White Volcano Quotes

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We’re so self-important. Everybody’s going to save something now. “Save the trees, save the bees, save the whales, save those snails.” And the greatest arrogance of all: save the planet. Save the planet, we don’t even know how to take care of ourselves yet. I’m tired of this shit. I’m tired of f-ing Earth Day. I’m tired of these self-righteous environmentalists, these white, bourgeois liberals who think the only thing wrong with this country is that there aren’t enough bicycle paths. People trying to make the world safe for Volvos. Besides, environmentalists don’t give a shit about the planet. Not in the abstract they don’t. You know what they’re interested in? A clean place to live. Their own habitat. They’re worried that some day in the future they might be personally inconvenienced. Narrow, unenlightened self-interest doesn’t impress me. The planet has been through a lot worse than us. Been through earthquakes, volcanoes, plate tectonics, continental drift, solar flares, sun spots, magnetic storms, the magnetic reversal of the poles … hundreds of thousands of years of bombardment by comets and asteroids and meteors, worldwide floods, tidal waves, worldwide fires, erosion, cosmic rays, recurring ice ages … And we think some plastic bags and some aluminum cans are going to make a difference? The planet isn’t going anywhere. WE are! We’re going away. Pack your shit, folks. We’re going away. And we won’t leave much of a trace, either. Maybe a little Styrofoam … The planet’ll be here and we’ll be long gone. Just another failed mutation. Just another closed-end biological mistake. An evolutionary cul-de-sac. The planet’ll shake us off like a bad case of fleas. The planet will be here for a long, long, LONG time after we’re gone, and it will heal itself, it will cleanse itself, ’cause that’s what it does. It’s a self-correcting system. The air and the water will recover, the earth will be renewed. And if it’s true that plastic is not degradable, well, the planet will simply incorporate plastic into a new paradigm: the earth plus plastic. The earth doesn’t share our prejudice toward plastic. Plastic came out of the earth. The earth probably sees plastic as just another one of its children. Could be the only reason the earth allowed us to be spawned from it in the first place. It wanted plastic for itself. Didn’t know how to make it. Needed us. Could be the answer to our age-old egocentric philosophical question, “Why are we here?” Plastic… asshole.
George Carlin
Rochester: I am to take mademoiselle to the moon, and there I shall seek a cave in one of the white valleys among the volcano-tops, and mademoiselle shall live with me there, and only me.
Charlotte Brontë (Jane Eyre)
Some twenty-five miles to the north, the army of Bala was making progress as fast as it could towards the Coe Mountains. When the thunderous noise of the destruction in the Pass of Ing reached them, they turned to see the pass erupting like an angry volcano. The flames, even at this distance, were terrifying and shock was etched on every face as each man considered the defiant bravery of the day before, a bravery that could have had them consumed by withering fire. Robert Reid – White Light Red Fire
Robert Reid (White Light Red Fire)
Hurricanes, tornadoes and volcanoes are all Natural Disasters. We can't fit Global Warming into that category. We have only us to blame
Veronica White
Far above him a few white clouds were racing windily after a pale gibbous moon. Drink all morning, they said to him, drink all day. This is life!
Malcolm Lowry (Under the Volcano)
The next morning was peaceful and clear. The sea was calm. White smoke from the volcano on Oshima, just above the horizon, drifted up into the sky. Never mind. I hate describing scenery.
Osamu Dazai (The Flowers of Buffoonery)
I am to take mademoiselle to the moon, and there I shall seek a cave in one of the white valleys among the volcano-tops, and mademoiselle shall live with me there, and only me.
Charlotte Brontë (Jane Eyre)
The White Goddess All saints revile her, and all sober men Ruled by the God Apollo's golden mean - In scorn of which we sailed to find her In distant regions likeliest to hold her Whom we desired above all things to know, Sister of the mirage and echo. It was a virtue not to stay, To go our headstrong and heroic way Seeking her out at the volcano's head, Among pack ice, or where the track had faded Beyond the cavern of the seven sleepers: Whose broad high brow was white as any leper's, Whose eyes were blue, with rowan-berry lips, With hair curled honey-coloured to white hips. The sap of Spring in the young wood a-stir Will celebrate with green the Mother, And every song-bird shout awhile for her; But we are gifted, even in November Rawest of seasons, with so huge a sense Of her nakedly worn magnificence We forget cruelty and past betrayal, Heedless of where the next bright bolt may fall.
Robert Graves
In Dedication. All saints revile her, and all sober men Ruled by the God Apollo's golden mean - In scorn of which I sailed to find her In distant regions likeliest to hold her Whom I desired above all things to know, Sister of the mirage and echo. It was a virtue not to stay, To go my headstrong and heroic way Seeking her out at the volcano's head, Among pack ice, or where the track had faded Beyond the cavern of the seven sleepers: Whose broad high brow was white as any leper's, Whose eyes were blue, with rowan-berry lips, With hair curled honey-coloured to white hips. Green sap of Spring in the young wood a-stir Will celebrate the Mountain Mother, And every song-bird shout awhile for her; But I am gifted, even in November Rawest of seasons, with so huge a sense Of her nakedly worn magnificence I forget cruelty and past betrayal, Careless of where the next bright bolt may fall.
Robert Graves
Las Vegas has become a child's picture-book dream of a city-here a storybook castle, there a sphinx-flanked black pyramid beaming white light into the darkness as a landing beam for UFOs, and everywhere neon oracles and twisting screens predict happiness and good fortune, announce singers and comedians and magicians in residence or on their way, and the lights always flash and beckon and call. Once every hour a volcano erupts in light and flame. Once every hour a pirate ship sinks a man o'war.
Neil Gaiman
And in the town too were innumerable white cantinhas, where one could drink forever on credit, with the door open and the wind blowing.
Malcolm Lowry (Under the Volcano)
Yes," he replied, "absolutely sans mademoiselle; for I am to take mademoiselle to the moon, and there I shall seek a cave in one of the white valleys among the volcano-tops, and mademoiselle shall live with me there, and only me." "She will have nothing to eat--you will starve her," observed Adèle. "I shall gather manna for her morning and night; the plains and hell-sides in the moon are bleached with manna, Adèle." "She will want to warm herself; what will she do for a fire?" "Fire rises out of the lunar mountains; when she is cold, I'll carry her up to a peak and lay her down on the edge of a crater." "Oh, she'll be uncomfortable there! And her clothes, they will wear out; how can she get new ones?" Mr. Rochester professed to be puzzled. "Hem!" said he. "What would you do, Adèle? Cudgel your brains for an expedient. How would a white or a pink cloud answer for a gown, do you think? And one could cut a pretty enough scarf out of a rainbow." "She is far better as she is," concluded Adèle, after musing some time; "besides, she would get tired of living with only you in the moon. If I were mademoiselle, I would never consent to go with you.
Charlotte Brontë (Jane Eyre)
Adèle heard him, and asked if she was to go to school “sans mademoiselle?” “Yes,” he replied, “absolutely sans mademoiselle; for I am to take mademoiselle to the moon, and there I shall seek a cave in one of the white valleys among the volcano-tops, and mademoiselle shall live with me there, and only me.” “She will have nothing to eat: you will starve her,” observed Adèle. “I shall gather manna for her morning and night: the plains and hillsides in the moon are bleached with manna, Adèle.” “She will want to warm herself: what will she do for a fire?” “Fire rises out of the lunar mountains: when she is cold, I’ll carry her up to a peak, and lay her down on the edge of a crater.” “Oh, qu’ elle y sera mal—peu comfortable!  And her clothes, they will wear out: how can she get new ones?” Mr. Rochester professed to be puzzled.  “Hem!” said he.  “What would you do, Adèle?  Cudgel your brains for an expedient.  How would a white or a pink cloud answer for a gown, do you think?  And one could cut a pretty enough scarf out of a rainbow.
Charlotte Brontë (Jane Eyre)
After manufacture, the units go into the field. With consumer products, that means they go into millions of homes where any bugs you created are enjoyed by many. With medical, aviation, or other critical products, your bugs may be catastrophic (which is why you get to do so much paperwork). With scientific or monitoring equipment, the field could be a place where the unit cannot ever be retrieved (or retrieved only at great risk and expense; consider the devices in volcano calderas), so it had better work.
Elecia White (Making Embedded Systems: Design Patterns for Great Software)
It is not that Combeferre was not capable of fighting, he did not refuse a hand-to-hand combat with the obstacle, and to attack it by main force and explosively; but it suited him better to bring the human race into accord with its destiny gradually, by means of education, the inculcation of axioms, the promulgation of positive laws; and, between two lights, his preference was rather for illumination than for conflagration. A conflagration can create an aurora, no doubt, but why not await the dawn? A volcano illuminates, but daybreak furnishes a still better illumination. Possibly, Combeferre preferred the whiteness of the beautiful to the blaze of the sublime. A light troubled by smoke, progress purchased at the expense of violence, only half satisfied this tender and serious spirit. The headlong precipitation of a people into the truth, a '93, terrified him; nevertheless, stagnation was still more repulsive to him, in it he detected putrefaction and death; on the whole, he preferred scum to miasma, and he preferred the torrent to the cesspool, and the falls of Niagara to the lake of Montfaucon. In short, he desired neither halt nor haste.
Victor Hugo (Complete Works of Victor Hugo)
People have, by now, directly transformed more than half the ice-free land on earth- some twenty-seven million square miles- and indirectly half of what remains. We have dammed or diverted most of the world's major rivers. Our fertilizer plants and legume crops fix more nitrogen than all terrestrial ecosystems combined, and our planes, cars, and power stations emit about a hundred times more carbon dioxide than volcanoes do. We now routinely cause earthquakes. In terms of sheer biomass, the numbers are stark-staring: today people outweigh wild mammals by a ratio of more than eight to one. Add in the weight of our domesticated animals- mostly cows and pigs- and that ratio climbs to twenty-two to one... We have become the major driver of extinction and also, probably, of speciation. So pervasive is man's impact, it is said that we live in a new geological epoch- the Anthropocene.
Elizabeth Kolbert (Under a White Sky: The Nature of the Future)
At low tide, much of the sea changes to land, and then more than seven hundred islands can be counted. People come here to hide, to find something they can’t find on the mainland, to get religion through solitude. From June till September, nearly every day is perfect, with the 10,778-foot volcano of Mount Baker rising from the tumble of the Cascades to the west, blue herons and bald eagles crowding the skies, killer whales breaching offshore. The water is exceptionally clear, the result of a twice-daily shift-change in tide, when it sweeps north toward the Strait of Georgia, then back south toward the Strait of Juan de Fuca. In some places, the rip tides create white water like rapids on a foaming river. Being is bliss. But then the winters come and the tourists all go home and clouds hang on the horizon and unemployment doubles and the island dweller is left with whatever it is that led him to escape the rest of the world.
Timothy Egan (The Good Rain: Across Time & Terrain in the Pacific Northwest (Vintage Departures))
Yes,’ he replied, ‘absolutely sans mademoiselle; for I am to take mademoiselle to the moon, and there I shall seek a cave in one of the white valleys among the volcano-tops, and mademoiselle shall live with me there, and only me.’ ‘She will have nothing to eat: you will starve her,’ observed Adele. ‘I shall gather manna for her morning and night: the plains and hillsides in the moon are bleached with manna, Adele.’ ‘She will want to warm herself: what will she do for a fire?’ ‘Fire rises out of the lunar mountains: when she is cold, I’ll carry her up to a peak, and lay her down on the edge of a crater.’ ‘Oh, qu’ elle y sera mal—peu comfortable! And her clothes, they will wear out: how can she get new ones?’ Mr. Rochester professed to be puzzled. ‘Hem!’ said he. ‘What would you do, Adele? Cudgel your brains for an expedient. How would a white or a pink cloud answer for a gown, do you think? And one could cut a pretty enough scarf out of a rainbow.
Charlotte Brontë (Jane Eyre)
Night: and once again, the nightly grapple with death, the room shaking with daemonic orchestras, the snatches of fearful sleep, the voices outside the window, my name being continually repeated with scorn by imaginary parties arriving, the dark's spinnets. As if there were not enough real noises in these nights the colour of grey hair. Not like the rending tumult of American cities, the noise of the unbandaging of great giants in agony. But the howling pariah dogs, the cocks that herald dawn all night, the drumming, the moaning that will be found later white plumage huddled on telegraph wires in back gardens or fowl roosting in apple trees, the eternal sorrow that never sleeps of great Mexico. For myself I like to take my sorrow into the shadow of old monasteries, my guilt into cloisters and under tapestries, and into the misericordes of unimaginable cantinas where sad-faced potters and legless beggars drink at dawn, whose cold jonquil beauty one rediscovers in death. So that when you left, Yvonne, I went to Oaxaca. There is no sadder word. Shall I tell you, Yvonne, of the terrible journey there through the desert over the narrow gauge railway on the rack of a third-class carriage bench, the child whose life its mother and I saved by rubbing its belly with tequila out of my bottle, or of how, when I went to my room in the hotel where we once were happy, the noise of slaughtering below in the kitchen drove me out into the glare of the street, and later, that night, there was a vulture sitting in the washbasin? Horrors portioned to a giant nerve! No, my secrets are of the grave and must be kept. And this is how I sometimes think of myself, as a great explorer who has discovered some extraordinary land from which he can never return to give his knowledge to the world: but the name of this land is hell.
Malcolm Lowry (Under the Volcano)
It was like a page out of the telephone book. Alphabetically, numerically, statistically, it made sense. But when you looked at it up close, when you examined the pages separately, or the parts separately, when you examined one lone individual and what constituted him, examined the air he breathed, the life he led, the chances he risked, you saw something so foul and degrading, so low, so miserable, so utterly hopeless and senseless, that it was worse than looking into a volcano. Outwardly it seems to be a beautiful honeycomb, with all the drones crawling over each other in a frenzy of work; inwardly it’s a slaughterhouse, each man killing off his neighbor and sucking the juice from his bones. Superficially it looks like a bold, masculine world; actually it’s a whorehouse run by women, with the native sons acting as pimps and the bloody foreigners selling their flesh... The whole continent is sound asleep and in that sleep a grand nightmare is taking place… At night the streets of New York reflect the crucifixion and death of Christ. When the snow is on the ground and there is the utmost silence there comes out of the hideous buildings of New York a music of such sullen despair and bankruptcy as to make the flesh shrivel. No stone was laid upon another with love or reverence; no street was laid for dance or joy. One thing has been added to another in a mad scramble to fill the belly, and the streets smell of empty bellies and full bellies and bellies half full. The streets smell of a hunger which has nothing to do with love; they smell of the belly which is insatiable and of the creations of the empty belly which are null and void. Just as the city itself had become a huge tomb in which men struggled to earn a decent death so my own life came to resemble a tomb which I was constructing out of my own death. I was walking around in a stone forest the center of which was chaos; sometimes in the dead center, in the very heart of chaos, I danced or drank myself silly, or I made love, or I befriended some one, or I planned a new life, but it was all chaos, all stone, and all hopeless and bewildering. Until the time when I would encounter a force strong enough to whirl me out of this mad stone forest no life would be possible for me nor could one page be written which would have meaning… Everybody and everything is a part of life... As an individual, as flesh and blood, I am leveled down each day to make the fleshless, bloodless city whose perfection is the sum of all logic and death to the dream. I am struggling against an oceanic death in which my own death is but a drop of water evaporating. To raise my own individual life but a fraction of an inch above this sinking sea of death I must have a faith greater than Christ’s, a wisdom deeper than that of the greatest seer. I must have the ability and the patience to formulate what is not contained in the language of our time, for what is now intelligible is meaningless. My eyes are useless, for they render back only the image of the known. My whole body must become a constant beam of light, moving with an ever greater rapidity, never arrested, never looking back, never dwindling. The city grows like a cancer; I must grow like a sun. The city eats deeper and deeper into the red; it is an insatiable white louse which must die eventually of inanition. I am going to starve the white louse which is eating me up. I am going to die as a city in order to become again a man. Therefore I close my ears, my eyes, my mouth. Infinitely better, as life moves toward a deathly perfection, to be just a bit of breathing space, a stretch of green, a little fresh air, a pool of water. Better also to receive men silently and to enfold them, for there is no answer to make while they are still frantically rushing to turn the corner.
Henry Miller (Tropic of Capricorn (Tropic, #2))
Four months later, I got my diagnosis. And now that my past was spilling over, exploding, a volcano spewing hot toxic waste all over my present life, it was all I could think about. I sent my father an email with the subject line FINALLY GOT AN OFFICIAL DIAGNOSIS. In the body of the email, I attached a link to the Wikipedia page for complex PTSD. At the time, the Wikipedia page read, “Complex post-traumatic stress disorder (C-PTSD; also known as complex trauma disorder) is a psychological disorder that can develop in response to prolonged, repeated experience of interpersonal trauma in a context in which the individual has little or no chance of escape.” And then, a paragraph down: “C-PTSD is a learned set of responses, and a failure to compete numerous important development tasks. It is environmentally, not genetically, caused. Unlike most of the diagnoses it is confused with, it is neither inborn nor characterological, not DNA based, it is a disorder caused by lack of nurture.” A lack of nurture. I didn’t write a hello in the body of the email. I didn’t include a sign-off. All I included in the vast expanse of white space was the link. What I didn’t write, but what was implied, what I hoped to convey: You ruined my life. You ruined my life. You ruined my life.
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)
For three years I have been imploring you, Jews of Poland, the crown of world Jewry, appealing to you, warning you unceasingly that the catastrophe is nigh. My hair has turned white and I have grown old these years, for my heart is bleeding that you, dear brothers and sisters, do not see the volcano which will soon begin to spew forth its fires of destruction. I see a horrible vision. Time is growing short for you to be spared. I know you cannot see it, for you are troubled and confused by everyday concerns…. Listen to my words at this, the twelfth hour. For God’s sake: let everyone save himself, so long as there is time to do so, for time is running short.
Benjamin Netanyahu (Bibi: My Story)
The morning sun was a grinning, red-toothed warrior, come to slay the night. Bloody and quick, it tore through the night-riding clouds sitting on the purplish, rolling sea and flung a silver-white spear across Melagi, abruptly turning the great volcano that dominated the island from gray shadow to the color of bright jade. The night-wet air convulsed in the sudden heat. Steam boiled from the winding jungle hollows like hot smoke, and the feathery leaves of orchids, sitting in the crooks of giant, sodden trees, shook as if in the hands of malevolent spirits.
Homer Hickam (The Ambassador's Son (Josh Thurlow, #2))
Indeed, on their respective days of owning the tongue, each of the neighbours could not help but echo the mouth of the previous owner. The Italian family eventually developed a taste for the occasional cardamom tea, the Filipino adventurously spread some Vegemite on his pan de sal and, at one time, the Australian couple stirred fish heads into their sour soup. Meanwhile, the Sri Lankan began hosting summer feasts by the barbie, and the Turkish baker even serenaded his wife with songs about love and volcanoes as he prepared a tray of almond biscotti for the oven. You see, the tongue had an excellent memory. Even when it had moved to a new mouth, it still evoked the breath of spices, sweets and syllables of the former host. It was never known to forget anything, least of all the fact that it was once the soft, pink flesh of a South Coast mollusc; it yielded itself to a higher good one winter night when the ocean was formidably wild.
Merlinda Bobis (White Turtle)
originator of all tings. “According to legend, in dat time der were many wild animals on Dalvalo—lions, tigers, elephants, and sharks as big as dis boat. Deez were very dangerous creatures, and human people are what dey had for breakfast, lunch, and suppa. Well, da first chief of Dalvalo, named Huakelle, come up wif a plan to distribute some of dis danger elsewhere in da universe. So he took fiery lava dat squirt off da volcano, and he trows it in all directions and creates Europe, Asia, Africa, Australia, and America. Some of da small drops of hot lava got caught and was scatted by da wind, and dis what made da rest of da islands of Vanuatu and all Melanesia. “Da chief den ordered giant canoes to be built. Not only was der too many dangerous animals on Dalvalo, der was too many people, so he sent a bunch of animals and people off in da giant canoe to da new land. Most a da canoes went to Africa, but some got caught up in storms and wrecked on da reef. People was tossed into da sea, and when dey finally got to land again, dey noticed dat da salt wattah had bleached dem white. Dat is how you got here.
Jimmy Buffett (A Salty Piece of Land)
The first volume of Dickinson poems, bound in white leather and published on 12 November 1890, was handled in just the way that had put the poet off publication during her lifetime: the editors had tampered with the inventive punctuation and off-rhymes of the volcano speaking through ‘buckled lips’. Words were changed ‘to make them smoother’ (as Mabel Todd put it) and dashes eliminated. There were trivialising titles like ‘With a Flower’, ‘Playmates’ and ‘Troubled about many things’.
Lyndall Gordon (Lives Like Loaded Guns: Emily Dickinson and Her Family's Feuds)
The bottom of the bathtub was grimy and sticky because the water took forever to drain. The hot water made me feel cold and then warm. Soaped up my chest and stomach and face. Got soap in my eye. Stung. Imagined the rabbits the Johnson & Johnson people tortured Clockwork Orange-style with soap just so they knew you couldn’t go blind that way. Soaped up my pussy, legs, and ass. Wished I had a cock. I had to rub myself on stuff. Bet it would be fun to jerk off in the shower. Took the razor and put my leg up on the side of the tub, shaved, and then shaved the other one. My sinuses started to clear. I blew snot out of my nose. Shaved the outside of my pussy, covered my clit with a finger and shaved inside at the top where there was always hair and inside the lips and then all the way through the middle and then all inside the ass. Kept feeling with my fingers for those stubborn hairs I had to keep going over. The water felt like someone spitting at me. The bikini area was a bitch. Ingrown hairs or razor burn. Those lucky bitches back in the seventies could let it all grow out into a giant bush. Sometimes the present seemed just as dumb as the past if you imagined what it would sound like in the future: In ancient times, the female would rub a bladed tool over her genitalia to slice the hair growing from the body even with the surface of the skin, from where it would grow again. I plugged in the laptop and brought it from the coffee table to the couch to watch porn. The way they characterized the women like different breeds. Black bitch. White cunt. Asian slut. The line of spit from the cock to the woman’s mouth. A woman blew two guys. When she took them both in her mouth at the same time, the cocks touched. I wondered if that made the men feel a little gay. A gangbang scene. The men looked pathetic, jerking off as they waited their turn, and then this one dude rubbed his cock in the woman’s hair and then wrapped some of her hair around his cock and jerked off with it. Men are so weird. A girl swallowed and then opened her mouth and stuck out her tongue so you could see she really did swallow it all. An asshole, a wrinkled, gaping hole spitting back the come like an awful little volcano, and you thought to yourself, Why would anyone on Earth want to see that? And yet there it was. Someone on Earth wanted to see just that. The men were bullies. Pulling, slapping, ordering the women around. I put the throw pillow underneath me and started to fuck it. I liked watching the scenes where the women really didn’t look like they wanted it. Like they were just doing it for the money or drugs or whatever. When I came, I came wanting it all. In one way or another, I wanted to be the men, and I wanted to hurt the woman. I wanted to hurt like the woman, and I wanted to hate the men for hurting me. I wanted to be the man at home jerking off wanting to be the man wanting to hurt the woman. And then I wanted to hurt more. Isn’t it a little sad we can’t do a little of everything there is to do? I’ll never know what it feels like to jam my cock into a tight little asshole.
Jade Sharma (Problems)
I write these last lines on Sauvie's Island - the Wappatto of the Indians - sitting upon the bank of the river, beneath the gnarled and ancient cottonwood that still marks the spot where the old Columbia trail led up from the water to the interior of the island. Stately and beautiful are the far snow-peaks and the sweeping forest. The woods are rich in the colors of an Oregon autumn. The white wappatto blooms along the marshes, its roots ungathered, the dusky hands that once reaped the harvest long crumbled into dust. Blue and majestic in the sunlight flows the Columbia, river of many names -- the Wauna and the Wemath of the Indians, the St. Roque of the Spaniards, the Oregon of poetry -- always vast and grand, always flowing placidly to the sea. Steamboats of the present; batteaux of the fur traders; ships, Grey's and Vancouver's, of discovery; Indian canoes of the old unknown time -- the stately river has seen them all come and go, and yet holds its way past forest and promontory, still beautiful and unchanging. Generation after generation, daring hunter, ardent discoverer, silent Indian -- all the shadowy peoples of the past have sailed its waters as we sail them, have lived perplexed and haunted by mystery as we live, have gone out into the Great Darkness with hearts full of wistful doubt and questioning, as we go; and still the river holds its course, bright, beautiful, inscrutable. It stays; we go. It there anything beyond the darkness into which generation follows generation and race follows race? Surely there is an after-life, where light and peace shall come to all who, however defeated, have tried to be true and loyal; where the burden shall be lifted and the heartache shall cease; where all the love and hope that slipped away from us here shall be given back to us again, and given back forever Via crucis, via lucis.
Frederic Homer Balch (The Bridge of the Gods A Romance of Indian Oregon. 19th Edition.)
It is quite effective what they’ve done to the boundary though, isn’t it? S’pose you see a pack of wolves too, don’t ya? Pure white, whiter than the snow, teeth whiter. Blood dripping from their fangs, eyes just as red. Their eyes mini volcanoes of an unquenched thirst ready to erupt underneath the surface. Perhaps even a full moon in the background, and a werewolf transforming nearby. All of them united in their quest, their desire, their utter passion to rip ya throat out.
Finn Eccleston (The Community: A Funny and Disturbing Conspiracy Mystery Novel (Project M Book 1))
I HAVEN’T HAD the Dream in a long time. But it’s back. And it’s changed. It does not begin as it always has, with the chase. The woods. The mad swooping of the griffins and the charge of the hose-beaked vromaski. The volcano about to erupt. The woman calling my name. The rift that opens in the ground before me. The fall into the void. The fall, where it always ends. Not this time. This time, these things are behind me. This time, it begins at the bottom. I am outside my own body. I am in a nanosecond frozen in time. I feel no pain. I feel nothing. I see someone below, twisted and motionless. The person is Jack. Jack of the Dream. But being outside it, I see that the body is not mine. Not the same face. As if, in these Dreams, I have been dwelling inside a stranger. I see small woodland creatures, fallen and motionless, strewn around the body. The earth shakes. High above, griffins cackle. Water trickles beneath the body now. It pools around the head and hips. And the nanosecond ends. The scene changes. I am no longer outside the body but in. Deep in. The shock of reentry is white-hot. It paralyzes every molecule, short-circuiting my senses. Sight, touch, hearing—all of them join in one huge barbaric scream of STOP. The water fills my ear, trickles down my neck and chest. It freezes and pricks. It soothes and heals. It is taking hold of the pain, drawing it away. Drawing out death and bringing life. I breathe. My flattened body inflates. I see. Smell. Hear. I am aware of the soil ground into my skin, the carcasses all around, the black clouds lowering overhead. The thunder and shaking of the earth. I blink the grit from my eyes and struggle to rise. I have fallen into a crevice. The cracked earth is a vertical wall before me. And the wall contains a hole, a kind of door into the earth. I see dim light within. I stand on shaking legs. I feel the snap of shattered bones knitting themselves together. One step. Two. With each it becomes easier. Entering the hole, I hear music. The Song of the Heptakiklos. The sound that seems to play my soul like a guitar. I draw near the light. It is inside a vast, round room, an underground chamber. I enter, lifted on a column of air. At the other side I see someone hunched over. The white lambda in his hair flashes in the reflected torch fire. I call to him and he turns. He looks like me. Beside him is an enormous satchel, full to bursting. Behind him is the Heptakiklos. Seven round indentations in the earth. All empty.
Peter Lerangis (Lost in Babylon (Seven Wonders, #2))
contingent of soldiers with you.” Almost opening his mouth in protest, Killian seemed to think the better of it. “Yes, Madam.” He glanced quickly at Talis and the others. “Shouldn’t our guests come as well? The priests should cleanse them of…of any defilement that may have possessed them on their long voyage.” The Madam frowned. “I suppose that is true. The priests must perform their rites. Go on, now.” Talis wondered what kind of rites they practiced here on the island. Whatever it was, it couldn’t be good. He glanced at Rikar who shook his head slightly in a gesture of disapproval. They followed the twins out of the palace with a group of soldiers leading them north along the gardens until they turned east along the wall. Talis snuck a look at the looming outer walls. So close to freedom, if only the Madam hadn’t sent so many soldiers to mind them. But he couldn’t leave without finding his sword. The way opened up to a park surrounded by a wrought-iron fence. Inside, they reached a stand of mangroves. Small wooden temples dotted the interior, with hundreds of strands of white rope stretched from branch to temple roof. White flags with ancient script in gold ink adorned the ropes. Talis recognized some of the characters: death, mountains, volcano, sky, chaos.  “Lieutenant,” Killian said. “Summon the priests, then be on your way. We can manage things ourselves from here on.
John Forrester (Fire Mage (Blacklight Chronicles, #1))
...anyone over four feet tall does not simply walk into an active volcano.
Garon Whited (Orb (Nightlord, #3))
FitzRoy felt a sudden urge to stop in the middle of the swarm, and perform an about-turn; to shout at his fellows, that there were other places in this world, other peoples, that most of them would never even become aware of, other sights and sounds that were every bit as vital a part of God's universe as they were. He wanted to tell them of sixty-foot waves, of crashing earthquakes and exploding volcanoes, of majestic Araucanian tribesmen with long, tapering lances, of wild-haired, white painted Fuegians lighting fires on their lonely windswept shores at the far end of the world
Harry Thompson (This Thing of Darkness)