Youth In Revolt Quotes

We've searched our database for all the quotes and captions related to Youth In Revolt. Here they are! All 49 of them:

Likewise and during every day of an unillustrious life, time carries us. But a moment always comes when we have to carry it. We live on the future: “tomorrow,” “later on,” “when you have made your way,” “you will understand when you are old enough.” Such irrelevancies are wonderful, for, after all, it’s a matter of dying. Yet a day comes when a man notices or says that he is thirty. Thus he asserts his youth. But simultaneously he situates himself in relation to time. He takes his place in it. He admits that he stands at a certain point on a curve that he acknowledges having to travel to its end. He belongs to time, and by the horror that seizes him, he recognizes his worst enemy. Tomorrow, he was longing for tomorrow, whereas everything in him ought to reject it. That revolt of the flesh is the absurd.
Albert Camus (The Myth of Sisyphus and Other Essays)
I have found that people who can successfully resist temptation invariably lead depressingly stunted lives.
C.D. Payne (Youth in Revolt: The Journals of Nick Twisp, Book One)
Our freedoms are vanishing. If you do not get active to take a stand now against all that is wrong while we still can, then maybe one of your children may elect to do so in the future, when it will be far more riskier — and much, much harder.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
Everything is music for the born musician.
Romain Rolland (Jean-Christophe: Dawn, Morning, Youth, Revolt ( Volume I))
Do you suppose the human race invented boredom to make the prospect of death more palatable?
C.D. Payne (Youth in Revolt: The Journals of Nick Twisp, Book One)
Confession can be good for the soul, but it can exact a heavy toll on friendships.
C.D. Payne (Youth in Revolt: The Journals of Nick Twisp, Book One)
Consider, if you will, the morning boner. What a metaphor of hope and renewal! How can anyone give way to despair when one’s groin greets each day with such a gala spectacle of physical optimism?
C.D. Payne (Youth in Revolt: The Journals of Nick Twisp, Book One)
I've decided Mom's boyfriends are a lot like U.S. Presidents. You keep thinking they can't get any worse. And then she comes up with a Lance Wescott.
C.D. Payne (Youth in Revolt: The Journals of Nick Twisp, Book One)
Now I know why women get their ears pierced. Once they've survived this ordeal of mutilation, they can face the discomforts of childbirth with equanimity.
C.D. Payne (Youth in Revolt: The Journals of Nick Twisp, Book One)
Even memories have their youth … When you let them grow old, they turn into revolting phantoms dripping with selfishness, vanity, and lies … They rot like apples
Louis-Ferdinand Céline (Journey to the End of the Night)
As much as I think about sex, I can only with extreme difficulty conceive of myself actually performing the act. And here's another thing I wonder about. How could you ever look a girl in the eye after you've had your winkie up her wendell? I mean, doesn't that render normal social conversation impossible? Apparently not.
C.D. Payne (Youth in Revolt: The Journals of Nick Twisp, Book One)
Dwayne! Don't be ridiculous. Guy's don't share their girlfriends.' Why not?' Because they don't. Men are instinctually competitive. It's so there'll be lots of wars to keep overpopulation in check.
C.D. Payne (Youth in Revolt: The Journals of Nick Twisp, Book One)
I take it, then, Vijay, you are still a virgin?' Yes, and I find it extremely galling. When Gandhi was my age he had already been married three years.' No wonder Gandhi turned out to be a great man. When you get your love life nailed down that early, think of all the time it frees up to devote to Great Ideas.
C.D. Payne (Youth in Revolt: The Journals of Nick Twisp, Book One)
The term 'black' was given a rebirth by the black youth revolt. As reborn, it does not refer to the particular color of any particular person, but to the attitude of pride and devotion to the race whose homeland from times immemorial was called 'The Land of the Blacks.' Almost overnight our youngsters made 'black' coequal with 'white' in respectability, and challenged the anti-black Negroes to decide on which side they stood. This was no problem for many who are light or even near-white in complexion, for they themselves were among the first to proclaim with pride, 'call me black!' Those who hate the term but hold the majority of leadership positions feel compelled to use it to protect their leadership roles.
Chancellor Williams (Destruction of Black Civilization: Great Issues of a Race From 4500 B.C. To 2000 A.D.)
Something must be radically wrong with a culture and a civilisation when its youth begins to desert it. Youth is the natural time for revolt, for experiment, for a generous idealism that is eager for action. Any civilisation which has the wisdom of self-preservation will allow a certain margin of freedom for the expression of this youthful mood. But the plain, unpalatable fact is that in America today that margin of freedom has been reduced to the vanishing point. Rebellious youth is not wanted here. In our environment there is nothing to challenge our young men; there is no flexibility, no colour, no possibility for adventure, no chance to shape events more generously than is permitted under the rules of highly organised looting. All our institutional life combines for the common purpose of blackjacking our youth into the acceptance of the status quo; and not acceptance of it merely, but rather its glorification.
Harold Edmund Stearns (America and the young intellectual)
Youth’s scorn and its revolt against the established order, youth’s readiness for everything that is heroic, whether it is self-sacrifice or crime, its fiery seriousness and its unsteadiness—all this is nothing but its fluttering attempts to fly.
Robert Musil (The man Without Qualities, Vol. 1: A Sort of Introduction- The Like of It Now Happens (I))
Perhaps there is nothing greater on earth than the sacrifice of youth and beauty, often of high birth, made by the gentle sex in order to work in hospitals for the relief of human misery, the sight of which is so revolting to our delicacy. Peoples separated from the Roman religion have imitated but imperfectly so generous a charity.
Voltaire
The youth of today, like all youth, are in revolt against society, and that is a good thing in itself, but revolt is not freedom because when you revolt it is a reaction and that reaction sets up its own pattern and you get caught in that pattern. You think it is something new. It is not; it is the old in a different mold. Any social or political revolt will inevitably revert to the good old bourgeois mentality.
J. Krishnamurti (Total Freedom: The Essential Krishnamurti)
My sister Sarah, with all the advantages of youth, was, strangely enough, less pliable. She did full justice to Pesca's excellent qualities of heart; but she could not accept him implicitly, as my mother accepted him, for my sake. Her insular notions of propriety rose in perpetual revolt against Pesca's constitutional contempt for appearances; and she was always more or less undisguisedly astonished at her mother's familiarity with the eccentric little foreigner. I have observed, not only in my sister's case, but in the instances of others, that we of the young generation are nothing like so hearty and so impulsive as some of our elders. I constantly see old people flushed and excited by the prospect of some anticipated pleasure which altogether fails to ruffle the tranquillity of their serene grandchildren. Are we, I wonder, quite such genuine boys and girls now as our seniors were in their time? Has the great advance in education taken rather too long a stride; and are we in these modern days, just the least trifle in the world too well brought up?
Wilkie Collins (The Woman in White)
A’ight, so what do you think it means?” “You don’t know?” I ask. “I know. I wanna hear what YOU think.” Here he goes. Picking my brain. “Khalil said it’s about what society feeds us as youth and how it comes back and bites them later,” I say. “I think it’s about more than youth though. I think it’s about us, period.” “Us who?” he asks. “Black people, minorities, poor people. Everybody at the bottom in society.” “The oppressed,” says Daddy. “Yeah. We’re the ones who get the short end of the stick, but we’re the ones they fear the most. That’s why the government targeted the Black Panthers, right? Because they were scared of the Panthers?” “Uh-huh,” Daddy says. “The Panthers educated and empowered the people. That tactic of empowering the oppressed goes even further back than the Panthers though. Name one.” Is he serious? He always makes me think. This one takes me a second. “The slave rebellion of 1831,” I say. “Nat Turner empowered and educated other slaves, and it led to one of the biggest slave revolts in history.” “A’ight, a’ight. You on it.” He gives me dap. “So, what’s the hate they’re giving the ‘little infants’ in today’s society?” “Racism?” “You gotta get a li’l more detailed than that. Think ’bout Khalil and his whole situation. Before he died.” “He was a drug dealer.” It hurts to say that. “And possibly a gang member.” “Why was he a drug dealer? Why are so many people in our neighborhood drug dealers?” I remember what Khalil said—he got tired of choosing between lights and food. “They need money,” I say. “And they don’t have a lot of other ways to get it.” “Right. Lack of opportunities,” Daddy says. “Corporate America don’t bring jobs to our communities, and they damn sure ain’t quick to hire us. Then, shit, even if you do have a high school diploma, so many of the schools in our neighborhoods don’t prepare us well enough. That’s why when your momma talked about sending you and your brothers to Williamson, I agreed. Our schools don’t get the resources to equip you like Williamson does. It’s easier to find some crack than it is to find a good school around here. “Now, think ’bout this,” he says. “How did the drugs even get in our neighborhood? This is a multibillion-dollar industry we talking ’bout, baby. That shit is flown into our communities, but I don’t know anybody with a private jet. Do you?” “No.” “Exactly. Drugs come from somewhere, and they’re destroying our community,” he says. “You got folks like Brenda, who think they need them to survive, and then you got the Khalils, who think they need to sell them to survive. The Brendas can’t get jobs unless they’re clean, and they can’t pay for rehab unless they got jobs. When the Khalils get arrested for selling drugs, they either spend most of their life in prison, another billion-dollar industry, or they have a hard time getting a real job and probably start selling drugs again. That’s the hate they’re giving us, baby, a system designed against us. That’s Thug Life.
Angie Thomas (The Hate U Give (The Hate U Give, #1))
Երբ ընտրությունն արված է, էլ կարիք չկա այդ մասին խոսելու, մնում է լոկ ազնվությամբ կատարել պարտականությունը:
Romain Rolland (Jean-Christophe: Dawn, Morning, Youth, Revolt ( Volume I))
Il avait encore la peau recouverte d'acné juvénile et, pour que ça ne se voie pas, il portait sur son visage le masque de la révolte.
Milan Kundera (The Book of Laughter and Forgetting)
We do have a grand strategy,” says Zeese, who was the spokesman for Ralph Nader’s 2004 presidential campaign. “Nonviolent movements shift power by attacking the columns that hold the power structure in place. Those columns are the military, police, media, business, workers, youth, faith groups, NGOs, and civil servants. Every time we deal with the police, we have that in mind. The goal is not to hit them, hit them, hit them, and weaken them. The goal is to pull people from those columns to our side. We want the police to know that we understand they’re not the 1 percent. The goal is not to get every police officer, but to get enough police so that you have a division.
Chris Hedges (Days of Destruction, Days of Revolt)
He chose for his hero a youth nourished in dreams of liberty, some of whose actions are in direct opposition to the opinions of the world, but who is animated throughout by an ardent love of virtue, and a resolution to confer the boons of political and intellectual freedom on his fellow-creatures. On Percy Shelley's The Revolt of Islam
Mary Wollstonecraft Shelley
The chevalier had long since fathomed the nature of Athanase, and recognized in it that unyielding element of republican convictions to which in his youth a young man is willing to sacrifice everything, carried away by the word “liberty,” so ill-defined and so little understood, but which to persons disdained by fate is a banner of revolt; and to such, revolt is vengeance.
Honoré de Balzac (Works of Honore de Balzac)
His successor was a tall, lanky youth, who with his pallid complexion and huge red hands had the air of a simpleton. He was punctual at least, arriving at six o'clock on the dot, but his uncleanliness was revolting: he was dressed in kitchen rags stiff with grease and dirt, his cheeks were smeared with flour and soot, and from his unwiped nose two rivulets of green snot streamed around his mouth.
Joris-Karl Huysmans (Downstream)
We have seen the kind of morality which is even now shaping itself in the ideas of the masses and of the thinkers. This morality will issue no commands. It will refuse once and for all to model individuals according to an abstract idea, as it will refuse to mutilate them by religion, law or government. It will leave to the individual man full and perfect liberty. It will be but a simple record of facts, a science. And this science will say to man: "If you are not conscious of strength within you, if your energies are only just sufficient to maintain a colorless, monotonous life, without strong impressions, without deep joys, but also without deep sorrows, well then, keep to the simple principles of a just equality. In relations of equality you will find probably the maximum of happiness possible to your feeble energies. "But if you feel within you the strength of youth, if you wish to live, if you wish to enjoy a perfect, full and overflowing life --that is, know the highest pleasure which a living being can desire-- be strong, be great, be vigorous in all you do. "Sow life around you. Take heed that if you deceive, lie, intrigue, cheat, you thereby demean yourself. belittle yourself, confess your own weakness beforehand, play the part of the slave of the harem who feels himself the inferior of his master. Do this if it so pleases you, but know that humanity will regard you as petty, contemptible and feeble, and treat you as such. Having no evidence of your strength, it will act towards you as one worthy of pity-- and pity only. Do not blame humanity if of your own accord you thus paralyze your energies. Be strong on the other hand, and once you have seen unrighteousness and recognized it as such --inequity in life, a lie in science, or suffering inflicted by another-- rise in revolt against the iniquity, the lie or the injustice. "Struggle! To struggle is to live, and the fiercer the struggle the intenser the life. Then you will have lived; and a few hours of such life are worth years spent vegetating.
Pyotr Kropotkin (Anarchist Morality)
were listening to Tupac right before . . . you know.” “A’ight, so what do you think it means?” “You don’t know?” I ask. “I know. I wanna hear what you think.” Here he goes. Picking my brain. “Khalil said it’s about what society feeds us as youth and how it comes back and bites them later,” I say. “I think it’s about more than youth though. I think it’s about us, period.” “Us who?” he asks. “Black people, minorities, poor people. Everybody at the bottom in society.” “The oppressed,” says Daddy. “Yeah. We’re the ones who get the short end of the stick, but we’re the ones they fear the most. That’s why the government targeted the Black Panthers, right? Because they were scared of the Panthers?” “Uh-huh,” Daddy says. “The Panthers educated and empowered the people. That tactic of empowering the oppressed goes even further back than the Panthers though. Name one.” Is he serious? He always makes me think. This one takes me a second. “The slave rebellion of 1831,” I say. “Nat Turner empowered and educated other slaves, and it led to one of the biggest slave revolts in history.” “A’ight, a’ight. You on it.” He gives me dap. “So, what’s the hate they’re giving the ‘little infants’ in today’s society?” “Racism?” “You gotta get a li’l more detailed than that. Think ’bout Khalil and his whole situation. Before he died.” “He was a drug dealer.” It hurts to say that. “And possibly a gang member.” “Why was he a drug dealer? Why are so many people in our neighborhood drug dealers?” I remember what Khalil said—he got tired of choosing between lights and food. “They need money,” I say. “And they don’t have a lot of other ways to get it.” “Right. Lack of opportunities,” Daddy says. “Corporate America don’t bring jobs to our communities, and they damn sure ain’t quick to hire us. Then, shit, even if you do have a high school diploma, so many of the schools in our neighborhoods don’t prepare us well enough. That’s why when your momma talked about sending you and your brothers to Williamson, I agreed. Our schools don’t get the resources to equip you like Williamson does. It’s easier to find some crack than it is to find a good school around here.
Angie Thomas (The Hate U Give)
I got the desire to write very young, at fourteen or fifteen years of age … I endured the world which was given to me sometimes with joy, often with revolt or boredom; I wanted to make it mine in order to justify it in some way. So I thought I had everything to say: the whole world, life, everything. In my youthful, adolescent diaries, at eighteen, nineteen years old, this leitmotif appears over and over: I will say everything, I have everything to say.
Simone de Beauvoir
I gave up trying to establish where progress lay, and where revolution, or to see the plot -- as Amparo's [Brazilian] comrades expressed it -- of capitalism. How could I continue to think like a European once I learned that the hopes of the far left were kept alive by a Nordeste bishop suspected of having harbored Nazi sympathies in his youth but who now faithfully and fearlessly held high the torch of revolt, upsetting the wary Vatican and the barracudas of Wall Street, and joyfully inflaming the atheism of the proletarian mystics won over by the tender yet menacing banner of a Beautiful Lady who, pierced by seven sorrows, gazed down on the sufferings of her people?
Umberto Eco (Foucault’s Pendulum)
Meritocratic elites find it difficult to imagine a community, even a community of the intellect, that reaches into both the past and the future and is constituted by an awareness of intergenerational obligation. The "zones" and "networks" admired by Reich bear little resemblance to communities in any traditional sense of the term. Populated by transients, they lack the continuity that derives from a sense of place and from standards of conduct self-consciously cultivated and handed down from generation to generation. The "community" of the best and brightest is a community of contemporaries, in the double sense that its members think of themselves as agelessly youthful and that the mark of this youthfulness is precisely their ability to stay on top of the latest trends.
Christopher Lasch (The Revolt of the Elites and the Betrayal of Democracy)
Saul had seen the rash of demonic-children entertainments as a symptom of deeper underlying fears and hatreds; the “me-generation’s” inability to shift into the role of responsible parenthood at the cost of losing their own interminable childhood, the transference of guilt from divorce—the child is not really a child, but an older, evil thing, capable of deserving any abuse resulting from the adult’s selfish actions—and the anger of an entire society revolting after two decades of a culture dominated by and devoted to youthful looks, youth-oriented music, juvenile movies, and the television and movie myth of the adult-child inevitably wiser, calmer, and more “with-it” than the childish adults in the house hold. So Saul had lectured that the child-fear and child-hatred becoming visible in popular shows and books had its irrational roots in common guilts, shared anxieties, and the universal angst of the age. He had warned that the national wave of abuse, neglect, and callousness toward children had its historical antecedents and that it would run its course, but that everything possible must be done to avoid and eliminate that brand of violence before it poisoned America.
Dan Simmons (Carrion Comfort)
Then Strathcona discussed literature. He paid his tribute to the "Fleurs de Mal" and the "Songs before Sunrise"; but most, he said, he owed to "the divine Oscar." This English poet of many poses and some vices the law had seized and flung into jail; and since the law is a thing so brutal and wicked that whoever is touched by it is made thereby a martyr and a hero, there had grown up quite a cult about the memory of "Oscar." All up-to-date poets imitated his style and his attitude to life; and so the most revolting of vices had the cloak of romance flung about them—were given long Greek and Latin names, and discussed with parade of learning as revivals of Hellenic ideals. The young men in Strathcona's set referred to each other as their "lovers"; and if one showed any perplexity over this, he was regarded, not with contempt—for it was not aesthetic to feel contempt—but with a slight lifting of the eyebrows, intended to annihilate. One must not forget, of course, that these young people were poets, and to that extent were protected from their own doctrines. They were interested, not in life, but in making pretty verses about life; there were some among them who lived as cheerful ascetics in garret rooms, and gave melodious expression to devilish emotions. But, on the other hand, for every poet, there were thousands who were not poets, but people to whom life was real. And these lived out the creed, and wrecked their lives; and with the aid of the poet's magic, the glamour of melody and the fire divine, they wrecked the lives with which they came into contact. The new generation of boys and girls were deriving their spiritual sustenance from the poetry of Baudelaire and Wilde; and rushing with the hot impulsiveness of youth into the dreadful traps which the traders in vice prepared for them. One's heart bled to see them, pink-cheeked and bright-eyed, pursuing the hem of the Muse's robe in brothels and dens of infamy!
Upton Sinclair (The Metropolis)
I'm too lonely. Pull in this belly that I never used to think about and that now I can't forget. One of the tangible signs of a revolting maturity. The intoxication of forty is unimaginable to someone who hasn't reached this age. Up till then, the years roll by without leaving any sign except their too-certain but imponderable accumulation. Abstract vertigo. The idea but not the suffering of growing old. Knowledge without consciousness. And then a heaviness materializes, something we call the weight of years, without knowing what we're saying. Sickness and death cease being a virtual danger by which only others are threatened, or that other person who is ourself. Another self of mine that I see from outside, in the shelter of my youth, while it leans over the transom and watches Paris slowly emerging from the night in the happy summer dawn. Easy serenity. Faked revelation. Life begins at forty. End of youth. We all have the absurd certainty of escaping the common fate. Happy aberration to which I owe an excessive youth. So long that finally I got used to it. It's at fifteen that you suffer over growing old. Every protest's futile. Yet I refuse to consent. I reject decrepitude. Let the others submit.
Claude Mauriac (All Women are Fatal)
Joy Seekers Certainly, every one of you will admit that what we seek in life is peace and joy. The way of seeking and the field in which we are seeking may be different from man to man, from place to place, and from era to era. But all of us are demanding the same joy everywhere and at all times. Joy or peace, as generally understood, is that which we experience when, in the external circumstances, we come to live a pattern which we have demanded for ourselves at a given period of time and place. That which was, in our childhood, a great happiness and joy, may not again provide for us an equal happiness or peace in our youth. A blue glass marble or a tennis ball would have been a joyous present when one was in one’s childhood. But the same present would not bring any happiness to us if it is presented to us at our diamond jubilee; conversely, it may even be painful, inasmuch as it would remind us of our old age and the impending ‘calamitous day’! Examples can be multiplied to justify the working definition of joy or peace that we have made just now. In this, the difficulty or the failure of man is mainly because the demand of the physical man is not necessarily the demand of the emotional; in the same individual the intellectual personality would still have a third type of demand and, perhaps, the spiritual seeker in him would have yet another demand. Thus, four distinct sets of demands are made by each individual at the same period of time and space. Certainly, no two happenings can come to pass at one and the same time and place, the happenings being conditioned by both time and place. Therefore, however much we may try to bring about, through certain new changes, a perfect scheme of things in our life and a hope to gain out of it a perfect satisfaction for all the four personalities in us, we shall only end up with sheer disappointment. Our Hope But, if there be a technique by which we can train, discipline and integrate all these wild and madly revolting personalities in us together into one unit, certainly, we can thereafter order much more freedom and happiness for ourselves in the outer world. These techniques are together termed as ‘religion’ by the great seers.
Chinmayananda (Isavasya Upanisad)
A mild fabrication may raise suspicion, but a major falsehood invites credulity.
C.D. Payne (Youth in Revolt)
On the whole I am splendidly equipped for this great adventure we call human existence.
C.D. Payne (Youth in Revolt)
Carlotta’s spiritual mother is deceased. How sad. How fortunate the younger Miss Ulansky is so well equipped to dress for mourning. I wonder how old Bertha Ulansky was at the end? Not a day younger than 90, I’d estimate. Once she was Carlotta’s age, with her whole life ahead of her. Now she’s a disturbing interruption to her neighbors, an everyday inconvenience for the coroner. At least she will live on anonymously in her 400 films. Death: the final censor. He waits for us all with his editing shears—as our colors fade and our celluloid slowly dissolves. Bummed out by the transience of life, I resolved to take the afternoon off from school and savor every golden, fleeting moment. Twenty minutes later, tiring of living life to the fullest, I picked up a Penthouse, leafed through it for a while, dealt peremptorily with a sudden T.E., squeezed several erupting zits, then took a nap. Life, I decided as time dissolved into clockless unconsciousness, must go on.
C.D. Payne (Youth in Revolt)
This drew frowns from Steve, still smarting from the rejection of his cappuccino. The menu stated clearly in small print that the Economy Dinner for one was not to be shared. Steve, I knew, took these issues seriously. He worked 18 hours a day, seven days a week, and consequently saw life as a grim struggle for existence. Oddly, I hardly work at all, yet share a similar philosophy.
C.D. Payne (Youth in Revolt)
I went into my bedroom and noticed for the first time how much my chenille bedspread resembled a medieval tapestry. Every shimmering thread stood out for singular contemplation. Yet, at the same time, I could admire the totality of the weave—while noting every gradation of hue and texture. In a matter of minutes, my aesthetic had accelerated light-years beyond even Mr. Rogavere’s. I sat on my bed and examined the hairs on my arm. They formed calligraphic patterns more exquisite than any Chinese brush painting. Aldous Huxley was right. Beyond the narrow doors of perception lies a realm of wide-screen, big-budget Technicolor spectacles. All that was lacking was Victor Mature in a toga lashed to a marble column.
C.D. Payne (Youth in Revolt)
Yet a day comes when a man notices or says that he is thirty. Thus he asserts his youth. But simultaneously he situates himself in relation to time. He takes his place in it. He admits that he stands at a certain point on a curve that he acknowledges having to travel to its end. He belongs to time, and by the horror that seizes him, he recognizes his worst enemy. Tomorrow, he was longing for tomorrow, whereas everything in him ought to reject it. That revolt of the flesh is the absurd.
Albert Camus (The Myth of Sisyphus and Other Essays)
Saul took a deep breath. He had lectured at Columbia and other universities on the peculiar and perverse strain of modern violence in such books and movies as The Exorcist, The Omen, and innumerable imitations, going back to Rosemary’s Baby. Saul had seen the rash of demonic-children entertainments as a symptom of deeper underlying fears and hatreds; the “me-generation’s” inability to shift into the role of responsible parenthood at the cost of losing their own interminable childhood, the transference of guilt from divorce—the child is not really a child, but an older, evil thing, capable of deserving any abuse resulting from the adult’s selfish actions—and the anger of an entire society revolting after two decades of a culture dominated by and devoted to youthful looks, youth-oriented music, juvenile movies, and the television and movie myth of the adult-child inevitably wiser, calmer, and more “with-it” than the childish adults in the house hold. So Saul had lectured that the child-fear and child-hatred becoming visible in popular shows and books had its irrational roots in common guilts, shared anxieties, and the universal angst of the age. He had warned that the national wave of abuse, neglect, and callousness toward children had its historical antecedents and that it would run its course, but that everything possible must be done to avoid and eliminate that brand of violence before it poisoned America.
Dan Simmons (Carrion Comfort)
In some respects, generations revolting against their parents result in resemblance to their grandparents.
Criss Jami
What incensed me most was that, at more or less the same time, 'ethnic revolt' in Azerbaijan and the 'Rumanian Liberation' were being telecast as a special programme. Large crowds were shown shouting: "We want freedom; we do not mind spilling our blood; death to the oppressors who have kept us in chains." If any proof of Government unimaginativeness or its disoriented functioning was needed, there it was. There could be no comparison between the case of Kashmir and that of Azerbaijan or Rumania. But it should have been understood that in the circumstances prevailing at that time, the Kashmiri youth would misread the message. Virtual incitement was provided by our own television. The timing of the telecast confirmed my impression that the political and bureaucratic mandarins of New Delhi had very little knowledge of the currents and undercurrents of the situation in Kashmir and its ground-level realities.
Jagmohan (My Frozen Turbulence in Kashmir)
And the worst sort of anarchy will prevail—everyone stepping on someone else, neighbors fighting neighbors, youths revolting against authority, criminals sneering at honorable men.
Anonymous (One Year Bible: The Living Bible, TLB)
The society of the spectacle paints its own picture of itself and its enemies, imposes its own ideological categories on the world and its history. Fear is the very last response. For everything that happens is reassuringly part of the natural order of things. Real historical changes, which show that this society can be superseded, are reduced to the status of novelties, processed for mere consumption. The revolt of youth against an imposed and “given” way of life is the first sign of a total subversion. It is the prelude to a period of revolt — the revolt of those who can no longer live in our society. Faced with a danger, ideology and its daily machinery perform the usual inversion of reality. A historical process becomes a pseudo-category of some socio-natural science: the Idea of Youth. Youth is in revolt, but this is only the eternal revolt of youth; every generation espouses ”good causes,” only to forget them when ”the young man begins the serious business of production and is given concrete and real social aims.” After the social scientists come the journalists with their verbal inflation. The revolt is contained by overexposure: we are given it to contemplate so that we shall forget to participate. In the spectacle, a revolution becomes a social aberration– in other words a social safety valve–which has its part to play in the smooth working of the system . . . In reality, if there is a problem of youth in modern capitalism it is part of the total crisis of that society. It is just that youth feels the crisis most acutely.
Internationale Situationniste (On the Poverty of Student Life: Considered in Its Economic, Political, Psychological, Sexual, and Particularly Intellectual Aspects, and a Modest Proposal for Its Remedy)
In particular, he singles out the black liberation (rather than the civil rights) movement, the women's movement and the youth revolt, which saw many 'turn on, tune in, drop out', partly in response to American involvement in Vietnam. Although not always committed to the same causes or principles, these different countercultural movements were unified in their opposition to the dominant culture. They criticised the unexamined grounds of the 'great American dream', with its ethos of hard work, individualism and family values. Altman argues that these various movements created a 'new consciousness', a suspicion of hypocrisy and a strong distrust of authority. [Altman]
Annamarie Jagose (Queer Theory: An Introduction)
In the January 2015 Greek general elections, a motley coalition of communists and anti-globalists came to power, grouped in a party called Syriza and headed by Alexis Tsipras, who at 40 was the country’s youngest prime minister in the modern era. Syriza had existed only since 2004, but in 2015 it won, and won big, chiefly on a platform of negation and repudiation. The party stood firmly against the European Union, the euro, austere budgets, debt payments, capitalism, the Germans, the banks, “the rich, the markets, the super-rich, the top 10 percent.”31 Syriza had promised what Greek voters wanted: the impossible. Reality intervened. By September 2015, the cranks and unrepentant radicals had been weeded out of the government. Greece remained in the EU, kept the euro, put up with austerity, and bowed respectfully to capitalists, the Germans, and the banks. The promise of radical change had devolved into stasis. Under the youthful communist Tsipras, conditions for the Greek public were similar to what they had been under his middle-aged conservative predecessor. Not surprisingly, support for the populist experiment Syriza represented has collapsed, while Tsipras’s ratings have “nosedived.
Martin Gurri (The Revolt of the Public and the Crisis of Authority in the New Millennium)
Wrong or right, he would never again for anything in the world have recourse to a priest. He admitted that these men were his superiors in intelligence or by reason of their sacred calling; but in argument there is neither superiority, nor inferiority, nor title, nor age, nor name; nothing is of worth but truth, before which all men are equal.
Romain Rolland (JEAN-CHRISTOPHE VOLUMES 1 to 4 PART I: JEAN-CHRISTOPHE (Dawn, Morning, Youth, Revolt))