Whale Song Quotes

The whales do not sing because they have an answer, they sing because they have a song.

Sea-fever I must down to the seas again, to the lonely sea and the sky, And all I ask is a tall ship and a star to steer her by, And the wheel's kick and the wind's song and the white sail's shaking, And a grey mist on the sea's face, and a grey dawn breaking. I must down to the seas again, for the call of the running tide Is a wild call and a clear call that may not be denied; And all I ask is a windy day with the white clouds flying, And the flung spray and the blown spume, and the sea-gulls crying. I must down to the seas again, to the vagrant gypsy life, To the gull's way and the whale's way where the wind's like a whetted knife; And all I ask is a merry yarn from a laughing fellow-rover And quiet sleep and a sweet dream when the long trick's over.

You can run but you can't hide... but I can try. I feel air catch in my lungs and I get a cramp in my side and this pain, this wonderful physical pain that I can place, reminds me that after all I am still alive.

If you want to love a parent you have to understand the incredible investment he or she has in you. If you are a parent, and you want to be loved, you have to deserve it.

The apple . . . came before Adam and Eve in the story of creation. It had to have been there at least three years because that's how long it takes for a new tree to bear fruit.

anyone can understand anything. You just have to know how to present your information.

I walk outside and scream at the top of my lungs, and it maybe travels two blocks. A whale unleashes his cry, and it travels hundreds or even thousands of miles. Every whale in the ocean will at one time or another run into that song. And I figure whales probably don't edit. If they think it, they say it...Whale talk is the truth, and in a very short period of time, if you're a whale, you know exactly what it is to be you.

I don't know the first thing about holding together a family, especially one that resembles an heirloom vase, shattered but glued back together for its beauty, and no one mentions that you can see the cracks as plain as day.

I believed the reason there was a God was to prevent such atrocities from happening to the same person twice. But nothing prepared me for this: I have done what I've sworn I could never do; I have become my own nightmare... I have lost control.

I am not opposed to religion. Far from it. I’m for anything that gives people peace. That’s why I am also for hot tubs and compact discs of whale songs. Anything that soothes the soul is fine by me.

Life’s too short to not forgive those who hurt us. I trust you to do what’s right. Right by your own heart.…Forgiveness sets you free.

I believe in love. I think it just hits you and pulls the rug out from underneath you and, like a baby, demands your attention every minute of the day.

I know that there will be other women, but they couldn't compare. Maybe I'll change, maybe love will change, but I think we were a once-in-a-lifetime. You could never leave me; that's why I am not more upset. You can't possibly break these feelings. They stretch, and they last.

Once upon a time, when men and women hurtled through the air on metal wings, when they wore webbed feet and walked on the bottom of the sea, learning the speech of whales and the songs of the dolphins, when pearly-fleshed and jewelled apparitions of Texan herdsmen and houris shimmered in the dusk on Nicaraguan hillsides, when folk in Norway and Tasmania in dead of winter could dream of fresh strawberries, dates, guavas and passion fruits and find them spread next morning on their tables, there was a woman who was largely irrelevant, and therefore happy.

I believe that you can fall in love many times with many different people. However, I don't think that you can fall in love the same way twice. One type of relationship may be steady. Another may be fire and brimstone. Who is to say if one of these is better that the other? The deciding factor is how it all fits together. Your love, I mean, and your life.

Some people have the kind of confidence that lets them get away with being clueless.

People can't anticipate how much they'll miss the natural world until they are deprived of it. I have read about submarine crewmen who haunt the sonar room, listening to whale songs and colonies of snapping shrimp. Submarine captains dispense 'periscope liberty'- a chance to gaze at clouds and birds and coastlines and remind themselves that the natural world still exists. I once met a man who told me that after landing in Christchurch, New Zealand, after a winter at the South Pole research station, he and his companions spent a couple days just wandering around staring in awe at flowers and trees. At one point, one of them spotted a woman pushing a stroller. 'A baby!' he shouted, and they all rushed across the street to see. The woman turned the stroller and ran.

The Voyager We are all lonely voyagers sailing on life's ebb tide, To a far off place were all stripling warriors have died, Sometime at eve when the tide is low, The voices call us back to the rippling water's flow, Even though our boat sailed with love in our hearts, Neither our dreams or plans would keep heaven far apart, We drift through the hush of God's twilight pale, With no response to our friendly hail, We raise our sails and search for majestic light, While finding company on this journey to the brighten our night, Then suddenly he pulls us through the reef's cutting sea, Back to the place that he asked us to be, Friendly barges that were anchored so sweetly near, In silent sorrow they drop their salted tears, Shall our soul be a feast of kelp and brine, The wasted tales of wishful time, Are we a fish on a line lured with bait, Is life the grind, a heartless fate, Suddenly, "HUSH", said the wind from afar, Have you not looked to the heavens and seen the new star, It danced on the abyss of the evening sky, The sparkle of heaven shining on high, Its whisper echoed on the ocean's spray, From the bow to the mast they heard him say, "Hope is above, not found in the deep, I am alive in your memories and dreams when you sleep, I will greet you at sunset and with the moon's evening smile, I will light your path home.. every last lonely mile, My friends, have no fear, my work was done well, In this life I broke the waves and rode the swell, I found faith in those that I called my crew, My love will be the compass that will see you through, So don't look for me on the ocean's floor to find, I've never left the weathered docks of your loving mind, For I am in the moon, the wind and the whale's evening song, I am the sailor of eternity whose voyage is not gone.

I once feared death. It is said that death begins with the absence of life. And life begins when death is no longer feared. I have stared death in the eye and survived.

A sound can move anything if it's strong enough.

Letter 68 A pod of whales was lying like long reclining Buddhas on the sea. My sister and I put our ears to the bottom of the boat so we could listen to their songs. We turned to my grandfather and asked, "What do their song mean?" "The whales do not sing because they have an answer," he said. "They sing because they have a song.

I kept hoping, silently, that you would want to save her like you hadn't been able to save yourself.

Even if we have grown so far apart that we don't recognize each other when we pass, we have this life, this block of time, and what do you think about that?

Blue 55 didn’t have a pod of friends or a family who spoke his language. But he still sang. He was calling and calling, and no one heard him.

In the past the whales had been able to sing to each other across whole oceans, even from one ocean to another because sound travels such huge distances underwater. But now, again because of the way in which sound travels, there is no part of the ocean that is not constantly jangling with the hubbub of ships’ motors, through which it is now virtually impossible for the whales to hear each other’s songs or messages. So fucking what, is pretty much the way that people tend to view this problem, and understandably so, thought Dirk. After all, who wants to hear a bunch of fat fish, oh all right, mammals, burping at each other? But for a moment Dirk had a sense of infinite loss and sadness that somewhere amongst the frenzy of information noise that daily rattled the lives of men he thought he might have heard a few notes that denoted the movements of gods.

The strange thing; her face, after she hit me. She was in greater pain than I. You could see it in her eyes - like she had been violated in some way that broke her own image.

So many ways to fail, all right in front of me. But I had to try.

He keeps singing this song, and everything in the ocean swims by him, as if he’s not there. He thinks no one understands him. I want to let him know he’s wrong about that.

I make music for whales, dolphins, ducks, and deaf people. Using only sign language and silence, my songs are meant to swim in your ears using the same power that allows the moon to create the tides.

[Author's Notes] As I write this, September 2002, much about the humpback song is still unknown. (Although scientists do know that it tends to be found in the New Age music section, as well as in tropical waters...)

For centuries poets, some poets, have tried to give a voice to the animals, and readers, some readers, have felt empathy and sorrow. If animals did have voices, and they could speak with the tongues of angels--at the very least with the tongues of angels--they would be unable to save themselves from us. What good would language do? Their mysterious otherness has not saved them, nor have their beautiful songs and coats and skins and shells and eyes. We discover the remarkable intelligence of the whale, the wolf, the elephant--it does not save them, nor does our awareness of the complexity of their lives. Their strength, their skills, their swiftness, the beauty of their flights. It matters not, it seems, whether they are large or small, proud or shy, docile or fierce, wild or domesticated, whether they nurse their young or brood patiently on eggs. If they eat meat, we decry their viciousness; if they eat grasses and seeds, we dismiss them as weak. There is not one of them, not even the songbird who cannot, who does not, conflict with man and his perceived needs and desires. St. Francis converted the wolf of Gubbio to reason, but he performed this miracle only once and as miracles go, it didn’t seem to capture the public’s fancy. Humans don’t want animals to reason with them. It would be a disturbing, unnerving, diminishing experience; it would bring about all manner of awkwardness and guilt.

Have you lost your mind? What have I told you Charlie about whales? You can’t MANHANDLE THEM!

Press your ear to my chest and listen where a heartbeat should sing you will hear the melancholy songs of tired whales.

When I see him, his frame filling the doorway, I do not feel passion, excitement. I can't remember if I ever have. He makes me feel comfortable, like a favorite pair of shoes.

Maybe finding your way sometimes mean you can't stay where you are.

I know not all that may be coming, but be it what it will, I’ll go to it laughing.

If you don't know when you'll get to talk to someone like you again, you don't want your time together to end.

I breathe in the soft, saturated exhalations of cedar trees and salmonberry bushes, fireweed and wood fern, marsh hawks and meadow voles, marten and harbor seal and blacktail deer. I breathe in the same particles of air that made songs in the throats of hermit thrushes and gave voices to humpback whales, the same particles of air that lifted the wings of bald eagles and buzzed in the flight of hummingbirds, the same particles of air that rushed over the sea in storms, whirled in high mountain snows, whistled across the poles, and whispered through lush equatorial gardens…air that has passed continually through life on earth. I breathe it in, pass it on, share it in equal measure with billions of other living things, endlessly, infinitely.

There's a humpback whale in the ocean that sings at fifty-two hertz: too low for any other whale to hear. Scientists aren't sure if it's a genetic anomaly, or a sole survivor of an extinct species, or just a whale who accidentally learnt the wrong song. They just know that it's probably the loneliest mammal on earth.

Here in the north each night is a whole winter long. Yet the place is fair enough, doubt it not! Thou shalt see sights here such as thou hast not seen in the halls of the English king. We shall be together as sisters whilst thou bidest with me; we shall go down to the sea when the storm begins once more; thou shalt see the billows rushing upon the land like wild, white-maned horses—and then the whales far out in the offing! They dash one against another like steel-clad knights! Ha, what joy to be a witching-wife and ride on the whale's back—to speed before the skiff, and wake the storm, and lure men to the deeps with lovely songs of sorcery!

We sent whalesong into interstellar space because the creatures that sing these songs are superlative beings that fill us with awe, terror, and affection. We have hunted them for thousands of years and scratched them into our mythologies and iconography. Their bones frame the archways of medieval castles. They’re so compelling that we imagine aliens might find them interesting — or perhaps understand their otherworldly, ethereal song.

I know that whatever is left of the planet when the pillage ends that’s the world that the children will live in. Whatever genetic song lines, whatever fragments of whale squeal and shattered harmonies are life, that’s what evolution has got to work with. Music is the trembling urgency and exuberance of life ongoing.

I walk towards the car but on second thought step back to the railing for a final look. Enormous. Anonymous. I could hurtle myself down the walls of this chasm, and never be found.

I’m mostly laughing, because you’re such an idiot.

Why should I stay in the same place just because I'd been there for so long?

The next day, William Lanney's much abused remains were carried in a coffin to the cemetery. The crowd of mourners was large. It included many of Lanney's shipmates, suggesting that the whaling profession in late-nineteenth-century Hobart was graced with a higher level of humanistic sensibility than the surgical profession.

things were created by God and for God, no exceptions. Every note of music. Every color on the palette. Every flavor that tingles the taste buds. Arnold Summerfield, the German physicist and pianist, observed that a single hydrogen atom, which emits one hundred frequencies, is more musical than a grand piano, which only emits eighty-eight frequencies. Every single atom is a unique expression of God’s creative genius. And that means every atom is a unique expression of worship. According to composer Leonard Bernstein, the best translation of Genesis 1:3 and several other verses in Genesis 1 is not “and God said.” He believed a better translation is “and God sang.” The Almighty sang every atom into existence, and every atom echoes that original melody sung in three-part harmony by the Father, Son, and Holy Spirit. Did you know that the electron shell of the carbon atom produces the same harmonic scale as the Gregorian chant? Or that whale songs can travel thousands of miles underwater? Or that meadowlarks have a range of three hundred notes? But the songs we can hear audibly are only one instrument in the symphony orchestra called creation. Research in the field of bioacoustics has revealed that we are surrounded by millions of ultrasonic songs. Supersensitive sound instruments have discovered that even earthworms make faint staccato sounds! Lewis Thomas put it this way: “If we had better hearing, and could discern the descants [singing] of sea birds, the rhythmic tympani [drumming] of schools of mollusks, or even the distant harmonics of midges [flies] hanging over meadows in the sun, the combined sound might lift us off our feet.” Someday the sound will lift us off our feet. Glorified eardrums will reveal millions of songs previously inaudible to the human ear.

Mirabai composed many ecstatic songs which are still treasured in India; I translate one of them here: “If by bathing daily God could be realised Sooner would I be a whale in the deep; If by eating roots and fruits He could be known Gladly would I choose the form of a goat; If the counting of rosaries uncovered Him I would say my prayers on mammoth beads; If bowing before stone images unveiled Him A flinty mountain I would humbly worship; If by drinking milk the Lord could be imbibed Many calves and children would know Him; If abandoning one’s wife would summon God Would not thousands be eunuchs? Mirabai knows that to find the Divine One The only indispensable is Love.

People who argue about how smart whales are, or whether they are as smart as humans, kind of miss the point. Whales will never read books or build rockets or do algebra. In all those areas, humans are smarter. Humans are the great brains of planet Earth. But it isn’t necessary to believe whales are as smart as humans to believe that they are great. They don’t have to know words to sing songs. They don’t have to be anything but what they are to be magnificent. And even though I don’t really know what a soul is, I know this—if humans have them, then so do whales.

As our ship tumbled, free-falling through the eye of a saltwater cyclone, the nine giant maidens spiraled around us, weaving in and out of the tempest so they appeared to drown over and over again. Their faces contorted in anger and glee. Their long hair lashed us with icy spray. Each time they emerged, they wailed and shrieked, but it wasn’t just random noise. Their screams had a tonal quality, like a chorus of whale songs played through heavy feedback. I even caught snippets of lyrics: boiling mead...wave daughters...death for you! It reminded me of the first time Halfborn Gunderson played Norwegian black metal for me. After a few bars, it dawned on me...Oh, wait. That’s supposed to be music!

This year in school she read Romeo and Juliet, and she told me pragmatically that Romeo was a wimp. He should have just taken Juliet and run away with her, swallowed his pride and worked at some medieval McDonald's. What about the poetry, I asked her. What about the tragedy? And Rebecca told me that that's all very well and good but it isn't the way things happen in real life.

These are lines from my asteroid-impact novel, Regolith: Just because there are no laws against stupidity doesn’t mean it shouldn’t be punished. I haven’t faced rejection this brutal since I was single. He smelled trouble like a fart in the shower. If this was a kiss of gratitude, then she must have been very grateful. Not since Bush and Cheney have so few spent so much so fast for so long for so little. As a nympho for mind-fucks, Lisa took to politics like a pig to mud. She began paying men compliments as if she expected a receipt. Like the Aerosmith song, his get-up-and-go just got-up-and-went. “You couldn’t beat the crap out of a dirty diaper!” He embraced his only daughter as if she was deploying to Iraq. She was hotter than a Class 4 solar flare! If sex was a weapon, then Monique possessed WMD I haven’t felt this alive since I lost my virginity. He once read that 95% of women fake organism, and the rest are gay. Beauty may be in the eyes of the beholder, but ugly is universal. Why do wives fart, but not girlfriends? Adultery is sex that is wrong, but not necessarily bad. The dinosaurs stayed drugged out, drooling like Jonas Brothers fans. Silence filled the room like tear gas. The told him a fraction of the truth and hoped it would take just a fraction of the time. Happiness is the best cosmetic, He was a whale of a catch, and there were a lot of fish in the sea eager to nibble on his bait. Cheap hookers are less buck for the bang, Men cannot fall in love with women they don’t find attractive, and women cannot fall in love with men they do not respect. During sex, men want feedback while women expect mind-reading. Cooper looked like a cow about to be tipped over. His father warned him to never do anything he couldn’t justify on Oprah. The poor are not free -- they’re just not enslaved. Only those with money are free. Sperm wasn’t something he would choose on a menu, but it still tasted better than asparagus. The crater looked alive, like Godzilla was about to leap out and mess up Tokyo. Bush follows the Bible until it gets to Jesus. When Bush talks to God, it’s prayer; when God talks to Bush, it’s policy. Cheney called the new Miss America a traitor – apparently she wished for world peace. Cheney was so unpopular that Bush almost replaced him when running for re-election, changing his campaign slogan to, ‘Ain’t Got Dick.’ Bush fought a war on poverty – and the poor lost. Bush thinks we should strengthen the dollar by making it two-ply. Hurricane Katrina got rid of so many Democratic voters that Republicans have started calling her Kathleen Harris. America and Iraq fought a war and Iran won. Bush hasn’t choked this much since his last pretzel. Some wars are unpopular; the rest are victorious. So many conservatives hate the GOP that they are thinking of changing their name to the Dixie Chicks. If Saddam had any WMD, he would have used them when we invaded. If Bush had any brains, he would have used them when we invaded. It’s hard for Bush to win hearts and minds since he has neither. In Iraq, you are a coward if you leave and a fool if you stay. Bush believes it’s not a sin to kill Muslims since they are going to Hell anyway. And, with Bush’s help, soon. In Iraq, those who make their constitution subservient to their religion are called Muslims. In America they’re called Republicans. With great power comes great responsibility – unless you’re Republican.

Today, the medium contains multitudes and man needs only pick one thing he likes and feast exclusively on a stream dedicated to it. There’s twenty-four hours of blues, surf music, left-wing whining, right-wing badgering, any stripe of belief imaginable. There are stories as interesting as lemming suicides and totally true, like the fact that whale songs have inexplicably lowered in pitch 30 percent since the sixties. But these stories are buried on animal documentary channels, where they will probably never capture the general public’s imagination.

What if one of us dies? What happens then?' I reached around and turned on the light to see the clock: 3:20 A.M. 'I suppose we'd remarry.' 'Just like that!' Jane exploded. She sat up in bed, facing away from me. 'You can't just pick a wife off a shelf.' 'Of course not. I just meant that if I happened to die young I'd want you to be happy.' 'How could I be happy without you? When you get married, you make the biggest decision of your life; you say you're going to spend eternity with one person. So what do you do if that person leaves? What do you do once you've already committed yourself?' 'What do you want me to do?' I asked. And Jane looked at me and said, 'I want you to live forever.

Listen, whatever it is you try to do with your life, nothing will ever dazzle you like the dreams of your body, its spirit longing to fly while the dead-weight bones toss their dark mane and hurry back into the fields of glittering fire where everything, even the great whale, throbs with song.

You are not the most intelligent creature in the universe. You are not even the most intelligent creature on your planet. The tonal language in the song of a humpback whale displays more complexity than the entire works of Shakespeare. It is not a competition. Well, it is. But don’t worry about it.

What sorrow is like to the sorrow of one who is alone? Once I dwelt in the company of the king I loved well, And my arm was heavy with the weight of the rings he gave, And my heart weighed down with the gold of his love. The face the king is like the sun to those who surrounded,. But now my heart is empty And I wander along throughout the world. The groves take on their blossoms, The trees and meadows grow fair But the cuckoo, saddest of singers, Cries forth the only sorrow of the exile, And now my heart hoes wandering, In search of what I shall never see more; All faces are alike to me if I cannot see the face of my king, And all countries are alike to me When I cannot see the fair fields and meadows of my home. So I shall arise and follow my heart in its wandering For what is the fair meadow of home to me When I cannot see the face of my king And the weight on my arm is but a band of gold When the heart is empty of the weight of love. And so I shall go roaming Over the fishers' road And the road of the great whale And beyond the country of the wave With none to bear me company But the memory of those I loved And the songs I sang out of a full heart, And the cuckoo's cry in memory.

We stir Our self-colour in the pot of colours Which is the world.

If you want to love a parent you have to understand the incredible investment he or she has in you. If you are a parent, and you want to be loved, you have to deserve it.

talking. “The reason this place looks

I’d found him. He’d never know what he meant to me, but that was okay. I didn’t speak his language, and he didn’t need to be fixed. He was the whale who sang his own song.

The girls cannot contain their joy. They must start rehearsing immediately. They teach Saluni a new song that they have composed at the swamps. It is about croaking frogs in their green and brown colours and how the girls caught them and pierced their eyes with sharp sticks and set them free to hop about in wonderful blindness. It is a haunting melody. They tell Saluni that the song is all about the fun they had at the swamps today. The blinded frogs will live peacefully because now they won't be bothered by the bright rays of the sun. They won't have to run from danger, because they won't see it. They will therefore be safe since danger only catches those who run away from it.

One day in the next five hundred billion years, while the probes complete one full circuit of the Milky Way, maybe they’ll stumble upon intelligent life. In forty thousand years or so, when the two probes sail close enough to a planetary system, maybe just maybe one of these plants will be home to some life form which will spy the probe with whatever it has that passes for eyes, stay its telescope, retrieve the derelict fuel-less old probe with whatever it has that passes for curiosity, lower the stylus (supplied) to the record with whatever it has that passes for digits, and set free the dadadadaa of Beethoven’s Fifth. It’ll roll like thunder through a different frontier. Human music will permeate the Milky Way’s outer reaches. There’ll be Chuck Berry and Bach, there’ll be Stravinsky and Blind Willie Johnson, and the didgeridoo, violin, slide guitar and shakuhachi. Whale song will drift through the constellation of Ursa Minor. Perhaps a being on a planet of the star AC +793888 will hear the 1970s recording of sheep bleat, laughter, footsteps, and the soft pluck of a kiss. Perhaps they’ll hear the trundle of a tractor and the voice of a child. When they hear on the phonograph a recording of rapid firecracker drills and bursts, will they know that these sounds denote brainwaves? Will they ever infer that over forty thousand years before in a solar system unknown a woman was rigged to an EEG and her thoughts recorded? Could they know to work backwards from the abstract sounds and translate them once more into brainwaves, and could they know from these brainwaves the kinds of thoughts the woman was having? Could they see into a human’s mind? Could they know she was a young woman in love? Could they tell from this dip and rise in the EEG’s pattern that she was thinking simultaneously of earth and lover as if the two were continuous? Could they see that, though she tried to keep her mental script, to bring to mind Lincoln and the Ice Age and the hieroglyphs of ancient Egypt and whatever grand things have shaped the earth and which she wished to convey to an alien audience, every thought cascaded into the drawn brows and proud nose of her lover, the wonderful articulation of his hands and the way he listened like a bird and how they had touched so often without touching. And then a spike in sound as she thought of that great city Alexandria and of nuclear disarmament and the symphony of the earth’s tides and the squareness of his jaw and the way he spoke with such bright precision so that everything he said was epiphany and discovery and the way he looked at her as though she were the epiphany he kept on having and the thud of her heart and the flooding how heat about her body when she considered what it was he wanted to do to her and the migration of bison across a Utah plain and a geisha’s expressionless face and the knowledge of having found that thing in the world which she ought never to have had the good fortune of finding, of two minds and bodies flung at each other at full dumbfounding force so that her life had skittered sidelong and all her pin-boned plans just gone like that and her self engulfed in a fire of longing and thoughts of sex and destiny, the completeness of love, their astounding earth, his hands, his throat, his bare back.

You can take dead trees in an orchard, and bring them back to life. You can take two different strains of apples and they will bear fruit on the same tree. Grafting: the science of bringing together the unlikely; of bring back what is past hope.

[T]he old stories of human relationships with animals can't be discounted. They are not primitive; they are primal. They reflect insights that came from considerable and elaborate systems of knowledge, intellectual traditions and ways of living that were tried, tested, and found true over many thousands of years and on all continents. But perhaps the truest story is with the animals themselves because we have found our exemplary ways through them, both in the older world and in the present time, both physically and spiritually. According to the traditions of the Seneca animal society, there were medicine animals in ancient times that entered into relationships with people. The animals themselves taught ceremonies that were to be performed in their names, saying they would provide help for humans if this relationship was kept. We have followed them, not only in the way the early European voyagers and prenavigators did, by following the migrations of whales in order to know their location, or by releasing birds from cages on their sailing vessels and following them towards land, but in ways more subtle and even more sustaining. In a discussion of the Wolf Dance of the Northwest, artists Bill Holm and William Reid said that 'It is often done by a woman or a group of women. The dance is supposed to come from the wolves. There are different versions of its origin and different songs, but the words say something like, 'Your name is widely known among the wolves. You are honored by the wolves.' In another recent account, a Northern Cheyenne ceremonialist said that after years spent recovering from removals and genocide, indigenous peoples are learning their lost songs back from the wolves who retained them during the grief-filled times, as thought the wolves, even though threatened in their own numbers, have had compassion for the people.... It seems we have always found our way across unknown lands, physical and spiritual, with the assistance of the animals. Our cultures are shaped around them and we are judged by the ways in which we treat them. For us, the animals are understood to be our equals. They are still our teachers. They are our helpers and healers. They have been our guardians and we have been theirs. We have asked for, and sometimes been given, if we've lived well enough, carefully enough, their extraordinary powers of endurance and vision, which we have added to our own knowledge, powers and gifts when we are not strong enough for the tasks required of us. We have deep obligations to them. Without other animals, we are made less. (from her essay "First People")

Whales can hear one another from hundreds of kilometres away, and each whale has a repertoire of characteristic ‘songs’ that may last for hours and follow very intricate patterns. Every now and then a whale composes a new hit, which other whales throughout the ocean adopt.

To the wreck hunters," Orion said, raising his water bottle, "And to whale songs." "To truthing," said Liv. "To tea leaves," said Felix. We kept toasting: To Fidelia and Ransome. To the rest of the Lyric passengers whose bones has been picked clean by fish. To adventures. Our voices overlapped and were indistinguishable. To baseball caps, to Patsy Cline. To whiskey and blow jobs and cunnilingus, birth control, treasure, no treasure, sleeping bags, bug spray, headphones, and crosswords. "To family," I called. "Surviving," said Sam. "Please can you keep it down!" yelled a voice from inside the kayakers' tent. "To angry, reluctant chaperones," Mariah stage-whispered. We all collapsed into stifled giggles, then put out the fire and trekked down to the beach to stage an impromtu, perfectly imperfect reading of Cousteau! by cell-phone light. Same had brought the latest printout of the script with him. That night, it didn't matter what had come before and what was going to come after. In that moment, we were the last true poets of the sea, and what mattered more than anything else was our quest.

Music?” he asked. I nodded and handed him my iPod. We’d been running together three more times now and had worked out our routine. We talked for the first mile or so, while we were warming up. When breathing became more important than talking, we switched to music, which we would listen to for the rest of the run, and then we’d turn the iPods off as we’d cool down and walk to one of our houses—we alternated. But the run before, Frank had proposed that we switch iPods so that he could see if my “music, not observational comedy” theory was effective in terms of helping him run faster, and I could apparently learn all about some group called Freelance Whales which was, apparently, an actual band. I’d made him a mix of my favorite songs that hopefully weren’t too alienating for someone who claimed he never listened to country and had no idea who the Cure was.

No sunrises that stop you dead with their unspeakable beuaty, either, he thought. No whales breaching only yards away from the ship, showering your awestruck self with a cold ocean rain. No songs and whiskey belowdecks at night while the wind plucks at the ship's rigging and the ice beats against her hull.

The whale ‘didn’t need to be fixed. He was the one who sang his own song.’ That really hit home. That’s what the best books do. They make you think, and rethink, how you see yourself, others, the world. Most of all, they make you feel. Feelings toward people who aren’t like you. Feelings you didn’t know you had.

Rebecca and I walk through the saltwater exhibits, where fish congregate in bright splashes like kites against an open sky. They come in the most incredible colors; I have always been amazed by this. What is the point of being fuchsia, or lemon, or violet, when you are stuck under the water where no one can see you?

I do know Aura. But there is not just Aura in the world. Your crow kind absorbs through Aura. My kind—those beneath the breathing line, those of scale and shell—we listen to Echo—the ocean’s breath, the song of whales, the hum of a mollusk, the swish and sway of kelp. It is connected to Aura as all things are connected.

Dylan felt her world click into place. All of her senses simultaneously focused and spread. She could feel the whales singing far off, their song thrumming in her bones. She could feel the wave patterns of the water, the splash of otters playing farther down the coast. And ever so distantly, she heard the crooning of selkies in their seal bodies

If Daddy could see me now. I spent the morning with Rebecca at the Indianapolis Speedway, at an auto museum filled with Nascars and racing paraphernalia. Do you remember when we used to watch all five hundred laps with him, every year? I never understood what it was that made auto racing such a biggie for him—it's not like he ever tried the sport himself. He told me once when I was older that it was the absolute speed of it all. I liked to watch for crashes, like you. I liked the way there'd be a huge explosion on the track and billows of ebony smoke, and the other cars would just keep a straight course and head right for the spin, into this sort of black box, and they'd come out okay. I

I like to save things. Not important things like whales or people or the environment. Silly things. Porcelain bells, the kind you get at souvenir shops. Cookie cutters you’ll never use, because who needs a cookie in the shape of a foot? Ribbons for my hair. Love letters. Of all the things I save, I guess you could say my love letters are my most prized possession. I keep my letters in a teal hatbox my mom bought me from a vintage store downtown. They aren’t love letters that someone else wrote for me; I don’t have any of those. These are ones I’ve written. There’s one for every boy I’ve ever loved—five in all. When I write, I hold nothing back. I write like he’ll never read it. Because he never will. Every secret thought, every careful observation, everything I’ve saved up inside me, I put it all in the letter. When I’m done, I seal it, I address it, and then I put it in my teal hatbox. They’re not love letters in the strictest sense of the word. My letters are for when I don’t want to be in love anymore. They’re for good-bye. Because after I write my letter, I’m no longer consumed by my all-consuming love. I can eat my cereal and not wonder if he likes bananas over his Cheerios too; I can sing along to love songs and not be singing them to him. If love is like a possession, maybe my letters are like my exorcisms. My letters set me free. Or at least they’re supposed to.

Light is the in-utterable name of God; the YHWH form. It is the emotional life of a bee and the distance to Icarus, the farthest visible star. It is the finding of compassion amidst tyranny, the networked communication between trees, and the whale song. Light is woven through the gauze of grief and is “the limitless undying love which shines around me like a million suns” (John Lennon). It is what Catholic theologians called “the inexpressible, the incomprehensible, the invisible, the ungraspable, the thing we cannot conceive” (John Chrysostom) . “Tell me, if you have understanding. What is the way to the place where the light is distributed?” (Job 38:4) And unable to answer, in dumb obliviousness, instead, we point at the Sun

The majestic whale travels the seven seas piping its unique song in the hopes of finding its tribe. The other whales in the sea can hear the solitary whale. But the song to them is foreign and unfamiliar. They’re not resonating on the same frequencies and so, it seems, there can be no reciprocity. The creature carries on, searching high and low for a sign of recognition and response.

Voyager went further and also included a gold record album containing diverse sounds from mother Earth, including the human heartbeat, whale “songs,” and musical selections from around the world, including the works of Beethoven and Chuck Berry. While this humanized the message, it’s not clear whether alien ears would have a clue what they were listening to—assuming they have ears in the first place.

For me, what a single firefly can do is this: it can light a memory I thought was long lost in roadsides overrun with Queen Anne’s lace and goldenrod, a peach pie cooling in the window of a distant house. It might make me feel like I’m traveling again to a gathering of loved ones dining seaside on a Greek island, listening to cicada song and a light wind rustling the mimosa trees. A single firefly might be the spark that sends us back to our grandmother’s backyard to listen for whip-poor-wills; the spark that sends us back to splashing in an ice-cold creek bed, with our jeans rolled up to our knees, until we shudder and gasp, our toes fully wrinkled. In that spark is a slowdown and tenderness. Listen: Boom. Can you hear that? The cassowary is trying to tell us something. Boom. Did you see that? A single firefly is, too. Such a tiny light, for such a considerable task. Its luminescence could very well be the spark that reminds us to make a most necessary turn- a shift and a swing and a switch- toward cherishing this magnificent and wondrous planet. Boom. Boom. You might think of a heartbeat- your own. A child’s. Someone else’s. Or some thing’s heart. And in that slowdown, you might think it’s a kind of love. And you’d be right.

when male whales sing, those who have the most complex songs are the ones who get the females. On the contrary, in the elephant world, a musth male will mate with anyone he can; it’s the female who sings, and it’s out of biological necessity. A female elephant is in estrus for only six days, and the only available males may be miles away. Pheromones don’t work at those distances, so she has to do something else to attract potential mates. It has been proven that whale songs are passed down from generation to generation, that they exist in all the oceans of the world. I have always wondered if the same holds true for elephants. If the calves of elephants learn the estrus song from their older female relatives during mating season, so that when it’s their own turn, they know how to sing to attract the strongest, fiercest males. If, by doing this, the daughters learn from their mothers’ mistakes.

Don’t you see, Mhairie, if we don’t keep telling the stories, we shall forget them. And if we forget them, our marrow will leak away, our clan marrow will vanish. Now was not the time to forget. Now was the time to remember. Memory, Dearlea thought, is the life-pumping artery, the blood in that artery. Memory is the sinew, the muscle that stretches back to the Beyond and before the Beyond. Have we not come full circle? she wondered. Now is not the time to forget. She felt a quiet despair, for there was song deep within her desperate to get out. Lupus, she would not die with the song inside her! Her mother, who rode next to her on another narwhale’s back with Abban, turned toward her and howled, “Sing, Dearlea! Sing! You are a skreeleen. The first in this new world.” So Dearlea threw back her head and sang. And out of that dark place we fled That broken land so scarred and dead Our hopes our dreams forever gone. Then did we follow this wolf so bold To this place that did unfold As if lost in mists of time It was the Distant Blue A new world sublime. On a bridge of ice we walked and walked We now give thanks to Lupus, to Glaux, To Ursus and gods not known, And to whales who carried us The last way To here in our new home. The other creatures began to join in. The wolves howled, and from Toby’s and Burney’s deep chests came sonorous roars that stirred Faolan’s heart. Dearlea was so right to sing, to remind them of what they had left behind.

in this world, there’s only one person with whom you are meant to connect. This is a God-woven thread. You cannot change it; you cannot fight it. The person is not necessarily your wife or your husband, your long-term lover. It may not even be a good friend. In many cases it is not someone with whom you spend the rest of your life. I would hazard a guess that ninety percent of all people never find the other person. But those lucky few, those very lucky few, are given the chance to grab the brass ring.

I learned a doctrine long ago from an ancient Muslim in Marrakech: in this world, there's only one person with whom you are meant to connect. This is a God-woven thread. You cannot change it; you cannot fight it. The person is not necessarily your wife or your husband, your long term lover. It may not even be a good friend. In many cases it is not someone with whom you spend the rest of your life. I would hazard a guess that ninety percent of all people never find the other person. But those lucky few, those very lucky few, are given the chance to grab the brass ring.

Barnacles stud the smooth dark skin, and crabs scurry across it. That black back must be slippery, treacherous like rock … But you see the hole in its back, the breath going in and out, and you think of all the blowholes along this coast; how a clever man can slip into them, fly inland one moment, back to ocean the next. Always curious, always brave, you take one step and the whale is underfoot. Two steps more and you are sliding, sliding deep into a dark and breathing cave that resonates with whale song. Beside you beats a blood-filled heart so warm it could be fire. Plunge your hands into that whale heart, lean into it and squeeze and let your voice join the whale’s roar. Sing that song your father taught you as the whale dives, down, deep. How dark it is beneath the sea, and looking through the whale’s eyes you see bubbles slide past you like … But there was none of that. Bobby was only imagining, only writing. Held in the sky on a rocky headland, Bobby drew chalk circles on slate, drew bubbles. Bubelz. Roze a wail. He erased the marks with the heel of his hand. It wasn’t true, it was just an old story, and he couldn’t even remember the proper song.

Mirabai composed many ecstatic songs, which are still treasured in India. I translate one of them here: If by bathing daily God could be realized Sooner would I be a whale in the deep; If by eating roots and fruits He could be known Gladly would I choose the form of a goat; If the counting of rosaries uncovered Him I would say my prayers on mammoth beads; If bowing before stone images unveiled Him A flinty mountain I would humbly worship; If by drinking milk the Lord could be imbibed Many calves and children would know Him; If abandoning one’s wife could summon God Would not thousands be eunuchs? Mirabai knows that to find the Divine One The only indispensable is Love. Several

There are, in addition, some other aspects of human culture that will prove to be important. One of these is the social performance of music. To be sure, many other species can be said to produce music, including songbirds and whales, to name but the best known. But only humans seem to engage in music as a social activity. For birds, music seems to be mainly a mate advertising display. Humans use music as a mechanism for community bonding in a way that seems to be quite unique. In modern societies, we may often sit listening politely to music in concert halls, but in traditional societies music-making, song and dance are almost indistinguishable and play a crucially important role. This is something we will also need to account for. What underpins all this cultural activity is, of course, our big brains, and this might ultimately be said to be what distinguishes us from the other great apes.

Did dinosaurs sing? Was there a teeming, singing wilderness with all the species thumping around, tuning up for the next millennia? Of course, dinosaurs sang, I thought. They are the ancestors of the singing birds and cousins to the roaring crocodiles…turns out, no. Turns out the syrinx, the organ that produces birdsong and the larynx, the organ that produces operatic arias, didn’t evolve until after the dinosaur extinction event…Some dinosaurs blew air into their closed mouths and through nasal cavities into resonance chambers, which we see in fossils as bony crests. They made the forest echo with clear, ominous tones, eerily like a cello. I have heard it in recordings scientists made of the sound they produced when they blew air through crests constructed to mimic lambeosaurus’s. Some dinosaurs cooed to their mates like doves…turns out that even if dinosaurs didn’t sing, they danced. There is evidence in vigorous scrape marks found in 100-million year old Colorado sandstone. From the courting behavior of ostriches and grouse, scientists envision the dinosaur males coming together on courting grounds, bobbing and scratching, flaring their brilliant feathers and cooing. Imagine: huge animals, each weighing more than a dozen football teams, shaking the Earth for a chance at love. What the story of the dinosaurs tells me is that if the earth didn’t have music, it would waste no time inventing it. In birds, tantalizing evidence of birdsong is found in 67-million-year old fossils, marking the first know appearance of the syrinx. Now the whole Earth can chime, from deep in the sea to high in the atmosphere with the sounds of snapping shrimp, singing mice, roaring whales, moaning bears, clattering dragonflies, and a fish calling like a foghorn. Who could catalog the astonishing oeuvre of the Earth? And more songs are being created every year.

No teacher of RE ever said to me: “Beyond the limited realm of the senses, the shallow pool of the known, is a great untamable ocean, and we don’t have a fucking clue what goes on in there.” What we receive through sight, sound, smell, taste, and touch is all we know. We have tools that can enhance that information, we have theories for things that we suspect lie beyond that information, filtered through an apparatus limited once more to those senses. Those senses are limited; the light range we detect is within a narrow spectrum, between infrared light and ultraviolet light; other species see light that we can’t see. In the auditory realm, we hear but a fraction of the sound vibrations; we don’t hear high-pitched frequencies, like dog whistles, and we don’t hear low frequencies like whale song. The world is awash with colors unseen and abuzz with unheard frequencies. Undetected and disregarded. The wise have always known that these inaccessible realms, these dimensions that cannot be breached by our beautifully blunt senses, hold the very codes to our existence, the invisible, electromagnetic foundations upon which our gross reality clumsily rests. Expressible only through symbol and story, as it can never be known by the innocent mind. The stories are formulas, poems, tools for reflection through which we may access the realm behind the thinking mind, the consciousness beyond knowing and known, the awareness that is not connected to the haphazard data of biography. The awareness that is not prickled and tugged by capricious emotion. The awareness that is aware that it is aware. In meditation I access it; in yoga I feel it; on drugs it hit me like a hammer—at sixteen, staring into a bathroom mirror on LSD, contrary to instruction (“Don’t look in the mirror, Russ, it’ll fuck your head up.” Mental note: “Look in mirror.”). I saw that my face wasn’t my face at all but a face that I lived behind and was welded to by a billion nerves. I looked into my eyes and saw that there was something looking back at me that was not me, not what I’d taken to be me. The unrefined ocean beyond the shallow pool was cascading through the mirror back at me. Nature looking at nature.

He paused a little; then kneeling in the pulpit’s bows, folded his large brown hands across his chest, uplifted his closed eyes, and offered a prayer so deeply devout that he seemed kneeling and praying at the bottom of the sea. This ended, in prolonged solemn tones, like the continual tolling of a bell in a ship that is foundering at sea in a fog — in such tones he commenced reading the following hymn; but changing his manner towards the concluding stanzas, burst forth with a pealing exultation and joy — The ribs and terrors in the whale, Arched over me a dismal gloom, While all God’s sun-lit waves rolled by, And lift me deepening down to doom. I saw the opening maw of hell, With endless pains and sorrows there; Which none but they that feel can tell- Oh, I was plunging to despair. In black distress, I called my God, When I could scarce believe him mine, He bowed his ear to my complaints- No more the whale did me confine. With speed he flew to my relief, As on a radiant dolphin borne; Awful, yet bright, as lightning shone The face of my Deliverer God. My song for ever shall record That terrible, that joyful hour; I give the glory to my God, His all the mercy and the power.

She could sense the approach of land- taste when the waters changed, feel when currents turned cool or warm- but it didn't hurt to keep an eye on the shore now and then, and an ear out for boats. The slap of oars could be heard for leagues. Her father had told tales about armored seafarers in days long past, whose trireme ships had three banks of rowers to ply the waters- you could hear them clear down to Atlantica, he'd say. Any louder and they would disrupt the songs of the half-people- the dolphins and whales who used their voices to navigate the waters. Even before her father had enacted the ban on going to the surface, it was rare that a boat would encounter a mer. If the captain kept to the old ways, he would either carefully steer away or throw her a tribute: fruit of the land, the apples and grapes merfolk treasured more than treasure. In return the mermaid might present him with fruit of the sea- gems, or a comb from her hair. But there was always the chance of an unscrupulous crew, and nets, and the potential prize of a mermaid wife or trophy to present the king. (Considering some of the nets that merfolk had found and freed their underwater brethren from, it was quite understandable that Triton believed humans might eat anything they found in the sea- including merfolk.)

Two things that weren’t even on the agenda survived every upheaval that followed. General Akhtar remained a general until the time he died, and all God’s names were slowly deleted from the national memory as if a wind had swept the land and blown them away. Innocuous, intimate names: Persian Khuda which had always been handy for ghazal poets as it rhymed with most of the operative verbs; Rab, which poor people invoked in their hour of distress; Maula, which Sufis shouted in their hashish sessions. Allah had given Himself ninety-nine names. His people had improvised many more. But all these names slowly started to disappear: from official stationery, from Friday sermons, from newspaper editorials, from mothers’ prayers, from greeting cards, from official memos, from the lips of television quiz-show hosts, from children’s storybooks, from lovers’ songs, from court orders, from telephone operators’ greetings, from habeas corpus applications, from inter-school debating competitions, from road inauguration speeches, from memorial services, from cricket players’ curses; even from beggars’ begging pleas. In the name of God, God was exiled from the land and replaced by the one and only Allah who, General Zia convinced himself, spoke only through him. But today, eleven years later, Allah was sending him signs that all pointed to a place so dark, so final, that General Zia wished he could muster up some doubts about the Book. He knew if you didn’t have Jonah’s optimism, the belly of the whale was your final resting place.

Watching, the ancient bull whale was swept up in memories of his own birthing. His mother had been savaged by sharks three months later; crying over her in the shallows of Hawaiki, he had been succoured by the golden human who became his master. The human had heard the young whale’s distress and had come into the sea, playing a flute. The sound was plangent and sad as he tried to communicate his oneness with the young whale’s mourning. Quite without the musician knowing it, the melodic patterns of the flute’s phrases imitated the whalesong of comfort. The young whale drew nearer to the human, who cradled him and pressed noses with the orphan in greeting. When the herd travelled onward, the young whale remained and grew under the tutelage of his master. The bull whale had become handsome and virile, and he had loved his master. In the early days his master would play the flute and the whale would come to the call. Even in his lumbering years of age the whale would remember his adolescence and his master; at such moments he would send long, undulating songs of mourning through the lambent water. The elderly females would swim to him hastily, for they loved him, and gently in the dappled warmth they would minister to him. In a welter of sonics, the ancient bull whale would communicate his nostalgia. And then, in the echoing water, he would hear his master’s flute. Straight away the whale would cease his feeding and try to leap out of the sea, as he used to when he was younger and able to speed toward his master. As the years had burgeoned the happiness of those days was like a siren call to the ancient bull whale. But his elderly females were fearful; for them, that rhapsody of adolescence, that song of the flute, seemed only to signify that their leader was turning his thoughts to the dangerous islands to the south-west.

How can I tell of the rest of creation, with all its beauty and utility, which the divine goodness has given to man to please his eye and serve his purposes, condemned though he is, and hurled into these labors and miseries?  Shall I speak of the manifold and various loveliness of sky, and earth, and sea; of the plentiful supply and wonderful qualities of the light; of sun, moon, and stars; of the shade of trees; of the colors and perfume of flowers; of the multitude of birds, all differing in plumage and in song; of the variety of animals, of which the smallest in size are often the most wonderful,--the works of ants and bees astonishing us more than the huge bodies of whales?  Shall I speak of the sea, which itself is so grand a spectacle, when it arrays itself as it were in vestures of various colors, now running through every shade of green, and again becoming purple or blue?  Is it not delightful to look at it in storm, and experience the soothing complacency which it inspires, by suggesting that we ourselves are not tossed and shipwrecked?  [1664]What shall I say of the numberless kinds of food to alleviate hunger, and the variety of seasonings to stimulate appetite which are scattered everywhere by nature, and for which we are not indebted to the art of cookery?  How many natural appliances are there for preserving and restoring health!  How grateful is the alternation of day and night!  how pleasant the breezes that cool the air!  how abundant the supply of clothing furnished us by trees and animals!  Who can enumerate all the blessings we enjoy?  If I were to attempt to detail and unfold only these few which I have indicated in the mass, such an enumeration would fill a volume.  And all these are but the solace of the wretched and condemned, not the rewards of the blessed.  What then shall these rewards be, if such be the blessings of a condemned state?

But at that moment the most incredible part of an incredible day happened. My mind, human, dolphin, both minds, opened up like a flower opening to the sun. And a silent, but somehow huge, voice filled my head, it spoke no words. It simply filled every corner of my mind with a simple emotion. Gratitude. The whale was telling me that it was grateful. We had saved it. Now it would save our schoolmate. I told Rachel and Jake. ... The humpback rose beneath a sputtering Marco. The broad leathery back lifted him up. And when I looked again, I saw Marco, sitting nervously on what could have been a small island, high and dry above the choppy waves. ... The whale called me to him. Listen, little one, he commanded, in a silent voice that seemed to fill the universe. I listened. I listened to his wordless voice in my head. I felt like it went on forever. Tobias said later it was only ten minutes. But during that ten minutes, I was lost to the world. I was being shown a small part of the whale's thoughts. he had lived eighty migrations. He had many mates, many mothers, who had died in their turn. His children traveled the oceans of the word. He had survived many battles, traveled to the far southern ice and the far northern ice. He remembered the days when men hunted his kind from ships that belched smoke. He remembered the songs of the many fathers who had gone before. As others would remember his song. But in all he had seen and all he had known, he had never seen one of the little ones become a human. Marco, I realized. He means Marco. And little ones? Is that what the whales call dolphins? We are not truly... little ones. No. You are something new in the sea. But not the only new thing. I wasn't sure what he was telling me. He spoke only in feelings, in a sort of poetry of emotion, without words. Part of it was in song. Part of it I could only sense the same way I could sense echolocation. Something new? -Animorphs #4, The Visitor page 41

Wherever you go, Provincetown will always take you back, at whatever age and in whatever condition. Because time moves somewhat differently there, it is possible to return after ten years or more and run into an acquaintance, on Commercial or at the A&P, who will ask mildly, as if he’d seen you the day before yesterday, what you’ve been doing with yourself. The streets of Provincetown are not in any way threatening, at least not to those with an appetite for the full range of human passions. If you grow deaf and blind and lame in Provincetown, some younger person with a civic conscience will wheel you wherever you need to go; if you die there, the marshes and dunes are ready to receive your ashes. While you’re alive and healthy, for as long as it lasts, the golden hands of the clock tower at Town Hall will note each hour with an electric bell as we below, on our purchase of land, buy or sell, paint or write or fish for bass, or trade gossip on the post office steps. The old bayfront houses will go on dreaming, at least until the emptiness between their boards proves more durable than the boards themselves. The sands will continue their slow devouring of the forests that were the Pilgrims’ first sight of North America, where man, as Fitzgerald put it, “must have held his breath in the presence of this continent, compelled into an aesthetic contemplation he neither understood nor desired, face to face for the last time in history with something commensurate to his capacity for wonder.” The ghost of Dorothy Bradford will walk the ocean floor off Herring Cove, draped in seaweed, surrounded by the fleeting silver lights of fish, and the ghost of Guglielmo Marconi will tap out his messages to those even longer dead than he. The whales will breach and loll in their offshore world, dive deep into black canyons, and swim south when the time comes. Herons will browse the tidal pools; crabs with blue claws tipped in scarlet will scramble sideways over their own shadows. At sunset the dunes will take on their pink-orange light, and just after sunset the boats will go luminous in the harbor. Ashes of the dead, bits of their bones, will mingle with the sand in the salt marsh, and wind and water will further disperse the scraps of wood, shell, and rope I’ve used for Billy’s various memorials. After dark the raccoons and opossums will start on their rounds; the skunks will rouse from their burrows and head into town. In summer music will rise up. The old man with the portable organ will play for passing change in front of the public library. People in finery will sing the anthems of vanished goddesses; people who are still trying to live by fishing will pump quarters into jukeboxes that play the songs of their high school days. As night progresses, people in diminishing numbers will wander the streets (where whaling captains and their wives once promenaded, where O’Neill strode in drunken furies, where Radio Girl—who knows where she is now?—announced the news), hoping for surprises or just hoping for what the night can be counted on to provide, always, in any weather: the smell of water and its sound; the little houses standing square against immensities of ocean and sky; and the shapes of gulls gliding overhead, white as bone china, searching from their high silence for whatever they might be able to eat down there among the dunes and marshes, the black rooftops, the little lights tossing on the water as the tides move out or in.

Put yourself in the way of grace,' says a friend of ours, who is a monk, and a bishop; and he smiles his floating and shining smile. And truly, can there be a subject of more interest to each of us than whether or not grace exists, and the soul? And, consequent upon the existence of the soul, a whole landscape of incorruptible forces, perhaps even a source, an almost palpably suggested second universe? A world that is incomprehensible through reason? To believe in the soul---to believe in it exactly as much and as hardily as one believes in a mountain, say, or a fingernail, which is ever in view---imagine the consequences! How far-reaching, and thoroughly wonderful! For everything, by such a belief, would be charged, and changed. You wake in the morning, the soul exists, your mouth sings it, your mind accepts it. And the perceived, tactile world is, upon the instant, only half the world! How easily I travel, about halfway, through such a scenario. I believe in the soul---in mine, and yours, and the blue-jay's, and the pilot whale's. I believe each goldfinch flying away over the coarse ragweed has a soul, and the ragweed too, plant by plant, and the tiny stones in the earth below, and the grains of earth as well. Not romantically do I believe this, nor poetically, nor emotionally, nor metaphorically except as all reality is metaphor, but steadily, lumpishly, and absolutely. The wild waste spaces of the sea, and the pale dunes with one hawk hanging in the wind, they are for me the formal spaces that, in a liturgy, are taken up by prayer, song, sermon, silence, homily, scripture, the architecture of the church itself. And as with prayer, which is a dipping of oneself toward the light, there is a consequence of attentiveness to the grass itself, and the sky itself, and to the floating bird. I too leave the fret and enclosure of my own life. I too dip myself toward the immeasurable. Now winter, the winter I am writing about, begins to ease. And what, if anything, has been determined, selected, nailed down? This is the lesson of age---events pass, things change, trauma fades, good fortune rises, fades, rises again but different. Whereas what happens when one is twenty, as I remember it, happens forever. I have not been twenty for a long time! The sun rolls toward the north and I feel, gratefully, its brightness flaming up once more. Somewhere in the world the misery we can do nothing about yet goes on. Somewhere the words I will write down next year, and the next, are drifting into the wind, out of the ornate pods of the weeds of the Provincelands. Once I went into the woods to find an almost unfindable bird, a blue grosbeak. And I found it: a rough, deep blue, almost black, with heavy beak; it was plucking one by one the humped, pale green caterpillars from the leaves of a thick green tree. Then it vanished into the shadows of the leaves and, in the same moment, from the crown of the tree flew a western bluebird---little aqua thrush of the mountains, hundreds of miles from its home. It is a moment hard to top---but, I can. Once I came upon two angels, they were standing quietly, keeping guard beside a car. Light streamed from them, and a splash of flames lay quietly under their feet. What is one to do with such moments, such memories, but cherish them? Who knows what is beyond the known? And if you think that any day the secret of light might come, would you not keep the house of your mind ready? Would you not cleanse your study of all that is cheap, or trivial? Would you not live in continual hope, and pleasure, and excitement?

Sea-Fever I must go down to the seas again, to the lonely sea and the sky, And all I ask is a tall ship and a star to steer her by, And the wheel’s kick and the wind’s song and the white sail’s shaking, And a grey mist on the sea’s face and a grey dawn breaking. I must go down to the seas again, for the call of the running tide Is a wild call and a clear call that may not be denied; And all I ask is a windy day with the white clouds flying, And the flung spray and the blown spume, and the seagulls crying. I must go down to the seas again to the vagrant gypsy life, To the gull’s way and the whale’s way where the wind’s like a whetted knife; And all I ask is a merry yarn from a laughing fellow-rover, And quiet sleep and a sweet dream when the long trick’s over.

What you say, when you say a word. What you think when you say it. What I see and hear when you speak. Words are ancient; visions and echoes cling to them like barnacles on the whale’s back. You speak words used in poetry and song since the beginning of the world we know. Here, you will learn to hear and to speak as if you had never listened, never spoken before. Then you will learn the thousand meanings within the word. What you say when you say fire.

The individual parts played by other instrumentalists-- crickets or earthworms, for instance-- may not have the sound of music by themselves, but we hear them out of context. If we could listen to them all at once, fully orchestrated, in their immense ensemble, we might become aware of the counterpoint, the balance of tones and timbres and harmonics, the sonorities. The recorded songs of the humpback whale, filled with tensions and resolutions, ambiguities and allusions, incomplete, can be listened to as a a part of music, like an isolated section of an orchestra. If we had better hearing, we could discern the descants of sea birds, the rhythmic tympani of schools of mollusks, or even the distant harmonies of midges hanging over meadows in the sun, the combined sound might lift us off our feet.

Silhouettes A crow perches inside me. Actually, it is a whale. It is hard to tell by touch alone. Nothing I own ever looks me properly in the eye. Sometimes a loud caw at dusk feels like the largest mammal on Earth. A deep breath out the blowhole into my stomach. One second it swims and the next it is a small extension of a tree. This is a kind of beginning— a finger puppet show. The light dancing around my hands. Me dancing alone on a stem. A persimmon blooms. A boy learns a song and plants it in an orchard. Inside of me the large creatures change their shapes to fit. A blackbird. An organ. Animals with no names. I send them off into the world daily. Little sadness takes flight. Love is a brave child. These things take the shape of their containers. I don’t have to do anything to hold them.