β
The voice of Love seemed to call to me, but it was a wrong number.
β
β
P.G. Wodehouse (Very Good, Jeeves! (Jeeves, #4))
β
There are moments, Jeeves, when one asks oneself, 'Do trousers matter?'"
"The mood will pass, sir.
β
β
P.G. Wodehouse (The Code of the Woosters (Jeeves, #7))
β
Red hair, sir, in my opinion, is dangerous.
β
β
P.G. Wodehouse (Very Good, Jeeves! (Jeeves, #4))
β
I could see that, if not actually disgruntled, he was far from being gruntled.
β
β
P.G. Wodehouse (The Code of the Woosters (Jeeves, #7))
β
What ho!" I said.
"What ho!" said Motty.
"What ho! What ho!"
"What ho! What ho! What ho!"
After that it seemed rather difficult to go on with the conversation.
β
β
P.G. Wodehouse (My Man Jeeves (Jeeves, #1))
β
I'm not absolutely certain of the facts, but I rather fancy it's Shakespeare who says that it's always just when a fellow is feeling particularly braced with things in general that Fate sneaks up behind him with the bit of lead piping.
β
β
P.G. Wodehouse (Jeeves and the Unbidden Guest)
β
Unseen in the background, Fate was quietly slipping lead into the boxing-glove.
β
β
P.G. Wodehouse (Very Good, Jeeves! (Jeeves, #4))
β
You would not enjoy Nietzsche, sir. He is fundamentally unsound.
β
β
P.G. Wodehouse (Carry On, Jeeves (Jeeves, #3))
β
I hadn't the heart to touch my breakfast. I told Jeeves to drink it himself.
β
β
P.G. Wodehouse
β
It is true of course, that I have a will of iron, but it can be switched off if the circumstances seem to demand it.
β
β
P.G. Wodehouse (Jeeves in the Morning (Jeeves, #8))
β
What's the use of a great city having temptations if fellows don't yield to them?
β
β
P.G. Wodehouse (Carry On, Jeeves (Jeeves, #3))
β
Hell, it is well known, has no fury like a woman who wants her tea and can't get it.
β
β
P.G. Wodehouse (Very Good, Jeeves! (Jeeves, #4))
β
She fitted into my biggest arm-chair as if it had been built round her by someone who knew they were wearing arm-chairs tight about the hips that season
β
β
P.G. Wodehouse (Carry On, Jeeves (Jeeves, #3))
β
Love is a delicate plant that needs constant tending and nurturing, and this cannot be done by snorting at the adored object like a gas explosion and calling her friends lice.
β
β
P.G. Wodehouse (Jeeves and the Feudal Spirit (Jeeves, #11))
β
We Woosters do not lightly forget. At least, we do - some things - appointments, and people's birthdays, and letters to post, and all that - but not an absolutely bally insult like the above.
β
β
P.G. Wodehouse (The Inimitable Jeeves (Jeeves, #2))
β
It was one of those cases where you approve the broad, general principle of an idea but can't help being in a bit of a twitter at the prospect of putting it into practical effect. I explained this to Jeeves, and he said much the same thing had bothered Hamlet.
β
β
P.G. Wodehouse (Jeeves in the Morning (Jeeves, #8))
β
Gussie, a glutton for punishment, stared at himself in the mirror.
β
β
P.G. Wodehouse (Right Ho, Jeeves (Jeeves, #6))
β
-'What do ties matter, Jeeves, at a time like this?'
There is no time, sir, at which ties do not matter
β
β
P.G. Wodehouse
β
Well, you know, there are limits to the sacred claims of friendship.
β
β
P.G. Wodehouse (Carry On, Jeeves (Jeeves, #3))
β
Oh, Jeeves,' I said; 'about that check suit.'
Yes, sir?'
Is it really a frost?'
A trifle too bizarre, sir, in my opinion.'
But lots of fellows have asked me who my tailor is.'
Doubtless in order to avoid him, sir.'
He's supposed to be one of the best men in London.'
I am saying nothing against his moral character, sir.
β
β
P.G. Wodehouse
β
Employers are like horses β they require management.
β
β
P.G. Wodehouse (Carry On, Jeeves (Jeeves, #3))
β
I mean, if you're asking a fellow to come out of a room so that you can dismember him with a carving knife, it's absurd to tack a 'sir' on to every sentence. The two things don't go together.
β
β
P.G. Wodehouse (Thank You, Jeeves (Jeeves, #5))
β
When a girl uses six derogatory adjectives in her attempt to paint the portrait of the loved one, it means something. One may indicate a merely temporary tiff. Six is big stuff.
β
β
P.G. Wodehouse (Jeeves in the Morning (Jeeves, #8))
β
I expect I shall feel better after tea.
β
β
P.G. Wodehouse (Carry On, Jeeves (Jeeves, #3))
β
I mean, imagine how some unfortunate Master Criminal would feel, on coming down to do a murder at the old Grange, if he found that not only was Sherlock Holmes putting in the weekend there, but Hercule Poirot, as well." ~ Bertram "Bertie" Wooster
β
β
P.G. Wodehouse (The Code of the Woosters (Jeeves, #7))
β
Warm-hearted! I should think he has to wear asbestos vests!
β
β
P.G. Wodehouse (The Inimitable Jeeves (Jeeves, #2))
β
This was not Aunt Dahlia, my good and kindly aunt, but my Aunt Agatha, the one who chews broken bottles and kills rats with her teeth.
β
β
P.G. Wodehouse
β
I'm not absolutely certain of my facts, but I rather fancy it's Shakespeare -- or, if not, it's some equally brainy lad -- who says that it's always just when a chappie is feeling particularly top-hole, and more than usually braced with things in general that Fate sneaks up behind him with a bit of lead piping.
β
β
P.G. Wodehouse (My Man Jeeves (Jeeves, #1))
β
Jeeves, you really are a specific dream-rabbit."
"Thank you, miss. I am glad to have given satisfaction.
β
β
P.G. Wodehouse (The Code of the Woosters (Jeeves, #7))
β
It's a funny thing about looking for things. If you hunt for a needle in a haystack you don't find it. If you don't give a darn whether you ever see the needle or not it runs into you the first time you lean against the stack.
β
β
P.G. Wodehouse (The Man With Two Left Feet and Other Stories (Jeeves, #0.5))
β
It isn't often that Aunt Dahlia lets her angry passions rise, but when she does, strong men climb trees and pull them up after them.
β
β
P.G. Wodehouse (Right Ho, Jeeves (Jeeves, #6))
β
What a queer thing Life is! So unlike anything else, don't you know, if you see what I mean.
β
β
P.G. Wodehouse (My Man Jeeves (Jeeves, #1))
β
It was one of those days you sometimes get latish in the autumn when the sun beams, the birds toot, and there is a bracing tang in the air that sends the blood beetling briskly through the veins.
β
β
P.G. Wodehouse
β
He looked haggard and careworn, like a Borgia who has suddenly remembered that he has forgotten to shove cyanide in the consommΓ©, and the dinner-gong due any moment.
β
β
P.G. Wodehouse (Carry On, Jeeves (Jeeves, #3))
β
The cup of tea on arrival at a country house is a thing which, as a rule, I particularly enjoy. I like the crackling logs, the shaded lights, the scent of buttered toast, the general atmosphere of leisured cosiness.
β
β
P.G. Wodehouse (The Code of the Woosters (Jeeves, #7))
β
There was a sound in the background like a distant sheep coughing gently on a mountainside. Jeeves sailing into action.
β
β
P.G. Wodehouse (Jeeves in the Morning (Jeeves, #8))
β
As Shakespeare says, if you're going to do a thing you might as well pop right at it and get it over.
β
β
P.G. Wodehouse (Very Good, Jeeves! (Jeeves, #4))
β
I suppose he must have taken about a nine or something in hats. Shows what a rotten thing it is to let your brain develop too much.
β
β
P.G. Wodehouse (The Inimitable Jeeves (Jeeves, #2))
β
What you want, my lad, and what you're going to get are two very
different things.
β
β
P.G. Wodehouse (Right Ho, Jeeves (Jeeves, #6))
β
I don't want to wrong anybody, so I won't go so far as to say that she actually wrote poetry, but her conversation, to my mind, was of a nature calculated to excite the liveliest of suspicions. Well, I mean to say, when a girl suddenly asks you out of a blue sky if you don't sometimes feel that the stars are God's daisy-chain, you begin to think a bit.
β
β
P.G. Wodehouse (Right Ho, Jeeves (Jeeves, #6))
β
Well, you certainly are the most wonderfully woolly baa-lamb that ever stepped.
β
β
P.G. Wodehouse (The Code of the Woosters (Jeeves, #7))
β
And so the merry party began. It was one of those jolly, happy, bread-crumbling parties where you cough twice before you speak, and then decide not to say it after all.
β
β
P.G. Wodehouse (My Man Jeeves (Jeeves, #1))
β
It was a nasty look. It made me feel as if I were something the dog had brought in and intended to bury later on, when he had time.
β
β
P.G. Wodehouse (My Man Jeeves (Jeeves, #1))
β
Well, there it is. That's Jeeves. Where others merely smite the brow and clutch the hair, he acts. Napoleon was the same.
β
β
P.G. Wodehouse
β
She's a sort of human vampire-bat
β
β
P.G. Wodehouse
β
She looked like a tomato struggling for self-expression.
β
β
P.G. Wodehouse
β
...there occurred to me the simple epitaph which, when I am no more, I intend to have inscribed on my tombstone. It was this:
"He was a man who acted from the best motives. There is one born every minute.
β
β
P.G. Wodehouse (My Man Jeeves (Jeeves, #1))
β
He was one of those earnest, persevering dancers--the kind that have taken twelve correspondence lessons.
β
β
P.G. Wodehouse (The Man With Two Left Feet and Other Stories (Jeeves, #0.5))
β
What I'm worrying about is what Tom is going to say when he starts talking."
"Uncle Tom?"
"I wish there was something else you could call him except 'Uncle Tom,' " Aunt Dahlia said a little testily. "Every time you do it, I expect to see him turn black and start playing the banjo.
β
β
P.G. Wodehouse
β
Jeeves, I'm engaged."
"I hope you will be very happy, sir."
"Don't be an ass. I'm engaged to Miss Bassett.
β
β
P.G. Wodehouse (Right Ho, Jeeves (Jeeves, #6))
β
How does he look, Jeeves?"
"Sir?"
"What does Mr Bassington-Bassington look like?"
"It is hardly my place, sir, to criticize the facial peculiarities of your friends.
β
β
P.G. Wodehouse (The Inimitable Jeeves (Jeeves, #2))
β
It was one of those still evenings you get in the summer, when you can hear a snail clear its throat a mile away.
β
β
P.G. Wodehouse (Carry On, Jeeves (illustrated))
β
I donβt know if you have had the same experience, but the snag I always come up against when Iβm telling a story is this dashed difficult problem of where to begin it.
β
β
P.G. Wodehouse (Right Ho, Jeeves (Jeeves, #6))
β
You know how it is with some girls. They seem to take the stuffing right out of you. I mean to say, there is something about their personality that paralyses the vocal cords and reduces the contents of the brain to cauliflower.
β
β
P.G. Wodehouse (Right Ho, Jeeves (Jeeves, #6))
β
Birds, except when broiled and in the society of a cold bottle, bored him stiff.
β
β
P.G. Wodehouse (My Man Jeeves (Jeeves, #1))
β
I pity the shrimp that matches wits with you Jeeves
β
β
P.G. Wodehouse
β
The thought of being engaged to a girl who talked openly about fairies being born because stars blew their noses, or whatever it was, frankly appalled me.
β
β
P.G. Wodehouse (Right Ho, Jeeves (Jeeves, #6))
β
I'm a bit short on brain myself; the old bean would appear to have been constructed more for ornament than for use, don't you know...
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β
P.G. Wodehouse (My Man Jeeves (Jeeves, #1))
β
I don't want to seem always to be criticizing your methods of voice production, Jeeves, I said, but I must inform you that that 'Well, sir' of yours is in many respects fully as unpleasant as your 'Indeed, sir?
β
β
P.G. Wodehouse (Right Ho, Jeeves (Jeeves, #6))
β
Bertie, do you read Tennyson?"
"Not if I can help.
β
β
P.G. Wodehouse (Right Ho, Jeeves (Jeeves, #6))
β
You agreee with me that the situation is a lulu?
Certainly, a somewhat sharp crisis in your affairs would appear to have been precipitated, Sir.
β
β
P.G. Wodehouse (The Code of the Woosters (Jeeves, #7))
β
In your walks about London you will sometimes see bent, haggard figures that look as if they had recently been caught in some powerful machinery. They are those fellows who got mixed up with Catsmeat when he was meaning well.
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β
P.G. Wodehouse (The Mating Season (Jeeves, #9))
β
There is no time, sir, at which ties do not matter.
β
β
P.G. Wodehouse (Very Good, Jeeves! (Jeeves, #4))
β
She came leaping towards me, like Lady Macbeth coming to get first-hand news from the guest-room.
β
β
P.G. Wodehouse (Joy in the Morning (Jeeves, #8))
β
Have you ever been turned down by a girl who afterwards married and then been introduced to her husband? If so you'll understand how I felt when Clarence burst on me. You know the feeling. First of all, when you hear about the marriage, you say to yourself, "I wonder what he's like." Then you meet him, and think, "There must be some mistake. She can't have preferred this to me!
β
β
P.G. Wodehouse (My Man Jeeves (Jeeves, #1))
β
What are the chances of a cobra biting Harold, Jeeves?"
"Slight, I should imagine, sir. And in such an event, knowing the boy as intimately as I do, my anxiety would be entirely for the snake.
β
β
P.G. Wodehouse (The Inimitable Jeeves (Jeeves, #2))
β
I've found, as a general rule of life, that the things you think are going to be the scaliest nearly always turn out not so bad after all.
β
β
P.G. Wodehouse (The Inimitable Jeeves (Jeeves, #2))
β
She laughed - a bit louder than I could have wished in my frail state of health, but then she is always a woman who tends to bring plaster falling from the ceiling when amused.
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β
P.G. Wodehouse (The Code of the Woosters (Jeeves, #7))
β
as if Nature had intended to make a gorilla, and had changed its mind at the last moment
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β
P.G. Wodehouse (The Code of the Woosters (Jeeves, #7))
β
We do not tell old friends beneath our roof-tree that they are an offence to the eyesight.
β
β
P.G. Wodehouse (Right Ho Jeeves)
β
It was a silver cow. But when I say 'cow', don't go running away with the idea of some decent, self-respecting cudster such as you may observe loading grass into itself in the nearest meadow. This was a sinister, leering, Underworld sort of animal, the kind that would spit out of the side of its mouth for twopence.
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β
P.G. Wodehouse (The Code of the Woosters (Jeeves, #7))
β
You are falling into your old error, Jeeves, of thinking that Gussie is a parrot. Fight against this. I shall add the oz.
β
β
P.G. Wodehouse (Right Ho, Jeeves (Jeeves, #6))
β
Remember what the poet Shakespeare said, Jeeves? 'Exit hurriedly, pursued by a bear.' You'll find it in one of his plays.
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β
P.G. Wodehouse (Very Good, Jeeves! (Jeeves, #4))
β
Am taking legal advice to ascertain whether strangling an idiot nephew counts as murder. If it doesn't look out for yourself.
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β
P.G. Wodehouse (Right Ho, Jeeves (Jeeves, #6))
β
When it comes to letting the world in on the secrets of his heart, he has about as much shrinking reticence as a steam calliope.
β
β
P.G. Wodehouse
β
We Woosters freeze like the dickens when we seek sympathy and meet with cold reserve. "Nothing further Jeeves", I said with quiet dignity.
β
β
P.G. Wodehouse
β
I shoved on a dressing-gown, and flew downstairs like a mighty, rushing wind.
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β
P.G. Wodehouse (The Inimitable Jeeves (Jeeves, #2))
β
These dreamer types do live, don't they?
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β
P.G. Wodehouse (Right Ho, Jeeves (Jeeves, #6))
β
She gave me another of those long keen looks, and I could see that she was again asking herself if her favourite nephew wasn't steeped to the tonsils in the juice of the grape.
β
β
P.G. Wodehouse (Plum Pie (Jeeves, #13.5))
β
I don't know why it is, but women who have anything to do with Opera, even if they're only studying for it, always appear to run to surplus poundage.
β
β
P.G. Wodehouse (Very Good, Jeeves! (Jeeves, #4))
β
Beginning with a critique of my own limbs, which she said, justly enough, were nothing to write home about, this girl went on to dissect my manners, morals, intellect, general physique, and method of eating asparagus with such acerbity that by the time she had finished the best you could say of Bertram was that, so far as was known, he had never actually committed murder or set fire to an orphan asylum.
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β
P.G. Wodehouse (Right Ho, Jeeves (Jeeves, #6))
β
Angela nearly got inhaled by a shark while aquaplaning.
β
β
P.G. Wodehouse (Right Ho Jeeves)
β
She was one of those women who kind of numb a fellow's faculties. She made me feel as if I were ten years old and had been brought into the drawing-room in my Sunday clothes to say how-d'you-do.
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β
P.G. Wodehouse (My Man Jeeves (Jeeves, #1))
β
The funny thing was that he wasn't altogether a fool in other ways. Deep down in him there was a kind of stratum of sense. I had known him, once or twice, show an almost human intelligence. But to reach that stratum, mind you, you needed dynamite.
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β
P.G. Wodehouse (My Man Jeeves (Jeeves, #1))
β
The exquisite code of politeness of the Woosters prevented me clipping her one on the ear-hole, but I would have given a shilling to be able to do it. There seemed to me something deliberately fat-headed in the way she persisted in missing the gist.
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β
P.G. Wodehouse (Right Ho, Jeeves (Jeeves, #6))
β
As a rule, you see, I'm not lugged into Family Rows. On the occasions when Aunt is calling Aunt like mastodons bellowing across premieval swamps and Uncle James's letter about Cousin Mabel's peculiar behaviour is being shot round the family circle ('Please read this carefully and send it on Jane') the clan has a tendency to ignore me. It's one of the advantages I get from being a bachelor - and, according to my nearest and dearest, practically a half-witted bachelor at that.
β
β
P.G. Wodehouse (The Inimitable Jeeves (Jeeves, #2))
β
No, I am quite content with you, Bertie. By the way, I do dislike that name Bertie. I think I shall call you Harold. Yes, I am perfectly satisfied with you. You have many faults, of course. I shall be pointing some of them out when I am at leisure.
β
β
P.G. Wodehouse (Aunts Aren't Gentlemen (Jeeves, #15))
β
Bertie," he said, "I want your advice."
"Carry on."
"At least, not your advice, because that wouldn't be much good to anybody. I mean, you're a pretty consummate old [prat], aren't you? Not that I want to hurt your feelings, of course."
"No, no, I see that."
"What I wish you to do is put the whole thing to that fellow Jeeves of yours, and see what he suggests.
β
β
P.G. Wodehouse
β
When Cynthia smiles," said young Bingo, "the skies are blue; the world takes on a roseate hue; birds in the garden trill and sing, and Joy is king of everything, when Cynthia smiles." He coughed, changing gears. "When Cynthia frowns - "
"What the devil are you talking about?"
"I'm reading you my poem. The one I wrote to Cynthia last night. I'll go on, shall I?"
"No!"
"No?"
"No. I haven't had my tea.
β
β
P.G. Wodehouse (The Inimitable Jeeves (Jeeves, #2))
β
I suppose the fundamental distinction between Shakespeare and myself is one of treatment. We get our effects differently. Take the familiar farcical situation of someone who suddenly discovers that something unpleasant is standing behind them. Here is how Shakespeare handles it in "The Winter's Tale," Act 3, Scene 3:
ANTIGONUS: Farewell! A lullaby too rough. I never saw the heavens so dim by day. A savage clamour! Well may I get aboard! This is the chase: I am gone for ever.
And then comes literature's most famous stage direction, "Exit pursued by a bear." All well and good, but here's the way I would handle it:
BERTIE: Touch of indigestion, Jeeves?
JEEVES: No, Sir.
BERTIE: Then why is your tummy rumbling?
JEEVES: Pardon me, Sir, the noise to which you allude does not emanate from my interior but from that of that animal that has just joined us.
BERTIE: Animal? What animal?
JEEVES: A bear, Sir. If you will turn your head, you will observe that a bear is standing in your immediate rear inspecting you in a somewhat menacing manner.
BERTIE (as narrator): I pivoted the loaf. The honest fellow was perfectly correct. It was a bear. And not a small bear, either. One of the large economy size. Its eye was bleak and it gnashed a tooth or two, and I could see at a g. that it was going to be difficult for me to find a formula. "Advise me, Jeeves," I yipped. "What do I do for the best?"
JEEVES: I fancy it might be judicious if you were to make an exit, Sir.
BERTIE (narrator): No sooner s. than d. I streaked for the horizon, closely followed across country by the dumb chum. And that, boys and girls, is how your grandfather clipped six seconds off Roger Bannister's mile.
Who can say which method is superior?"
(As reproduced in
Plum, Shakespeare and the Cat Chap
)
β
β
P.G. Wodehouse (Over Seventy: An Autobiography with Digressions)
β
Abandon the idea, Jeeves. I fear you have not studied the sex as I have. Missing her lunch means little or nothing to the female of the species. The feminine attitude toward lunch is notoriously airy and casual. Where you have made your bloomer is confusing lunch with tea. Hell, it is well known, has no fury like a woman who wants her tea and can't get it. At such times the most amiable of the sex become mere bombs which a spark may ignite." Bertie Wooster
β
β
P.G. Wodehouse
β
As I stood in my lonely bedroom at the hotel, trying to tie my white tie myself, it struck me for the first time that there must be whole squads of chappies in the world who had to get along without a man to look after them. I'd always thought of Jeeves as a kind of natural phenomenon; but, by Jove! of course, when you come to think of it, there must be quite a lot of fellows who have to press their own clothes themselves and haven't got anybody to bring them tea in the morning, and so on. It was rather a solemn thought, don't you know. I mean to say, ever since then I've been able to appreciate the frightful privations the poor have to stick.
β
β
P.G. Wodehouse (My Man Jeeves (Jeeves, #1))
β
The snag in this business of falling in love, aged relative, is that the parties of the first part so often get mixed up with the wrong parties of the second part, robbed of their cooler judgement by the party of the second part's glamour. Put it like this: the male sex is divided into rabbits and non-rabbits and the female sex into dashers and dormice, and the trouble is that the male rabbit has a way of getting attracted by the female dasher (who would be fine for the non-rabbit) and realizing too late that he ought to have been concentrating on some mild, gentle dormouse with whom he could settle down peacefully and nibble lettuce.
β
β
P.G. Wodehouse (How Right You Are, Jeeves (Jeeves, #12))
β
The trouble with you, Spode, is that just because you have succeeded in inducing a handful of half-wits to disfigure the London scene by going about in black shorts, you think you're someone. You hear them shouting "Heil, Spode!" and you imagine it is the Voice of the People. That is where you make your bloomer. What the Voice of the People is saying is: "Look at that frightful ass Spode swanking about in footer bags! Did you ever in your puff see such a perfect perisher?
β
β
P.G. Wodehouse (The Code of the Woosters (Jeeves, #7))
β
Honoria, you see, is one of those robust, dynamic girls with the muscles of a welter-weight and a laugh like a squadron of cavalry charging over a tin bridge. A beastly thing to have to face over the breakfast table. Brainy, moreover. The sort of girl who reduces you to pulp with sixteen sets of tennis and a few rounds of golf and then comes down to dinner as fresh as a daisy, expecting you to take an intelligent interest in Freud.
β
β
P.G. Wodehouse (Carry On, Jeeves (Jeeves, #3))
β
I suppose even Dictators have their chummy moments, when they put their feet up and relax with the boys, but it was plain from the outset that if Roderick Spode had a sunnier side, he had not come with any idea of exhibiting it now. His manner was curt. One sensed the absence of the bonhomous note.
...
Here he laid a hand on my shoulder, and I can't remember when I have experienced anything more unpleasant. Apart from what Jeeves would have called the symbolism of the action, he had a grip like the bite of a horse.
"Did you say 'Oh yes?'" he asked.
"Oh no," I assured him.
β
β
P.G. Wodehouse (The Code of the Woosters (Jeeves, #7))
β
Don't leave me, Bertie. I'm lost."
"What do you mean, lost?"
"I came out for a walk and suddenly discovered after a mile or two that I didn't know where on earth I was. I've been wandering round in circles for hours."
"Why didn't you ask the way?"
"I can't speak a word of French."
"Well, why didn't you call a taxi?"
"I suddenly discovered I'd left all my money at my hotel."
"You could have taken a cab and paid it when you got to the hotel."
"Yes, but I suddenly discovered, dash it, that I'd forgotten its name."
And there in a nutshell you have Charles Edward Biffen. As vague and woollen-headed a blighter as ever bit a sandwich.
β
β
P.G. Wodehouse (Carry On, Jeeves (Jeeves, #3))
β
There is, of course, this to be said for the Omnibus Book in general and this one in particular. When you buy it, you have got something. The bulk of this volume makes it almost the ideal paper-weight. The number of its pages assures its posessor of plenty of shaving paper on his vacation. Place upon the waistline and jerked up and down each morning, it will reduce embonpoint and strengthen the abdominal muscles. And those still at their public school will find that between, say, Caesar's Commentaries in limp cloth and this Jeeves book there is no comparison as a missile in an inter-study brawl.
β
β
P.G. Wodehouse (The World of Jeeves (Jeeves, #2-4))
β
I say, Bertie, is it really true that you were once engaged to Honoria?"
"It is."
Biffy coughed.
"How did you get out - I mean, what was the nature of the tragedy that prevented the marriage?"
"Jeeves worked it. He thought out the entire scheme."
"I think, before I go," said Biffy thoughtfully, "I'll just step into the kitchen and have a word with Jeeves."
I felt that the situation called for complete candour.
"Biffy, old egg," I said, "as man to man, do you want to oil out of this thing?"
"Bertie, old cork," said Biffy earnestly, "as one friend to another, I do.
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P.G. Wodehouse (Carry On, Jeeves (Jeeves, #3))
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Sir?β said Jeeves, kind of manifesting himself. One of the rummy things about Jeeves is that, unless you watch like a hawk, you very seldom see him come into a room. Heβs like one of those weird chappies in India who dissolve themselves into thin air and nip through space in a sort of disembodied way and assemble the parts again just where they want them. Iβve got a cousin whoβs what they call a Theosophist, and he says heβs often nearly worked the thing himself, but couldnβt quite bring it off, probably owing to having fed in his boyhood on the flesh of animals slain in anger and pie.
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P.G. Wodehouse (My Man Jeeves (Jeeves, #1))