Wolves Movie Quotes

We've searched our database for all the quotes and captions related to Wolves Movie. Here they are! All 22 of them:

The vampires start to close in. "shouldn't we stand back to back or something?" Clary said. "What? Why?" "I don't know. In movies that's what they do in this kind of...situation." Jace laughs, "You, you are the most-" The most what?" Clary demands indignantly. Jace: Nothing. This isn't a situation okay? I save that word for when things get really bad." "Really bad? This isn't really bad? What do you want, a nuclear-" The windows exploded inward in a shower of broken glass. Through the shattered windows came dozens of sleek shapes, four footed and low to the ground, their coats scattering moonlight and broken bits of glass. Wolves. "Now, this," said Jace, "is a situation
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
The 'sitch'? Did you watch that Kim Possible movie again? You know it only makes you sad that you don't have a naked mole-rat of your very own.' 'One, I've been watching Buffy, not Kim Possible. And two, it is so not fair that Dad won't let me get a Rufus when he lets Angel keep that stupid turtle.
Tammy Blackwell (Destiny Binds (Timber Wolves Trilogy, #1))
I go to the movies whenever I get the chance, because the movie theater is like the woods. It's another place that's like a time machine.
Carol Rifka Brunt (Tell the Wolves I'm Home)
Society—wrongly—expects a pretty girl to eat a salad and pick at her food, but you wolf down a burger like a person who’s been starved for weeks. And probably raised by wolves.
Lynn Painter (Better Than the Movies)
Lips twitching spasmodically, Devon put me back in the hold, and I did the only thing I could think of to alleviate his guilt and put him in fighting mode for real. “Armani is for mama’s boys, and a movie doesn’t count as a real film if nothing gets blown up.” You’re going down, Bronwyn. Them’s fighting words.
Jennifer Lynn Barnes (Raised by Wolves (Raised by Wolves, #1))
I’m not sure I’m clear on how comic books and movies differ from myths,” says Loki. “Except in the medium.
C. Gockel (Wolves (I Bring the Fire, #1))
They segued into a more general piece about AIDS. As usual, they started out with footage of some kind of sweaty nightclub in the city with a bunch of gay men dancing around in stupid leather outfits. I couldn't even begin to imagine Finn dancing the night away like some kind of half-dressed cowboy. It would have been nice if for once they show some guys sitting in their living rooms drinking tea and talking about art or movies or something. If they showed that, then maybe people would say, "Oh, okay, that's not so strange.
Carol Rifka Brunt (Tell the Wolves I'm Home)
It turned out to be not such a great idea. Thor Odinson, that bastard, is apparently a hero in a “comic book” and “movie franchise” and they thought he was lying.
C. Gockel (Wolves (I Bring the Fire, #1))
The basic principle of structural analysis, I was explaining, is that the terms of a symbolic system do not stand in isolation—they are not to be thought of in terms of what they 'stand for,' but are defined by their relations to each other. One has to first define the field, and then look for elements in that field that are systematic inversions of each other. Take vampires. First you place them: vampires are stock figures in American horror movies. American horror movies constitute a kind of cosmology, a universe unto themselves. Then you ask: what, within this cosmos, is the opposite of a vampire? The answer is obvious. The opposite of a vampire is a werewolf. On one level they are the same: they are both monsters that can bite you and, biting you, turn you, too, into one of their own kind. In most other ways each is an exact inversion of the other. Vampires are rich. They are typically aristocrats. Werewolves are always poor. Vampires are fixed in space: they have castles or crypts that they have to retreat to during the daytime; werewolves are usually homeless derelicts, travelers, or otherwise on the run. Vampires control other creatures (bats, wolves, humans that they hypnotize or render thralls). Werewolves can't control themselves. Yet—and this is really the clincher in this case—each can be destroyed only by its own negation: vampires, by a stake, a simple sharpened stick that peasants use to construct fences; werewolves, by a silver bullet, something literally made from money.
David Graeber (The Utopia of Rules: On Technology, Stupidity, and the Secret Joys of Bureaucracy)
we are the generation you gave participant trophies to.   we are the generation you made wear helmets, elbow pads, & kneepads.   we are the generation you gave censored CDs & PG movies to.   we are the generation you spent years overprotecting then threw to the wolves.   now we are the generation running on nothing but coffee & three hours of sleep.   we are the generation working minimum-wage jobs with college degrees.   we are the generation making just enough money to survive.   we are the generation you didn’t want to see fail then ensured that we did.   - millennials.
Amanda Lovelace (The Princess Saves Herself in This One (Women Are Some Kind of Magic, #1))
He knew nothing about werewolves but what was in the movies. He hadn’t even believed they existed until he was attacked. The tall dude, though, knew. Joshua managed to force his body to make a left-hand turn at the corner, and again once he was across the street, and then a third time. He came looping past the Kitchen Kitsch where the tall dude was standing in the hole in the wall. “You’re really conflicted about this running away part, aren’t you?” the dude said as Joshua dashed past him. “Yes!” He tried to put on the brakes but his body kept running. He could smell his own blood on the man and his body wanted nothing to do with that. The dude wasn’t standing in the hole as Joshua came looping back toward the Kitchen Kitsch a second time. Joshua was afraid he’d lost the man. He was so focused on the opposite side of the street that he nearly ran into the glass door that opened out in front of him. A hand caught him, jerking him into the building.
Wen Spencer (The Black Wolves of Boston (Black Wolves of Boston))
The Good, the Bad, and Huckleberry Hound Kevin Costner was inspired to write Dances With Wolves after viewing this movie on television.
Conor Lastowka ([Citation Needed]: The Best Of Wikipedia's Worst Writing)
Love was supposed to be this beautiful thing, like in the movies, but for me, it had poisoned me and made me unrecognizable, and for a while I couldn’t figure out how to get myself back. The good parts that I’d liked about myself had all been thrown away to make a man happy. So when I finally got them back, I vowed to not get close to a man like that ever again, because love wasn’t happiness. It
T.S. Joyce (Asher (Wolves of Winter's Edge, #3))
Thor Odinson, that bastard, is apparently a hero in a “comic book” and “movie franchise” and they thought he was lying.
C. Gockel (Wolves (I Bring the Fire, #1))
Love was supposed to be this beautiful thing, like in the movies, but for me, it had poisoned me and made me unrecognizable, and for a while I couldn’t figure out how to get myself back. The good parts that I’d liked about myself had all been thrown away to make a man happy. So when I finally got them back, I vowed to not get close to a man like that ever again, because love wasn’t happiness. It was pain.” She
T.S. Joyce (Asher (Wolves of Winter's Edge, #3))
Jim, remember the movie Tombstone? Remember what Doc Holliday says to Wyatt Earp when Doc is dying. You and I saw that movie together, remember? Doc says to Wyatt: ‘There’s no such thing as normal life, Wyatt. There’s just life.
Anne Rice (The Wolves of Midwinter (The Wolf Gift Chronicles, #2))
we are the generation you gave participant trophies to. we are the generation you made wear helmets, elbow pads, & kneepads. we are the generation you gave censored CDs & PG movies to. we are the generation you spent years overprotecting then threw to the wolves. now we are the generation running on nothing but coffee & three hours of sleep. we are the generation working minimum-wage jobs with college degrees. we are the generation making just enough money to survive. we are the generation you didn’t want to see fail then ensured that we did.-millennials.
Amanda Lovelace (The Princess Saves Herself in this One (Women Are Some Kind of Magic, #1))
we are the generation you gave participant trophies to. we are the generation you made wear helmets, elbow pads, & kneepads. we are the generation you gave censored CDs & PG movies to. we are the generation you spent years overprotecting then threw to the wolves. now we are the generation running on nothing but coffee & three hours of sleep. we are the generation working minimum-wage jobs with college degrees. we are the generation making just enough
Amanda Lovelace (The Princess Saves Herself in this One (Women Are Some Kind of Magic, #1))
She palpated the edges of the wound. “So, I’m like you…werewolf—no, lycan? Am I some sort of science experiment?” He became utterly still, giving her a chance to see he wasn’t lying when he said this. “You’re not human. You have to remember this. I don’t know how one of us could ever believe otherwise, even if we lost our memory. Maybe if someone hypnotized you into believing yourself human, I could buy you not remembering. Knowing what you are is as basic as knowing how to walk. We are lycanthropes. Lycans.” No one said anything for several long moments of silence. Even Flynn seemed to have stopped breathing from wherever he stood behind them. Flynn was probably looking at her again. Why did that make him want to punch his brother, whom he trusted with his life? Skepticism laced her tone. “Can I change into a dog or something?” “No. That’s a human urban myth. We do change to become stronger when necessary, like I did in the hangar. In our feral form, we can do many superhuman things, but it’s not an ugly creature covered in hair like in the movies. You almost did the shift at the club. It’s why I distracted you both times. You can’t do that in public.” “You’re lycan, too, Flynn?” she asked. “Does that mean you both got bitten at the same time?” “What?” Flynn shot a shocked glance at Roman. “Bitten? What the actual hell?” “Chill. She’s got no clue,” Roman said in a calm tone. “Of course I’m lycan.” At her skeptical eyebrow raise, Flynn groaned theatrically and rolled his eyes. “It’s genetic, not something like in the movies where a bite will turn you. I was born this way. My parents were 100 percent lycan, as were theirs. And yours. It’s a different species than humans.” She asked, “Why do I believe so strongly I’m a person, that I’m human?” Roman shrugged
“Superspeed healing?” She touched her side.
“The older we get, the more rapidly we heal. That speed means you must be at least fifty, maybe older.” “How old are you?” “A lot older.” “You think I’m fifty? I look maybe early twenties.” She nibbled her lower lip. “How long do you…we live?” Roman shrugged. “Centuries. I don’t know any that died of natural causes.” “What about that spooky guy named Antonio? Is he like us?” Both Roman and Flynn exchanged glances. “You didn’t know what he was?” Flynn asked. Roman said, “He’s a vampire, not exactly a friend of our species.” They had yet to pin down if Antonio was involved with the dealer who peddled black magic artifacts like the vial. But every time they found something deadly like it, he lurked about. “Maybe that’s why I didn’t like him. Probably good I didn’t act on one of the five ways I envisioned he could die.” He was staring at her.
“Yeah, probably smart,” he muttered.
Zoe Forward (Bad Moon Rising (Crown's Wolves, #1))
As I heard my name called over and over again---I knew--For The First Time---Who I was----DANCES WITH WOLVES.
DANCES WITH WOLVES - Movie: 1990
Except, sex wasn't traditionally something that was rewarded in most film and literature. In a horror movie, if you had sex, you might as well play red rover with Freddy's claws because you were done for.
Kiki Burrelli (Ruler (Wolves of Royal Paynes #2))
The story describing the event circled the globe, thanks to the Associated Press, and brought its own surprise benefit. Hollywood took notice, and The Wolves at the Door was optioned for a movie. Only preliminary work has begun on the film, but I have every confidence that Virginia’s dedication to freedom will soon appear on the silver screen.
Judith L. Pearson (The Wolves at the Door: The True Story of America's Greatest Female Spy)