Aquarium Shop Quotes

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Hanade’s Puppet Repair Shop did, indeed, carry “all kinds of doodads.” The tiny store was crammed with Oriental trinkets, samurai swords, brass Buddhas, dolls’ heads hanging on the wall, birds and bird cages, aquariums with darting tropical fish, and numerous other items.
Franklin W. Dixon (The Ghost at Skeleton Rock (Hardy Boys, #37))
Three crows, two zebras, one whale, a handful of ladybugs, one unicorn with metallic wings, three horses—one pink, one green, one realistically colored—two butterflies, three bears including the one we got free with a wiper blade change, a dolphin from the aquarium class trip we lied to go to, convincing my mother she signed the permission slip while she dozed on the recliner after my brother made us a simple meal. Finally, four parakeets arranged up front, who were the young Luna’s—my—favorites. Place the walrus next to the puppy. The raccoon comes after the bear. The hush of human voices on the other side of the curtain, amplified and immediate. I had prepared for cruelty but not for this tender thought: Tom has returned my animals to me. They will never be out of order again. The Man from the Coffee Shop enters and every conciliatory sentiment fades. Tom’s gotten it wrong again. When the man entered in real life, no one noticed. There is no memory in a play. A play is always present tense. I am newly injured in real time.
Marie-Helene Bertino (Parakeet)
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both hands against the door. “Feet wider apart. That’s right. Like in the American movies.” Satisfied, Qazi patted the man down. “What, no gun? A GRU man without a gun …” Qazi carefully felt the man’s crotch and the arms above the wrists. “First humor and now this! The GRU will become a laughingstock. But of course there is a microphone.” Qazi lifted all the pens from the Russian’s shirt pocket and examined them, one by one. “It had better be here, Chekhov, or you will have to part with your buttons and your shoes.” It was in the third pen. “Now turn around and sit against the door.” The Russian’s face was covered with perspiration, his fleshy lips twisted in a sneer. “The shoes.” Qazi examined them carefully and tossed them back. “Now the coat.” This he scrutinized minutely. From the uppermost of the large three buttons on the front of the coat a very fine wire was just visible buried amid the thread that held the button on. Qazi sawed the button free with a small pocketknife, then dropped the pen and button down a commode. He tossed the coat back to Chekhov. “And the belt.” After a quick glance, Qazi handed it back. “Hurry, we have much to say to each other.” He unscrewed the silencer and replaced the pistol in his ankle holster. He opened the door as the Russian scrambled awkwardly to his feet. An hour later the two men were seated in the Sistine Chapel against the back wall, facing the altar and Michelangelo’s masterpiece The Last Judgment behind it. On the right the high windows admitted a subdued light. Qazi kept his eyes on the tourists examining the paintings on the ceiling and walls. “Is it in Rome, as General Simonov promised?” “Yes. But you must tell us why you want it.” “Is it genuine, or is it a masterpiece from an Aquarium print shop?” The Aquarium was the nickname for GRU headquarters in Moscow. The Russian’s lips curled, revealing yellow, impacted teeth. This was his smile. “We obtained it from Warrant Officer Walker.” “Ah, those Americans! One wonders just how long they knew about Walker’s activities.” The Russian raised his shoulders and lowered them. “Why do you want the document?” “El Hakim has not authorized me to reveal his reasons. Not that we don’t trust you. We value the goodwill of the Soviet Union most highly. And we intend to continue to cultivate that goodwill. But to reveal what you do not need to know is to take the risk that the Americans will learn of our plans through their activities against you.” “If you are implying they have penetrated—” “Chekhov, I am not implying anything. I am merely weighing risks. And I am being very forthright with you. No subterfuge. No evasion. Just the plain truth. Surely a professional like you can appreciate that?” “This document is very valuable.
Stephen Coonts (Final Flight (Jake Grafton #3))
At the West Edmonton Mall in Alberta, the dolphins developed stress-induced ulcers. Shopping malls are enough to drive most individuals insane, given enough time spent in them. For Edmonton’s dolphins, though, there was no escape. Every day was the same. Shows were performed twice a day. The water tanks never got any larger. The light always remained artificial. The crowds of shoppers never stopped coming. The enervating elevator music never stopped playing. So it was hardly surprising that all four of the mall’s dolphins suffered from stress-related afflictions.
Jason Hribal (Fear of the Animal Planet: The Hidden History of Animal Resistance (Counterpunch))
Pulling onto I-225, he drove north before hitting I-70 West, passing the Bass Pro Shops and Safeway Distribution Center, the Nestlé Purina plant, and the Coliseum. He then merged onto I-25 South and drove by Coors Field, REI, the Aquarium, and the Children’s Museum, finally exiting the freeway and working his way to a house he’d purchased in Central West Denver near Paco Sanchez Park, in a neighborhood time had forgotten.
Jack Carr (The Devil's Hand (Terminal List, #4))
Watch fish. Find a fish tank in a restaurant, pet shop, or aquarium. Get comfortable and watch the fish swim into and out of view. Try not to comment to yourself. Simply watch them for at least ten minutes and notice everything you can about the ones who swim your way.
Cedar R. Koons (The Mindfulness Solution for Intense Emotions: Take Control of Borderline Personality Disorder with DBT)