. When it is put on that basis, we know we cannot solve the fundamental problem by sitting around examining our innards, but by getting out and fighting for institutional change.
Bayard Rustin (Down the Line: The Collected Writings of Bayard Rustin)
The streets were mine, the temple was mine, the people were mine, their clothes and gold and silver were mine, as much as their sparkling eyes, their skins and ruddy faces. The skies were mine, and so were the sun and moon and stars; and all the world was mine, and I the only spectator and enjoyer of it.... But little did the infant dream That all the treasures of the world were by; And that himself was so the cream And crown of all which round about did lie. Yet thus it was: the Gem, The Diadem, The ring enclosing all That stood upon this earthly ball, The heavenly Eye, Much wider than the sky Wherein they all included were, The glorious soul that was the King,
Arthur Quiller-Couch (Poetry)
Any Morning’ Just lying on the couch and being happy. Only humming a little, the quiet sound in the head. Trouble is busy elsewhere at the moment, it has so much to do in the world. People who might judge are mostly asleep; they can’t monitor you all the time, and sometimes they forget. When dawn flows over the hedge you can get up and act busy. Little corners like this, pieces of Heaven left lying around, can be picked up and saved. People won’t even see that you have them, they are so light and easy to hide. Later in the day you can act like the others. You can shake your head. You can frown.
William Stafford
Lies!” B shouts, shooting up from the couch and cupping his butt in both hands. “Do we need to do a side-by-side comparison and put it up for a vote on our IG stories again?” E asks, finding a way to brag about his win as Best Crabs Ass from years ago. “Bring it, Dennings. I’ve been doing my squats. Your ass is grass this time.” B cocks a hip to spank himself in front of E’s face.
Alley Ciz (Playing for Keeps (#UofJ #3))
These are a few rules for the road so you don’t get in an accident on the journey. Set a curfew. Every date needs an ending time. Decide that one of you is always going to go home at midnight or whatever other time you agree on. What’s a no go for touch? Maybe it’s hugs that last longer than thirty seconds. Or French kissing. Or whatever. Know the triggers that could take you all the way to sex. What else would help? Maybe you’ll agree not to watch movies with sex scenes in them. Or not to send each other notes or texts that are too suggestive. A lot of couples agree to never chill in a horizontal position (lying down on a couch or bed), only in a vertical position.
Michael Todd (Relationship Goals: How to Win at Dating, Marriage, and Sex)
There are other worlds and I have, because that is how I survive, taught my daughter this. She is reading Little Women on the couch and I am reading the poems of a compassionate, sad man. In her book, four girls are waiting to become women, as she herself is waiting, reading about them. Some. like Jo, will go to market: they will buy what they will buy, as I have bought this shelf of books, as that man bought compassion with his own pain. Some, like Beth. will stay at home, which is another name for the place we come from and are afraid of and long for. She is thinking she will be like Jo. She says. "Jo wants to do things, like me. " I am thinking I am like the woman at the zoo in the poem I am reading who says, "Change me, change me!" And now I am thinking how reading is like college that becomes for some an endless preparation for the lives they will not live. ...Look how my daughter looks intently at the page. I am amazed at all this act contains: how we clamor to become while we drown in someone else's sea. Not really drown. Staring at the page all readers know, "Not me. not yet," and yet, called to dinner or the telephone, "This, too, is not myself, not quite. So we might, startled, say at any time: "l am not here. This is not my life." In this, our life, my daughter and I hover where all longing lies. I watch her reach one volume, then another, from the shelf and lose and find, and find and lose herself - her lips half-forming words while she sits here.
Jeredith Merrin
Lying on the couch and leafing through a stack of magazines is undoubtedly comfortable, but it is not meaningful, and so, by definition, it offers no lasting pleasure. The pursuit of comfort is basically the avoidance of life and not only denies us of pleasure, it moves us into the waiting arms of emotional disease.
Dovid Lieberman (How Free Will Works: The Blueprints to Take Charge of Your Life, Health, and Happiness)