“
I wanted so badly to lie down next to her on the couch, to wrap my arms around her and sleep. Not fuck, like in those movies. Not even have sex. Just sleep together in the most innocent sense of the phrase. But I lacked the courage and she had a boyfriend and I was gawky and she was gorgeous and I was hopelessly boring and she was endlessly fascinating. So I walked back to my room and collapsed on the bottom bunk, thinking that if people were rain, I was drizzle and she was hurricane.
”
”
John Green (Looking for Alaska)
“
Only the wounded healer can truly heal. (97)
”
”
Irvin D. Yalom (Lying on the Couch)
“
Magnus glared at him out of gold-green eyes. “If I wanted to lie on a couch and
complain to someone about my parents, I’d hire a psychiatrist.”
“Ah,” said Jace. “But my services are free.”
“I heard that about you.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
I Wandered Lonely as a Cloud
I wandered lonely as a cloud
That floats on high o'er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.
Continuous as the stars that shine
And twinkle on the milky way,
They stretched in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.
The waves beside them danced; but they
Out-did the sparkling waves in glee:
A poet could not but be gay,
In such a jocund company:
I gazed--and gazed--but little thought
What wealth the show to me had brought:
For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.
”
”
William Wordsworth (I Wander'd Lonely as a Cloud)
“
Writers don't make any money at all. We make about a dollar. It is terrible. But then again we don't work either. We sit around in our underwear until noon then go downstairs and make coffee, fry some eggs, read the paper, read part of a book, smell the book, wonder if perhaps we ourselves should work on our book, smell the book again, throw the book across the room because we are quite jealous that any other person wrote a book, feel terribly guilty about throwing the schmuck's book across the room because we secretly wonder if God in heaven noticed our evil jealousy, or worse, our laziness. We then lie across the couch facedown and mumble to God to forgive us because we are secretly afraid He is going to dry up all our words because we envied another man's stupid words. And for this, as I said, we are paid a dollar. We are worth so much more.
”
”
Donald Miller (Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality (Paperback))
“
What? 'Borderline patients play games'? That what you said? Ernest, you'll never be a real therapist if you think like that. That's exactly what I meant earlier when I talked about the dangers of diagnosis. There are borderlines and there are borderlines. Labels do violence to people. You can't treat the label; you have to treat the person behind the label. (17)
”
”
Irvin D. Yalom (Lying on the Couch)
“
It is better for you to be free of fear lying upon a pallet, than to have a golden couch and a rich table and be full of trouble.
”
”
Epicurus
“
The prefect evening...lying down on the couch beside the bookcase and reading himself sleepy...Jim lying opposite him at the other end of the couch, also reading; the two of them absorbed in their books yet so completely aware of each other's presence.
”
”
Christopher Isherwood (A Single Man)
“
As I saw it,
all my mother's life, my father
held her down, like
lead strapped to her ankles.
She was
buoyant by nature;
she wanted to travel,
go to the theater, go to museums.
What he wanted
was to lie on the couch
with the Times
over his face,
so that death, when it came,
wouldn't seem a significant change.
”
”
Louise Glück (Ararat)
“
I sat up in bed. "What did he say?"
Tyson groaned, still half asleep. He was lying facedown on the couch, his feet so far over the edge they were in the bathroom. "The happy man said...bowling practice?"
I hoped he was right, but then there was an urgent knock on the suite's interior door.
Annabeth stuck her head in--her blonde hair in a rat's nest. "DISEMBOWLING practice?
”
”
Rick Riordan
“
So I ring Justine Kalinsky and I say, "It's Francesca Spinelli," and she says, "Francesca, you've got to stop using last names. How are you doing?" and I say "I feel like shit", and I don't know how it happens, but by eight o'clock that night I'm lying next to her on the couch with Siobhan and Tara and we're eating junk food and watching a Keanu movie. And I want to stay on that couch for the rest of my life.
”
”
Melina Marchetta (Saving Francesca)
“
He had learned long ago that, in general, the easier it was for anxious patients to reach him, the less likely they were to call. (107)
”
”
Irvin D. Yalom (Lying on the Couch)
“
. . . he lies on the couch with only his pants, boots and bandages wrapped around him. I thought about taking off his pants and boots when I sprayed the blood off him in the shower, but decided that I wasn’t here to make him comfortable.
”
”
Susan Ee (Angelfall (Penryn & the End of Days, #1))
“
He moves suddenly so that his hand is cupping my sex, and one of his fingers sinks slowly into me. His other arm holds me firmly in place around my waist.
“This is mine,” he whispers aggressively. “All mine. Do you understand?” He eases his finger in and out as he gazes down at me, gauging my reaction, his eyes burning.
“Yes, yours…”
Abruptly, he moves, doing several things at once: Withdrawing his fingers, leaving me wanting, unzipping his fly, and pushing me down onto the couch so he’s lying on top of me.
“Hands on your head,” he commands through gritted teeth as he kneels up, forcing my legs wider…
“We don’t have long. This will be quick, and it’s for me, not you. Do you understand?
Don’t come, or I will spank you,” he says through clenched teeth.
”
”
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
“
For oft, when on my couch I lie in vacant or in pensive mood they flash upon that inward eye which is the bliss of solitude
”
”
William Wordsworth
“
Remember that summer you liked that girl who worked at the
boardwalk? Angie?”
“No,” he said, but I knew he was lying. “What about her?”
“Did you ever hook up with her?”
Conrad finally lifted his head up from the couch. “No,” he said.
“I don’t believe you.”
“I tried, once. But she socked me in the head and said she wasn’t that kind of girl.I think she was a Jehovah’s Witness or something.
”
”
Jenny Han (It's Not Summer Without You (Summer, #2))
“
So live, that when thy summons comes to join The innumerable caravan which moves
To that mysterious realm where each shall take His chamber in the silent halls of death, Thou go not, like the quarry-slave at night,Scourged to his dungeon; but, sustain'd and soothed
By an unfaltering trust, approach thy grave,Like one who wraps the drapery of his couch About him, and lies down to pleasant dreams."
Thanatopsis
”
”
William Cullen Bryant (Thanatopsis; To a Waterfowl; A Midsummer Sonnet)
“
Sitting on couch, lying legs apart
Dark dirty naked. Smiling at me,
Wicked lazy lusty eyes. I moaned,
When saw movement inside his silent,
The thick forest of pubic hair.
”
”
Delicious David (Dark Desires: II Gay Erotic Poems (Dark Desires #2))
“
Nonetheless, the past is part of your present consciousness—it forms the spectacles through which you experience the present.
”
”
Irvin D. Yalom (Lying On The Couch)
“
Used to be he
was my heart's desire.
His forthright gaze,
his expert hands:
I'd lie on the couch with my eyes
closed just thinking about it.
Never about the fact
that everything changes,
that even this,
my best passion,
would not be immune.
No, I would bask on in an
eternal daydream of the hands
finding me, the gaze like a winding
stair coaxing me down. . . .
Until I caught a glimpse
of something in the mirror:
silly girl in her lingerie,
dancing with the furniture--
a hot little bundle, flush with
cliches. Into that pair
of too-bright eyes I looked
and saw myself. And something else:
he would never look that way.
”
”
Deborah Garrison (A Working Girl Can't Win)
“
Just like that. From a hundred miles an hour to asleep in a nanosecond. I wanted so badly to lie down next to her on the couch, to wrap my arms around her and sleep. Not f*ck, like in those movies. Not even have sex. Just sleep together, in the most innocent sense of the phrase. But I lacked the courage and she had a boyfriend and I was gawky and she was gorgeous and I was hopelessly boring and she was endlessly fascinating. So I walked back to my room and collapsed on the bottom bunk, thinking that if people were rain, I was drizzle and she was a hurricane.
”
”
John Green (Looking for Alaska)
“
Where the bee sucks, there suck I
In the cow-slip's bell i lie
There I couch when owls do cry
”
”
William Shakespeare (The Tempest)
“
Where the bee sucks, there suck I:
In a cowslip’s bell I lie;
There I couch when owls do cry.
On the bat’s back I do fly
After summer merrily.
Merrily, merrily shall I live now
Under the blossom that hangs on the bough.
”
”
William Shakespeare (The Tempest)
“
A schizophrenic out for a walk is a better model than a neurotic lying on the analyst's couch.
”
”
Deleuze Guattari
“
No amount of lies, no matter how cleverly couched, will ever outstrip or outlast God’s truth, nor will any lie ever outreach His grace. The Lord knows those who are His, His sheep hear His voice, and the arm of the Lord is never so short that He cannot save.
”
”
Frank E. Peretti (Piercing the Darkness)
“
So, I'm lying on the couch and Laura walks in and I say, 'Free at last,' and she says 'You're free all right, you're free to do the dishes.' So I say, 'You're talking to the former president, baby,' and she said, 'consider this your new domestic policy agenda.
”
”
George W. Bush
“
Can you tell me in one sentence what is meant by logotherapy?" he asked. "At least, what is the difference between psychoanalysis and logotherapy?" "Yes," I said, "but in the first place, can you tell me in one sentence what you think the essence of psychoanalysis is?" This was his answer: "During psychoanalysis, the patient must lie down on a couch and tell you things which sometimes are very disagreeable to tell." Whereupon I immediately retorted with the following improvisation: "Now, in logotherapy the patient may remain sitting erect but he must hear things which sometimes are very disagreeable to hear.
”
”
Viktor E. Frankl (Man’s Search for Meaning)
“
I wanted to lie hour after hour on a couch, pouring out the dark, secret places of my heart--do this feeling that over my shoulder sat humanity and wisdom and generosity, a munificent heart--do this until that incredibly lovely day when the great man would say to me, his voice grave and dramatic with discovery: "This is you, Exley. Rise and go back into the world a whole man.
”
”
Frederick Exley (A Fan's Notes (A Fan's Notes, #1))
“
There’s a carcass composed entirely of sexual tension lying abandoned on the couch. I wonder if she can see it, too.
”
”
Christina Lauren (Dark Wild Night (Wild Seasons, #3))
“
Wait,” she paused, “you slept on the couches?” Vhalla rolled onto her side to look up at him. “Of course.” His brow furrowed slightly. “Did you think I would creep into your bed as you slept and spend the night lying with you without your permission?
”
”
Elise Kova (Fire Falling (Air Awakens, #2))
“
Now, I learned a long time ago how to be quiet on the outside while I'm freaking on the inside. How to turn away like I don't see all the things that need to be seen, just to keep peace. How to lie low and act like I want nothing, expect nothing, and hope for nothing so I don't become more trouble than I'm worth. I'm five months short of eighteen and I know how to be cursed and ignored and left behind, how to swallow a thousand tears and ignore a thousand delibarate cruelties, but it's two in the morning on New Year's Eve and I'm mad and scared and bone tired and really, really sick of acting like I'm grateful to be staying on a hairy, sagging, dog-stained couch in a junky, mildewed trailer with a fat, dangerous, volatile drunk who sweats stale beer and wallows in his own wastewater, and who doesn't think there's one thing wrong with taking his crap life out on his dog, who comes bellying back for forgiveness every single time, no matter how rotten the treatment-
”
”
Laura Wiess (Ordinary Beauty)
“
You must learn to call on the Lord. Don’t sit all alone or lie on the couch, shaking your head and letting your thoughts torture you. Don’t worry about how to get out of your situation or brood about your terrible life, how miserable you feel, and what a bad person you are. Instead, say, “Get a grip on yourself, you lazy bum! Fall on your knees, and raise your hands and eyes toward heaven. Read a psalm. Say the Lord’s Prayer, and tearfully tell God what you need.
”
”
Martin Luther (Faith Alone: A Daily Devotional)
“
I'd never been much of an athlete, due to a physical condition I'd had since birth (unathleticism). Perhaps if there were a sport centered around lying on your couch in a neurotic stupor all day, I'd take an interest.
”
”
Colson Whitehead (The Noble Hustle: Poker, Beef Jerky, and Death)
“
I saw thee once - only once - years ago:
I must not say how many - but not many.
It was a July midnight; and from out
A full-orbed moon, that, like thine own soul, soaring,
Sought a precipitate pathway up through heaven,
There fell a silvery-silken veil of light,
With quietude, and sultriness, and slumber,
Upon the upturn'd faces of a thousand
Roses that grew in an enchanted garden,
Where no wind dared stir, unless on tiptoe -
Fell on the upturn'd faces of these roses
That gave out, in return for the love-light,
Their odorous souls in an ecstatic death -
Fell on the upturn'd faces of these roses
That smiled and died in the parterre, enchanted
By thee, and by the poetry of thy presence.
Clad all in white, upon a violet bank
I saw thee half reclining; while the moon
Fell upon the upturn'd faces of the roses,
And on thine own, upturn'd - alas, in sorrow!
Was it not Fate, that, on this July midnight -
Was it not Fate, (whose name is also Sorrow,)
That bade me pause before that garden-gate,
To breathe the incense of those slumbering roses?
No footsteps stirred: the hated world all slept,
Save only thee and me. (Oh, Heaven! - oh, G**!
How my heart beats in coupling those two words!)
Save only thee and me. I paused - I looked -
And in an instant all things disappeared.
(Ah, bear in mind the garden was enchanted!)
The pearly lustre of the moon went out:
The mossy banks and the meandering paths,
The happy flowers and the repining trees,
Were seen no more: the very roses' odors
Died in the arms of the adoring airs.
All - all expired save thee - save less than thou:
Save only divine light in thine eyes -
Save but the soul in thine uplifted eyes.
I saw but them - they were the world to me.
I saw but them - saw only them for hours -
Saw only them until the moon went down.
What wild heart-histories seemed to lie enwritten
Upon those crystalline, celestial spheres!
How dark a wo! yet how sublime a hope!
How silently serene a sea of pride!
How daring an ambition! yet how deep -
How fathomless a capacity for love!
But now, at length, dear Dian sank from sight,
Into a western couch of thunder-cloud;
And thou, a ghost, amid the entombing trees
Didst glide away. Only thine eyes remained.
They would not go - they never yet have gone.
Lighting my lonely pathway home that night,
They have not left me (as my hopes have) since.
They follow me - they lead me through the years.
They are my ministers - yet I their slave.
Their office is to illumine and enkindle -
My duty, to be saved by their bright fire,
And purified in their electric fire,
And sanctified in their elysian fire.
They fill my soul with Beauty (which is Hope,)
And are far up in Heaven - the stars I kneel to
In the sad, silent watches of my night;
While even in the meridian glare of day
I see them still - two sweetly scintillant
Venuses, unextinguished by the sun!
”
”
Edgar Allan Poe (The Raven and Other Poems)
“
You guys…your family really is its own world.”
He slid his hand up her side, underneath the sweater. “You know what?”
“What?” Her hand landed on his chest.
Lucian guided her back until she was lying on the couch as he rose above her. Those beautiful whiskey-colored eyes met his. “I want you in this world – my world.
”
”
Jennifer L. Armentrout (Moonlight Sins (de Vincent, #1))
“
A strong, vague persuasion that it was better to go forward than backward, and that I could go forward— that a way, however narrow and difficult, would in time open— predominated over other feelings: its influence hushed them so far, that at last I became sufficiently tranquil to be able to say my prayers and seek my couch. I had just extinguished my candle and lain down, when a deep, low, mighty tone swung through the night. At first I knew it not; but it was uttered twelve times, and at the twelfth colossal hum and trembling knell, I said: “I lie in the shadow of St. Paul’s.
”
”
Charlotte Brontë (Villette)
“
Fear will always be a tenant in your mind, but do not make fear the landlord of your mind.
”
”
Wisdom Primus (Being Successful While Lying On the Couch! Really?: How to beat procrastination, develop confidence and take massive actions to achieve what you want in life.)
“
Just like that. From a hundred miles an hour to asleep in a nanosecond. I wanted so badly to lie down next to her on the couch, to wrap my arms around her and sleep. Not fuck, like in those movies. Not even have sex. Just sleep together, in the most innocent sense of the phrase. But I lacked the courage and she had a boyfriend and I was gawky and she was gorgeous and I was hopelessly boring and she was endlessly fascinating. So I walked back to my room and collapsed on the bottom bunk, thinking that if people were rain, I was drizzle and she was a hurricane.
”
”
John Green (Looking for Alaska)
“
When I’m with friends now, as an adult, I don’t want to have polite adult tea and talk about our jobs. I don’t want to sit in dress pants while we talk about a New Yorker article. Not really. I want to lie on the couch, cozy in blankets, watching movies, feeling safe enough to pass out and stay the night if we want to. I want to turn English muffins into foundations for pizza bagels at ten p.m., even though they’re not as good as bagels and we know it. I want to tell each other things we can’t talk about online, or we can’t tell our coworkers, and to cry and still be lovable, even if we’re in pain sometimes. To break in front of each other, and pick up the pieces together, before making some dumb joke and telling each other we love each other and knowing we’re safe to be all of it.
”
”
Lane Moore (How to Be Alone: If You Want To, and Even If You Don't)
“
To Helen
I saw thee once-once only-years ago;
I must not say how many-but not many.
It was a july midnight; and from out
A full-orbed moon, that, like thine own soul, soaring,
Sought a precipitate pathway up through heaven,
There fell a silvery-silken veil of light,
With quietude, and sultriness, and slumber
Upon the upturn'd faces of a thousand
Roses that grew in an enchanted garden,
Where no wind dared to stir, unless on tiptoe-
Fell on the upturn'd faces of these roses
That gave out, in return for the love-light
Thier odorous souls in an ecstatic death-
Fell on the upturn'd faces of these roses
That smiled and died in this parterre, enchanted by thee, by the poetry of thy prescence.
Clad all in white, upon a violet bank
I saw thee half reclining; while the moon
Fell on the upturn'd faces of the roses
And on thine own, upturn'd-alas, in sorrow!
Was it not Fate that, on this july midnight-
Was it not Fate (whose name is also sorrow)
That bade me pause before that garden-gate,
To breathe the incense of those slumbering roses?
No footstep stirred; the hated world all slept,
Save only thee and me. (Oh Heaven- oh, God! How my heart beats in coupling those two worlds!)
Save only thee and me. I paused- I looked-
And in an instant all things disappeared.
(Ah, bear in mind this garden was enchanted!)
The pearly lustre of the moon went out;
The mossy banks and the meandering paths,
The happy flowers and the repining trees,
Were seen no more: the very roses' odors
Died in the arms of the adoring airs.
All- all expired save thee- save less than thou:
Save only the divine light in thine eyes-
Save but the soul in thine uplifted eyes.
I saw but them- they were the world to me.
I saw but them- saw only them for hours-
Saw only them until the moon went down.
What wild heart-histories seemed to lie enwritten
Upon those crystalline, celestial spheres!
How dark a woe! yet how sublime a hope!
How silently serene a sea of pride!
How daring an ambition!yet how deep-
How fathomless a capacity for love!
But now, at length, dear Dian sank from sight,
Into western couch of thunder-cloud;
And thou, a ghost, amid the entombing trees
Didst glide away. Only thine eyes remained.
They would not go- they never yet have gone.
Lighting my lonely pathway home that night,
They have not left me (as my hopes have) since.
They follow me- they lead me through the years.
They are my ministers- yet I thier slave
Thier office is to illumine and enkindle-
My duty, to be saved by thier bright light,
And purified in thier electric fire,
And sanctified in thier Elysian fire.
They fill my soul with Beauty (which is Hope),
And are far up in heaven- the stars I kneel to
In the sad, silent watches of my night;
While even in the meridian glare of day
I see them still- two sweetly scintillant
Venuses, unextinguished by the sun!
”
”
Edgar Allan Poe
“
It's just one of those things, like some people don't sink when they go in the pool, some know how to throw a ball so it goes toward the person holding the mitt. I have no idea how people do those things; I'm good at schoolwork. That works out well because it frees up my time for my hobbies, like lying on the couch eating M&M's.
”
”
Rachel Vail (You, Maybe: The Profound Asymmetry of Love in High School)
“
You know those afternoons," he asks, drawing a shaking breath, "where you’re just going along, doing fine, and then afternoon comes and it feels like you’ve just got the wind knocked out of you and everything is wrong?" He sighs and slowly pushes himself so he’s sitting upright. His shoulders are slumped. "That’s all," he says. "It’s just one of those afternoons."
We are silent for a minute. Then he lies back down on the couch.
I should say I love him. I should say it will be all right. But it won’t.
I walk down the hall to my bedroom. I lie down on my side and stare at the wall, the blue-flowered wallpaper next to my nose. Despite my best efforts, I start to cry.
I know those afternoons.
”
”
Marya Hornbacher (Madness: A Bipolar Life)
“
Ohmigod,” I moan, clutching my stomach. I’m sure I’m going to be sick. I’m going to become an exhibitionist vomiter.
My heart is back to beating—racing, actually—as a new level beyond mortification slams into me. I sounded just like the actress in that awful video of Ben’s that Kacey made me watch over the summer. Literally. I accidently walked in on those weirdos watching it one night. Kacey took that as an opportunity to pin me down on the couch while Trent, Dan, and Ben howled with laughter at my flaming cheeks and horrified shrieks.
My sister is the Antichrist. This is all her fault. Hers and Stayner’s. And those stupid Jell-O shooters.
”
”
K.A. Tucker (One Tiny Lie (Ten Tiny Breaths, #2))
“
Paralytic
It happens. Will it go on? ----
My mind a rock,
No fingers to grip, no tongue,
My god the iron lung
That loves me, pumps
My two
Dust bags in and out,
Will not
Let me relapse
While the day outside glides by like ticker tape.
The night brings violets,
Tapestries of eyes,
Lights,
The soft anonymous
Talkers: 'You all right?'
The starched, inaccessible breast.
Dead egg, I lie
Whole
On a whole world I cannot touch,
At the white, tight
Drum of my sleeping couch
Photographs visit me ----
My wife, dead and flat, in 1920 furs,
Mouth full of pearls,
Two girls
As flat as she, who whisper 'We're your daughters.'
The still waters
Wrap my lips,
Eyes, nose and ears,
A clear
Cellophane I cannot crack.
On my bare back
I smile, a buddha, all
Wants, desire
Falling from me like rings
Hugging their lights.
The claw
Of the magnolia,
Drunk on its own scents,
Asks nothing of life.
”
”
Sylvia Plath (Ariel)
“
Her eyes are closed when I reach the couch again. She looks so peaceful just lying there. I watch her for a moment, wishing I knew what the hell was going through her head, but I refuse to ask. I can carve pumpkins just as well as she can.
”
”
Colleen Hoover (This Girl (Slammed, #3))
“
If your dreams are so simple and easy to attain, why don’t you walk straight to them and take them?
”
”
Wisdom Primus (Being Successful While Lying On the Couch! Really?: How to beat procrastination, develop confidence and take massive actions to achieve what you want in life.)
“
Do you remember how glad Gepetto was when Pinocchio first danced without strings?
”
”
Irvin D. Yalom (Lying on the Couch)
“
43. My couch is 92 inches; it’s a deep green three-cushion. It seats hundreds. But that’s not why I got it. I got it because, lying down the long way, in the spooning-in-front-of-a-movie way, in the head-to-toe lying with a pair of lamps burning and a pair of people reading, it fits me and another – it fits her – really well.
”
”
Nathan Englander (What We Talk About When We Talk About Anne Frank)
“
As I lie on my couch by the fireplace, looking out from my hillside home at the snow leading down to the ocean, with the right woman in my arms, a glass of Bordeaux beside me and a Puccini opera on the stereo system, knowing that I’ve earned the pleasure I feel, I’m so glad I didn’t let someone else decide what’s best for me.
”
”
Harry Browne (How I Found Freedom in an Unfree World: A Handbook for Personal Liberty)
“
One thing I’ve started to suspect about myself is that I’m some kind of confusingly extroverted introvert. I just want to sit here on the couch with a tumblerful of the good booze Alice brought, soak in the music and the conversation, and not talk to anyone. I want to be invisible and lie down on the couch and fall asleep to the muffled sounds of conversation, like a child in the back seat of the car being driven safely through the night by grown-ups who love her.
”
”
Catherine Newman (We All Want Impossible Things)
“
There are times the lies get to me, times I weary of battering myself against the obstacles of denial, hatred, fear-induced stupidity, and greed, times I want to curl up and fall into the problem, let it sweep me away as it so obviously sweeps away so many others. I remember a spring day a few years ago, a spring day much like this one, only a little more sun, and warmer. I sat on this same couch and looked out this same window at the same ponderosa pine.
I was frightened, and lonely. Frightened of a future that looks dark, and darker with each passing species, and lonely because for every person actively trying to shut down the timber industry, stop abuse, or otherwise bring about a sustainable and sane way of living, there are thousands who are helping along this not-so-slow train to oblivion. I began to cry.
The tears stopped soon enough. I realized we are not so outnumbered. We are not outnumbered at all. I looked closely, and saw one blade of wild grass, and another. I saw the sun reflecting bright off the needles of pine trees, and I heard the hum of flies. I saw ants walking single file through the dust, and a spider crawling toward the corner of the ceiling. I knew in that moment, as I've known ever since, that it is no longer possible to be lonely, that every creature on earth is pulling in the direction of life--every grasshopper, every struggling salmon, every unhatched chick, every cell of every blue whale--and it is only our own fear that sets us apart. All humans, too, are struggling to be sane, struggling to live in harmony with our surroundings, but it's really hard to let go. And so we lie, destroy, rape, murder, experiment, and extirpate, all to control this wildly uncontrollable symphony, and failing that, to destroy it.
”
”
Derrick Jensen
“
Orange Juice? Sure. Toast? Sure. One last time on the couch? Sure. Phone number? Sure. See you again? Oooh, absolutely. That was the lie I told. Probably not, that was the truth, that was that which went unspoken.
”
”
T. Scott McLeod (All That Is Unspoken)
“
Were you ever going to tell me?”
“About the Grail?” He returned to the couch and handed her a glass. “I wasn’t planning on it.”
She knocked back the rum and swallowed, setting the empty glass on the table. Impressive.
She met his eyes. “So even if we had slept together last night, you were going to keep telling me you were descended from a pirate, not an actual pirate.”
He took a swig, his gaze locked on hers. “Would you have believed me?”
“No.” She shrugged. “Just wondering how long you would have lied to me.”
“I could ask you the same thing.”
She rolled her eyes. “I played you. There’s a difference.” She shrugged. “Besides that, was before our no lies between us deal.”
“I see this as more of an omission.” He finished off his drink and placed the glass beside hers. “In my defense, I’ve never told anyone who I really am. You’re the first.”
She raised a brow. “Are you saying I should feel…special?”
“Aye.” He cleared his throat. “I’ve never taken a bullet for anyone either, not even my crew.”
“Thanks for that.” A reluctant smile curved her lips as she met his eyes. “Pretty heroic for a pirate.”
He chuckled. “It’s less heroic when you’re certain you won’t die.”
“But you knew it would hurt.”
He nodded slowly. “True.”
She pinched her fingertips close together in the air. “It might’ve been a tiny bit heroic.”
Her dark eyes sparkled with the mischief he was growing much too fond of.
“Not bad for a pirate.” He admitted.
”
”
Lisa Kessler (Pirate's Pleasure (Sentinels of Savannah, #3))
“
The horror was, Cleopatra meant something to these modern people of the twentieth century which was altogether wrong. She had become a symbol of licentiousness, when in fact she had possessed a multitude of amazing talents. They had punished her for her one flaw by forgetting everything else…Remembered, but not for what she was. A painted whore lying on a silken couch. - Ramses
”
”
Anne Rice (The Mummy (Ramses the Damned #1))
“
He pictures the evening he might have spent, snugly at home, fixing the food he has bought, then lying down on the couch beside the bookcase and reading himself slowly sleepy. At first glance this is an absolutely convincing and charming scene of domestic contentment. Only after a few instants does George notice the omission that makes it meaningless. What is left out of the picture is Jim, lying opposite him at the other end of the couch, also reading; the two of them absorbed in their books yet so completely aware of each other's presence.
”
”
Christopher Isherwood (A Single Man)
“
It’s the small touches a woman brings to a man’s home, like the matching throw pillows on the couch or the faint whiff of jasmine from the diffuser on the bookshelf, that every other woman notices the second she walks through the front door.
”
”
Ashley Elston (First Lie Wins)
“
The snores alone were quite a study, varying from the mild sniff to the stentorian snort, which startled the echoes and hoisted the performer erect to accuse his neighbor of the deed, magnanimously forgive him, and wrapping the drapery of his couch about him, lie down to vocal slumber. After listening for a week to this band of wind instruments, I indulged in the belief that I could recognize each by the snore alone, and was tempted to join the chorus by breaking out with John Brown's favorite hymn: "Blow ye the trumpet, blow!
”
”
Louisa May Alcott (Hospital Sketches)
“
I let go of him and remain standing. I promised myself I would do this, if I ever had the chance again.. I promised I would do this the first moment I could.
'I love you,' I say, the words coming out in an unintelligible rush.
Cardan looks taken aback. Or possibly I spoke so fast he's not even sure what I said. 'You need not say it out of pity,' he says finally, with great deliberateness. 'Or because I was under a curse. I have asked you to lie to me in the past, in this very room, but I would beg you not to lie now.'
My cheeks heat at the memory of those lies.
'I have not made myself easy to love,' he says, and I hear the echo of his mother's words in his.
When I imagined telling him, I thought I would say the words, and it would be like pulling off a bandage- painful and swift. But I didn't think he would doubt me. 'I first started liking you when we went to talk to the rulers of the low Courts,' I say. 'You were funny, which was weird. And when we went to Hollow Hall, you were clever. I kept remembering how you'd been the one to get us out of the brugh after Dain's coronation, right before I put the knife to your throat.'
He doesn't try to interrupt, so I have to choice but to barrel on.
'After I tricked you into being High King,' I say. 'I thought once you hated me, I could go back to hating you. But I didn't. And I felt so stupid. I thought I would get my heart broken. I thought it was a weakness that you would use against me. But then you saved me from the Undersea when it would have been much more convenient to just leave me to rot. After that, I started to hope my feelings were returned. But then there was the exile-' I take a ragged breath. 'I hid a lot, I guess. I thought if I didn't, if I let myself love you, I would burn up like a match. Like the whole matchbook.'
'But now you've explained it,' he says. 'And you do love me.'
'I love you,' I confirm.
'Because I am clever and funny,' he says, smiling. 'You didn't mention my handsomeness.'
'Or your deliciousness,' I say. 'Although those are both good qualities.'
He pulls me to him, so that we're both lying on the couch. I look down at the blackness of his eyes and the softness of his mouth. I wipe a fleck of dried blood from the top of one pointed ear. 'What was it like?' I ask. 'Being a serpent.'
He hesitates. 'It was like being trapped in the dark,' he says. 'I was alone, and my instinct was to lash out. I was perhaps not entirely an animal, but neither was I myself. I could not reason. There was only feelings- hatred and terror and the desire to destroy.'
I start to speak, but he stops me with a gesture. 'And you.' He looks at me, his lips curving in something that's not quite a smile; it's more and less than that. 'I knew little else, but I always knew you.'
And when he kisses me, I feel as though I can finally breathe again.
”
”
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
“
You can't live your life by always looking over your shoulder, always imagining that your friends are going to screw you.
”
”
Irvin D. Yalom (Lying on the Couch)
“
It's almost impossible for those who have had an intimate relationship to return to a formal one.
”
”
Irvin D. Yalom (Lying on the Couch)
“
Please note, doing it against a wall, not as easy as it’s written. There’s a lot of fumbling involved. Also, shower sex equals awkward as hell, especially when the shower head starts to drown you. Sex doggy style while lying over a couch, exhilarating, but watch out for queefing.
”
”
Meghan Quinn (The Virgin Romance Novelist (The Virgin Romance Novelist, #1))
“
For oft, when on my couch I lie In vacant or in pensive mood, They flash upon that inward eye Which is the bliss of solitude; And then my heart with pleasure fills, And dances with the daffodils.
”
”
Philip Smith (100 Best-Loved Poems)
“
You have been my friend in the cosmos; you have been my only friend on this planet - the only soul to sense and seek for me within the repellent form which lies on this couch. We shall meet again - perhaps in the shining mists of Orion’s Sword, perhaps on a bleak plateau in prehistoric Asia. Perhaps in unremembered dreams tonight; perhaps in some other form an aeon hence, when the solar system shall have been swept away.
”
”
H.P. Lovecraft
“
It was she made me acquainted with love. She went by the peaceful name of Ruth I think, but I can't say for certain. Perhaps the name was Edith. She had a hole between her legs, oh not the bunghole I had always imagined, but a slit, and in this I put, or rather she put, my so-called virile member, not without difficulty, and I toiled and moiled until I discharged or gave up trying or was begged by her to stop. A mug's game in my opinion and tiring on top of that, in the long run. But I lent myself to it with a good enough grace, knowing it was love, for she had told me so. She bent over the couch, because of her rheumatism, and in I went from behind. It was the only position she could bear, because of her lumbago. It seemed all right to me, for I had seen dogs, and I was astonished when she confided that you could go about it differently. I wonder what she meant exactly. Perhaps after all she put me in her rectum. A matter of complete indifference to me, I needn't tell you. But is it true love, in the rectum? That's what bothers me sometimes. Have I never known true love, after all? She too was an eminently flat woman and she moved with short stiff steps, leaning on an ebony stick. Perhaps she too was a man, yet another of them. But in that case surely our testicles would have collided, while we writhed. Perhaps she held hers tight in her hand, on purpose to avoid it. She favoured voluminous tempestuous shifts and petticoats and other undergarments whose names I forget. They welled up all frothing and swishing and then, congress achieved, broke over us in slow cascades. And all I could see was her taut yellow nape which every now and then I set my teeth in, forgetting I had none, such is the power of instinct. We met in a rubbish dump, unlike any other, and yet they are all alike, rubbish dumps. I don't know what she was doing there. I was limply poking about in the garbage saying probably, for at that age I must still have been capable of general ideas, This is life. She had no time to lose, I had nothing to lose, I would have made love with a goat, to know what love was. She had a dainty flat, no, not dainty, it made you want to lie down in a corner and never get up again. I liked it. It was full of dainty furniture, under our desperate strokes the couch moved forward on its castors, the whole place fell about our ears, it was pandemonium. Our commerce was not without tenderness, with trembling hands she cut my toe-nails and I rubbed her rump with winter cream. This idyll was of short duration. Poor Edith, I hastened her end perhaps. Anyway it was she who started it, in the rubbish dump, when she laid her hand upon my fly. More precisely, I was bent double over a heap of muck, in the hope of finding something to disgust me for ever with eating, when she, undertaking me from behind, thrust her stick between my legs and began to titillate my privates. She gave me money after each session, to me who would have consented to know love, and probe it to the bottom, without charge. But she was an idealist. I would have preferred it seems to me an orifice less arid and roomy, that would have given me a higher opinion of love it seems to me. However. Twixt finger and thumb tis heaven in comparison. But love is no doubt above such contingencies. And not when you are comfortable, but when your frantic member casts about for a rubbing-place, and the unction of a little mucous membrane, and meeting with none does not beat in retreat, but retains its tumefaction, it is then no doubt that true love comes to pass, and wings away, high above the tight fit and the loose.
”
”
Samuel Beckett (Molloy / Malone Dies / The Unnamable)
“
Present in body and absent in spirit, he lies back on the couch, shamed by his own… potentials in his soul that will not be subdued. He feels himself inwardly subversive, imagining in his passivity extremes of aggression and desire that must be suppressed. Solution: more work, more money, more drink, more weight, more things, more infotainment.
”
”
James Hillman (The Soul's Code: In Search of Character and Calling)
“
Love?” I question, wanting to know his answer.
“Yeah, love. I can see myself falling in love with you and as much as I’m trying not to, it’s not working.” He says quietly. He sits down next to me and leans back into the couch. “I don’t know what else to say. I shouldn’t have to sell myself to you. You either like me or you don’t. Thing is, you can’t lie. I know you feel something, you just have to let yourself believe I’m good enough to be a part of your life.
”
”
Heidi McLaughlin (My Unexpected Forever (Beaumont #2))
“
Some people never go crazy.
Me, sometimes I'll lie down behind the couch
for 3 or 4 days.
They'll find me there.
It's Cherub, they'll say, and
they pour wine down my throat
rub my chest
sprinkle me with oils.
Then, I'll rise with a roar,
rant, rage -
curse them and the universe
as I send them scattering over the
lawn.
I'll feel much better,
sit down to toast and eggs,
hum a little tune,
Suddenly become as lovable as a
pink overfed whale.
Some people never go crazy.
What truly horrible lives
they must lead.
”
”
Charles Bukowski
“
It's this feeling that you want to love strangers, that you want to kiss the man at the post office, or the woman at the dry cleaners - you want to wrap you arms around life, life itself, but you can't and this feeling wells up in you, and there is nowhere to put this great happiness - and you're floating - and then you fall down and become unbearably sad. And you have to go lie down on the couch.
”
”
Sarah Ruhl (Melancholy Play)
“
Sometimes I don’t understand why my arms don’t drop from my body with fatigue, why my brain doesn’t melt away. I am leading an austere life, stripped of all external pleasure, and am sustained only by a kind of permanent frenzy, which sometimes makes me weep tears of impotence but never abates. I love my work with a love that is frantic and perverted, as an ascetic loves the hair shirt that scratches his belly. Sometimes, when I am empty, when words don’t come, when I find I haven’t written a single sentence after scribbling whole pages, I collapse on my couch and lie there dazed, bogged down in a swamp of despair, hating myself and blaming myself for this demented pride that makes me pant after a chimera. A quarter of an hour later, everything has changed; my heart is pounding with joy.
”
”
Gustave Flaubert
“
He tipped his head up. "Do you think that stars have shadows?"
She followed his gaze. They were close enough to Springfield for light pollution to dull the night skies, but galaxies still spangled above them. The moon had marched nearly to the end of her night, ready to stagger to her own bed at dawn.
"I guess if there's some brighter star," she said, thinking of lying on the couch months ago, a deep-voiced man explaining the universe on her television while she tried to convince herself to apply for a new job. "Like the kind that's about to become a black hole. Don't they flare first?"
Vince nodded. "Quasars. They flare as they're dying. I guess that would give any other star nearby a shadow.
”
”
Holly Black (Book of Night (Book of Night, #1))
“
No,” he said harshly, plopping down on the living room couch. “Then what was it?” “Her hair.” “Huh?” “Her hair. On the app, she was a brunette, but when I got there, she was a blonde.” I blinked repeatedly. Full-on blank stare. “Come again?” “I’m just saying, it’s obvious that if she’d lie about something like that, she’d lie about gonorrhea and chlamydia.” The
”
”
Brittainy C. Cherry (The Gravity of Us (Elements, #4))
“
He recited from memory, with the stylishness and verve of a polished Shakespearean actor, “Listen to me, people, hear these words: ‘So live, that when thy summons comes to join the innumerable caravan, which moves to that mysterious realm where each shall take his chambers in the silent halls of death, thou go not, like the miserable quarry slave at night, confined to his deep dark dungeon, but soothed and sustained by an unfaltering trust, approach thy grave, like one who wraps the drapery of his own couch about him, and lies down to pleasant dreams.’”
”
”
John M Vermillion (Packfire (Simon Pack, #9))
“
1
The summer our marriage failed
we picked sage to sweeten our hot dark car.
We sat in the yard with heavy glasses of iced tea,
talking about which seeds to sow
when the soil was cool. Praising our large, smooth spinach
leaves, free this year of Fusarium wilt,
downy mildew, blue mold. And then we spoke of flowers,
and there was a joke, you said, about old florists
who were forced to make other arrangements.
Delphiniums flared along the back fence.
All summer it hurt to look at you.
2
I heard a woman on the bus say, “He and I were going
in different directions.” As if it had something to do
with a latitude or a pole. Trying to write down
how love empties itself from a house, how a view
changes, how the sign for infinity turns into a noose
for a couple. Trying to say that weather weighed
down all the streets we traveled on, that if gravel sinks,
it keeps sinking. How can I blame you who kneeled day
after day in wet soil, pulling slugs from the seedlings?
You who built a ten-foot arch for the beans, who hated
a bird feeder left unfilled. You who gave
carrots to a gang of girls on bicycles.
3
On our last trip we drove through rain
to a town lit with vacancies.
We’d come to watch whales. At the dock we met
five other couples—all of us fluorescent,
waterproof, ready for the pitch and frequency
of the motor that would lure these great mammals
near. The boat chugged forward—trailing a long,
creamy wake. The captain spoke from a loudspeaker:
In winter gray whales love Laguna Guerrero; it’s warm
and calm, no killer whales gulp down their calves.
Today we’ll see them on their way to Alaska. If we
get close enough, observe their eyes—they’re bigger
than baseballs, but can only look down. Whales can
communicate at a distance of 300 miles—but it’s
my guess they’re all saying, Can you hear me?
His laughter crackled. When he told us Pink Floyd is slang
for a whale’s two-foot penis, I stopped listening.
The boat rocked, and for two hours our eyes
were lost in the waves—but no whales surfaced, blowing
or breaching or expelling water through baleen plates.
Again and again you patiently wiped the spray
from your glasses. We smiled to each other, good
troopers used to disappointment. On the way back
you pointed at cormorants riding the waves—
you knew them by name: the Brants, the Pelagic,
the double-breasted. I only said, I’m sure
whales were swimming under us by the dozens.
4
Trying to write that I loved the work of an argument,
the exhaustion of forgiving, the next morning,
washing our handprints off the wineglasses. How I loved
sitting with our friends under the plum trees,
in the white wire chairs, at the glass table. How you
stood by the grill, delicately broiling the fish. How
the dill grew tall by the window. Trying to explain
how camellias spoil and bloom at the same time,
how their perfume makes lovers ache. Trying
to describe the ways sex darkens
and dies, how two bodies can lie
together, entwined, out of habit.
Finding themselves later, tired, by a fire,
on an old couch that no longer reassures.
The night we eloped we drove to the rainforest
and found ourselves in fog so thick
our lights were useless. There’s no choice,
you said, we must have faith in our blindness.
How I believed you. Trying to imagine
the road beneath us, we inched forward,
honking, gently, again and again.
”
”
Dina Ben-Lev
“
She saw it in her mind's eye like a movie playing, the haunting memories from her childhood she couldn't seem to shake blending together into one raw, aching image. Her mother lying in a darkened room for days, her face swollen with tears. The inevitable ashtray overrun with ashes, the acrid scent of pot smoke in the air. The bed or couch or futon may have been different from year to year as Evie moved them around from apartment to commune to funky cottage, but her mother was always the same. Falling hard for some man, immersing herself in romantic fantasies that were crushed when the guy left. And the guy always left. Her mother's inability to get a grasp on reality had too often left Mischa to care for her younger sister, to care for her mother, from too young an age. She remembered shaking Evie awake, trying to get her to eat. To get up and take a shower, take her and Raine to school. No kid should have to do that. No kid should have to witness the way Evie had allowed herself to be ravaged by love. No woman should allow that to happen.
”
”
Eve Berlin (Temptation's Edge (Edge, #3))
“
To him who in the love of Nature holds
Communion with her visible forms, she speaks
A various language; for his gayer hours
She has a voice of gladness, and a smile
And eloquence of beauty, and she glides
Into his darker musings, with a mild
And healing sympathy, that steals away
Their sharpness, ere he is aware. When thoughts
Of the last bitter hour come like a blight
Over thy spirit, and sad images
Of the stern agony, and shroud, and pall,
And breathless darkness, and the narrow house,
Make thee to shudder, and grow sick at heart;—
Go forth, under the open sky, and list
To Nature’s teachings, while from all around—
Earth and her waters, and the depths of air—
Comes a still voice—
Yet a few days, and thee
The all-beholding sun shall see no more
In all his course; nor yet in the cold ground,
Where thy pale form was laid, with many tears,
Nor in the embrace of ocean, shall exist
Thy image. Earth, that nourished thee, shall claim
Thy growth, to be resolved to earth again,
And, lost each human trace, surrendering up
Thine individual being, shalt thou go
To mix for ever with the elements,
To be a brother to the insensible rock
And to the sluggish clod, which the rude swain
Turns with his share, and treads upon. The oak
Shall send his roots abroad, and pierce thy mould.
Yet not to thine eternal resting-place
Shalt thou retire alone, nor couldst thou wish
Couch more magnificent. Thou shalt lie down
With patriarchs of the infant world—with kings,
The powerful of the earth—the wise, the good,
Fair forms, and hoary seers of ages past,
All in one mighty sepulchre. The hills
Rock-ribbed and ancient as the sun,—the vales
Stretching in pensive quietness between;
The venerable woods—rivers that move
In majesty, and the complaining brooks
That make the meadows green; and, poured round all,
Old Ocean’s gray and melancholy waste,—
Are but the solemn decorations all
Of the great tomb of man. The golden sun,
The planets, all the infinite host of heaven,
Are shining on the sad abodes of death,
Through the still lapse of ages. All that tread
The globe are but a handful to the tribes
That slumber in its bosom.—Take the wings
Of morning, pierce the Barcan wilderness,
Or lose thyself in the continuous woods
Where rolls the Oregon, and hears no sound,
Save his own dashings—yet the dead are there:
And millions in those solitudes, since first
The flight of years began, have laid them down
In their last sleep—the dead reign there alone.
So shalt thou rest, and what if thou withdraw
In silence from the living, and no friend
Take note of thy departure? All that breathe
Will share thy destiny. The gay will laugh
When thou art gone, the solemn brood of care
Plod on, and each one as before will chase
His favorite phantom; yet all these shall leave
Their mirth and their employments, and shall come
And make their bed with thee. As the long train
Of ages glide away, the sons of men,
The youth in life’s green spring, and he who goes
In the full strength of years, matron and maid,
The speechless babe, and the gray-headed man—
Shall one by one be gathered to thy side,
By those, who in their turn shall follow them.
So live, that when thy summons comes to join
The innumerable caravan, which moves
To that mysterious realm, where each shall take
His chamber in the silent halls of death,
Thou go not, like the quarry-slave at night,
Scourged to his dungeon, but, sustained and soothed
By an unfaltering trust, approach thy grave,
Like one who wraps the drapery of his couch
About him, and lies down to pleasant dreams.
”
”
William Cullen Bryant (Thanatopsis)
“
I turned onto my side, pulling the blanket up over my shoulder and closing my eyes. I wasn’t sure how long I’d been lying there when I felt a hand on my hip. I opened my eyes and saw Mack crouched next to me, balanced on the balls of his feet. Shirtless. My breath caught. He put a finger to his lips. My heart started to pound. Was this real or a dream? Without wanting to know for sure, I put my hand in his and rose from the couch. He led me through the dining room and into his bedroom, closing the door soundlessly behind me. “Mack. What are you doing?” I whispered. Instead of answering, he pushed me back against the door and kissed me hard and deep, his arms caging me on either side. “I changed my mind.” “Why?” “Because I’ve been lying here for fucking hours and I can’t stop thinking about how much I want you.” His voice was quiet but gravelly, more growl than whisper. “But you said—” “I know what I said. But I’ve decided I’d rather be reckless than responsible tonight. If you’re in, I’m in.” I put my hands on his chest and pushed him back. “I’m in.
”
”
Melanie Harlow (Irresistible (Cloverleigh Farms, #1))
“
We entered the cool cave of the practice space with all the long-haired, goateed boys stoned on clouds of pot and playing with power tools. I tossed my fluffy coat into the hollow of my bass drum and lay on the carpet with my worn newspaper. A shirtless boy came in and told us he had to cut the power for a minute, and I thought about being along in the cool black room with Joey. Let's go smoke, she said, and I grabbed the cigarettes off the amp. She started talking to me about Wonder Woman. I feel like something big is happening, but I don't know what to do about it. With The Straight Girl? I asked in the blankest voice possible. With everything. Back in the sun we walked to the edge of the parking lot where a black Impala convertible sat, rusted and rotting, looking like it just got dredged from a swamp. Rainwater pooling on the floor. We climbed up onto it and sat our butts backward on the edge of the windshield, feet stretched into the front seat. Before she even joined the band, I would think of her each time I passed the car, the little round medallions with the red and black racing flags affixed to the dash. On the rusting Chevy, Joey told me about her date the other night with a girl she used to like who she maybe liked again. How her heart was shut off and it felt pretty good. How she just wanted to play around with this girl and that girl and this girl and I smoked my cigarette and went Uh-Huh. The sun made me feel like a restless country girl even though I'd never been on a farm. I knew what I stood for, even if nobody else did. I knew the piece of me on the inside, truer than all the rest, that never comes out. Doesn't everyone have one? Some kind of grand inner princess waiting to toss her hair down, forever waiting at the tower window. Some jungle animal so noble and fierce you had to crawl on your belly through dangerous grasses to get a glimpse. I gave Joey my cigarette so I could unlace the ratty green laces of my boots, pull them off, tug the linty wool tights off my legs. I stretched them pale over the car, the hair springing like weeds and my big toenail looking cracked and ugly. I knew exactly who I was when the sun came back and the air turned warm. Joey climbed over the hood of the car, dusty black, and said Let's lie down, I love lying in the sun, but there wasn't any sun there. We moved across the street onto the shining white sidewalk and she stretched out, eyes closed. I smoked my cigarette, tossed it into the gutter and lay down beside her. She said she was sick of all the people who thought she felt too much, who wanted her to be calm and contained. Who? I asked. All the flowers, the superheroes. I thought about how she had kissed me the other night, quick and hard, before taking off on a date in her leather chaps, hankies flying, and I sat on the couch and cried at everything she didn't know about how much I liked her, and someone put an arm around me and said, You're feeling things, that's good. Yeah, I said to Joey on the sidewalk, I Feel Like I Could Calm Down Some. Awww, you're perfect. She flipped her hand over and touched my head. Listen, we're barely here at all, I wanted to tell her, rolling over, looking into her face, we're barely here at all and everything goes so fast can't you just kiss me? My eyes were shut and the cars sounded close when they passed. The sun was weak but it baked the grime on my skin and made it smell delicious. A little kid smell. We sat up to pop some candy into our mouths, and then Joey lay her head on my lap, spent from sugar and coffee. Her arm curled back around me and my fingers fell into her slippery hair. On the February sidewalk that felt like spring.
”
”
Michelle Tea
“
It takes a very long time to sever a marriage in which children are involved. There is a table, two chairs, and a small pile of bargaining chips. This is how it begins, but it ends with one chair in an empty room. The days darken. The children are slices open and split down the middle. Someone takes an arm; someone takes a foot. The car pulling into the driveway on a Friday afternoon becomes a hearse, and everything is couched in lies. The house of old assumes a silence.
”
”
Kate Mulgrew
“
Wes gasps for air. His ass ripples around my cock, squeezing me so hard it triggers an orgasm I feel in the tips of my fingers and the soles of my feet. I give in to it, my arms wrapped around my boyfriend’s strong chest as I come inside him. We’re both unsteady on our feet, so I pull out and tug him onto the couch. He collapses beside me, his dark hair tickling my chin as we lie there recovering from yet another round of spectacular sex. I don’t think I’ll ever get used to how good the sex is.
”
”
Sarina Bowen (Him (Him, #1))
“
We know what it is to get out of bed on a freezing morning in a room without a fire, and how the very vital principle within us protests against the ordeal. Probably most persons have lain on certain mornings for an hour at a time unable to brace themselves to the resolve. We think how late we shall be, how the duties of the day will suffer; we say, “I must get up, this is ignominious,” etc.; but still the warm couch feels too delicious, the cold outside too cruel, and resolution faints away and postpones itself again and again just as it seemed on the verge of bursting the resistance and passing over into the decisive act. Now how do we ever get up under such circumstances? If I may generalize from my own experience, we more often than not get up without any struggle or decision at all. We suddenly find that we have got up. A fortunate lapse of consciousness occurs; we forget both the warmth and the cold; we fall into some revery connected with the day’s life, in the course of which the idea flashes across us, “Hollo! I must lie here no longer” – an idea which at that lucky instant awakens no contradictory or paralyzing suggestions, and consequently produces immediately its appropriate motor effects. It was our acute consciousness of both the warmth and the cold during the period of struggle, which paralyzed our activity then and kept our idea of rising in the condition of wish and not of will. The moment these inhibitory ideas ceased, the original idea exerted its effects.
”
”
William James (The Principles of Psychology: Volume 2)
“
You’re asking me what I want for breakfast and I’m telling you
about how when the worst thing happened, I didn’t even cry.
You’re handing me a receipt from the laundromat down the street
and I’m passing you a bundle of letters that I wrote to God when
I was fourteen and scared. You’re passing me the milk after you drip it into your
coffee and I’m half laughing about the psychiatrist’s office and how there’s
actually a couch and it’s made of blue tweed. You’re trying to do the normal things
and I am throwing up dull pieces of truth onto our kitchen table. I can’t lie anymore.
These are the things I’ve done and they’re mostly sad. These are the places I’ve been
and they’re mostly awful. This life has woven itself into the notches of my spine
and I hear it creak every time I stand.
”
”
Fortesa Latifi
“
For some we loved, the loveliest and the best
That from his Vintage rolling Time hath prest,
Have drunk their Cup a Round or two before,
And one by one crept silently to rest.
And we, that now make merry in the Room
They left, and Summer dresses in new bloom
Ourselves must we beneath the Couch of Earth
Descend — ourselves to make a Couch — for whom?
Ah, make the most of what we yet may spend,
Before we too into the Dust descend;
Dust into Dust, and under Dust to lie
Sans Wine, sans Song, sans Singer, and — sans End!
”
”
Omar Khayyám (رباعيات خيام)
“
After school, Peter and I are lying on the couch; his feet are hanging off the end. He’s still in his costume, but I’ve changed into my regular clothes. “You always have the cutest socks,” he says, lifting up my right foot. These ones are gray with white polka dots and yellow bear faces.
Proudly I say, “My great-aunt sends them from Korea. Korea has the cutest stuff, you know.”
“Can you ask her to send me some too? Not bears, but maybe, like, tigers. Tigers are cool.”
“Your feet are too big for socks as cute as these. Your toes would pop right out. You know what, I bet I could find you some socks that fit at…um, the zoo.” Peter sits up and starts tickling me. I gasp out, “I bet the--pandas or gorillas have to--keep their feet warm somehow…in the winter. Maybe they have some kind of deodorized sock technology as well.” I burst into giggles. “Stop…stop tickling me!”
“Then stop being mean about my feet!” I’ve got my hand burrowed under his arm, and I am tickling him ferociously. But by doing so, I have opened myself up to more attacks.
I yell, “Okay, okay, truce!” He stops, and I pretend to stop, but sneak a tickle under his arm, and he lets out a high-pitched un-Peter-like shriek.
“You said truce!” he accuses. We both nod and lie back down, out of breath. “Do you really think my feet smell?”
I don’t. I love the way he smells after a lacrosse game--like sweat and grass and him. But I love to tease, to see that unsure look cross his face for just half a beat. “Well, I mean, on game days…” I say. Then Peter attacks me again, and we’re wrestling around, laughing, when Kitty walks in, balancing a tray with a cheese sandwich and a glass of orange juice.
“Take it upstairs,” she says, sitting down on the floor. “This is a public area.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
Sisters of the torn shirts.
Sisters of the chase around the desk, casting couch, hotel room, file cabinet.
Sisters dragging shattered dreams, bruised hopes, ambitions abandoned in the dirt.
Sisters fishing one by one in the lake of shame.
Hooks baited with fear always come back empty.
Truth dawns slow when you've been beaten and lied to, but it burns hard and bright once it wakes.
Sisters, drop everything.
Walk away from the lake, leaning on each other's shoulders when you need the support.
Feel the contractions of another truth ready to be born.
Shame turned inside out is rage.
”
”
Laurie Halse Anderson (Shout)
“
She was not to eat anything that was inside the house unless it was given to her, even if it was something that sounded good while she chewed it, like cardboard boxes or plastic serving utensils, and in particular she was not to eat anything of Adam’s or from Aurora’s bedroom and if she did, she would be punished. She was not supposed to call Ronan Kerah because he had a name and she was perfectly capable of forming any word she liked, unlike Chainsaw, who only had a beak. She was allowed to climb on nearly anything except for the cars because hooves were not good for metal and also her hands were always very grubby. She did not have to take a bath or otherwise wash herself unless she wanted to come in the house, and she could not lie about having washed herself if she wanted to be allowed on a couch because God, Opal, your legs smell like wet dog. She was not allowed to steal. Hiding objects from other people counted as stealing, unless the objects were presents, which you hid but then laughed about later. Dead things were not to be eaten on the porch, which was a hard rule, because living things were also not to be eaten on the porch. She was not to run in the road or try to return to the ley line without someone with her, which was a silly rule, because the ley line felt like a dream and under no circumstance would she willingly return to one of those. She was to only tell the truth because Ronan always told the truth, but she felt this was the most unfair rule of all because Ronan could dream himself a new truth if he liked and she had to stick with the one she was currently living. She was to remember that she was a secret.
”
”
Maggie Stiefvater (Opal (The Raven Cycle, #4.5))
“
The Convergence of the Twain
Thomas Hardy, 1840 - 1928
(Lines on the loss of the “Titanic”)
I
In a solitude of the sea
Deep from human vanity,
And the Pride of Life that planned her, stilly couches she.
II
Steel chambers, late the pyres
Of her salamandrine fires,
Cold currents thrid, and turn to rhythmic tidal lyres.
III
Over the mirrors meant
To glass the opulent
The sea-worm crawls—grotesque, slimed, dumb, indifferent.
IV
Jewels in joy designed
To ravish the sensuous mind
Lie lightless, all their sparkles bleared and black and blind.
V
Dim moon-eyed fishes near
Gaze at the gilded gear
And query: “What does this vaingloriousness down here?”. . .
VI
Well: while was fashioning
This creature of cleaving wing,
The Immanent Will that stirs and urges everything
VII
Prepared a sinister mate
For her—so gaily great—
A Shape of Ice, for the time far and dissociate.
VIII
And as the smart ship grew
In stature, grace, and hue
In shadowy silent distance grew the Iceberg too.
IX
Alien they seemed to be:
No mortal eye could see
The intimate welding of their later history.
X
Or sign that they were bent
By paths coincident
On being anon twin halves of one August event,
XI
Till the Spinner of the Years
Said “Now!” And each one hears,
And consummation comes, and jars two hemispheres.
”
”
Thomas Hardy
“
What did you say?” I asked, walking to her, putting my hand on the small of her back. “Shhhh,” she said. “I’m sleeping.” Just like that. From a hundred miles an hour to asleep in a nanosecond. I wanted so badly to lie down next to her on the couch, to wrap my arms around her and sleep. Not fuck, like in those movies. Not even have sex. Just sleep together, in the most innocent sense of the phrase. But I lacked the courage and she had a boyfriend and I was gawky and she was gorgeous and I was hopelessly boring and she was endlessly fascinating. So I walked back to my room and collapsed on the bottom bunk, thinking that if people were rain, I was drizzle and she was a hurricane.
”
”
John Green (Looking for Alaska)
“
I have to go in with Raquel and fix this curse. Why don’t you come in and . . . umm, lie down on the couch or something.”
Reth gave me a humorless smile. “In all our time with each other, have I ever struck you as the type to nap on a couch?”
I snickered. “Not really. But it would be entertaining for me, at least. I’ll bet you snore, even.”
He looked indignant. “What makes you think I even sleep?”
“Do you?”
“Not in the same way you do. Go and waste your time trying to ‘fix’ Lend. I will try my best not to die waiting.”
I took a step away, then turned back. “Wait, seriously? Are you going to die?”
He smiled, this time a genuine one. “I knew you cared. Not at the moment, but I will need you for something very soon.
”
”
Kiersten White (Endlessly (Paranormalcy, #3))
“
How clear she shines ! How quietly
I lie beneath her guardian light;
While heaven and earth are whispering me,
" To morrow, wake, but, dream to-night."
Yes, Fancy, come, my Fairy love !
These throbbing temples softly kiss;
And bend my lonely couch above
And bring me rest, and bring me bliss.
The world is going; dark world, adieu !
Grim world, conceal thee till the day;
The heart, thou canst not all subdue,
Must still resist, if thou delay !
Thy love I will not, will not share;
Thy hatred only wakes a smile;
Thy griefs may wound–thy wrongs may tear,
But, oh, thy lies shall ne'er beguile !
While gazing on the stars that glow
Above me, in that stormless sea,
I long to hope that all the woe
Creation knows, is held in thee !
And, this shall be my dream to-night;
I'll think the heaven of glorious spheres
[Page 104]
Is rolling on its course of light
In endless bliss, through endless years;
I'll think, there's not one world above,
Far as these straining eyes can see,
Where Wisdom ever laughed at Love,
Or Virtue crouched to Infamy;
Where, writhing 'neath the strokes of Fate,
The mangled wretch was forced to smile;
To match his patience 'gainst her hate,
His heart rebellious all the while.
Where Pleasure still will lead to wrong,
And helpless Reason warn in vain;
And Truth is weak, and Treachery strong;
And Joy the surest path to Pain;
And Peace, the lethargy of Grief;
And Hope, a phantom of the soul;
And Life, a labour, void and brief;
And Death, the despot of the whole !
”
”
Emily Brontë (The Complete Poems)
“
She locked herself in her room. She needed time to get used to her maimed consciousness, her poor lopped life, before she could walk steadily to the place allotted her. A new searching light had fallen on her husband's character, and she could not judge him leniently: the twenty years in which she had believed in him and venerated him by virtue of his concealments came back with particulars that made them seem an odious deceit. He had married her with that bad past life hidden behind him, and she had no faith left to protest his innocence of the worst that was imputed to him. Her honest ostentatious nature made the sharing of a merited dishonor as bitter as it could be to any mortal.
But this imperfectly taught woman, whose phrases and habits were an odd patchwork, had a loyal spirit within her. The man whose prosperity she had shared through nearly half a life, and who had unvaryingly cherished her—now that punishment had befallen him it was not possible to her in any sense to forsake him. There is a forsaking which still sits at the same board and lies on the same couch with the forsaken soul, withering it the more by unloving proximity. She knew, when she locked her door, that she should unlock it ready to go down to her unhappy husband and espouse his sorrow, and say of his guilt, I will mourn and not reproach. But she needed time to gather up her strength; she needed to sob out her farewell to all the gladness and pride of her life. When she had resolved to go down, she prepared herself by some little acts which might seem mere folly to a hard onlooker; they were her way of expressing to all spectators visible or invisible that she had begun a new life in which she embraced humiliation. She took off all her ornaments and put on a plain black gown, and instead of wearing her much-adorned cap and large bows of hair, she brushed her hair down and put on a plain bonnet-cap, which made her look suddenly like an early Methodist.
Bulstrode, who knew that his wife had been out and had come in saying that she was not well, had spent the time in an agitation equal to hers. He had looked forward to her learning the truth from others, and had acquiesced in that probability, as something easier to him than any confession. But now that he imagined the moment of her knowledge come, he awaited the result in anguish. His daughters had been obliged to consent to leave him, and though he had allowed some food to be brought to him, he had not touched it. He felt himself perishing slowly in unpitied misery. Perhaps he should never see his wife's face with affection in it again. And if he turned to God there seemed to be no answer but the pressure of retribution.
It was eight o'clock in the evening before the door opened and his wife entered. He dared not look up at her. He sat with his eyes bent down, and as she went towards him she thought he looked smaller—he seemed so withered and shrunken. A movement of new compassion and old tenderness went through her like a great wave, and putting one hand on his which rested on the arm of the chair, and the other on his shoulder, she said, solemnly but kindly—
"Look up, Nicholas."
He raised his eyes with a little start and looked at her half amazed for a moment: her pale face, her changed, mourning dress, the trembling about her mouth, all said, "I know;" and her hands and eyes rested gently on him. He burst out crying and they cried together, she sitting at his side. They could not yet speak to each other of the shame which she was bearing with him, or of the acts which had brought it down on them. His confession was silent, and her promise of faithfulness was silent. Open-minded as she was, she nevertheless shrank from the words which would have expressed their mutual consciousness, as she would have shrunk from flakes of fire. She could not say, "How much is only slander and false suspicion?" and he did not say, "I am innocent.
”
”
George Eliot (Middlemarch)
“
The first thing I see when I wake, still on the couch in the hotel room, are the birds flying over her collarbone. Her shirt, retrieved from the floor in the middle of the night because of the cold, is pulled down on one side from where she’s lying on it.
We have slept close to each other before, but this time feels different. Every other time we were there to comfort each other or to protect each other; this time we’re here just because we want to be--and because we fell asleep before we could go back to the dormitory.
I stretch out my hand and touch my fingertips to her tattoos, and she opens her eyes.
She wraps an arm around me and pulls herself across the cushions so she’s right up against me, warm and soft and pliable.
“Morning,” I say.
“Shh,” she says. “If you don’t acknowledge it, maybe it will go away.”
I draw her toward me, my hand on her hip. Her eyes are wide, alert, despite just having opened. I kiss her cheek, then her jaw, then her throat, lingering there for a few seconds. Her hands tighten around my waist, and she sighs into my ear.
My self-control is about to disappear in five, four, three…
“Tobias,” she whispers, “I hate to say this, but…I think we have just a few things to do today.”
“They can wait,” I say against her shoulder, and I kiss the first tattoo, slowly.
“No, they can’t!” she says.
”
”
Veronica Roth (Allegiant (Divergent, #3))
“
Excavators uncovered one of Malta's most famous Neolithic sculptures, the "Sleeping Lady" of the Hypogeum, off the main hall. She reclines peacefully on her side, head in hand...This sculpture and another one shown lying on her stomach on a couch reminds us of initiation and healing rites known in later classical times. During these various classical ceremonies, the initiate spent a night in the temple (or cave or other remote place). The initiate experienced a night of visions and dreams, with spiritual or physical healing taking place...This rite probably derived from Neolithic practices that likened sleeping in a cave, temple, or underground chamber to slumbering in the goddess' uterus before spiritual reawakening. For the living, such a ritual brought physical healing and spiritual rebirth. For the dead, burial within underground chambers, shaped and colored like the uterus, represented the possibility of regeneration through the goddess' symbolic womb.
”
”
Marija Gimbutas (The Living Goddesses)
“
They had such a good meet-cute,” I croak.
“What’s a meet-cute?” Peter’s lying on his side now, his head propped up on his elbow. He looks so adorable I could pinch his cheeks, but I refrain from saying so. His head is big enough as it is.
“A meet-cute is when the hero and heroine meet for the very first time, and it’s always in a charming way. It’s how you know they’re going to end up together. The cuter the better.”
“Like in Terminator, when Reese saves Sarah Connor from the Terminator and he says, ‘Come with me if you want to live.’ Freaking amazing line.”
“I mean, sure, I guess that’s technically a meet-cute…I was thinking more like It Happened One Night. We should add that to our list.”
“Is that in color or black-and-white?”
“Black-and-white.”
Peter groans and falls back against the couch cushions.
“It’s too bad we don’t have a meet-cute,” I muse.
“You jumped me in the hallway at school. I think that’s pretty cute.”
“But we already knew each other, so it doesn’t really count.” I frown. “We don’t even remember how we met. How sad.”
“I remember meeting you for the first time.”
“Nuh-uh. Liar!”
“Hey just because you don’t remember something doesn’t mean I don’t. I remember a lot of things.”
“Okay, so how did we meet?” I challenge. I’m sure that whatever comes out of his mouth next will be a lie.
Peter opens his mouth, then snaps it shut. “I’m not telling.”
“See! You just can’t think of anything.”
“No, you don’t deserve to know, because you don’t believe me.”
I roll my eyes. “So full of it.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
Every culture has its own creation myth, its own cosmology. And in some respects every cosmology is true, even if I might flatter myself in assuming mine is somehow truer because it is scientific. But it seems to me that no culture, including scientific culture, has cornered the market on definitive answers when it comes to the ultimate questions. Science may couch its models in the language of mathematics and observational astronomy, while other cultures use poetry and sacrificial propitiations to defend theirs. But in the end, no one knows, at least not yet. The current flux in the state of scientific cosmology attests to this, as we watch physicists and astronomers argue over string theory and multiverses and the cosmic inflation hypothesis. Many of the postulates of modern cosmology lie beyond, or at least at the outer fringes, of what can be verified through observation. As a result, aesthetics—as reflected by the “elegance” of the mathematical models—has become as important as observation in assessing the validity of a cosmological theory. There is the assumption, sometimes explicit and sometimes not, that the universe is rationally constructed, that it has an inherent quality of beauty, and that any mathematical model that does not exemplify an underlying, unifying simplicity is to be considered dubious if not invalid on such criteria alone. This is really nothing more than an article of faith; and it is one of the few instances where science is faith-based, at least in its insistence that the universe can be understood, that it “makes sense.” It is not entirely a faith-based position, in that we can invoke the history of science to support the proposition that, so far, science has been able to make sense, in a limited way, of much of what it has scrutinized. (The psychedelic experience may prove to be an exception.)
”
”
Dennis J. McKenna (The Brotherhood of the Screaming Abyss)
“
What’s wrong?” Lane ran his thumb over my cheek.
“I wish… I just…” I frowned, trying to find the words I wanted. “I want to go home. I want to go check on Iggy. I want this to be a really bad and really long nightmare. I wish that instead of being in the truck, we were on our couch. You’d be sitting with your legs stretched out and I’d be lying on your lap. We could watch a movie. We’d be having a beer and nachos… I’d kill for a fucking beer right now.” I stopped my rambling to swallow down the lump forming in my throat.
“It will be okay.” He pressed his lips to my forehead. “I don’t know what the fuck is going on, but someone will figure it out and they’ll find a way to fix it. We’re safe here for now.” He maneuvered over the shift stick settled himself beside me. I laid my head against his shoulder and closed my eyes as he smoothed my hair.
“Lane?”
“Hmmm?”
I looked up at him and raised a hand to touch his cheek. My heart skipped, my lips brushed over his, and I took a deep breath. I remembered all those times I’d told him, but at the same time hadn’t told him. I decided that from now on, for whatever time we had left, he’d know.
“I love you, Lane. Always have.”
His smile melted every bone in my body. “I love you, Gabrielle. Always will.
”
”
Meaka Kyel
“
THEY WALKED UP TO the front door, rang the bell. Del scratched his neck and looked at the yellow bug light and said, “I feel like a bug.” “You look like a bug. You fall down out there?” “About four times. We weren’t running so much as staggering around. Potholes full of water . . . I see you kept your French shoes nice and dry.” “English. English shoes . . . French shirts. Italian suits. Try to remember that.” “Makes my nose bleed,” Del said. The door opened, and Green looked out: she was still fully dressed, including the jacket that covered her gun and the fashionable shoes that she could run in. She took a long look at Del, and asked, “Where’re Dannon and Carver?” “Dead,” Lucas said. “Where’s Grant?” “In the living room.” “You want to invite us in?” She opened the door, and they stepped inside, and followed her to the living room. Grant was there, still dressed as she had been on the stage; she was curled in an easy chair, with a drink in her hand, high heels on the floor beside her. Schiffer was lying on a couch, barefoot; a couple of Taryn’s staff people, a young woman and a young man, were sitting on the floor, making a circle. Another man, heavier and older, was sitting in a leather chair facing Grant. Lucas didn’t recognize him, but recognized the type: a guy who knew where all the notional bodies were buried, a guy who could get the vice president on the telephone.
”
”
John Sandford (Silken Prey (Lucas Davenport #23))
“
I would dance all day in my basement listening to Off the Wall. You young people really don’t understand how magical Michael Jackson was. No one thought he was strange. No one was laughing. We were all sitting in front of our TVs watching the “Thriller” video every hour on the hour. We were all staring, openmouthed, as he moonwalked for the first time on the Motown twenty-fifth anniversary show. When he floated backward like a funky astronaut, I screamed out loud. There was no rewinding or rewatching. No next-day memes or trends on Twitter or Facebook posts. We would call each other on our dial phones and stretch the cord down the hall, lying on our stomachs and discussing Michael Jackson’s moves, George Michael’s facial hair, and that scene in Purple Rain when Prince fingers Apollonia from behind. Moments came and went, and if you missed them, you were shit out of luck. That’s why my parents went to a M*A*S*H party and watched the last episode in real time. There was no next-day M*A*S*H cast Google hangout. That’s why my family all squeezed onto one couch and watched the USA hockey team win the gold against evil Russia! We all wept as my mother pointed out every team member from Boston. (Everyone from Boston likes to point out everyone from Boston. Same with Canadians.) We all chanted “USA!” and screamed “YES!” when Al Michaels asked us if we believed in miracles. Things happened in real time and you watched them together. There was no rewind. HBO arrived in our house that same year. We had
”
”
Amy Poehler (Yes Please)
“
Maybe we should do some more homework.”
Homework had been their code word for making out before they’d realized that they hadn’t been fooling anyone.
But Jay was true to his word, especially his code word, and his lips settled over hers. Violet suddenly forgot that she was pretending to break free from his grip. Her frail resolve crumbled. She reached out, wrapping her arms around his neck, and pulled him closer to her.
Jay growled from deep in his throat. “Okay, homework it is.”
He pulled her against him, until they were lying face-to-face, stretched across the length of the couch. It wasn’t long before she was restless, her hands moving impatiently, exploring him. She shuddered when she felt his fingers slip beneath her shirt and brush over her bare skin. He stroked her belly and higher, the skin of his hands rough against her soft flesh. His thumb brushed the base of her rib cage, making her breath catch.
And then, like so many times before, he stopped, abruptly drawing back. He shifted only inches, but those inches felt like miles, and Violet felt the familiar surge of frustration.
He didn’t say a word; he didn’t have to. Violet understood perfectly. They’d gone too far. Again. But Violet was frustrated, and it was getting harder and harder to ignore her disappointment. She knew they couldn’t play this unsatisfying game forever.
“So you’re going to Seattle tomorrow?” He used the question to fill the rift between them, but his voice shook and Violet was glad he wasn’t totally unaffected.
She wasn’t as quick to pretend that everything was okay, especially when what she really wanted to do was to rip his shirt off and unbutton his jeans.
But they’d talked about this. And, time and time again, they’d decided that they needed to be sure. One hundred percent. Because once they crossed that line…
She and Jay had been best friends since the first grade, and up until last fall that’s all they’d ever been. Now that she was in love with him, she couldn’t imagine losing him because they made the wrong decision.
Or made it too soon.
She decided to let Jay have his small talk. For now.
“Yeah, Chelsea wants to go down to the waterfront and maybe do some shopping. It’s easier to be around her when it’s just the two of us. You know, when she’s not always…on.”
“You mean when she’s not picking on someone?”
“Exactly.
”
”
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
“
Not much time had passed when he opened his eyes to find her standing over him. “Umm,” she said nervously. “Can you…? This is awkward. I’m still very squeamish about a man even seeing me on the treadmill, but could you share the bed, in your clothes, and manage not to do anything? I mean, even in your sleep?” “I’m okay right here, Brie. Don’t worry about me.” “I’m not worried about… I just thought, that couch isn’t big enough. And there’s a bed in the loft, but I just don’t want you way up there. And I… Could you lie beside me on the bed without—” “I’m not going to try anything with you, Brie. I know you can’t handle that.” “I don’t think I can sleep unless you’re…closer,” she said very softly. “Aw, honey…” “Then come on,” she said, turning back to the bedroom. He didn’t move for a moment, thinking. It didn’t take long. He wanted to be next to her, but he didn’t have to be. But if she needed him, he was there. He stood and got rid of his belt because of the big buckle, but everything else stayed on. And he went to the bedroom. She was curled up under the covers, her back facing out, leaving him room. So he lay down on the bed on top of the covers, giving her that security. “Okay?” he asked. “Okay,” she murmured. It wasn’t a big bed, just a double, and it was impossible to keep a lot of space between them. He curved around her back, spooning her, his face against her hair, his wrist resting over her hip. “Okay?” he asked. “Okay,” she murmured. He nestled in, his cheek against the fragrant silkiness of all that loose hair, his body wrapped around hers, though separated by layers of clothes and quilts, and it was a long, long time before he found sleep. By her even breathing, Mike knew she rested comfortably and that made him feel good. When he woke in the morning, she had turned in her sleep and lay in the crook of his arm, snuggled up close to him, her lips parted slightly, her breath soft and warm against his cheek. And he thought, Oh damn, she’s right—this is going to just break the hell out of my heart. *
”
”
Robyn Carr (Whispering Rock (Virgin River, #3))
“
The tornadic bundle of legs and arms and feet and hands push farther into the kitchen until only the occasional flailing limb is visible from the living room, where I can’t believe I’m still standing.
A spectator in my own life, I watch the supernova of my two worlds colliding: Mom and Galen. Human and Syrena. Poseidon and Triton. But what can I do? Who should I help? Mom, who lied to me for eighteen years, then tried to shank my boyfriend? Galen, who forgot this little thing called “tact” when he accused my mom of being a runaway fish-princess? Toraf, who…what the heck is Toraf doing, anyway? And did he really just sack my mom like an opposing quarterback?
The urgency level for a quick decision elevates to right-freaking-now. I decide that screaming is still best for everyone-it’s nonviolent, distracting, and one of the things I’m very, very good at.
I open my mouth, but Rayna beats me to it-only, her scream is much more valuable than mine would have been, because she includes words with it. “Stop it right now, or I’ll kill you all!” She pushed past me with a decrepit, rusty harpoon from God-knows-what century, probably pillaged from one of her shipwreck excursions. She waves it at the three of them like a crazed fisherman in a Jaws movie. I hope they don’t notice she’s got it pointed backward and that if she fires it, she’ll skewer our couch and Grandma’s first attempt at quilting.
It works. The bare feet and tennis shoes stop scuffling-out of fear or shock, I’m not sure-and Toraf’s head appears at the top of the counter. “Princess,” he says, breathless. “I told you to stay outside.”
“Emma, run!” Mom yells.
Toraf disappears again, followed by a symphony of scraping and knocking and thumping and cussing.
Rayna rolls her eyes at me, grumbling to herself as she stomps into the kitchen. She adjusts the harpoon to a more deadly position, scraping the popcorn ceiling and sending rust and Sheetrock and tetanus flaking onto the floor like dirty snow. Aiming it at the mound of struggling limbs, she says, “One of you is about to die, and right now I don’t really care who it is.”
Thank God for Rayna. People like Rayna get things done. People like me watch people like Rayna get things done. Then people like me round the corner of the counter as if they helped, as if they didn’t stand there and let everyone they love beat the shizzle out of one another.
I peer down at the three of them all tangled up. Crossing my arms, I try to mimic Rayna’s impressive rage, but I’m pretty sure my face is only capable of what-the-crap-was-that.
Mom looks up at me, nostrils flaring like moth wings. “Emma, I told you to run,” she grinds out before elbowing Toraf in the mouth so hard I think he might swallow a tooth. Then she kicks Galen in the ribs.
He groans, but catches her foot before she can re-up. Toraf spits blood on the linoleum beside him and grabs Mom’s arms. She writhes and wriggles, bristling like a trapped badger and cussing like sailor on crack.
Mom has never been girlie.
Finally she stops, her arms and legs slumping to the floor in defeat. Tears puddle in her eyes. “Let her go,” she sobs. “She’s got nothing to do with this. She doesn’t even know about us. Take me and leave her out of this. I’ll do anything.”
Which reinforces, right here and now, that my mom is Nalia. Nalia is my mom. Also, holy crap.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))