Black Pant Coat Quotes

We've searched our database for all the quotes and captions related to Black Pant Coat. Here they are! All 20 of them:

It’s like watching a James Bond movie. Morpheus—in a black trench-coat-style blazer that hangs to his thighs, gray tweed pants, a dark gray vest, skinny red tie, and black pin-striped dress shirt—could pass for a punk-fae secret agent who’s captured his villain. His thick blue waves touch his shoulders from under a gray tweed flat cap, and his wings drape down his back and across the floor, fluttering sporadically as he keeps his balance against Jeb’s resistance.
A.G. Howard (Unhinged (Splintered, #2))
Hey,” Fitz said, leaning closer. “You trust me, don’t you?” Sophie’s traitorous heart still fluttered, despite her current annoyance. She did trust Fitz. Probably more than anyone. But having him keep secrets from her was seriously annoying. She was tempted to use her telepathy to steal the information straight from his head. But she’d broken that rule enough times to know the consequences definitely weren’t worth it. “What is with these clothes?” Biana interrupted, appearing out of thin air next to Keefe. Biana was a Vanisher, like her mother, though she was still getting used to the ability. Only one of her legs reappeared, and she had to hop up and down to get the other to show up. She wore a sweatshirt three sizes too big and faded, baggy jeans. “At least I get to wear my shoes,” she said, hitching up her pants to reveal purple flats with diamond-studded toes. “But why do we only have boy stuff?” “Because I’m a boy,” Fitz reminded her. “Besides, this isn’t a fashion contest.” “And if it was, I’d totally win. Right, Foster?” Keefe asked. Sophie actually would’ve given the prize to Fitz—his blue scarf worked perfectly with his dark hair and teal eyes. And his fitted gray coat made him look taller, with broader shoulders and— “Oh please.” Keefe shoved his way between them. “Fitz’s human clothes are a huge snoozefest. Check out what Dex and I found in Alvar’s closet!” They both unzipped their hoodies, revealing T-shirts with logos underneath. “I have no idea what this means, but it’s crazy awesome, right?” Keefe asked, pointing to the black and yellow oval on his shirt. “It’s from Batman,” Sophie said—then regretted the words. Of course Keefe demanded she explain the awesomeness of the Dark Knight. “I’m wearing this shirt forever, guys,” he decided. “Also, I want a Batmobile! Dex, can you make that happen?” Sophie wouldn’t have been surprised if Dex actually could build one. As a Technopath, he worked miracles with technology. He’d made all kinds of cool gadgets for Sophie, including the lopsided ring she wore—a special panic switch that had saved her life during her fight with one of her kidnappers. “What’s my shirt from?” Dex asked, pointing to the logo with interlocking yellow W’s. Sophie didn’t have the heart to tell him it was the symbol for Wonder Woman.
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
She looked down at him, smiling with exasperated amusement. *Stubborn, snarly male.* *Stubbornness is a much-maligned quality,* he panted as he climbed toward her. Her silvery, velvet-coated laugh filled the land. Then he finally got a good look at her. He sank to his knees. *I owe you a debt, Lady.* She shook her head. *The debt is mine, not yours.* *I failed you,* he said bitterly, looking at her wasted body. *No, Daemon,* Jaenelle replied softly. *I failed you. You asked me to heal the crystal chalice and return to the living world. And I did. But I don’t think I ever forgave my body for being the instrument that was used to try to destroy me, and I became its cruelest torturer. For that I’m sorry because you treasured that part of me.* *No, I treasured all of you. I love you, Witch. I always will. You’re everything I’d dreamed you would be.* She smiled at him. *And I—* She shuddered, pressed her hand against her chest. *Come. There’s little time left.* She fled through the rocks, out of sight before he could move. He hurried after her, following the glittering trail, gasping as he felt a crushing weight descend on him. *Daemon.* Her voice came back to him, faint and pain-filled. *If the body is going to survive, I can’t stay any longer.* He fought against the weight. *Jaenelle!* *You have to take this in slow stages. Rest there now. Rest, Daemon. I’ll mark the trail for you. Please follow it. I’ll be waiting for you at the end.* *JAENELLE!* A wordless whisper. His name spoken like a caress. Then silence.
Anne Bishop (Heir to the Shadows (The Black Jewels, #2))
David had, in fact, done the Sherlock thing that Stevie had dismissed for herself, specifically, the BBC one. He was wearing a sharply cut blue dress shirt, slender, tailored pants, and a long gray-black coat with a red interior. He had teased out his hair a bit and made sure it curled. In many ways, it was a perfect costume while not being a costume at all. And it was obviously intentional, directed at her.
Maureen Johnson (The Vanishing Stair (Truly Devious, #2))
He went with olive green, because it almost matched his borrowed coat, which was tan. He chose pants with flannel lining, a T-shirt a flannel shirt, and a sweater made of thick cotton. He added white underwear and a pair of black gloves and a khaki watch cap. Total damage was a hundred and thirty bucks. The store owner took a hundred and twenty cash. Four days wear, probably, at the rate of thirty dollars a day. Which added up to more than ten grand a year, just for clothes. Insane, some would say. But Reacher liked the deal. He knew that most folks spent much less than ten grand a year on clothes. They had a small number of good items that they kept in closets and laundered in basements. But the closets and basements were surrounded by houses, and houses cost a whole lot more than ten grand a year, to buy or rent, and to maintain and repair and insure. So who was really nuts ?
Lee Child (61 Hours (Jack Reacher, #14))
Especially not a commander like this one. Ser Waymar Royce was the youngest son of an ancient house with too many heirs. He was a handsome youth of eighteen, grey-eyed and graceful and slender as a knife. Mounted on his huge black destrier, the knight towered above Will and Gared on their smaller garrons. He wore black leather boots, black woolen pants, black moleskin gloves, and a fine supple coat of gleaming black ringmail over layers of black wool and boiled leather. Ser Waymar had been a Sworn Brother of the Night’s Watch for less than half a year, but no one could say he had not prepared for his vocation. At least insofar as his wardrobe
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
Does my body please you?” She tightened her lips. Man, if he got off on hearing women say he was beautiful, he was going home disappointed. “And what would you do if it didn’t?” she shot back. “I would cover myself.” “Yeah, right.” He cocked his head to the side, as if thinking he’d read her wrong. Then he headed out to the living room where his coat was. Good lord, he was serious. “Hal, come back. You don’t have to…I, ah, I like your body just fine.” He smiled as he returned to her. “I’m glad. I want to please you.” Fine, dandy, she thought. Then lose the shirt, peel off those leather pants, and lie down on my tile. We’ll take turns being on the bottom.
J.R. Ward (Lover Eternal (Black Dagger Brotherhood, #2))
He seemed normal again, or as normal as Myrnin ever got, anyway. He'd begged, borrowed, or outright stolen a long, black velvet coat, and under it he was still wearing the poofy white Pierrot pants from his costume, dark boots, and no shirt. Long, black, glossy hair and decadently shining eyes. Oliver took in the outfit, and raised a brow. "You look like you escaped from a Victorian brothel," he said. "One that . . . specialized." In answer, Myrnin skinned up the sleeves of the coat. The wound in his back might have healed--or might be healing, anyway--but the burns on his wrists and hands were still livid red, with an unhealthy silver tint to them. "Not the sort of brothel I'd normally frequent, by choice," he said, "though of course you might be more adventurous, Oliver.
Rachel Caine (Lord of Misrule (The Morganville Vampires, #5))
He jumped up, pulled out the suitcase he stored under his bed, and began to pack everything he would need for the journey ahead. Two sweaters, two pairs of pants, a couple of T-shirts, and some underwear. As many pairs of socks as he owned. A pair of dress shoes, a dress jacket, and two ties. Then he put on his usual shoes, tied up the laces, put on a black sweater and a winter coat, and sat on the bed, waiting for his father—or better yet, his uncle—to knock on the door and say it was time to leave. Ten minutes went by. Then fifteen. Then twenty. Unable to stand it any longer, Jacob got up, quietly went over to his door, unlocked it, and tried to open it without any creaking. He held his breath and listened for yelling, for voices, for any sign of life and movement. He heard nothing.
Joel C. Rosenberg (The Auschwitz Escape)
You're kidding, right?" Shane asked. "You don't need caffeine. You need sleep." He held out the last cup, and Claire realized she'd been wrong; there was someone else in the shadows. Deeper in the shadows even than Oliver had been. Myrnin. He looked completely different to her now, and not just because he wasn't crazy anymore. He'd remembered how to dress himself, for one thing; gone were the costume coats and Mardi Gras beads and flip-flops. He had on a gray knit shirt, black pants, and a jacket that looked a bit out of period, but not as much as before. All clean. He even had shoes on. "Yes, you must sleep," he agreed, as he accepted the cup and tried the coffee. "I've gone to far too much trouble to train up another apprentice at this late date. We have work to do, Claire. Good, hard work. Some of it may even earn you accolades, once you leave Morganville." She smiled slowly. "You'll never let me leave." Myrnin's dark eyes fixed on hers. "Maybe I will," he said. "But you must give me at least a few more years, my friend. I have a great deal to learn from you, and I am a very slow learner.
Rachel Caine (Carpe Corpus (The Morganville Vampires, #6))
Ser Waymar Royce was the youngest son of an ancient house with too many heirs. He was a handsome youth of eighteen, grey-eyed and graceful and slender as a knife. Mounted on his huge black destrier, the knight towered above Will and Gared on their smaller garrons. He wore black leather boots, black woolen pants, black moleskin gloves, and a fine supple coat of gleaming black ringmail over layers of black wool and boiled leather. Ser Waymar had been a Sworn Brother of the Night’s Watch for less than half a year, but no one could say he had not prepared for his vocation. At least insofar as his wardrobe was concerned.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
Five minutes later she came back to the car wearing low fitted gray pants, high-heeled black boots, a white T-shirt, and a long black nylon coat that flapped behind her like a graceful set of wings. She had on eyeliner and her hair was pulled back into a severe ponytail. She looked like a rock star or a publicist for rock stars.
Jeanne Ray (Eat Cake)
Late on March 17, 1959, the Fourteenth Dalai Lama changed out of his customary maroon robes into khaki pants and a long black coat. Knowing he could carry little, he hastily rolled up a favorite thangka of the Second Dalai Lama and slid it into a small bag. With this in hand, he slipped out the main gates of the Norbulinka Palace under the cover of darkness. Several trusted officials whisked him through the crowds, which had gathered there in an attempt to protect their revered leader, and down to the banks of the Kyichu River where several small coracles awaited to row him and his small group across the river. Early the next morning, having reached the 16,000-foot Che-la Pass overlooking the Lhasa valley, he paused, turned, and cast a long last glance over the Tibetan capital. Implored to hurry by his small guard unit, he quickly began the descent and his march south to the Indian border.1 It would be the last time he would see his city.
David G. Atwill (Islamic Shangri-La: Inter-Asian Relations and Lhasa's Muslim Communities, 1600 to 1960)
The villains had seen better days. Cruella, with her wild black-and-white hair, wore a ratty, nearly bald black-and-white dog-fur coat, which sported a bejeweled stuffed toy Dalmatian head next to her neck. She stroked it lovingly as if it were alive. Jafar, with his trademark mustache and goatee, was rocking a potbelly, a comb-over, and puffy Sansabelt pants. Evil Queen, a former beauty, pulled at her cosmetically altered face and stared into a mirror. Mal, Evie, Jay, and Carlos feared their parents nonetheless.
Walt Disney Company (Descendants Junior Novel)
In that moment, I felt Puck truly die, as Robin Goodfellow of the woods rose up and took his place. I smiled broadly as I turned to face the owner of the voice. Ash. Ice-boy. Son of Mab. Former prince of the Unseelie Court. Lots of names, but they all belonged to my greatest friend, and greatest rival, in all of Faery. He swept through the doorway in his long black coat, icy blade glittering blue at his side. Like his broody kid, he was dressed in stark black, from his shirt to his pants to his boots, but his dark hair and silver eyes gave him a dangerous edge that even Keirran could not match. I saw Coaleater take a step back and Nyx staring at him with a mix of curiosity and wary awe. I snorted under my breath. Ice-boy did have that effect on pretty much everyone. After the kings and queens, he was one of the strongest faeries in the entire Nevernever, and he had that presence that turned people into slack-jawed zombies for a moment of two. Except me. I was pretty much immune to the ice-boy effect. In fact, I'd made it my personal vendetta to get under his icy cold skin as much as possible, just to remind him that his natural awe didn't work on everyone. "Well, look who decided to join the party," I drawled as Ash strode to Meghan's side. Anger and resentment still simmered, but I tamped them down. Now was not the time for a Goodfellow prank, not in the middle of the Iron Palace, surrounded by Iron Knights, with the Iron Queen in the very same room. The best laid pranks always took a little time. "Always appearing at the most dramatic moment, ice-boy. Tell me, were you just lurking outside the door waiting for the perfect setup?
Julie Kagawa (The Iron Raven (The Iron Fey: Evenfall, #1))
They climbed out of their car as Pike pulled in, and were waiting with their badges when he stepped from the Jeep. The man was in his fifties, with a fleshy face, thinning red hair, and a blue summer-weight sport coat. The woman was fifteen years younger, with raven hair, black eyes, and a navy pants suit that hung as if she had recently lost weight. Her gun dimpled the coat at her waist, and she stood with her hand floating close as if she might have to draw. Nervous. Pike wondered what she had heard about him that left her so afraid. The
Robert Crais (The Sentry (Elvis Cole, #12, Joe Pike, #3))
Still, he pulled firmly at the door, knowing how it swelled and stuck in wet weather. He might have wished to see their faces once more. The face that met him was under a fireman’s helmet, lit by a flashlight held low and expertly angled. The light caught the silver needles of rain, in the air, off the rim of the black hat. It showed him a mouth and a chin and the broad shoulders under the wet rain gear without blinding him or turning the man himself into a grotesque. “I only wanted to warn you,” the man said. He moved the flashlight across his body, to the shrubs beside the steps and then to the grass and then to the weeping willow at the edge of the yard, beside the house. The streetlights were out. Following the moving beam of white light, John Keane saw the grass of his small lawn stir like a rising wave and the roots of the tree—thin as an arm, bent here and there like an elbow—breaking through. The fireman moved the light until it caught the base of the tree where a wider swath of dirt was opening like a mouth, an unhinged jaw filled with broken roots and dirt, and then it closed up again, as if with a breath. “We were driving by and saw it,” the fireman said. “That tree’s gonna fall. It’ll probably fall straight back, but you might want to get your family downstairs. Keep them to this side of the house.” He felt the wind and the rain on his bare ankles, against the hems of his thin pajama pants. He looked beyond the young fireman. In the street, there was no sign of the fire truck or car that had brought him. No coach, either. “Yes,” he said, thinking himself foolish, in his thin pajamas. “Thank you.” “There are trees down all over,” the man added. He raised his chin and in the darkness his eyes seemed as black and wet as his coat. He couldn’t have been more than twenty-five or thirty. “Take care of your family,” he said, and turned, using his flashlight to get himself down the three steps that led to the door. Squinting against the rain, John Keane watched him cross the path to the sidewalk, the circle of white light leading him, first to the right and then across the street where he might have disappeared altogether, leaving only the pale beam of his flashlight and a flashing reflection of two streaks of silver on his back, and then, as he apparently rounded the opposite corner, not even that.
Alice McDermott (After This)
A loud knock shook her door. Emma damn near jumped off the sofa. Her neck popped as she jerked her head around to stare at the door with wide eyes. Her heart began to slam against her ribs as fear trickled through her. Who the hell would be knocking on her door this late at night? Who the hell would be knocking on her door at any time of day or night? No one she knew would do so without calling first. And deliverymen and women didn’t drop off packages at freaking midnight. As quickly and quietly as a mouse, she darted into her bedroom and grabbed the 9mm her father had bought her and trained her to use. Flicking off the safety, she returned to the living room and swung by the coffee table to tuck her phone in her pajama pants pocket in case she needed to call 911. Only then did she cautiously approach the door. Another knock thundered through the house. Adrenaline spiking, she peered through the door’s peephole. Shock rippled through her. “Oh shit,” she whispered. Setting the gun on the coatrack bench beside her, she hastily unlocked the dead bolt, then the knob, and flung open the door. Cliff stood before her, his big body blocking her view of the yard. Emma gaped up at him. He wore the standard blacks of network guards covered with a long black coat similar to that of an Immortal Guardian. His face, neck, and hands were streaked with blood. His clothing glistened with wet patches. And his eyes shone bright amber. She had never seen them so bright and knew it meant that whatever emotion roiled inside him was intense. Panic consumed her. “Cliff,” she breathed. Stepping onto the porch, she swiftly glanced around, terrified she might see soldiers in black approaching with weapons raised. When none materialized, she grabbed his wrist and yanked him inside. Her hands shook as she closed and bolted the door, her fingers leaving little streaks of blood on the white surface. Spinning around, she stared up at him. “What happened? Are you hurt?” Her gaze swept over him, noting every wet patch on his clothing, every ruby-red splotch on his skin. Was that his blood or someone else’s? “How did you get here? Are you hurt?” Closing the distance between them, she began to run her hands over his chest in search of wounds. Cliff grabbed her wrists to halt her frantic movements. His glowing eyes dropped to the points at which they touched. He drew his thumbs over her skin as if to confirm she was real. Then he met her gaze. “I need your shower,” he said, voice gruff. Heart pounding, she nodded. As soon as he released her, she pointed. “It’s through there.” Without another word, he strode toward it. His heavy boots thudded loudly in the quiet as he entered the short hallway, then turned in to the bathroom. The door closed. Water began to pound tile. Emma didn’t move. Cliff was here. In her home. What the hell had happened?
Dianne Duvall (Cliff's Descent (Immortal Guardians, #11))
During our early years of medical school, my classmates and I were given a course in physical diagnosis. Usually, we practiced on one another. Each of us would percuss a classmate’s chest or listen to his heart with a stethoscope. But some procedures were considered too personal to practice on a classmate. For some of these, we were assigned a “model patient”—someone from the community who was “compensated” in exchange for undergoing an examination. This was how I performed my first rectal exam. A large group of us were led into a room where our model patient was bent over an examining table with his pants around his ankles. One by one, we approached him nervously from behind, inserted a gloved, lubricated finger into his rectum, and felt around for the prostate. “Thank you,” we all said politely to the model patient as we removed our index fingers from his anus. The model patient stared straight ahead, saying nothing. What made the experience oddly disturbing was not just the forced, pseudo normality of the instruction or the fact that the exam could have been done more privately, but the instrumentality of the encounter: a pretend patient bending over naked for anonymous strangers in exchange for money. The fact that the model patient had been paid did not make his work seem any less degrading. (Tipping him would have made it even worse.)
Carl Elliott (White Coat, Black Hat: Adventures on the Dark Side of Medicine)
After I put on my coat, I turn and whisper to Camille: “Just a minute.” In the living room, I leave a wide space between myself and the recliner where Cookie’s sitting, knowing that distance from her is the only thing that has kept me both physically and emotionally safe. Wearing a blue flannel shirt, black stretch pants, and a scowl, she slowly meets my eyes. The TV’s reflection flashes off the lenses of her huge, shaded eyeglasses. “Good-bye,” I tell her. It comes out cold and flat. When she responds with silence, I nod. This is all I’ll get. Cherie opens the front door, and Camille and I exit with her. When the three of us get to the train station, we all break down in tears. It’s a cry of anger for our mother’s failure to take responsibility, for the unfairness of having had no say in choosing who brought us into this world . . . and for our relief knowing that soon she’ll be gone, for good.
Regina Calcaterra (Etched in Sand: A True Story of Five Siblings Who Survived an Unspeakable Childhood on Long Island)