A Woman Should Be Pursued Quotes

We've searched our database for all the quotes and captions related to A Woman Should Be Pursued. Here they are! All 39 of them:

Being a feminist means believing that every woman should be able to use her voice and pursue her potential, and that women and men should all work together to take down the barriers and end the biases that still hold women back.
Melinda French Gates (The Moment of Lift: How Empowering Women Changes the World)
If he decided to pursue Sienna...Sucking in a breath Indigo promised herself she'd warn the girl if and when the time came-because no woman should have to face that campaign unprepared.
Nalini Singh (Play of Passion (Psy-Changeling, #9))
Their [girls] sexual energy, their evaluation of adolescent boys and other girls goes thwarted, deflected back upon the girls, unspoken, and their searching hungry gazed returned to their own bodies. The questions, Whom do I desire? Why? What will I do about it? are turned around: Would I desire myself? Why?...Why not? What can I do about it? The books and films they see survey from the young boy's point of view his first touch of a girl's thighs, his first glimpse of her breasts. The girls sit listening, absorbing, their familiar breasts estranged as if they were not part of their bodies, their thighs crossed self-consciously, learning how to leave their bodies and watch them from the outside. Since their bodies are seen from the point of view of strangeness and desire, it is no wonder that what should be familiar, felt to be whole, become estranged and divided into parts. What little girls learn is not the desire for the other, but the desire to be desired. Girls learn to watch their sex along with the boys; that takes up the space that should be devoted to finding out about what they are wanting, and reading and writing about it, seeking it and getting it. Sex is held hostage by beauty and its ransom terms are engraved in girls' minds early and deeply with instruments more beautiful that those which advertisers or pornographers know how to use: literature, poetry, painting, and film. This outside-in perspective on their own sexuality leads to the confusion that is at the heart of the myth. Women come to confuse sexual looking with being looked at sexually ("Clairol...it's the look you want"); many confuse sexually feeling with being sexually felt ("Gillete razors...the way a woman wants to feel"); many confuse desiring with being desirable. "My first sexual memory," a woman tells me, "was when I first shaved my legs, and when I ran my hand down the smooth skin I felt how it would feel to someone else's hand." Women say that when they lost weight they "feel sexier" but the nerve endings in the clitoris and nipples don't multiply with weight loss. Women tell me they're jealous of the men who get so much pleasure out of the female body that they imagine being inside the male body that is inside their own so that they can vicariously experience desire. Could it be then that women's famous slowness of arousal to men's, complex fantasy life, the lack of pleasure many experience in intercourse, is related to this cultural negation of sexual imagery that affirms the female point of view, the culture prohibition against seeing men's bodies as instruments of pleasure? Could it be related to the taboo against representing intercourse as an opportunity for a straight woman actively to pursue, grasp, savor, and consume the male body for her satisfaction, as much as she is pursued, grasped, savored, and consumed for his?
Naomi Wolf (The Beauty Myth)
Walt Whitman (1819–1892). Leaves of Grass. 1900. To You WHOEVER you are, I fear you are walking the walks of dreams, I fear these supposed realities are to melt from under your feet and hands; Even now, your features, joys, speech, house, trade, manners, troubles, follies, costume, crimes, dissipate away from you, Your true Soul and Body appear before me, They stand forth out of affairs—out of commerce, shops, law, science, work, forms, clothes, the house, medicine, print, buying, selling, eating, drinking, suffering, dying. Whoever you are, now I place my hand upon you, that you be my poem; I whisper with my lips close to your ear, I have loved many women and men, but I love none better than you. O I have been dilatory and dumb; I should have made my way straight to you long ago; I should have blabb’d nothing but you, I should have chanted nothing but you. I will leave all, and come and make the hymns of you; None have understood you, but I understand you; None have done justice to you—you have not done justice to yourself; None but have found you imperfect—I only find no imperfection in you; None but would subordinate you—I only am he who will never consent to subordinate you; I only am he who places over you no master, owner, better, God, beyond what waits intrinsically in yourself. Painters have painted their swarming groups, and the centre figure of all; From the head of the centre figure spreading a nimbus of gold-color’d light; But I paint myriads of heads, but paint no head without its nimbus of gold-color’d light; From my hand, from the brain of every man and woman it streams, effulgently flowing forever. O I could sing such grandeurs and glories about you! You have not known what you are—you have slumber’d upon yourself all your life; Your eye-lids have been the same as closed most of the time; What you have done returns already in mockeries; (Your thrift, knowledge, prayers, if they do not return in mockeries, what is their return?) The mockeries are not you; Underneath them, and within them, I see you lurk; I pursue you where none else has pursued you; Silence, the desk, the flippant expression, the night, the accustom’d routine, if these conceal you from others, or from yourself, they do not conceal you from me; The shaved face, the unsteady eye, the impure complexion, if these balk others, they do not balk me, The pert apparel, the deform’d attitude, drunkenness, greed, premature death, all these I part aside. There is no endowment in man or woman that is not tallied in you; There is no virtue, no beauty, in man or woman, but as good is in you; No pluck, no endurance in others, but as good is in you; No pleasure waiting for others, but an equal pleasure waits for you. As for me, I give nothing to any one, except I give the like carefully to you; I sing the songs of the glory of none, not God, sooner than I sing the songs of the glory of you. Whoever you are! claim your own at any hazard! These shows of the east and west are tame, compared to you; These immense meadows—these interminable rivers—you are immense and interminable as they; These furies, elements, storms, motions of Nature, throes of apparent dissolution—you are he or she who is master or mistress over them, Master or mistress in your own right over Nature, elements, pain, passion, dissolution. The hopples fall from your ankles—you find an unfailing sufficiency; Old or young, male or female, rude, low, rejected by the rest, whatever you are promulges itself; Through birth, life, death, burial, the means are provided, nothing is scanted; Through angers, losses, ambition, ignorance, ennui, what you are picks its way.
Walt Whitman
Kay Cannon was a woman I’d known from the Chicago improv world. A beautiful, strong midwestern gal who had played lots of sports and run track in college, Kay had submitted a good writing sample, but I was more impressed by her athlete’s approach to the world. She has a can-do attitude, a willingness to learn through practice, and she was comfortable being coached. Her success at the show is a testament to why all parents should make their daughters pursue team sports instead of pageants. Not that Kay couldn’t win a beauty pageant - she could, as long as for the talent competition she could sing a karaoke version of ‘Redneck Woman’ while shooting a Nerf rifle.
Tina Fey
Dear God, I don't want my fear to be a barrier to the blessings you are trying to bestow. Cast out my fear, and help me to trust your perfect love. But also grant me a full measure of wisdom. Do not let me be led astray by my own desires. If it is not your will that I pursue a relationship with Levi, I pray that you will stop me. Make your message so clear that I cannot argue it away. Protect me, Lord, and show me the way I should go.
Karen Witemeyer (To Win Her Heart)
believing that every woman should be able to use her voice and pursue her potential, and that women and men should all work together to take down the
Melinda French Gates (The Moment of Lift: How Empowering Women Changes the World)
My heart beat violently. My forehead was bathed in a cold perspiration. I asked myself for the first time what it was that I was about to see when this door was opened? What chamber, long closed - what deed of mystery, long forgotten - what family secret, long buried, would be revealed to my eyes? Was it right, after all, that I should pursue this discovery? Ought I not, perhaps, to go back as I had come; tell my husband of the secret upon which I had stumbled; and leave it to him to deal with according to his pleasure? Hesitating thus, I had, even now, more than half a mind to go no farther. It was a struggle between delicacy and curiosity; and I was a mere woman, after all, and curiosity prevailed. "Come what may," said I aloud, "I will see what lies beyond this door!" And with this I opened it.
Amelia B. Edwards (Barbara's History: A Novel)
In light of men’s emphasis on fidelity in a committed relationship, displays of fidelity should be paramount in women’s tactics of attraction. Faithfulness displays, such as honesty and trustworthiness, signal that the woman is pursuing a long-term mating strategy and that she is doing so without deception and exclusively with one man.
David M. Buss (The Evolution of Desire: Strategies of Human Mating)
When God made the first man, Adam, it wasn’t long before he said, “It is not good that the man should be alone; I will make him a helper fit for him” (Gen. 2:18). Notice he didn’t say, “I’m gonna wait around and see how Adam does on his own. I’ll let him get some experience under his belt first, then see if it’s a good idea to throw a woman into the mix.
Lisa Anderson (The Dating Manifesto: A Drama-Free Plan for Pursuing Marriage with Purpose)
One excruciating problem faced by single women-more so in past generations than today-is caused by the unwritten rule of our society that allows men the freedom actively to pursue a marriage partner while women are considered loose if they actively pursue a prospective husband. No biblical rule says that a woman eager to be married should be passive. There is nothing that prohibits her from actively seeking a suitable mate.
R.C. Sproul (Can I Know God's Will? (Crucial Questions, #4))
Why do we have to listen to our hearts?” the boy asked, when they had made camp that day. “Because, wherever your heart is, that is where you'll find your treasure.” “But my heart is agitated,” the boy said. “It has its dreams, it gets emotional, and it's become passionate over a woman of the desert. It asks things of me, and it keeps me from sleeping many nights, when I'm thinking about her.” “Well, that's good. Your heart is alive. Keep listening to what it has to say.” . . . “My heart is a traitor,” the boy said to the alchemist, when they had paused to rest the horses. “it doesn't want me to go on.” “That makes sense,” the alchemist answered. “Naturally it's afraid that, in pursuing your dream, you might lose everything you've won.” “Well then, why should I listen to my heart?” “Because you will never again be able to keep it quiet. Even if you pretend not to have heard what it tells you, it will always be there inside you, repeating to you what you're thinking about life and about the world.” “You mean I should listen, even if it's treasonous?” “Treason is a blow that comes unexpectedly. If you know your heart well, it will never be able to do that to you. Because you'll know it's dreams and wishes, and will know how to deal with them.” “You will never be able to escape from your heart. So it's better to listen to what it has to say. That way, you'll never have to fear an unexpected blow.
Paulo Coelho (The Alchemist)
The people cast themselves down by the fuming boards while servants cut the roast, mixed jars of wine and water, and all the gods flew past like the night-breaths of spring. The chattering female flocks sat down by farther tables, their fresh prismatic garments gleaming in the moon as though a crowd of haughty peacocks played in moonlight. The queen’s throne softly spread with white furs of fox gaped desolate and bare, for Penelope felt ashamed to come before her guests after so much murder. Though all the guests were ravenous, they still refrained, turning their eyes upon their silent watchful lord till he should spill wine in libation for the Immortals. The king then filled a brimming cup, stood up and raised it high till in the moon the embossed adornments gleamed: Athena, dwarfed and slender, wrought in purest gold, pursued around the cup with double-pointed spear dark lowering herds of angry gods and hairy demons; she smiled and the sad tenderness of her lean face, and her embittered fearless glance, seemed almost human. Star-eyed Odysseus raised Athena’s goblet high and greeted all, but spoke in a beclouded mood: “In all my wandering voyages and torturous strife, the earth, the seas, the winds fought me with frenzied rage; I was in danger often, both through joy and grief, of losing priceless goodness, man’s most worthy face. I raised my arms to the high heavens and cried for help, but on my head gods hurled their lightning bolts, and laughed. I then clasped Mother Earth, but she changed many shapes, and whether as earthquake, beast, or woman, rushed to eat me; then like a child I gave my hopes to the sea in trust, piled on my ship my stubbornness, my cares, my virtues, the poor remaining plunder of god-fighting man, and then set sail; but suddenly a wild storm burst, and when I raised my eyes, the sea was strewn with wreckage. As I swam on, alone between sea and sky, with but my crooked heart for dog and company, I heard my mind, upon the crumpling battlements about my head, yelling with flailing crimson spear. Earth, sea, and sky rushed backward; I remained alone with a horned bow slung down my shoulder, shorn of gods and hopes, a free man standing in the wilderness. Old comrades, O young men, my island’s newest sprouts, I drink not to the gods but to man’s dauntless mind.” All shuddered, for the daring toast seemed sacrilege, and suddenly the hungry people shrank in spirit; They did not fully understand the impious words but saw flames lick like red curls about his savage head. The smell of roast was overpowering, choice meats steamed, and his bold speech was soon forgotten in hunger’s pangs; all fell to eating ravenously till their brains reeled. Under his lowering eyebrows Odysseus watched them sharply: "This is my people, a mess of bellies and stinking breath! These are my own minds, hands, and thighs, my loins and necks!" He muttered in his thorny beard, held back his hunger far from the feast and licked none of the steaming food.
Nikos Kazantzakis (The Odyssey: A Modern Sequel)
Discreet as you are, Rohan, one can’t help but notice how ardently you are pursued. It seems you hold quite an appeal for the ladies of London. And from all appearances, you’ve taken full advantage of what’s been offered.” Cam stared at him without expression. “Pardon, but are you leading to an actual point, my lord?” Leaning back in his chair, St. Vincent made a temple of his elegant hands and regarded Cam steadily. “Since you’ve had no problem with lack of desire in the past, I can only assume that, as happens with other appetites, yours has been sated with an overabundance of sameness. A bit of novelty may be just the thing.” Considering the statement, which actually made sense, Cam wondered if the notorious former rake had ever been tempted to stray. Having known Evie since childhood, when she had come to visit her widowed father at the club from time to time, Cam felt as protective of her as if she’d been his younger sister. No one would have paired the gentle-natured Evie with such a libertine. And perhaps no one had been as surprised as St. Vincent himself to discover their marriage of convenience had turned into a passionate love match. “What of married life?” Cam asked softly. “Does it eventually become an overabundance of sameness?” St. Vincent’s expression changed, the light blue eyes warming at the thought of his wife. “It has become clear to me that with the right woman, one can never have enough. I would welcome an overabundance of such bliss—but I doubt such a thing is mortally possible.” Closing the account book with a decisive thud, he stood from the desk. “If you’ll excuse me, Rohan, I’ll bid you good night.” “What about finishing the accounting?” “I’ll leave the rest in your capable hands.” At Cam’s scowl, St. Vincent shrugged innocently. “Rohan, one of us is an unmarried man with superior mathematical abilities and no prospects for the evening. The other is a confirmed lecher in an amorous mood, with a willing and nubile young wife waiting at home. Who do you think should do the damned account books?” And, with a nonchalant wave, St. Vincent had left the office.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
My Beloved Son! Special appreciation from a wonderful Mother Look at you all grown up Kind, but tough What an honour To be your Mother Truly blessed by your aura You have done me a favour By being part of my life I am grateful that you are fine May you know whose you are As your loving parent I make the commitment To share essential lessons That can help you excel In the path that lies ahead I hope you will understand How you will get there With joy, love and care Please, lend me an ear Of this, you should hear Be grounded in the Lord Pursue His Wisdom Acknowledge His grace Seek His ways all your days So, when hail comes your way You will not faint, but reign Stand tall like a tower Go higher and higher Please shine brighter My beloved son
Gift Gugu Mona (From My Mother's Classroom: A Badge of Honour for a Remarkable Woman)
Of course, when we are young, at the age I was at the time of my walks along the Méséglise way, our desires and convictions confer on a woman’s clothing a unique character, an irreducible essence. We chase after the reality of a thing. But by the very fact of constantly letting it elude us, we end up noticing that, after all the vain attempts that have led to nothing, there is something solid there after all, which is what we have been pursuing. We begin to distinguish, to identify what it is we love, we try to procure it for ourselves, if only by artificial means. Then, in the absence of any convincing reality, costume comes to replace that reality by creating a deliberate illusion. I was perfectly aware that within half an hour’s distance from home I should not be in Brittany.
Marcel Proust (The Guermantes Way (In Search of Lost Time, #3))
They say there should be no crying out. They say what they had closed should not have been reopened. They say that's why they locked you up. They're right. I'm going to die of these words. I'm going to die of being closed in. I don't want to. It's too late. There should be no consent. But I'm not the one. I'm not the one who cries out. I'm not the one who writes. I'm another woman. She lives in my body. She doesn't have my horrid severed fingers. She loves the fields and the rivers. She loves the baskets and the cherries. She loves them so much that she wants to join them, be one with them. Her name is eternity. She's called memory. She's called death. She pursues me. She clings to me. She talks to me of former times. She talks to me of before. She settles down in me. She grows there. She invades my flesh. She takes my life.
Jeanne Hyvrard (Waterweed in the Wash-houses: A Novel)
I didn’t think of myself as a feminist. I’m not sure I knew then what a feminist was. That was when our daughter Jenn was a little less than a year old. Twenty-two years later, I am an ardent feminist. To me, it’s very simple. Being a feminist means believing that every woman should be able to use her voice and pursue her potential, and that women and men should all work together to take down the barriers and end the biases that still hold women back. This isn’t something I could have said with total conviction even ten years ago. It came to me only after many years of listening to women—often women in extreme hardship whose stories taught me what leads to inequity and how human beings flourish. But those insights came to me later. Back in 1996, I was seeing everything through the lens of the gender roles I knew, and I told Bill, “I’m not going back.” This threw Bill for a loop. Me being at Microsoft was a huge part of our life together.
Melinda French Gates (The Moment of Lift: How Empowering Women Changes the World)
a candid account of this exchange with Bill to make an important point at the very start: When I first confronted the questions and challenges of being a working woman and a mother, I had some growing up to do. My personal model back then—and I don’t think it was a very conscious model—was that when couples had children, men worked and women stayed home. Frankly, I think it’s great if women want to stay home. But it should be a choice, not something we do because we think we have no choice. I don’t regret my decision. I’d make it again. At the time, though, I just assumed that’s what women do. In fact, the first time I was asked if I was a feminist, I didn’t know what to say because I didn’t think of myself as a feminist. I’m not sure I knew then what a feminist was. That was when our daughter Jenn was a little less than a year old. Twenty-two years later, I am an ardent feminist. To me, it’s very simple. Being a feminist means believing that every woman should be able to use her voice and pursue her potential, and that women and men should all work together to take down the barriers and end the biases that still hold women back.
Melinda French Gates (The Moment of Lift: How Empowering Women Changes the World)
In A.D. 1223 an infant was born, clutching a jewel in her tiny fist. Her peasant father ran to the castle to bring back a priest, but by the time they returned to the hut, the jewel had disappeared. The priest declared that such would be the child's life: all good would slip through her fingers. The years passed, and the girl's beauty became celebrated. Knights and kings journeyed far to gaze into her eyes before leaving her on their crusades. Women and children made pilgrimages to look upon her angelic face. All who saw her felt blessed. But an ancient evil called the Atrox also saw her unearthly perfection and pursued her, offering her father great treasures if she would betroth it. The girl saw her father's poverty and agreed to the union, making only one request for herself--- that her beauty should last forever. The Atrox agreed, and she pledged her devotion for eternity. A Follower of the Atrox came to take the young woman to the underworld, but when he saw her beauty and grace, he fell desperately in love with her and she, too, with him. They tried to hide their love, but the Atrox saw through their deception. When the young woman stepped into the Cold Fire to receive immortality, instead of preserving her beauty for eternity, the flames consumed her flesh and bones, turning her into a wind spirit. The knight could not endure life without her. The force of his love drove him across the world, searching for a sorceress with the power to restore her human form. As he was crossing the sea, a storm broke out and sent his ship off course to the island of Aeaea, where Circe, an ancient enchantress, lived. Circe gave him a magic potion. With it, his beloved could possess any body she desired. Since then many young women have felt her presence and wondered afterward what made them act so wickedly, never understanding that for a brief time, the spirit of the wind had taken over their mind and soul.
Lynne Ewing (Possession (Daughters of the Moon, #8))
At the sound of the heavy knob turning, he cursed under his breath. She was coming in, damn it! To stop Maria before she ruined everything, he grabbed her about the waist, hauled her against him, and sealed his mouth to hers. At first she seemed too stunned to do anything. When after a moment, he felt her trying to draw back from him, he caught her behind the neck in an iron grip. “Oh,” Gran said in a stiff voice. “Beg pardon.” Dimly he heard the door close and footsteps retreating, but before he could let Maria go, a searing pain shot through his groin, making him see stars. Blast her, the woman had kneed him in the ballocks! As he doubled over, fighting to keep from passing out, she snapped, “That was for making me look like a whore, too!” When she turned for the door, he choked out, “Wait!” “Why should I?” she said, heading inexorably forward. “You’ve done nothing but insult and humiliate me before your family.” Still reeling, he presented his only ace in the hole, “If you return to town,” he called after her, “what will you do about your Nathan?” That halted her, thank God. He forced himself to straighten, though the room spun a little. “You still need my help, you know.” Slowly, she faced him. “So far you haven’t demonstrated any genuine intent to offer help,” she said icily. “But I will.” He gulped down air, struggling for mastery over his pain. “Tomorrow we’ll return to town and hire a runner. I know one who’s very adept. You can tell him everything you’ve learned so far about your fiancés disappearance, and I’ll make sure he pursues it.” “And in exchange, all I have to do is pretend to be a whore?” He grimaced. Christ, she felt strongly about this. He should have known that any woman who would thrust a sword at him wouldn’t be easily bullied. “No.” “No, what?” she demanded. “You needn’t pretend to be a whore. Just don’t leave. This can still work.” “I don’t see how,” she shot back. “You’ve already said we met in a brothel. Telling them we’re thieves is no better. I won’t have them thinking that we’re about to steal you blind.” “I’ll come up with some story, don’t worry,” he clipped out. “Something else to make me sound like a low, grasping schemer?” “No” She had him cornered, and she knew it. “Trust me, your background alone is enough to alarm Gran. She pretends not to mind it right now, but she won’t let it go on. Just stay. I’ll make it right, I swear.
Sabrina Jeffries
But the bed I made up for myself was sufficiently uncomfortable to give me a wakeful night, and I thought a good deal of what the unlucky Dutchman had told me.I was not so much puzzled by Blanche Stroeve’s action, for I saw in that merely the result of a physical appeal. I do not suppose she had ever really cared for her husband, and what I had taken for love was no more than the feminine response to caresses and comfort which in the minds of most women passes for it. It is a passive feeling capable of being roused for any object, as the vine can grow on any tree; and the wisdom of the world recognizes its strength when it urges a girl to marry the man who wants her with the assurance that love will follow. It is an emotion made up of the satisfaction in security, pride of property, the pleasure of being desired, the gratification of a household, and it is only by an amiable vanity that women ascribe to its spiritual value. It is an emotion which is defenceless against passion. I suspected that Blanche Stroeve's violent dislike of Strickland had in it from the beginning a vague element of sexual attraction. Who am I that I should seek to unravel the mysterious intricacies of sex? Perhaps Stroeve's passion excited without satisfying that part of her nature, and she hated Strickland because she felt in him the power to give her what she needed.I think she was quite sincere when she struggled against her husband's desire to bring him into the studio; I think she was frightened of him, though she knew not why; and I remembered how she had foreseen disaster. I think in some curious way the horror which she felt for him was a transference of the horror which she felt for herself because he so strangely troubled her. His appearance was wild and uncouth; there was aloofiness in his eyes and sensuality in his mouth; he was big and strong; he gave the impression of untamed passion; and perhaps she felt in him, too, that sinister element which had made me think of those wild beings of the world's early history when matter, retaining its early connection with the earth, seemed to possess yet a spirit of its own. lf he affected her at all. it was inevitable that she should love or hate him. She hated him. And then I fancy that the daily intimacy with the sick man moved her strangely. She raised his head to give him food, and it was heavy against her hand; when she had fed him she wiped his sensual mouth and his red beard.She washed his limbs; they were covered with thick hair; and when she dried his hands, even in his weakness they were strong and sinewy. His fingers were long; they were the capable, fashioning fingers of the artist; and I know not what troubling thoughts they excited in her. He slept very quietly, without movement, so that he might have been dead, and he was like some wild creature of the woods, resting after a long chase; and she wondered what fancies passed through his dreams. Did he dream of the nymph flying through the woods of Greece with the satyr in hot pursuit? She fled, swift of foot and desperate, but he gained on her step by step, till she felt his hot breath on her neck; and still she fled silently. and silently he pursued, and when at last he seized her was it terror that thrilled her heart or was it ecstasy? Blanche Stroeve was in the cruel grip of appetite. Perhaps she hated Strickland still, but she hungered for him, and everything that had made up her life till then became of no account. She ceased to be a woman, complex, kind, and petulant, considerate and thoughtless; she was a Maenad. She was desire.
W. Somerset Maugham
Manson attracted the attention of another woman, Patricia Krenwinkel, on Manhattan Beach in 1967. Krenwinkel later said that Manson was the first person who had ever told her she was beautiful and that she had sex with him on the first night they met. Thoroughly transfixed by Manson and desperate to become one of his girls, Krenwinkel left her job, car, apartment, and last paycheck behind and returned with the budding family to San Francisco. Krenwinkel gave Manson her father’s credit card and the foursome survived for a while by stealing and writing bad checks. Susan “Sadie” Atkins was the next woman to join the Manson Family. Atkins was an ex-convict who was supporting herself by topless dancing. Manson was drawn to Atkins when he learned that she had danced in a cabaret led by the self-styled leader of the Satanic Church, Anton LaVey. Atkins was a heavy drug-user when she met Manson and was easily convinced to join his family and to set about recruiting more members, preferably male. Atkins was able to lure Bruce Davis to join the family in the fall of 1967, the first male member and a man who was later described as Manson’s right-hand man. Davis met the family when they were in Oregon. Manson had traded his minibus for a full-size yellow school bus and had taken his family on a tour of the American West; he had decided the family should move to Los Angeles. The Haight had become too dangerous, Manson said, life would be better for the family in L.A. What he didn’t tell his family was that the real reason he wanted to move to Los Angeles was to pursue his dreams of stardom. Charles Manson was looking for a record deal.
Hourly History (Charles Manson: A Life From Beginning to End (Biographies of Criminals))
Historically, feminism and pornography have been fellow travelers on the rocky road of unorthodoxy. This partnership was natural, perhaps inevitable. After all, both feminism and pornography flout the conventional notion that sex is necessarily connected to marriage or procreation. Both view women as sexual beings who should pursue their sexuality for pleasure and self-fulfillment.
Wendy McElroy (XXX: A Woman's Right to Pornography)
To pursue my career, I had always lectured myself that no momentary hesitancy or stoppage should be called a writing block. One must simply determine to go on writing, period. “Apply the seat of the pants to the seat of the chair”: the mantra I learned from Sandra and recited to undergraduate and graduate students assured them that personal effort and the struggle to continue expression would win out with the reward of word following word in paragraphs and pages that reflected their thought processes and clarified themselves to themselves. But what to write about not wanting, not doing, not knowing how to get through minute by minute of this dull but fearful day, even though (thankfully) there is no pain (I try to concentrate on this), just discomfort.
Susan Gubar (Memoir of a Debulked Woman: Enduring Ovarian Cancer)
Richard Kay Richard Kay became friends with Diana, Princess of Wales, through his job as royal correspondent for London’s Daily Mail. After her separation in 1992, he used his knowledge to give a penetrating and unique insight into Diana’s troubled life, and they remained friends until the end. Richard is now diary editor or the Daily Mail and lives in London with his wife and three children. Over the years, I saw her at her happiest and in her darkest moments. There were moments of confusion and despair when I believed Diana was being driven by the incredible pressures made on her almost to the point of destruction. She talked of being strengthened by events, and anyone could see how the bride of twenty had grown into a mature woman, but I never found her strong. She was as unsure of herself at her death as when I first talked to her on that airplane, and she wanted reassurance about the role she was creating for herself. In private, she was a completely different person form the manicured clotheshorse that the public’s insatiable demand for icons had created. She was natural and witty and did a wonderful impression of the Queen. This was the person, she told me, that she would have been all the time if she hadn’t married into the world’s most famous family. What she hated most of all was being called “manipulative” and privately railed against those who used the word to describe her. “They don’t even know me,” she would say bitterly, sitting cross-legged on the floor of her apartment in Kensington Palace and pouring tea from a china pot. It was this blindness, as she saw it, to what she really was that led her seriously to consider living in another country where she hoped she would be understood. The idea first emerged in her mind about three years before her death. “I’ve got to find a place where I can have peace of mind,” she said to me. She considered France, because I was near enough to stay in close touch with William and Harry. She thought of America because she--naively, it must be said--saw it as a country so brimming over with glittery people and celebrities that she would be able to “disappear.” She also thought of South Africa, where her brother, Charles, made a home, and even Australia, because it was the farthest place she could think of from the seat of her unhappiness. But that would have separated her form her sons. Everyone said she would go anywhere, do anything, to have her picture taken, but in my view the truth was completely different. A good day for her was one where her picture was not taken and the paparazzi photographers did not pursue her and clamber over her car. “Why are they so obsessed with me?” she would ask me. I would try to explain, but I never felt she fully understood. Millions of women dreamed of changing places with her, but the Princess that I knew yearned for the ordinary humdrum routine of their lives. “They don’t know how lucky they are,” she would say. On Saturday, just before she was joined by Dodi Al Fayed for their last fateful dinner at the Ritz in Pairs, she told me how fed up she was being compared with Camilla. “It’s all so meaningless,” she said. She didn’t say--she never said--whether she thought Charles and Camilla should marry. Then, knowing that as a journalist I often work at weekends, she said to me, “Unplug your phone and get a good night’s sleep.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
Here, unfortunately, is where Christians have succumbed to the fairy-tale syndrome of our society. It is a particular problem for young, single women. Many a young woman feels that if God wants her to be married, He will drop a marriage partner out of heaven on a parachute or will bring some Prince Charming riding up to her doorstep on a great white horse. One excruciating problem faced by single women—more so in past generations than today—is caused by the unwritten rule of our society that allows men the freedom actively to pursue a marriage partner while women are considered loose if they actively pursue a prospective husband. No biblical rule says that a woman eager to be married should be passive. There is nothing that prohibits her from actively seeking a suitable mate. On numerous occasions, I’ve had the task of counseling single women who insisted at the beginning of the interview that they had no desire to be married but simply wanted to work out the dimensions of the celibacy they believed God had imposed on them. After a few questions and answers, the scenario usually repeats itself: the young woman begins to weep and blurts out, “But I really want to get married.” When I suggest that there are wise steps that she can take to find a husband, her eyes light up in astonishment as if I had just given her permission to do the forbidden. I have broken a taboo. Wisdom requires that the search be done with discretion and determination. Those seeking a life partner need to do certain obvious things, such as going where other single people congregate. They need to be involved in activities that will bring them in close communication with other single Christians. In the Old Testament, Jacob made an arduous journey to his homeland to find a suitable marriage partner. He did not wait for God to deliver him a life partner. He went where the opportunity presented itself to find a marriage partner. But the fact that he was a man does not imply that such a procedure is limited to males. Women in our society have exactly the same freedom to pursue a mate by diligent search. What Do I Want in a Marriage Partner? A myth has arisen within the Christian community that marriage is to be a union between two people committed to the principle of selfless love. Selfless love is viewed as being crucial for the success of a marriage. This myth is based on the valid concept that selfishness is often at the root of disharmony and disintegration in marriage relationships. The biblical concept of love says no to acts of selfishness within marital and other human relationships. However, the remedy for selfishness is nowhere to be found in selflessness. The
R.C. Sproul (Can I Know God's Will? (Crucial Questions, #4))
Dear God,” Evangeline breathed suddenly. “That’s not him, is it?” Rose glanced toward the opposite side of the room and saw that Lord Ashton had indeed arrived. He wore the new clothing she had arranged for him, and it fit him like a second skin. His black coat was tailored across his broad shoulders, revealing a cream waistcoat and dark trousers. His black hair was combed back, and when his green eyes rested upon her, she knew that this battle was lost. He fully intended to pursue her. “Yes. That is Lord Ashton, the Irishman I spoke of.” “He’s looking at us,” Evangeline blurted out, fanning herself suddenly. The young woman’s face reddened. “No, I’m wrong. He’s not looking at us. He’s looking at you.” And he was. Iain’s green eyes held a knowing look, as if Rose were the only woman here. His stare was filled with warmth and a sense of mischief. “He knows we are only friends,” she managed. “But I’ve told him about you. I think the pair of you should get acquainted.” Her friend’s expression turned curious. “I think I might just go find the library, Rose. It looks as if he wants to speak with you.” “Don’t go. I’ve been meaning to introduce you to him. Lord Ashton is—” “—entirely interested in you,” Evangeline finished. “And I am quite certain that I should leave the pair of you alone. Oh, Heavens, he’s almost here.” She stood up, and promptly stepped on her gown, lurching forward before she caught her balance. Iain was suddenly standing before them. Evangeline straightened, wincing as she adjusted the hem. “Rose, I’ll . . . just be going now.” “Not yet,” she said, catching her friend’s hand. “Lord Ashton, may I present Miss Evangeline Sinclair.” “A pleasure it is, to make your acquaintance, Miss Sinclair.” Iain offered the young woman a kind smile, and Evangeline blushed, fanning herself more rapidly. Then he bowed and greeted her. “Lady Rose, I am glad to see you once more.” The look in his eyes reminded her of what it was like to be in his embrace. Rose was well aware that he was here to claim the dance she owed him. She wanted to refuse, and yet, she was not one to break her promises. “Would
Michelle Willingham (Good Earls Don't Lie (The Earls Next Door Book 1))
There was once a time when most students in college whose parents could afford it, or who qualified for scholarships or assistance, received a stipend. It was considered a good thing that there might be a few years in a young man’s or woman’s life where money was not the primary motivation; where he or she could thus be free to pursue other forms of value: say, philosophy, poetry, athletics, sexual experimentation, altered states of consciousness, politics, or the history of Western art. Nowadays it is considered important they should work. However, it is not considered important they should work at anything useful.
David Graeber (Bullshit Jobs: A Theory)
All plans between men are tentative. If one man should suddenly have an opportunity to pursue a woman, it's like these two guys never met each other in life. This is the male code.
Jerry Seinfeld (SeinLanguage)
Betty Friedan was a critic of the happy housewife fantasy and proposed that women should be liberated from the home. But according to feminist author bell hooks, she did not address who would ultimately take over the woman's duties when she left the home to find happiness. Ultimately, it would be women of color who entered the home to relieve the white woman of her burden. This meant that only some women were liberated from the weight of the happy housewife fantasy and others were relegated to continued attempts and failures at pursuing it.
Whitney Goodman (Toxic Positivity: Keeping It Real in a World Obsessed with Being Happy)
Questions and topics for discussion 1) What do you think it means to be a Bossypants? Do you know anyone personally that you would describe as a Bossypants and did the society you live in ever try to drown her? 2) The lessons Tina has learned from her work as a writer, a boss, a performer, and a producer are lessons that can be carried across a wide array of disciplines. (For instance, from her instructions about improv: Always speak in statements.) Which moments resonated the most for you? 3) In Chapter 4, Tina realizes that she has been guilty of holding her gay friends to a double standard—enjoying their company but still expecting them to stay in a “half-closet.” Have you ever had a moment like this? In a related question, do you think young pop stars today experience too much pressure to pretend to be a lesbian with Madonna? 4) While working at the YMCA in Chicago, Tina experienced some personal low points. But it also propelled her into pursuing her improv career. Have you ever experienced a similarly transformative period? During your transformation, did you ever spin around and pretend to be Wonder Woman? 5) What are some of your favorite SNL sketches or 30 Rock episodes? Should we just act them out? 6) Which other celebrities, besides Kim Kardashian, do you think may have been engineered by Russian scientists to sabotage our athletes? 7) Are there more specifics you would add to “The Mother’s Prayer for Its Daughter”? 8) Tina writes a love letter to Amy Poehler. Do you have friends who inspire you in the same way that Amy inspires Tina? ACTIVITY: Write a love letter to Amy Poehler and mail it to her home address (p. 291).
Tina Fey (Bossypants)
happened upon one that was titled “Five Deadly Terms Used by a Woman.” Those terms are “Fine,” “Nothing,” “Go Ahead,” “Whatever,” and “That’s OK.” The word “Wow!” is listed as a bonus word. The descriptions that go with each of the statements are hilarious. “Fine” is a word women use to end an argument when they know they are right. “Nothing,” of course, means something and men should definitely be worried. “Go ahead” is a dare, not permission. Men are discouraged from pursuing it. “Whatever” implies the man in question should back off and leave her alone. “That’s OK” means she’s thinking long and hard about retribution for whatever the man has done. “Wow!” simply points out her amazement that one person could be so stupid.
Shanna Hatfield (Racing Christmas (Rodeo Romance, #6))
Conceptual Games. Dr Nathan pondered the list on his desk-pad. (1) The catalogue of an exhibition of tropical diseases at the Wellcome Museum; (2) chemical and topographical analyses of a young woman’s excrement; (3) diagrams of female orifices: buccal, orbital, anal, urethral, some showing wound areas; (4) the results of a questionnaire in which a volunteer panel of parents were asked to devise ways of killing their own children; (5) an item entitled ‘self-disgust’ - someone’s morbid and hate-filled list of his faults. Dr Nathan inhaled carefully on his gold-tipped cigarette. Were these items in some conceptual game? To Catherine Austin, waiting as ever by the window, he said, ‘Should we warn Miss Novotny?’ Biomorphic Horror. With an effort, Dr Nathan looked away from Catherine Austin as she picked at her finger quicks. Unsure whether she was listening to him, he continued: ‘Travers’s problem is how to come to terms with the violence that has pursued his life - not merely the violence of accident and bereavement, or the horrors of war, but the biomorphic horror of our own bodies. Travers has at last realized that the real significance of these acts of violence lies elsewhere, in what we might term “the death of affect”. Consider our most real and tender pleasures - in the excitements of pain and mutilation; in sex as the perfect arena, like a culture-bed of sterile pus, for all the veronicas of our own perversions, in voyeurism and self-disgust, in our moral freedom to pursue our own psychopathologies as a game, and in our ever greater powers of abstraction. What our children have to fear are not the cars on the freeways of tomorrow, but our own pleasure in calculating the most elegant parameters of their deaths. The only way we can make contact with each other is in terms of conceptualizations. Violence is the conceptualization of pain. By the same token psychopathology is the conceptual system of sex.’ Sink Speeds. During this period, after his return to Karen Novotny’s apartment, Travers was busy with the following projects: a cogent defence of the documentary films of Jacopetti; a contribution to a magazine symposium on the optimum auto-disaster; the preparation, at a former colleague’s invitation, of the forensic notes to the catalogue of an exhibition of imaginary genital organs. Immersed in these topics, Travers moved from art gallery to conference hall. Beside him, Karen Novotny seemed more and more isolated by these excursions. Advertisements of the film of her death had appeared in the movie magazines and on the walls of the underground stations. ‘Games, Karen,’ Travers reassured her. ‘Next they’ll have you filmed masturbating by a cripple in a wheel chair.
J.G. Ballard (The Atrocity Exhibition)
We simplify, not just to be less busy, even though we may be right to pursue that. Rather, wesimplify to remove distractions from our pursuit of Christ. We prune activities from our lives, not only to get organized, but also that our devotion to Christ and service for His kingdom will be more fruitful. We simplify, not merely to save time, but to eliminate hindrances to the time we devote to knowing Christ. All the reasons we simplify should eventually lead us to Jesus Christ.' DONALD S. WHITNEY
Cynthia Heald (Becoming a Woman of Simplicity (Bible Studies: Becoming a Woman Book 5))
NARAHDARN   The first man and woman lived happily over the pursuing months and with child their spirits rose, and they felt happy; but not always content.     Baiame, who was the Great Father Spirit, sensed that something was the matter one day when looking down upon his creations. He saw the woman looking up into the mosaic of a yarran tree which was a sacred tree.     The man come up and stood beside his wife with child. Baiame saw this as a moment to press upon them a matter of great urgency, for he was the creator and therefore provided the rules for life and death.     Baiame said to the man: “This tree is a sacred tree and upon it is something that has caught your eye.”     “What is it?” asked the man.     “It is called honey and is made from bees: all things have names. You will now be known as Ber-rook-boorn, the one who carries the essence of man.”     “Can we eat it?” he asked.     “No, it is forbidden,” said Baiame.     “Then why did you make it?”     “I did not,” answered Baiame. “The bees make it from the pollen of flowers. The honey is for them. And I should also warn you,” continued Baiame, having noticed the stare of the woman upon the honey as it dripped from within the hive, “that I have
Nigel Clayton (Dreamtime: An Aboriginal Odyssey)
If a church-going woman is what you value, pursue a church girl. If a stay-at-home wife aligns with your vision, then that’s who you should look for. If you prefer slim women, then seek out a slim woman. If you’re drawn to thicker women, choose a thicker woman. If fitness is important to you, find a fit woman. If you admire a career-oriented woman, go for that. It's perfectly okay to have your preferences. But what you shouldn’t do is marry someone who isn’t your type and make her feel less than others because you’re unsure about what you want.
Genereux Uwabunkonye Philip
If a church-going woman is what you value, pursue a church girl. If a stay-at-home wife aligns with your vision, then that’s who you should look for. If you prefer slim women, then seek out a slim woman. If you’re drawn to thicker women, choose a thicker woman. If fitness is important to you, find a fit woman. If you admire a career-oriented woman, go for that. It's perfectly okay to have your preferences. But what you shouldn’t do is marry someone who isn’t your type and make her feel less than others because you’re unsure about what you want.
Genereux U Philip
In the transition to marriage, too many women experience their sexuality as shifting from desire to duty. When it becomes something she should do, it no longer is something she wants to do. By contrast, when a woman has an affair, she brings a self-determination to her pleasure. What is activated in the affair is her will—she pursues her own satisfaction.
Esther Perel (The State of Affairs: Rethinking Infidelity)