“
She was fire, she was darkness, she was dust and blood and shadow.
”
”
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
“
A cry went up from the witches, save for the Thirteen—who stayed cool and quiet. They did not need to cheer, for they were immortal and infinite and gloriously, wonderfully deadly.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
I may never be happy, but tonight I am content. Nothing more than an empty house, the warm hazy weariness from a day spent setting strawberry runners in the sun, a glass of cool sweet milk, and a shallow dish of blueberries bathed in cream. When one is so tired at the end of a day one must sleep, and at the next dawn there are more strawberry runners to set, and so one goes on living, near the earth. At times like this I'd call myself a fool to ask for more...
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
No one asks how or what I am doing. They could not care less. We’re all looking glasses, we girls, existing only to reflect their images back to them as they’d like to be seen. Hollow vessels of girls to be rinsed of our own ambitions, wants, and opinions, just waiting to be filled with the cool, tepid water of gracious compliance.
A fissure forms in the vessel. I’m cracking open.
”
”
Libba Bray (A Great and Terrible Beauty (Gemma Doyle, #1))
“
Oh, hey, Claire,” she said, and blinked. “Where are you going?”
“Funeral,” Shane said. On-screen, a zombie shrieked and died gruesomely.
“Yeah? Cool! Whose?”
“Hers.” Shane said.
”
”
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
“
Avoid men who call you Baby, and women who have no friends, and dogs that scratch at their bellies and refuse to lie down at your feet. Wear dark glasses; bathe with lavender oil and cool fresh water. Seek shelter from the sun at noon.
”
”
Alice Hoffman (Practical Magic (Practical Magic, #1))
“
When we get out of the glass bottles of our ego,
and when we escape like squirrels turning in the
cages of our personality
and get into the forests again,
we shall shiver with cold and fright
but things will happen to us
so that we don't know ourselves.
Cool, unlying life will rush in,
and passion will make our bodies taut with power,
we shall stamp our feet with new power
and old things will fall down,
we shall laugh, and institutions will curl up like
burnt paper.
”
”
D.H. Lawrence
“
Asshole.” “Just for that, I expect you to wrap that dirty mouth of yours around my cock tonight.” He narrowed his eyes on me.
I couldn’t believe he’d just said that to me in a fancy restaurant where anyone might overhear. “Are you kidding?” “Babe,” he gave me a look that suggested I was missing the obvious, “I never kid about blowjobs.”
Our waiter had descended on us just in time to hear those romantic words and his rosy cheeks betrayed his embarrassment. “Ready to order?” he croaked out.“Yes,” Braden answered, obviously uncaring he’d been overhead. “I’ll have the steak, medium-rare.” He smiled softly at me. “What are you having?” He took a swig of water. He thought he was so cool and funny. “Apparently sausage.” Braden choked on the water, coughing into his fists, his eyes bright with mirth as he put his glass back on the table. “Are you okay, sir?” The waiter asked anxiously. “I’m fine, I’m fine.
”
”
Samantha Young (On Dublin Street (On Dublin Street, #1))
“
The moon had been observing the earth close-up longer than anyone. It must have witnessed all of the phenomena occurring - and all of the acts carried out - on this earth. But the moon remained silent; it told no stories. All it did was embrace the heavy past with a cool, measured detachment. On the moon there was neither air nor wind. Its vacuum was perfect for preserving memories unscathed. No one could unlock the heart of the moon. Aomame raised her glass to the moon and asked, “Have you gone to bed with someone in your arms lately?”
The moon did not answer.
“Do you have any friends?” she asked.
The moon did not answer.
“Don’t you get tired of always playing it cool?”
The moon did not answer.
”
”
Haruki Murakami (1Q84 (1Q84, #1-3))
“
McKenna will always be a part of me, no matter where he goes. They say that people who've lost a limb sometimes feel as if they still have it. How many times I've felt that McKenna was still here, and the empty space beside me was alive with his presence." She closed her eyes and leaned forward until her forehead and the tip of her nose touched the cool glass. "I love him beyond reason," she whispered. "He's a stranger to me now, and yet he is still so familiar. I can't imagine a sweeter agony, having him so close.
”
”
Lisa Kleypas (Again the Magic (Wallflowers, #0))
“
Spirit that could not be broken. You do not yield. She would endure it again, if asked. She would do it. Every brutal hour and bit of agony. And it would hurt, and she would scream, but she’d face it. Survive against it. Arobynn had not broken her. Neither had Endovier. She would not allow this waste of existence to do so now. Her shaking eased, her body going still. Waiting. Maeve blinked at her. Just once. Aelin sucked in a breath—sharp and cool. She did not want it to be over. Any of it.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
She wondered where Kath was. She wondered if Kath could sense her, sitting here on this train as it took her away. Perhaps it was possible, if she closed her eyes and sent out her thoughts along the steel track like a message along a telegraph wire.
I love you. I love you.
The train swayed gently beneath her, and she leaned against the window to feel the cool glass against her cheek, and she was sure that Kath had heard her, she was sure.
”
”
Malinda Lo (Last Night at the Telegraph Club)
“
Atrocity is writ by quiet men in council chambers over crystal glasses of cool water. Strange little men with ashes in their hearts. Sans passion, sans hope… sans everything. Everything but fear.
”
”
Christopher Ruocchio (Empire of Silence (The Sun Eater, #1))
“
We're all looking glasses, we girls, existing only to reflect their images back to them as they'd like to be seen. Hollow vessels of girls to be rinsed of our own ambitions, wants, and opinions, just waiting to be filled with the cool, tepid water of gracious compliance.
”
”
Libba Bray (A Great and Terrible Beauty (Gemma Doyle, #1))
“
I like bars just after they open for the evening. When the air inside is still cool and clean and everything is shiny and the barkeep is giving himself that last look in the mirror to see if his tie is straight and his hair is smooth. I like the neat bottles on the bar back and the lovely shining glasses and the anticipation. I like to watch the man mix the first one of the evening and put it down on a crisp mat and put the little folded napkin beside it. I like to taste it slowly. The first quiet drink of the evening in a quiet bar—that's wonderful.
”
”
Raymond Chandler (The Long Goodbye (Philip Marlowe, #6))
“
But as they rode out of Rifthold, that city that had been her home and her hell and her salvation, as she memorized each street and building and face and shop, each smell and the coolness of the river breeze, she didn't see one slave. Didn't hear one whip.
And as they passed by the domed Royal Theater, there was music - beautiful, exquisite music - playing within.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
Imagine a delicious glass of summer iced tea.
Take a long cool sip. Listen to the ice crackle and clink.
Is the glass part full or part empty?
Take another sip.
And now?
”
”
Vera Nazarian (The Perpetual Calendar of Inspiration)
“
What's with the disco lights?" Michael said, rolling down the window between the driver's compartment and the back.
Eve turned around, and her face brightened. "You like it? I thought it looked really cool. I saw it in a movie, you know, in a limo."
"It's cool," Michael said, and smiled at her. She smiled back. "Can't wait to lie here and watch it with you."
Claire said, "You don't have to wait; it's working now. Look--Oh. Never mind." She blushed, feeling stupid that she hadn't gotten that one in the first second. Eve winked at her.
”
”
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
“
Over your body the clouds go
High, high and icily
And a little flat, as if they
Floated on a glass that was invisible.
Unlike swans,
Having no reflections;
Unlike you,
With no strings attached.
All cool, all blue. Unlike you
You, there on your back,
Eyes to the sky.
”
”
Sylvia Plath (Ariel)
“
Grace is having a commitment to- or at least an acceptance of- being ineffective and foolish. That our bottled charm is the main roadblock to drinking that clear cool glass of love.
”
”
Anne Lamott
“
Then we had the irises, rising beautiful and cool on their tall stalks, like blown glass, like pastel water momentarily frozen in a splash, light blue, light mauve, and the darker ones, velvet and purple, black cat's ears in the sun, indigo shadow, and the bleeding hearts, so female in shape it was a surprise they'd not long since been rooted out. There is something subversive about this garden of Serena's, a sense of buried things bursting upwards, wordlessly, into the light, as if to point, to say: Whatever is silenced will clamor to be heard, though silently.
”
”
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
“
Pressing his forehead to the cool glass, he held her gaze, her palm, his eyes pleading with her. Don’t go. Don’t leave me.
”
”
Charlotte Featherstone (Sinful (Addicted, #2))
“
What are the dead, anyway, but waves and energy? Light shining from a dead star?
That, by the way, is a phrase of Julian's. I remember it from a lecture of his on the Iliad, when Patroklos appears to Achilles in a dream. There is a very moving passage where Achilles overjoyed at the sight of the apparition – tries to throw his arms around the ghost of his old friend, and it vanishes. The dead appear to us in dreams, said Julian, because that's the only way they can make us see them; what we see is only a projection, beamed from a great distance, light shining at us from a dead star…
Which reminds me, by the way, of a dream I had a couple of weeks ago.
I found myself in a strange deserted city – an old city, like London – underpopulated by war or disease. It was night; the streets were dark, bombed-out, abandoned. For a long time, I wandered aimlessly – past ruined parks, blasted statuary, vacant lots overgrown with weeds and collapsed apartment houses with rusted girders poking out of their sides like ribs. But here and there, interspersed among the desolate shells of the heavy old public buildings, I began to see new buildings, too, which were connected by futuristic walkways lit from beneath. Long, cool perspectives of modern architecture, rising phosphorescent and eerie from the rubble.
I went inside one of these new buildings. It was like a laboratory, maybe, or a museum. My footsteps echoed on the tile floors.There was a cluster of men, all smoking pipes, gathered around an exhibit in a glass case that gleamed in the dim light and lit their faces ghoulishly from below.
I drew nearer. In the case was a machine revolving slowly on a turntable, a machine with metal parts that slid in and out and collapsed in upon themselves to form new images. An Inca temple… click click click… the Pyramids… the Parthenon.
History passing beneath my very eyes, changing every moment.
'I thought I'd find you here,' said a voice at my elbow.
It was Henry. His gaze was steady and impassive in the dim light. Above his ear, beneath the wire stem of his spectacles, I could just make out the powder burn and the dark hole in his right temple.
I was glad to see him, though not exactly surprised. 'You know,' I said to him, 'everybody is saying that you're dead.'
He stared down at the machine. The Colosseum… click click click… the Pantheon. 'I'm not dead,' he said. 'I'm only having a bit of trouble with my passport.'
'What?'
He cleared his throat. 'My movements are restricted,' he said.
'I no longer have the ability to travel as freely as I would like.'
Hagia Sophia. St. Mark's, in Venice. 'What is this place?' I asked him.
'That information is classified, I'm afraid.'
1 looked around curiously. It seemed that I was the only visitor.
'Is it open to the public?' I said.
'Not generally, no.'
I looked at him. There was so much I wanted to ask him, so much I wanted to say; but somehow I knew there wasn't time and even if there was, that it was all, somehow, beside the point.
'Are you happy here?' I said at last.
He considered this for a moment. 'Not particularly,' he said.
'But you're not very happy where you are, either.'
St. Basil's, in Moscow. Chartres. Salisbury and Amiens. He glanced at his watch.
'I hope you'll excuse me,' he said, 'but I'm late for an appointment.'
He turned from me and walked away. I watched his back receding down the long, gleaming hall.
”
”
Donna Tartt (The Secret History)
“
One stranger who understands your experience exactly will do for you what hundreds of close friends and family who don't understand cannot. It is the necessary palliative for the pain or stretching into change. It is the cool glass of water in hell.
”
”
Laura McKowen (We Are the Luckiest: The Surprising Magic of a Sober Life)
“
Aomame raised her glass to the moon and asked,
“Have you gone to bed with someone in your arms lately?”
The moon did not answer.
“Do you have any friends?” she asked.
The moon did not answer.
“Don’t you get tired of always playing it cool?”
The moon did not answer.
”
”
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
“
Red onions are especially divine. I hold a slice up to the sunlight pouring in through the kitchen window, and it glows like a fine piece of antique glass. Cool watery-white with layers delicately edged with imperial purple...strong, humble, peaceful...with that fiery nub of spring green in the center...
”
”
Mary Hayes-Grieco (Kitchen Mystic: Spiritual Lessons Hidden in Everyday Life)
“
She kept her stare locked on his as she let go of his face and slowly, making sure he understood every step of the way,tilted her head back until her throat was arched and bared before him.
"Aelin," he breathed. Not in reprimand or warning, but... a plea. It sounded like a plea. He lowered his head to her exposed neck and hovered a hair's breath away.
She arched her neck farther, a silent invitation.
Rowan let out a soft groan and grazed his teeth against her skin.
One bite, one movement, was all it would take for him to rip out her throat.
His elongated canines slid along her flesh-gently, precisely. She clenched the sheets to keep from running her fingers down on his bare back and drawing him closer.
He braced one hand beside her head, his fingers twining in her hair.
"No one else," she whispered. "I would never allow anyone else at my throat." Showing him was the only way he'd understand that trust, in a manner that only the predatory, Fae side of him would comprehend. "No one else," she said again.
He let out another low groan, answer and confirmation and request, and the rumble echoed inside her. Carefully, he closed his teeth over the spot where her lifeblood thrummed and pounded, his breath hot on her skin.
She shut her eyes, every sense narrowing on that sensation, on the teeth and mouth at her throat, on the powerful body trembling with restraint above hers. His tongue flicked against her skin.
She made a small noise that might have been a moan, or a word, or his name. He shuddered and pulled back, the cool air kissing her neck. Wildness-pure wildness sparked in those eyes.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
When we get out of the glass bottle of our ego and when we escape like the squirrels in the cage of our personality and get into the forest again, we shall shiver with cold and fright. But things will happen to us so that we don’t know ourselves. Cool, unlying life will rush in.
”
”
D.H. Lawrence
“
We should go back inside," she said, in a half whisper. She did not want to go back inside. She wanted to stay here, with Will achingly close, almost leaning into her. She could feel the heat that radiated from his body. His dark hair fell around the mask, into his eyes, tangling with his long eyelashes. "We have only a little time-"
She took a step forward-and stumbled into Will, who caught her. She froze-and then her arms crept around him, her fingers lacing themselves behind his neck. Her face was pressed against his throat, his soft hair under her fingers. She closed her eyes, shutting out the dizzying world, the light beyond the French windows, the glow of the sky. She wanted to be here with Will, cocooned in this moment, inhaling the clean sharp scent of him., feeling the beat of his heart against hers, as steady and strong as the pulse of the ocean.
She felt him inhale. "Tess," he said. "Tess, look at me."
She raised her eyes to his, slow and unwilling, braced for anger or coldness-but his gaze was fixed on hers, his dark blue eyes somber beneath their thick black lashes, and they were stripped of all their usual cool, aloof distance. They were as clear as glass and full of desire. And more than desire-a tenderness she had never seen in them before, had never even associated with Will Herondale. That, more than anything else, stopped her protest as he raised his hands and methodically began to take the pins from her hair, one by one.
This is madness, she thought, as the first pin rattled to the ground. They should be running, fleeing this place. Instead she stood, wordless, as Will cast Jessamine's pearl clasps aside as if they were so much paste jewelry. Her own long, curling dark hair fell down around her shoulders, and Will slid his hands into it. She heard him exhale as he did so, as if he had been holding his breath for months and had only just let it out. She stood as if mesmerized as he gathered her hair in his hands, draping it over one of her shoulders, winding her curls between his fingers. "My Tessa," he said, and this time she did not tell him that she was not his.
"Will," she whispered as he reached up and unlocked her hands from around his neck. He drew her gloves off, and they joined her mask and Jessie's pins on the stone floor of the balcony. He pulled off his own mask next and cast it aside, running his hands through his damp black hair, pushing it back from his forehead. The lower edge of the mask had left marks across his high cheekbones, like light scars, but when she reached to touch them, he gently caught at her hands and pressed them down.
"No," he said. "Let me touch you first. I have wanted...
”
”
Cassandra Clare
“
And the reflection didn't move.
It stared at me.
She stared at me.
And then Scarlet's hand moved too, and met mine against the cool glass.
”
”
Sophie Cleverly (The Lost Twin (Scarlet and Ivy, #1))
“
The straw-coated floor crunched beneath her boots, a cool breeze sweeping in from where the roof had been ripped half off thanks to Sorrel's bull. To keep the wyverns from feeling less caged—and so Abraxos could watch the stars, as he liked to do.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
Hear me, Daenerys Targaryen. The glass candles are burning. Soon comes the pale mare, and after her the others. Kraken and dark flame, lion and griffin, the sun's son and the mummer's dragon. Trust none of them. Remember the Undying. Beware the perfumed seneschal."
"Reznak? Why should I fear him?" Dany rose from the pool. Water trickled down her legs, and gooseflesh covered her arms in the cool night air. "If you have some warning for me, speak plainly. What do you want of me, Quaithe?"
Moonlight shown in the woman's eyes. "To show you the way."
"I remember the way. I go north to go south, east to go west, back to go forward. And to touch the light I have to pass beneath the shadow." She squeezed the water from her silvery hair. "I am half-sick of riddling. In Qarth I was a beggar, but here I am a queen. I command you-"
"Daenerys. Remember the Undying. Remember who you are."
"The blood of the dragon." But my dragons are roaring in the darkness. "I remember the Undying. Child of three, they called me. Three mounts they promised me, three fires, and three treasons. One for blood and one for gold and one for . . ."
"Your Grace?" Missandei stood in the door of the queen's bedchamber, a lantern in her hand. "Who are you talking to?"
Dany glanced back toward the persimmon tree. There was no woman there. No hooded robe, no lacquer mask, no Quaithe.
A shadow. A Memory. No one.
”
”
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
“
Romeo found himself walking up to the window. He placed his palm against the cool glass, and after a few seconds Tino’s hand pressed against the other side. They stood there for a few seconds until Romeo felt his eyes getting watery and he turned away.
”
”
Kele Moon (Star Crossed (Battered Hearts, #2))
“
In a cool medium, the audience is an active constituent of the viewing or listening experience. A girl wearing open-mesh silk stockings or glasses is inherently cool and sensual because the eye acts as a surrogate hand in filling in the low-definition image thus engendered. Which is why boys make passes at girls who wear glasses.
”
”
Marshall McLuhan
“
Yeah, I get it; you're a vampire," she said. "Creepy. And okay, a little hot, I admit."
"You don't mean that."
"Come on. I still like you, you know, even if you... crave plasma."
Michael blinked and looked at her as if he had never seen her before.
"You what?"
"Like. You." Eve enunciated slowly, as if Michael might not know the words. "Idiot. I always have. What, you didn't know?" Eve sounded cool and grown-up about it, but Claire saw the hectic color in her cheeks, under the makeup.
"How clueless are you? Does it come with the fangs?"
"I guess I... I just thought... Hell. I just didn't think... You're kind of intimidating, you know."
"I'm intimidating? Me? I run like a rabbit from trouble, mostly," Eve said.
"It's all show and makeup. You're the one who's intimidating. I mean, come on. All that talent, and you look... Well, you know how you look."
" How do I look?" He sounded fascinated now, and he'd actually moved a little closer to Eve on the couch.
She laughed. "Oh come on. You're a total model-babe."
"You're kidding."
"You don't think you are?"
He shook his head.
"Then you're kind of an idiot, Glass. Smart, but and idiot." Eve crossed her arms.
“So? What exactly do you think about me, except that I’m intimidating?”
“I think you’re…you’re…ah, interesting?” Michael was amazingly bad at this, Claire thought, but then he saved it by looking away and continuing. “I think you’re beautiful. And really, really strange.”
Eve smiled and looked down, and that looked like a real blush, under the rice powder. “Thanks for that, “ she said, “I never thought you knew I existed, or if you did, that you thought I was anything but Shane’s bratty freak friend.”
“Well, to be fair, you are Shane’s bratty freak friend.”
“Hey!”
“You can be bratty and beautiful,” Michael said. “I think it’s interesting.
”
”
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
“
For here was Casablanca, a far-flung outpost in a time of war. And here at the heart of the city, right under the sweep of the searchlights, was Rick’s Café Américain, where the beleaguered could assemble for the moment to gamble and drink and listen to music; to conspire, console, and most importantly, hope. And at the center of this oasis was Rick. As the Count’s friend had observed, the saloonkeeper’s cool response to Ugarte’s arrest and his instruction for the band to play on could suggest a certain indifference to the fates of men. But in setting upright the cocktail glass in the aftermath of the commotion, didn’t he also exhibit an essential faith that by the smallest of one’s actions one can restore some sense of order to the world?
”
”
Amor Towles (A Gentleman in Moscow)
“
To tell you the truth, I prefer just your average, run-of-the-mill, everyday jackass with his glass-eyed, slack-jawed obliviousness to the guys who try to hijack my cool by reading poetry and listening to halfway-good music. I worked hard for my cool. I got my ass kicked in middle school for my cool. I came by this shit honestly.
”
”
John Green (Will Grayson, Will Grayson)
“
Rage cools fast without an accessible target.
”
”
Julia Glass (I See You Everywhere)
“
I like bars just after they open for the evening. When the air inside is still cool and clean and everything is shiny and the barkeep is giving himself that last look in the mirror to see if his tie is straight and his hair is smooth. I like the neat bottles on the bar back and the lovely shining glasses and the anticipation. I like to watch the man mix the first one of the evening and put it down on a crisp mat and put the little folded napkin beside it. I like to taste it slowly. The first quiet drink of the evening in a quiet bar—that’s wonderful.
”
”
Raymond Chandler (The Long Goodbye (Philip Marlowe, #6))
“
That was a cozy night, a happy night; lamps lit, sparkle of glasses, rain falling heavy on the roof. Outside, the treetops tumbled and tossed, with a foamy whoosh like club soda bubbling up in the glass. The windows were open and a damp cool breeze swirled through the curtains, bewitchingly wild and sweet.
”
”
Donna Tartt (The Secret History)
“
I watched mesmerized as Sloane Walton made a snow angel. I pressed my palm to the cool glass. Take care of my girls. I heard Simon’s words as clearly as if he’d spoken them aloud. It wasn’t his fault. He didn’t know the effect his daughter had on me. How dangerous she was to me. How fatal I could be to her.
”
”
Lucy Score (Things We Left Behind (Knockemout, #3))
“
I remembered Ignifex's smirk and his confident words: I can wait all I want and still have you.
And I thought, Here is one thing he isn't getting. Standing on my toes, I kissed Shade on the lips.
It was just a bump of my face against his. Despite Aunt Telomache's lecture, I had no idea how long to prolong a kiss, and his lips startled me, foreign and cool as glass. But then he caught me under the chin and gently kissed my mouth open. Though his lips were still cool, his breath was warm; as he kissed me. I breathed in time to him, until I felt like my body was only a breath of air mixing with his.
”
”
Rosamund Hodge (Cruel Beauty)
“
Anthony imagined a time before all that - a time when people sipped Earl Grey tea on a breeze cooled veranda and looked out upon endless countryside.
”
”
Alan Gibbons (The Dark Beneath)
“
...the mix of the cool desert air and Harrison's hot tongue pushed deep inside of me. My body is aching and convulsing with pleasure, as he works me over...
”
”
Adler (Shattered (Glass Towers, #2))
“
Pride, for years, has told me that I am strong enough to drink from a firehose, and gluttony tells me it will all be so delicious. But those voices are liars. The glass of cool water is more lovely and sustaining than the firehose will ever be, and I’m starting to trust the voices of peace and simplicity more than pride and gluttony. They’re leading me well these days.
”
”
Shauna Niequist (Present Over Perfect: Leaving Behind Frantic for a Simpler, More Soulful Way of Living)
“
something that at first sight appeared to be the luminous bones of some massive, extinct creature, now disinterred, with its ribs gathered into a neat bundle around the thick stump of a massive spinal column which time and the elements had polished to such a cool ceramic gloss that if I were to leave my hand on it I would have been surprised if it felt like anything other than glass
”
”
Mike McCormack (Solar Bones)
“
I have said that the soul is not more than the body,
And I have said that the body is not more than the soul,
And nothing, not God, is greater to one than one's self is,
And whoever walks a furlong without sympathy walks to his own
funeral drest in his shroud,
And I or you pocketless of a dime may purchase the pick of the
earth,
And to glance with an eye or show a bean in its pod confounds the
learning of all times,
And there is no trade or employment but the young man following it
may become a hero,
And there is no object so soft but it makes a hub for the wheel'd
universe,
And I say to any man or woman, Let your soul stand cool and composed
before a million universes.
And I say to mankind, Be not curious about God,
For I who am curious about each am not curious about God,
(No array of terms can say how much I am at peace about God and
about death.)
I hear and behold God in every object, yet understand God not in the
least,
Nor do I understand who there can be more wonderful than myself.
Why should I wish to see God better than this day?
I see something of God each hour of the twenty-four, and each moment
then,
In the faces of men and women I see God, and in my own face in the
glass,
I find letters from God dropt in the street, and every one is sign'd
by God's name,
And I leave them where they are, for I know that wheresoe'er I go,
Others will punctually come for ever and ever.
”
”
Walt Whitman
“
Outside, the treetops tumbled and tossed, with a foamy whoosh like club soda bubbling up in the glass. The windows were open and a damp cool breeze swirled through the curtains, bewitchingly wild and sweet.
”
”
Donna Tartt (The Secret History)
“
Pull open the glass door, feel the rush of cool air, walk inside, get in line, and look around you, look at the kids working in the kitchen, at the customers in their seats, at the ads for the latest toys, study the backlit color photographs above the counter, think about where the food came from, about how and where it was made, about what is set in motion by every single fast food purchase, the ripple effect near and far, think about it. Then place your order. Or turn and walk out the door. It’s not too late. Even in this fast food nation, you can still have it your way.
”
”
Eric Schlosser (Fast Food Nation: The Dark Side of the All-American Meal)
“
Are you all right?" A crease appears between his eyebrows, and he touches my cheek gently.I bat his hand away.
"Well," I say, "first I got reamed out in front of everyone,and then I had to chat with the woman who's trying to destroy my old faction,and then Eric almost tossed my friends out of Dauntless,so yeah,it's shaping up to be a pretty great day,Four."
He shakes his head and looks at the dilapidated building to his right, which is made of brick and barely resembles the sleek glass spire behind me. It must be ancient.No one builds with brick anymore.
"Why do you care,anyway?" I say. "You can be either cruel instructor or concerned boyfriend." I tense up at the word "boyfriend." I didn't mean to use it so flippantly,but it's too late now. "You can't play both parts at the same time."
"I am not cruel." He scowls at me. "I was protecting you this morning. How do you think Peter and his idiot friends would have reacted if they discovered that you and I were..." He sighs. "You would never win. They would always call your ranking a result of my favoritism rather than your skill."
I open my mouth to object,but I can't. A few smart remarks come to mind, but I dismiss them. He's right. My cheeks warm, and I cool them with my hands.
"You didn't have to insult me to prove something to them," I say finally.
"And you didn't have to run off to your brother just because I hurt you," he says. He rubs at the back of his neck. "Besides-it worked,didn't it?"
"At my expense."
"I didn't think it would affect you this way." Then he looks down and shrugs. "Sometimes I forget that I can hurt you.That you are capable of being hurt."
I slide my hands into my pockets and rock back on my heels.A strange feeling goes through me-a sweet,aching weakness. He did what he did because he believed in my strength.
At home it was Caleb who was strong,because he could forget himself,because all the characteristics my parents valued came naturally to him. No one has ever been so convinced of my strength.
I stand on my tiptoes, lift my head, and kiss him.Only our lips touch.
"You're brilliant,you know that?" I shake my head. "You always know exactly what to do."
"Only because I've been thinking about this for a long time," he says, kissing my briefly. "How I would handle it, if you and I..." He pulls back and smiles. "Did I hear you call me your boyfriend,Tris?"
"Not exactly." I shrug. "Why? Do you want me to?"
He slips his hands over my neck and presses his thumbs under my chin, tilting my head back so his forehead meets mine. For a moment he stands there, his eyes closed, breathing my air. I feel the pulse in his fingertips. I feel the quickness of his breath. He seems nervous.
"Yes," he finally says. Then his smile fades. "You think we convinced him you're just a silly girl?"
"I hope so," I say.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
Still,there was this heavy feeling in the air, like everyone was trying too hard to have a good time. Laughs were too loud, and smiles looked forced. Maybe they were afraid Dad and I would vaporize them if they didn't act like this was the best party ever.
I would have laid my forehead against the cool glass wall, but I didn't really want to see my reflection that closely. Lysander had brought the dress earlier that afternoon, and insisted on doing my makeup,too. Consequently, it looked like a glitter bomb had exploded on my face. Even my bare shoulders were dusted with sparkling blue powder.
”
”
Rachel Hawkins (Demonglass (Hex Hall, #2))
“
He wished he were at his home in Abuja with a glass of cool Guinness, watching Star Wars on his high-definition widescreen television. He loved Star Wars, especially the more recent instalments. There was such honour in Star Wars. In another life, he’d have made a great Jedi knight. Being a vigilante loyal only to justice was always better than being any kind of head of state.
”
”
Nnedi Okorafor (Lagoon)
“
His eyes were striking, icy clear and bright with intelligence, a cool, penetrating intelligence that would cut right to the core of things, to assess, dismiss, eviscerate. All at once, she was as transparent and fragile as glass.
”
”
Evie Dunmore (Bringing Down the Duke (A League of Extraordinary Women, #1))
“
GO BACK TO DALLAS!” the man sitting somewhere behind us yelled again, and the hold Aiden still had on the back of my neck tightened imperceptibly.
“Don’t bother, Van,” he demanded, pokerfaced.
“I’m not going to say anything,” I said, even as I reached up with the hand furthest away from him and put it behind my head, extending my middle finger in hopes that the idiot yelling would see it.
Those brown eyes blinked. “You just flipped him off, didn’t you?”
Yeah, my mouth dropped open. “How do you know when I do that?” My tone was just as astonished as it should be.
“I know everything.” He said it like he really believed it.
I groaned and cast him a long look. “You really want to play this game?”
“I play games for a living, Van.”
I couldn’t stand him sometimes. My eyes crossed in annoyance. “When is my birthday?”
He stared at me.
“See?”
“March third, Muffin.”
What in the hell?
“See?” he mocked me.
Who was this man and where was the Aiden I knew?
“How old am I?” I kept going hesitantly.
“Twenty-six.”
“How do you know this?” I asked him slowly.
“I pay attention,” The Wall of Winnipeg stated.
I was starting to think he was right.
Then, as if to really seal the deal I didn’t know was resting between us, he said, “You like waffles, root beer, and Dr. Pepper. You only drink light beer. You put cinnamon in your coffee. You eat too much cheese. Your left knee always aches. You have three sisters I hope I never meet and one brother. You were born in El Paso. You’re obsessed with your work. You start picking at the corner of your eye when you feel uncomfortable or fool around with your glasses. You can’t see things up close, and you’re terrified of the dark.” He raised those thick eyebrows. “Anything else?”
Yeah, I only managed to say one word. “No.” How did he know all this stuff? How? Unsure of how I was feeling, I coughed and started to reach up to mess with my glasses before I realized what I was doing and snuck my hand under my thigh, ignoring the knowing look on Aiden’s dumb face. “I know a lot about you too. Don’t think you’re cool or special.”
“I know, Van.” His thumb massaged me again for all of about three seconds. “You know more about me than anyone else does.”
A sudden memory of the night in my bed where he’d admitted his fear as a kid pecked at my brain, relaxing me, making me smile. “I really do, don’t I?”
The expression on his face was like he was torn between being okay with the idea and being completely against it.
Leaning in close to him again, I winked. “I’m taking your love of MILF porn to the grave with me, don’t worry.”
He stared at me, unblinking, unflinching. And then: “I’ll cut the power at the house when you’re in the shower,” he said so evenly, so crisply, it took me a second to realize he was threatening me…
And when it finally did hit me, I burst out laughing, smacking his inner thigh without thinking twice about it. “Who does that?”
Aiden Graves, husband of mine, said it, “Me.”
Then the words were out of my mouth before I could control them. “And you know what I’ll do? I’ll go sneak into bed with you, so ha.”
What the hell had I just said? What in the ever-loving hell had I just said?
“If you think I’m supposed to be scared…” He leaned forward so our faces were only a couple of inches away. The hand on my neck and the finger pads lining the back of my ear stayed where they were. “I’m not
”
”
Mariana Zapata (The Wall of Winnipeg and Me)
“
Luke’s not a bad man, or even an unlikable one,” she went on. “Just a man. You’re all the same, great big hairy moths bashing yourselves to pieces after a silly flame behind a glass so clear your eyes don’t see it. And if you do manage to blunder your way inside the glass to fly into the flame, you fall down burned and dead.
While all the time out there in the cool night there’s food, and love, and baby moths to get. But do you see it, do you want it? No! It’s back after the flame again, beating yourselves senseless until you burn yourselves dead!
”
”
Colleen McCullough
“
I can remember every second of that morning, if I shut my eyes I can see the deep blue colour of the sky and the mango leaves, the pink and red hibiscus, the yellow handkerchief she wore around her head, tied in the Martinique fashion with the sharp points in front, but now I see everything still, fixed for ever like the colours in a stained-glass window. Only the clouds move. It was wrapped in a leaf, what she had given me, and I felt it cool and smooth against my skin.
”
”
Jean Rhys (Wide Sargasso Sea)
“
A slender man who looked like a carbon copy of his students, save for maybe a ten-year age difference, strode into the room and took his station behind the short metal desk up front. He was cool and sharp-looking with a stunningly well-tailored white button down, hipster glasses and a faux-military haircut that was shaved close on the sides but left long and slicked back on top. He looked like he was more prepared to model men's watches than to teach Interpersonal Psychology II.
”
”
Joel Abernathy (Pendulum (Kingdom of Night, #1))
“
But she ignored it, leaning her brow against the cool glass of the window. She let the starlight gently brush her head, her face, her neck. Imagined it running its shimmering fingers down her cheek, as her mother had done for her and her alone.
My Nesta. Elain shall wed for love and beauty, but you, my cunning little queen... You shall wed for conquest.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #5))
“
LONG LIVE...
This country is but a wish of the spirit, a counter-sepulcher.
In my country, tender proofs of spring and badly dressed birds are preferred to far-off goals.
Truth waits for dawn beside a candle. Window glass is neglected. To the watchful, what does it matter?
In my country, we don't question a man deeply moved.
There is no malignant shadow on the capsized boat.
A cool hello is unknown in my country.
We borrow only what can be returned increased.
There are leaves, many leaves, on the trees in my country. The branches are free to bear no fruits.
We don't believe in the good faith of the victor.
In my country, we say thank you.
”
”
René Char (The Dawn Breakers: Les Matinaux (Bloodaxe Contemporary French Poets, 2))
“
Atrocity is writ by quiet men in council chambers over crystal glasses of cool water. Strange little men with ashes in their hearts. Sans passion, sans hope . . . sans everything. Everything but fear. For themselves, for their own lives, for some imagined future. And in the name of safety, security, piety, they labor to found future heaven on present horror. But their kingdom of heaven is in the mind, in the future that will never be, and their present horrors are real.
”
”
Christopher Ruocchio (Empire of Silence (The Sun Eater, #1))
“
This was a pain that did not touch the body, a pain that did not race along the nerve paths, a pain that filled the mind so completely and so shatteringly that not even the smallest part of you was free to think or plan or meditate. The pain was you, and you were the pain. There was nothing to dissociate from, no cool sanctum of thought where you might retreat. (from The Glass Flower)
”
”
George R.R. Martin (Dreamsongs, Volume II)
“
This was precisely what I found so enchanting about history: centuries might separate me from whomever last held the vial, but we shared in the exact sensation of its cool glass between our fingers.
”
”
Sarah Penner (The Lost Apothecary)
“
Though every instinct screamed against it, she closed her eyes. Took a breath. Then another. Her lungs opened, full of cool, soothing air, and she wondered if Rowan was helping with that, too. He was helping. And he was willing to meet a horrible fate in order to keep her alive. He hadn’t left her alone. She hadn’t been alone. There was a muffled curse, and Rowan slammed his body against hers, as if he could somehow shield her. No, not shield her. Cover her, the flash of light. She barely registered the pain—if only because the moment her Fae senses snapped into place, she had to shove a hand against her own mouth to keep from retching. Oh, gods, the festering smell of them, worse than any corpse she’d ever dealt with.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
Dorian stirred, a cool breeze fluttering in as if his magic awoke as well, squinted at them both, then at the clock atop the mantel. He hauled the pillow over his eyes and went back to sleep. “Very kingly,” Aedion told him,
”
”
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
“
My lady and I were out getting hammered at the local watering hole on a weeknight and feeling like cool olds, when the waiter asked if it was “moms’ night out,” while offering to explain to us what whiskey is. And now I’m a corpse—please bury me in my L.L.Bean comfort fleece. ME: “Excuse me, I have tattoos, Jeff.” “Oh my goodness, ma’am, I’m so sorry, I just saw the fluid collecting at your ankles and assumed—” HIM: What the fuck is happening to my life? What vibe am I giving off ? Yes, I am wearing soft, pull-on, straight-leg Gloria Vanderbilts, but I also have cool glasses and a motherfucking hand tattoo. Couldn’t it just be middle school art teachers’ happy hour, Jeff ?!
”
”
Samantha Irby (Wow, No Thank You.: Essays)
“
I'm comming to You.
You are blazing.
I'm giving You a rose.
It embalms sweet.
I'm givin a kiss...
I melt of You.
I melt and flow with You.
Like an ice in a spring river.
I melt and stay.
Sun will vaporise us.
It will take us up into clouds.
And then we both will fall.
Drop by drop.
We'll fall out of the sky.
We'll raise from dew to fog.
Every sunny warm morning.
We'll let the wind pull us with him.
Cooling our selves in forest shadows.
There in silence we'll cool off
One from another.
But in stormy days and nights.
We'll billow and crash.
One to another.
Like crazy and wild.
We'll churn into white foam.
Ashore in sands we'll wait
For the yellow october leaves
Into them we'll fall asleep.
We'll fall into and freeze.
We'll freeze and melt again
And flow and raise and fall again.
Over and over again
Even if we were in separete glasses of water.
We would moove together and whisper.
Even if in the oceans mixed.
We would moove together and sing.
I'm comming to You.
You are blazing.
I'm giving You a rose
It embalms sweet.
...
If I'll ever meet You.
I' ll take our time...
To dance dance dance dance with You...
”
”
Martins Paparde
“
Nope,” she managed. “No other questions.”
Eleven centuries of captivity. Hung on his hated enemy’s study wall. Eleven centuries of not touching. Not eating. Not loving. Had he had anyone to talk
to?
Her face must have betrayed her thoughts, for he startled her by saying softly, “ ’Tis no longer of
consequence, lass, but thank you for the compassion. ’Tis nigh over. Seventeen more days, Jessica. That’s all.”
For some reason his words brought a sudden hot burn of tears to the backs of her eyes. Not only hadn’t eleven centuries turned him into a monster, he was trying to soothe her, to make her feel better about his imprisonment.
“You weep for me, woman?”
She turned away. “It’s been a long day. Hell, it’s been a long week.”
“Jessica.” Her name was a soft command.
She disobeyed it, staring out the window at the rolling hills.
“Jessica, look at me.”
Eyes bright with unshed tears, she whipped her head around and glared at him. “I weep for you, okay?” she snapped. “For eleven centuries stuck in there. Can I start driving again or do you need something else?”
He smiled faintly, raised his hand, and splayed his palm against the inside of the silvery glass. Without an ounce of conscious thought, her hand rose to
meet his, aligning on the cool silver,
palm to palm, finger to finger, thumb to thumb. And though she felt only a cold hardness beneath her palm, the gesture made something go all warm and soft in her heart.
Neither of them spoke or moved for a moment.
”
”
Karen Marie Moning (Spell of the Highlander (Highlander, #7))
“
Hipster (n.): Yes, you ride a fixed-gear bike and drink single-origin chai from a local specially abled artist’s hand-thrown ceramic mug. Your bi-friend only listens to cassettes, and you just love vintage flats, and your rescue dog is named Cobain. Please just wear your hat and glasses and turned-up pants and defy categorizing. Remember: you will one day be driving a Volvo with toys thrown willy-nilly and Burger King wrappers on the floor, listening to Sade and digging it unironically. Even the freshest kale can go brown and wilt. Cave futurum.
”
”
Greg Proops (The Smartest Book in the World: A Lexicon of Literacy, A Rancorous Reportage, A Concise Curriculum of Cool)
“
When we get out of the glass bottle of our ego and when we escape like the squirrels in the cage of our personality and get into the forest again, we shall shiver with cold and fright. But things will happen to us so that we don’t know ourselves. Cool, unlying life will rush in
”
”
D.H. Lawrence
“
Suddenly the sun rose – like a burst of hope. The dark autumn water mirrored the sky; it began to breathe and the sun seemed to cry out in the waves. The steep banks had been salted by the night’s frost and the red-brown trees looked very gay. The wind rose, the mist vanished and the world grew cool and glass-like, piercingly transparent. There was no warmth in the sun, nor in the blue sky and water. The earth was vast: even the vast forest had both a beginning and an end, but the earth just stretched on for ever . . . And grief was something equally vast, equally eternal.
”
”
Vasily Grossman (Life and Fate (Stalingrad, #2))
“
Somewhere en route to Port Via in the New Hebrides, for my last meal I serve dinner the way I've always dreamed.
Anybody caught buttering their bread before breaking it, I promise to shoot them.
Anybody who drinks their beverage with food still in their mouth will also be shot.
Anybody caught spooning toward themself will be shot.
Anybody caught without a napkin in their lap-
Anybody caught using their fingers to move their food-
Anybody who begins eating before everybody is seved-
Anybody who blows on food to cool it-
Anybody who talks with food in their mouth-
Anybody who drinks white wine holding their glass by the bowl or drinks red wine holding their glass by the stem-
You will each of you get a bullet in the head.
We are 30,000 feet above earth, going 455 miles per hour. We're at a pinnacle of human achievement, we are going to eat this meal as civilized human beings.
”
”
Chuck Palahniuk (Survivor)
“
As you can see,” Daisy said, “one glass is filled with soap water, one with clear, and one with blue laundry water. The other, of course, is empty. The glasses will predict what kind of man you will marry.”
They watched as Evie felt carefully for one of the glasses. Dipping her finger into the soap water, Evie
waited for her blindfold to be drawn off, and viewed the results with chagrin, while the other girls erupted with giggles.
“Choosing the soap water means she will marry a poor man,” Daisy explained.
Wiping off her fingers, Evie exclaimed good-naturedly, “I s-suppose the fact that I’m going to be m-married at all is a good thing.”
The next girl in line waited with an expectant smile as she was blindfolded, and the glasses were repositioned. She felt for the vessels, nearly overturning one, and dipped her fingers into the blue water. Upon viewing her choice, she seemed quite pleased. “The blue water means she’s going to marry a noted author,” Daisy told Lillian. “You try next!”
Lillian gaveher a speaking glance. “You don’t really believe in this, do you?”
“Oh, don’t be cynical—have some fun!” Daisy took the blindfold and rose on her toes to tie it firmly around Lillian’s head.
Bereft of sight, Lillian allowed herself to be guided to the table. She grinned at the encouraging cries of the young women around her. There was the sound of the glasses being moved in front of her, and she waited with her hands half raised in the air. “What happens if I pick the empty glass?” she asked.
Evie’s voice came near her ear. “You die a sp-spinster!” she said, and everyone laughed.
“No lifting the glasses to test their weight,” someone warned with a giggle. “You can’t avoid the empty glass, if it’s your fate!”
“At the moment I want the empty glass,” Lillian replied, causing another round of laughter. Finding the smooth surface of a glass, she slid her fingers up the side and dipped them into the cool
liquid. A general round of applause and cheering, and she asked, “Am I marrying an author, too?”
“No, you chose the clear water,” Daisy said. “A rich, handsome husband is coming for you, dear!”
“Oh, what a relief,” Lillian said flippantly, lowering the blindfold to peek over the edge. “Is it your turn
now?”
Her younger sister shook her head. “I was the first to try. I knocked over a glass twice in a row, and made a dreadful mess.”
“What does that mean? That you won’t marry at all?”
“It means that I’m clumsy,” Daisy replied cheerfully. “Other than that, who knows? Perhaps my fate has
yet to be decided. The good news is that your husband seems to be on the way.”
“If so, the bastard is late,” Lillian retorted, causing Daisy and Evie to laugh.
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
Every time it starts to get cool, I mean in the middle of autim, I start gettin nutty ideas like I was thinkin about what was forein and diffrent, like for exsample how I'd like to turn into a swallow and get away and fly to countrys where it gets hot, or be an ant so's I could get deep into a cave and eat the stuff I stored away durin the summer or be a snake like what they got in the zoO, the ones they keep lockt up in glass cages thats heated so's they don't get stiff from the cold, which is what happens to poor human beans who cant buy no close cause the price is to high, and cant keep warm cause theys no keroseen, no coal, no wood, no fule oil and besides theys no loot, cause when you go around with bocoo bread you can go into any bar and get some sneaky pete that can be real warmin, even tho it aint good to overdo it cause if you overdos it it gets to be a bad habbit and bad habbits is bad for your body just like they is for youre selfrespeck, and when you start goin downhill cause your actin bad in everythin, they aint nobody or nothin can stop you from endin up a stinkin piece of human garbidge and they never gone give you a hand to haul you up outen the dirty muck you rollin around in, not even if you was a eaglE when you was young and could fly up and over the highest hills, but when you get old you like a highflyin bomber thats lost its moral engines and fall down outen the sky. I jes hope what I been writin down hear do somebody some good so he take a good look at how he livin and he dont be sorry when it too late and everythin is gone down the drain cause it his own fault. -- Caser Bruto, What I Would Like to Be If I Wasn't What I Am (Chapter: "A St. Bernard Dog")
”
”
Julio Cortázar (Hopscotch)
“
We tend to think of coolness as a pose that you strike with a pair of sunglasses, a nonchalant attitude, and drink in hand. But maybe we didn’t choose these social accessories at random. Maybe we’ve adopted dark glasses, relaxed body language, and alcohol as signifiers precisely because they camouflage signs of a nervous system on overdrive.
”
”
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
“
Cold, I was, like snow, like ivory.
I thought "He will not touch me",
but he did.
He kissed my stone-cool lips.
I lay still
as though I’d died.
He stayed.
He thumbed my marbled eyes.
He spoke -
blunt endearments, what he’d do and how.
His words were terrible.
My ears were sculpture,
stone-deaf shells.
I heard the sea.
I drowned him out.
I heard him shout.
He brought me presents, polished pebbles,
little bells.
I didn’t blink,
was dumb.
He brought me pearls and necklaces and rings.
He called them girly things.
He ran his clammy hands along my limbs.
I didn’t shrink,
played statue, shtum.
He let his fingers sink into my flesh,
he squeezed, he pressed.
I would not bruise.
He looked for marks,
for purple hearts,
for inky stars, for smudgy clues.
His nails were claws.
I showed no scratch, no scrape, no scar.
He propped me up on pillows,
jawed all night.
My heart was ice, was glass.
His voice was gravel, hoarse.
He talked white black.
So I changed tack,
grew warm, like candle wax,
kissed back,
was soft, was pliable,
began to moan,
got hot, got wild,
arched, coiled, writhed,
begged for his child,
and at the climax
screamed my head off -
all an act.
And haven’t seen him since.
Simple as that
”
”
Carol Ann Duffy (The World's Wife)
“
I walked into Cartwright’s and ordered two coffee ice cream sodas—to steady my nerves. A man, I suppose, would have had a stiff peg; but girls derive a lot of comfort from ice cream sodas. I applied myself to the end of the straw with gusto. The cool liquid went trickling down my throat in the most agreeable manner. I pushed the first glass aside empty.
”
”
Agatha Christie (The Man in the Brown Suit (Colonel Race, #1))
“
The westerly breeze was light and silent, as if it had been sent to cool a glass of tea.
”
”
Amos Oz (Judas)
“
To feel the coolness of the blue glass, like solid pieces of the sea.
”
”
Susan Vreeland (Clara and Mr. Tiffany)
“
Actually, they’re really just ordinary plants. But they’ve learned to survive unordinary events, which makes them like the strongest plants in the world. That’s pretty cool.
”
”
Karen White (The Sound of Glass)
“
I loved the way the burned-out flashcubes of the Kodak Instamatic marked a moment that had passed, one that would now be gone forever except for a picture. When they were spent, I took the cubed four-corner flashbulbs and passed them from hand to hand until they cooled. The broken filaments of the flash would turn a molten marble blue or sometimes smoke the thin glass black. I had rescued the moment by using my camera and in that way had found a way to stop time and hold it. No one could take that image away from me because I owned it.
”
”
Alice Sebold (The Lovely Bones)
“
Resorting to whining?” But a cool breeze licked up her neck, and she closed her eyes, moaning. She could feel him watching her, and after a moment he said, “Just a little while longer.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
1
The summer our marriage failed
we picked sage to sweeten our hot dark car.
We sat in the yard with heavy glasses of iced tea,
talking about which seeds to sow
when the soil was cool. Praising our large, smooth spinach
leaves, free this year of Fusarium wilt,
downy mildew, blue mold. And then we spoke of flowers,
and there was a joke, you said, about old florists
who were forced to make other arrangements.
Delphiniums flared along the back fence.
All summer it hurt to look at you.
2
I heard a woman on the bus say, “He and I were going
in different directions.” As if it had something to do
with a latitude or a pole. Trying to write down
how love empties itself from a house, how a view
changes, how the sign for infinity turns into a noose
for a couple. Trying to say that weather weighed
down all the streets we traveled on, that if gravel sinks,
it keeps sinking. How can I blame you who kneeled day
after day in wet soil, pulling slugs from the seedlings?
You who built a ten-foot arch for the beans, who hated
a bird feeder left unfilled. You who gave
carrots to a gang of girls on bicycles.
3
On our last trip we drove through rain
to a town lit with vacancies.
We’d come to watch whales. At the dock we met
five other couples—all of us fluorescent,
waterproof, ready for the pitch and frequency
of the motor that would lure these great mammals
near. The boat chugged forward—trailing a long,
creamy wake. The captain spoke from a loudspeaker:
In winter gray whales love Laguna Guerrero; it’s warm
and calm, no killer whales gulp down their calves.
Today we’ll see them on their way to Alaska. If we
get close enough, observe their eyes—they’re bigger
than baseballs, but can only look down. Whales can
communicate at a distance of 300 miles—but it’s
my guess they’re all saying, Can you hear me?
His laughter crackled. When he told us Pink Floyd is slang
for a whale’s two-foot penis, I stopped listening.
The boat rocked, and for two hours our eyes
were lost in the waves—but no whales surfaced, blowing
or breaching or expelling water through baleen plates.
Again and again you patiently wiped the spray
from your glasses. We smiled to each other, good
troopers used to disappointment. On the way back
you pointed at cormorants riding the waves—
you knew them by name: the Brants, the Pelagic,
the double-breasted. I only said, I’m sure
whales were swimming under us by the dozens.
4
Trying to write that I loved the work of an argument,
the exhaustion of forgiving, the next morning,
washing our handprints off the wineglasses. How I loved
sitting with our friends under the plum trees,
in the white wire chairs, at the glass table. How you
stood by the grill, delicately broiling the fish. How
the dill grew tall by the window. Trying to explain
how camellias spoil and bloom at the same time,
how their perfume makes lovers ache. Trying
to describe the ways sex darkens
and dies, how two bodies can lie
together, entwined, out of habit.
Finding themselves later, tired, by a fire,
on an old couch that no longer reassures.
The night we eloped we drove to the rainforest
and found ourselves in fog so thick
our lights were useless. There’s no choice,
you said, we must have faith in our blindness.
How I believed you. Trying to imagine
the road beneath us, we inched forward,
honking, gently, again and again.
”
”
Dina Ben-Lev
“
To day we made the grand experiment of burning the diamond and certainly the phenomena presented were extremely beautiful and interesting... The Duke's burning glass was the instrument used to apply heat to the diamond. It consists of two double convex lenses ... The instrument was placed in an upper room of the museum and having arranged it at the window the diamond was placed in the focus and anxiously watched. The heat was thus continued for 3/4 of an hour (it being necessary to cool the globe at times) and during that time it was thought that the diamond was slowly diminishing and becoming opaque ... On a sudden Sir H Davy observed the diamond to burn visibly, and when removed from the focus it was found to be in a state of active and rapid combustion. The diamond glowed brilliantly with a scarlet light, inclining to purple and, when placed in the dark, continued to burn for about four minutes. After cooling the glass heat was again applied to the diamond and it burned again though not for nearly so long as before. This was repeated twice more and soon after the diamond became all consumed. This phenomenon of actual and vivid combustion, which has never been observed before, was attributed by Sir H Davy to be the free access of air; it became more dull as carbonic acid gas formed and did not last so long.
”
”
Michael Faraday
“
Beverly had thought how strange and wonderful it would be if the earth were hurled far from its orbit, into the cold extremes of black space where the sun was a faint cool disc, not even a quarter-moon, and night was everlasting. Imagine the industry, she thought, as every tree, every piece of coal, and every scrap of wood were burned for heat and light. Though the sea would freeze, men would go out in the darkness and pierce it's glassy ice to find the stilled fish. But finally all the animals would be eaten and their hides and wool stitched and woven, all the coal would be burned, and not a tree would be left standing. Silence would rule the earth, for the wind would stop and the sea would be heavy glass. People would die quietly, buried in their furs and down.
”
”
Mark Helprin (Winter's Tale)
“
You may remember the old question, the one that’s supposed to define your outlook on life when you answer it. For Byron Hadley the answer would always be half empty, the glass is half empty. Forever and ever, amen. If you gave him a cool drink of apple cider, he’d think about vinegar. If you told him his wife had always been faithful to him, he’d tell you it was because she was so damn ugly.
”
”
Stephen King (Rita Hayworth and Shawshank Redemption)
“
Like an ice in a spring river.
I melt and stay.
Sun will vaporise us.
It will take us up into clouds.
And then we both will fall.
Drop by drop.
We'll fall out of the sky.
We'll raise from dew to fog.
Every sunny warm morning.
We'll let the wind pull us with him.
Cooling our selves in forest shadows.
There in silence we'll cool off
One from another.
But in stormy days and nights.
We'll billow and crash.
One to another.
Like crazy and wild.
We'll churn into white foam.
Ashore in sands we'll wait
For the yellow october leaves
Into them we'll fall asleep.
We'll fall into and freeze.
We'll freeze and melt again
And flow and raise and fall again.
Over and over again
Even if we were in separete glasses of water.
We would moove together and whisper.
Even if in the oceans mixed.
We would moove together and sing.
I'm comming to You.
You are blazing.
I'm giving You a rose
It embalms sweet.
...
If I'll ever meet You.
I' ll take our time...
To dance dance dance dance with You...
”
”
Martins Paparde
“
MOMMY WANTS A GLASS OF CHARDONNAY If you collected all the drops of days I’ve spent singing “Row, row, row your boat” to children fighting sleep, you’d have an ocean deep enough to drown them many times over.
”
”
Beth Ann Fennelly (Heating & Cooling: 52 Micro-Memoirs)
“
The third mercenary—standing between Yrene and the mist—drew his short sword. Yrene didn’t have time to cry out in surprise or warning as a dark figure slipped from the mist and grabbed him. Not in front, but from the side, as if they’d just appeared out of thin air. The mercenary threw Yrene to the ground and drew the sword from across his back, a broad, wicked-looking blade. But his companion didn’t even shout. More silence. “Come out, you bleedin’ coward,” the ringleader growled. “Face us like a proper man.” A low, soft laugh. Yrene’s blood went cold. Silba, protect her. She knew that laugh—knew the cool, cultured voice that went with it. “Just like how you proper men surrounded a defenseless girl in an alley?” With that, the stranger stepped from the mist. She had two long daggers in her hands. And both blades were dark with dripping blood.
”
”
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
“
The queen is kind. The queen is generous. The queen works as hard, if not harder, than everyone else. The queen doesn’t sit on the couch saying, “I don’t feel like it.” The queen is not a victim. She is a cool, nonmanipulative loving partner. She lives by her codes. The queen is the head of the military, she listens to the pleas of commoners, she oversees all of the special celebrations and feast days. She is merciful. And remember, the queen may be fair and the queen may be just, but if you cross her, she will cut off your head. The title is sitting there waiting for you. And if you choose to take it on? You will live interestingly ever after.
”
”
Gabrielle Reece (My Foot Is Too Big for the Glass Slipper: A Guide to the Less Than Perfect Life)
“
This is a little world, Nina.’ Nina had run her fingers over the cool glass, marvelling at the shiny round thing with the blue wispy wave captured in its centre. ‘And if ever the real world feels too big or too scary, remember that it is nothing more than a little ball travelling through space and it fits right into the palm of your hand, and the more courage you have, the braver you are when facing it, the easier it is to conquer!’ Nina
”
”
Amanda Prowse (The Art of Hiding)
“
To make the syrup: “Sauté the garlic in oil for one minute, then add the other ingredients. Simmer and cook over low flame for five minutes, let cool. Strain into a glass jar, cover and refrigerate. Take one teaspoon per day.
”
”
Preston Dennett (The Healing Power of UFOs: 300 True Accounts of People Healed by Extraterrestrials)
“
"Pounding steps approached in the night. Malachi appeared out of the black, shirtless and dripping despite the cool evening air. (He was out for a run and just returned.) His talesm seemed to glow when he caught sight of her, a low sliver light in the darkness. He said nothing, shooting Rhys a glare as he walked past them and into the house.
'Has he kissed you?' Rhys asked when Malachi was gone.
'Yes, on the island.'
'Was it more than fine?' (She had described Rhy's kiss as 'fine' previous to this scene.)
Her breath left her body in a rush of memories. 'So much more than fine.'
He nudged her shoulder with his own. 'Then don't be stubborn, go to him.'
Fifteen minutes and another glass of wine later, Ava knocked on his door. Malachi opened it, holding a towel. He'd showered, and a few drops of water still clung to his tanned shoulders. He wore a pair of loose pants and a guarded expression.
'What do you want?'
'I kissed Rhys.'
Now she knew she wasn't imagining it. The tattoos pulsed silver in the dim light of the hall. Ava forced her eyes back to Malachi's face which was locked down tight. Only a tic in his jaw told Ava her words have even been heard.
His voice was low and thick with tension. 'Get that out of your system?'
'Felt a little like kissing my brother.'
He dropped the towel and tugged her into the room.'This won't' "
”
”
Elizabeth Hunter (The Scribe (Irin Chronicles, #1))
“
I take a deep breath and tiptoe to the window only to press my nose against the cool surface. Feel my breath fog up the glass. Close my eyes to the sound of a soft pitter-patter rushing through the wind. Raindrops are my only reminder that clouds have a heartbeat. That I have one, too. I always wonder about raindrops. I wonder about how they’re always falling down, tripping over their own feet, breaking their legs and forgetting their parachutes as they tumble right out of the sky toward an uncertain end. It’s like someone is emptying their pockets over the earth and doesn’t seem to care where the contents fall, doesn’t seem to care that the raindrops burst when they hit the ground, that they shatter when they fall to the floor, that people curse the days the drops dare to tap on their doors. I am a raindrop. My parents emptied their pockets of me and left me to evaporate on a concrete slab.
”
”
Tahereh Mafi (Shatter Me (Shatter Me, #1))
“
So Fifty Shades of Grey is about Chri- auh the name... Christian Grey. Uhh, this was a, porn - almost a porno in my book. It was a sexy thriller, full of uhh nudity, and sex of all kinds. Dirty sex and - uhh pornographic sex... and it was uhh... hard to keep... uhh my - hard to keep calm during the movie, because it was so raunchy. And I loved it. And I give it five bags of popcorn... and five cold glasses of soda, to put between my legs. Um.. to cool down.
”
”
Tim Heidecker
“
A sour view of things, I grant you; but one borne out by the history of our age and of the age to come, when Trinity--not the Christians' but Oppenheimer's--will turn Alamogordo sand to glass. In the future, dead cities will molder behind rusting thorns no prince can ever penetrate; dirty bombs will engender tribes of lepers--not by germs, but by deadly atoms; and radioactive isotopes will be left to cool for an age or more, sealed in burial chambers with a pharaoh's curse.
”
”
Norman Lock (American Meteor (The American Novels))
“
And Emily had yet to shed a single tear. It troubled her all the way back to the city, and she rode with one hand sandwiched between her cheek and the cool, shuddering glass of the limousine window, as if that might help. She tried whispering 'Daddy' to herself, tried closing her eyes and picturing his face, but it didn't work. Then she thought of something that made her throat close up: she might never have been her father's baby, but he had always called her 'little rabbit.' And she was crying easily now, causing her mother to reach over and squeeze her hand; the only trouble was that she couldn't be sure whether she cried for her father or for Warren Maddock, or Maddox, who was back in South Carolina now being shipped out to a division.
But she stopped crying abruptly when she realized that even that was a lie: these tears, as always before in her life, were wholly for herself—for poor, sensitive Emily Grimes whom nobody understood, and who understood nothing.
”
”
Richard Yates
“
champagne, n.
You appear at the foot of the bed with a bottle of champagne, and I have no idea why. I search my mind desperately for an occasion I've forgotten - is this some obscure anniversary or, even worse, a not-so-obscure one? Then I think you have something to tell me, some good news to share, but your smile is silent, cryptic. I sit up in bed, ask you what's going on, and you shake your head, as if to say that nothing's going on, as if to pretend that we usually start our Wednesday mornings with champagne.
You touch the bottle to my leg - I feel the cool condensation and the glass, the fact that the bottle must have been sleeping all night in the refrigerator without me noticing. You have long-stemmed glasses in you other hand, and you place them on the nightstand, beside the uncommenting clock, the box of kleenex, the tumbler of water.
"The thing about champagne," you say, unfailing the cork, unwinding its wire restraint, "is that it is the ultimate associative object. Every time you open a bottle of champagne, it's a celebration, so there's no better way of starting a celebration than opening a bottle of champagne. Every time you sip it, you're sipping from all those other celebrations. The joy accumulates over time."
You pop the cork. The bubbles rise. I feel some of the spray on my skin. You pour.
"But why?" I ask as you hand me my glass.
You raise yours and ask, "Why not? What better way to start the day?"
We drink a toast to that.
”
”
David Levithan (The Lover's Dictionary)
“
The review in the newspaper the next day was not very good. But by then I'd figured out the gift of failure, which is that it breaks through all that held breath and isometric tension about needing to look good: it's the gift of feeling floppier. One of the things I'd been most afraid of had finally happened, with a whole lot of people watching, and it had indeed been a nightmare. But sitting with all that vulnerability, I discovered I could ride it...Out of nowhere, I remembered something one of my priest friends had said once, that grace is having a commitment to - or at least an acceptance of - being ineffective and foolish. That our bottled charm is the main roadblock to drinking that clear, cool glass of love. I remembered what Grace's stories were all about: self-forgiveness, and taking care of one another. It wasn't far away from Jesus saying to feed his sheep. Now, I'm not positive he meant room service. But maybe he did. So I ate strawberries and melon and cookies, then put on the heat, and got in the tub.
”
”
Anne Lamott (Traveling Mercies: Some Thoughts on Faith)
“
But since meeting Miranda, my cool radar has shifted. The first time I met her was at my screen test for iCarly. She was leaning against a wall, sipping Coke from a glass bottle and texting on her Sidekick. Whoa. Coke and a Sidekick. This girl knows what’s up.
”
”
Jennette McCurdy (I'm Glad My Mom Died)
“
Focus.
Such a little word for such a hard thing and yet it can make things so simple, unless you break it. Like glass.
Fragile on certain points with enough pressure ore carelessness, but if handled correctly, it’s useful, clear, sharp, and perfect.
That’s what I will try to think about, whenever the Beast in me is not in agreement with what I am doing, or how I am behaving, when it threatens to break free, through that very same glass that separates us.
I need to be exactly like this window: smooth, cool, strong, and impenetrable.
Focus.
”
”
D.S. Wrights (The Beast In Me (The Beast And Me, #2))
“
Standing on the snow-covered plain, as if in a pasture amid the hills, I cut my way first through a foot of snow, and then a foot of ice, and open a window under my feet, where, kneeling to drink, I look down into the quiet parlor of the fishes, pervaded by a softened light as through a window of ground glass, with its bright sanded floor the same as in summer; there a perennial waveless serenity reigns as in the amber twilight sky, corresponding to the cool and even temperament of the inhabitants. Heaven is under our feet as well as over our heads.
”
”
Henry David Thoreau
“
I say is someone in there?’ The voice is the young post-New formalist from
Pittsburgh who affects Continental and wears an ascot that won’t stay tight, with that
hesitant knocking of when you know perfectly well someone’s in there, the
bathroom door composed of thirty-six that’s three times a lengthwise twelve
recessed two-bevelled squares in a warped rectangle of steam-softened wood, not
quite white, the bottom outside corner right here raw wood and mangled from
hitting the cabinets’ bottom drawer’s wicked metal knob, through the door and
offset ‘Red’ and glowering actors and calendar and very crowded scene and pubic
spirals of pale blue smoke from the elephant-colored rubble of ash and little
blackened chunks in the foil funnel’s cone, the smoke’s baby-blanket blue that’s sent
her sliding down along the wall past knotted washcloth, towel rack, blood-flower
wallpaper and intricately grimed electrical outlet, the light sharp bitter tint of a heated
sky’s blue that’s left her uprightly fetal with chin on knees in yet another North
American bathroom, deveiled, too pretty for words, maybe the Prettiest Girl Of All
Time (Prettiest G.O.A.T.), knees to chest, slew-footed by the radiant chill of the
claw-footed tub’s porcelain, Molly’s had somebody lacquer the tub in blue, lacquer,
she’s holding the bottle, recalling vividly its slogan for the past generation was The
Choice of a Nude Generation, when she was of back-pocket height and prettier by
far than any of the peach-colored titans they’d gazed up at, his hand in her lap her
hand in the box and rooting down past candy for the Prize, more fun way too much
fun inside her veil on the counter above her, the stuff in the funnel exhausted though
it’s still smoking thinly, its graph reaching its highest spiked prick, peak, the arrow’s
best descent, so good she can’t stand it and reaches out for the cold tub’s rim’s cold
edge to pull herself up as the white- party-noise reaches, for her, the sort of
stereophonic precipice of volume to teeter on just before the speaker’s blow, people
barely twitching and conversations strettoing against a ghastly old pre-Carter thing
saying ‘We’ve Only Just Begun,’ Joelle’s limbs have been removed to a distance
where their acknowledgement of her commands seems like magic, both clogs simply
gone, nowhere in sight, and socks oddly wet, pulls her face up to face the unclean
medicine-cabinet mirror, twin roses of flame still hanging in the glass’s corner, hair
of the flame she’s eaten now trailing like the legs of wasps through the air of the
glass she uses to locate the de-faced veil and what’s inside it, loading up the cone
again, the ashes from the last load make the world's best filter: this is a fact. Breathes
in and out like a savvy diver…
–and is knelt vomiting over the lip of the cool blue tub, gouges on the tub’s
lip revealing sandy white gritty stuff below the lacquer and porcelain, vomiting
muddy juice and blue smoke and dots of mercuric red into the claw-footed trough,
and can hear again and seems to see, against the fire of her closed lids’ blood, bladed
vessels aloft in the night to monitor flow, searchlit helicopters, fat fingers of blue
light from one sky, searching.
”
”
David Foster Wallace (Infinite Jest)
“
Outside, the black sky was glittering with stars strung over a night-shrouded sea. The cool air seeped in through the window and the glass fogged along the corners of the pane. Out there lay a world beyond the walls of this house and life suddenly felt like a cage that had accidentally been left open.
”
”
Adrienne Young (The Last Legacy (The World of the Narrows, #3))
“
The rain is letting up, Mr. B. What do you want to do?'
'Oh, I’m gonna go fix the Weed Eater, and then, I’m gonna do dog patrol. At 97, I gotta find ways to keep moving!' He pushes himself up from the table. 'See ya later, kiddo.'
Joe has decided to get fit. Every day he hops onto our stationary bike that we left sitting on the back porch. He says it helps his balance. He times himself to ensure he rides it ten minutes a day. I bring him a glass of cool water to keep him hydrated. He refuses the water. 'I’m not used to drinking water, Miss.' His exercise routine would never be approved by a local gym.
”
”
Lynn Byk quoting Mister B.
“
Then she dropped down on the window seat and leaned throbbing temples against the cool glass. She had been on her feet since five that morning, doing everybody's bidding, scolded and hurried by a nervous matron. Mrs. Lippett, behind the scenes, did not always maintain that calm and pompous dignity with which she faced an audience of Trustees and lady visitors. Jerusha gazed out across a broad stretch of frozen lawn, beyond the tall iron paling that marked the confines of the asylum, down undulating ridges sprinkled with country estates, to the spires of the village rising from the midst of bare trees.
”
”
Jean Webster (Daddy Long Legs)
“
The gold-speckled eyes were the most cherished trait in their Clan for a reason Manon had never bothered to learn—and when her grandmother had seen that Manon’s were wholly of pure, dark gold, the Matron had carried her away from her daughter’s still-cooling corpse and proclaimed Manon her undisputed heir.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
After dark vapors have oppress’d our plains
For a long dreary season, comes a day
Born of the gentle South, and clears away
From the sick heavens all unseemly stains.
The anxious month, relieved of its pains,
Takes as a long-lost right the feel of May;
The eyelids with the passing coolness play
Like rose leaves with the drip of Summer rains.
The calmest thoughts came round us; as of leaves
Budding—fruit ripening in stillness—Autumn suns
Smiling at eve upon the quiet sheaves—
Sweet Sappho’s cheek—a smiling infant’s breath—
The gradual sand that through an hour-glass runs—
A woodland rivulet—a Poet’s death.
”
”
John Keats
“
I bring an unaccustomed wine
To lips long parching, next to mine,
And summon them to drink.
Crackling with fever, they essay;
I turn my brimming eyes away,
And come next hour to look.
The hands still hug the tardy glass;
The lips I would have cooled, alas!
Are so superfluous cold,
I would as soon attempt to warm
The bosoms where the frost has lain
Ages beneath the mould.
Some other thirsty there may be
To whom this would have pointed me
Had it remained to speak.
And so I always bear the cup
If, haply, mine may be the drop
Some pilgrim thirst to slake, —
If, haply, any say to me,
"Unto the little, unto me,"
When I at last awake.
”
”
Emily Dickinson
“
You may remember the old question, the one that’s supposed to define your outlook on life when you answer it. For Byron Hadley the answer would always be half empty, the glass is half empty. Forever and ever, amen. If you gave him a cool drink of apple cider, he’d think about vinegar. If you told him his wife had always been faithful to him, he’d tell you it was because she was so damn ugly. So there he sat, talking to Mert Entwhistle loud enough for all of us to hear, his broad white forehead already starting to redden with the sun. He had one hand thrown back over the low parapet surrounding the roof. The other was on the butt of his .38.
”
”
Stephen King (Different Seasons: Four Novellas)
“
I remembered that Stacey was wearing a matching top and skirt made of gray sweatshirt material with big yellow number tens all over it. Her hair was pinned back with clips shaped like rainbows. Little silver whistles were dangling from her ears. It was all very cool, but it seemed kind of young looking. And she was drinking a glass of milk.
”
”
Ann M. Martin (Kristy's Great Idea (The Baby-Sitters Club, #1))
“
The moon had been observing the earth close-up longer than anyone. It must have witnessed all of the phenomena occurring—and all of the acts carried out—on this earth. But the moon remained silent; it told no stories. All it did was embrace the heavy past with cool, measured detachment. On the moon there was neither air nor wind. Its vacuum was perfect for preserving memories unscathed. No one could unlock the heart of the moon. Aomame raised her glass to the moon and asked, “Have you gone to bed with someone in your arms lately?” The moon did not answer. “Do you have any friends?” she asked. The moon did not answer. “Don’t you get tired of always playing it cool?” The moon did not answer.
”
”
Haruki Murakami (1Q84 (1Q84, #1-3))
“
When Dad wasn’t telling us about all the amazing things he had already done, he was telling us about the wondrous things he was going to do. Like build the Glass Castle. All of Dad’s engineering skills and mathematical genius were coming together in one special project: a great big house he was going to build for us in the desert. It would have a glass ceiling and thick glass walls and even a glass staircase. The Glass Castle would have solar cells on the top that would catch the sun’s rays and convert them into electricity for heating and cooling and running all the appliances. It would even have its own water-purification system. Dad had worked out the architecture and the floor plans and most of the mathematical calculations. He carried around the blueprints for the Glass Castle wherever we went, and sometimes he’d pull them out and let us work on the design for our rooms. All we had to do was find gold, Dad said, and we were on the verge of that. Once he finished the Prospector and we struck it rich, he’d start work on our Glass Castle.
”
”
Jeannette Walls (The Glass Castle)
“
For a moment, my eyes shift focus to the glass wall beside her and I see my reflection. There stands Dominic Smith, whose tinted specs make him look dead cool, thank you very much, although the scraggy black hair manages to spoil the effect. My hair stages more uprisings than a nineteenth-century revolutionary. I inherited it from my dad. Thanks, Dad.
”
”
Simon Cheshire (Plastic Fantastic)
“
Weetzie could not even cry and make Kleenex roses. She remembered the day her father, Charlie, had driven away in the smashed yellow T-bird, leaving her mother Brandy-Lynn clutching her flowered robe with one hand and an empty glass in the other, and leaving Weetzie holding her arms crossed over her chest that was taking its time to develope into anything
”
”
Francesca Lia Block (Dangerous Angels (Weetzie Bat, #1-5))
“
Big Jason walked into the club, stared at the band beginning their sound check and quickly walked over to the bar. Lily looked up from her rinsing and smiled.
"Big Jason Gulliver, back in town. Raquel said Godzilla returned to Tokyo, I wondered how soon you'd drop by here".
"Front me a soda, Lily. How's the night club racket?" Jason barked over the noisy band.
"Guys still hitting on me, including your stupid friend King Steve", Lily shot a jet of soda pop from her beverage gun into a water glass.
Jason chortled. "He's slow on the draw. You're a fuckin' dyke but a cool fuckin' dyke. I don't even care if you sleep with my girl".
"Why thank you, Caveman", Lily smiled, handing him the soda with a cherry on top.
”
”
Andy Seven (Every Bitch For Himself)
“
Finn stood, his narrow body unhinging at the waist. He handed the jar to Cat and smiled, but Cat grabbed the jar and pushed through the door, out into the cool, dampening night. The fireflies glowed again. She could hear them knocking against the glass.
"How lovely," said Cat's father.
"Lovely," repeated Finn, as though the meaning of the word alluded him.
”
”
Cassandra Rose Clarke (The Mad Scientist's Daughter)
“
Ask a random kid today if she wants to be popular and she'll tell you no, even if the truth is that if she was in a desert dying of thirst and had the choice between a glass of water and instant popularity, she'd probably choose the latter. See, you can't admit to wanting it, because that makes you less cool. To be truly popular, it has to look like it's something you are, when in reality, it's what you make yourself.
I wonder if any works harder at anything than kids do at being popular. I mean, even air-traffic controllers and the president of the United States take vacations, but look at your average high school student and you'll see someone who's putting in time twenty-four hours a day, for the entire length of the school year.
So how do you crack the inner sanctum? Well, here's the catch: it's not up to you. What's important is what everyone else thinks of how you dress, what you eat for lunch, what shows you TiVo, what music is on your iPod.
I've always sort of wondered though: If everyone else's opinion is what matters, then do you ever really have one of your own?
”
”
Jodi Picoult (Nineteen Minutes)
“
We tend to think of coolness as a pose that you strike with a pair of sunglasses, a nonchalant attitude, and drink in hand. But maybe we didn't choose these social accessories at random. Maybe we've adopted dark glasses, relaxed body language, and alcohol as signifiers precisely because they camouflage signs of a nervous system on overdrive. Sunglasses prevent others from seeing our eyes dilate with surprise or fear; we know from Kagan’s work that a relaxed torso is a hallmark of low reactivity; and alcohol removes our inhibitions and lowers our arousal levels. When you go to a football game and someone offers you a beer, says the personality psychologist Brian Little, “they’re really saying hi, have a glass of extroversion.
”
”
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
“
And when spring comes to the City people notice one another in the road; notice the strangers with whom they share aisles and tables and the space where intimate garments are laundered. going in and out, in and out the same door, they handle the handle; on trolleys and park benches they settle thighs on a seat in which hundreds have done it too. Copper coins dropped in the palm have been swallowed by children and tested by gypsies, but it’s still money and people smile at that. It’s the time of year when the City urges contradiction most, encouraging you to buy street food when you have no appetite at all; giving you a taste for a single room occupied by you alone as well as a craving to share it with someone you passed in the street. Really there is no contradiction—rather it’s a condition; the range of what an artful City can do. What can beat bricks warming up to the sun? The return of awnings. The removal of blankets from horses’ backs. Tar softens under the heel and the darkness under bridges changes from gloom to cooling shade. After a light rain, when the leaves have come, tree limbs are like wet fingers playing in woolly green hair. Motor cars become black jet boxes gliding behind hoodlights weakened by mist. On sidewalks turned to satin figures move shoulder first, the crowns of their heads angled shields against the light buckshot that the raindrops are. The faces of children glimpsed at windows appear to be crying, but it is the glass pane dripping that makes it seem so.
”
”
Toni Morrison (Jazz (Beloved Trilogy, #2))
“
The cracks grew over him like vines, faster and faster. At first he bucked, whinnying metallic screeches. Then he gradually stilled, looking up at me with frightened glass eyes.
He was growing.
New, molten glass leeched out between his fissures, cooled and hardened only to crack again and make room for more liquid glass. The gears inside him moaned and creaked, and metal filings gathered at the base of his transparent stomach, only to fly up again and form more joints and chains and gears. Black smoke poured from his nostrils.
Soon he was the size of a large dog, then a man, and still he grew and grew until he towered over my bed, as big as any plow horse I’d ever seen. Glass dripped down his flanks like sweat, a few rivulets still glowing with molten heat.
”
”
Betsy Cornwell (Mechanica (Mechanica, #1))
“
He let himself into the house and sat down with his back against the door, where the tiles were cool on his legs and he tried to hear, as he had earlier imagined, every single thing that his wife was not doing in their home on this Sunday night. He could hardly keep track of it all, she was so busy being absent. She was not pouring water into a glass or a pitcher. She was not kicking his shoes out of the hall. She was not switching the laundry into the dryer. She was not opening the screen door and going outside barefoot and calling for him to come look at the sunset. She was not putting lotion on her elbows or flattening the newspaper or picking up the ringing telephone, which would go on calling out the absence of Petra in nine-ring sequences dozens of times every day.
”
”
Ramona Ausubel (A Guide to Being Born)
“
In the morning he would not have needed sleep, for all the warm odors and sights of a complete country night would have rested and slept him while his eyes were wide and his mouth, when he thought to test it, was half a smile.
And there at the bottom of the hayloft stair waiting for him, would be the incredible thing. He would step carefully down, in the pink light of early morning, so fully aware of the world that he would be afraid, and stand over the small miracle and at last bend to touch it.
A cool glass of fresh milk, and a few apples and pears laid at the foot of the steps.
This was all he wanted now. Some sign that the immense world would accept him and give him the long time he needed to think all the things that must be thought.
A glass of milk, an apple, a pear.
”
”
Ray Bradbury (Fahrenheit 451)
“
I see two people in love," he said with his gaze fixed on hers in the glass. "Two very different people who look extraordinarily well together."
Shelby leaned her head on his shoulder again, unsure if she was glad or annoyed that he read her so perfectly. "He would look very good, and much more suitable, with a cool blond in a very classic black dress."
Alan seemed to consider for a moment. "Do you know," he said mildly. "That's the first time I've heard you sound like a complete ass."
She stared back at his image,at the faintly interested, fully reasonable expression on his face. She laughed. There seemed to be nothing else for her to do. "All right,just for that,I'm going to be every bit as dignified as you are."
"God forbid," Alan muttered before he pulled her out the front door.
”
”
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
“
She already caused a scene with the repairmen who came to fix the shattered-by-Toraf bay window in my living room yesterday. Sure, she tried to whisper, but whispering, among many other things, isn’t her specialty, and especially not now that she sounds like she’s yodeling every sentence. But the glass installation guy did not appreciate her remark-which, in her defense, she had been trying to privately yodel to me-that his noise resembled a lobster claw. “A big one.”
I can only imagine what kind of damage she would cause at school. She doesn’t know how to play things cool like Galen. Her brain doesn’t have that “inappropriate” filter, either. After all, that’s why she was left behind in the first place. If she’s not fit for the Syrena world right now, I’m not risking exposing her to the human world.
Oh sure, she looks innocent enough right now, surfing the channels on the humongloid flat screen above the fireplace. But I remember not too long ago that there was a different flat screen hanging on the wall-and that it had to be replaced with the current one because she picked a fight with me that ended with a literal storm unfurling in the living room and damaging everything.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
Human colour is the colour I'm truly interested in, the colour of your humanity. May the size of your heart and the depth of your soul be your currency. welcome aboard my Good Ship. Let us sail to the colourful island of misex identity. You can eat from the cooking pot of mixed culture and bathe in the cool shade of being mixed-race. There is no need for a passport. There are no borders. We are all citizens of the world. Whatever shade you are, bring your light, bring your colour, bring your music and your books, your stories and your histories, and climb aboad. United as a people we are a million majestic colours, together we are a glorious stained-glass window. We are building a cathedral of otherness, brick by brick and book by book. Raise your glass of rum, let's toast to the minorities who are the majority. There's no stopping time, nor the blurring of lines or the blending of shades. With a spirit of hope I leave you now. I drink to our sameness and to our unique differences. This is the twenty-first century and we share this, we live here, in the future. It is a beautiful morning, it is first light on the time of being other, so get out from that shade and feel the warmth of being outside.
You tick: Other.
”
”
Salena Godden
“
Yes to oysters swollen through butter. Yes to thighs cooled on glass, my hand a hot knife between. Yes to prosciutto, it's salt slick; to avocados bursting, ripe. Our teeth clanged. I tasted blood and chocolate. Yes to the fatthicksweet of it, to cream, to froth that rises, to the crunched lace of the ear and the tender behind the knee, to that join at the legs where she softened, dimpled, begged me to bite.
”
”
C Pam Zhang (Land of Milk and Honey)
“
The stars grew smaller and smaller, and the black softened. She stood up, hugging the quilt around her, watching. At the back was darkness still, but before her was light: pale yellow growing brilliant, gold-streaked with red and orange. She had watched sunrises before within walls and behind glass, but never like this, with the cool breeze in her face and wilderness in every direction. She had never seen anything so beautiful.
”
”
Francine Rivers
“
A kid born today would grow up in a world where carbon-silicate lace was as common as titanium or glass. That it was a collaboration between humanity and the ghosts of a massive and alien intelligence would go right by them. Holden was one of the lucky generation who would straddle that break point, that seam between before and after that Naomi and Amos and Ip were making literal right now, and so he could be amazed by how cool it was.
”
”
James S.A. Corey (Babylon's Ashes (Expanse, #6))
“
The Pretender"
I'm going to rent myself a house
In the shade of the freeway
I'm going to pack my lunch in the morning
And go to work each day
And when the evening rolls around
I'll go on home and lay my body down
And when the morning light comes streaming in
I'll get up and do it again
Amen
Say it again
Amen
I want to know what became of the changes
We waited for love to bring
Were they only the fitful dreams
Of some greater awakening
I've been aware of the time going by
They say in the end it's the wink of an eye
And when the morning light comes streaming in
You'll get up and do it again
Amen
Caught between the longing for love
And the struggle for the legal tender
Where the sirens sing and the church bells ring
And the junk man pounds his fender
Where the veterans dream of the fight
Fast asleep at the traffic light
And the children solemnly wait
For the ice cream vendor
Out into the cool of the evening
Strolls the Pretender
He knows that all his hopes and dreams
Begin and end there
Ah the laughter of the lovers
As they run through the night
Leaving nothing for the others
But to choose off and fight
And tear at the world with all their might
While the ships bearing their dreams
Sail out of sight
I'm going to find myself a girl
Who can show me what laughter means
And we'll fill in the missing colors
In each other's paint-by-number dreams
And then we'll put our dark glasses on
And we'll make love until our strength is gone
And when the morning light comes streaming in
We'll get up and do it again
Get it up again
I'm going to be a happy idiot
And struggle for the legal tender
Where the ads take aim and lay their claim
To the heart and the soul of the spender
And believe in whatever may lie
In those things that money can buy
Though true love could have been a contender
Are you there?
Say a prayer for the Pretender
Who started out so young and strong
Only to surrender
Jackson Browne, The Pretender (1976)
”
”
Jackson Browne (Jackson Browne -- The Pretender: Piano/Vocal/Chords)
“
BEE’S KNEES COCKTAIL ½ ounce honey simple syrup (recipe follows) 1 ounce lemon juice (about ½ medium lemon) 2 ounces gin Lemon peel Fill a cocktail shaker with ice. Add ingredients (except peel) and shake; strain into a martini glass. Twist the lemon peel and set inside glass. HONEY SIMPLE SYRUP In a small saucepan combine ⅓ cup honey and ⅓ cup water. Over low heat stir the mixture until honey starts to dissolve. Let cool and pour into a squeeze bottle or glass container. Will keep for several weeks.
”
”
Jodi Picoult (Mad Honey)
“
I may never happy, but tonight I am content. Nothing more than an empty house, the warm hazy weariness from a day spent setting strawberry runners in the sun, a glass of cool sweet milk, and a shallow dish of strawberries bathed in cream. Now I know how people can live without books, without college. When one is so tired at the end of a day one must sleep, and at the next dawn there are more strawberry runners to set, and so one goes on living, near the earth. At times like this I'd call myself a fool to ask for more...
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
I may never be happy, but tonight I am content. Nothing more than an empty house, the warm hazy weariness from a day spent setting strawberry runners in the sun, a glass of cool sweet milk, and a shallow dish of blueberries bathed in cream. Now I know how people can live without books, without college. When one is so tired at the end of a day one must sleep, and at the next dawn there are more strawberry runners to set, and so one goes on living, near the earth. At times like this I’d call myself a fool to ask for more …
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
A newly formed planet appeared on the large screen. its surface was till red-hot, like a piece of charcoal fresh out of the furnace. Time passed at the rate of geological eras, and the planet gradually cooled. The color and patterns on the surface slowly shifted in a hypnotic manner. A few minutes later, an orange planet appeared on the screen, indicating the end of the simulation run.
"The computations were done at the coarsest level; to do it with more precision would require over a month." Green Glasses moved the mouse and zoomed in on the surface of the planet. The view swept over a broad desert, over a cluster of strangely shaped, towering mountain peaks, over a circular depression like an impact crater.
"What are we looking at?" Yang Dong asked.
"Earth. Without life, this is what the surface of the planet would look like now."
"But . . . where are the oceans?"
"There are no oceans. No rivers either. The entire surface is dry."
"Your'e saying that without life, liquid water would not exist on Earth?"
"The reality would probably be even more shocking. Remember, this is only a coarse simulation, but at least you can see how much of an impact life had in the present state of the Earth."
"But--"
"Do you think life is nothing but a fragile, thin, soft shell clinging to the surface of this planet?"
"Isn't it?"
"Only if you neglect the power of time. If a colony of ants continue to move clods the size of grains of rice, they could remove all of Mount Tai in a billion years. As long as you give it enough time, life is stronger than metal and stone, more powerful than typhoons and volcanoes.
”
”
Liu Cixin (Death's End (Remembrance of Earth’s Past, #3))
“
Icy streams of neon light roar through ice-cream parlors, through dancehalls. Clusters of humming light dangle from whip-shaped lampposts over miniature golf courses. A flickering torrent of coldness. People HER age, enjoying the lovely peace and quiet of habit, loll around kidneyshaped tables. Tall glasses, containing long spoons, look like cool blossoms: brown, yellow, pink; chocolate, vanilla, raspberry. The colorful, steaming scoops are tinted an almost uniform gray by the ceiling lights. Glittering scoopers wait in containers of water, with threads of ice cream floating on the surface. In the casualness of fun, which doesn't have to keep proving itself, the young silhouettes relax in front of their ice-cream towers. Tiny, gaudy umbrellas stick out of the glasses, concealing the harsh detritus of maraschino cherries, pineapple chunks, chocolate chips. The loungers incessantly poke pieces of coldness into their own ice caves, cold to cold; or else they heedlessly let the good stuff melt, while telling one another things that are more important than the icy delight.
”
”
Elfriede Jelinek (The Piano Teacher)
“
On especially hot days, when you’d like to murder whoever crosses you, or at least give him a good slap, drink lemonade instead. Go out and buy a first-rate ceiling fan. Make certain never to step on one of the crickets that may have taken refuge in a dark corner of your living room, or your luck will change for the worse. Avoid men who call you Baby, and women who have no friends, and dogs that scratch at their bellies and refuse to lie down at your feet. Wear dark glasses; bathe with lavender oil and cool, fresh water. Seek shelter from the sun at noon.
”
”
Alice Hoffman (Practical Magic (Practical Magic, #1))
“
BEE’S KNEES COCKTAIL ½ ounce honey simple syrup (recipe follows) 1 ounce lemon juice (about ½ medium lemon) 2 ounces gin Lemon peel Fill a cocktail shaker with ice. Add ingredients (except peel) and shake; strain into a martini glass. Twist the lemon peel and set inside glass. HONEY SIMPLE SYRUP In a small saucepan combine ⅓ cup honey and ⅓ cup water. Over low heat stir the mixture until honey starts to dissolve. Let cool and pour into a squeeze bottle or glass container. Will keep for several weeks. PORK WITH HONEY-LIME MARINADE (Serves 4) Juice of two limes ¼ cup honey ¼ cup olive oil 1 garlic clove, grated 1 teaspoon hot sauce (you can use red pepper flakes for less heat) Pork tenderloin, trimmed (1 pound) Whisk first five ingredients together. Pour half of marinade into a ziplock bag and add pork tenderloin. Marinate for at least 1 hour. Preheat gas or charcoal grill for indirect grilling. Brush grate with canola or vegetable oil. Cook pork indirectly 4 to 6 minutes per side until a meat thermometer registers 145 degrees. Remove from grill and brush with remaining marinade. Let meat rest for 10 minutes before slicing.
”
”
Jodi Picoult (Mad Honey)
“
Everyone in the room—all Franco-French white kids, it occurred to me—knew their Louis Armstrong inside and out, knew the names of the songs, had their favorites. That is phenomenal, I thought. “How do you guys know so much about black music?” I asked. “Are you kidding?” Stéphane, replied, assuming, I think, that I was implying only an American could be so well versed. “This is something the whole world knows. Practically everything except classical is black music!” I refilled my glass with the brandy, which, I noticed, tasted an awful lot like Hennessy—better, though.
”
”
Thomas Chatterton Williams (Losing My Cool: How a Father's Love and 15,000 Books Beat Hip-hop Culture: Love, Literature, and a Black Man's Escape from the Crowd)
“
After school, Peter and I are lying on the couch; his feet are hanging off the end. He’s still in his costume, but I’ve changed into my regular clothes. “You always have the cutest socks,” he says, lifting up my right foot. These ones are gray with white polka dots and yellow bear faces.
Proudly I say, “My great-aunt sends them from Korea. Korea has the cutest stuff, you know.”
“Can you ask her to send me some too? Not bears, but maybe, like, tigers. Tigers are cool.”
“Your feet are too big for socks as cute as these. Your toes would pop right out. You know what, I bet I could find you some socks that fit at…um, the zoo.” Peter sits up and starts tickling me. I gasp out, “I bet the--pandas or gorillas have to--keep their feet warm somehow…in the winter. Maybe they have some kind of deodorized sock technology as well.” I burst into giggles. “Stop…stop tickling me!”
“Then stop being mean about my feet!” I’ve got my hand burrowed under his arm, and I am tickling him ferociously. But by doing so, I have opened myself up to more attacks.
I yell, “Okay, okay, truce!” He stops, and I pretend to stop, but sneak a tickle under his arm, and he lets out a high-pitched un-Peter-like shriek.
“You said truce!” he accuses. We both nod and lie back down, out of breath. “Do you really think my feet smell?”
I don’t. I love the way he smells after a lacrosse game--like sweat and grass and him. But I love to tease, to see that unsure look cross his face for just half a beat. “Well, I mean, on game days…” I say. Then Peter attacks me again, and we’re wrestling around, laughing, when Kitty walks in, balancing a tray with a cheese sandwich and a glass of orange juice.
“Take it upstairs,” she says, sitting down on the floor. “This is a public area.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
I felt the stupidity rising in my throat and bit down harder, staring at his collarbone and the small piece of blue sea glass he wore on a leather cord around his neck, rising and falling.
Rising.
Falling.
Seconds? Hours? I didn’t know. He’d made the necklace the year before from a triangular piece of glass he’d found during their family vacation to Zanzibar Bay, right behind the California beach house they rented for three weeks every summer. According to Matt, red glass was the rarest, followed by purple, then dark blue. To date he’d found only one red piece, which he’d made into a bracelet for Frankie a few months earlier. She never took it off.
I loved all the colors – dark greens, baby blues, aquas, and whites. Frankie and Matt brought them back for me in mason jars every summer. They lived silently on my bookshelf, like frozen pieces of the ocean I had never seen.
“Come here,” he whispered, his hand still stuck in my wild curls, blond hair winding around his fingers.
“I still can’t believe you made that,” I said, not for the first time. “It’s so – cool.”
Matt looked down at the glass, his hair falling in front of his eyes.
“Maybe I’ll give it to you,” he said. “If you’re lucky.
”
”
Sarah Ockler (Twenty Boy Summer)
“
Around the room, the traditional thirteen desserts of Christmas are stacked on glass dishes like pirates' treasure, gleaming and lustrous in topaz and gold. Black nougat for the devil, white nougat for the angels, and clementines, grapes, figs, almonds, honey, dates, apples, pears, quince jelly, mendiants all jeweled with raisins and peel, and fougasse made with olive oil and split like a wheel into twelve parts-
And of course there is the chocolate- the Yule log cooling in the kitchen; the nougatines, the celestines, the chocolate truffles piled onto the counter in a fragrant scatter of cocoa dust.
”
”
Joanne Harris (The Girl with No Shadow (Chocolat, #2))
“
You’re a miserable wretch,” she accused, too weak to even wipe the tangy drops of juice from her chin. He set the glass down, dipped a cloth in a bowl of water, and gently dabbed the lemonade from her parted lips. “I know.” “I think you’re a vile son of a bitch.” He wiped her chin, his touch achingly gentle. “I know that too.” “I’ll see you dead.” “Someday, perhaps. But not now.” He dragged the cool cloth over her neck, her throat, the soft swell of her breasts, refreshing it with water and wiping up the spilt lemonade. “Maybe in thirty, forty years or so . . . depending on which one of us outlives the other.
”
”
Danelle Harmon (My Lady Pirate (Heroes of the Sea #3))
“
My mind is curiously alert; it's as though my skull had a thousand mirrors inside it. My nerves are taut, vibrant! the notes are like glass balls dancing on a million jets of water. I've never been to a concert before on such an empty belly. Nothing escapes me, not even the tiniest pin falling. It's as though I had no clothes on and every pore of my body was a window and all the windows open and the light flooding my gizzards. I can feel the light curving under the vault of my ribs and my ribs hang there over a hollow nave trembling with reverberations. How long this lasts I have no idea; I have lost all sense of time and place. After what seems like an eternity there follows an interval of semiconsciousness balanced by such a calm that I feel a great lake inside me, a lake of iridescent sheen, cool as jelly; and over this lake, rising in great swooping spirals, there emerge flocks of birds of passage with long slim legs and brilliant plumage. Flock after flock surge up from the cool, still surface of the lake and, passing under my clavicles, lose themselves in the white sea of space. And then slowly, very slowly, as if an old woman in a white cap were going the rounds of my body, slowly the windows are closed and my organs drop back into place.
”
”
Henry Miller (Tropic of Cancer (Tropic, #1))
“
by have a home in the first place? Good question! When I have a tea party for my grandchildren, I'm passing on to them the things my mama passed on to me-the value of manners and the joy of spending quiet time together. When Bob reads a Bible story to those little ones, he's passing along his deep faith. When we watch videos together, play games, work on projects-we're building a chain of memories for the future. These aren't lessons that can be taught in lecture form. They're taught through the way we live. What we teach our children-or any child who shares our lives-they will teach to their children. What we share with our children, they will share with generations to come.
friend of mine loves the water, the out doors, and the California sunshine. She says they're a constant reminder of God's incredible creativity. Do you may have a patio or a deck or a small balcony? Bob and I have never regretted the time and expense of creating outdoor areas to spend time in. And when we sit outside, we enhance our experience with a cool salad of homegrown tomatoes and lettuce, a tall glass of lemonade, and beautiful
flowers in a basket. Use this wonderful time to contemplate all God is doing in your life.
ecome an answer to prayer!
• Call and encourage someone today.
”
”
Emilie Barnes (365 Things Every Woman Should Know)
“
Recipes TOM PEPPER’S HOT BREW To soothe the throat or otherwise ease a long day. 1.4 drachm (1 tsp) local raw honey 16 drachm (1 oz) scotch or bourbon ½ pint (1 cup) hot water 3 sprigs fresh thyme Stir honey and bourbon at bottom of mug. Add hot water and thyme sprigs. Steep five minutes. Sip while warm. BLACKFRIARS BALM FOR BUGS AND BOILS To subdue angry, itchy skin caused by insect bites. 1 drachm (0.75 tsp) castor oil 1 drachm (0.75 tsp) almond oil 10 drops tea tree oil 5 drops lavender oil In a 2.7 drachm (10 ml) glass rollerball vial, add the 4 oils. Fill to top with water and secure cap. Shake well before each use. Apply to itchy, uncomfortable skin. ROSEMARY BUTTER BISCUIT COOKIES A traditional shortbread. Savory yet sweet, and in no way sinister. 1 sprig fresh rosemary 1 ½ cup butter, salted 2⁄3cup white sugar 2 ¾ cup all-purpose flour Remove leaves from rosemary and finely chop (approximately 1 Tbsp or to taste). Soften butter; blend well with sugar. Add rosemary and flour; mix well until dough comes together. Line 2 cookie sheets with parchment paper. Form dough into 1.25-inch balls; press gently into pans until 0.5-inch thick. Refrigerate at least 1 hour. Preheat oven to 375°F. Bake for 10–12 minutes, just until bottom edges are golden. Do not overbake. Cool at least 10 minutes. Makes 45 cookies.
”
”
Sarah Penner (The Lost Apothecary)
“
I want you to go home now, but take this with you.” He pressed something cool, hard, and flat into her palm, then closed her fingers around it. She opened her hand to find a piece of pink sea glass nearly two inches wide, roughly tumbled into the shape of a heart. “It’s beautiful. Where did you get this?” “In Maine. I found it at Nuns’ Beach in Saco.” He smiled and cupped his hand under hers. “It is beautiful, isn’t it? It’s really just a piece of garbage, but it’s been battered by the waves and the sand. It’s withstood a lot and come back better than before. It’s all in the way you look at it.” The heart felt solid in her palm. “Consider it a little miracle from me to you.
”
”
Karen Cimms (We All Fall Down (Of Love and Madness, #2))
“
I would amuse myself by watching the glass jars which the boys used to lower into the Vivonne, to catch minnows, and which, filled by the current of the stream, in which they themselves also were enclosed, at once ‘containers’ whose transparent sides were like solidified water and ‘contents’ plunged into a still larger container of liquid, flowing crystal, suggested an image of coolness more delicious and more provoking than the same water in the same jars would have done, standing upon a table laid for dinner, by shewing it as perpetually in flight between the impalpable water, in which my hands could not arrest it, and the insoluble glass, in which my palate could not enjoy it.
”
”
Marcel Proust (In Search of Lost Time [volumes 1 to 7])
“
Babe"-he gave me a look that suggested I was missing the obvious-"I never kid about blowjobs."
The sound of someone choking brought my head up. Our waiter had descended on us just in time to hear those romantic words, and his rosy cheeks betrayed his embarrassement. "Ready to order?" he croaked out.
"Yes," Braden answered, obviously not caring that he had been overheard. "I'll have the steak, medium rare." He smiled softly at me. "What are you having?" He took a swig of water.
He thought he was so cool and funny. "Apparently sausage."
Braden choked on the water, coughing into his fist, his eyes bright with mirth as he put his glass back on the table.
"Are you okay sir?" the waiter asked.
”
”
Samantha Young (On Dublin Street (On Dublin Street, #1))
“
I took a glass retort, capable of containing eight ounces of water, and distilled fuming spirit of nitre according to the usual method. In the beginning the acid passed over red, then it became colourless, and lastly again all red: no sooner did this happen, then I took away the receiver; and tied to the mouth of the retort a bladder emptied of air, which I had moistened in its inside with milk of lime lac calcis, (i.e. lime-water, containing more quicklime than water can dissolve) to prevent its being corroded by the acid. Then I continued the distillation, and the bladder gradually expanded. Here-upon I left every thing to cool, tied up the bladder, and took it off from the mouth of the retort.— I filled a ten-ounce glass with this air and put a small burning candle into it; when immediately the candle burnt with a large flame, of so vivid a light that it dazzled the eyes. I mixed one part of this air with three parts of air, wherein fire would not burn; and this mixture afforded air, in every respect familiar to the common sort. Since this air is absolutely necessary for the generation of fire, and makes about one-third of our common air, I shall henceforth, for shortness sake call it empyreal air, [literally fire-air] the air which is unserviceable for the fiery phenomenon, and which makes abut two-thirds of common air, I shall for the future call foul air [literally corrupted air].
”
”
Carl Wilhelm Scheele (Chemische Abhandlung von der Luft und dem Feuer (German Edition))
“
He trotted over with a big grin on his face. He wore a faded Hawaiian shirt and nothing for pants except thick brown goat fur. His massive Afro jiggled. His eyes were hidden behind little round rainbow-tinted glasses. He held a cardboard sign that read: WILL WORK SING TALK GO AWAY FOR DENARII. “Hi, Don,” Hazel said. “Sorry, we don’t have time—” “Oh, that’s cool! That’s cool!” Don trotted along with them. “Hey, this guy’s new!” He grinned at Percy. “Do you have three denarii for the bus? Because I left my wallet at home, and I’ve got to get to work, and—” “Don,” Hazel chided. “Fauns don’t have wallets. Or jobs. Or homes. And we don’t have buses.” “Right,” he said cheerfully, “but do you have denarii?
”
”
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
“
After a few slow dances, Dallas and I take a break. He stops by the punch table, as Raya walks over. Dallas hands me a glass, and then, without thinking, gives Raya the one he got for himself.
“Thanks.” She takes it, and stares him down as he gets another for himself. “I was there for the first rendition of ‘Kiss You.’”
“Oh?” He glances at me, then back at Raya.
“Yours was much, much better than Poppy’s.” Raya’s expression remains the same.
Dallas’s smile is tentative.
“That was cool what you did.” Then, with a smile that would chill a corpse, she says, “But if you hurt her, I’ll kill you.”
And with that, she walks away.
“She secretly likes you,” I tell him.
“If that’s her version of liking someone, I’d hate to be on her bad side.
”
”
Courtney Walsh (My Phony Valentine (Holidays with Hart, #1))
“
He approached the great glass barrier dividing the room, and the speaker at the end of the table. "Cyclops?" he whispered, stepping closer, clearing his tight throat, "Cyclops, it's me, Gordon."
The glow in the pearly lens was subdued. But the row of little lights still flashed--a complex pattern that repeated over and over like an urgent message from a distant ship in some lost code--ever, hypnotically, the same.
Gordon felt a frantic dread rise within him, as when, during his boyhood, he had encountered his grandfather lying perfectly still on the porch swing, and feared to find that the beloved old man had died.
The pattern of lights repeated, over and over.
Gordon wondered. How many people would recall, after the hell of the last seventeen years, that the parity displays of a great supercomputer never repeated themselves? Gordon remembered a cyberneticist friend telling him the patterns of light were like snowflakes, none ever the same as any other.
"Cyclops," he said evenly, "Answer me! I demand you answer--in the name of decency! In the name of the United St--"
He stopped. He couldn't bring himself to meet this lie with another. Here, the only living mind he would fool would be himself.
The room was warmer than it had seemed during his interview. He looked for, and found, the little vents through which cool air could be directed at a visitor seated in the guest chair, giving an impression of great cold just beyond the glass wall.
"Dry ice," he muttered, "to fool the citizens of Oz.
”
”
David Brin (The Postman)
“
Despair could never touch a morning like this.
The air was cool, and smelled of sage. It had the clarity that comes to Southern California only after a Santa Ana wind has blown all haze and history out to sea — air like telescopic glass, so that the snowcapped San Gabriela seemed near enough to touch, though they were forty miles away. The flanks of the blue foothills revealed the etching of every ravine, and beneath the foothills, stretching to the sea, the broad coastal plain seemed nothing but treetops: groves of orange, avocado, lemon, olive; windbreaks of eucalyptus and palm; ornamentals of a thousand different varieties, both natural and genetically engineered. It was as if the whole plain were a garden run riot, with the dawn sun flushing the landscape every shade of green.
”
”
Kim Stanley Robinson (Pacific Edge (Three Californias Triptych, #3))
“
Chapter One: The Dawn and the Dread
Heartbeat, heartbeat comes from Valhallan way,
To meet down in judgment, to ply its trade.
Two →swords← to join in worthy cross,
Actions to be rendered, one to be lost.
She did come now from ’yond northern slope,
A day of reckoning did she again once hope.
A devout meeting was her qwesterly bane,
To stay her hand was to go insane.
St. Kari of the Blade to meet her past,
A wicked enemy, peerless of match.
Rode Kari she her charger on down,
Past the Dead Land where Gaul sat crowned.
A killing job, yea, she desired to lastly kill,
To set things right so her heart might lie still.
Upon the mist and roaring plain,
She entered in, a soul uncontained.
A fierce wind in deed, and forever freed,
Enemies she annihilhates (’tis hur’ creed).
Her own advanced guard of a sort,
Multitudes to follow in her report.
Know this Valkyrie from on cold,
An ancient maiden soft and bold.
A warrior spirit from Ages past,
A fragmented mind like broken glass.
Solid in stature this eternal framed being,
Yet crippled within from internaled bleedings.
A sword saint so refined in the poetic art,
A noble character yet with a banshee’s heart.
Rhythmed horse now to the beats,
Kari emboldened amid the sleet.
Beyond the mountain she does come,
Unto southern fields wherein rules hot sun.
Far from that murderous Deadlands ground,
The land up swells; the dead still abound.
Traverses she those bygones of leprous civilizations
Those cities crumbled by the exhalted of oblivions.
Stark traces etched now bare in the land,
That are no more again, save dust in the hand.
A cool stream now in desert sans
(Does more good when one is damned).
Stopped she her mount to admire the flow,
A lovely stream with skeletons packed below.
Blue air whisps; dragon flied motion.
Flintsteel striking!!! Sparked of commotion.
Cold water chortles rushtish with tint,
Told of past carnage, it whetted her glint.
Fallen warriors, they are no more,
Swirls and eddies mark their discord.
Gurgled shouts slung and gathered,
Faces glazed while steel lathered.
Refreshing though it was to her mouth,
She smelled an air; she flared about.
Came up that ridge of loud, sanded hill,
Below a man and his half-score of kills.
Kari’s eyes waxed in smug contempt,
Possibilities ran deep with no repent . . .
On Kari, Valkyrie, Cold Steel Eternity Vol. II
”
”
Douglas M. Laurent
“
Her mother looked at the window over the sink. The moon shone huge and ivory yellow through the kitchen window. "You've always loved the moonlight. It seems to relax you."
Vanessa looked outside at the moon. "Do you think there is a goddess of the moon?"
"Oh, several," her mother answered.
"No, I mean for real."
"I was answering for real." Her mother pushed back her chair, then walked over to the sliding glass door, opened it, and stepped out on the patio. The night jasmine filled the cool air with its sweet fragrance. "God must have many spirits to help. We call them angels because that's what we learned to call them when we were little. But there must be many divine beings who act as God's messengers. I think there's room for a goddess or more. When you look at the beauty of the moon it's easy to believe.
”
”
Lynne Ewing (Goddess of the Night)
“
And I say to any man or woman,
Let your soul stand cool and composed before a million universes.
And I say to mankind, Be not curious about God,
For I who am curious about each am not curious about God,
No array of terms can say how much I am at peace about God and about death.
I hear and behold God in every object, yet understand God not in the least.
Nor do I understand who there can be more wonderful than myself.
Why should I wish to see God better than this day?
I see something of God each hour of the twenty-four, and each moment then,
In the faces of men and women I see God, and in my own face in the glass,
I find letters from God dropt in the street, and every one is sign'd by God's name,
And I leave them where they are, for I know that wheresoe'er I go,
Others will punctually come for ever and ever.
”
”
Walt Whitman (Song of Myself)
“
When she was done, the blacksmith looked her over and nodded, then reached below his table to place another object on its surface. For a heartbeat, Manon only stared at the crowned helmet. It had been forged of the same dark metal, the nose and brow guards fashioned so that most of her face would be in shadow—save for her mouth. And her iron teeth. The six lances of the crown jutted upward like small swords. A conqueror’s helm. A demon’s helm. Manon felt the eyes of her Thirteen, now armed, upon her as she tucked her braid into the neck of her armor and lifted the helmet over her head. It fitted easily, its interior cool against her hot skin. Even with the shadows that hid most of her face, she could see the blacksmith with perfect clarity as his chin dipped in approval. She had no idea why she bothered, but Manon found herself saying, “Thank you.
”
”
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
“
There was nothing like an extra helping of guilt to cool a man's blood.And it was guilt as much as the hot food and the glass of good wine that got Brian through the evening in the Grant kitchen. The size of it left little room for lust, considering.
There was Adelia Grant giving him a warm greeting as if he was welcome to swing in for dinner anytime he had the whim, and Travis getting out an extra plate himself-as if he waited on employees five days a week-and saying that there was plenty to go around as Brendon had other plans for dinner.
Before he knew it, he was sitting down, having food heaped in front of him and being asked how his day had been.And not in a way that expected a report.
He didn't know what to do about it. He liked these people, genuinely liked them. And there he was lusting after their daughter. An alley mutt after a registered purebred.
”
”
Nora Roberts (Irish Rebel (Irish Hearts, #3))
“
Now into the small ceramic pan I grate the block of couverture. Almost at once the scent rises, the dark and loamy scent of bitter chocolate from the block. At this concentration it is slow to melt; the chocolate is very low in fat, and I will have to add butter and cream to the mixture to bring it to truffle consistency. But now it smells of history; of the mountains and forests of South America' of felled wood and spilled sap and campfire smoke. It smells of incense and patchouli; of the black gold of the Maya and the red gold of the Aztec; of stone and dust and of a young girl with flowers in her hair and a cup of pulque in her hand.
It is intoxicating; as it melts, the chocolate becomes glossy; steam rises from the copper pan, and the scent grows richer, blossoming into cinnamon and allspice and nutmeg; dark undertones of anise and espresso; brighter notes of vanilla and ginger. Now it is almost melted through. A gentle vapor rises from the pan. Now we have the true Theobroma, the elixir of the gods in volatile form, and in the steam I can almost see-
A young girl dancing with the moon. A rabbit follows at her heels. Behind her stands a woman with her head in shadow, so that for a moment she seems to look three ways-
But now the steam is getting too thick. The chocolate must be no warmer than forty-six degrees. Too hot, and the chocolate will scorch and streak. Too cool, and it will bloom white and dull. I know by the scent and the level of steam that we are close to the danger point. Take the copper off the heat and stand the ceramic in cold water until the temperature has dropped.
Cooling, it acquires a floral scent; of violet and lavender papier poudré. It smells of my grandmother, if I'd had one, and of wedding dresses kept carefully boxed in the attic, and of bouquets under glass.
”
”
Joanne Harris (The Girl with No Shadow (Chocolat, #2))
“
I starved for so long I feared my own hunger for a wolf at the door. She let out the muscled animal of my tongue. Panting, teeth small nipped stars, she switched off the lights. In the slippery dark of her I dissolved, no troubled body or changed face, only this felt through touch, through taste, through scent and breath and pulsing absolution of night, and: Yes to oysters swollen through butter. Yes to things cooled on glass, my hand a hot knife between. Yes to proscuitto, its salt slick, to avocado bursting, ripe. Our teeth clanged. I tasted blood and chocolate. Yes to the fathicksweet of it, to cream, to froth that rises, to the crunched lace of the ear and the tender behind the knee, to that join at the legs where she softened, dimpled, begged me to bite. Three years can you imagine...no lovers no family no feasts...and suddenly this largesse of freckles down her torso, this churning, spilling free.
”
”
C Pam Zhang (Land of Milk and Honey)
“
Like God,
you hover above the page staring down
on a small town. Outside a window
some scenery loafs in a sleepy hammock
of pastoral prose and here is a mongrel
loping and here is a train approaching
the station in three long sentences and
here are the people in galoshes waiting.
But you know this story about the galoshes
is really About Your Life, so, like a diver
climbing over the side of a boat and down
into the ocean, you climb, sentence
by sentence, into this story on this page.
You have been expecting yourself
as a woman who purrs by in a dress
by Patou, and a porter manacled to
the luggage, and a man stalking across
the page like a black cloud in a bad mood.
These are your fellow travelers and
you are a face behind or inside these
faces, a heartbeat in the volley of these
heartbeats, as you choose, out of all
the journeys, the journey of a man
with a mustache scented faintly with
Prince Albert. "He must be a secret
sensualist," you think and your awareness
drifts to his trench coat, worn, softened,
and flabby, a coat with a lobotomy, just
as the train pulls into the station.
No, you would prefer another stop
in a later chapter where the climate is
affable and sleek. But the passengers
are disembarking, and you did not
choose to be in the story of the woman
in the white dress which is as cool and
evil as a glass of radioactive milk. You
did not choose to be in the story of the
matron whose bosom is like the prow
of a ship and who is launched toward
lunch at the Hotel Pierre, or even the
story of the dog-on-a-leash, even though
this is now your story: the story of the
person-who-had-to-take-the-train-and-walk-
the-dark-road described hurriedly
by someone sitting at the tavern so you could
discover it, although you knew all along
the road would be there, you, who have
been hovering above this page, holding
the book in your hands, like God, reading.
”
”
Lynn Emanuel
“
PORK AND BEANS BREAD Preheat oven to 350 degrees F., rack in the middle position. 15-ounce can of pork and beans (I used Van Camp’s) 4 eggs, beaten (just whip them up in a glass with a fork) 1 cup vegetable oil (not canola, not olive—use vegetable oil) 1 teaspoon vanilla extract 2 cups white (granulated) sugar 1 teaspoon baking soda ½ teaspoon baking powder ½ teaspoon salt 1 and ½ teaspoons ground cinnamon 1 cup chopped pecans or walnuts (measure after chopping—I used pecans) 3 cups all-purpose flour (pack it down in the cup when you measure it) Prepare your pans. Spray two 9-inch by 5-inch by 3-inch-deep loaf pans with Pam or another nonstick cooking spray. Don’t drain the pork and beans. Pour them into a food processor or a blender, juice and all, and process them until they’re pureed smooth with no lumps. Place the beaten eggs in a large mixing bowl. Stir in the pureed pork and beans and mix them in well. Add the vegetable oil and the vanilla extract. Mix well. Add the sugar and mix it in. Then mix in the baking soda, baking powder, salt and cinnamon. Stir until everything is incorporated. Stir in the chopped nuts. Add the flour in one-cup increments, stirring after each addition. Spoon half of the batter into one loaf pan and the other half of the batter into the second loaf pan. Bake at 350 degrees F. for 50 to 60 minutes. Test the bread with a long food pick inserted in the center. If it comes out sticky, the bread needs to bake a bit more. If it comes out dry, remove the pans from the oven and place them on a wire rack to cool for 20 minutes. Run the sharp blade of a knife around inside of all four sides of the pan to loosen the bread, and then tip it out onto the wire rack. Cool the bread completely, and then wrap it in plastic wrap. At this point the bread can be frozen in a freezer bag for up to 3 months. Hannah and Lisa’s Note: If you don’t tell anyone the name of this bread, they probably won’t ever guess it’s made with pork and beans.
”
”
Joanne Fluke (Plum Pudding Murder (Hannah Swensen, #12))
“
Jack took two steps towards the couch and then heard his daughter’s distressed wails, wincing. “Oh, right. The munchkin.”
He instead turned and headed for the stairs, yawning and scratching his messy brown hair, calling out, “Hang on, chubby monkey, Daddy’s coming.”
Jack reached the top of the stairs.
And stopped dead.
There was a dragon standing in the darkened hallway.
At first, Jack swore he was still asleep. He had to be. He couldn’t possibly be seeing correctly.
And yet the icy fear slipping down his spine said differently.
The dragon stood at roughly five feet tall once its head rose upon sighting Jack at the other end of the hallway. It was lean and had dirty brown scales with an off-white belly. Its black, hooked claws kneaded the carpet as its yellow eyes stared out at Jack, its pupils dilating to drink him in from head to toe. Its wings rustled along its back on either side of the sharp spines protruding down its body to the thin, whip-like tail. A single horn glinted sharp and deadly under the small, motion-activated hallway light.
The only thing more noticeable than that were the many long, jagged scars scored across the creature’s stomach, limbs, and neck. It had been hunted recently. Judging from the depth and extent of the scars, it had certainly killed a hunter or two to have survived with so many marks.
“Okay,” Jack whispered hoarsely. “Five bucks says you’re not the Easter Bunny.”
The dragon’s nostrils flared. It adjusted its body, feet apart, lips sliding away from sharp, gleaming white teeth in a warning hiss. Mercifully, Naila had quieted and no longer drew the creature’s attention. Jack swallowed hard and held out one hand, bending slightly so his six-foot-two-inch frame was less threatening. “Look at me, buddy. Just keep looking at me. It’s alright. I’m not going to hurt you. Why don’t you just come this way, huh?”
He took a single step down and the creature crept forward towards him, hissing louder. “That’s right. This way. Come on.”
Jack eased backwards one stair at a time. The dragon let out a warning bark and followed him, its saliva leaving damp patches on the cream-colored carpet. Along the way, Jack had slipped his phone out of his pocket and dialed 9-1-1, hoping he had just enough seconds left in the reptile’s waning patience.
“9-1-1, what’s your emergency?”
“Listen to me carefully,” Jack said, not letting his eyes stray from the dragon as he fumbled behind him for the handle to the sliding glass door. He then quickly gave her his address before continuing. “There is an Appalachian forest dragon in my house. Get someone over here as fast as you can.”
“We’re contacting a retrieval team now, sir. Please stay calm and try not to make any loud noises or sudden movements–“
Jack had one barefoot on the cool stone of his patio when his daughter Naila cried for him again.
The dragon’s head turned towards the direction of upstairs.
Jack dropped his cell phone, grabbed a patio chair, and slammed it down on top of the dragon’s head as hard as he could.
”
”
Kyoko M. (Of Fury & Fangs (Of Cinder & Bone, #4))
“
It embalms sweet.
I'm givin a kiss...
I melt of You.
I melt and flow with You.
Like an ice in a spring river.
I melt and stay.
Sun will vaporise us.
It will take us up into clouds.
And then we both will fall.
Drop by drop.
We'll fall out of the sky.
We'll raise from dew to fog.
Every sunny warm morning.
We'll let the wind pull us with him.
Cooling our selves in forest shadows.
There in silence we'll cool off
One from another.
But in stormy days and nights.
We'll billow and crash.
One to another.
Like crazy and wild.
We'll churn into white foam.
Ashore in sands we'll wait
For the yellow october leaves
Into them we'll fall asleep.
We'll fall into and freeze.
We'll freeze and melt again
And flow and raise and fall again.
Over and over again
Even if we were in separete glasses of water.
We would moove together and whisper.
Even if in the oceans mixed.
We would moove together and sing.
I'm comming to You.
You are blazing.
I'm giving You a rose
It embalms sweet.
...
If I'll ever meet You.
I' ll take our time...
To dance dance dance dance with You...
”
”
Martins Paparde
“
BONNIE BROWNIE COOKIE BARS Preheat oven to 350 degrees F., rack in the middle position. 4 one-ounce squares semi-sweet chocolate (or 3/4 cup chocolate chips) 3/4 cup butter (one and a half sticks) 1½ cups white (granulated) sugar 3 beaten eggs (just whip them up in a glass with a fork) 1 teaspoon vanilla extract 1 cup flour (pack it down in the cup when you measure it) 1/2 cup chopped cashews 1/2 cup chopped butterscotch chips 1/2 cup semi-sweet chocolate chips (I used Ghirardelli) Prepare a 9-inch by 13-inch cake pan by lining it with a piece of foil large enough to flap over the sides. Spray the foil-lined pan with Pam or another nonstick cooking spray. Microwave the chocolate squares and butter in a microwave-safe mixing bowl on HIGH for 1 minute. Stir. (Since chocolate frequently maintains its shape even when melted, you have to stir to make sure.) If it’s not melted, microwave for an additional 20 seconds and stir again. Repeat if necessary. Stir the sugar into the chocolate mixture. Feel the bowl. If it’s not so hot it’ll cook the eggs, add them now, stirring thoroughly. Mix in the vanilla extract. Mix in the flour, and stir just until it’s moistened. Put the cashews, butterscotch chips, and chocolate chips in the bowl of a food processor, and chop them together with the steel blade. (If you don’t have a food processor, you don’t have to buy one for this recipe—just chop everything up as well as you can with a sharp knife.) Mix in the chopped ingredients, give a final stir by hand, and spread the batter out in your prepared pan. Smooth the top with a rubber spatula. Bake at 350 degrees F. for 30 minutes. Cool the Bonnie Brownie Cookie Bars in the pan on a metal rack. When they’re thoroughly cool, grasp the edges of the foil and lift the brownies out of the pan. Place them facedown on a cutting board, peel the foil off the back, and cut them into brownie-sized pieces. Place the squares on a plate and dust lightly with powdered sugar if you wish. Hannah’s Note: If you’re a chocoholic, or if you’re making these for Mother, frost them with Neverfail Fudge Frosting before you cut them.
”
”
Joanne Fluke (Cream Puff Murder (Hannah Swensen, #11))
“
When they got to the table, it was easy to recognize some of the dishes just from their pictures in the book. Skillet Broken Lasagna, which smelled of garlic and bright tomato; Fluffy Popovers with Melted Brie and Blackberry Jam (she started eating that the minute she picked it up and could have cried at the sweet, creamy-cheesy contrast to the crisp browned dough). There were also the two versions of the coconut rice, of course, and Trista had placed them next to the platter of gorgeously browned crispy baked chicken with a glass bowl of hot honey, specked with red pepper flakes, next to it, and in front of the beautifully grilled shrimp with serrano brown sugar sauce.
Every dish was worthy of an Instagram picture. Which made sense, since Trista had, as Aja had pointed out, done quite a lot of food porn postings.
There was also Cool Ranch Taco Salad on the table, which Margo had been tempted to make but, as with the shrimp dish, given that she had been ready to bail on the idea of coming right up to the last second, had thought better of, lest she have taco salad for ten that needed to be eaten in two days.
Not that she couldn't have finished all the Doritos that went on top that quickly. But there hadn't been a Dorito in her house since college, and she kind of thought it ought to be a cause for celebration when she finally brought them back over the threshold of Calvin's ex-house.
The Deviled Eggs were there too, thank goodness, and tons of them. They were creamy and crunchy and savory, sweet and- thanks to an unexpected pocket of jalapeño- hot, all at the same time. Classic party food. Classic church potluck food too. Whoever made those knew that deviled eggs were almost as compulsively delicious as potato chips with French onion dip. And, arguably, more healthful. Depending on which poison you were okay with and which you were trying to avoid.
There was a gorgeous galaxy-colored ceramic plate of balsamic-glazed brussels sprouts, with, from what Margo remembered of the recipe, crispy bacon crumbles, sour cranberries, walnuts, and blue cheese, which was- Margo tasted it with hope and was not disappointed- creamy Gorgonzola Dolce.
”
”
Beth Harbison (The Cookbook Club: A Novel of Food and Friendship)
“
When West returned, he was completely naked. Phoebe began to turn over, but he straddled her hips and pressed her back lightly to keep her facedown. She lay quietly, aware of the textures of him, the muscles and coarse hair of his thighs, and the silky weight of an erection that felt as long and hard as a raffling pole. There was the sound of a glass stopper in a flask. His warm, strong hands descended to her back, rubbing and massaging, while the scent of almond oil drifted to her nostrils.
He squeezed the muscles of her shoulders and worked his way down on either side of her spine, releasing tension and sending ripples of pleasure through her. Phoebe moaned softly. No one had ever done this to her before; she would never have guessed it would feel so lovely. As his palms glided up to her shoulders, the length of his aroused flesh slid along the cleft of her bottom and partly up her back. Clearly he also took pleasure in the massage, making no effort to hide it. He kneaded her lower back and the full curves of her buttocks with increasing pressure until the clenched muscles relaxed.
One hand reached down between her thighs to cup the soft pleats of flesh, his fingertips riding tenderly on either side of her swollen, half-hidden nub. A few exquisitely light and indirect strokes, back and forth, caused her breath to catch. He touched the opening of her body, circling into the wetness before one of his fingers- no, two- entered in a gradual but insistent thrust.
Her body tried to close against the intrusion, but he was so gentle, his fingers undulating like the sway of water reeds in a slow current. Her legs spread a little, and soon she felt the need to push upward, to take more of him in. As she raised her hips, something inside her loosened and stretched to enclose him. He breathed her name raggedly, seeming to luxuriate in the feel of her, his fingers twisting and curling protean grace. Keeping her crimson face pressed against the cool linen sheets, she squirmed and gasped and arched tightly.
As his fingers slid from her body, the opening felt oddly liquid, muscles clenching on emptiness. His weight lowered over her back, the hair of his chest tickling pleasantly as he bent to kiss and lick her shoulders and the nape of her neck.
”
”
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
“
Are you sure you don't remember? Your mind seems to be working just fine to me."
"You know what? Just forget it. Whatever it was, I forgive you. Give me my backpack so I can go back to the office. We're about to get busted anyway, just standing here."
"If you really do forgive me, then you wouldn't still be going to the office." He tightens his hold on the strap of my backpack.
"Ohmysweetgoodness, Galen, why are we even having this conversation? You don't even know me. What do you care if I change my schedule?" I know I'm being rude. The guy offered to carry my things and walk me to class. And depending on which version of the story I believe, he either asked me out on Monday already, or he did it indirectly a few seconds ago. None of it makes any sense. Why me? Without any effort, I can think of at least ten girls who beat me out in looks, personality, and darker foundation. And Galen could pull any of them.
"What, you don't have a question for my question?" I ask after a few seconds.
"It just seems silly for you to change your schedule over a disagreement about when the Titanic-"
I throw my hands up at him. "Don't you see how weird this is for me?"
"I'm trying to, Emma. I really am. But I think you've had a tough couple of weeks, and it's taking a toll on you. You said every time you're around me something bad happens. But you can't really know for sure that's true, unless you spend more time with me. You should at least acknowledge that."
Something is wrong with me. Those cafeteria doors must have really worked me over. Otherwise, I wouldn't be pushing Galen away like this. Not with him pleading, not with the way he's leaning toward me, not with the way he smells. "See? You're taking it personally, when there's really nothing personal about it," I whisper.
"It's personal to me, Emma. It's true, I don't know you well. But there are some things I do know about you. And I'd like to know more."
A glass full of ice water wouldn't cool my cheeks. "The only thing you know about me is that I'm life threatening in flip-flops."
That I won't meet his eyes obviously bothers him, because he lifts my chin with the crook of his finger. "That's not all I know," he says. "I know your biggest secret."
This time, unlike at the beach, I don't swat his hand away. The electric current in my feet prove that we're really standing so close to each other that our toes touch. "I don't have any secrets," I say, mesmerized."
He nods. "I finally figured that out. That you don't actually know about your secret."
"You're not making any sense." Or I just can't concentrate because I accidentally looked up at his lips. Maybe he did talk me into swimming...
The door to the front office swings open, and Galen grabs my arm and ushers me around the corner. He continues to drag me down the hall, toward world history.
"That's it?" I say, exasperated. "You're just going to leave it at that?"
He stops us in front of the door. "That depends on you," he says. "Come with me to the beach after school, and I'll tell you."
He reaches for the knob, but I grab his hand. "Tell me what? I already told you that I don't have any secrets. And I don't swim."
He grins and opens the door. "There's plenty to do at the beach besides swim." Then he pulls me by the hand so close I think he's going to kiss me. Instead, he whispers in my ear, "I'll tell you where your eye color comes from." As I gasp, he puts a gentle hand on the small of my back and propels me into the classroom. Then he ditches me.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
It was a short walk from the bridge to the waterfall, and I heard it long before I actually saw it, a loud, roaring sound that reverberated like rolling thunder. We passed under an outcropping of rock, and then there it was on the other side.
Quixotic Falls.
It took my breath away.
The waterfall was so tall, I had to crane my neck to see the top of it. Shimmers of a rainbow reflected in the mist and sunlight, and the air was cool and damp. It felt good in the humidity of the afternoon. I closed my eyes, and enjoyed the mist that clung to my skin, coagulating into droplets. We walked along the underside of it, and the sunlight hit the falling water like it was glimmers of glass. The tunnel between the rock face and the waterfall was smooth and rounded from thousands of years of erosion. Vines crawled across the rocks--- morning glories and four o'clocks and honeysuckles. The waterfall poured down into a small watering hole that then slowly wormed its way into a larger river down the mountain. I knew this place would feel whimsical. Surrounding the swimming hole, the bright pink heather and stark white yarrow mixed with coneflowers and black-eyed Susans.
”
”
Ashley Poston (A Novel Love Story)
“
Alice's Cutie Code TM Version 2.1 - Colour Expansion Pack
(aka Because this stuff won’t stop being confusing and my friends are mean edition)
From Red to Green, with all the colours in between (wait, okay, that rhymes, but green to red makes more sense. Dang.)
From Green to Red, with all the colours in between
Friend Sampling Group: Fennie, Casey, Logan, Aisha and Jocelyn
Green
Friends’ Reaction: Induces a minimum amount of warm and fuzzies. If you don’t say “aw”, you’re “dead inside”
My Reaction: Sort of agree with friends minus the “dead inside” but because that’s a really awful thing to say. Puppies are a good example. So is Walter Bishop.
Green-Yellow
Friends’ Reaction: A noticeable step up from Green warm and fuzzies. Transitioning from cute to slightly attractive. Acceptable crush material. “Kissing.”
My Reaction: A good dance song. Inspirational nature photos. Stuff that makes me laugh. Pairing: Madison and Allen from splash
Yellow
Friends’ Reaction: Something that makes you super happy but you don’t know why. “Really pretty, but not too pretty.” Acceptable dating material. People you’d want to “bang on sight.”
My Reaction: Love songs for sure! Cookies for some reason or a really good meal. Makes me feel like it’s possible to hold sunshine, I think. Character: Maxon from the selection series. Music: Carly Rae Jepsen
Yellow-Orange
Friends’ Reaction: (When asked for non-sexual examples, no one had an answer. From an objective perspective, *pushes up glasses* this is the breaking point. Answers definitely skew toward romantic or sexual after this.)
My Reaction: Something that really gets me in my feels. Also art – oil paintings of landscapes in particular. (What is with me and scenery? Maybe I should take an art class) Character: Dean Winchester. Model: Liu Wren.
Orange
Friends’ Reaction: “So pretty it makes you jealous. Or gay.”
“Definitely agree about the gay part. No homo, though. There’s just some really hot dudes out there.”(Feenie’s side-eye was so intense while the others were answering this part LOLOLOLOLOL.) A really good first date with someone you’d want to see again.
My Reaction: People I would consider very beautiful. A near-perfect season finale. I’ve also cried at this level, which was interesting.
o Possible tie-in to romantic feels? Not sure yet.
Orange-Red
Friends’ Reaction: “When lust and love collide.” “That Japanese saying ‘koi no yokan.’ It’s kind of like love at first sight but not really. You meet someone and you know you two have a future, like someday you’ll fall in love. Just not right now.” (<-- I like this answer best, yes.) “If I really, really like a girl and I’m interested in her as a person, guess. I’d be cool if she liked the same games as me so we could play together.”
My Reaction: Something that gives me chills or has that time-stopping factor. Lots of staring. An extremely well-decorated room. Singers who have really good voices and can hit and hold superb high notes, like Whitney Houston. Model: Jasmine Tooke. Paring: Abbie and Ichabod from Sleepy Hollow
o Romantic thoughts? Someday my prince (or princess, because who am I kidding?) will come?
Red (aka the most controversial code)
Friends’ Reaction: “Panty-dropping levels” (<-- wtf Casey???).
“Naked girls.” ”Ryan. And ripped dudes who like to cook topless.”
“K-pop and anime girls.” (<-- Dear. God. The whole table went silent after he said that. Jocelyn was SO UNCOMFORTABLE but tried to hide it OMG it was bad. Fennie literally tried to slap some sense into him.)
My Reaction: Uncontrollable staring. Urge to touch is strong, which I must fight because not everyone is cool with that. There may even be slack-jawed drooling involved. I think that’s what would happen. I’ve never seen or experienced anything that I would give Red to.
”
”
Claire Kann (Let's Talk About Love)
“
Lady Georgina of the Summer Court," Heather added.
I turned in my seat to see two fae in the parking lot through the glass front door. The girl was on fire. Like, literally on fire. Her clothes had burned off, but you couldn't see much of her. You know, through the fucking fire.
"What is going on?" I asked.
"She's having some hot flashes." Thea came to stand near our table and crossed her arms with a sigh. "Alan is there trying to cool her off. The pregnancy has been rough on her."
I looked at the flaming fae again, and sure enough a big ginger dude with a wild beard was waving his hands in the direction of his mate, spraying her with a mist of water. He might have been trying to put out the fire or just trying to simmer it down.
"I've heard about this," Jerod said, standing up and tapping his chin. "You've had a little baby boom over here, haven't you?"
"Something like that." Thea met Devin's gaze, pressing her lips in an attempt not to smile, and went over to the door to greet them.
"The faerie gate is," Heather paused, "overcorrecting for a previous problem we'd had. Let's leave it at that."
I looked up at Ryker, who was watching the flaming fae. He looked down at me with a shrug. "Fae. I'm still not entirely sure how they work and I've been around a while.
”
”
Sabrina Blackburry (Dirty Lying Dragons (The Enchanted Fates, #2))
“
I make the very best halwa chebakia. With mint tea, or qamar-el-deen- you can take some home to your family."
Such an offer cannot be refused. I know this from experience. Years of traveling with my mother have taught me that food is a universal passport. Whatever the constraints of language, culture or geography, food crosses over all boundaries. To offer food is to extend the hand of friendship; to accept is to be accepted into the most closed of communities. I wondered if Francis Reynaud had ever thought of this approach. Knowing him, he hasn't. Reynaud means well, but he isn't the type to buy halwa chebakia or to drink a glass of mint tea in the little café on the corner of the Boulevard P'tit Baghdad.
I followed Fatima into the house, making sure to leave my shoes at the door. It was pleasantly cool inside and smelt of frangipani; the shutters closed since midday to guard against the heat of the sun. A door led into the kitchen, from which I caught the mingled scents of anise and almond and rosewater and chickpeas cooked in turmeric, and chopped mint, and toasted cardamom, and those wonderful halwa chebakia, sweet little sesame pastries deep-fried in oil, just small enough to pop into the mouth, flower-shaped and brittle and perfect with a glass of mint tea...
”
”
Joanne Harris (Peaches for Father Francis (Chocolat, #3))
“
There was also a package wrapped in pale blue paper and tied with a matching ribbon. Picking up a small folded note that had been tucked under the ribbon, Beatrix read:
A gift for your wedding night, darling Bea. This gown was made by the most fashionable modiste in London. It is rather different from the ones you usually wear, but it will be very pleasing to a bridegroom. Trust me about this.
-Poppy
Holding the nightgown up, Beatrix saw that it was made of black gossamer and fastened with tiny jet buttons. Since the only nightgowns she had ever worn had been of modest white cambric or muslin, this was rather shocking. However, if it was what husbands liked...
After removing her corset and her other underpinnings, Beatrix drew the gown over her head and let a slither over her body in a cool, silky drift. The thin fabric draped closely over her shoulders and torso and buttoned at the waist before flowing to the ground in transparent panels. A side slit went up to her hip, exposing her leg when she moved. And her back was shockingly exposed, the gown dipping low against her spine. Pulling the pins and combs from her hair, she dropped them into the muslin bag in the trunk.
Tentatively she emerged from behind the screen.
Christopher had just finished pouring two glasses of champagne. He turned toward her and froze, except for his gaze, which traveled over her in a burning sweep. "My God," he muttered, and drained his champagne. Setting the empty glass aside, he gripped the other as if he were afraid it might slip through his fingers.
"Do you like my nightgown?" Beatrix asked.
Christopher nodded, not taking his gaze from her. "Where's the rest of it?"
"This was all I could find." Unable to resist teasing him, Beatrix twisted and tried to see the back view. "I wonder if I put it on backward..."
"Let me see." As she turned to reveal the naked line of her back, Christopher drew in a harsh breath.
Although Beatrix heard him mumble a curse, she didn't take offense, deducing that Poppy had been right about the nightgown. And when he drained the second glass of champagne, forgetting that it was hers, Beatrix sternly repressed a grin. She went to the bed and climbed onto the mattress, relishing the billowy softness of its quilts and linens. Reclining on her side, she made no attempt to cover her exposed leg as the gossamer fabric fell open to her hip.
Christopher came to her, stripping off his shirt along the way. The sight of him, all that flexing muscle and sun-glazed skin, was breathtaking. He was a beautiful man, a scarred Apollo, a dream lover. And he was hers.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
a young Goldman Sachs banker named Joseph Park was sitting in his apartment, frustrated at the effort required to get access to entertainment. Why should he trek all the way to Blockbuster to rent a movie? He should just be able to open a website, pick out a movie, and have it delivered to his door. Despite raising around $250 million, Kozmo, the company Park founded, went bankrupt in 2001. His biggest mistake was making a brash promise for one-hour delivery of virtually anything, and investing in building national operations to support growth that never happened. One study of over three thousand startups indicates that roughly three out of every four fail because of premature scaling—making investments that the market isn’t yet ready to support. Had Park proceeded more slowly, he might have noticed that with the current technology available, one-hour delivery was an impractical and low-margin business. There was, however, a tremendous demand for online movie rentals. Netflix was just then getting off the ground, and Kozmo might have been able to compete in the area of mail-order rentals and then online movie streaming. Later, he might have been able to capitalize on technological changes that made it possible for Instacart to build a logistics operation that made one-hour grocery delivery scalable and profitable. Since the market is more defined when settlers enter, they can focus on providing superior quality instead of deliberating about what to offer in the first place. “Wouldn’t you rather be second or third and see how the guy in first did, and then . . . improve it?” Malcolm Gladwell asked in an interview. “When ideas get really complicated, and when the world gets complicated, it’s foolish to think the person who’s first can work it all out,” Gladwell remarked. “Most good things, it takes a long time to figure them out.”* Second, there’s reason to believe that the kinds of people who choose to be late movers may be better suited to succeed. Risk seekers are drawn to being first, and they’re prone to making impulsive decisions. Meanwhile, more risk-averse entrepreneurs watch from the sidelines, waiting for the right opportunity and balancing their risk portfolios before entering. In a study of software startups, strategy researchers Elizabeth Pontikes and William Barnett find that when entrepreneurs rush to follow the crowd into hyped markets, their startups are less likely to survive and grow. When entrepreneurs wait for the market to cool down, they have higher odds of success: “Nonconformists . . . that buck the trend are most likely to stay in the market, receive funding, and ultimately go public.” Third, along with being less recklessly ambitious, settlers can improve upon competitors’ technology to make products better. When you’re the first to market, you have to make all the mistakes yourself. Meanwhile, settlers can watch and learn from your errors. “Moving first is a tactic, not a goal,” Peter Thiel writes in Zero to One; “being the first mover doesn’t do you any good if someone else comes along and unseats you.” Fourth, whereas pioneers tend to get stuck in their early offerings, settlers can observe market changes and shifting consumer tastes and adjust accordingly. In a study of the U.S. automobile industry over nearly a century, pioneers had lower survival rates because they struggled to establish legitimacy, developed routines that didn’t fit the market, and became obsolete as consumer needs clarified. Settlers also have the luxury of waiting for the market to be ready. When Warby Parker launched, e-commerce companies had been thriving for more than a decade, though other companies had tried selling glasses online with little success. “There’s no way it would have worked before,” Neil Blumenthal tells me. “We had to wait for Amazon, Zappos, and Blue Nile to get people comfortable buying products they typically wouldn’t order online.
”
”
Adam M. Grant (Originals: How Non-Conformists Move the World)
“
She finds herself, by some miraculous feat, no longer standing in the old nursery but returned to the clearing in the woods. It is the 'green cathedral', the place she first kissed Jack all those weeks ago. The place where they laid out the stunned sparrowhawk, then watched it spring miraculously back to life.
All around, the smooth, grey trunks of ancient beech trees rise up from the walls of the room to tower over her, spreading their branches across the ceiling in a fan of tangled branches and leaves, paint and gold leaf cleverly combined to create the shimmering effect of a leafy canopy at its most dense and opulent. And yet it is not the clearing, not in any real or grounded sense, because instead of leaves, the trees taper up to a canopy of extraordinary feathers shimmering and spreading out like a peacock's tail across the ceiling, a hundred green, gold and sapphire eyes gazing down upon her. Jack's startling embellishments twist an otherwise literal interpretation of their woodland glade into a fantastical, dreamlike version of itself. Their green cathedral, more spectacular and beautiful than she could have ever imagined.
She moves closer to one of the trees and stretches out a hand, feeling instead of rough bark the smooth, cool surface of a wall. She can't help but smile. The trompe-l'oeil effect is dazzling and disorienting in equal measure. Even the window shutters and cornicing have been painted to maintain the illusion of the trees, while high above her head the glass dome set into the roof spills light as if it were the sun itself, pouring through the canopy of eyes. The only other light falls from the glass windowpanes above the window seat, still flanked by the old green velvet curtains, which somehow appear to blend seamlessly with the painted scene. The whole effect is eerie and unsettling. Lillian feels unbalanced, no longer sure what is real and what is not. It is like that book she read to Albie once- the one where the boy walks through the wardrobe into another world. That's what it feels like, she realizes: as if she has stepped into another realm, a place both fantastical and otherworldly.
It's not just the peacock-feather eyes that are staring at her. Her gaze finds other details: a shy muntjac deer peering out from the undergrowth, a squirrel, sitting high up in a tree holding a green nut between its paws, small birds flitting here and there. The tiniest details have been captured by Jack's brush: a silver spider's web, a creeping ladybird, a puffy white toadstool. The only thing missing is the sound of the leaf canopy rustling and the soft scuttle of insects moving across the forest floor.
”
”
Hannah Richell (The Peacock Summer)
“
Where do you even start with Cinderella? Let's ignore Cinderella's victim status and total lack of self-determination and head straight for the prince who was, let's face it, a bit of a jerk. Despite being captivated by Cinderella's radiant beauty for half the night, come the cold light of day he has completely forgotten what she looks like and only has her shoe size to go on. Either he was suffering from some sort of early onset Alzheimer's disease or else he was completely off his face during the big ball. the end result is that he goes trawling through the kingdom in some sort of perverted foot-fetish style quest for someone, anyone, who fits the glass slipper. Just how superficial is this guy? What if Cinderella had turned up at the ball looking exactly like she did only with a mole on her face and that had a couple of twelve-centimetre hairs sticking out of it? What if a bearded troll just happened to have the same shoe size as Cinderella? 'Ah, well. Pucker up, bushy cheeks, it's snog time.' And no one ever bothers to question the sheer impracticality of Cinderella's footwear. Glass might be good for many things but it's not exactly malleable in its cooled state. If everyone turned and gaped when Cinderella made her big entrance into the ball, it's only because she'd have come staggering in like a drunken giraffe on rollerblades. Bit of a head turner.
”
”
John Larkin (The Shadow Girl)
“
Dorian padded onto his balcony, needing to feel the river breeze on his face, to know that this was real and he was free. He opened the balcony doors, the stones cool on his feet, and gazed out across the razed grounds. He’d done that. He loosed a breath, taking in the glass wall as it sparkled in the moonlight. There was a massive shadow perched atop it. Dorian froze. Not a shadow but a giant beast, its claws gripping the wall, its wings tucked into its body, shimmering faintly in the glow of the full moon. Shimmering like the white hair of the rider atop it. Even from the distance, he knew she was staring right at him, her hair streaming to the side like a ribbon of moonlight, caught in the river breeze. Dorian lifted a hand, the other rising to his neck. No collar. The rider on the wyvern leaned down in her saddle, saying something to her beast. It spread its massive, glimmering wings and leaped into the air. Each beat of its wings sent a hollowed-out, booming gust of wind toward him. It flapped higher, her hair streaming behind her like a glittering banner, until they vanished into the night, and he couldn’t hear its wings beating anymore. No one sounded the alarm. As if the world had stopped paying attention for the few moments they’d looked at each other. And through the darkness of his memories, through the pain and despair and terror he’d tried to forget, a name echoed in his head.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
I wish you’d stop acting as if-as if everything is normal!”
“What would you have me do?” he replied, getting up and walking over to the tray of liquor. He poured some Scotch into two glasses and handed one to Jordan. “If you’re waiting for me to rant and weep, you’re wasting your time.”
“No, at the moment I’m glad you’re not given to the masculine version of hysterics. I have news, as I said, and though you aren’t going to find it pleasant from a personal viewpoint, it’s the best possible news from the standpoint of your trial next week. Ian,” he said uneasily, “our investigators-yours, I mean-have finally picked up Elizabeth’s trail.”
Ian’s voice was cool, his expression unmoved. “Where is she?”
“We don’t know yet, but we do know she was seen traveling in company of a man on the Bernam Road two nights after she disappeared. They put up at the inn about fifteen miles north of Lister. They”-he hesitated and expelled his breath in a rush-“they were traveling as man and wife, Ian.”
Other than the merest tightening of Ian’s hand upon the glass of Scotch, there was no visible reaction to this staggering news, or to all its heartbreaking and unsavory implications. “There’s more news, and it’s as good-I mean as valuable-to us.”
Ian tossed down the contents of his glass and said with icy finality, “I can’t see how any news could be better. She has now proven that I didn’t kill her, and at the same time she’s given me irrefutable grounds for divorce.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
BEEKEEPER’S GRANOLA 32 ounces Bob’s Red Mill GF Old Fashioned Rolled Oats ½ cup pumpkin seeds 1 cup sliced almonds ½ cup honey ½ cup canola oil Preheat oven to 225 degrees. Spray a large baking sheet (21 x 15 inches) with cooking spray. In a large bowl combine the oats, pumpkin seeds, and almonds. Pour the honey and oil over the mixture and toss lightly, making sure the oat mixture is covered. Spread on baking sheet and bake for 90 minutes. Cool on a wire rack. Granola keeps for several weeks in a sealed container. CRANACHAN (Serves 4) 1¼ cups granola, divided ½ cup bourbon, plus 2 teaspoons, divided 3 cups raspberries, plus 8 whole berries for garnish 1 teaspoon honey, divided 2 cups heavy cream 4 parfait glasses or martini glasses Combine ¾ cup granola and ½ cup bourbon and let sit for several hours before assembling dessert. The granola will absorb the alcohol and become soft but not mushy. Meanwhile, chill a mixing bowl. Lightly crush raspberries with a fork, add ½ teaspoon honey and 1 teaspoon bourbon. Toss to combine. You want a puree texture. In a chilled bowl, start whipping the heavy cream. When it begins to thicken, add remaining ½ teaspoon honey and remaining 1 teaspoon bourbon. Continue whipping cream until it is slightly firm. Fold soaked granola into the cream. To assemble, sprinkle a bit of the reserved granola into each glass. Spoon a layer of the cream mixture over granola and then add a layer of the raspberry mixture. Repeat until you have a few layers, finishing with a layer of the cream.
”
”
Jodi Picoult (Mad Honey)
“
Spinach Quiche Preheat oven to 375 degrees F., rack in the middle position This is my recipe. It can be served as an appetizer if you cut it into thin slices and arrange them on a platter. It can also be served as an entrée. One 9-inch unbaked pastry shell 1 beaten egg yolk (reserve the white in a small dish) 10-ounce package frozen chopped spinach ½ teaspoon salt ½ teaspoon pepper (freshly ground is best) 3 Tablespoons horseradish sauce 2 ounces shredded Jarlsberg (or good Swiss cheese) 4 eggs 1½ cups Half & Half (or light cream) 1/8 teaspoon salt 1/8 teaspoon cayenne pepper 1/8 teaspoon nutmeg (freshly ground is best) Beat the egg yolk in a glass with a fork. Brush the inside of the unbaked pastry shell with the yolk. Set the shell aside to dry. Cook and drain the spinach. Squeeze out as much moisture as you can and then blot with a paper towel. In a bowl, combine the spinach with the salt, pepper, and horseradish sauce. Spread it in the bottom of the pastry shell. Sprinkle the top with the grated cheese. Beat the 4 whole eggs with the reserved egg white. Add the Half & Half, salt, and cayenne pepper. Mix well and pour on top of cheese. Sprinkle the top with nutmeg. Bake at 375 degrees F. for 40 minutes, or until a knife inserted one inch from the center comes out clean. Let cool for ten minutes and then cut into wedges and serve. This quiche can be served warm or at room temperature. I’ve even been known to eat it cold, straight out of the refrigerator. It’s perfect for a fancy brunch or a lazy, relaxed breakfast on the weekend. Yield: Serves from 12 to 18 as an appetizer. Serves six as an entrée if they only have one piece.
”
”
Joanne Fluke (Joanne Fluke Christmas Bundle: Sugar Cookie Murder, Candy Cane Murder, Plum Pudding Murder, & Gingerbread Cookie Murder)
“
Minutes later, we were back at the sliding glass door that led inside the house--me, leaning against the glass, Marlboro Man anchoring me there with his strong, convincing lips. I was a goner. My right leg hooked slowly around his calf.
And then, the sound--the loud ringing of the rotary phone inside. Marlboro Man ignored it through three rings, but it was late, and curiosity took over. “I’d better get that,” he said, each word dripping with heat. He ran inside to answer the phone, leaving me alone in a sultry, smoky cloud. Saved by the bell, I thought. Damn. I was dizzy, unable to steady myself. Was it the wine? Wait…I hadn’t had any wine that night. I was drunk on his muscles. Wasted on his masculinity.
Within seconds, Marlboro Man was running back out the door.
“There’s a fire,” he said hurriedly. “A big one--I’ve got to go.” Without pausing, he ran toward the pickup.
I stood there, still dazed and fizzy, still unable to feel my knees. And then, just as I was beginning to reflect on the utter irony that a prairie fire may have just saved my eternal soul from burning in hell for carnal sin, Marlboro Man’s pickup flew into reverse and screeched abruptly to a halt at the edge of The Porch--our porch. Rolling down his window, he leaned out and yelled, “You comin’?”
“Oh…um…sure!” I replied, running toward the pickup and hopping inside.
A prairie fire. A real, live prairie fire, I thought as Marlboro Man’s diesel pickup peeled out of his gravel driveway. Cool! This’ll be so neat! Moments later, as the pickup reached the top of the hill by his house, I could see an ominous orange glow in the distance.
I shuddered as I felt a chill go through me.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Sometimes we woke in the night, huddled against the cold. Then, in the darkness, the world and everything in it became as skinless as water, no boundaries to show where one wave ended and the next began, our bodies like paired oars, each movement driving us further into the unknown. Time and sensation blurred. Tiny moments of golden brilliance, gossamer-thin and stretched to breaking, in a life otherwise steeped in grim shadow.
I did not simply hold Pétur in my arms; I embraced him with blood and bone, clasped him with muscle and spirit, everything that I was and hoped to be.
God might strike me down, but I felt saved and whole. Afterwards, we fell asleep intertwined. In those last moments of wakefulness, blinking up at the stars, as I sensed Pétur’s sweat cooling on my skin, I felt utterly human and fallen, and utterly content. And in those heat-soaked rags of time, I wished for every mountain in Iceland to shudder down rocks upon us, concealing us for ever from the gaze of the world. If we were ever found, our bodies would be dragged from the rubble together: tangled, knotted – inseparable.
But such moments of savage contentment are as fleeting as the reflection of the swelling moon blinking upon the surface of the sea.
Only ever minutes old, they dissolve with a passing cloud, or a gust of wind.
In every human heart glows a tiny flame of hope that tomorrow will bring a love that might satisfy the smouldering yearning to be known.
In some hearts, that fire is greedy and becomes a devouring inferno. It leaves only dead ash and dry dust behind. The wind whirls it into emptiness.
But there is such heat while it burns … And the light is infinite.
”
”
Caroline Lea (The Glass Woman)
“
A long time ago, I collected the flower petals stained with my first blood; I thought there was something significant about that, there was importance in all the little moments of experience, because when you live forever, the first times matter. The first time you bleed, first time you cry — I don’t remember that — first time you see your wings, because new things defile you, purity chips away. your purity. nestled flowers in your belly, waiting to be picked. do you want innocence back? small and young smiles that make your eyes squint and cheeks flare the feeling of your face dripping down onto the grass, the painted walls you tore down, the roads you chipped away, they’ll eat away at you, the lingering feelings of a warm hand on your waist, the taps of your feet as you dance, the
beats of your timbrel.’ ‘and now you are like Gods, sparkling brilliant with jewelry that worships you, and you’re splitting in order to create.’ ‘The tosses of your wet hair, the rushes of chariots speeding past, the holy, holy, holy lord god of hosts, the sweetness of a strawberry, knocks against the window by your head, the little tunes of your pipes, the cuts sliced into your fingers by uptight cacti fruits, the brisk scent of a sea crashing into the rocks, the sweat of wrestling, onions, cumin, parsley in a metal jug, mud clinging to your skin, a friendly mouth on your cheeks and forehead, chimes, chirps of chatter in the bazaar, amen, amen, amen, the plump fish rushing to take the bread you toss, scraping of a carpenter, the hiss of chalk, the wisps of clouds cradling you as you nap, the splashes of water in a hot pool, the picnic in a meadow, the pounding of feet that are chasing you, the velvet of petals rustling you awake, a giant water lily beneath you, the innocent kiss, the sprawl of the universe reflected in your eyes for the first time, the bloody wings that shred out of your back, the apples in orchards, a basket of stained flowers, excited chants of a colosseum audience, the heat of spinning and bouncing to drums and claps, the love braided into your hair, the trickles of a piano, smell of myrrh, the scratches of a spoon in a cup, the coarseness of a carpet, the stringed instruments and trumpets, the serene smile of not knowing, the sleeping angel, the delight of a creator, the amusement of gossip and rumors, the rumbling laughter between shy singing, the tangling of legs, squash, celery, carrot, and chayote, the swirled face paint, the warmth of honey in your tea, the timid face in the mirror, mahogany beams, the embrace of a bed of flowers, the taste of a grape as its fed to you, the lip smacks of an angel as you feed him a raspberry, the first dizziness of alcohol, the cool water and scent of natron and the scratch of the rock you beat your dirty clothes against, the strain of your arms, the columns of an entrance, the high ceilings of a dark cathedral, the boiling surface of bubbling stew, the burn of stained-glass, the little joyous jump you do seeing bread rise, the silky taste of olive oil, the lap of an angel humming as he embroiders a little fox into his tunic, the softness of browned feathers lulling you to sleep, the weight of a dozen blankets and pillows on your small bed, the proud smile on the other side of a window in a newly-finished building, the myrtle trees only you two know about, the palm of god as he fashions you from threads of copper, his praises, his love, his kiss to your hair, your father.
”
”
Rafael Nicolás (Angels Before Man)
“
BEEKEEPER’S GRANOLA 32 ounces Bob’s Red Mill GF Old Fashioned Rolled Oats ½ cup pumpkin seeds 1 cup sliced almonds ½ cup honey ½ cup canola oil Preheat oven to 225 degrees. Spray a large baking sheet (21 x 15 inches) with cooking spray. In a large bowl combine the oats, pumpkin seeds, and almonds. Pour the honey and oil over the mixture and toss lightly, making sure the oat mixture is covered. Spread on baking sheet and bake for 90 minutes. Cool on a wire rack. Granola keeps for several weeks in a sealed container. CRANACHAN (Serves 4) 1¼ cups granola, divided ½ cup bourbon, plus 2 teaspoons, divided 3 cups raspberries, plus 8 whole berries for garnish 1 teaspoon honey, divided 2 cups heavy cream 4 parfait glasses or martini glasses Combine ¾ cup granola and ½ cup bourbon and let sit for several hours before assembling dessert. The granola will absorb the alcohol and become soft but not mushy. Meanwhile, chill a mixing bowl. Lightly crush raspberries with a fork, add ½ teaspoon honey and 1 teaspoon bourbon. Toss to combine. You want a puree texture. In a chilled bowl, start whipping the heavy cream. When it begins to thicken, add remaining ½ teaspoon honey and remaining 1 teaspoon bourbon. Continue whipping cream until it is slightly firm. Fold soaked granola into the cream. To assemble, sprinkle a bit of the reserved granola into each glass. Spoon a layer of the cream mixture over granola and then add a layer of the raspberry mixture. Repeat until you have a few layers, finishing with a layer of the cream. Sprinkle remaining granola and a couple of whole raspberries on top. QUEEN BEE COCKTAIL 1½ teaspoons honey simple syrup (recipe on this page) Club soda 1½ ounces bourbon 1 teaspoon lime juice Sliced lime, for garnish Fill
”
”
Jodi Picoult (Mad Honey)
“
Apricot and chocolate muffins Muffins are a great way to introduce new fruits to your child’s diet. Once they have enjoyed apricots in a muffin, you can serve the ‘real thing’, saying it’s what they have for breakfast. Or you can put some fresh versions of the fruit on the same plate. Other fruits to try in muffins include blueberries and raspberries. A word of warning: the muffins don’t taste massively sweet so may seem a bit underwhelming to the adult palette. We tend to have them with a glass of milk-based, homemade fruit smoothie, spreading them with ricotta cheese to make them more substantial. 250g plain wholemeal flour 2 tsp baking powder 30g granulated fruit sugar 1 egg 30ml vegetable oil 150ml whole milk 180g ripe apricots, de-stoned and chopped 20g milk chocolate, cut into chips Put muffin cases into a muffin tray (this makes about 8–10 small muffins). Heat the oven to 180°C/gas 4. Put the flour and baking powder in a bowl and mix well. Next add the sugar and mix again. Make a ‘well’ in the middle of the mixture. Crack the egg into another bowl and add the oil and milk. Whisk well, then pour into the ‘well’ in the mixture in the other bowl. Stir it briskly and, once well mixed, stir in the apricot and the chocolate chips. Spoon equal amounts into the muffin cases and bake. Check after 25 minutes. If ready, a sharp knife will go in and out with no mixture attached. If you need another 5 minutes, return to the oven until done. Cool and serve. Makes 10 mini- or 4 regular-sized muffins. Great because: The chocolate is only present in a tiny amount but is enough to make the muffins feel a bit special while the apricots provide a little fruit. If you have them with a milk-based smoothie and ricotta it means that you boost the protein content of the meal to make it more filling.
”
”
Amanda Ursell (Amanda Ursell’s Baby and Toddler Food Bible)
“
Wilcox welcomed our interest; we had bottles brought up from every bin, and it was during those tranquil evenings with Sebastian that I first made a serious acquaintance with wine and sowed the seed of a rich harvest which was to be my stay in many barren years. We would sit, he and I, in the Painted Parlour with three bottles open on the table and three glasses before each of us; Sebastian had found a book on wine-tasting, and we followed its instructions in detail. We warmed the glass slightly at a candle, filled it a third high, swirled the wine round, nursed it in our hands, held it to the light, breathed it, sipped it, filled our mouths with it, and rolled it over the tongue, ringing it on the palate like a coin on a counter, tilted our heads back and let it trickle down the throat. Then we talked of it and nibbled Bath Oliver biscuits, and passed on to another wine; then back to the first then on to another, until all three were in circulation and the order of the glasses got confused, and we fell out over which was which, and passed the glasses to and fro between us until there were six glasses, some of them with mixed wines in them which we had filled from the wrong bottle, till we were obliged to start again with three clean glasses each, and the bottles were empty and our praise of them wilder and more exotic.
'...It is a little, shy wine like a gazelle.'
'Like a leprechaun.'
'Dappled, in a tapestry meadow.'
'Like a flute by still water.'
'...And this is a wise old wine.'
'A prophet in a cave.'
'...And this is a necklace of pearls on a white neck.'
'Like a swan.'
'Like the last unicorn.'
And we would leave the golden candlelight of the dining-room for the starlight outside and sit on the edge of the fountain, cooling our hands in the water and listening drunkenly to its splash and gurgle over the rocks.
'Ought we to be drunk every night?' Sebastian asked one morning.
'Yes, I think so.'
'I think so too'.
”
”
Evelyn Waugh (Brideshead Revisited)
“
Mike continued to walk unhurriedly toward the crowd until he loomed up in the stereo tank in life size, as if he were in the room with his water brothers. He stopped on the grass verge in front of the hotel, a few feet from the crowd. "You called me?"
He was answered with a growl.
The sky held scattered clouds; at that instant the sun came out from behind one and a shaft of golden light hit him.
His clothes vanished. He stood before them, a golden youth, clothed only in his own beauty, beauty that made Jubal's heart ache, thinking that Michelangelo in his ancient years would have climbed down from his high scaffolding to record it for generations unborn. Mike said gently, "Look at me. I am a son of man." . . . .
"God damn you!" A half brick caught Mike in the ribs. He turned his face slightly toward his assailant. "But you yourself are God. You can damn only yourself and you can never escape yourself."
"Blasphemer!" A rock caught him just over his left eye and blood welled forth.
Mike said calmly, "In fighting me, you fight yourself... for Thou art God and I am God * . . and all that groks is God-there is no other."
More rocks hit him, from various directions; he began to bleed in several places. "Hear the Truth. You need not hate, you need not fight, you need not fear. I offer you the water of life-" Suddenly his hand held a tumbler of water, sparkling in the sunlight. "-and you may share it whenever you so will . . . and walk in peace and love and happiness together."
A rock caught the glass and shattered it. Another struck him in the mouth.
Through bruised and bleeding lips he smiled at them, looking straight into the camera with an expression of yearning tenderness on his face. Some trick of sunlight and stereo formed a golden halo back of his head. "Oh my brothers, I love you so! Drink deep. Share and grow closer without end. Thou art God."
Jubal whispered it back to him. . . .
"Lynch him! Give the bastard a nigger necktie!" A heavy-gauge shotgun blasted at close range and Mike's right arm was struck off at the elbow and fell. It floated gently down, then came to rest on the cool grasses, its hand curved open in invitation.
"Give him the other barrel, Shortie-and aim closer!" The crowd laughed and applauded. A brick smashed Mike's nose and more rocks gave him a crown of blood. "The Truth is simple but the Way of Man is hard. First you must learn to control yourself. The rest follows. Blessed is he who knows himself and commands himself, for the world is his and love and happiness and peace walk with him wherever he goes." Another shotgun blast was followed by two more shots. One shot, a forty-five slug, hit
Mike over the heart, shattering the sixth rib near the sternum and making a large wound; the buckshot and the other slug sheered through his left tibia five inches below the patella and left the fibula sticking out at an angle, broken and white against the yellow and red of the wound. Mike staggered slightly and laughed, went on talking, his words clear and unhurried. "Thou art God. Know that and the Way is opened."
"God damn it-let's stop this taking the Name of the Lord in vain!"- "Come on, men! Let's finish him!" The mob surged forward, led by one bold with a club; they were on him with rocks and fists, and then with feet as he went down. He went on talking while they kicked his ribs in and smashed his golden body, broke his bones and tore an ear loose. At last someone called out, "Back away a little so we can get the gasoline on him!"
The mob opened up a little at that waning and the camera zoomed to pick up his face and shoulders. The Man from Mars smiled at his brothers, said once more, softly and clearly, "I love you." An incautious grasshopper came whirring to a landing on the grass a few inches from his face; Mike turned his head, looked at it as it stared back at him. "Thou art God," he said happily and discorporated.
”
”
Robert A. Heinlein
“
May I ask you a question? If you have to hold your breath too long, what is it that makes you desperate to breathe again?” “I’m running out of oxygen, I guess.” “That’s the interesting fact. It isn’t the absence of oxygen. It’s the presence of carbon dioxide. Kind of the same thing, but not exactly. The point is, you could suck up any kind of gas, and as long as it wasn’t carbon dioxide, your brain would be happy. You could have a chest full of nitrogen, no oxygen at all, about to kill you stone dead, and your lungs would say, hey man, we’re cool, no carbon dioxide here, no need for us to start pumping again until we see some. Which they never will, because you’ll never breathe again. Because you’ll never need to. Because you have no carbon dioxide. And so on. So those folks started sniffing nitrogen, but you have to go to the welding shop and the cylinders are too heavy to lift, so then they tried helium from the balloon store, but you needed masks and tubes, and the whole thing still looks weird, so in the end most folks won’t be satisfied with anything less than the old-fashioned bottle of pills and the glass of scotch. Exactly like it used to be. Except it can’t be anymore. Those pills were most likely either Nembutal or Seconal, and both of those substances are tightly controlled now. There’s no way to get them. Except illegally, of course, way down where no one can see you. There are sources. The holy grail. Most of the offers are scams, naturally. Powdered Nembutal from China, and so on. Dissolve in water or fruit juice. Maybe eight or nine hundred bucks for a lethal dose. Some poor desperate soul takes the cash to MoneyGram and sends it off, and then waits at home, anxious and tormented, and never sees any powdered Nembutal from China, because there never was any. The powder in the on-line photograph was talc, and the prescription bottle was for something else entirely. Which I felt was a new low, in the end. They’re preying on the last hopes of suicidal people.
”
”
Lee Child (Make Me (Jack Reacher, #20))
“
CRANBERRY SCONES Preheat oven to 425 degrees F., rack in the middle position. 3 cups all-purpose flour (pack it down in the cup when you measure it) 2 Tablespoons white (granulated) sugar 2 teaspoons cream of tartar (important) 1 teaspoon baking powder 1 teaspoon baking soda ½ teaspoon salt ½ cup softened salted butter (1 stick, 4 ounces, ¼ pound) 2 large eggs, beaten (just whip them up in a glass with a fork) 1 cup unflavored yogurt (8 ounces) 1 cup sweetened dried cranberries (Craisins, or their equivalent) ½ cup whole milk Use a medium-size mixing bowl to combine the flour, sugar, cream of tartar, baking powder, baking soda, and salt. Stir them all up together. Cut in the salted butter just as you would for piecrust dough. Hannah’s Note: If you have a food processor, you can use it for the first step. Cut ½ cup COLD salted butter into 8 chunks. Layer them with the dry ingredients in the bowl of the food processor. Process with the steel blade until the mixture has the texture of cornmeal. Transfer the mixture to a medium-sized mixing bowl and proceed to the second step. Stir in the beaten eggs and the unflavored yogurt. Then add the sweetened dried cranberries and mix everything up together. Add the milk and stir until everything is combined. Drop the scones by soup spoonfuls onto a greased (or sprayed with Pam or another nonstick baking spray) baking sheet, 12 large scones to a sheet. You can also drop these scones on parchment paper if you prefer. Once the scones are on the baking sheet, you can wet your fingers and shape them into more perfect rounds. (If you do this and there are any leftovers, you can slice them in half and toast them for breakfast the next morning.) Bake the scones at 425 degrees F. for 12 to 14 minutes, or until they’re golden brown on top. Cool the scones for at least five minutes on the cookie sheet, and then remove them with a spatula. Serve them in a towel-lined basket so they stay warm. Yield: Makes 12 large and delicious scones.
”
”
Joanne Fluke (Plum Pudding Murder (Hannah Swensen, #12))
“
Maybe they’d give her everything she wanted.
All it would cost was her secrets.
Charlie pasted a smile on her face. Glanced at the old “fear less” tattoo looping across the skin of her inner arm. “Fine,” she said through gritted teeth. “In that case, I’d like to confess.”
“Confess?” Vicereine echoed, puzzled.
“Do you remember when Brayan Araya had his secrets written with a laser on grains of rice and kept them in a glass jar under his pillow? I snatched that like I was the tooth fairy. Or remember when Eshe Goodwin got that book with all the detailed illustrations and no one could make head or tail of it? The secrets were written in the artwork, so I cut those pages straight out. I’m not sure she’s opened it up to know they’re missing. I took Owain Cadwallader’s eighteenth-century memoir and discovered a whole pile of notes stitched into the interior binding of another book—I forget the title, but it had these cool metal catches on the side—and took those without letting anyone be the wiser. Oh, and I grabbed Jaden Coffey’s whole collection of seventies shadow magic zines. Want me to go on? I’ve been doing this for years.” She felt giddy, like she was sliding down a hill, no way to stop now. All the exultation of finally admitting to something.
“You cut out pages from Eshe’s book?” Vicereine sounded pissed.
“I’m a bad person.” Charlie reached into the pocket of her jeans, took something out, and threw it to Malik. Startled, he caught it. When he looked at what was in his hands, his brows drew together. “I also grabbed your wallet when I brushed by you. Sorry.”
“You are making some very dangerous enemies,” Vicereine told her.
“What’s this all about?” Malik was tight-jawed. “What are you doing?”
“Punish me,” Charlie said. “I’m loads worse than Adeline.”
“You want it tied to you?” Bellamy asked.
The idea of someone inside her head, someone she couldn’t hide her worst thoughts from, someone she loved, made her feel a little queasy. “Yes. Reward or punishment, give him to me. I’ll be the Hierophant.
”
”
Holly Black (Book of Night (Book of Night, #1))
“
The population, who are, ultimately, indifferent to public affairs and even to their own interests, negotiate this indifference with an equally spectral partner and one that is similarly indifferent to its own will: the government [Ie pouvoir] . This game between zombies may stabilize in the long term. The Year 2000 will not take place in that an era of indifference to time itself - and therefore to the symbolic term of the millennium - will be ushered in by negotiation.
Nowadays, you have to go straight from money to money, telegraphically so to speak, by direct transfer (that is the viral side of the matter). A viral revolution, then, more akin to the Glass Bead Game than to the steam engine, and admirably personified in Bernard Tapie's playboy face. For the look of money is reflected in faces. Gone are the hideous old capitalists, the old-style industrial barons wearing the masks of the suffering they have inflicted. Now there are only dashing playboys, sporty and sexual, true knights of industry, wearing the mask of the happiness they spread all around themselves.
The world put on a show of despair after 1968. It's been putting on a big show of hope since 1980. No more tears, alright? Reaganite optimism, the pump ing up of the dollar. Fabius's glossy new look. Patriotic conviviality. Reluctance prohibited. The old pessimism was produced by the idea that things were getting worse and worse. The new pessimism is produced by the fact that everything is getting better and better. Supercooled euphoria. Controlled anaesthesia.
I should like to see the equivalent of Bernard Tapie in the world of business emerge in the world of concepts. Buying up failing concepts, swallowing them up, dusting them off (firing all the deadbeats who are in the way), putting them back into circulation with a dynamic virginity, sending them shooting up on the Stock Exchange and then abandoning them afterwards like dogs. Some people do this very well.
It is perhaps better to save tired concepts by maintaining them in a super cooled state like unemployed labour, or locking them away in interactive data banks kept alive on a respirator.
”
”
Jean Baudrillard (Cool Memories)
“
During homeroom, before first period, I start a bucket list in one of my notebooks.
First on the list?
1) Eat in the cafeteria. Sit with people. TALK TO THEM.
2)
And…that’s all I can come up with for now. But this is good. One task to work on.
No distractions. I can do this.
When my lunch period rolls around, I forgo the safety of my bag lunch and the computer
lab and slip into the pizza line, wielding my very own tray of semi-edible fare for
the first time in years.
“A truly remarkable sight.” Jensen cuts into line beside me, sliding his tray next
to mine on the ledge in front of us. He lifts his hands and frames me with his fingers,
like he’s shooting a movie. “In search of food, the elusive creature emerges from
her den and tries her luck at the watering hole."
I shake my head, smiling, moving down the line. “Wow, Peters. I never knew you were
such a huge Animal Planet fan.”
“I’m a fan of all things nature. Birds. Bees. The like.” He grabs two pudding cups
and drops one on my tray.
“Pandas?” I say.
“How did you know? The panda is my spirit animal.”
“Oh, good, because Gran has this great pattern for an embroidered panda cardigan.
It would look amazing on you.”
“Um, yeah, I know. It was on my Christmas list, but Santa totally stiffed me."
I laugh as I grab a carton of milk. So does he.
He leans in closer. “Come sit with me.”
“At the jock table? Are you kidding?” I hand the cashier my lunch card.
Jensen squints his eyes in the direction of his friends. “We’re skinny-ass basketball
players, Wayfare. We don’t really scream jock.”
“Meatheads, then?”
“I believe the correct term is Athletic Types.” We step out from the line and scan
the room. “So where were you planning on sitting?"
“I was thinking Grady and Marco were my safest bet.”
“The nerd table?”
I gesture to myself, especially my glasses. “I figure my natural camouflage will help
me blend, yo.”
He laughs, his honey-blond hair falling in front of his eyes.
“And hey,” I say, nudging him with my elbow, “last I heard, Peters was cool with nerdy.”
He claps me gently on the back. “Good luck, Wayfare. I’m pulling for ya.
”
”
M.G. Buehrlen (The Untimely Deaths of Alex Wayfare (Alex Wayfare #2))
“
What a lovely day again; were it a new-made world, and made for a summer-house to the angels, and this morning the first of its throwing open to them, a fairer day could not dawn upon that world. Here's food for thought, had Ahab time to think; but Ahab never thinks; he only feels, feels, feels; that's tingling enough for mortal man! to think's audacity. God only has that right and privilege. Thinking is, or ought to be, a coolness and a calmness; and our poor hearts throb, and our poor brains beat too much for that. And yet, I've sometimes thought my brain was very calm—frozen calm, this old skull cracks so, like a glass in which the contents turned to ice, and shiver it. And still this hair is growing now; this moment growing, and heat must breed it; but no, it's like that sort of common grass that will grow anywhere, between the earthy clefts of Greenland ice or in Vesuvius lava. How the wild winds blow it; they whip it about me as the torn shreds of split sails lash the tossed ship they cling to. A vile wind that has no doubt blown ere this through prison corridors and cells, and wards of hospitals, and ventilated them, and now comes blowing hither as innocent as fleeces. Out upon it!—it's tainted. Were I the wind, I'd blow no more on such a wicked, miserable world. I'd crawl somewhere to a cave, and slink there. And yet, 'tis a noble and heroic thing, the wind! who ever conquered it? In every fight it has the last and bitterest blow. Run tilting at it, and you but run through it. Ha! a coward wind that strikes stark naked men, but will not stand to receive a single blow. Even Ahab is a braver thing—a nobler thing that that. Would now the wind but had a body; but all the things that most exasperate and outrage mortal man, all these things are bodiless, but only bodiless as objects, not as agents. There's a most special, a most cunning, oh, a most malicious difference! And yet, I say again, and swear it now, that there's something all glorious and gracious in the wind. These warm Trade Winds, at least, that in the clear heavens blow straight on, in strong and steadfast, vigorous mildness; and veer not from their mark, however the baser currents of the sea may turn and tack, and mightiest Mississippies of the land swift and swerve about, uncertain where to go at last. And by the eternal Poles! these same Trades that so directly blow my good ship on; these Trades, or something like them—something so unchangeable, and full as strong, blow my keeled soul along!
”
”
Herman Melville (Moby-Dick or, The Whale)
“
Okay, try this, ma’am,” Januscheitis said, setting down a shot glass with a clear liquid in it.
“What is this?” Faith said. She sniffed it and her nose wrinkled. “Seriously? A Marine has to drink?”
“Not has to, ma’am,” Januscheitis said. “Just interested. And it’s chilled vodka. Try it.”
Faith tossed back the drink as the assembled group watched with sneaky smiles.
“Okay, that’s not bad,” Faith said, shrugging.
“No reaction at all?” Paula said, looking shocked. “No coughing? No choking?”
“Was there supposed to be one?” Faith asked. She picked up the bottle, poured another shot and tossed it back. “There, happy?”
“Try this one… ” Sophia said, carefully, sliding across a shot of dark liquor.
“Ick,” Faith said. “That’s not so good. What was it?”
“Twenty-five-year-old Strathsclyde,” Sophia said.
“Which is?” Faith asked.
“Scotch, ma’am,” Januscheitis said. “Good scotch.”
“Tastes like piss,” Faith said. “Not that I’ve ever drunk piss. Okay, what else you got?”
Thirty minutes later there were a dozen bottles on the table and Faith had had at least one shot from each.
“Okay, rum’s pretty good,” she said, smacking her lips. “Not as good as Razzleberry tea but not bad.”
“She’s not even slightly drunk?” Derek slurred. He was, for sure.
“Isn’t it supposed to be doing something by now?” Faith asked, taking another shot of 151.
“I mean, I’d just finished seventh grade,” Faith said. “I’ve been to, like, two school dances! I’m never going to get to go to prom… ” She took another drink and frowned. “That sucks. That’s one of the reasons I hate fucking zombies. I’m never going to get to go to prom.”
“Marine corps ball, ma’am,” Januscheitis said. He’d stopped drinking when the LT started to get shit-faced. Which had taken enough straight booze to drown a Force Recon platoon. “Way better than prom.”
“Really?” Faith said.
“Really,” Derek said. “Marine Corps ball is like prom for Marines.”
“Christ, it’s coming up, isn’t it?” Januscheitis said. “Time’s sort of gotten to be one of those things you forget.”
“We gonna have one?” Derek said.
“Bet you,” Januscheitis said. “Gunny will insist. Probably use the Alpha or the Money.”
“That’d be cool,” Derek said, grinning. “Use the Alpha. Marine Corps ball on a megayacht captured from zombies? I can dig that. Besides it’s more trashed out. You know how ball gets… ”
“Semper fucking Fi,” Faith said. “I get to go to prom.”
“We’ll make sure of it, ma’am,” Januscheitis said.
“Great!” Faith slurred. “So why do I gotta puke?
”
”
John Ringo (To Sail a Darkling Sea (Black Tide Rising, #2))
“
After Marcus had wiped her perspiring body with a cool, damp cloth, he dressed her in his discarded shirt, which held the scent of his skin. He brought her a plate containing a poached pear, and a glass of sweet wine, and even allowed her to feed him a few bites of the silky-soft fruit. When her appetite was sated, Lillian set aside the empty plate and spoon, and turned to snuggle against him. He rose on one elbow and looked down at her, his fingers playing idly in her hair.
“Are you sorry that I wouldn’t let St. Vincent have you?”
She gave him a puzzled smile. “Why would you ask such a thing? Surely you’re not having pangs of conscience.”
Marcus shook his head. “I am merely wondering if you had any regrets.”
Surprised and touched by his need for reassurance, Lillian toyed with the dark curls on his chest. “No,” she said frankly. “He is attractive, and I do like him… but I didn’t want him.”
“You did consider marrying him, however.”
“Well,” she admitted, “it did cross my mind that I would like to be a duchess— but only to spite you.”
A smile flashed across his face. He retaliated with a punishing nip at her breast, causing her to yelp. “I couldn’t have borne it,” he admitted, “seeing you married to anyone but me.”
“I don’t think Lord St. Vincent will have any difficulty finding another heiress to suit his purposes.”
“Perhaps. But there aren’t many women with fortunes comparable to yours… and none with your beauty.”
Smiling at the compliment, Lillian crawled halfway over him and hitched one leg over his. “Tell me more. I want to hear you wax lyrical about my charms.”
Levering himself to a sitting position, Marcus lifted her with an ease that made her gasp, and settled her until she straddled his hips. He stroked a fingertip along the pale skin that was exposed at the open vee of the shirt. “I never wax lyrical,” he said. “Marsdens are not a poetic sort. However…” He paused to admire the sight of the long-limbed young woman who sat astride him while her hair trailed to her waist in tangled streamers. “I could at least tell you that you look like a pagan princess, with your tangled black hair and your bright, dark eyes.”
“And?” Lillian encouraged, linking her arms loosely around his neck.
He set his hands at her slender waist and moved them down to grasp her strong, sleek thighs. “And that every erotic dream I’ve ever had about your magnificent legs pales in comparison to the reality.”
“You’ve dreamed about my legs?” Lillian wriggled as she felt his palms slide up her inner thighs in a lazy, teasing path.
“Oh yes.
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
CUPPA’S ‘TO DIE FOR’ CINNAMON ROLLS Did the description of Cuppa’s amazing cinnamon rolls make your mouth water? Every time I described them in this book I thought about my family’s favorite recipe for cinnamon rolls, and I’ve included it here for you. I think Tory and Meg would approve. All measurements/temperatures are in US units. Makes 12 wonderfully large rolls Dough: 2 packages active dry yeast 1 cup warm water 2/3 cup plus 1 teaspoon granulated sugar, divided 1 cup warmed milk (I microwave this and then stir to be sure there are no hot spots) 2/3 cup softened butter 2 teaspoons salt 2 eggs, beaten 7 to 8 cups all-purpose flour Filling of Deliciousness: 1 cup melted butter, divided (that’s 2 sticks) 1-3/4 cups dark brown sugar, divided 3 Tablespoons ground cinnamon 1 teaspoon ground nutmeg (fresh, if possible) 1 to 2 cups chopped pecans (optional) 1-1/2 cups dark raisins (optional) Frosting: 1/2 cup melted butter 3 cups powdered sugar 1 and a half teaspoons real vanilla 5 to 8 Tablespoons hot water DIRECTIONS: To make dough combine yeast, warm water and 1 teaspoon sugar in a cup and stir. Set aside. In a large bowl mix warmed milk, remaining 2/3 cup sugar, butter, salt, and eggs. Stir well and add yeast mixture. Add half the flour and beat until smooth. Stir in enough of the remaining flour to make a slightly stiff dough. It’s okay for the dough to be sticky. Turn out onto a well-floured board and knead for 5 to 10 minutes. Place in a well-buttered glass bowl. Cover loosely and let rise in a warm draft-free place until doubled in bulk, about 1 to 1-1/2 hours. When doubled, punch down dough and let it rest for 5 minutes. Roll out onto floured surface into a 15 x 20-inch rectangle. Filling: Spread dough with ½ cup melted butter. Mix together 1/-1/2 cups brown sugar, cinnamon, and nutmeg. Sprinkle over buttered dough. Sprinkle with pecans and raisins, if you want. Sometimes I go really crazy and add a cup of finely-chopped apples, too. Roll up jellyroll-fashion and pinch the edges together to seal. Cut into 12 slices. Coat bottom of a 13”’x 9” and a square 8” pan with the last ½ cup of melted butter, and sprinkle remaining ¼ cup of sugar mixture on top. Place slices close together in pans. Let rise in warm, draft-free place until doubled in bulk (about 45 minutes). Preheat oven to 350 degrees. Bake for 25 to 30 minutes, until nicely browned. Let cool slightly and spread with frosting. Share with others, and be prepared to get marriage proposals ;) Frosting: Mix melted butter, powdered sugar, and vanilla. Add hot water a tablespoon at a time, mixing after each, until frosting is of desired consistency. Spread or drizzle over slightly-cooled rolls.
”
”
Carolyn L. Dean (Bed, Breakfast, & Bones (Ravenwood Cove Mystery, #1))
“
The day-to-day horror of writing gave me a notion of tournament time. Writing novels is tedious. When will this book be finished, when will it reveal its bright and shining true self? it takes freakin’ years. At the poker table, you’re only playing a fraction of the hands, waiting for your shot. If you keep your wits, can keep from flying apart while those around you are self-destructing, devouring each other, you’re halfway there. … Let them flame out while you develop a new relationship with time, and they drift away from the table. 86-7
Coach Helen’s mantra: It’s OK to be scared, but don’t play scared. 90
[During a young adult trip to Los Vegas] I was contemplating the nickel in my hand. Before we pushed open the glass doors, what the heck, I dropped it into a one-armed bandit and won two dollars.
In a dank utility room deep in the subbasements of my personality, a little man wiped his hands on his overalls and pulled the switch: More. Remembering it now, I hear a sizzling sound, like meat being thrown into a hot skillet. I didn't do risk, generally. So I thought. But I see now I'd been testing the House Rules the last few years. I'd always been a goody-goody. Study hard, obey your parents, hut-hut-hut through the training exercises of Decent Society. Then in college, now that no one was around, I started to push the boundaries, a little more each semester. I was an empty seat in lecture halls, slept late in a depressive funk, handed in term papers later and later to see how much I could get away with before the House swatted me down.
Push it some more. We go to casinos to tell the everyday world that we will not submit. There are rules and codes and institutions, yes, but for a few hours in this temple of pure chaos, of random cards and inscrutable dice, we are in control of our fates. My little gambles were a way of pretending that no one was the boss of me. …
The nickels poured into the basin, sweet music. If it worked once, it will work again.
We hit the street. 106-8
[Matt Matros, 3x bracelet winner; wrote The Making of a Poker Player]: “One way or another you’re going to have a read, and you’re going to do something that you didn’t expect you were going to do before, right or wrong. Obviously it’s better if you’re right, but even if you’re wrong, it can be really satisfying to just have a read, a feeling, and go with it. Your gut.”
I could play it safe, or I could really play. 180
Early on, you wanted to stay cool and keep out of expensive confrontations, but you also needed to feed the stack. The stack is hungry. 187
The awful knowledge that you did what you set out to do, and you would never, ever top it. It was gone the instant you put your hands on it. It was gambling. 224
”
”
Colson Whitehead (The Noble Hustle: Poker, Beef Jerky, and Death)
“
BUTTERSCOTCH BONANZA BARS Preheat oven to 350 degrees F., rack in the middle position. ½ cup salted butter (1 stick, 4 ounces, ¼ pound) 2 cups light brown sugar*** (pack it down in the cup when you measure it) 2 teaspoons baking powder 1 teaspoon salt 1 teaspoon vanilla extract 2 beaten eggs (just whip them up in a glass with a fork) 1 and ½cups flour (scoop it up and level it off with a table knife) 1 cup chopped nuts (optional) 2 cups butterscotch chips (optional) ***- If all you have in the house is dark brown sugar and the roads are icy, it’s below zero, and you really don’t feel like driving to the store, don’t despair. Measure out one cup of dark brown sugar and mix it with one cup regular white granulated sugar. Now you’ve got light brown sugar, just what’s called for in Leslie’s recipe. And remember that you can always make any type of brown sugar by mixing molasses into white granulated sugar until it’s the right color. Hannah’s Note: Leslie says the nuts are optional, but she likes these cookie bars better with nuts. So do I, especially with walnuts. Bertie Straub wants hers with a cup of chopped pecans and 2 cups of butterscotch chips. Mother prefers these bars with 2 cups of semi-sweet chocolate chips and no nuts, Carrie likes them with 2 cups of mini chocolate chips and a cup of chopped pecans, and Lisa prefers to make them with 1 cup of chopped walnuts, 1 cup of white chocolate chips, and 1 cup of butterscotch chips. All this goes to show just how versatile Leslie’s recipe is. Try it first as it’s written with just the nuts. Then try any other versions that you think would be yummy. Grease and flour a 9-inch by 13-inch cake pan, or spray it with nonstick baking spray, the kind with flour added. Set it aside while you mix up the batter. Melt the butter in a small saucepan over low heat on the stovetop, or put it in the bottom of a microwave-safe, medium-sized mixing bowl and heat it for 1 minute in the microwave on HIGH. Add the light brown sugar to the mixing bowl with the melted butter and stir it in well. Mix in the baking powder and the salt. Make sure they’re thoroughly incorporated. Stir in the vanilla extract. Mix in the beaten eggs. Add the flour by half-cup increments, stirring in each increment before adding the next. Stir in the nuts, if you decided to use them. Mix in the butterscotch chips if you decided to use them, or any other chips you’ve chosen. Spoon the batter into the prepared cake pan and smooth out the top with a rubber spatula. Bake the Butterscotch Bonanza Bars at 350 degrees F. for 20 to 25 minutes. (Mine took 25 minutes.) When the bars are done, take them out of the oven and cool them completely in the pan on a cold stove burner or a wire rack. When the bars are cool, use a sharp knife to cut them into brownie-sized pieces. Yield: Approximately 40 bars, but that all depends on how large you cut the squares. You may not believe this, but Mother suggested that I make these cookie bars with semi-sweet chocolate chips and then frost them with chocolate fudge frosting. There are times when I think she’d frost a tuna sandwich with chocolate fudge frosting and actually enjoy eating it!
”
”
Joanne Fluke (Devil's Food Cake Murder (Hannah Swensen, #14))
“
The reasonable man adapts himself to the world; the unreasonable one persists in trying to adapt the world to himself. Therefore all progress depends on the unreasonable man.” George Bernard Shaw On a cool fall evening in 2008, four students set out to revolutionize an industry. Buried in loans, they had lost and broken eyeglasses and were outraged at how much it cost to replace them. One of them had been wearing the same damaged pair for five years: He was using a paper clip to bind the frames together. Even after his prescription changed twice, he refused to pay for pricey new lenses. Luxottica, the 800-pound gorilla of the industry, controlled more than 80 percent of the eyewear market. To make glasses more affordable, the students would need to topple a giant. Having recently watched Zappos transform footwear by selling shoes online, they wondered if they could do the same with eyewear. When they casually mentioned their idea to friends, time and again they were blasted with scorching criticism. No one would ever buy glasses over the internet, their friends insisted. People had to try them on first. Sure, Zappos had pulled the concept off with shoes, but there was a reason it hadn’t happened with eyewear. “If this were a good idea,” they heard repeatedly, “someone would have done it already.” None of the students had a background in e-commerce and technology, let alone in retail, fashion, or apparel. Despite being told their idea was crazy, they walked away from lucrative job offers to start a company. They would sell eyeglasses that normally cost $500 in a store for $95 online, donating a pair to someone in the developing world with every purchase. The business depended on a functioning website. Without one, it would be impossible for customers to view or buy their products. After scrambling to pull a website together, they finally managed to get it online at 4 A.M. on the day before the launch in February 2010. They called the company Warby Parker, combining the names of two characters created by the novelist Jack Kerouac, who inspired them to break free from the shackles of social pressure and embark on their adventure. They admired his rebellious spirit, infusing it into their culture. And it paid off. The students expected to sell a pair or two of glasses per day. But when GQ called them “the Netflix of eyewear,” they hit their target for the entire first year in less than a month, selling out so fast that they had to put twenty thousand customers on a waiting list. It took them nine months to stock enough inventory to meet the demand. Fast forward to 2015, when Fast Company released a list of the world’s most innovative companies. Warby Parker didn’t just make the list—they came in first. The three previous winners were creative giants Google, Nike, and Apple, all with over fifty thousand employees. Warby Parker’s scrappy startup, a new kid on the block, had a staff of just five hundred. In the span of five years, the four friends built one of the most fashionable brands on the planet and donated over a million pairs of glasses to people in need. The company cleared $100 million in annual revenues and was valued at over $1 billion. Back in 2009, one of the founders pitched the company to me, offering me the chance to invest in Warby Parker. I declined. It was the worst financial decision I’ve ever made, and I needed to understand where I went wrong.
”
”
Adam M. Grant (Originals: How Non-Conformists Move the World)
“
You’re going to do great,” Lizzy said as they reached the mini Tiki bar. The air was cool in the high fifties and the scent of various meats on the grill filled the air. Even though they’d had the party catered, apparently Grant had insisted on grilling some things himself. “I wouldn’t have recommended you apply for it otherwise.”
Athena ducked behind the bar and grinned at the array of bottles and other garnishes. She’d been friends with Lizzy the past couple months and knew her friend’s tastes by now. As she started mixing up their drinks she said, “If I fail, hopefully they won’t blame you.”
Lizzy just snorted but eyed the drink mix curiously. “Purple?”
“Just wait. You’ll like it.” She rolled the rims of the martini glasses in sugar as she spoke.
“Where’d you learn to do this?”
“I bartended a little in college and there were a few occasions on the job where I had to assist because staff called out sick for an event.” There’d been a huge festival in Madrid she’d helped out with a year ago where three of the staff had gotten food poisoning, so in addition to everything else she’d been in charge of, she’d had to help with drinks on and off. That had been such a chaotic, ridiculous job.
“At least you’ll have something to fall back on if you do fail,” Lizzy teased.
“I seriously hope not.” She set the two glasses on the bar and strained the purple concoction into them. With the twinkle lights strung up around the lanai and the ones glittering in the pool, the sugar seemed to sparkle around the rim. “This is called a wildcat.”
“You have to make me one of those too!” The unfamiliar female voice made Athena look up.
Her eyes widened as her gaze locked with Quinn freaking Brody, the too-sexy-man with an aversion to virgins. He was with the tall woman who’d just asked Athena to make a drink. But she had eyes only for Quinn. Her heart about jumped out of her chest. What was he doing here of all places? At least he looked just as surprised to see her.
She ignored him because she knew if she stared into those dark eyes she’d lose the ability to speak and then she’d inevitably embarrass herself.
The tall, built-like-a-goddess woman with pale blonde hair he was with smiled widely at Athena. “Only if you don’t mind,” she continued, nodding at the drinks. “They look so good.”
“Ah, you can have this one. I made an extra for the lush here.” She tilted her head at Lizzy with a half-smile. Athena had planned to drink the second one herself but didn’t trust her hands not to shake if she made another. She couldn’t believe Quinn was standing right in front of her, looking all casual and annoyingly sexy in dark jeans and a long-sleeved sweater shoved up to his elbows. Why did his forearms have to look so good?
“Ha, ha.” Lizzy snagged her drink as Athena stepped out from behind the bar. “Athena, this is Quinn Brody and Dominique Castle. They both work for Red Stone but Dominique is almost as new as you.”
Forcing a smile on her face, Athena nodded politely at both of them—and tried to ignore the way Quinn was staring at her. She’d had no freaking idea he worked for Red Stone. He looked a bit like a hungry wolf. Just like on their last date—two months ago. When he’d decided she was too much trouble, being a virgin and all. Jackass. “It’s so nice to meet you both.” She did a mental fist pump when her voice sounded normal. “I promised Belle I’d help out inside but I hope to see you both around tonight.” Liar, liar.
“Me too. Thanks again for the drink,” Dominique said cheerfully while Lizzy just gave Athena a strange look.
Athena wasn’t sure what Quinn’s expression was because she’d decided to do the mature thing—and studiously ignore him.
”
”
Katie Reus (Sworn to Protect (Red Stone Security, #11))
“
Orion threw a grin back at me as headed to the bar, ducking behind it. “What would madam like?” he asked in a formal tone which was a damn good impression of the Acruxes' butler. I giggled hurrying over to take a stool in front of the bar and placing my clutch down, relishing the cool breeze against my burning neck.
“Hmm...a Manhattan?” I teased and he cocked his head.
“I'm afraid we're fresh out of bullshit, how about a white wine spritzer with a tiny umbrella in it?”
I laughed, nodding eagerly as he made up my drink then poured himself a measure of bourbon.
He held it out for me and I leaned across the bar to take it. As I took hold of the glass, he didn't let go and I gazed up at him under my lashes questioning why.
“Have I told you have exceptionally beautiful you look tonight, Darcy?”
Darcy.
He'd said my name. For the first time ever. And why did it sound like so much more than a name when he spoke it? It was like he'd fired an arrow and it had punctured a flesh wound in me at the exact same moment.
Hell. I needed to get over this guy. Why was I so caught up on him?
Unavailable, that's what it was. We always want what we can't have and Professor Orion was off limits. Simple as that. And those muscles. And the beard. And the dark eyes. And the dimple. But that was it.
“That's the first I've heard of it, Professor,” I whispered, unable to make my voice rise any louder.
“Don't do that,” he grunted, releasing the drink.
I eyed him curiously as he walked around the bar with his bourbon in hand. He took the stool beside mine, his arm butting up against me.
“Do what?” I asked, swivelling around to face the pool and taking a sip of my spritzer. It fizzed on my tongue and sent a deep kick of heat through my chest.
“You know what.”
“You're very presumptuous, Orion. You think I'm far more aware of your chaotic way of thinking than I really am.” I sipped my drink again, spying on him from the corner of my eye.
He took a swig of his own drink and the familiar waft of bourbon drifted over me, tingling my senses. It was becoming a trigger, like the moment I walked into his office and he uncorked a bottle, it made me want to taste it on his mouth. And then that led to me wondering whether his fangs would brush my tongue when we kissed, and that always led to me mentally undressing him, then me conjuring an image of what those muscles looked like beneath that shirt...
“I have something for you,” he said and I turned, blinking out of my dark fantasy.
“You do?”
He nodded, reaching into his inside pocket and taking out my coil of blue hair. My heart combusted and a choked noise escaped me. I reached for it and he slid it onto my wrist.
He kept my hand in his, his eyes downcast as they remained on the band of hair. “I want you to know, I believe you would have gotten this back yourself when you were ready. But I took a lot of pleasure in retrieving it for you all the same.”
I stared at him in complete shock, unsure what to say, my tongue tied in knots. “But Fae don't fight battles for other Fae,” I blurted, completely astonished that his actions that day had been to take this back from Seth. For me. And nothing else.
He finished his drink and planted the glass on the bar, rising to his feet. He didn't reply to what I'd said and I barely even remembered what it was as he started pulling his clothes off.
“Err, what are you doing?” I half laughed as he shed his jacket and kicked off his shoes, pulling off his socks. Oh my god.
“I hate parties, but I like swimming.” He started undoing the buttons of his shirt and thought his back was to me, I was still captivated as he dropped it to the floor like a silken sheet. My eyes scraped down his skin to where his muscles etched an upside down v into his lower back, disappearing beneath his waistband. His shoulders were tanned and heavenly broad, making me long to explore all of those muscles with my hands.(Darcy)
”
”
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))