Puerto Rican Woman Quotes

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Do you have any other siblings?" I asked. "Yeah," he answered. "What? A sister? Brother? Two? Twelve?" I pressed. "Another brother," he answered. Good God. There were three Italian, Cuban, Puerto Rican male Delgados roaming the earth. How did I not know this? As a woman, I should have instinctually felt their presence.
Kristen Ashley (Mystery Man (Dream Man, #1))
Hellooo.” I held out my arm. “An amethyst woman with blue hair is telling you this.” She reached out and scraped her short nails over my arm. I snatched my arm back. “Ow.” Not body makeup.” She frowned and peered at the roots of my hair. “A good die-job or you’ve really got blue hair.” For now,” I said. “I’m half Drow.” She raised an eyebrow. Dark Elves.” Uh-huhhhh.” During the day I look normal, like you.” With an amused look she held up her arm, showing her dark, golden skin. “You’re Kenyan and Puerto Rican?
Cheyenne McCray (Demons Not Included (Night Tracker, #1))
Mermaids weren't mammalian. They couldn't be. Too many sightings focused on their 'slender backs' and 'narrow waists'--features that seemed reasonable to modern readers with modern beauty standards, but which made no sense for an Italian fisherman during the plague years, or a Puerto Rican swimmer in the 1920s. If the mermaid had been an idealized projection of a human woman onto a marine mammal, she would have looked different every time, fat during some eras, thin during others, not consistently slim to the point of freezing in oceanic waters. The people who described mermaids were describing a real creature, something that wasn't mammalian, but looked mammalian enough to make a tempting lure. And why would anything lure sailors, if not as a form of sustenance?
Mira Grant (Into the Drowning Deep (Rolling in the Deep, #1))
[Author's Note:] When my grandmother came to the United States from Puerto Rico in the 1940s, she was a beautiful, glamorous woman from a wealthy family in the capital city, and the young bride of a dashing naval officer. She expected to be received as such. Instead, she found that people here had a very reductionist view of what it meant to be Puerto Rican, of what it meant to be Latinx. Everything about her confused her new neighbors: her skin tone, her hair, her accent, her notions. She wasn't what they expected a boricua to be. My grandmother spent much of her adult life in the States but didn't always feel welcome here. She resented the perpetual gringo misconceptions about her. She never got past that resentment, and the echoes of her indignation still have some peculiar manifestations in my family today. One of the symptoms is me. Always raging against a perceived slight, always fighting against ignorance in mainstream ideas about ethnicity and culture. I'm acutely aware that the people coming to our southern border are not one faceless brown mass but singular individuals, with stories and backgrounds and reasons for coming that are unique. I feel this awareness in my spine, in my DNA. So I hoped to present one of those unique personal stories - a work of fiction - as a way to honor the hundreds of thousands of stories we may never get to hear. And in so doing, I hope to create a pause where the reader may begin to individuate. When we see migrants on the news, we may remember: these people are people.
Jeanine Cummins (American Dirt)
But as a Puerto Rican woman, she belonged to not one but two minority groups. New research suggests that her double minority status may have amplified the costs and the benefits of speaking up. Management researcher Ashleigh Rosette, who is African American, noticed that she was treated differently when she led assertively than were both white women and black men. Working with colleagues, she found that double minority group members faced double jeopardy. When black women failed, they were evaluated much more harshly than black men and white leaders of both sexes. They didn’t fit the stereotype of leaders as black or as female, and they shouldered an unfair share of the blame for mistakes. For double minorities, Rosette’s team pointed out, failure is not an option. Interestingly, though, Rosette and her colleagues found that when black women acted dominantly, they didn’t face the same penalties as white women and black men. As double minorities, black women defy categories. Because people don’t know which stereotypes to apply to them, they have greater flexibility to act “black” or “female” without violating stereotypes. But this only holds true when there’s clear evidence of their competence. For minority-group members, it’s particularly important to earn status before exercising power. By quietly advancing the agenda of putting intelligence online as part of her job, Carmen Medina was able to build up successes without attracting too much attention. “I was able to fly under the radar,” she says. “Nobody really noticed what I was doing, and I was making headway by iterating to make us more of a publish-when-ready organization. It was almost like a backyard experiment. I pretty much proceeded unfettered.” Once Medina had accumulated enough wins, she started speaking up again—and this time, people were ready to listen. Rosette has discovered that when women climb to the top and it’s clear that they’re in the driver’s seat, people recognize that since they’ve overcome prejudice and double standards, they must be unusually motivated and talented. But what happens when voice falls on deaf ears?
Adam M. Grant (Originals: How Non-Conformists Move the World)
Every day was a lesson in how starved the eyes could grow for hue, for reds and golds; how starved the ears could grow for conga drums, for the blare of traffic, for dogs barking, for the baseball games chattering from TVs, for foices talking flatly, conversationally, with rising excitement in Spanish, for children playing n the streets, the Puerto Rican children whose voices sounded faster, harder, than Chicano Spanish, as if there were more metal in their throats.
Marge Piercy (Woman on the Edge of Time)
Psalm For The First Light Lord, I have always wanted a woman to share first light with. Let her be Puerto Rican, Lord, with brown eyes and good humor and lips. O, Lord, let her have lips. Let her always kiss me the way shadows kiss dawn. Let her kiss be the dark streaks between sunbeams, negative space that says yes, then no, then yes. Let her kiss be the thing that separates wakefulness from dreaming. Let her kiss like there is no difference. Lord, I have always wanted a woman whose kiss is like the first light. Lorca, your servant, wrote about this. Dawn in New York, he called it. Let her kiss render even Lorca mute, powerless, a blank page he needs to fill with bullfights. Let even first light weep at its insufficiency.
Rich Villar (Comprehending Forever)
I had flashbacks of being in the peep-show booth hours earlier, watching the Puerto Rican woman dance naked. I couldn't believe I'd enjoyed looking at that pear-shaped drug addict when I was living with such a beautiful lady.
Jason Starr (Cold Caller)
have you ever wondered about how, in the original West Side Story, Tony manages to wander randomly onto a street in a Puerto Rican neighborhood, shout, "Maria!" and only one woman answers him?)
Michael Harling (More Postcards From Across the Pond (The Postcards Trilogy))
[…] she taken turpentine and she taken too much, I guess, and she died. She bled to death and died”. She was not alone. Prior to the 1974 Roe v. Wade U.S. Supreme Court decision that a woman’s right to personal privacy gave her the right to decide whether or not to have an abortion, large numbers of women who died from illegal abortions were Black. In New York, for example, during the several years preceding the decriminalization of abortions, 80 percent of the women who died from illegal abortions were Black or Puerto Rican.
Patricia Hill Collins (Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment)
I did love Ben, in a sense. Because he cooked for me. Because he told me that my body was beautiful, like a Renaissance painting, something I badly needed to hear. Because his stepmother was the same age as him, and that is really sad. But I also didn’t: Because his vanity drove him to wear vintage shoes that gave him blisters. Because he gave me HPV. He called me terrible names when I broke up with him for a Puerto Rican named Joe with a tattoo that said mom in Comic Sans. Admittedly, I didn’t handle it too well either when, several months later, he moved in with a girl who taught special-needs preschool. I didn’t utter the words “I love you” again in a romantic context for more than two years. Joe turned out to consider blow jobs misogynistic and pretended his house had caught fire just to get out of plans.
Lena Dunham (Not That Kind of Girl: A Young Woman Tells You What She's "Learned")
Maybe someday there will be a more gender-neutral orientation in our society, but as it stands today, almost every societal institution positively reinforces the heterosexual model while either ignoring altogether or actively condemning the homosexual one. Everyone from your mom and dad to your clergyman to your teacher to your friends work, either consciously or unconsciously, to protect and reinforce societal norms. There’s nothing sinister or overtly conspiratorial about it. It’s how societies function. Has anyone in your family married outside of his or her race or religion?” I said: “My cousin Arty wound up marrying a Puerto Rican woman from the Bronx who refused to convert.” “And what was your family’s reaction, Mr. Prager?” “My aunt and uncle sat shiva. They treated his marriage like a death in the family. He was dead to them.
Reed Farrel Coleman (Walking the Perfect Square (Moe Prager Book 1))
But also, I never want to forget how the world sees us. How Lolita Lebrón, a controversial figure, a hero to some, a terrorist to others, a woman who led a revolt on Capitol Hill, was written about in the Washington Post, a publication that in 2004 has thirty-one Pulitzer Prizes. How even all these years later, the headline doesn’t mention her life, or her death, or her pistol, or the shooting, or the planning, or the wounded victims, or Puerto Rico, or the flag, or colonialism, or freedom, or liberation, or racism, or torture, or motherhood, or the loss of her children, or the years she spent in prison, or the voices she heard or the visions she saw while incarcerated, or what she yelled when she pulled out her gun in the visitor’s gallery of the US Capitol, ¡Viva Puerto Rico Libre!, or what she said when she was arrested, or what she said in any of her dozens of interviews, or what she said when she was protesting the occupation of Puerto Rican land and the oppression of Puerto Rican people, or anything related to who she was or what she did. Instead, the headline mentions her fucking red lipstick.
Jaquira Díaz (Ordinary Girls)