“
Fast is fine, but accuracy is final.
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Wyatt Earp
“
You planning on getting in our way again when we take him down? (Justin)
Boy, you better take that tone and flush it. I’m not a Squire you’re talking to; I happen to be one of the guys you answer to. It ain’t none of your damned business why I’m going. You just don’t move until I tell you to or I’m going to show you how I once made Wyatt Earp piss his drawers. (Jess)
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Sherrilyn Kenyon (Dance with the Devil (Dark-Hunter, #3))
“
Fast is fine, but accuracy is everything.
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Wyatt Earp
“
Whatever you worship will consume you, Dong-Sing wrote one week. Bob Wright worships money. Wyatt Earp worships justice. Eddie Foy worships applause. Doc worships home and family, as I do. How will this consume us?
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Mary Doria Russell (Doc)
“
Are you going to do something or just stand there and bleed?
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Wyatt Earp
“
Fast is fine, but accuracy is final. You must learn to be slow in a hurry.
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”
Wyatt Earp
“
This much is sure: if Kate hadn’t gone back to Doc Holiday on the afternoon of June 10th, 1878, you never would have heard of him. You wouldn’t know the names of Wyatt Earp, or any of his brothers. The Clantons and McLaurys would be utterly forgotten. And Tombstone would be nothing more than an Arizona ghost town with an ironic name. Too late now.
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Mary Doria Russell (Doc)
“
Sadie was at his side when the old desire to leave everything behind rose up in him again.
“Suppose . . .” he began. “Suppose . . .”
Then he moved on, one last time.
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Mary Doria Russell (Epitaph)
“
In six years, Hoover circled the globe five times. He lived through the Boxer Rebellion in China, hacked through the jungles of Borneo, rode camels across the red emptiness of Western Australia, rubbed shoulders with Wyatt Earp and Jack London in a Klondike saloon, camped beside the Great Pyramids of Egypt. He had experiences as rich and memorable as any young man has ever enjoyed, and was moved by none of them. In
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Bill Bryson (One Summer: America, 1927)
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Whether on the scaffold high, Or in the battle’s van, The fittest place for man to die Is when he dies for man.
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Tom Clavin (Dodge City: Wyatt Earp, Bat Masterson, and the Wickedest Town in the American West (Frontier Lawmen))
“
Henpecked, the great Wyatt Earp,” Cody said.
“You evidently don’t know Jessie,” Wyatt said. “If she’s in one of her tempers she’d put a hyena to flight ...
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Larry McMurtry (The Last Kind Words Saloon)
“
Wyatt Earp had been born, and born again, and now there would be a third life, for the iron fist that had seized his soul in childhood had lost its grip at last. The long struggle for control was over, and in its place, he found a wordless acceptance of a truth he'd always known. He was bred to this anger. It had been in him since the cradle. He'd never bullied neighbors or beaten a horse. He'd never punched the front teeth out of a six-year-old's mouth or hit a woman until she begged. But he was no better than his father, and never had been. He was far, far worse.
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Mary Doria Russell (Epitaph)
“
interesting? And here’s another interesting fact, which I didn’t tell you about earlier because I’ve been saving it: Wyatt Earp was from Pella, the little Iowa town with the windmills. Isn’t that great?
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Bill Bryson (The Lost Continent: Travels in Small Town America)
“
The Peacemaker Colt has now been in production, without change in design, for a century. Buy one to-day and it would be indistinguishable from the one Wyatt Earp wore when he was the Marshal of Dodge City. It is the oldest hand-gun in the world, without question the most famous and, if efficiency in its designated task of maiming and killing be taken as criterion of its worth, then it is also probably the best hand-gun ever made. It is no light thing, it is true, to be wounded by some of the Peacemaker’s more highly esteemed competitors, such as the Luger or Mauser: but the high-velocity, narrow-calibre, steel-cased shell from either of those just goes straight through you, leaving a small neat hole in its wake and spending the bulk of its energy on the distant landscape whereas the large and unjacketed soft-nosed lead bullet from the Colt mushrooms on impact, tearing and smashing bone and muscle and tissue as it goes and expending all its energy on you.
In short when a Peacemaker’s bullet hits you in, say, the leg, you don’t curse, step into shelter, roll and light a cigarette one-handed then smartly shoot your assailant between the eyes. When a Peacemaker bullet hits your leg you fall to the ground unconscious, and if it hits the thigh-bone and you are lucky enough to survive the torn arteries and shock, then you will never walk again without crutches because a totally disintegrated femur leaves the surgeon with no option but to cut your leg off. And so I stood absolutely motionless, not breathing, for the Peacemaker Colt that had prompted this unpleasant train of thought was pointed directly at my right thigh.
Another thing about the Peacemaker: because of the very heavy and varying trigger pressure required to operate the semi-automatic mechanism, it can be wildly inaccurate unless held in a strong and steady hand. There was no such hope here. The hand that held the Colt, the hand that lay so lightly yet purposefully on the radio-operator’s table, was the steadiest hand I’ve ever seen. It was literally motionless. I could see the hand very clearly. The light in the radio cabin was very dim, the rheostat of the angled table lamp had been turned down until only a faint pool of yellow fell on the scratched metal of the table, cutting the arm off at the cuff, but the hand was very clear. Rock-steady, the gun could have lain no quieter in the marbled hand of a statue. Beyond the pool of light I could half sense, half see the dark outline of a figure leaning back against the bulkhead, head slightly tilted to one side, the white gleam of unwinking eyes under the peak of a hat. My eyes went back to the hand. The angle of the Colt hadn’t varied by a fraction of a degree. Unconsciously, almost, I braced my right leg to meet the impending shock. Defensively, this was a very good move, about as useful as holding up a sheet of newspaper in front of me. I wished to God that Colonel Sam Colt had gone in for inventing something else, something useful, like safety-pins.
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Alistair MacLean (When Eight Bells Toll)
“
Wyatt Earp had been born, and born again, and now there would be a third life, for the iron fist that had seized his soul in childhood had lost its grip at last. The long struggle for control was over, and in its place, he found a wordless acceptance of a truth he’d always known. He was bred to this anger. It had been in him since the cradle. He’d never bullied neighbors or beaten a horse. He’d never punched the front teeth out of a seven-year-old’s mouth or hit a woman until she begged. But he was no better than his father, and never had been. He was far, far worse.
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Mary Doria Russell (Epitaph)
“
hope you know how much he appreciates your care,” Alex told the Earps. “For I was sick, and you came to me,” Wyatt said. “Nah,” Morgan said. “It was selfishness.” Wyatt and Alex were both surprised, but Morgan just shrugged. “Doc doesn’t have any brothers,” he told Alex. “So we took him for our own.
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Mary Doria Russell (Doc)
“
In 1897, still in his early twenties, Hoover was hired by a large and venerable British mining company, Bewick, Moreing and Co., and for the next decade travelled the world ceaselessly as its chief engineer and troubleshooter – to Burma, China, Australia, India, Egypt and wherever else its mineralogical interests demanded. In six years, Hoover circled the globe five times. He lived through the Boxer Rebellion in China, hacked through the jungles of Borneo, rode camels across the red emptiness of Western Australia, rubbed shoulders with Wyatt Earp and Jack London in a Klondike saloon, camped beside the Great Pyramids of Egypt.
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Bill Bryson (One Summer: America 1927 (Bryson Book 2))
“
It was a quiet day in Tombstone.
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Larry McMurtry (The Last Kind Words Saloon)
“
The less you bet, the more you lose when you win.
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Wyatt Earp
“
As Americans embraced Wild West mythology by ignoring inconvenient facts and exaggerating or inventing more palatable ones, they also altered the meaning of a traditionally negative term. In Wyatt’s real West, anyone referred to as a cowboy was most likely a criminal. But in movies the word was used first to describe hardworking ranch hands and then, generically, those who rode horses, toted six-guns, and, when necessary (and it always became necessary) fought to uphold justice at the risk of their own lives. Cowboys were heroes, and their enemies were outlaws. So far as his growing legion of fans was concerned, Wyatt Earp was a cowboy in the new, best sense of the word. B
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Jeff Guinn (The Last Gunfight: The Real Story of the Shootout at the O.K. Corral-And How It Changed the American West)
“
Having been established by George Washington under the direction of the first Attorney General, the U.S. Marshals Service was filled with notable characters of the past such as the Earp Brothers—Wyatt, Morgan, and Virgil. Others included Bat Masterson and Wild Bill Hickok, along with Bass Reeves who was the first black man to hold this prestigious position.
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Roger D. Grubbs (Bounty Hunter)
“
It came to Morgan that Nicholas must have been a beaten boy, too, and that meant Grampa Earp was, as well. Which was no surprise, really, when Morg thought about that mean old man. How many sons were in that chain? Morgan wondered, and grief gave way to the pride he’d felt the day his brother Wyatt stood up to his first bully and put an end to a chain of vengeful, frightened, beaten boys.
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Mary Doria Russell (Doc)
“
In the dark pre-dawn quiet he lay facing the window by his bed and stared at the stars hanging in the western sky. They floated over the land like the dust of jewels strewn across black water. These stars had become the milestones that marked his coming passage, and he gazed at them this one last time for the sake of preserving a memory, he supposed. One last view through the windowglass of his youth.
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Mark Warren (The Long Road to Legend (Wyatt Earp, An American Odyssey #1))
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There was no solace in the openness of the land, just as there was no healing in the isolation he sought in the barren plain of winter-killed grasses. The prairie seemed nothing more than an extension of the boundless emptiness that had opened inside him. Neither his mount nor his packhorse seemed a companion—but victims of his own aimlessness. The voiceless plain only provided a silent space for his demons to follow and murmur in his ear. Rilla’s bloodied body shadowed him as vividly as if dragged behind his horse on a travois, scraping a scar across the dry land.
The child was not real. There were no memories attached to a nameless son to haunt him, save the mental picture of that inanimate thing tucked against its dead mother’s ribs. The child had seemed more an extension of Rilla’s suffering, giving her death a measurable size and shape. Mother and son comprised a common image rendered in scarlet, and the image had been painted on a permanent altar inside Wyatt’s mind.
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Mark Warren (The Long Road to Legend (Wyatt Earp, An American Odyssey #1))
“
It was the rare actor who brought authenticity to the screen; one exception was Tom Mix, a former ranch hand from Oklahoma. The “King of the Cowboys,” Mix made over 160 films and was a frequent visitor when Wyatt and Josephine were in Los Angeles, sometimes accompanying Wyatt to the racetrack. William S. Hart was another Earp acolyte. Where Tom Mix was a rough-and-ready showman, Hart was classically trained, as comfortable in a Shakespearean tragedy as he was in a Western.
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Ann Kirschner (Lady at the O.K. Corral: The True Story of Josephine Marcus Earp)
“
Tom Mix was born in Pennsylvania, and when he was ten years old his parents took him to see Buffalo Bill Cody’s Wild West. It changed young Tom forever. He took his mother’s clothesline and taught himself rope tricks. He took scraps from around the house and made his own “cowboy outfit.” And when he was finally old enough, he lit out for the rapidly vanishing West, ready to leave a mark as distinctive as Buffalo Bill or Wyatt Earp before it was gone forever.
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Scott McCrea (Savage Mesa: A Western Adventure Novel (Tales of Tom Mix Book 2))
“
Wyatt Earp: Fast is fine, but accuracy is final. In a gunfight you must learn to be slow in a hurry.
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Jack Carr (In the Blood (Terminal List, #5))
“
I can still aim and fire a pastry gun of filling into a deviled egg straighter and faster than Wyatt Earp ever shot his .45.
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Carolyn McSparren (All God's Creatures)
“
The main strip in Dodge City is called Wyatt Earp Boulevard, named after the legendary gambler and lawman. Earp was one of the first people ever able to impose a measure of discipline on the American cattle business, and he did this in part by killing people. Earp famously gunned down three outlaw cowboys at the OK Corral in Arizona in 1881, setting the standard by which he would govern the cattle towns springing up around the migration routes that cowboys used to drive herds to the packing houses.
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Christopher Leonard (The Meat Racket: The Secret Takeover of America's Food Business)
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Back in 1980, the four biggest meatpackers controlled just 36 percent of the cattle market. They faced daily competition from hundreds of smaller firms to buy the best cattle and to supply the best beef to grocery stores and restaurants at the best price. With that competition wiped out, the meatpackers have more leeway to set the rules of the game. They have also gained the power to keep wages low in their slaughterhouses, giving rise to a more pliable workforce. Wyatt Earp would likely flee Dodge City out of boredom today.
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Christopher Leonard (The Meat Racket: The Secret Takeover of America's Food Business)
“
As far as Wyatt Earp knew, it was not illegal to beat a horse. In the past few years, he’d worked as a part-time policeman in a string of Kansas cow towns. Each time he was sworn in, he made an effort to study the ordinances he was supposed to enforce, but he wasn’t much of a reader. In Ellsworth, he asked a lawyer for some help. “Wyatt,” the man told him, “the entire criminal code of the State of Kansas boils down to four words. Don’t kill the customers.
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Mary Doria Russell (Doc)
“
Norton I isn’t the only person buried in Colma, California—also buried there are Joe DiMaggio, William Randolph Hearst, Wyatt Earp, and Levi Strauss. The town, founded in 1924 (Norton’s remains were moved there in 1934), was designed to be a necropolis; it is made up mostly of cemeteries or land designated as future cemeteries. The residents of the town take their role in life (and death) with humor. In 2006, the mayor of Colma told the New York Times that the city “has 1,500 above-ground residents and 1.5 million underground,” while the town’s official website motto is, “It’s Great to Be Alive in Colma.
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Dan Lewis (Now I Know More: The Revealing Stories Behind Even More of the World's Most Interesting Facts (Now I Know Series))
“
My mom worked as a hairdresser at the Village Mall in Horsham Township when I was a little kid. There was a movie theater in the mall that showed second-run features, and I have clear memories of being around five years old and walking through the mall by myself to go watch Star Wars. I believe I saw it in that theater twenty-one times. The research definitely began then.
Actually, it began even earlier. Before I was born, my father conspired with my uncle to name me Wyatt, after Wyatt Earp. There was an election held by putting names into a hat, and whatever name was drawn would be the winner. Uncle Billy distracted the people in attendance while my dad rigged the hat so that every name inside read Wyatt. My mom was horrified at the result, but eventually uncovered their ruse.
The research was really just me referring to things I already knew from the life I’ve lived. You either hear the music of the open range and a man with two six-shooters or you don’t. You either look out at the stars and wonder what lies beyond them or…I don’t know what you are…someone who loves Nicholas Sparks books.
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Bernard Schaffer
“
But not here,” she added. “Let’s take a walk around the block.” Myron nodded and they rose. Before they reached the door, his cell phone rang. Myron snatched it up with a speed that would have made Wyatt Earp step back. He put the phone to his ear and cleared his throat. “MB SportsReps,” he said, silky-smooth, professional-like. “This is Myron Bolitar speaking.” “Nice phone voice,” Esperanza said. “You sound like Billy Dee ordering two Colt 45s.” Esperanza Diaz was his longtime assistant and now sports-agent partner at MB SportsReps (M for Myron, the B for Bolitar—for those keeping score). “I was hoping you were Lamar,” he said. “He hasn’t called yet?” “Nope.” He could almost see Esperanza frown. “We’re in deep doo-doo here,” she said. “We’re not in deep doo-doo. We’re just sucking a little wind, that’s all.” “Sucking a little wind,” Esperanza repeated. “Like Pavarotti running the Boston Marathon.” “Good one,” Myron said. “Thanks.” Lamar Richardson was a power-hitting Golden Glove shortstop who’d just become a free agent—“free agent” being a phrase agents whisper in the same way a mufti might whisper “Praise Allah.” Lamar was shopping for new representation and had whittled his final list down to three agencies: two supersized conglomerates with enough office space to house a Price Club and the aforementioned pimple-on-the-buttocks but oh-so-personal MB SportsReps. Go, pimple-butt! Myron watched his mother standing by the door. He switched ears and said, “Anything else?” “You’ll never guess who called,” Esperanza said. “Elle and Claudia demanding another ménage à trois?” “Oooo, close.” She
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Harlan Coben (Darkest Fear (Myron Bolitar, #7))
“
Wyatt didn’t necessarily aim to be a saint in Dodge City, but being less of a sinner could be a more satisfying life. There
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Tom Clavin (Dodge City: Wyatt Earp, Bat Masterson, and the Wickedest Town in the American West (Frontier Lawmen))
“
Read more and write better or Read better and write more.
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Wyatt Woolma Earp (Rhyming Expressions For The Heart)
“
Jim, remember the movie Tombstone? Remember what Doc Holliday says to Wyatt Earp when Doc is dying. You and I saw that movie together, remember? Doc says to Wyatt: ‘There’s no such thing as normal life, Wyatt. There’s just life.
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Anne Rice (The Wolves of Midwinter (The Wolf Gift Chronicles, #2))
“
Yet Wyatt Earp, who is an adult when he participates in the gunfight at the OK Corral, sees the movement from four-wheeled carts to the Model T.
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Gary Wolfram (A Capitalist Manifesto)
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What's the best way to kill somebody"?
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Wyatt Earp
“
In March 1872, he turned 24. He was already a widower, and a fellow who had had repeated brushes with the law. He had no home and no real prospects, and, writes Sherry Monahan, he apparently continued his downward spiral into the depths of depravity. Wyatt was a lonely man touched by tragedy who was reluctant or unable to make friends and to let anyone get close to him. It would have been very easy for him to fall in with the wrong crowd and repeat the ill-advised horse stealing escapade, or worse. Instead, Wyatt went to Wichita and found redemption.
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Tom Clavin (Dodge City: Wyatt Earp, Bat Masterson, and the Wickedest Town in the American West (Frontier Lawmen))
“
When the hunters, many of them retaining the foul odors and wretched stains of their gory work, were in town, they wanted whiskey and women. Good manners would only result in them having to wait longer for both.
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Tom Clavin (Dodge City: Wyatt Earp, Bat Masterson, and the Wickedest Town in the American West (Frontier Lawmen))
“
Already, rumors had reached a fever pitch, that ruthless men including Dirty Sock Jack, Cold Chuck Johnny, Black Jack Bill, Dynamite Sam, Rowdy Joe, and Shotgun Collins had flocked to Dodge City when Bat and Wyatt had sent out a call to arms.
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Tom Clavin (Dodge City: Wyatt Earp, Bat Masterson, and the Wickedest Town in the American West (Frontier Lawmen))
“
In the end, Wyatt Earp and his brothers will be forever remembered as the mythical gunfighters who took on the Cowboys at the O.K. Corral. But in 1900, a journalist who knew them well provided their finest and most accurate epitaph. “The Earp boys always had a reputation for absolute fearlessness and a worse reputation that they do not deserve. They were not rustlers. They were sports, it is true, every one of them. They played high, rode hard, and shot quick, but they were open-hearted, generous and would go to the limit for a friend. Either for trailing Apaches, horse and cattle thieves, or stage robbers, they outstripped any posse. They were simply ‘men with the bark on.’” Rightly or wrongly, we will never see their like again.
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John Boessenecker (Ride the Devil's Herd: Wyatt Earp's Epic Battle Against the West's Biggest Outlaw Gang)