Yarn Shopping Quotes

I don't just use yarn from a store. I buy old sweaters from consignment shops. The older the better, and unravel them. There are countries of women in this scarf/shawl/blanket. Soon it will be big enough to keep me warm.

on the phone Bookseller: Hello Ripping Yarns. Customer: Do you have any mohair wool? Bookseller: Sorry, we're not a yarns shop, we're a bookshop. Customer: You're called Ripping Yarns. Bookseller: Yes, that's 'yarns' as in stories. Customer: Well it's a stupid name. Bookseller: It's a Monty Python reference. Customer: So you don't sell wool? Bookseller: No. Customer: Hmf. Ridiculous. Bookseller: ...but we do sell dead parrots. Customer: What? Bookseller: Parrots. Dead. Extinct. Expired. Would you like one? Customer: Erm, no. Bookseller: Ok, well if you change your mind, do call back.

He leapt onto the cushion now and curled into a skein of snoring yellow fur.

Globetrotting destroys ethnocentricity, helping us understand and appreciate other cultures. Rather than fear the diversity on this planet, celebrate it. Among your most prized souvenirs will be the strands of different cultures you choose to knit into your own character. The world is a cultural yarn shop, and Back Door travelers are weaving the ultimate tapestry.

I’d like to go to all the knitting shops,” Doria said. “I want to see some rustic, hand-pulled yarn. I would also like to see some colonial fabrics, and, if possible, I would like to have some contact with a loom.

Earlier today Brigid visited her favorite shop, Knit One Purl Too. She was running out of the fabulous purple Shibui yarn she’d bought last time. The minute she walked in the door and saw all the colorful skeins of yarn bundled along the walls, almost up to the ceiling, she felt her spirits lift. So much color, so much texture—such unlimited possibilities!

People open shops in order to sell things, they hope to become busy so that they will have to enlarge the shop, then to sell more things, and grow rich, and eventually not have to come into the shop at all. Isn't that true? But are there other people who open a shop with the hope of being sheltered there, among such things as they most value - the yarn or the teacups or the books - and with the idea only of making a comfortable assertion? They will become a part of the block, a part of the street, part of everybody's map of the town, and eventually of everybody's memories. They will sit and drink coffee in the middle of the morning, they will get out the familiar bits of tinsel at Christmas, they will wash the windows in spring before spreading out the new stock. Shops, to these people, are what a cabin in the woods might be to somebody else - a refuge and a justification.

The repetition of weaving the yarn around a needle and then forming a stitch creates a sense of purpose, of achievement, of progress. When your entire world is unraveling, you tend to crave order, and I found it in knitting.

Fancy finding you here," he said jauntily. Nothing about it was fanciful, and she suspected he might have followed her. Why else would he be there? "You've taken up knitting, have you?" she countered as she walked to the yarn section of the shop. "No,I've taken up finding you alone. Nice of you to accommodate me." His answer pleased her more than she could say, but she warned him, "I'm not alone." "For the moment you are.

Plan A to Terminate Errors and Random Nuttiness—PATTERN.

Dead" and "silent" were two words that should have made perfect sense when used together. They would have for most people I knew. But most people I knew weren't haunted.

What is the sound of one ghost laughing?" she asked forlornly. "Dead silence.

although we know an awful lot of those embroidered, quilted, crocheted, and knitted visions are unrealistic,” Ardis said, “there’s nothing wrong with embellished dreams and hopes. We all have them. I have them. And I need them. They give me respite—from reality, from the world, from Daddy’s increasing infirmity. They give me strength.

Granny’s shop had once been a tidy place, where each ball of yarn and spool of thread had its spot in the cubbyholes that lined the walls. All the yarn and thread came from old clothes that had gotten too shabby to be worn. Granny unraveled sweaters and picked apart dresses and jackets and pants; she wound the yarn into balls and the thread onto spools, and people bought them to use in making new clothes.

Wait." Walter went to the basket, taking what was a gray sleeve, drawing it out fro the middle of the heap. "Oh," He said. He held the shapeless wool sweater to his chest. Joyce had knit for months the year Daniel died, and here was the result, her handiwork, the garment that would fit a giant. It was nothing more than twelve skeins of yarn and thousands of loops, but it had the power to bring back in a flash the green-tiled walls of the hospital, the sound of an ambulance trying to cut through city traffic in the distance, the breathing of the dying boy, his father staring at the ceiling, the full greasy bucket of fried chicken on he bed table. "I'll take this one," Walter said, balling up the sweater as best he could, stuffing it into a shopping bag that was half full of the books he was taking home, that he was borrowing. "Oh, honey," Joyce said. "You don't want that old scrap." "You made it. I remember your making it." Keep it light, he said to himself, that's a boy. "There's a use for it. Don't you think so, Aunt Jeannie? No offense, Mom, but I could invade the Huns with it or strap the sleeves to my car tires in a blizzard, for traction, or protect our nation with it out in space, a shield against nuclear attack." Jeannie tittered in her usual way in spite of herself. "You always did have that sense of humor," she said as she went upstairs. When she was out of range, Joyce went to Walter's bag and retrieved the sweater. She laid it on the card table, the long arms hanging down, and she fingered the stitches. "Will you look at the mass of it," she exclaimed. "I don't even recall making it." ""'Memory -- that strange deceiver,'" Walter quoted.

talked about growing up in Bayonne, New Jersey, in the 1950s, a city without a single bookstore. I bought all my reading material at newsstands and the corner “candy shops,” from wire spinner racks. The paperbacks on those spinner racks were not segregated by genre. Everything was jammed in together, a copy of this, two copies of that. You might find The Brothers Karamazov sandwiched between a nurse novel and the latest Mike Hammer yarn

In the year 2000, it was standard practice for the successful chief executive officer of a corporation to shuck his wife of two to three decades’ standing for the simple reason that her subcutaneous packing was deteriorating, her shoulders and upper back were thickening like a shot-putter’s—in short, she was no longer sexy. Once he set up the old wife in a needlepoint shop where she could sell yarn to her friends, he was free to take on a new wife, a “trophy wife,” preferably a woman in her twenties, and preferably blond, as in an expression from that time, a “lemon tart.” What was the downside? Was the new couple considered radioactive socially? Did people talk sotto voce, behind the hand, when the tainted pair came by? Not for a moment. All that happened was that everybody got on the cell phone or the Internet and rang up or E-mailed one another to find out the spelling of the new wife’s first name, because it was always some name like Serena and nobody was sure how to spell it.

In my introduction to Warriors, the first of our crossgenre anthologies, I talked about growing up in Bayonne, New Jersey, in the 1950s, a city without a single bookstore. I bought all my reading material at newsstands and the corner “candy shops,” from wire spinner racks. The paperbacks on those spinner racks were not segregated by genre. Everything was jammed in together, a copy of this, two copies of that. You might find The Brothers Karamazov sandwiched between a nurse novel and the latest Mike Hammer yarn from Mickey Spillane. Dorothy Parker and Dorothy Sayers shared rack space with Ralph Ellison and J. D. Salinger. Max Brand rubbed up against Barbara Cartland. A. E. van Vogt, P. G. Wodehouse, and H. P. Lovecraft were crammed in with F. Scott Fitzgerald. Mysteries, Westerns, gothics, ghost stories, classics of English literature, the latest contemporary “literary” novels, and, of course, SF and fantasy and horror—you could find it all on that spinner rack, and ten thousand others like it. I liked it that way. I still do. But in the decades since (too many decades, I fear), publishing has changed, chain bookstores have multiplied, the genre barriers have hardened. I think that’s a pity. Books should broaden us, take us to places we have never been and show us things we’ve never seen, expand our horizons and our way of looking at the world. Limiting your reading to a single genre defeats that. It limits us, makes us smaller. It seemed to me, then as now, that there were good stories and bad stories, and that was the only distinction that truly mattered.

I loved my yarn winder. It was made of high-quality maple with Swiss gears. Sturdy, ergonomic, quiet, and fast, it was worth its weight in gold. As a hobbyist knitter, I’d coveted a winder like this for years but hadn’t been able to justify the cost until I’d opened my shop.

You know, I could have made the arduous journey next door to leave your order with the doorman,” I said as I counted out the skeins to make sure they were all there. Nico and Elizabeth lived in one of the condos in the building above the shop. In fact, it was Elizabeth who’d suggested this location to me when the retail space became available. Nico’s grin grew flirtatious. “I know, but then I wouldn’t have gotten to fondle your yarn—and you know how I love to fondle your yarn.” I flicked my hand at him, shaking my head in amusement. “Fondle away.” Nico wandered off to browse the in-stock yarns, and I smiled as I watched him reach out to squish a particularly cuddly alpaca blend.

This is kinda cool,” Mike said. “There’s a satisfying sort of rhythm to it once you get the hang of it.” “That’s why people enjoy it,” I said. “It’s very relaxing. Almost meditative. And then of course there’s the sense of accomplishment from making something with your hands.” “I could see that.” “I’ve always thought it was sad that boys in this country aren’t encouraged to do handicrafts more, because they can be very therapeutic. But we’ve developed this ridiculous idea that the hearth arts are feminizing and anything feminine is inherently weak, which prevents men from pursuing them.” “Like how the girls all took home ec and the boys took shop class,” Mike said. “Exactly,” I said. “Although they’ve done away with home ec and shop at most schools these days. But you still see it in scouting. Boy Scouts learn wilderness survival skills, while in Girl Scouts it’s often more about cooking and sewing and selling cookies.” Mike frowned at his yarn. “It never even occurred to me when I was a kid to ask my mom to teach me how to knit. I remember she taught my sister, or she tried to, anyway. I learned how to change the oil in my dad’s car instead, which isn’t nearly as much fun.” “It’s arguably a bit more useful I suppose.

he didn’t always step into the same river of time as the rest of us.

The yarn forms the stitches, the knitting forges the friendships, the craft links the generations.” —Karen Alfke, “Unpattern” designer and knitting instructor LYDIA HOFFMAN

else we should know?” “There are inheritance taxes and some forms I need, but they can wait….” “Besides those.” “No.” If only she could run out to her truck and sit in

work

Work. He’d think about work. Cade was behind in a ton of paperwork, and he had some females that hadn’t been acting right. He needed to get down to their paddock this morning and try to figure out if they were sick or not, hoping like hell he wouldn’t have to call the vet. The ranch was doing okay financially, but that was because he cut corners, not wasting anything. He was, in fact, the opposite of how Eliza had been. Eliza, who wouldn’t cull an animal from the flock even if it was making the others sick. That was if she’d noticed they were sick at all

Abigail’s grin started from the very center of her body, and it widened as she continued to open boxes on the porch until she’d found all the various pieces that she needed. She grabbed the tiny toolbox from the back of her truck. Cade would mock the box mercilessly, she was sure, for being small and useless just like her truck, but she knew it held what she needed

What was her problem?

Next door was a vegetarian café and deli, and next to that was the Wooly Bear yarn shop. Its logo was a caterpillar in shades of yellow, green, and scarlet. Maggie went in. The shop was warm and bright, with one entire wall given over to cubbyholes filled with yarns of every hue in many weights and fibers. The opposite wall held small skeins and spools of thread on pegs for embroidery and quilting. There were racks of pattern books and magazines, and in the back a mini classroom was set up with a small maple table and folding chairs, now accommodating a group of eight-year-olds wielding fat knitting needles and balls of oversize wool. A girl of about sixteen wearing a Rye Manor sweatshirt was helping a little boy to cast on stitches.

This woman might have been a sister of the fiberhood, but she had an impressive lack of moral fiber.

Geneva was histrionic and somewhat annoying and not entirely without creep factor, but her existence was complicated and she wasn't truly a horror. She was a ghost and she couldn't help that.

I brainstormed names and investigated graphics. I made plans for a nature trail, a library, a ceramics studio, a yarn café, a bake shop, a butterfly garden.