Were Waiting Quotes

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Francois Rabelais. He was a poet. And his last words were "I go to seek a Great Perhaps." That's why I'm going. So I don't have to wait until I die to start seeking a Great Perhaps.
John Green (Looking for Alaska)
Only once in your life, I truly believe, you find someone who can completely turn your world around. You tell them things that you’ve never shared with another soul and they absorb everything you say and actually want to hear more. You share hopes for the future, dreams that will never come true, goals that were never achieved and the many disappointments life has thrown at you. When something wonderful happens, you can’t wait to tell them about it, knowing they will share in your excitement. They are not embarrassed to cry with you when you are hurting or laugh with you when you make a fool of yourself. Never do they hurt your feelings or make you feel like you are not good enough, but rather they build you up and show you the things about yourself that make you special and even beautiful. There is never any pressure, jealousy or competition but only a quiet calmness when they are around. You can be yourself and not worry about what they will think of you because they love you for who you are. The things that seem insignificant to most people such as a note, song or walk become invaluable treasures kept safe in your heart to cherish forever. Memories of your childhood come back and are so clear and vivid it’s like being young again. Colours seem brighter and more brilliant. Laughter seems part of daily life where before it was infrequent or didn’t exist at all. A phone call or two during the day helps to get you through a long day’s work and always brings a smile to your face. In their presence, there’s no need for continuous conversation, but you find you’re quite content in just having them nearby. Things that never interested you before become fascinating because you know they are important to this person who is so special to you. You think of this person on every occasion and in everything you do. Simple things bring them to mind like a pale blue sky, gentle wind or even a storm cloud on the horizon. You open your heart knowing that there’s a chance it may be broken one day and in opening your heart, you experience a love and joy that you never dreamed possible. You find that being vulnerable is the only way to allow your heart to feel true pleasure that’s so real it scares you. You find strength in knowing you have a true friend and possibly a soul mate who will remain loyal to the end. Life seems completely different, exciting and worthwhile. Your only hope and security is in knowing that they are a part of your life.
Bob Marley
Peeta, you said at the interview you’d had a crush on me forever. When did forever start? Oh, let’s see. I guess the first day of school. We were five. You had on a red plaid dress and your hair...it was in two braids instead of one. My father pointed you out when we were waiting to line up." Your father? Why?" He said, ‘See that little girl? I wanted to marry her mother, but she ran off with a coal miner.'" What? You’re making that up!" No, true story. And I said, 'A coal miner? Why did she want a coal miner if she could’ve had you?' And he said, 'Because when he sings...even the birds stop to listen.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
I would have waited five hundred more years for you. A thousand years. And if this was all the time we were allowed to have... the wait was worth it.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
If we wait until we're ready, we'll be waiting for the rest of our lives.
Lemony Snicket (The Ersatz Elevator (A Series of Unfortunate Events, #6))
If you do follow your bliss you put yourself on a kind of track that has been there all the while, waiting for you, and the life that you ought to be living is the one you are living. Follow your bliss and don't be afraid, and doors will open where you didn't know they were going to be.
Joseph Campbell
But-" Maia, still looking at Alec and Magnus, broke off and rasied her eyebrows. Simon turned to see what she was looking at - and stared. Alec had his arms around Magnus and was kissing him full on the mouth. Magnus, who appeared to be in a state of shock, stood frozen. Several groups of people - Shadowhunters and Downworlders alike - were staring and whispering. Glancing to the side, Simon saw the Lightwoods, their eyes widen, gaping at the display. Maryse had her hand over her mouth. Maia looked perplexed. "Wait a second," she said. "Do we all have to do that, too?
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
Wait. Why am I thinking about Krispy Kremes? We’re supposed to be exercising.
Meg Cabot (Big Boned (Heather Wells, #3))
If Jem dies, I cannot be with Tessa,” said Will. “Because it will be as if I were waiting for him to die, or took some joy in his death, if it let me have her. And I will not be that person. I will not profit from his death. So he must live.” He lowered his arm, his sleeve bloody. “It is the only way any of this can ever mean anything. Otherwise it is only —” “Pointless, needless suffering and pain? I don’t suppose it would help if I told you that was the way life is. The good suffer, the evil flourish, and all that is mortal passes away,” Magnus said. “I want more than that,” said Will. “You made me want more than that. You showed me I was only ever cursed because I had chosen to believe myself so. You told me there was possibility, meaning. And now you would turn your back on what you created.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Estragon: We always find something, eh Didi, to give us the impression we exist? Vladimir: Yes, yes, we're magicians.
Samuel Beckett (Waiting for Godot)
If you were a gentleman, you would offer to buy me one as well." "If you were a lady, you would have waited for me to make the offer.
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
I thought you were gone forever, I thought you’d walked away from everything, because I failed, because I destroyed the only thing that ever mattered to me. I waited for you to come, but you didn’t.
Alexandra Adornetto (Halo (Halo, #1))
I will not wait to love as best as I can. We thought we were young and that there would be time to love well sometime in the future. This is a terrible way to think. It is no way to live, to wait to love.
Dave Eggers (What Is the What)
She had waited all her life for something, and it had killed her when it found her.
Zora Neale Hurston (Their Eyes Were Watching God)
Are you ready?" Klaus asked finally. "No," Sunny answered. "Me neither," Violet said, "but if we wait until we're ready we'll be waiting for the rest of our lives, Let's go.
Lemony Snicket (The Ersatz Elevator (A Series of Unfortunate Events, #6))
I think love is stronger than habits or circumstances. I think it is possible to keep yourself for someone for a long time and still remember why you were waiting when she comes at last.
Peter S. Beagle (The Last Unicorn (The Last Unicorn, #1))
Falling in love, we said; I fell for him. We were falling women. We believed in it, this downward motion: so lovely, like flying, and yet at the same time so dire, so extreme, so unlikely. God is love, they once said, but we reversed that, and love, like heaven, was always just around the corner. The more difficult it was to love the particular man beside us, the more we believed in Love, abstract and total. We were waiting, always, for the incarnation. That word, made flesh. And sometimes it happened, for a time. That kind of love comes and goes and is hard to remember afterwards, like pain. You would look at the man one day and you would think, I loved you, and the tense would be past, and you would be filled with a sense of wonder, because it was such an amazing and precarious and dumb thing to have done; and you would know too why your friends had been evasive about it, at the time. There is a good deal of comfort, now, in remembering this.
Margaret Atwood (The Handmaid's Tale)
For a long time,’ Nico said, ‘I had a crush on you. I just wanted you to know.’ Percy looked at Nico. Then at Annabeth, as if to check that he’d heard correctly. Then back at Nico. ‘You –’ ‘Yeah,’ Nico said. ‘You’re a great person. But I’m over that. I’m happy for you guys.’ ‘You … so you mean –’ ‘Right.’ Annabeth’s grey eyes started to sparkle. She gave Nico a sideways smile. ‘Wait,’ Percy said. ‘So you mean –’ ‘Right,’ Nico said again. ‘But it’s cool. We’re cool. I mean, I see now … you’re cute, but you’re not my type.’ ‘I’m not your type … Wait. So –’ ‘See you around, Percy,’ Nico said.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
So the day became one of waiting, which was, he knew, a sin: moments were to be experienced; waiting was a sin against both the time that was still to come and the moments one was currently disregarding.
Neil Gaiman (Neverwhere (London Below, #1))
She had lived her early years as though she were waiting for something she might, but never did, become.
Marguerite Duras (The Ravishing of Lol Stein)
If You Forget Me I want you to know one thing. You know how this is: if I look at the crystal moon, at the red branch of the slow autumn at my window, if I touch near the fire the impalpable ash or the wrinkled body of the log, everything carries me to you, as if everything that exists, aromas, light, metals, were little boats that sail toward those isles of yours that wait for me. Well, now, if little by little you stop loving me I shall stop loving you little by little. If suddenly you forget me do not look for me, for I shall already have forgotten you. If you think it long and mad, the wind of banners that passes through my life, and you decide to leave me at the shore of the heart where I have roots, remember that on that day, at that hour, I shall lift my arms and my roots will set off to seek another land. But if each day, each hour, you feel that you are destined for me with implacable sweetness, if each day a flower climbs up to your lips to seek me, ah my love, ah my own, in me all that fire is repeated, in me nothing is extinguished or forgotten, my love feeds on your love, beloved, and as long as you live it will be in your arms without leaving mine.
Pablo Neruda
IN THE END… We only regret the chances we didn’t take, the relationships we were afraid to have,and the decisions we waited too long to make.
Lewis Carroll
Because you can't be as in love as we were and not have it invade your bone marrow. Our kind of love can go into remission, but it's always waiting to return. Like the world's sweetest cancer.
Gillian Flynn (Gone Girl)
An animal?" Thorne said, and she realized he'd been waiting for her to further explain what she was seeing. "It has long legs and horns and...and it's beautiful." "Oh, good, we're back to this, then.
Marissa Meyer (Cress (The Lunar Chronicles, #3))
I see in the fight club the strongest and smartest men who've ever lived. I see all this potential and I see squandering. God damn it, an entire generation pumping gas, waiting tables, slaves with white collars, advertising has us chasing cars and clothes, working jobs we hate so we can buy shit we don't need. We're the middle children of the history man, no purpose or place, we have no Great war, no Great depression, our great war is a spiritual war, our great depression is our lives, we've been all raised by television to believe that one day we'd all be millionaires and movie gods and rock stars, but we won't and we're slowly learning that fact. and we're very very pissed off.
Chuck Palahniuk (Fight Club)
So, we're at war. Perfect. Shall we save time and kill each other now, or did you want to wait until later?" -Puck
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
I believe death is only a door. One closes, and another opens. If I were to imagine heaven, I would imagine a door opening. And he would be waiting for me there.
David Mitchell (Cloud Atlas)
I'll tell you something, Harpy," he said, his voice almost a whisper now. "It never even occurred to me that we wouldn't make it. And it never occurred to you that we would. You were just waiting for us to go down in flames. I thought we could get through anything.
Kristan Higgins (My One and Only)
and you invented me and I invented you and that's why we don't get along on this bed any longer. you were the world's greatest invention until you flushed me away. now it's your turn to wait for the touch of the handle. somebody will do it to you, bitch, and if they don't you will - mixed with your own green or yellow or white or blue or lavender goodbye.
Charles Bukowski (Love Is a Dog from Hell)
That's it? That's your big goodbye?" Eve asked. Claire looked at Eve mystified. "I think I need guy CliffNotes." "Guys aren't deep enough to need CliffNotes." "What were you waiting for, flowery poetry?" Shane snorted. "I hugged. I'm done.
Rachel Caine (Lord of Misrule (The Morganville Vampires, #5))
It was at this point that Bilbo stopped. Going on from there was the bravest thing he ever did. The tremendous things that happened afterward were as nothing compared to it. He fought the real battle in the tunnel alone, before he ever saw the vast danger that lay in wait.
J.R.R. Tolkien (The Hobbit, or There and Back Again)
I love you like in the storybooks. I love you like in the ballads. I love you like a lightning bolt. I've loved you since the third month you came and spoke with me. I loved that you made me want to laugh. I loved the way you were kind and the way you would pause when you spoke, as though you were waiting for me to answer you. I love you and I am mocking no one when I kiss you, no one at all.
Holly Black (The Darkest Part of the Forest)
I walked past Malison, up Lower Main to Main and across the road. I didn’t need to look to know he was behind me. I entered Royal Wood, went a short way along a path and waited. It was cool and dim beneath the trees. When Malison entered the Wood, I continued eastward.  I wanted to place his body in hallowed ground. He was born a Mearan. The least I could do was send him to Loric. The distance between us closed until he was on my heels. He chose to come, I told myself, as if that lessened the crime I planned. He chose what I have to offer. We were almost to the cemetery before he asked where we were going. I answered with another question. “Do you like living in the High Lord’s kitchens?” He, of course, replied, “No.” “Well, we’re going to a better place.” When we reached the edge of the Wood, I pushed aside a branch to see the Temple of Loric and Calec’s cottage. No smoke was coming from the chimney, and I assumed the old man was yet abed. His pony was grazing in the field of graves. The sun hid behind a bank of clouds. Malison moved beside me. “It’s a graveyard.” “Are you afraid of ghosts?” I asked. “My father’s a ghost,” he whispered. I asked if he wanted to learn how to throw a knife. He said, “Yes,” as I knew he would.  He untucked his shirt, withdrew the knife he had stolen and gave it to me. It was a thick-bladed, single-edged knife, better suited for dicing celery than slitting a young throat. But it would serve my purpose. That I also knew. I’d spent all night projecting how the morning would unfold and, except for indulging in the tea, it had happened as I had imagined.  Damut kissed her son farewell. Malison followed me of his own free will. Without fear, he placed the instrument of his death into my hand. We were at the appointed place, at the appointed time. The stolen knife was warm from the heat of his body. I had only to use it. Yet I hesitated, and again prayed for Sythene to show me a different path. “Aren’t you going to show me?” Malison prompted, as if to echo my prayer.
K. Ritz (Sheever's Journal, Diary of a Poison Master)
There are times when solitude is better than society, and silence is wiser than speech. We should be better Christians if we were more alone, waiting upon God, and gathering through meditation on His Word spiritual strength for labour in his service. We ought to muse upon the things of God, because we thus get the real nutriment out of them. . . . Why is it that some Christians, although they hear many sermons, make but slow advances in the divine life? Because they neglect their closets, and do not thoughtfully meditate on God's Word. They love the wheat, but they do not grind it; they would have the corn, but they will not go forth into the fields to gather it; the fruit hangs upon the tree, but they will not pluck it; the water flows at their feet, but they will not stoop to drink it. From such folly deliver us, O Lord. . . .
Charles Haddon Spurgeon
Follow your bliss. If you do follow your bliss, you put yourself on a kind of track that has been there all the while waiting for you, and the life you ought to be living is the one you are living. When you can see that, you begin to meet people who are in the field of your bliss, and they open the doors to you. I say, follow your bliss and don't be afraid, and doors will open where you didn't know they were going to be. If you follow your bliss, doors will open for you that wouldn't have opened for anyone else.
Joseph Campbell
You just asked me to marry you," he said, still waiting for me to admit some kind of trickery. "I know." "That was the real deal, you know. I just booked two tickets to Vegas for noon tomorrow. So that means we're getting married tomorrow night." "Thank you." His eyes narrowed. "You're going to be Mrs. Maddox when you start classes on Monday." "Oh," I said, looking around. Travis raised an eyebrow. "Second thoughts?" "I'm going to have some serious paperwork to change next week." He nodded slowly, cautiously hopeful. "You're going to marry me tomorrow?" I smiled. "Uh huh" "You're serious?" "Yep." "I fucking love you!" He grabbed each side of my face, slamming his lips against mine. "I love you so much, Pigeon," he said, kissing me over and over.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
She had never entirely let go of the notion that if she reached far enough with her thoughts she might find someone waiting, that if two people were to cast their thoughts outward at the same moment they might somehow meet in the middle.
Emily St. John Mandel (Station Eleven)
And even if you were a pawn - maybe we all are - then you should remember that a pawn is the most magical piece of all. It might look small and ordinary but it isn't. because a pawn is never just a pawn. A pawn is a queen-in-waiting. All you need to do is find a way to keep moving forward. One square after another. And you can get to the other side and unlock all kinds of power.
Matt Haig (The Midnight Library (The Midnight World, #1))
The saddest thing is there won’t be anyone to miss us when we’re gone. No family, no friends, no one waiting at home.” “It’s better that way,” I said. “It’ll be easier for me, knowing my death doesn’t add to anyone’s pain.” “If you can’t give anyone pain, then you can’t give them joy either.
Jennifer A. Nielsen (The False Prince (Ascendance, #1))
Deciding to wait, Scott sat down with a pint away from the bar at a corner table and lit a cigarette. The clientele in there on Sunday afternoon were the same as most other afternoons. From middle-aged to old men, drinking and cursing at the world like it was the last bus which had just left the stop without them.
R.D. Ronald (The Elephant Tree)
Can you come over to Amberwood? I need you to help me break curfew and escape my dorm.” There were a few moments of silence. “Sage, I’ve been waiting two months to hear you say those words. You want me to bring a ladder?
Richelle Mead (The Indigo Spell (Bloodlines, #3))
I believe everything happens for a reason. Whether it is decided by the Mother, or the Cauldron, or some sort of tapestry of Fate, I don't know. I don't really care. But I am grateful for it, whatever it is. Grateful that it brought you all into my life. If it hadn't... I might have become as awful as that prick we're going to face today. If I had not met an Illyrian warrior-in-training," he said to Cassian, "I would not have known the true depths of strength, of resilience, of honor and loyalty." Cassian's eyes gleamed bright. Rhys said to Azriel, "If I had not met a shadowsinger, I would not have known that it is the family you make, not the one you are born into, that matters. I would not have known what it is to truly hope, even when the world tells you to despair." Azriel bowed his head in thanks. Mor was already crying when Rhys spoke to her. "If I had not met my cousin, I would neer have learned that light can be found in even the darkest of hells. That kidness can thrive even amongst cruelty." She wiped away her teas as she nodded. I waited for Amren to offer a retort. But she was only waiting. Rhys bowed his head to her. "If I had not met a tiny monster who hoards jewels more fiercely than a firedrake..." A quite laugh from all of us at that. Rhys smiled softly. "My own power would have consumed me long ago." Rhys squeezed my hand as he looked to me at last. "And if I had not met my mate..." His words failed him as silver lined his eyes. He said down the bond, I would have waited five hundred more years for you. A thousand years. And if this was all the time we were allowed to have... The wait was worth it. He wiped away the tears sliding down my face. "I believe that everything happened, exactly the way it had to... so I could find you." He kissed another tear away.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Wait. Let me guess. You’re giving me the cold shoulder, right?” With that, she sighed. “Shouldn’t you be with your friends, staring at yourselves in the mirror?” He laughed. “That’s funny. I’ll have to remember that.” “I’m not being funny. I’m being serious.” “Oh, because we’re so good-looking
Nicholas Sparks (The Last Song)
Cress?" "It's beautiful out there." A hesitation, before, "Could you be more specific?" "The sky is gorgeous, intense blue color." She pressed her fingers to the glass and traced the wavy hills on the horizon. "Oh, good. You've really narrowed it down for me." "I'm sorry, it's just..." She tried to stamp down the rush of emotion. "I think we're in a desert." "Cactuses and tumbleweeds?" "No just a lot of sand. It's kind of orangish-gold, with hints of pink, and I can see tiny clouds of it floating above the ground, like...like smoke." "Piles up in lots of hills?" "Yes, exactly! And it's beautiful." Thorne snorted. "If this is how you feel about a desert, I can't wait until you see your first real tree. Your mind will explode.
Marissa Meyer (Cress (The Lunar Chronicles, #3))
I watched him pitch the ball at a table neatly lined with six bowling pins, my stomach giving a little flutter when his T-shirt crept up in the back, revealing a stripe of skin. I knew from experience that every inch of him was hard, defined muscle. His back was smooth and perfect too, the scars from when he’d fallen once again replaced with wings—wings I, and every other human, couldn’t see. “Five dollars says you can’t do it again,” I said, coming up behind him. Patch looked back and grinned. “I don’t want your money, Angel.” “Hey now, kids, let’s keep this discussion PG-rated,” Rixon said. “All three remaining pins,” I challenged Patch. “What kind of prize are we talking about?” he asked. “Bloody hell,” Rixon said. “Can’t this wait until you’re alone?” Patch gave me a secret smile, then shifted his weight back, cradling the ball into his chest. He dropped his right shoulder, brought his arm around, and sent the ball flying forward as hard as he could. There was a loud crack! and the remaining three pins scattered off the table. “Aye, now you’re in trouble, lass,” Rixon shouted at me over the commotion caused by a pocket of onlookers, who were clapping and whistling for Patch. Patch leaned back against the booth and arched his eyebrows at me. The gesture said it all: Pay up. “You got lucky,” I said. “I’m about to get lucky.
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
Human relationships were strange. I mean, you were with one person a while, eating and sleeping and living with them, loving them, talking to them, going places together, and then it stopped. Then there was a short period when you weren't with anybody, then another woman arrived, and you ate with her and fucked her, and it all seemed so normal, as if you had been waiting just for her and she had been waiting for you. I never felt right being alone; sometimes it felt good but it never felt right.
Charles Bukowski (Women)
She was incomprehensible, for, in her, soul and spirit were one - the beauty of her body was the essence of her soul. She was that unity sought for by philosophers through many centuries. In this outdoor waiting room of winds and stars she had been sitting for a hundred years, at peace in the contemplation of herself.
F. Scott Fitzgerald (The Beautiful and Damned)
He read? Oh my God, guys that read were like unicorns. They only existed in fairy tales.
J. Lynn (Stay with Me (Wait for You, #3))
I think that love is stronger than habits or circumstances. I think it is possible to keep yourself for someone for a long time, and still remember why you were waiting when she comes at last.... I would enter your sleep if I could, and guard you there, and slay the thing that hounds you, as I would if it had the courage to face me in fair daylight. But I cannot come in unless you dream of me.
Peter S. Beagle (The Last Unicorn (The Last Unicorn, #1))
Girls are taught a lot of stuff growing up. If a guy punches you he likes you. Never try to trim your own bangs and someday you will meet a wonderful guy and get your very own happy ending. Every movie we see, Every story we're told implores us to wait for it, the third act twist, the unexpected declaration of love, the exception to the rule. But sometimes we're so focused on finding our happy ending we don't learn how to read the signs. How to tell from the ones who want us and the ones who don't, the ones who will stay and the ones who will leave. And maybe a happy ending doesn't include a guy, maybe... it's you, on your own, picking up the pieces and starting over, freeing yourself up for something better in the future. Maybe the happy ending is... just... moving on. Or maybe the happy ending is this, knowing after all the unreturned phone calls, broken-hearts, through the blunders and misread signals, through all the pain and embarrassment you never gave up hope.
Greg Behrendt
What must it be like, I wonder, to live in a world where food appears at the press of a button? How would I spend the hours I now commit to combing the woods for sustenance if it were so easy to come by? What do they do all day, these people in the Capitol, besides decorating their bodies and waiting around for a new shipment of tributes to rill in and die for their entertainment?
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
I liked you the first time I saw you. You were sitting on the floor surrounded by books, and you looked up when I opened the door and smiled right at me. It felt like you had been waiting for me, like you were welcoming me home.
Josh Lanyon (Sort of Stranger Than Fiction (Petit Morts, #7))
I'm sure that if woman laid out the rules- requirements- early on, and let her intended know that he could either rise up to those requirements, or just move on. A directive like that signals to a man that you are not a plaything-someone to be used and discarded. It tells him that what you have- your benefits- are special, and that you need time to get to know him and his ways to decide if he DESERVES them. The man who is willing to put in the time and meet the requirments is the one you want to stick around, because tthat guy is making a conscious decision that he, too, has no interest in playing games and will do what it takes to not only stay on the job, but also get promoted and be the proud beneficiary of your benefits. And you, in the meantime, win the ultimate prize of maintaing your dignity and self-esteem, and earning the respect of the man who recognized that you were worth the wait.
Steve Harvey (Act Like a Lady, Think Like a Man: What Men Really Think About Love, Relationships, Intimacy, and Commitment)
I think we all just got to a point where we were waiting for someone else to initiate it, but no one ever did. Maybe that’s the root of a lot of family issues. It isn’t actually the issues people are hung up about for so long. It’s that no one has the courage to take the first step in talking about the issues.
Colleen Hoover (Without Merit)
When I was little and running on the race track at school, I always stopped and waited for all the other kids so we could run together even though I knew (and everybody else knew) that I could run much faster than all of them! I pretended to read slowly so I could "wait" for everyone else who couldn't read as fast as I could! When my friends were short I pretended that I was short too and if my friend was sad I pretended to be unhappy. I could go on and on about all the ways I have limited myself, my whole life, by "waiting" for people. And the only thing that I've ever received in return is people thinking that they are faster than me, people thinking that they can make me feel bad about myself just because I let them and people thinking that I have to do whatever they say I should do. My mother used to teach me "Cinderella is a perfect example to be" but I have learned that Cinderella can go fuck herself, I'm not waiting for anybody, anymore! I'm going to run as fast as I can, fly as high as I can, I am going to soar and if you want you can come with me! But I'm not waiting for you anymore.
C. JoyBell C.
He tried to tell me week after week to accept things as they were and move on with my life. But if there was one man who had put his life on hold to wait for something or someone, it was him.
Cecelia Ahern (A Place Called Here)
In the shop window you have promptly identified the cover with the title you were looking for. Following this visual trail, you have forced your way through the shop past the thick barricade of Books You Haven't Read, which are frowning at you from the tables and shelves, trying to cow you...And thus you pass the outer girdle of ramparts, but then you are attacked by the infantry of Books That If You Had More Than One Life You Would Certainly Also Read But Unfortunately Your Days Are Numbered. With a rapid maneuver you bypass them and move into the phalanxes of the Books You Mean To Read But There Are Others You Must Read First, the Books Too Expensive Now And You'll Wait Till They're Remaindered, the Books ditto When They Come Out in Paperback, Books You Can Borrow From Somebody, Books That Everybody's Read So It's As If You Had Read Them, Too.
Italo Calvino (If on a Winter's Night a Traveler)
I think so, too. I know I felt that way. For years. It was as if I was a character in a movie and the real action was about to start at any minute. But I think some people wait forever, and only at the end of their lives do they realize that their life has happened while they were waiting for it to start.
Jess Walter (Beautiful Ruins)
People have their time stamps on how long you should know someone before earning the right to say it, but I wouldn't like to you no matter how little time we have. People waste time and wait for the right moment and we don't have that luxury. If we had our entire lives ahead of us I bet you'd get tired of me telling you how much I love you because I'm positive that's thepath we were heading on. But because we're about to die, I want to say it as many times as I want--I love you, I love you, I love you, I love you.
Adam Silvera (They Both Die at the End (They Both Die at the End, #1))
It seems to me then as if all the moments of our life occupy the same space, as if future events already existed and were only waiting for us to find our way to them at last, just as when we have accepted an invitation we duly arrive in a certain house at a given time.
W.G. Sebald (Austerlitz)
No one asks how or what I am doing. They could not care less. We’re all looking glasses, we girls, existing only to reflect their images back to them as they’d like to be seen. Hollow vessels of girls to be rinsed of our own ambitions, wants, and opinions, just waiting to be filled with the cool, tepid water of gracious compliance. A fissure forms in the vessel. I’m cracking open.
Libba Bray (A Great and Terrible Beauty (Gemma Doyle, #1))
Did I want a dog? No. Did I need a dog? Also no. We were six kids running for our lives, not knowing where our next meal was coming from. Could we afford to feed a dog? Wait for it—no.
James Patterson (The Angel Experiment (Maximum Ride, #1))
Because the terrible thing about becoming an adult is being forced to realize that absolutely nobody cares about us, we have to deal with everything ourselves now, find out how the whole world works. Work and pay bills, use dental floss and get to meetings on time, stand in line and fill out forms, come to grips with cables and put furniture together, change tires on the car and charge the phone and switch the coffee machine off and not forget to sign the kids up for swimming lessons. We open our eyes in the morning and life is just waiting to tip a fresh avalanche of "Don't Forget!"s and "Remember!"s over us. We don't have time to think or breathe, we just wake up and start digging through the heap, because there will be another one dumped on us tomorrow. We look around occasionally, at our place of work or at parents' meetings or out in the street, and realize with horror that everyone else seems to know exactly what they're doing. We're the only ones who have to pretend. Everyone else can afford stuff and has a handle on other stuff and enough energy to deal with even more stuff. And everyone else's children can swim.
Fredrik Backman (Anxious People)
Have you not done tormenting me with your accursed time! It's abominable! When! When! One day, is that not enough for you, one day he went dumb, one day I went blind, one day we'll go deaf, one day we were born, one day we shall die, the same day, the same second, is that not enough for you? They give birth astride of a grave, the light gleams an instant, then it's night once more.
Samuel Beckett (Waiting for Godot)
Her affection for him was now the breath and life of Tess's being; it enveloped her as a photosphere, irradiated her into forgetfulness of her past sorrows, keeping back the gloomy spectres that would persist in their attempts to touch her—doubt, fear, moodiness, care, shame. She knew that they were waiting like wolves just outside the circumscribing light, but she had long spells of power to keep them in hungry subjection there.
Thomas Hardy (Tess of the D’Urbervilles)
Oh,” Lewis said, “well if you won’t let us then— Wait…wait a minute.… I’m looking at my shoulder patch and it turns out I’m the commander. Sit tight. We’re coming to get you.” “Smart-ass.
Andy Weir (The Martian)
Death is nothing at all. It does not count. I have only slipped away into the next room. Nothing has happened. Everything remains exactly as it was. I am I, and you are you, and the old life that we lived so fondly together is untouched, unchanged. Whatever we were to each other, that we are still. Call me by the old familiar name. Speak of me in the easy way which you always used. Put no difference into your tone. Wear no forced air of solemnity or sorrow. Laugh as we always laughed at the little jokes that we enjoyed together. Play, smile, think of me, pray for me. Let my name be ever the household word that it always was. Let it be spoken without an effort, without the ghost of a shadow upon it. Life means all that it ever meant. It is the same as it ever was. There is absolute and unbroken continuity. What is this death but a negligible accident? Why should I be out of mind because I am out of sight? I am but waiting for you, for an interval, somewhere very near, just round the corner. All is well. Nothing is hurt; nothing is lost. One brief moment and all will be as it was before. How we shall laugh at the trouble of parting when we meet again!
Henry Scott Holland (Death is Nothing at All)
Whoa," Brit breathed, handing my drink back to me. "That was..." "Really hot," Jacob finished. "I thought you two were going to rip off each other's clothes and start making babies right here on the dirty, beer covered floor. Like I was going to have to start charging admission for what was about to go down.
J. Lynn (Wait for You (Wait for You, #1))
1. I’m lonely so I do lonely things 2. Loving you was like going to war; I never came back the same. 3. You hate women, just like your father and his father, so it runs in your blood. 4. I was wandering the derelict car park of your heart looking for a ride home. 5. You’re a ghost town I’m too patriotic to leave. 6. I stay because you’re the beginning of the dream I want to remember. 7. I didn’t call him back because he likes his girls voiceless. 8. It’s not that he wants to be a liar; it’s just that he doesn’t know the truth. 9. I couldn’t love you, you were a small war. 10. We covered the smell of loss with jokes. 11. I didn’t want to fail at love like our parents. 12. You made the nomad in me build a house and stay. 13. I’m not a dog. 14. We were trying to prove our blood wrong. 15. I was still lonely so I did even lonelier things. 16. Yes, I’m insecure, but so was my mother and her mother. 17. No, he loves me he just makes me cry a lot. 18. He knows all of my secrets and still wants to kiss me. 19. You were too cruel to love for a long time. 20. It just didn’t work out. 21. My dad walked out one afternoon and never came back. 22. I can’t sleep because I can still taste him in my mouth. 23. I cut him out at the root, he was my favorite tree, rotting, threatening the foundations of my home. 24. The women in my family die waiting. 25. Because I didn’t want to die waiting for you. 26. I had to leave, I felt lonely when he held me. 27. You’re the song I rewind until I know all the words and I feel sick. 28. He sent me a text that said “I love you so bad.” 29. His heart wasn’t as beautiful as his smile 30. We emotionally manipulated one another until we thought it was love. 31. Forgive me, I was lonely so I chose you. 32. I’m a lover without a lover. 33. I’m lovely and lonely. 34. I belong deeply to myself .
Warsan Shire
Humans! They lived in a world where the grass continued to be green and the sun rose every day and flowers regularly turned into fruit, and what impressed them? Weeping statues. And wine made out of water! A mere quantum-mechanistic tunnel effect, that'd happen anyway if you were prepared to wait zillions of years. As if the turning of sunlight into wine, by means of vines and grapes and time and enzymes, wasn't a thousand times more impressive and happened all the time...
Terry Pratchett (Small Gods (Discworld, #13))
I wanted to wake you straightaway, but I knew I had to wait several hours to ensure you were safely recovered." "What! How long has it been?" "Five minutes. I got bored.
Jonathan Stroud (The Golem's Eye (Bartimaeus, #2))
If we can forgive what has been done to us . . . If we can forgive what we've done to others . . . If we can leave all of our stories behind. Our being villians or victims. Only then can we maybe rescue the world. But we still sit here, waiting to be saved. While we're still victims, hoping to be discovered while we suffer.
Chuck Palahniuk (Haunted)
They also said she was unconscious and that Valentine wasn’t happy about it. He seems to be waiting for her to wake up.” “I’d stay unconscious if I were her,” Isabelle muttered.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
Where is the bane of my existence?" "In the shower, freshening up." Damn it all to hell. "Oh God, who did Ascanio screw now?" "No, no, he's covered in blood." "Oh good." Wait a minute. "The kid is covered in blood and we're relieved. There is something wrong with us.
Ilona Andrews (Magic Gifts (Kate Daniels, #5.6))
We were five. You had a plaid dress and your hair...it was in two braids instead of one. My father pointed you out while we were waiting to line up. He said, 'See that little girl? I wanted to marry her mother, but she ran off with a coal miner.' And I said, 'A coal miner? Why did she want a coal miner if she could've had you?' And he said, 'Because when he sings...even the birds stop to listen.' So that day, in music assembly, the teacher asked who knew the valley song. Your hand shot right up in the air. She put you up on a stool and had you sing it for us. And I swear, ever bird outside the windows fell silent. And right when your song ended, I knew -just like your mother- I was a goner.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
I waited for dawn, but only because I had forgotten how hard mornings were. For a second I'd be normal. Then came the dim awareness of something off, out of place. Then the truth came crashing down and that was it for the rest of the day. Sunlight was reproof. Shouldn't I feel better than I had in the dead of night.
Francine Prose (Goldengrove)
If you ever put a student at this school in danger again-' 'Oh, I thought you Gallagher Girls were immune to danger.' Despite the hundred girls the filled the foyer, no one moved or gasped or tried to defend our honor. We stood silently, waiting for our headmistress to say, 'Oh, we are quite used to being underestimated, Agent Townsend. In fact, we welcome it.
Ally Carter (Only the Good Spy Young (Gallagher Girls, #4))
There was a birthday present waiting to be read, a boxed set of the Narnia books, which I took upstairs. I lay on the bed and lost myself in the stories. I liked that. Books were safer than other people anyway.
Neil Gaiman (The Ocean at the End of the Lane)
Do you always wear underwear like this, or is it for me?” I rolled to my back and pulled the sheet to my waist. “It isn’t for you, I’ve been wearing underwear like this since Gram gave me my first Frederick’s of Hollywood box on my sixteenth birthday. Now, I owe Victoria’s Secret my first-born child.” Before speaking again, Lee waited several seconds that can only be described as ‘loaded silence’. While this silence was going on, he pulled the sheet back down. “You’re tellin’ me that since you were sixteen you’ve been sittin’ next to me every year at Christmas Dinner wearin’ underwear like this?
Kristen Ashley (Rock Chick (Rock Chick, #1))
Wait, you remember that?" "Of course I remember that. You sounded like a frat boy and looked like a fucking model. What man could ever forget that?" "I would have given anything to know what you were thinking right then." "I was thinking, 'Highly fuckable intern, twelve o'clock. Disengage, soldier. I repeat, disengage.
Christina Lauren (Beautiful Bastard (Beautiful Bastard, #1))
Thorne shuffled his feet. “You know, if it was a bad kiss, you can just say so.” She stiffened. “That’s not at all what I … Wait. Did you think it was a bad kiss?” “No,” he said, with an abrupt, clumsy laugh. “I thought it was … um.” He cleared his throat. “But there were clearly a lot of expectations, and a lot of pressure, and…” He squirmed in the chair. “We were going to die, you know.” “I know.” She squeezed her knees into her chest. “And, no, it wasn’t … I didn’t think it was a bad kiss.” “Oh, thank the stars.
Marissa Meyer (Cress (The Lunar Chronicles, #3))
Is that why you've been pushing me away? Because of how you look? [...] I waited for you my whole life. Yearned for you my whole life. After Tersa told me you were coming, I spent seven hundred years searching for you[....] I never gave a damn what you looked like--tall, short, fat, thin, plain, beautiful, ugly. Why would I care about what you looked like? The flesh was the shell that housed the glory[....] Even if I couldn't be your physical lover, there are other ways to be a lover and I know them all. So don't stand there and tell me how you feel depends on how you look!
Anne Bishop (Dreams Made Flesh (The Black Jewels, #5))
You know how this is: if I look at the crystal moon, at the red branch of the slow autumn at my window, if I touch near the fire the impalpable ash or the wrinkled body of the log, everything carries me to you, as if everything that exists, aromas, light, metals, were little boats that sail toward those isles of yours that wait for me.
Pablo Neruda (The Captain's Verses)
I can’t wait to find out how you taste, and you won’t want me to stop even after I’ve completely exhausted you. You’ll think you were on fire, your skin will burn. I’ll suck all of your juices out of you. And then I’ll drink your blood.
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
Guess what, Avery?" "What?" I wondered if he could see how fast my heart was beating beneath my shirt. "Remember how you just said you were having a good time?" Cam lowered his head so that our mouths were scant inches apart. "It's about to get better." "Is it?" He shifted his head and his nose grazed mine. "Oh, yeah." "Are you not going to kiss me again?" His lips tipped up. "That's exactly what I'm going to do.
J. Lynn (Wait for You (Wait for You, #1))
We have to stop meeting like this." And that was the truest thing ever spoke. I needed to stop staring at his bicep... and chest... and tattoo. Never thought the sun could be so... sexy. Wow. This was awkward. "You running over me, me almost running over you?" Cam elaborated. "It's like we're a catastrophe waiting to happen.
J. Lynn (Wait for You (Wait for You, #1))
Crete, May 1941. It was nearly five o’clock when the three soldiers reached the end of the olive grove. The dust-filled air shimmered in the late-afternoon heat. Their bodies ached, their uniforms were caked with dirt and sweat and they were hungry, thirsty and exhausted. The sensible thing now would be to lay up where they were for a few hours’ rest, then finish the journey under cover of darkness. But there was a tight deadline to meet. The evacuation vessel was scheduled to leave at midnight and they had been warned the captain wouldn’t wait for stragglers.
Mark Ellis (The French Spy)
We'd just shared the last beer and slung the empty can out the window at a stop sign and were just waiting back to get the feel of the day, swimming in that kind of tasty drowsiness that comes over you after a day of going hard at something you enjoy doing -- half sunburned and half drunk and keeping awake only because you wanted to savor the taste as long as you could.
Ken Kesey (One Flew Over the Cuckoo's Nest)
Peeta,” I say lightly. “You said at the interview you’d had a crush on me forever. When did forever start?” “Oh, let’s see. I guess the first day of school. We were five. You had on a red plaid dress and your hair... it was in two braids instead of one. My father pointed you out when we were waiting to line up,” Peeta says. “Your father? Why?” I ask. “He said, ‘See that little girl? I wanted to marry her mother, but she ran off with a coal miner,’” Peeta says. “What? You’re making that up!” I exclaim. “No, true story,” Peeta says. “And I said, ‘A coal miner? Why did she want a coal miner if she could’ve had you?’ And he said, ‘Because when he sings... even the birds stop to listen.’” “That’s true. They do. I mean, they did,” I say. I’m stunned and surprisingly moved, thinking of the baker telling this to Peeta. It strikes me that my own reluctance to sing, my own dismissal of music might not really be that I think it’s a waste of time. It might be because it reminds me too much of my father. “So that day, in music assembly, the teacher asked who knew the valley song. Your hand shot right up in the air. She stood you up on a stool and had you sing it for us. And I swear, every bird outside the windows fell silent,” Peeta says. “Oh, please,” I say, laughing. “No, it happened. And right when your song ended, I knew—just like your mother—I was a goner,” Peeta says. “Then for the next eleven years, I tried to work up the nerve to talk to you.” “Without success,” I add. “Without success. So, in a way, my name being drawn in the reaping was a real piece of luck,” says Peeta. For a moment, I’m almost foolishly happy and then confusion sweeps over me. Because we’re supposed to be making up this stuff, playing at being in love not actually being in love. But Peeta’s story has a ring of truth to it. That part about my father and the birds. And I did sing the first day of school, although I don’t remember the song. And that red plaid dress... there was one, a hand-me-down to Prim that got washed to rags after my father’s death. It would explain another thing, too. Why Peeta took a beating to give me the bread on that awful hollow day. So, if those details are true... could it all be true? “You have a... remarkable memory,” I say haltingly. “I remember everything about you,” says Peeta, tucking a loose strand of hair behind my ear. “You’re the one who wasn’t paying attention.” “I am now,” I say. “Well, I don’t have much competition here,” he says. I want to draw away, to close those shutters again, but I know I can’t. It’s as if I can hear Haymitch whispering in my ear, “Say it! Say it!” I swallow hard and get the words out. “You don’t have much competition anywhere.” And this time, it’s me who leans in.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Granted, I'd waited a long time to hear those words. Would've sold a kidney-maybe two-to have heard them at one point. Now, though...they didn't have the same impact. They were, in fact, an overcooked noodle in the pasta salad of love.
Kristan Higgins
Sometimes, when I’m careless, I think survival is easy: you just keep moving forward with what you have, or what’s left of what you were given, until something changes—or you realize, at last, that you can change without disappearing, that all you had to do was wait until the storm passes you over and you find that—yes—your name is still attached to a living thing.
Ocean Vuong (On Earth We're Briefly Gorgeous)
One must learn to love.— This is what happens to us in music: first one has to learn to hear a figure and melody at all, to detect and distinguish it, to isolate it and delimit it as a separate life; then it requires some exertion and good will to tolerate it in spite of its strangeness, to be patient with its appearance and expression, and kindhearted about its oddity:—finally there comes a moment when we are used to it, when we wait for it, when we sense that we should miss it if it were missing: and now it continues to compel and enchant us relentlessly until we have become its humble and enraptured lovers who desire nothing better from the world than it and only it.— But that is what happens to us not only in music: that is how we have learned to love all things that we now love. In the end we are always rewarded for our good will, our patience, fairmindedness, and gentleness with what is strange; gradually, it sheds its veil and turns out to be a new and indescribable beauty:—that is its thanks for our hospitality. Even those who love themselves will have learned it in this way: for there is no other way. Love, too, has to be learned.
Friedrich Nietzsche
I want you to tell me about every person you’ve ever been in love with. Tell me why you loved them, then tell me why they loved you. Tell me about a day in your life you didn’t think you’d live through. Tell me what the word home means to you and tell me in a way that I’ll know your mother’s name just by the way you describe your bedroom when you were eight. See, I want to know the first time you felt the weight of hate, and if that day still trembles beneath your bones. Do you prefer to play in puddles of rain or bounce in the bellies of snow? And if you were to build a snowman, would you rip two branches from a tree to build your snowman arms or would leave your snowman armless for the sake of being harmless to the tree? And if you would, would you notice how that tree weeps for you because your snowman has no arms to hug you every time you kiss him on the cheek? Do you kiss your friends on the cheek? Do you sleep beside them when they’re sad even if it makes your lover mad? Do you think that anger is a sincere emotion or just the timid motion of a fragile heart trying to beat away its pain? See, I wanna know what you think of your first name, and if you often lie awake at night and imagine your mother’s joy when she spoke it for the very first time. I want you to tell me all the ways you’ve been unkind. Tell me all the ways you’ve been cruel. Tell me, knowing I often picture Gandhi at ten years old beating up little boys at school. If you were walking by a chemical plant where smokestacks were filling the sky with dark black clouds would you holler “Poison! Poison! Poison!” really loud or would you whisper “That cloud looks like a fish, and that cloud looks like a fairy!” Do you believe that Mary was really a virgin? Do you believe that Moses really parted the sea? And if you don’t believe in miracles, tell me — how would you explain the miracle of my life to me? See, I wanna know if you believe in any god or if you believe in many gods or better yet what gods believe in you. And for all the times that you’ve knelt before the temple of yourself, have the prayers you asked come true? And if they didn’t, did you feel denied? And if you felt denied, denied by who? I wanna know what you see when you look in the mirror on a day you’re feeling good. I wanna know what you see when you look in the mirror on a day you’re feeling bad. I wanna know the first person who taught you your beauty could ever be reflected on a lousy piece of glass. If you ever reach enlightenment will you remember how to laugh? Have you ever been a song? Would you think less of me if I told you I’ve lived my entire life a little off-key? And I’m not nearly as smart as my poetry I just plagiarize the thoughts of the people around me who have learned the wisdom of silence. Do you believe that concrete perpetuates violence? And if you do — I want you to tell me of a meadow where my skateboard will soar. See, I wanna know more than what you do for a living. I wanna know how much of your life you spend just giving, and if you love yourself enough to also receive sometimes. I wanna know if you bleed sometimes from other people’s wounds, and if you dream sometimes that this life is just a balloon — that if you wanted to, you could pop, but you never would ‘cause you’d never want it to stop. If a tree fell in the forest and you were the only one there to hear — if its fall to the ground didn’t make a sound, would you panic in fear that you didn’t exist, or would you bask in the bliss of your nothingness? And lastly, let me ask you this: If you and I went for a walk and the entire walk, we didn’t talk — do you think eventually, we’d… kiss? No, wait. That’s asking too much — after all, this is only our first date.
Andrea Gibson
I believe that people come into your life and then some go.I also think there's a purpose as to why they were in your life at all.Each one takes a piece of you when they go.Some leave pieces of themselves with you.Sometimes its's wisdom, or maybe,it's a lesson.
Shey Stahl (Waiting for You (Waiting for You, #1))
I was just waiting for you to want me as much as I wanted you.” His words were quiet but carried one hell of an impact. “I knew we were going to be together; it was just a matter of time. I kept hoping that you would figure it out. But for a smart girl, you’re a little dense, Vi. I kept bringing up Lissie Adams, and showing you the notes she was leaving me, hoping that you’d get pissed enough to finally admit how you felt about me.
Kimberly Derting (The Body Finder (The Body Finder, #1))
Will!” He turned at the familiar voice and saw Tessa. There was a small path cut along the side of the hill, lined with unfamiliar white flowers, and she was walking up it, toward him. Her long brown hair blew in the wind — she had taken off her straw bonnet, and held it in one hand, waving it at him and smiling as if she were glad to see him. His own heart leaped up at the sight of her. “Tess,” he called. But she was still such a distance away — she seemed both very near and very far suddenly and at the same time. He could see every detail of her pretty, upturned face, but could not touch her, and so he stood, waiting and desiring, and his heart beat like the wings of seagulls in his chest. At last she was there, close enough that he could see where the grass and flowers bent beneath the tread of her shoes. He reached out for her —
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
I also never would have imagined I'd quote back a church lesson, but when the rest of the crowd stood up to take communion, I found myself saying to Dimitri: "Don't you think that if God can supposedly forgive you, it's kind of egotistical for you not to forgive yourself?" "How long have you been waiting to use that line on me?" he asked. "Actually, it just came to me. Pretty good, huh? I bet you thought I wasn't paying attention." "You weren't. You never do. You were watching me.
Richelle Mead (Spirit Bound (Vampire Academy, #5))
I hated waiting. If I had one particular complaint, it was that my life seemed composed entirely of expectation. I expected — an arrival, an explanation, an apology. There had never been one, a fact I could have accepted, were it not true that, just when I had got used to the limits and dimensions of one moment, I was expelled into the next and made to wonder again if any shapes hid in its shadows.
Marilynne Robinson (Housekeeping)
But we're not sleeping," he points out. "well, I would be," I say, "if you would let me off the phone." Which is obviously a lie. "Fine," he says. "Fine," I say. "Wait!" "What now?!" "Court?" I don't say anything. "Are you there?" "Yes, I'm here," I say, "What is it?" "I love you." And then he hangs up the phone.
Lauren Barnholdt (Two-Way Street)
-BDB on the board- Knitter's Anonimous May 8, 2006 Rhage (in his bedroom posting in V's room on the board) Hi, my name is V. ("Hi, V") I've been knitting for 125 years now. (*gasping noises*) It's begun to impact my personal relationships: my brothers think I'm a nancy. It's begun to affect my health: I'm getting a callus on my forefinger and I find bits of yarn in all my pockets and I'm starting to smell like wool. I can't concentrate at work: I keep picturing all these lessers in Irish sweaters and thick socks. (*sounds of sympathy*) I've come seeking a community of people who, like me, are trying not to knit. Can you help me? (*We're with you*) Thank you (*takes out hand-knitted hankie in pink*) (*sniffles*) ("We embrace you, V") Vishous (in the pit): Oh hell no...you did not just put that up. And nice spelling in the title. Man...you just have to roll up on me, don't you. I got four words for you, my brother. Rhage: Four words? Okay...lemme see... Rhage, you're so sexy. hmmm.... Rhage, you're SO smart. No wait! Rhage, you're SO right! That's it, isn't it...g'head. You can tell me. Vishous: First one starts with a "P" Use your head for the other three. Bastard. Rhage: P? Hmm... Please pass the yarn Vishous: Payback is a bitch! Rhage: Ohhhhhhhhhhhh I'm so scuuuuuurred. Can you whip me up a blanket to hide under?
J.R. Ward (The Black Dagger Brotherhood: An Insider's Guide (Black Dagger Brotherhood))
I want you to know one thing. You know how this is: if I look at the crystal moon, at the red branch of the slow autumn at my window, if I touch near the fire the impalpable ash or the wrinkled body of the log, everything carries me to you, as if everything that exists, aromas, light, metals, were little boats that sail toward those isles of yours that wait for me. Well, now, if little by little you stop loving me I shall stop loving you little by little. If suddenly you forget me do not look for me, for I shall already have forgotten you. If you think it long and mad, the wind of banners that passes through my life, and you decide to leave me at the shore of the heart where I have roots, remember that on that day, at that hour, I shall lift my arms and my roots will set off to seek another land. But if each day, each hour, you feel that you are destined for me with implacable sweetness, if each day a flower climbs up to your lips to seek me, ah my love, ah my own, in me all that fire is repeated, in me nothing is extinguished or forgotten, my love feeds on your love, beloved, and as long as you live it will be in your arms without leaving mine.
Pablo Neruda (If You Forget Me)
What the hell was I supposed to do, Eva? I didn’t know you existed.” Gideon’s voice deepened, roughened. “If I’d known you were out there, I would’ve hunted you down. I wouldn’t have waited a second to find you. But I didn’t know, and I settled for less. So did you. We both wasted ourselves on the wrong people.
Sylvia Day (Entwined with You (Crossfire, #3))
Did you ever, when you were little, endure your parents’ warnings, then wait for them to leave the room, pry loose protective covers and consider inserting some metal object into an electrical outlet? Did you wonder if for once you might light up the room? When you were big enough to cross the street on your own, did you ever wait for a signal, hear the frenzied approach of a fire truck and feel like stepping out in front of it? Did you wonder just how far that rocket ride might take you? When you were almost grown, did you ever sit in a bubble bath, perspiration pooling, notice a blow dryer plugged in within easy reach, and think about dropping it into the water? Did you wonder if the expected rush might somehow fail you? And now, do you ever dangle your toes over the precipice, dare the cliff to crumble, defy the frozen deity to suffer the sun, thaw feather and bone, take wing to fly you home?
Ellen Hopkins (Burned (Burned, #1))
How am I supposed to decide this? How can I possibly stay without mom and dad? How can I leave without Teddy? Or Adam? This is too much. I don’t even understand how it all works, why I’m here in the state that I’m in or how to get out of it if I wanted to. If I were to say, I want to wake up, would I wake up right now? I’ve already tried snapping my heels to find Teddy and tried to beam myself to Hawaii, and that didn’t work. This seems a whole lot more complicated. But in spite of that, I believe it’s true. I hear the nurse’s words again. I am running the show. Everyone’s waiting on me. I decide. I know this now. And this terrifies me more than anything else that has happened today.
Gayle Forman (If I Stay (If I Stay, #1))
Together we understood what terror was: you're not human anymore. You're a shadow. You slip out of your own skin, like molting, shedding your own history and your own future, leaving behind everything you ever were or wanted to believed in. You know you're about to die. And it's not a movie and you aren't a hero and all you can do is whimper and wait.
Tim O'Brien (The Things They Carried)
How fragile life was, how fragile they were. Love. It was the beginning and end of everything, the foundation and the ceiling and the air in between. It didn’t matter that she was broken and ugly and sick. He loved her and she loved him, All her life she had waited -longed for - people to love her, but now she saw what she really mattered. She had known love, been blessed by it.
Kristin Hannah (The Nightingale)
So we all have to do that?' Maia said. 'Get drawn on, I mean.' Only if you're going to fight,' Isabelle said, looking at the other girl coldly. 'You don't look eighteen yet.' Maia smiled tightly. 'I'm not a Shadowhunter. Lycanthropes are considered adults at sixteen.' Well, you have to get drawn on, then,' said Isabelle. 'By a Shadowhunter. So you'd better look for one.' But--' Maia, still looking over at Alec and Magnus, broke off and raised her eyebrows. Simon turned to see what she was looking at--and stared. Alec had his arms around Magnus and was kissing him, full on the mouth. Magnus, who appeared to be in a state of shock, stood frozen. Several groups of people--Shadowhunters and Downworlders alike--were staring and whispering. Glancing to the side, Simon saw the Lightwoods, their eyes wide, gaping at the display. Maryse had her hand over her mouth. Maia looked perplexed. 'Wait a second,' she said. 'Do we all have to do that, too.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
She sucked in a shuddering breath, and he pulled back far enough for them to share breath. Her fingers shook as she brushed them against his mouth, and his control nearly shredded apart right there. 'What are you waiting for?' he said, the words near guttural. 'Bastard,' she murmured, and kissed him. Her mouth was soft and warm, and he bit back a groan. His body went still—his entire world went still—at that whisper of a kiss, the answer to a question he’d asked for centuries. He realized he was staring only when she withdrew slightly. His fingers tightened at her waist. 'Again,' he breathed. She slid out of his grip. 'If we live through tomorrow, you’ll get the rest.' He didn’t know whether to laugh or roar. 'Are you trying to bribe me into surviving?' She smiled at last. And damn if it didn’t kill him, the quiet joy in her face. They had walked out of darkness and pain and despair together. They were still walking out of it. So that smile … It struck him stupid every time he saw it and realized it was for him.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
This was the kiss I had waited for so long - a kiss born by the river of our childhood, when we didn't yet know what love meant. A kiss that had been suspended in the air as we grew, that had traveled in the world in the souvenir of a medal, and that had remained hidden behind piles of books. A kiss that had been lost and now was found. In the moment of that kiss were years of searching, disillusionment and impossible dreams.
Paulo Coelho (By the River Piedra I Sat Down and Wept)
Maybe from as early as when you're five or six, there's been a whisper going at the back of your head, saying: “One day, maybe not so long from now, you'll get to know how it feels.” So you're waiting, even if you don't quite know it, waiting for the moment when you realise that you really are different to them; that there are people out there, like Madame, who don't hate you or wish you any harm, but who nevertheless shudder at the very thought of you – of how you were brought into this world and why – and who dread the idea of your hand brushing against theirs. The first time you glimpse yourself through the eyes of a person like that, it's a cold moment. It's like walking past a mirror you've walked past every day of your life, and suddenly it shows you something else, something troubling and strange.
Kazuo Ishiguro (Never Let Me Go)
Shepley jogged around the front of the Charger, and then slid into the driver’s seat. “I’m still taking the official position that this is a bad idea.” “Noted.” “Then where?” “Steiner’s.” “The jewelry store?” “Yep.” “Why, Travis?” Shepley said, his voice more stern than before. “You’ll see.” He shook his head. “Are you trying to run her off?” “It’s going to happen, Shep. I just want to have it. For when the time is right.” “No time any time soon is right. I am so in love with America that it drives me crazy sometimes, but we’re not old enough for that shit, yet, Travis. And … what if she says no?” My teeth clenched at the thought. “I won’t ask her until I know she’s ready.” Shepley’s mouth pulled to the side. “Just when I think you can’t get any more insane, you do something else to remind me that you are far beyond bat shit crazy.” “Wait until you see the rock I’m getting.” Shepley craned his neck slowly in my direction. “You’ve already been over there shopping, haven’t you?” I smiled.
Jamie McGuire (Walking Disaster (Beautiful, #2))
Isn't it weird," I said, "the way you remember things, when someone's gone?" What do you mean?" I ate another piece of waffle. "When my dad first died, all I could think about was that day. It's taken me so long to be able to think back to before that, to everything else." Wes was nodding before I even finished. "It's even worse when someone's sick for a long time," he said. "You forget they were ever healthy, ever okay. It's like there was never a time when you weren't waiting for something awful to happen." But there was," I said. "I mean, it's only been in the last few months that I've started remembering all this good stuff, funny stuff about my dad. I can't believe I ever forgot it in the first place." You didn't forget," Wes said, taking a sip of his water. "You just couldn't remember right then. But now you're ready to, so you can." I thought about this as I finished off my waffle.
Sarah Dessen (The Truth About Forever)
Let us do something, while we have the chance! It is not every day that we are needed. Not indeed that we personally are needed. Others would meet the case equally well, if not better. To all mankind they were addressed, those cries for help still ringing in our ears! But at this place, at this moment of time, all mankind is us, whether we like it or not. Let us make the most of it, before it is too late! Let us represent worthily for one the foul brood to which a cruel fate consigned us! What do you say? It is true that when with folded arms we weigh the pros and cons we are no less a credit to our species. The tiger bounds to the help of his congeners without the least reflexion, or else he slinks away into the depths of the thickets. But that is not the question. What are we doing here, that is the question. And we are blessed in this, that we happen to know the answer. Yes, in the immense confusion one thing alone is clear. We are waiting for Godot to come --
Samuel Beckett (Waiting for Godot)
Simply put, dramatic irony is when a person makes a harmless remark, and someone else who hears it knows something that makes the remark have a different, and usually unpleasant, meaning. For instance, if you were in a restaurant and said out loud, "I can't wait to eat the veal marsala I ordered," and there were people around who knew that the veal marsala was poisoned and that you would die as soon as you took a bite, your situation would be one of dramatic irony.
Lemony Snicket (The Reptile Room (A Series of Unfortunate Events, #2))
We waited and waited. All of us. Didn't the shrink know that waiting was one of the things that drove people crazy? People waited all their lives. They waited to live, they waited to die. They waited in line to buy toilet paper. They waited in line for money. And if they didn't have any money they waited in longer lines. You waited to go to sleep and then you waited to awaken. You waited to get married and you waited to get divorced. You waited for it to rain, you waited for it to stop. You waited to eat and then you waited to eat again. You waited in a shrink's office with a bunch of psychos and you wondered if you were one.
Charles Bukowski (Pulp: Charles Bukowski's Final Hardboiled Noir Comedy – Lady Death, Aliens, and the Absurd)
I do have a point to all this,” she continues. “There are like twenty people in that waiting room right now. Some of them are related to you. Some of them are not. But we’re all your family.” She stops now. Leans over me so that the wisps of her hair tickle my face. She kisses me on the forehead. “You still have a family,” she whispers.
Gayle Forman (If I Stay (If I Stay, #1))
It slowly began to dawn on me that I had been staring at her for an impossible amount of time. Lost in my thoughts, lost in the sight of her. But her face didn't look offended or amused. It almost looked as if she were studying the lines of my face, almost as if she were waiting. I wanted to take her hand. I wanted to brush her cheek with my fingertips. I wanted to tell her that she was the first beautiful thing that I had seen in three years. The sight of her yawning to the back of her hand was enough to drive the breath from me. How I sometimes lost the sense of her words in the sweet fluting of her voice. I wanted to say that if she were with me then somehow nothing could ever be wrong for me again. In that breathless second I almost asked her. I felt the question boiling up from my chest. I remember drawing a breath then hesitating--what could I say? Come away with me? Stay with me? Come to the University? No. Sudden certainty tightened in my chest like a cold fist. What could I ask her? What could I offer? Nothing. Anything I said would sound foolish, a child's fantasy. I closed my mouth and looked across the water. Inches away, Denna did the same. I could feel the heat of her. She smelled like road dust, and honey, and the smell the air holds seconds before a heavy summer rain. Neither of us spoke. I closed my eyes. The closeness of her was the sweetest, sharpest thing I had ever known.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
We’re playing Three Wishes,” she told her friend. “Cake, hot bath, soft bed. How about you?” “World peace,” said Karou. Zuzana rolled her eyes. “Yes, Saint Karou.” “Cure for cancer,” Karou went on. “And unicorns for all.” “Bluh. Nothing ruins Three Wishes like altruism. It has to be something for yourself, and if it doesn’t include food, it’s a lie.” “I did include food. I said unicorns, didn’t I?” “Mmm. You’re craving unicorn, are you?” Zuzana’s brow furrowed. “Wait. Do they have those here?” “Alas, no.” “They did,” said Mik. “But Karou ate them all.” “I am a voracious unicorn predator.
Laini Taylor (Dreams of Gods & Monsters (Daughter of Smoke & Bone, #3))
It's been the toughest week of my life, not touching you. Not talking to you. Waiting to see what you were going to do." He kissed her again, a warm, damp touch of lips, exquisitely controlled. "But it doesn't matter whether you stay or go. I'll still need you. So if you want to go off to Boston, Ill wait. Right here, whenever you need me.
Rachel Caine (Bite Club (The Morganville Vampires, #10))
Amy Poehler was new to SNL and we were all crowded into the seventeenth-floor writers' room, waiting for the Wednesday night read-through to start. [...] Amy was in the middle of some such nonsense with Seth Meyers across the table, and she did something vulgar as a joke. I can't remember what it was exactly, except it was dirty and loud and "unladylike", Jimmy Fallon [...] turned to her and in a faux-squeamish voice said, "Stop that! It's not cute! I don't like it." Amy dropped what she was doing, went black in the eyes for a second, and wheeled around on him. "I don't fucking care if you like it." Jimmy was visibly startled. Amy went right back to enjoying her ridiculous bit. With that exchange, a cosmic shift took place. Amy made it clear that she wasn't there to be cute. She wasn't there to play wives and girlfriends in the boys' scenes. She was there to do what she wanted to do and she did not fucking care if you like it.
Tina Fey (Bossypants)
November 20. Andrius's birthday. I had counted the days carefully. I wished him a happy birthday when I woke and thought about him while hauling logs during the day. At night, I sat by the light of the stove, reading Dombey and Son. Krasivaya. I still hadn't found the word. Maybe I'd find it if I jumped ahead. I flipped through some of the pages. A marking caught my eye. I leafed backward. Something was written in pencil in the margin of 278. Hello, Lina. You've gotten to page 278. That's pretty good! I gasped, then pretened I was engrossed in the book. I looked at Andrius's handwritting. I ran my finger over this elongated letters in my name. Were there more? I knew I should read onward. I couldn't wait. I turned though the pages carefully, scanning the margins. Page 300: Are you really on page 300 or are you skipping ahead now? I had to stifle my laughter. Page 322: Dombey and Son is boring. Admit it. Page 364: I'm thinking of you. Page 412: Are you maybe thinking of me? I closed my eyes. Yes, I'm thinking of you. Happy birthday, Andrius.
Ruta Sepetys (Between Shades of Gray)
Nothing can be given or taken away; nothing has been added or subtracted; nothing increased or diminished. We stand on the same shore before the same mighty ocean. The ocean of love. There it is - in perpetuum. As much in a broken blossom, the sound of a waterfall, the swoop of a carrion bird as in the thunderous artillery of the prophet. We move with eyes shut and ears stopped; we smash walls where doors are waiting to open to the touch; we grope for ladders, forgetting that we have wings; we pray as if God were deaf and blind, as if He were in a space. No wonder the angels in our midst are unrecognizable. One day it will be pleasant to remember these things.
Henry Miller
Now," Clary said. "I don't want to wait. Do you?" He didn't reply, just got up off the floor and picked his shirt. He looked at Clary, and almost smiled. "If we're going to the Silent City, you might want to get dressed. I mean, I appreciate the bra-and-panties look, but I don't know if the Silent Brothers will. There are only a few of them left, and I don't want them to die of excitement." Clary got up off the bed and threw a pillow at him, mostly out of relief. She reached for her clothes and began to pull her shirt on. Just before it went over her head, she caught sight of the knife lying on the bedspread, gleaming like a fork of silvery flame.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
Wanting to Die Since you ask, most days I cannot remember. I walk in my clothing, unmarked by that voyage. Then the almost unnameable lust returns. Even then I have nothing against life. I know well the grass blades you mention, the furniture you have placed under the sun. But suicides have a special language. Like carpenters they want to know which tools. They never ask why build. Twice I have so simply declared myself, have possessed the enemy, eaten the enemy, have taken on his craft, his magic. In this way, heavy and thoughtful, warmer than oil or water, I have rested, drooling at the mouth-hole. I did not think of my body at needle point. Even the cornea and the leftover urine were gone. Suicides have already betrayed the body. Still-born, they don't always die, but dazzled, they can't forget a drug so sweet that even children would look on and smile. To thrust all that life under your tongue!— that, all by itself, becomes a passion. Death's a sad Bone; bruised, you'd say, and yet she waits for me, year after year, to so delicately undo an old wound, to empty my breath from its bad prison. Balanced there, suicides sometimes meet, raging at the fruit, a pumped-up moon, leaving the bread they mistook for a kiss, leaving the page of the book carelessly open, something unsaid, the phone off the hook and the love, whatever it was, an infection.
Anne Sexton
and we're just chatting and then I'm in the middle of a sentence about analogies or something and like a hawk he reaches down and he honks my boob. HONK. A much-too-firm, two- to three-second HONK. And the first thing I thought was Okay, how do I extricate this claw from my boob before it leaves permanent marks? and the second thing I thought was God, I can't wait to tell Takumi and the Colonel.
John Green (Looking for Alaska)
Some periods of our growth are so confusing that we don’t even recognize that growth is what is happening. We may feel hostile or angry or weepy and hysterical, or we may feel depressed. It would never occur to us, unless we stumbled on a book or person who explained it to us, that we were in fact in the process of change, of actually becoming larger, spiritually, than we were before. Whenever we grow, we tend to feel it, as a young seed must feel the weight and inertia of the earth as it seeks to break out of its shell on its way to becoming a plant. Often the feeling is anything but pleasant. But what is most unpleasant is the not knowing what is happening . . . Those long periods when something inside ourselves seems to be waiting, holding its breath, unsure about what the next step should be, eventually become the periods we wait for, for it is in those periods that we realize that we are being prepared for the next phase of our life and that, in all probability, a new level of the personality is about to be revealed.
Alice Walker (Living by the Word: Essays)
And there is something great about knowing that my only job is to be as happy as I can be about my life, and feel as good as I can about myself, and to lead as full and eventful a life as I can, so that it doesn’t ever feel like I’m just waiting around for some guy to ask me out. And most importantly, it’s good for us all to remember that we don’t need to scheme and plot and beg to get someone to ask us out. We’re fantastic.
Liz Tuccillo (He's Just Not That Into You: The No-Excuses Truth to Understanding Guys)
Passion isn't a path through the woods. Passion is the woods. It's the deepest, wildest part of the forest; the grove where the fairies still dance and obscene old vipers snooze in the boughs. Everybody but the most dried up and dysfunctional is drawn to the grove and enchanted by its mysteries, but then they just can't wait to call in the chain saws and bulldozers and replace it with a family-style restaurant or a new S and L. That's the payoff, I guess. Safety. Security. Certainty. Yes, indeed. Well, remember this, pussy latte: we're not involved in a 'relationship,' you and I, we're involved in a collision. Collisions don't much lend themselves to secure futures...
Tom Robbins (Half Asleep in Frog Pajamas)
The universe may forget us, but our light will brighten the darkness for eons after we've departed this world. The universe may forget us, but it can't forget us until we're gone, and we're still here, our futures still unwritten. We can choose to sit on our (expletive) and wait for the end, or we can live right now. We can march to the edge of the void and scream in defiance. Yell out for all to hear that we do matter. That we are still here, living our absurd...lives, and nothing can take that away from us. Not rogue comets, not black holes, not the heat death of the universe. We may not get to choose how we die, but we can choose how we live. The universe may forget us, but it doesn't matter. Because we are the ants, and we'll keep marching on.
Shaun David Hutchinson (We Are the Ants)
She gave his hand a small squeeze. "Jason, if we're going to try this then I'd like to take things slow." He frowned. "What I mean is nothing beyond the level we were at last night." She worried her lip between her teeth. "What I mean is no actual sex." He narrowed his eyes on her. "But, you'll still sleep with me naked and let me do a hundred other naughty things to you?" he asked in a serious tone. "Yes." He brushed his lips against hers again and moved back a few inches to look into her eyes. "And you'll still cook for me and call me Master?" Her lips twitched. "Yes to the cooking and not a chance in hell for the other." He sighed wearily. "Fine, how about Lord and Master?" "Uh...no." "God?" "Nope." "My liege?" "Wait.....no." He gave her one of his lopsided smiles. "I'll wear you down eventually.
R.L. Mathewson (Playing for Keeps (Neighbor from Hell, #1))
We know one another. This is the present. There is no past and no future. Here I am washing my hands, and the cracked mirror shows me to myself, suspended as it were, in time; this is me, this moment will not pass. And then I open the door and go to the dining-room, where he is sitting waiting for me at a table, and I think how in that moment I have aged, and passed on, how I have advanced one step towards an unknown destiny. We smile, we choose our lunch, we speak of this and that, but - I say to myself-I am not she who left him five minutes ago. She has stayed behind. I am another woman, older, more mature…
Daphne du Maurier
I’ve been thinking about that book about the boys who crash on an island,” Mary Lou said to Adina one afternoon as they rested on their elbows taking bites from the same papaya. “Lord of the Flies. What about it?” You know how you said it wasn’t a true measure of humanity because there were no girls and you wondered how it would be different if there had been girls?” “Yeah?” “Maybe girls need an island to find themselves. Maybe they need a place where no one’s watching them so they can be who they really are.” There was something about the island that made the girls forget who they had been. All those rules and shalt nots. They were no longer waiting for some arbitrary grade. They were no longer performing. Waiting. Hoping. They were becoming. They were.
Libba Bray (Beauty Queens)
God is not needed to create guilt or to punish. Our fellow men suffice, aided by ourselves. You were speaking of the Last Judgement. Allow me to laugh respectfully. I shall wait for it resolutely, for I have known what is worse, the judgement of men. For them, no extenuating circumstances; even the good intention is ascribed to crime. Have you at least heard of the spitting cell, which a nation recently thought up to prove itself the greatest on earth? A walled-up box in which the prisoner can stand without moving. The solid door that locks him in the cement shell stops at chin level. Hence only his face is visible, and every passing jailer spits copiously on it. The prisoner, wedged into his cell, cannot wipe his face, though he is allowed, it is true. to close his eyes. Well, that, mon cher, is a human invention. They didn't need God for that little masterpiece.
Albert Camus (The Fall (Vintage International))
dumbfounded, adj. And still, for all the jealousy, all the doubt, sometimes I will be struck with a kind of awe that we're together. That someone like me could find someone like you - it renders me wordless. Because surely words would conspire against such luck, would protest the unlikelihood of such a turn of events. I didn't tell any of my friends about our first date. I waited until after our second, because I wanted to make sure it was real. I wouldn't believe it had happened until it had happened again. Then, later on, I would be overwhelmed by the evidence, by all the lines connecting you to me, and us to love.
David Levithan (The Lover's Dictionary)
i can’t help thinking that ‘getting a life’ is something only a complete idiot could believe. like you can just drive to a store and get a life. see it in its shiny box and look inside the plastic window and catch a glimpse of yourself in a new life and say, ‘wow, i look much happier - i think this is the life i need to get!’ take it to the counter, ring it up, put it on your credit card. if getting a life was that easy, we’d be one blissed-out race. but we’re not. so it’s like, mom, your life isn’t out there waiting, so don’t think all you have to do is find it and get it. no, your life is right here. and, yeah, it sucks. lives usually do. so if you want things to change, you don’t need to get a life. you need to get off your ass.
David Levithan (Will Grayson, Will Grayson)
And I was -- this is just how I was afraid you'd take it. I knew it, that you'd think this means you were right to be afraid all the time and never feel secure or trust me. I knew it'd be 'See, you're leaving after all when you promised you wouldn't.' I knew it but I'm trying to explain anyway, okay? And I know you probably won't understand this either, but --wait-- just try to listen and maybe absorb this, okay? Ready? Me leaving is not the confirmation of all your fears about me. It is not. It's because of them. Okay? Can you see that? It's your fear I can't take. It's your distrust and fear I've been trying to fight. And I can't anymore. I'm out of gas on it. If I loved you even a little less maybe I could take it. But this is killing me, this constant feeling that I am always scaring you and never making you feel secure. Can you see that?
David Foster Wallace (Brief Interviews with Hideous Men)
Death is nothing at all, I have only slipped into the next room I am I and you are you Whatever we were to each other, that we are still. Call me by my old familiar name, Speak to me in the easy way which you always used Put no difference in your tone, Wear no forced air of solemnity or sorrow Laugh as we always laughed at the little jokes we enjoyed together. Play, smile, think of me, pray for me. Let my name be ever the household world that it always was, Let it be spoken without effect, without the trace of shadow on it. Life means all that it ever meant. It it the same as it ever was, there is unbroken continuity. Why should I be out of mind because I am out of sight? I am waiting for you, for an interval, somewhere very near, Just around the corner. All is well.
Henry Scott Holland
I loved you, so I drew these tides of Men into my hands And wrote my will across the Sky and stars To earn you freedom, the seven Pillared worthy house, That your eyes might be Shining for me When we came Death seemed my servant on the Road, 'til we were near And saw you waiting: When you smiled and in sorrowful Envy he outran me And took you apart: Into his quietness Love, the way-weary, groped to your body, Our brief wage Ours for the moment Before Earth's soft hand explored your shape And the blind Worms grew fat upon Your substance Men prayed me that I set our work, The inviolate house, As a memory of you But for fit monument I shattered it, Unfinished: and now The little things creep out to patch Themselves hovels In the marred shadow Of your gift.
T.E. Lawrence (The Seven Pillars of Wisdom)
I called. Why wasn't anyone here?"- Elena We were here." Clay said. "Around, anyway. You should have left a message." I did. Two hours ago." - Elena Well that explains it. I've been out, by the gate all day, waiting for you, and you know Jer never checks the machine."- Clayton I didn't know how Clay had known I was coming back today when I hadn't left a message. Nor did I question why he'd spent the entire day waiting at the gate. Clay's behavior couldn't be measured by human standard's of normalcy... or by any standards of normalcy at all. Bitten
Kelley Armstrong (Bitten (Otherworld, #1))
We are all wired into a survival trip now. No more of the speed that fueled that 60's. That was the fatal flaw in Tim Leary's trip. He crashed around America selling "consciousness expansion" without ever giving a thought to the grim meat-hook realities that were lying in wait for all the people who took him seriously... All those pathetically eager acid freaks who thought they could buy Peace and Understanding for three bucks a hit. But their loss and failure is ours too. What Leary took down with him was the central illusion of a whole life-style that he helped create... a generation of permanent cripples, failed seekers, who never understood the essential old-mystic fallacy of the Acid Culture: the desperate assumption that somebody... or at least some force - is tending the light at the end of the tunnel.
Hunter S. Thompson (Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream)
Friends and family came and went, sometimes helping her with her tears, other times making her laugh. But even in her laughter there was something missing. She never seemed to be truly happy; she just seemed to be passing time while she waited for something else. She was tired of just existing; she wanted to live. But what was the point in living when there was no life in it? These questions went through her mind over and over until she reached the point of not wanting to wake up from her dreams--they were what felt real. Deep down, she knew it was normal to feel like this, she didn't particularly think she was losing her mind. She knew that one day she would be happy again and that this feeling would just be a distant memory. It was getting to that day that was the hard part.
Cecelia Ahern
She turned back to the cards and tapped the Ace of Cups. "You're on the verge of a new beginning, a rebirth of great power and emotion. Your life will change, but it will be change that takes you in the direction that, while difficult, will ultimatley illuminate the world." "Whoa," I said. Rhonda then pointed to the Empress. "Power and leadership lie ahead of you, which you will handle with grace and intelligence. The seeds are already in place, though there's an edge of uncertainty-an enigmatic set of influences that hang around you like a mist." Her attention was on the Moon as she said those words. "But my overall impression is that those unknown factors won't deter you from your destiny." Lissa's eyes were wide. "You can teel that just from the cards?" ... After several moments of heavy silence, she said, "You will destroy that which is undead." i waited about thirty seconds for her to continue, but she didn't. "Wait, that's it?" ... Her eyes flickered over the cards, looked at Dimitri, then looked back at the cards. Her expression was blank. "You will lose what you value most, so treasure it while you can." She pointed to the Wheel of Fortune card. "The wheel is turning, always turning.
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
Hello? This is Clary Fairchild.” “Clary? It’s me, Emma.” “Oh, Emma, hi! I haven’t heard from you in ages. My mom says thanks for the wedding flowers, by the way. She wanted to send a note but Luke whisked her away on a honeymoon to Tahiti.” “Tahiti sounds nice.” “It probably is — Jace, what are you doing with that thing? There is no way it’ll fit.” “Is this a bad time?” “What? No! Jace is trying to drag a trebuchet into the training room. Alec, stop helping him.” “What’s a trebuchet?” “It’s a huge catapult.” “What are they going to use it for?” “I have no idea. Alec, you’re enabling! You’re an enabler!” “Maybe it is a bad time.” “I doubt there’ll be a better one. Is something wrong? Is there anything I can do?” “I think we have your cat.” “What?” “Your cat. Big fuzzy Blue Persian? Always looks angry? Julian says it’s your cat. He says he saw it at the New York Institute. Well, saw him. It’s a boy cat.” “Church? You have Church? But I thought — well, we knew he was gone. We thought Brother Zachariah took him. Isabelle was annoyed, but they seemed to know each other. I’ve never seen Church actually likeanyone like that.” “I don’t know if he likes anyone here. He bit Julian twice. Oh, wait. Julian says he likes Ty. He’s asleep on Ty’s bed.” “How did you wind up with him?” “Someone rang our front doorbell. Diana, she’s our tutor, went down to see what it was. Church was in a cage on the front step with a note tied to it. It said For Emma. This is Church, a longtime friend of the Carstairs. Take care of this cat and he will take care of you. —J.” “Brother Zachariah left you a cat.” “But I don’t even really know him. And he’s not a Silent Brother any more.” “You may not know him, but he clearly knows you.” “What do you think the J stands for?” “His real name. Look, Emma, if he wants you to have Church, and you want Church, you should keep him.” “Are you sure? The Lightwoods —“ ‘They’re both standing here nodding. Well, Alec is partially trapped under a trebuchet, but he seems to be nodding.” “Jules says we’d like to keep him. We used to have a cat named Oscar, but he died, and, well, Church seems to be good for Ty’s nightmares.” “Oh, honey. I think, really, he’s Brother Zachariah’s cat. And if he wants you to have him, then you should.” “Why does Brother Zachariah want to protect me? It’s like he knows me, but I don’t know why he knows me.” “I don’t exactly know … But I know Tessa. She’s his — well, girlfriend seems not the right word for it. They’ve known each other a long, long time. I have a feeling they’re both watching over you.” “That’s good. I have a feeling we’re going to need it.” “Emma — oh my God. The trebuchet just crashed through the floor. I have to go. Call me later.” “But we can keep the cat?” “You can keep the cat.
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
The more things change, the more they stay the same. I'm not sure who the first person was who said that. Probably Shakespeare. Or maybe Sting. But at the moment, it's the sentence that best explains my tragic flaw, my inability to change. I don't think I'm alone in this. The more I get to know other people, the more I realize it's kind of everyone's flaw. Staying exactly the same for as long as possible, standing perfectly still... It feels safer somehow. And if you are suffering, at least the pain is familiar. Because if you took that leap of faith, went outside the box, did something unexpected... Who knows what other pain might be out there, waiting for you. Chances are it could be even worse. So you maintain the status quo. Choose the road already traveled and it doesn't seem that bad. Not as far as flaws go. You're not a drug addict. You're not killing anyone... Except maybe yourself a little. When we finally do change, I don't think it happens like an earthquake or an explosion, where all of a sudden we're like this different person. I think it's smaller than that. The kind of thing most people wouldn't even notice unless they looked at us really close. Which, thank God, they never do. But you notice it. Inside you that change feels like a world of difference. And you hope this is it. This is the person you get to be forever... that you'll never have to change again.
Laura J. Burns
Whereas during those months of separation time had never gone quickly enough for their liking and they were wanting to speed its flight, now that they were in sight of the town they would have liked to slow it down and hold each moment in suspense, once the breaks went on and the train was entering the station. For the sensation, confused perhaps, but none the less poingant for that, of all those days and weeks and months of life lost to their love made them vaguely feel they were entitled to some compensation; this present hour of joy should run at half the speed of those long hours of waiting.
Albert Camus (The Plague)
I was astonished to see Adrian watching me, a look of contentment on his face. His eyes seemed to study my every feature. Seeing me notice him, he immediately looked away. His usual smirky expression replaced by a dreamy one. “The mechanic will wait,” he said. “Yeah, but I’m supposed to meet Brayden soon, I’ll be-” That’s when I got a good look at Adrian. “What have you done? Look at you! You shouldn’t be out here.” “It’s not that bad.” He was lying, and we both knew it. “Come on, we have to get you out of here before you get worse. What were you thinking?” His expression was astonishingly nonchalant for someone who looked like he would pass out. “It was worth it. You looked…happy
Richelle Mead
This is beautiful," I said, ignoring the shop window to trace the gleaming stone walls fronting another boutique. "You know what's funny?" Jacob asked. He didn't wait for my answer. "You can see beauty in everything, except for yourself." *** I swallowed hard. Erik thought my body was beautiful, Karin that it was enviable. At random times, people had noted that my hands were beautiful, or my hair. The Twisted Sisters had called my art beautiful. Mom had the best intentions and always told me before and after my laser surgeries that I would be beautiful. But no one had ever said that I was beautiful, all my parts taken together, not just the bits and pieces.
Justina Chen (North of Beautiful)
Once, very long ago, Time fell in love with Fate. This, as you might imagine, proved problematic. Their romance disrupted the flow of time. It tangled the strings of fortune into knots.  The stars watched from the heavens nervously, worrying what might occur. What might happen to the days and nights were time to suffer a broken heart? What catastrophes might result if the same fate awaited Fate itself? The stars conspired and separated the two. For a while they breathed easier in the heavens. Time continued to flow as it always had, or perhaps imperceptibly slower. Fate weaved together the paths that were meant to intertwine, though perhaps a string was missed here and there. But eventually, Fate and Time found each other again.  In the heavens, the stars sighed, twinkling and fretting. They asked the Moon her advice. The Moon in turn called upon the parliament of owls to decide how best to proceed. The parliament of owls convened to discuss the matter amongst themselves night after night. They argued and debated while the world slept around them, and the world continued to turn, unaware that such important matters were under discussion while it slumbered.  The parliament of owls came to the logical conclusion that if the problem was in the combination, one of the elements should be removed. They chose to keep the one they felt more important. The parliament of owls told their decision to the stars and the stars agreed. The Moon did not, but on this night she was dark and could not offer her opinion.  So it was decided, and Fate was pulled apart. Ripped into pieces by beaks and claws. Fate’s screams echoed through the deepest corners and the highest heavens but no one dared to intervene save for a small brave mouse who snuck into the fray, creeping unnoticed through the blood and bone and feathers, and took Fate’s heart and kept it safe. When the furor died down there was nothing else left of Fate.  The owl who consumed Fate’s eyes gained great site, greater site then any that had been granted to a mortal creature before. The Parliament crowned him the Owl King. In the heavens the stars sparkled with relief but the moon was full of sorrow. And so time goes as it should and events that were once fated to happen are left instead to chance, and Chance never falls in love with anything for long. But the world is strange and endings are not truly endings no matter how the stars might wish it so.  Occasionally Fate can pull itself together again.  And Time is always waiting.
Erin Morgenstern (The Starless Sea)
The most important thing we've learned, So far as children are concerned, Is never, NEVER, NEVER let Them near your television set -- Or better still, just don't install The idiotic thing at all. In almost every house we've been, We've watched them gaping at the screen. They loll and slop and lounge about, And stare until their eyes pop out. (Last week in someone's place we saw A dozen eyeballs on the floor.) They sit and stare and stare and sit Until they're hypnotised by it, Until they're absolutely drunk With all that shocking ghastly junk. Oh yes, we know it keeps them still, They don't climb out the window sill, They never fight or kick or punch, They leave you free to cook the lunch And wash the dishes in the sink -- But did you ever stop to think, To wonder just exactly what This does to your beloved tot? IT ROTS THE SENSE IN THE HEAD! IT KILLS IMAGINATION DEAD! IT CLOGS AND CLUTTERS UP THE MIND! IT MAKES A CHILD SO DULL AND BLIND HE CAN NO LONGER UNDERSTAND A FANTASY, A FAIRYLAND! HIS BRAIN BECOMES AS SOFT AS CHEESE! HIS POWERS OF THINKING RUST AND FREEZE! HE CANNOT THINK -- HE ONLY SEES! 'All right!' you'll cry. 'All right!' you'll say, 'But if we take the set away, What shall we do to entertain Our darling children? Please explain!' We'll answer this by asking you, 'What used the darling ones to do? 'How used they keep themselves contented Before this monster was invented?' Have you forgotten? Don't you know? We'll say it very loud and slow: THEY ... USED ... TO ... READ! They'd READ and READ, AND READ and READ, and then proceed To READ some more. Great Scott! Gadzooks! One half their lives was reading books! The nursery shelves held books galore! Books cluttered up the nursery floor! And in the bedroom, by the bed, More books were waiting to be read! Such wondrous, fine, fantastic tales Of dragons, gypsies, queens, and whales And treasure isles, and distant shores Where smugglers rowed with muffled oars, And pirates wearing purple pants, And sailing ships and elephants, And cannibals crouching 'round the pot, Stirring away at something hot. (It smells so good, what can it be? Good gracious, it's Penelope.) The younger ones had Beatrix Potter With Mr. Tod, the dirty rotter, And Squirrel Nutkin, Pigling Bland, And Mrs. Tiggy-Winkle and- Just How The Camel Got His Hump, And How the Monkey Lost His Rump, And Mr. Toad, and bless my soul, There's Mr. Rat and Mr. Mole- Oh, books, what books they used to know, Those children living long ago! So please, oh please, we beg, we pray, Go throw your TV set away, And in its place you can install A lovely bookshelf on the wall. Then fill the shelves with lots of books, Ignoring all the dirty looks, The screams and yells, the bites and kicks, And children hitting you with sticks- Fear not, because we promise you That, in about a week or two Of having nothing else to do, They'll now begin to feel the need Of having something to read. And once they start -- oh boy, oh boy! You watch the slowly growing joy That fills their hearts. They'll grow so keen They'll wonder what they'd ever seen In that ridiculous machine, That nauseating, foul, unclean, Repulsive television screen! And later, each and every kid Will love you more for what you did.
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))
When they bombed Hiroshima, the explosion formed a mini-supernova, so every living animal, human or plant that received direct contact with the rays from that sun was instantly turned to ash. And what was left of the city soon followed. The long-lasting damage of nuclear radiation caused an entire city and its population to turn into powder. When I was born, my mom says I looked around the whole hospital room with a stare that said, "This? I've done this before." She says I have old eyes. When my Grandpa Genji died, I was only five years old, but I took my mom by the hand and told her, "Don't worry, he'll come back as a baby." And yet, for someone who's apparently done this already, I still haven't figured anything out yet. My knees still buckle every time I get on a stage. My self-confidence can be measured out in teaspoons mixed into my poetry, and it still always tastes funny in my mouth. But in Hiroshima, some people were wiped clean away, leaving only a wristwatch or a diary page. So no matter that I have inhibitions to fill all my pockets, I keep trying, hoping that one day I'll write a poem I can be proud to let sit in a museum exhibit as the only proof I existed. My parents named me Sarah, which is a biblical name. In the original story God told Sarah she could do something impossible and she laughed, because the first Sarah, she didn't know what to do with impossible. And me? Well, neither do I, but I see the impossible every day. Impossible is trying to connect in this world, trying to hold onto others while things are blowing up around you, knowing that while you're speaking, they aren't just waiting for their turn to talk -- they hear you. They feel exactly what you feel at the same time that you feel it. It's what I strive for every time I open my mouth -- that impossible connection. There's this piece of wall in Hiroshima that was completely burnt black by the radiation. But on the front step, a person who was sitting there blocked the rays from hitting the stone. The only thing left now is a permanent shadow of positive light. After the A bomb, specialists said it would take 75 years for the radiation damaged soil of Hiroshima City to ever grow anything again. But that spring, there were new buds popping up from the earth. When I meet you, in that moment, I'm no longer a part of your future. I start quickly becoming part of your past. But in that instant, I get to share your present. And you, you get to share mine. And that is the greatest present of all. So if you tell me I can do the impossible, I'll probably laugh at you. I don't know if I can change the world yet, because I don't know that much about it -- and I don't know that much about reincarnation either, but if you make me laugh hard enough, sometimes I forget what century I'm in. This isn't my first time here. This isn't my last time here. These aren't the last words I'll share. But just in case, I'm trying my hardest to get it right this time around.
Sarah Kay
They're not that different from you, are they? Same haircuts. Full of hormones, just like you. Invincible, just like you feel. The world is their oyster. They believe they're destined for great things, just like many of you, their eyes are full of hope, just like you. Did they wait until it was too late to make from their lives even one iota of what they were capable? Because, you see gentlemen, these boys are now fertilizing daffodils. But if you listen real close, you can hear them whisper their legacy to you. Go on, lean in. Listen, you hear it? - - Carpe - - hear it? - - Carpe, carpe diem, seize the day boys, make your lives extraordinary.
N.H. Kleinbaum (Dead Poets Society)
Most people miss their whole lives, you know. Listen, life isn't when you are standing on top of a mountain looking at a sunset. Life isn't waiting at the alter or the moment your child is born or that time you were swimming in a deep water and a dolphin came up alongside you. These are fragments. 10 or 12 grains of sand spread throughout your entire existence. These are not life. Life is brushing your teeth or making a sandwich or watching the news or waiting for the bus. Or walking. Every day, thousands of tiny events happen and if you're not watching, if you're not careful, if you don't capture them and make them COUNT, your could miss it. You could miss your whole life.
Toni Jordan (Addition)
Percy was waiting for them. He looked mad. He stood at the edge of the glacier, leaning on the staff with the golden eagle, gazing down at the wreckage he'd caused: several hundred acres of newly open water dotted with icebergs and flotsam from the ruined camp. The only remains on the glacier were the main gates, which listed sideways, and a tattered blue banner lying over a pile of now-bricks. When they ran up to him, Percy said, "Hey," like they were just meeting for lunch or something. "You're alive!" Frank marveled. Percy frowned. "The fall? That was nothing. I fell twice that far from the St. Louis Arch." "You did what?" Hazel asked. "Never mind. The important thing was I didn't drown.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
Learning After some time, you learn the subtle difference between holding a hand and imprisoning a soul; You learn that love does not equal sex, and that company does not equal security, and you start to learn…. That kisses are not contracts and gifts are not promises, and you start to accept defeat with the head up high and open eyes, and you learn to build all roads on today, because the terrain of tomorrow is too insecure for plans… and the future has its own way of falling apart in half. And you learn that if it’s too much even the warmth of the sun can burn. So you plant your own garden and embellish your own soul, instead of waiting for someone to bring flowers to you. And you learn that you can actually bear hardship, that you are actually strong, and you are actually worthy, and you learn and learn…and so every day. Over time you learn that being with someone because they offer you a good future, means that sooner or later you’ll want to return to your past. Over time you comprehend that only who is capable of loving you with your flaws, with no intention of changing you can bring you all happiness. Over time you learn that if you are with a person only to accompany your own solitude, irremediably you’ll end up wishing not to see them again. Over time you learn that real friends are few and whoever doesn’t fight for them, sooner or later, will find himself surrounded only with false friendships. Over time you learn that words spoken in moments of anger continue hurting throughout a lifetime. Over time you learn that everyone can apologize, but forgiveness is an attribute solely of great souls. Over time you comprehend that if you have hurt a friend harshly it is very likely that your friendship will never be the same. Over time you realize that despite being happy with your friends, you cry for those you let go. Over time you realize that every experience lived, with each person, is unrepeatable. Over time you realize that whoever humiliates or scorns another human being, sooner or later will suffer the same humiliations or scorn in tenfold. Over time you learn to build your roads on today, because the path of tomorrow doesn’t exist. Over time you comprehend that rushing things or forcing them to happen causes the finale to be different form expected. Over time you realize that in fact the best was not the future, but the moment you were living just that instant. Over time you will see that even when you are happy with those around you, you’ll yearn for those who walked away. Over time you will learn to forgive or ask for forgiveness, say you love, say you miss, say you need, say you want to be friends, since before a grave, it will no longer make sense. But unfortunately, only over time…
Jorge Luis Borges
Closing The Cycle One always has to know when a stage comes to an end. If we insist on staying longer than the necessary time, we lose the happiness and the meaning of the other stages we have to go through. Closing cycles, shutting doors, ending chapters - whatever name we give it, what matters is to leave in the past the moments of life that have finished. Did you lose your job? Has a loving relationship come to an end? Did you leave your parents' house? Gone to live abroad? Has a long-lasting friendship ended all of a sudden? You can spend a long time wondering why this has happened. You can tell yourself you won't take another step until you find out why certain things that were so important and so solid in your life have turned into dust, just like that. But such an attitude will be awfully stressing for everyone involved: your parents, your husband or wife, your friends, your children, your sister, everyone will be finishing chapters, turning over new leaves, getting on with life, and they will all feel bad seeing you at a standstill. None of us can be in the present and the past at the same time, not even when we try to understand the things that happen to us. What has passed will not return: we cannot for ever be children, late adolescents, sons that feel guilt or rancor towards our parents, lovers who day and night relive an affair with someone who has gone away and has not the least intention of coming back. Things pass, and the best we can do is to let them really go away. That is why it is so important (however painful it may be!) to destroy souvenirs, move, give lots of things away to orphanages, sell or donate the books you have at home. Everything in this visible world is a manifestation of the invisible world, of what is going on in our hearts - and getting rid of certain memories also means making some room for other memories to take their place. Let things go. Release them. Detach yourself from them. Nobody plays this life with marked cards, so sometimes we win and sometimes we lose. Do not expect anything in return, do not expect your efforts to be appreciated, your genius to be discovered, your love to be understood. Stop turning on your emotional television to watch the same program over and over again, the one that shows how much you suffered from a certain loss: that is only poisoning you, nothing else. Nothing is more dangerous than not accepting love relationships that are broken off, work that is promised but there is no starting date, decisions that are always put off waiting for the "ideal moment." Before a new chapter is begun, the old one has to be finished: tell yourself that what has passed will never come back. Remember that there was a time when you could live without that thing or that person - nothing is irreplaceable, a habit is not a need. This may sound so obvious, it may even be difficult, but it is very important. Closing cycles. Not because of pride, incapacity or arrogance, but simply because that no longer fits your life. Shut the door, change the record, clean the house, shake off the dust. Stop being who you were, and change into who you are.
Paulo Coelho
Open your eyes.” Julia looked up into a pair of blue orbs that were startlingly clear and very emotional, but she could not decipher the emotions. He smiled and pressed his lips to her forehead again before rolling onto his back and gazing up at the stars. “What are you thinking?” She shifted herself so that she was curled up at his side, close to but not touching him with her body. “I was thinking about how I waited for you. I waited and waited, and you never came.” He smiled at her sadly. “I’m sorry, Gabriel.” “You’re here now. Apparuit iam beatitudo vestra.” “I don’t know what that means.” She sounded shy. “It means now your blessedness appears. But really, it should be now my blessedness appears. Now that you’re here.” He pulled her closer, snaking his arm beneath her neck and down to her waist where he splayed his hand, fingers wide, at the small of her back. “For the rest of my life, I’ll dream of hearing your voice breathe my name.
Sylvain Reynard (Gabriel's Inferno (Gabriel's Inferno, #1))
I waited for him to say something more, but he was quiet. "Was there something you wanted?" I asked. He didn't answer right away, but I could feel him struggling, so I waited. "If I asked you something, would you tell me the truth?" It was my turn to hesitate. "I don't know everything," I hedged. "You would know this. When we were walking... me and Jeb... he was telling me some things. Things he thought, but I don't know if he's right." Melanie was suddenly very in my head. Jamie's whisper was hard to hear, quieter than my breathing. "Uncle Jeb thinks that Melanie might still be alive. Inside there with you, I mean." Melanie sighed. I said nothing to either of them. "I didn't know that could happen. Does that happen?" His voice broke and I could hear that he was fighting tears. He was not a boy to cry, and here I'd grieved him this deeply twice in one day. A pain pierced through the general region of my chest. "Does it, Wanda?" "Why won't you answer me?" Jamie was really crying now but trying to muffle the sound. I crawled off the bed, squeezing into the hard space between the mattress and the mat, and threw my arm over his shaking chest. I leaned my head against his hair and felt his tears, warm on my neck. "Is Melanie still alive, Wanda? Please?" He was probably a tool. The old man could have sent him just for this, Jeb was smart enough to see how easily Jamie broke through my defenses. Jamie's body shook beside me. Melanie cried. She battered ineffectually at my control. But I couldn't blame this on Melanie if it turned out to be a huge mistake. I knew who was speaking now. "She promised she would come back, didn't she?" I murmured. "Would Melanie break a promise to you?" Jamie slid his arms around my waist and clung to me for a long time. After a few minutes, he whispered. "Love you, Mel." "She loves you, too. She's so happy that you're here and safe." He was silent long enough for the tears on my skin to dry, leaving a fine, salty dust behind.
Stephenie Meyer (The Host (The Host, #1))
You want me to list characteristics of a … ?” “Potential mate, yes, that would be helpful..." Without meaning to, I looked sideways at Patch. He was eased back in his seat, one notch above a slouch, studying me with satisfaction. He flashed his pirate smile and mouthed, We’re waiting. I stacked my hands on the table, hoping I lookedmore composed than I felt. “I’ve never thought about it before.” “Well, think fast.” “Could you call on someone else first?” Coach gestured impatiently to my left. “You’re up, Patch.” Unlike me, Patch spoke with confidence. He had himself positioned so his body was angled slightly toward mine, our knees mere inches apart. “Intelligent. Attractive. Vulnerable
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
Franz Kafka is Dead He died in a tree from which he wouldn't come down. "Come down!" they cried to him. "Come down! Come down!" Silence filled the night, and the night filled the silence, while they waited for Kafka to speak. "I can't," he finally said, with a note of wistfulness. "Why?" they cried. Stars spilled across the black sky. "Because then you'll stop asking for me." The people whispered and nodded among themselves. They put their arms around each other, and touched their children's hair. They took off their hats and raised them to the small, sickly man with the ears of a strange animal, sitting in his black velvet suit in the dark tree. Then they turned and started for home under the canopy of leaves. Children were carried on their fathers' shoulders, sleepy from having been taken to see who wrote his books on pieces of bark he tore off the tree from which he refused to come down. In his delicate, beautiful, illegible handwriting. And they admired those books, and they admired his will and stamina. After all: who doesn't wish to make a spectacle of his loneliness? One by one families broke off with a good night and a squeeze of the hands, suddenly grateful for the company of neighbors. Doors closed to warm houses. Candles were lit in windows. Far off, in his perch in the trees , Kafka listened to it all: the rustle of the clothes being dropped to the floor, or lips fluttering along naked shoulders, beds creaking along the weight of tenderness. It all caught in the delicate pointed shells of his ears and rolled like pinballs through the great hall of his mind. That night a freezing wind blew in. When the children woke up, they went to the window and found the world encased in ice. One child, the smallest, shrieked out in delight and her cry tore through the silence and exploded the ice of a giant oak tree. The world shone. They found him frozen on the ground like a bird. It's said that when they put their ears to the shell of his ears, they could hear themselves.
Nicole Krauss (The History of Love)
She loved airports. She loved the smell, she loved the noise, and she loved the whole atmosphere as people walked around happily tugging their luggage, looking forward to going on their holidays or heading back home. She loved to see people arriving and being greeted with a big cheer by their families and she loved to watch them all giving each other emotional hugs. It was a perfect place for people-spotting. The airport always gave her a feeling of anticipation in the pit of her stomach as though she were about to do something special and amazing. Queuing at the boarding gate, she felt like she was waiting to go on a roller coaster ride at a theme park, like an excited little child.
Cecelia Ahern
If only you would realize some day, how much have you hurt me, If only your heart ever, craves for me or my presence… If only you feel that love again someday for me, If only you are affected someday by my absence… Only you can end all my suffering and this unbearable pain, If only you would know what you could never procure… If only you go through the memories of past once again, Since the day you left my heart has bled, no one has its cure… If only you would bring that love, those showers and that rain… If only you would come back and see what damage you create, I’ve been waiting for your return since forever more… If only you would see the woman that you have made, You said we cannot sail through, how were you so sure? If only you can feel the old things that can never fade, You may have moved on, but a piece of my heart is still with you… I know how I’ve come so far alone; I know how I’m able to wade, People say that I’m insane and you won’t ever come back again… Maybe you would have never made your separate way, Maybe you would have stayed with me and proved everyone wrong… If only you would know the pain of dying every day, If only you would feel the burden of smiling and being strong…
Mehek Bassi (Chained: Can you escape fate?)
There was a loud scraping noise as five chairs slid backward. The men rose as a unit. And started coming for her. She looked to the faces of the two she knew, but their grave expressions weren't encouraging. And then the knives came out. With a metallic whoosh, five black daggers were unsheathed. She backed up frantically, hands in front of herself. She slammed into a wall and was about to scream for Wrath when the men dropped down on bended knees in a circle around her. In a single movement, as if they'd been choreographed, they buried the daggers into the floor at her feet and bowed their heads. The great whoomp of sound as steel met wood seemed both a pledge and a battle cry. The handles of the knives vibrated. The rap music continued to pound. They seemed to be waiting for some kind of response from her. "Umm. Thank you," she said. The men's heads lifted. Etched into the harsh planes of their faces was total reverence. Even the scarred one had a respectful expression. And then Wrath came in with a squeeze bottle of Hershey's syrup. "Bacon's on the way." He smiled. "Hey, they like you." "And thank God for that," she murmured, looking down at the daggers.
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
Hello, old friend. And here we are. You and me, on the last page. By the time you read these words, Rory and I will be long gone. So know that we lived well and were very happy. And above all else, know that we will love you always. Sometimes I do worry about you though. I think once we're gone you won't be coming back here for awhile. And you might be alone. Which you should never be. Don't be alone, Doctor. And do one more thing for me. There's a little girl waiting in a garden. She's going to wait a long while, so she's going to need a lot of hope. Go to her. Tell her a story. Tell her that if she's patient, the days are coming that she'll never forget. Tell her she'll go to see and fight pirates. She'll fall in love with a man who'll wait two thousand years to keep her safe. Tell her she'll give hope to the greatest painter who ever lived. And save a whale in outer space. Tell her, this is the story of Amelia Pond. And this is how it ends.
Steven Moffat
Derek and I went out for our walk after dinner. Alone. There was an open field behind the motel and we headed there. Finally, when we were far enough from the motel, Derek led me into a little patch of woods. He hesitated then, unsure, still just holding my hand. When I stepped in front of him, though, his free hand went around my waist. "So," I said. "Seems you're going to be stuck with me for a while." He smiled. A real smile that lit up his whole face. "Good," he said. He pulled me against him. Then he bent down, breath warming my lips. My pulse was racing so fast I could barely breathe. I was sure he'd stop again and I tensed, waiting for that hesitation, stomach twisting. His lips touched mine, and still I kept waiting for him to pull back. His lips pressed against mine, then parted. And he kissed me. Really kissed me- arms tightening around me, mouth moving against mine, firm, like he'd made up his mind that this was what he wanted and he wasn't backing down again. I slid my arms around his neck. His tightened around me and he scooped me up, lifting me off his feet, kissing me like he was never going to stop, and I kissed him back the same way, like I didn't want him to ever stop. It was a perfect moment, one where nothing else mattered. All I could feel was him. All I could taste was his kiss. All I could hear was the pounding of his heart. All I could think about was him, and how much I wanted this, and how incredibly lucky I was to get it, and how tight I was going to hold onto it. This was what I wanted. This guy. This life. This me. I was never getting my old life back, and I didn't care. I was happy. I was safe. I was right where I wanted to be.
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
Halt waited a minute or two but there was no sound except for the jingling of harness and the creaking of leather from their saddles. Finally, the former Ranger could bear it no longer. What?” The question seemed to explode out of him, with a greater degree of violence than he had intended. Taken by surprise, Horace’s bay shied in fright and danced several paces away. Horace turned an aggrieved look on his mentor as he calmed the horse and brought it back under control. What?” he asked Halt, and the smaller man made a gesture of exasperation. That’s what I want to know,” he said irritably. “What?” Horace peered at him. The look was too obviously the sort of look that you give someone who seems to have taken leave of his senses. It did little to improve Halt’s rapidly growing temper. What?” said Horace, now totally puzzled. Don’t keep parroting at me!” Halt fumed. “Stop repeating what I say! I asked you ‘what,’ so don’t ask me ‘what’ back, understand?” Horace considered the question for a second or two, then, in his deliberate way, he replied: “No.” Halt took a deep breath, his eyebrows contracted into a deep V, and beneath them his eyes with anger but before he could speak, Horace forestalled him. What ‘what’ are you asking me?” he said. Then, thinking how to make the question clearer, he added, “Or to put it another way, why are you asking ‘what’?” Controlling himself with enormous restraint, and making no secret of the fact, Halt said, very precisely: “You were about to ask me a question.” Horace frowned. “I was?” Halt nodded. “You were. I saw you take a breath to ask it.” I see,” Horace said. “And what was it about?” For just a second or two, Halt was speechless. He opened his mouth, closed it again, then finally found the strength to speak. That is what I was asking you,” he said. “When I said ‘what,’ I was asking you what you were about to ask me.” I wasn’t about to ask you ‘what,’” Horace replied, and Halt glared at him suspiciously. It occurred to him that Horace could be indulging himself in a gigantic leg pull, that he was secretly laughing at Halt. This, Halt could have told him, was not a good career move. Rangers were not people who took kindly to being laughed at. He studied the boy’s open face and guileless blue eyes and decided that his suspicion was ill-founded. Then what, if I may use that word once more, were you about to ask me?” Horace drew a breath once more, then hesitated. “I forget,” he said. “What were we talking about?
John Flanagan (The Battle for Skandia (Ranger's Apprentice, #4))
We wait and think and doubt and hate. How does it make you feel? The overwhelming feeling is rage. We hate ourself for being unable to be other than what we are. Unable to be better. We feel rage. The feelings must be followed. It doesn't matter whether you're an ideologue or a sensualist, you follow the stimuli thinking that they're your signposts to the promised land. But they are nothing of the kind. What they are is rocks to navigate the past, each on your brush against, ripping you a little more open and they are always more on the horizon. But you can't face up to the that, so you force yourself to believe the bullshit of those you instinctively know are liars and you repeat those lies to yourself and to others, hoping that by repeating them often and fervently enough you'll attain the godlike status we accord those who tell the lies most frequently and most passionately. But you never do, and even if you could, you wouldn't value it, you'd realise that nobody believes in heroes any more. We know that they only want to sell us something we don't really want and keep from us what we really do need. Maybe that's a good thing. Maybe we're getting in touch with our condition at last. It's horrible how we always die alone, but no worse than living alone.
Irvine Welsh (Filth)
I want my daughters to be beautiful, accomplished, and good. To be admired, loved, and respected. To have a happy youth, to be well and wisely married, and to lead useful, pleasant lives, with as little care and sorrow to try them as God sees fit to send. To be loved and chosen by a good man is the best and sweetest thing which can happen to a woman, and I sincerely hope my girls may know this beautiful experience. It is natural to think of it, Meg, right to hope and wait for it, and wise to prepare for it, so that when the happy time comes, you may feel ready for the duties and worthy of the joy. My dear girls, I am ambitious for you, but not to have you make a dash in the world, marry rich men merely because they are rich, or have splendid houses, which are not homes because love is wanting. Money is a needful and precious thing, and when well used, a noble thing, but I never want you to think it is the first or only prize to strive for. I'd rather see you poor men's wives, if you were happy, beloved, contented, than queens on thrones, without self-respect and peace.
Louisa May Alcott (Little Women (Little Women #1))
After all, we were young. We were fourteen and fifteen, scornful of childhood, remote from the world of stern and ludicrous adults. We were bored, we were restless, we longed to be seized by any whim or passion and follow it to the farthest reaches of our natures. We wanted to live – to die – to burst into flame – to be transformed into angels or explosions. Only the mundane offended us, as if we secretly feared it was our destiny . By late afternoon our muscles ached, our eyelids grew heavy with obscure desires. And so we dreamed and did nothing, for what was there to do, played ping-pong and went to the beach, loafed in backyards, slept late into the morning – and always we craved adventures so extreme we could never imagine them. In the long dusks of summer we walked the suburban streets through scents of maple and cut grass, waiting for something to happen.
Steven Millhauser (Dangerous Laughter)
Patience Patience and Love agreed to meet at a set time and place; beneath the twenty-third tree in the olive orchard. Patience arrived promptly and waited. She checked her watch every so often but still, there was no sign of Love. Was it the twenty-third tree or the fifty-sixth? She wondered and decided to check, just in case. As she made her way over to the fifty-sixth tree, Love arrived at twenty-three, where Patience was noticeably absent. Love waited and waited before deciding he must have the wrong tree and perhaps it was another where they were supposed to meet. Meanwhile, Patience had arrived at the fifty-sixth tree, where Love was still nowhere to be seen. Both begin to drift aimlessly around the olive orchard, almost meeting but never do. Finally, Patience, who was feeling lost and resigned, found herself beneath the same tree where she began. She stood there for barely a minute when there was a tap on her shoulder. It was Love. .................................. “Where are you?” She asked. “I have been searching all my life.” “Stop looking for me,” Love replied, “and I will find you.
Lang Leav (Memories)
In the shop window you have promptly identified the cover with the title you were looking for. Following this visual trail, you have forced your way through the shop past the thick barricade of Books You Haven't Read, which were frowning at you from the tables and shelves, trying to cow you. But you know you must never allow yourself to be awed, that among them there extend for acres and acres the Books You Needn't Read, the Books Made For Purposes Other Than Reading, Books Read Even Before You Open Them Since They Belong To The Category Of Books Read Before Being Written. And thus you pass the outer girdle of ramparts, but then you are attacked by the infantry of the Books That If You Had More Than One Life You Would Certainly Also Read But Unfortunately Your Days Are Numbered. With a rapid maneuver you bypass them and move into the phalanxes of the Books You Mean To Read But There Are Others You Must Read First, the Books Too Expensive Now And You'll Wait Till They're Remaindered, the Books ditto When They Come Out In Paperback, Books You Can Borrow From Somebody, Books That Everybody's Read So It's As If You Had Read Them, Too. Eluding these assaults, you come up beneath the towers of the fortress, where other troops are holding out: the Books You've Been Planning To Read For Ages, the Books You've Been Hunting For Years Without Success, the Books Dealing With Something You're Working On At The Moment, the Books You Want To Own So They'll Be Handy Just In Case, the Books You Could Put Aside Maybe To Read This Summer, the Books You Need To Go With Other Books On Your Shelves, the Books That Fill You With Sudden, Inexplicable Curiosity, Not Easily Justified, Now you have been able to reduce the countless embattled troops to an array that is, to be sure, very large but still calculable in a finite number; but this relative relief is then undermined by the ambush of the Books Read Long Ago Which It's Now Time To Reread and the Books You've Always Pretended To Have Read And Now It's Time To Sit Down And Really Read Them.
Italo Calvino (If on a Winter's Night a Traveler)
This is my last letter There will be no others. This is the last grey cloud That will rain on you, After this, you will never again Know the rain. This is the last drop of wine in my cup There will be no more drunkenness. This is the last letter of madness, The last letter of childhood. After me you will no longer know The purity of youth The beauty of madness. I have loved you Like a child running from school Hiding birds and poems In his pockets. With you I was a child of Hallucinations, Distractions, Contradictions, I was a child of poetry and nervous writing. As for you, You were a woman of Eastern ways Waiting for her fate to appear In the lines of the coffee cups. How miserable you are, my lady, After today You won't be in the blue notebooks, In the pages of the letters, In the cry of the candles, In the mailman's bag. You won't be Inside the children's sweets In the colored kites. You won't be in the pain of the letters In the pain of the poems. You have exiled yourself From the gardens of my childhood You are no longer poetry.
نزار قباني (Arabian Love Poems: Full Arabic and English Texts)
Blue jeans, white shirt Walked into the room you know you made my eyes burn It was like, James Dean, for sure You're so fresh to death and sick as ca-cancer You were sorta punk rock, I grew up on hip hop But you fit me better than my favourite sweater, and I know That love is mean, and love hurts But I still remember that day we met in december, oh baby! I will love you 'til the end of time I would wait a million years Promise you'll remember that you're mine Baby can you see through the tears Love you more Than those bitches before Say you'll remember, oh baby, say you'll remember I will love you 'til the end of time Big dreams, gangster Said you had to leave to start your life over I was like, “No please, stay here, We don't need no money we can make it all work,” But he headed out on sunday, said he'd come home monday I stayed up waitin', anticipatin', and pacin' But he was chasing paper "Caught up in the game" ‒ that was the last I heard I will love you 'til the end of time I would wait a million years Promise you'll remember that you're mine Baby can you see through the tears Love you more Than those bitches before Say you'll remember, oh baby, say you'll remember I will love you 'til the end of time You went out every night And baby that's alright I told you that no matter what you did I'd be by your side Cause Imma ride or die Whether you fail or fly Well shit at least you tried. But when you walked out that door, a piece of me died I told you I wanted more-but that's not what I had in mind I just want it like before We were dancing all night Then they took you away-stole you out of my life You just need to remember.... I will love you 'til the end of time I would wait a million years Promise you'll remember that you're mine Baby can you see through the tears Love you more Than those bitches before Say you'll remember, oh baby, say you'll remember I will love you 'til the end of time
Lana Del Rey
It's amazing how good governments are, given their track records in almost every other field, at hushing up things like alien encounters. One reason may be that the aliens themselves are too embarrassed to talk about it. It's not known why most of the space-going races of the universe want to undertake rummaging in Earthling underwear as a prelude to formal contact. But representatives of several hundred races have taken to hanging out, unsuspected by one another, in rural corners of the planet and, as a result of this, keep on abducting other would-be abductees. Some have been in fact abducted while waiting to carry out an abduction on a couple of aliens trying to abduct the aliens who were, as a result of misunderstood instructions, trying to form cattle into circles and mutilate crops. The planet Earth is now banned to all alien races until they can compare notes and find out how many, if any, real humans they have actually got. It is gloomily suspected that there is only one - who is big, hairy, and has very large feet. The truth may be out there, but the lies are inside your head.
Terry Pratchett (Hogfather)
Me, and thousands of others in this country like me, are half-baked, because we were never allowed to complete our schooling. Open our skulls, look in with a penlight, and you'll find an odd museum of ideas: sentences of history or mathematics remembered from school textbooks (no boy remembers his schooling like the one who was taken out of school, let me assure you), sentences about politics read in a newspaper while waiting for someone to come to an office, triangles and pyramids seen on the torn pages of the old geometry textbooks which every tea shop in this country uses to wrap its snacks in, bits of All India Radio news bulletins, things that drop into your mind, like lizards from the ceiling, in the half hour before falling asleep--all these ideas, half formed and half digested and half correct, mix up with other half-cooked ideas in your head, and I guess these half-formed ideas bugger one another, and make more half-formed ideas, and this is what you act on and live with.
Aravind Adiga (The White Tiger)
He looked down at the keys and played a gentle chord. Jesper wondered at how he could have mistaken Kuwei for Wylan. Their hands were completely different, the shape of the fingers, the knuckles. “Jes,” Wylan said, “did you mean what you told my father? Will you stay with me? Will you help?” Jesper leaned back on the pianoforte, resting on his elbows. “Let’s see. Live in a luxurious merch mansion, get waited on by servants, spend a little extra time with a budding demolitions expert who plays a mean flute? I guess I can manage it.” Jesper’s eyes traveled from the top of Wylan’s red-gold curls to the tips of his toes and back again. “But I do charge a pretty steep fee.” Wylan flushed a magnificent shade of pink. “Well, hopefully the medik will be here to fix my ribs soon,” he said as he headed back into the parlor. “Yeah?” “Yes,” said Wylan, glancing briefly over his shoulder, his cheeks now red as cherries. “I’d like to make a down payment.” Jesper released a bark of laughter. He couldn’t remember the last time he’d felt this good. And no one was even shooting at him.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
For Someone Awakening To The Trauma of His or Her Past: For everything under the sun there is a time. This is the season of your awkward harvesting, When the pain takes you where you would rather not go, Through the white curtain of yesterdays to a place You had forgotten you knew from the inside out; And a time when that bitter tree was planted That has grown always invisibly beside you And whose branches your awakened hands Now long to disentangle from your heart. You are coming to see how your looking often darkened When you should have felt safe enough to fall toward love, How deep down your eyes were always owned by something That faced them through a dark fester of thorns Converting whoever came into a further figure of the wrong; You could only see what touched you as already torn. Now the act of seeing begins your work of mourning. And your memory is ready to show you everything, Having waited all these years for you to return and know. Only you know where the casket of pain is interred. You will have to scrape through all the layers of covering And according to your readiness, everything will open. May you be blessed with a wise and compassionate guide Who can accompany you through the fear and grief Until your heart has wept its way to your true self. As your tears fall over that wounded place, May they wash away your hurt and free your heart. May your forgiveness still the hunger of the wound So that for the first time you can walk away from that place, Reunited with your banished heart, now healed and freed, And feel the clear, free air bless your new face.
John O'Donohue (To Bless the Space Between Us: A Book of Blessings)
Sometimes you dream strange dreams, impossible and unnatural; you wake up and remember them clearly, and are surprised at a strange fact: you remember first of all that reason did not abandon you during the whole course of your dream; you even remember that you acted extremely cleverly and logically for that whole long, long time when you were surrounded by murderers, when they were being clever with you, concealed their intentions, treated you in a friendly way, though they already had their weapons ready and were only waiting for some sort of sign; you remember how cleverly you finally deceived them, hid from them; then you realize that they know your whole deception by heart and merely do not show you that they know where you are hiding; but you are clever and deceive them again—all that you remember clearly. But why at the same time could your reason be reconciled with such obvious absurdities and impossibilities, with which, among other things, your dream was filled? Before your eyes, one of your murderers turned into a woman, and from a woman into a clever, nasty little dwarf—and all that you allowed at once, as an accomplished fact, almost without the least perplexity, and precisely at the moment when, on the other hand, your reason was strained to the utmost, displaying extraordinary force, cleverness, keenness, logic? Why, also, on awakening from your dream and entering fully into reality, do you feel almost every time, and occasionally with an extraordinary force of impressions, that along with the dream you are leaving behind something you have failed to fathom? You smile at the absurdity of your dream and feel at the same time that the tissue of those absurdities contains some thought, but a thought that is real, something that belongs to your true life, something that exists and has always existed in your heart; it is as if your dream has told you something new, prophetic, awaited; your impression is strong, it is joyful or tormenting, but what it is and what has been told you—all that you can neither comprehend nor recall.
Fyodor Dostoevsky (The Idiot)
If I were to be made a knight," said the Wart, staring dreamily into the fire, "I should insist on doing my vigil by myself, as Hob does with his hawks, and I should pray to God to let me encounter all the evil in the world in my own person, so that if I conquered there would be none left, and, if I were defeated, I would be the one to suffer for it." "That would be extremely presumptuous of you," said Merlyn, "and you would be conquered, and you would suffer for it." "I shouldn't mind." "Wouldn't you? Wait till it happens and see." "Why do people not think, when they are grown up, as I do when I am young?" "Oh dear," said Merlyn. '"You are making me feel confused. Suppose you wait till you are grown up and know the reason?" "I don't think that is an answer at all," replied the Wart, justly. Merlyn wrung his hands. "Well, anyway," he said, "suppose they did not let you stand against all the evil in the world?" "I could ask," said the Wart. "You could ask," repeated Merlyn. He thrust the end of his beard into his mouth, stared tragically into the fire, and began to munch it fiercely.
T.H. White (The Once and Future King (The Once and Future King, #1-5))
But,” Shane said. He had to say this next part. It had been eating away at him for too long. “You want to get married, right? To a woman, I mean. You’re not...like me. You like women. And I’m sure...Svetlana is gorgeous and fun and...all that stuff. Right?” “Yes,” Ilya said. “I do. She is. But.” “But?” Ilya shrugged, and he looked like he was possibly blushing. “I have this problem,” he mumbled. Shane waited. “I like women. I always was thinking that to get married would be nice. Kids. All of that. Someday. But...this problem will not go away.” Shane bit his lip. “Tell me about this problem.” “Is so annoying.” Ilya sighed, and Shane could see him fighting a grin. “Always I am with beautiful women. Wonderful women. Everywhere.” “Sounds rough.” “Yes. Listen. These women, they are so sexy and fun, but is no matter. I cannot stop thinking about this short fucking hockey player with these stupid freckles and a weak backhand.” “A weak backhand?” Shane couldn’t stop smiling. “Yes. And he is just so boring and he drives a terrible car and...that is my problem. All of these beautiful women and I am always wishing they were him.” Ilya bent to take his third shot. “Is terrible problem.” Fuck. Shane was going start crying right here in his games room. He swallowed and steadied himself. “Do you want the problem to go away?” “No,” Ilya said seriously, looking Shane dead in the eye. “I do not want the problem to ever go away.
Rachel Reid (Heated Rivalry (Game Changers, #2))
Dear Max - You looked so beautiful today. I'm going to remember what you looked like forever. ... And I hope you remember me the same way - clean, ha-ha. I'm glad our last time together was happy. But I'm leaving tonight, leaving the flock, and this time it's for good. I don't know if I'll ever see any of you again. The thing is, Max, that everyone is a little bit right. Added up all together, it makes this one big right. Dylan's a little bit right about how my being here might be putting the rest of you in danger. The threat might have been just about Dr. Hans, but we don't know that for sure. Angel is a little bit right about how splitting up the flock will help all of us survive. And the rest of the flock is a little bit right about how when you and I are together, we're focused on each other - we can't help it. The thing is, Maximum, I love you. I can't help but be focused on you when we're together. If you're in the room, I want to be next to you. If you're gone, I think about you. You're the one who I want to talk to. In a fight, I want you at my back. When we're together, the sun is shining. When we're apart, everything is in shades of gray. I hope you'll forgive me someday for turning our worlds into shades of gray - at least for a while. ... You're not at your best when you're focused on me. I mean, you're at your best Maxness, but not your best leaderness. I mostly need Maxness. The flock mostly needs leaderness. And Angel, if you're listening to this, it ain't you, sweetie. Not yet. ... At least for a couple more years, the flock needs a leader to survive, no matter how capable everyone thinks he or she is. The truth is that they do need a leader, and the truth is that you are the best leader. It's one of the things I love about you. But the more I thought about it, the more sure I got that this is the right thing to do. Maybe not for you, or for me, but for all of us together, our flock. Please don't try to find me. This is the hardest thing I've ever done in my life, besides wearing that suit today, and seeing you again will only make it harder. You'd ask me to come back, and I would, because I can't say no to you. But all the same problems would still be there, and I'd end up leaving again, and then we'd have to go through this all over again. Please make us only go through this once. ... I love you. I love your smile, your snarl, your grin, your face when you're sleeping. I love your hair streaming out behind you as we fly, with the sunlight making it shine, if it doesn't have too much mud or blood in it. I love seeing your wings spreading out, white and brown and tan and speckled, and the tiny, downy feathers right at the top of your shoulders. I love your eyes, whether they're cold or calculating or suspicious or laughing or warm, like when you look at me. ... You're the best warrior I know, the best leader. You're the most comforting mom we've ever had. You're the biggest goofball, the worst driver, and a truly lousy cook. You've kept us safe and provided for us, in good times and bad. You're my best friend, my first and only love, and the most beautiful girl I've ever seen, with wings or without. ... Tell you what, sweetie: If in twenty years we haven't expired yet, and the world is still more or less in one piece, I'll meet you at the top of that cliff where we first met the hawks and learned to fly with them. You know the one. Twenty years from today, if I'm alive, I'll be there, waiting for you. You can bet on it. Good-bye, my love. Fang P.S. Tell everyone I sure will miss them
James Patterson
I mean it. I can't go alone. And I really can't go with Levana." "Well, there are about 200,000 single girls in this city who would fall over themselves to have the privilege." A hush passed between them... "Cinder." She couldn't help it. She looked at him... "200,000 single girls," he said. "Why not you?" Cyborg. Lunar. Mechanic. She was the last thing he wanted. She opened her lips, and the elevator stopped. "I'm sorry. But trust me---you don't want to go with me." The doors opened and the tension released her. She rushed out of the elevator, head down, trying to look at the small group of people waiting for the elevator. "Come to the ball with me." She froze. Everyone in the hallway froze. Cinder turned back. Kai was still standing in elevator B one hand propping open the door. Her nerves frazzled, and all the emotions of the past hour were converging into a single sickening feeling---exasperation. The hall was filled with doctors, nurses, androids, officials, technicians, and they all fell into an awkward hush and stared at the prince and the girl in the baggy cargo pants he was flirting with. Flirting. Squaring her shoulders, she retreated back into the elevator and pushed him inside, not even caring that it was her metal hand. "Hold the elevator," he said to the android as the doors shut behind him. He smiled. "That got your attention.
Marissa Meyer
Private Parts The first love of my life never saw me naked - there was always a parent coming home in half an hour - always a little brother in the next room. Always too much body and not enough time for me to show it. Instead, I gave him my shoulder, my elbow, the bend of my knee - I lent him my corners, my edges, the parts of me I could afford to offer - the parts I had long since given up trying to hide. He never asked for more. He gave me back his eyelashes, the back of his neck, his palms - we held each piece we were given like it was a nectarine that could bruise if we weren’t careful. We collected them like we were trying to build an orchid. And the spaces that he never saw, the ones my parents half labeled “private parts” when I was still small enough to fit all of myself and my worries inside a bathtub - I made up for that by handing over all the private parts of me. There was no secret I didn’t tell him, there was no moment I didn’t share - and we didn’t grow up, we grew in, like ivy wrapping, moulding each other into perfect yings and yangs. We kissed with mouths open, breathing his exhale into my inhale - we could have survived underwater or outer space. Breathing only of the breathe we traded, we spelled love, g-i-v-e, I never wanted to hide my body from him - if I could have I would have given it all away with the rest of me - I did not know it was possible. To save some thing for myself. Some nights I wake up knowing he is anxious, he is across the world in another woman’s arms - the years have spread us like dandelion seeds - sanding down the edges of our jigsaw parts that used to only fit each other. He drinks from the pitcher on the night stand, checks the digital clock, it is 5am - he tosses in sheets and tries to settle, I wait for him to sleep. Before tucking myself into elbows and knees reach for things I have long since given up.
Sarah Kay
I KNEW IT WAS OVER when tonight you couldn't make the phone ring when you used to make the sun rise when trees used to throw themselves in front of you to be paper for love letters that was how i knew i had to do it swaddle the kids we never had against january's cold slice bundle them in winter clothes they never needed so i could drop them off at my mom's even though she lives on the other side of the country and at this late west coast hour is assuredly east coast sleeping peacefully her house was lit like a candle the way homes should be warm and golden and home and the kids ran in and jumped at the bichon frise named lucky that she never had they hugged the dog it wriggled and the kids were happy yours and mine the ones we never had and my mom was grand maternal, which is to say, with style that only comes when you've seen enough to know grace like when to pretend it's christmas or a birthday so she lit her voice with tiny lights and pretended she didn't see me crying as i drove away to the hotel connected to the bar where i ordered the cheapest whisky they had just because it shares your first name because they don't make a whisky called baby and i only thought what i got was what i ordered i toasted the hangover inevitable as sun that used to rise in your name i toasted the carnivals we never went to and the things you never won for me the ferris wheels we never kissed on and all the dreams between us that sat there like balloons on a carney's board waiting to explode with passion but slowly deflated hung slave under the pin- prick of a tack hung heads down like lovers when it doesn't work, like me at last call after too many cheap too many sweet too much whisky makes me sick, like the smell of cheap, like the smell of the dead like the cheap, dead flowers you never sent that i never threw out of the window of a car i never really owned
Daphne Gottlieb (Final Girl)
The hardest part of letting go is the "uncertainty"--when you are afraid that the moment you let go of someone you will hate yourself when you find out how close you were to winning their affection. Every time you give yourself hope you steal away a part of your time, happiness and future. However, once in a while you wake up to this realization and you have to hold on tightly to this truth because your heart will tear away the foundation of your logic, by making excuses for why this person doesn't try as much as you. The truth is this: Real love is simple. We are the ones that make it complicated. A part of disconnecting is recognizing the difference between being desired and being valued. When someone loves you they will never keep you waiting, give their attention and affection away to others, allow you to continue hurting, or ignore what you have gone through for them. On the other hand, a person that desires you can't see your pain, only what they can get from you with minimal effort in return. They let you risk everything, while they guard their heart and reap the benefits of your feelings. We make so many excuses for the people we fall in love with and they make up even more to remain one foot in the door. However, the truth is God didn't create you to be treated as an option or to be disrespected repeatedly. He wants you to close the door. If someone loves you and wants to be in your life no obstacle will keep them from you. Remember, you are royalty, not a beggar.
Shannon L. Alder
Maxon, I hope you find someone you can't love without. I really do. And I hope you never have to know what it's like to have to try and live without them." Maxon's face was a shallow echo of my own pain. He looked absolutely brokenhearted for me. More than that, he looked angry. "I'm sorry, America. I don't..." His face shifted a little. "Is this a good time to pat your shoulder?" His uncertainty made me smile. "Yes. Now would be a great time." He seemed as skeptically as he'd been the other day, but instead of just patting my shoulder, he leaned in and tentatively wrapped his arms around me. "I only really ever hug my mother. Is this okay?" he asked. I laughed. "It's hard to get a hug wrong." After a minute, I spoke again. "I know what you mean, though. I don't really hug anyone besides my family." I felt so drained after the long day of dressing and the Report and dinner and talking. It was nice to have Maxon just hold me, sometimes even patting my hair. He wasn't as lost as he seemed. He patiently waited for my breathing to slow, and when it did, he pulled back to look at me. "America, I promise you I'll keep you here until the last possible moment. I understand that they want me to narrow the Elite down to three and then choose. But I swear to you, I'll make it to two and keep you here until then. I won't make you leave a moment before I have to. Or the moment you're ready. Whichever comes first." I nodded. "I know we just met, but I think you're wonderful. And it bothers me to see you hurt. If he were here, I'd...I'd..." Maxon shook with frustration, then sighed. "I'm so sorry, America." He pulled me back in, and I rested my head on his broad shoulder. I knew Maxon would keep his promises. So I settled into perhaps the last place I ever thought I'd find genuine comfort.
Kiera Cass (The Selection (The Selection, #1))
I used to think Romeo and Juliet was the greatest love story ever written. But now that I’m middle-aged, I know better. Oh, Romeo certainly thinks he loves his Juliet. Driven by hormones, he unquestionably lusts for her. But if he loves her, it’s a shallow love. You want proof?” Cagney didn’t wait for Dr. Victor to say yay or nay. “Soon after meeting her for the first time, he realizes he forgot to ask her for her name. Can true love be founded upon such shallow acquaintance? I don’t think so. And at the end, when he thinks she’s dead, he finds no comfort in living out the remainder of his life within the paradigm of his love, at least keeping alive the memory of what they had briefly shared, even if it was no more than illusion, or more accurately, hormonal. “Those of us watching events unfold from the darkness know she merely lies in slumber. But does he seek the reason for her life-like appearance? No. Instead he accuses Death of amorousness, convinced that the ‘lean abhorred monster’ endeavors to keep Juliet in her present state, her cheeks flushed, so that she might cater to his own dissolute desires. But does Romeo hold her in his arms one last time and feel the warmth of her blood still coursing through her veins? Does he pinch her to see if she might awaken? Hold a mirror to her nose to see if her breath fogs it? Once, twice, three times a ‘no.’” Cagney sighed, listened to the leather creak as he shifted his weight in his chair. “No,” he repeated. “His alleged love is so superficial and selfish that he seeks to escape the pain of loss by taking his own life. That’s not love, but obsessive infatuation. Had they wed—Juliet bearing many children, bonding, growing together, the masks of the star-struck teens they once were long ago cast away, basking in the comforting campfire of a love born of a lifetime together, not devoured by the raging forest fire of youth that consumes everything and leaves behind nothing—and she died of natural causes, would Romeo have been so moved to take his own life, or would he have grieved properly, for her loss and not just his own?
J. Conrad Guest (The Cobb Legacy)
He said, “I know somebody you could kiss.” “Who?” She realized his eyes were amused. “Oh, wait.” He shrugged. He was maybe the only person Blue knew who could preserve the integrity of a shrug while lying down. “It’s not like you’re going to kill me. I mean, if you were curious.” She hadn’t thought she was curious. It hadn’t been an option, after all. Not being able to kiss someone was a lot like being poor. She tried not to dwell on the things she couldn’t have. But now— “Okay,” she said. “What?” “I said okay.” He blushed. Or rather, because he was dead, he became normal colored. “Uh.” He propped himself on an elbow. “Well.” She unburied her face from the pillow. “Just, like—” He leaned toward her. Blue felt a thrill for a half a second. No, more like a quarter second. Because after that she felt the too-firm pucker of his tense lips. His mouth mashed her lips until it met teeth. The entire thing was at once slimy and ticklish and hilarious. They both gasped an embarrassed laugh. Noah said, “Bah!” Blue considered wiping her mouth, but felt that would be rude. It was all fairly underwhelming. She said, “Well.” “Wait,” Noah replied, “waitwaitwait.” He pulled one of Blue’s hairs out of his mouth. “I wasn’t ready.” He shook out his hands as if Blue’s lips were a sporting event and cramping was a very real possibility. “Go,” Blue said. This time they only got within a breath of each other’s lips when they both began to laugh. She closed the distance and was rewarded with another kiss that felt a lot like kissing a dishwasher. “I’m doing something wrong?” she suggested. “Sometimes it’s better with tongue,” he replied dubiously. They regarded each other. Blue squinted, “Are you sure you’ve done this before?” “Hey!” he protested. “It’s weird for me, ‘cause it’s you.” “Well, it’s weird for me because it’s you.” “We can stop.” “Maybe we should.” Noah pushed himself up farther on his elbow and gazed at the ceiling vaguely. Finally, he dropped his eyes back to her. “You’ve seen, like, movies. Of kisses, right? Your lips need to be, like, wanting to be kissed.” Blue touched her mouth. “What are they doing now?” “Like, bracing themselves.” She pursed and unpursed her lips. She saw his point. “So imagine one of those,” Noah suggested. She sighed and sifted through her memories until she found one that would do. It wasn’t a movie kiss, however. It was the kiss the dreaming tree had showed her in Cabeswater. Her first and only kiss with Gansey, right before he died. She thought about his nice mouth when he smiled. About his pleasant eyes when he laughed. She closed her eyes. Placing an elbow on the other side of her head, Noah leaned close and kissed her once more. This time, it was more of a thought than a feeling, a soft heat that began at her mouth and unfurled through the rest of her. One of his cold hands slid behind her neck and he kissed her again, lips parted. It was not just a touch, an action. It was a simplification of both of them: They were no longer Noah Czerny and Blue Sargent. They were now just him and her. Not even that. They were only the time that they held between them.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
It’s loneliness. Even though I’m surrounded by loved ones who care about me and want only the best, it’s possible they try to help only because they feel the same thing—loneliness—and why, in a gesture of solidarity, you’ll find the phrase “I am useful, even if alone” carved in stone. Though the brain says all is well, the soul is lost, confused, doesn’t know why life is being unfair to it. But we still wake up in the morning and take care of our children, our husband, our lover, our boss, our employees, our students, those dozens of people who make an ordinary day come to life. And we often have a smile on our face and a word of encouragement, because no one can explain their loneliness to others, especially when we are always in good company. But this loneliness exists and eats away at the best parts of us because we must use all our energy to appear happy, even though we will never be able to deceive ourselves. But we insist, every morning, on showing only the rose that blooms, and keep the thorny stem that hurts us and makes us bleed hidden within. Even knowing that everyone, at some point, has felt completely and utterly alone, it is humiliating to say, “I’m lonely, I need company. I need to kill this monster that everyone thinks is as imaginary as a fairy-tale dragon, but isn’t.” But it isn’t. I wait for a pure and virtuous knight, in all his glory, to come defeat it and push it into the abyss for good, but that knight never comes. Yet we cannot lose hope. We start doing things we don’t usually do, daring to go beyond what is fair and necessary. The thorns inside us will grow larger and more overwhelming, yet we cannot give up halfway. Everyone is looking to see the final outcome, as though life were a huge game of chess. We pretend it doesn’t matter whether we win or lose, the important thing is to compete. We root for our true feelings to stay opaque and hidden, but then … … instead of looking for companionship, we isolate ourselves even more in order to lick our wounds in silence. Or we go out for dinner or lunch with people who have nothing to do with our lives and spend the whole time talking about things that are of no importance. We even manage to distract ourselves for a while with drink and celebration, but the dragon lives on until the people who are close to us see that something is wrong and begin to blame themselves for not making us happy. They ask what the problem is. We say that everything is fine, but it’s not … Everything is awful. Please, leave me alone, because I have no more tears to cry or heart left to suffer. All I have is insomnia, emptiness, and apathy, and, if you just ask yourselves, you’re feeling the same thing. But they insist that this is just a rough patch or depression because they are afraid to use the real and damning word: loneliness. Meanwhile, we continue to relentlessly pursue the only thing that would make us happy: the knight in shining armor who will slay the dragon, pick the rose, and clip the thorns. Many claim that life is unfair. Others are happy because they believe that this is exactly what we deserve: loneliness, unhappiness. Because we have everything and they don’t. But one day those who are blind begin to see. Those who are sad are comforted. Those who suffer are saved. The knight arrives to rescue us, and life is vindicated once again. Still, you have to lie and cheat, because this time the circumstances are different. Who hasn’t felt the urge to drop everything and go in search of their dream? A dream is always risky, for there is a price to pay. That price is death by stoning in some countries, and in others it could be social ostracism or indifference. But there is always a price to pay. You keep lying and people pretend they still believe, but secretly they are jealous, make comments behind your back, say you’re the very worst, most threatening thing there is. You are not an adulterous man, tolerated and often even admired, but an adulterous woman, one who is ...
Paulo Coelho (Adultery)
When warm weather came, Baby Suggs, holy, followed by every black man, woman, and child who could make it through, took her great heart to the Clearing--a wide-open place cut deep in the woods nobody knew for what at the end of the path known only to deer and whoever cleared the land in the first place. In the heat of every Saturday afternoon, she sat in the clearing while the people waited among the trees. After situating herself on a huge flat-sided rock, Baby Suggs bowed her head and prayed silently. The company watched her from the trees. They knew she was ready when she put her stick down. Then she shouted, 'Let the children come!' and they ran from the trees toward her. Let your mothers hear you laugh,' she told them, and the woods rang. The adults looked on and could not help smiling. Then 'Let the grown men come,' she shouted. They stepped out one by one from among the ringing trees. Let your wives and your children see you dance,' she told them, and groundlife shuddered under their feet. Finally she called the women to her. 'Cry,' she told them. 'For the living and the dead. Just cry.' And without covering their eyes the women let loose. It started that way: laughing children, dancing men, crying women and then it got mixed up. Women stopped crying and danced; men sat down and cried; children danced, women laughed, children cried until, exhausted and riven, all and each lay about the Clearing damp and gasping for breath. In the silence that followed, Baby Suggs, holy, offered up to them her great big heart. She did not tell them to clean up their lives or go and sin no more. She did not tell them they were the blessed of the earth, its inheriting meek or its glorybound pure. She told them that the only grace they could have was the grace they could imagine. That if they could not see it, they would not have it. Here,' she said, 'in this here place, we flesh; flesh that weeps, laughs; flesh that dances on bare feet in grass. Love it. Love it hard...
Toni Morrison (Beloved)
Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunch-backed makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed form kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries' vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers, heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters' sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etiolated lacquerers; mottle-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men's wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of Last Chrysanthemum, where a puddle from last night's rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.
David Mitchell (The Thousand Autumns of Jacob de Zoet)
Mother,” Alec’s voice as he interrupted his mother was firm, implacable, and not unkind. “Father. There’s something I have to tell you.” he smiled at them. “I‘m seeing someone.” Robert Lightwood looked at his son with some exasperation. “Alec,” he said. “This is hardly the time.” “Yes, it is. This is important. You see, I‘m not just seeing anyone.” Words seemed to be pouring out of Alec in a torrent, while his parents looked on in confusion. Isabelle and Magnus were staring at him with expressions of nearly identical astonishment. “I‘m seeing a Downworlder. In fact, I‘m seeing a war-” Magnus‘s fingers moved, quick as a flash of light, in Alec‘s direction. There was a faint shimmer in the air around Alec-his eyes rolled up-and he dropped to the floor, felled like a tree. “Alec!” Maryse clapped her hand to her mouth. Isabelle, who had been closest to her brother, dropped down beside him. But Alec had already begun to stir, his eyelids fluttering open. “Wha-what-why am I on the floor?” “That‘s a good question.” Isabelle glowered down at her brother. “What was that?” “What was what?” Alec sat up, holding his head. A look of alarm crossed his face. “Wait-did I say anything? Before I passed out, I mean.” Jace snorted. “You know how we were wondering if that thing Clary did would work or not?” he asked. “It works all right.” Alec looked supremely horrified. “What did I say?” “You said you were seeing someone,” his father told him. “Though you weren’t clear as to why that was important.” “Its not,” Alec said. “I mean, I‘m not seeing anyone. And its not important. Or it wouldn’t be if I was seeing someone, which I‘m not.” Magnus looked at him as if he were an idiot. “Alec‘s been delirious,” he said. “Side effect of some demon toxins. Most unfortunate, but he‘ll be fine soon.” ~pg.286-287~
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
Do you know about the spoons? Because you should. The Spoon Theory was created by a friend of mine, Christine Miserandino, to explain the limits you have when you live with chronic illness. Most healthy people have a seemingly infinite number of spoons at their disposal, each one representing the energy needed to do a task. You get up in the morning. That’s a spoon. You take a shower. That’s a spoon. You work, and play, and clean, and love, and hate, and that’s lots of damn spoons … but if you are young and healthy you still have spoons left over as you fall asleep and wait for the new supply of spoons to be delivered in the morning. But if you are sick or in pain, your exhaustion changes you and the number of spoons you have. Autoimmune disease or chronic pain like I have with my arthritis cuts down on your spoons. Depression or anxiety takes away even more. Maybe you only have six spoons to use that day. Sometimes you have even fewer. And you look at the things you need to do and realize that you don’t have enough spoons to do them all. If you clean the house you won’t have any spoons left to exercise. You can visit a friend but you won’t have enough spoons to drive yourself back home. You can accomplish everything a normal person does for hours but then you hit a wall and fall into bed thinking, “I wish I could stop breathing for an hour because it’s exhausting, all this inhaling and exhaling.” And then your husband sees you lying on the bed and raises his eyebrow seductively and you say, “No. I can’t have sex with you today because there aren’t enough spoons,” and he looks at you strangely because that sounds kinky, and not in a good way. And you know you should explain the Spoon Theory so he won’t get mad but you don’t have the energy to explain properly because you used your last spoon of the morning picking up his dry cleaning so instead you just defensively yell: “I SPENT ALL MY SPOONS ON YOUR LAUNDRY,” and he says, “What the … You can’t pay for dry cleaning with spoons. What is wrong with you?” Now you’re mad because this is his fault too but you’re too tired to fight out loud and so you have the argument in your mind, but it doesn’t go well because you’re too tired to defend yourself even in your head, and the critical internal voices take over and you’re too tired not to believe them. Then you get more depressed and the next day you wake up with even fewer spoons and so you try to make spoons out of caffeine and willpower but that never really works. The only thing that does work is realizing that your lack of spoons is not your fault, and to remind yourself of that fact over and over as you compare your fucked-up life to everyone else’s just-as-fucked-up-but-not-as-noticeably-to-outsiders lives. Really, the only people you should be comparing yourself to would be people who make you feel better by comparison. For instance, people who are in comas, because those people have no spoons at all and you don’t see anyone judging them. Personally, I always compare myself to Galileo because everyone knows he’s fantastic, but he has no spoons at all because he’s dead. So technically I’m better than Galileo because all I’ve done is take a shower and already I’ve accomplished more than him today. If we were having a competition I’d have beaten him in daily accomplishments every damn day of my life. But I’m not gloating because Galileo can’t control his current spoon supply any more than I can, and if Galileo couldn’t figure out how to keep his dwindling spoon supply I think it’s pretty unfair of me to judge myself for mine. I’ve learned to use my spoons wisely. To say no. To push myself, but not too hard. To try to enjoy the amazingness of life while teetering at the edge of terror and fatigue.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
Clay, did you ever love me?" I'm studying a billboard and say that I didn't hear what she said. "I asked if you ever loved me?" On the terrace the sun bursts into my eyes and for one blinding moment I see myself clearly. I remember the first time we made love, in the house in Palm Springs, her body tan and wet, lying against cool, white sheets. "Don't do this, Blair," I tell her. "Just tell me." I don't say anything. "Is it such a hard question to answer?" I look at her straight on. "Yes or no?" "Why?" "Damnit, Clay," she sighs. "Yeah, sure, I guess." "Don't lie to me." "What in the fuck do you want to hear?" "Just tell me," she says, her voice rising. "No," I almost shout. "I never did." I almost start to laugh. She draws in a breath and says, "Thank you. That's all I wanted to know." She sips her wine. "Did you ever love me?" I ask her back, though by now I can't even care. She pauses. "I thought about it and yeah, I did once. I mean I really did. Everything was all right for a while. You were kind." She looks down and then goes on. "But it was like you weren't there. Oh shit, this isn't going to make any sense." She stops. I look at her, waiting for her to go on, looking up at the billboard. Disappear Here. "I don't know if any other person I've been with has been really there, either ... but at least they tried." I finger the menu; put the cigarette out. "You never did. Other people made an effort and you just ... It was just beyond you." She takes another sip of her wine. "You were never there. I felt sorry for you for a little while, but then I found it hard to. You're a beautiful boy, Clay, but that's about it." I watch the cars pass by on Sunset. "It's hard to feel sorry for someone who doesn't care." "Yeah?" I ask. "What do you care about? What makes you happy?" "Nothing. Nothing makes me happy. I like nothing," I tell her. "Did you ever care about me, Clay?" I don't say anything, look back at the menu. "Did you ever care about me?" she asks again. "I don't want to care. If I care about things, it'll just be worse, it'll just be another thing to worry about. It's less painful if I don't care." "I cared about you for a little while." I don't say anything. She takes off her sunglasses and finally says, "I'll see you later, Clay." She gets up. "Where are you going?" I suddenly don't want to leave Blair here. I almost want to take her back with me. "Have to meet someone for lunch." "But what about us?" "What about us?" She stands there for a moment, waiting. I keep staring at the billboard until it begins to blur and when my vision becomes clearer I watch as Blair's car glides out of the parking lot and becomes lost in the haze of traffic on Sunset. The waiter comes over and asks, "Is everything okay, sir?" I look up and put my sunglasses on and try to smile. "Yeah.
Bret Easton Ellis (Less Than Zero)
Is that all?” he blurted out. Crowley and Halt exchanged slightly puzzled glances. Then Crowley pursed his lips thoughtfully. “Um…it seems to be…Listed your trainging, mentioned a few achievements, made sure you know which end of an arrow is the sharp part…decided your new name…I think that’s…” Then it seemed that understanding dawned on him and his eyes opened wide. “Of course! You have to have you Silver…whatsis, don ‘t you?” He took hold of the chain that held his own Silver Oakleaf around his throat and shook it lightly. It was a badge of a Graduate Ranger. Then he began to search through his pockets, frowning. “Had it here! Had it here! Where the devil is it…wait. I heard something fall on the boards as I came in! Must have dropped it. Just check outside the front door, will you, Will?” Too stunned to talk, Will rose and went to the door. As he set his hand on the latch, he looked back at the two Rangers, still seated at the table. Crowley made a small shooing motion with the back of his hand, urging him to go outside. Will was still looking back at them when he opened the door and stepped through on the verandah. “Congratulations!” The massive cry went up from at least forty throats. He swung around in shock to find all his friends gathered in the clearing outside around the table laid for a feast, their faces beaming with smiles. Baron Arald, Sir Rodney, Lady Pauline and Master Chubb were all there. So were Jenny and George, his former wardmates. There were a dozen others in the Ranger uniform – men he had met worked with over the past five years. And wonder of wonders, there were Erak and Svengal , bellowing his name and waving their huge axes overhead in his praise. Close by them stood Horace and Gilan, both brandishing their swords overhead as well. It looked like a dangerous section of the crowd to be in, Will thought. After the first concerted shout, people began cheering and calling his name, laughing and waving to him. Halt and Crowley joined him on the verandah. The Commandant was doubled over with laughter. “Oh, if you could have seen yourself!” he wheezed. “Your face! Your face! It was priceless! ‘Is that all?’” He mimicked Will’s plaintive tones and doubled over again. Will tuned to Halt accusingly. His teacher grinned at him. “Your face was a study,” he said. “Do you so that to all apprentices?” Will asked. Halt nodded vigorously. “Every one. Stops them getting a swelled head at the last minute. You have to swear never to let an apprentice in on the secret.
John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
Sometimes we’re on a collision course, and we just don’t know it. Whether it’s by accident or by design, there’s not a thing we can do about it. A woman in Paris was on her way to go shopping, but she had forgotten her coat - went back to get it. When she had gotten her coat, the phone had rung, so she’d stopped to answer it; talked for a couple of minutes. While the woman was on the phone, Daisy was rehearsing for a performance at the Paris Opera House. And while she was rehearsing, the woman, off the phone now, had gone outside to get a taxi. Now a taxi driver had dropped off a fare earlier and had stopped to get a cup of coffee. And all the while, Daisy was rehearsing. And this cab driver, who dropped off the earlier fare; who’d stopped to get the cup of coffee, had picked up the lady who was going to shopping, and had missed getting an earlier cab. The taxi had to stop for a man crossing the street, who had left for work five minutes later than he normally did, because he forgot to set off his alarm. While that man, late for work, was crossing the street, Daisy had finished rehearsing, and was taking a shower. And while Daisy was showering, the taxi was waiting outside a boutique for the woman to pick up a package, which hadn’t been wrapped yet, because the girl who was supposed to wrap it had broken up with her boyfriend the night before, and forgot. When the package was wrapped, the woman, who was back in the cab, was blocked by a delivery truck, all the while Daisy was getting dressed. The delivery truck pulled away and the taxi was able to move, while Daisy, the last to be dressed, waited for one of her friends, who had broken a shoelace. While the taxi was stopped, waiting for a traffic light, Daisy and her friend came out the back of the theater. And if only one thing had happened differently: if that shoelace hadn’t broken; or that delivery truck had moved moments earlier; or that package had been wrapped and ready, because the girl hadn’t broken up with her boyfriend; or that man had set his alarm and got up five minutes earlier; or that taxi driver hadn’t stopped for a cup of coffee; or that woman had remembered her coat, and got into an earlier cab, Daisy and her friend would’ve crossed the street, and the taxi would’ve driven by. But life being what it is - a series of intersecting lives and incidents, out of anyone’s control - that taxi did not go by, and that driver was momentarily distracted, and that taxi hit Daisy, and her leg was crushed.
Eric Roth (The Curious Case of Benjamin Button Screenplay)
Once upon a time there was a king who had three beautiful daughters. No, no, wait. Once upon a time there were three bears who lived in a wee house in the woods. Once upon a time there were three soldiers, tramping together down the road after the war. Once upon a time there were three little pigs. Once upon a time there were three brothers. No, this is it. This is the variation I want. Once upon a time there were three Beautiful children, two boys and a girl. When each baby was born, the parents rejoiced, the heavens rejoiced, even the fairies rejoiced. The fairies came to christening parties and gave the babies magical gifts. Bounce, effort, and snark. Contemplation and enthusiasm. Ambition and strong coffee. Sugar, curiosity, and rain. And yet, there was a witch. There's always a witch. This which was the same age as the beautiful children, and as she and they grew, she was jealous of the girl, and jealous of the boys, too. They were blessed with all these fairy gifts, gifts the witch had been denied at her own christening. The eldest boy was strong and fast, capable and handsome. Though it's true, he was exceptionally short. The next boy was studious and open hearted. Though it's true, he was an outsider. And the girl was witty, Generous, and ethical. Though it's true, she felt powerless. The witch, she was none of these things, for her parents had angered the fairies. No gifts were ever bestowed upon her. She was lonely. Her only strength was her dark and ugly magic. She confuse being spartan with being charitable, and gave away her possessions without truly doing good with them. She confuse being sick with being brave, and suffered agonies while imagining she merited praise for it. She confused wit with intelligence, and made people laugh rather than lightening their hearts are making them think. Hey magic was all she had, and she used it to destroy what she most admired. She visited each young person in turn in their tenth birthday, but did not harm them out right. The protection of some kind fairy - the lilac fairy, perhaps - prevented her from doing so. What she did instead was cursed them. "When you are sixteen," proclaimed the witch in a rage of jealousy, "you shall prick your finger on a spindle - no, you shall strike a match - yes, you will strike a match and did in its flame." The parents of the beautiful children were frightened of the curse, and tried, as people will do, to avoid it. They moved themselves and the children far away, to a castle on a windswept Island. A castle where there were no matches. There, surely, they would be safe. There, Surely, the witch would never find them. But find them she did. And when they were fifteen, these beautiful children, just before their sixteenth birthdays and when they're nervous parents not yet expecting it, the jealous which toxic, hateful self into their lives in the shape of a blonde meeting. The maiden befriended the beautiful children. She kissed him and took them on the boat rides and brought them fudge and told them stories. Then she gave them a box of matches. The children were entranced, for nearly sixteen they have never seen fire. Go on, strike, said the witch, smiling. Fire is beautiful. Nothing bad will happen. Go on, she said, the flames will cleanse your souls. Go on, she said, for you are independent thinkers. Go on, she said. What is this life we lead, if you did not take action? And they listened. They took the matches from her and they struck them. The witch watched their beauty burn, Their bounce, Their intelligence, Their wit, Their open hearts, Their charm, Their dreams for the future. She watched it all disappear in smoke.
E. Lockhart (We Were Liars)
In life, the question is not if you will have problems, but how you are going to deal with your problems. If the possibility of failure were erased, what would you attempt to achieve? The essence of man is imperfection. Know that you're going to make mistakes. The fellow who never makes a mistake takes his orders from one who does. Wake up and realize this: Failure is simply a price we pay to achieve success. Achievers are given multiple reasons to believe they are failures. But in spite of that, they persevere. The average for entrepreneurs is 3.8 failures before they finally make it in business. When achievers fail, they see it as a momentary event, not a lifelong epidemic. Procrastination is too high a price to pay for fear of failure. To conquer fear, you have to feel the fear and take action anyway. Forget motivation. Just do it. Act your way into feeling, not wait for positive emotions to carry you forward. Recognize that you will spend much of your life making mistakes. If you can take action and keep making mistakes, you gain experience. Life is playing a poor hand well. The greatest battle you wage against failure occurs on the inside, not the outside. Why worry about things you can't control when you can keep yourself busy controlling the things that depend on you? Handicaps can only disable us if we let them. If you are continually experiencing trouble or facing obstacles, then you should check to make sure that you are not the problem. Be more concerned with what you can give rather than what you can get because giving truly is the highest level of living. Embrace adversity and make failure a regular part of your life. If you're not failing, you're probably not really moving forward. Everything in life brings risk. It's true that you risk failure if you try something bold because you might miss it. But you also risk failure if you stand still and don't try anything new. The less you venture out, the greater your risk of failure. Ironically the more you risk failure — and actually fail — the greater your chances of success. If you are succeeding in everything you do, then you're probably not pushing yourself hard enough. And that means you're not taking enough risks. You risk because you have something of value you want to achieve. The more you do, the more you fail. The more you fail, the more you learn. The more you learn, the better you get. Determining what went wrong in a situation has value. But taking that analysis another step and figuring out how to use it to your benefit is the real difference maker when it comes to failing forward. Don't let your learning lead to knowledge; let your learning lead to action. The last time you failed, did you stop trying because you failed, or did you fail because you stopped trying? Commitment makes you capable of failing forward until you reach your goals. Cutting corners is really a sign of impatience and poor self-discipline. Successful people have learned to do what does not come naturally. Nothing worth achieving comes easily. The only way to fail forward and achieve your dreams is to cultivate tenacity and persistence. Never say die. Never be satisfied. Be stubborn. Be persistent. Integrity is a must. Anything worth having is worth striving for with all your might. If we look long enough for what we want in life we are almost sure to find it. Success is in the journey, the continual process. And no matter how hard you work, you will not create the perfect plan or execute it without error. You will never get to the point that you no longer make mistakes, that you no longer fail. The next time you find yourself envying what successful people have achieved, recognize that they have probably gone through many negative experiences that you cannot see on the surface. Fail early, fail often, but always fail forward.
John C. Maxwell (Failing Forward)
Live or die, but don't poison everything... Well, death's been here for a long time -- it has a hell of a lot to do with hell and suspicion of the eye and the religious objects and how I mourned them when they were made obscene by my dwarf-heart's doodle. The chief ingredient is mutilation. And mud, day after day, mud like a ritual, and the baby on the platter, cooked but still human, cooked also with little maggots, sewn onto it maybe by somebody's mother, the damn bitch! Even so, I kept right on going on, a sort of human statement, lugging myself as if I were a sawed-off body in the trunk, the steamer trunk. This became perjury of the soul. It became an outright lie and even though I dressed the body it was still naked, still killed. It was caught in the first place at birth, like a fish. But I play it, dressed it up, dressed it up like somebody's doll. Is life something you play? And all the time wanting to get rid of it? And further, everyone yelling at you to shut up. And no wonder! People don't like to be told that you're sick and then be forced to watch you come down with the hammer. Today life opened inside me like an egg and there inside after considerable digging I found the answer. What a bargain! There was the sun, her yolk moving feverishly, tumbling her prize -- and you realize she does this daily! I'd known she was a purifier but I hadn't thought she was solid, hadn't known she was an answer. God! It's a dream, lovers sprouting in the yard like celery stalks and better, a husband straight as a redwood, two daughters, two sea urchings, picking roses off my hackles. If I'm on fire they dance around it and cook marshmallows. And if I'm ice they simply skate on me in little ballet costumes. Here, all along, thinking I was a killer, anointing myself daily with my little poisons. But no. I'm an empress. I wear an apron. My typewriter writes. It didn't break the way it warned. Even crazy, I'm as nice as a chocolate bar. Even with the witches' gymnastics they trust my incalculable city, my corruptible bed. O dearest three, I make a soft reply. The witch comes on and you paint her pink. I come with kisses in my hood and the sun, the smart one, rolling in my arms. So I say Live and turn my shadow three times round to feed our puppies as they come, the eight Dalmatians we didn't drown, despite the warnings: The abort! The destroy! Despite the pails of water that waited, to drown them, to pull them down like stones, they came, each one headfirst, blowing bubbles the color of cataract-blue and fumbling for the tiny tits. Just last week, eight Dalmatians, 3/4 of a lb., lined up like cord wood each like a birch tree. I promise to love more if they come, because in spite of cruelty and the stuffed railroad cars for the ovens, I am not what I expected. Not an Eichmann. The poison just didn't take. So I won't hang around in my hospital shift, repeating The Black Mass and all of it. I say Live, Live because of the sun, the dream, the excitable gift.
Anne Sexton (The Complete Poems)
While I pressed the tissue to my face, Beck said, “Can I tell you something? There are a lot of empty boxes in your head, Sam.” I looked at him, quizzical. Again, it was a strange enough concept to hold my attention. “There are a lot of empty boxes in there, and you can put things in them.” Beck handed me another tissue for the other side of my face. My trust of Beck at that point was not yet complete; I remember thinking that he was making a very bad joke that I wasn’t getting. My voice sounded wary, even to me. “What kinds of things?” “Sad things,” Beck said. “Do you have a lot of sad things in your head?” “No,” I said. Beck sucked in his lower lip and released it slowly. “Well, I do.” This was shocking. I didn’t ask a question, but I tilted toward him. “And these things would make me cry,” Beck continued. “They used to make me cry all day long.” I remembered thinking this was probably a lie. I could not imagine Beck crying. He was a rock. Even then, his fingers braced against the floor, he looked poised, sure, immutable. “You don’t believe me? Ask Ulrik. He had to deal with it,” Beck said. “And so you know what I did with those sad things? I put them in boxes. I put the sad things in the boxes in my head, and I closed them up and I put tape on them and I stacked them up in the corner and threw a blanket over them.” “Brain tape?” I suggested, with a little smirk. I was eight, after all. Beck smiled, a weird private smile that, at the time, I didn’t understand. Now I knew it was relief at eliciting a joke from me, no matter how pitiful the joke was. “Yes, brain tape. And a brain blanket over the top. Now I don’t have to look at those sad things anymore. I could open those boxes sometime, I guess, if I wanted to, but mostly I just leave them sealed up.” “How did you use the brain tape?” “You have to imagine it. Imagine putting those sad things in the boxes and imagine taping it up with the brain tape. And imagine pushing them into the side of your brain, where you won’t trip over them when you’re thinking normally, and then toss a blanket over the top. Do you have sad things, Sam?” I could see the dusty corner of my brain where the boxes sat. They were all wardrobe boxes, because those were the most interesting sort of boxes — tall enough to make houses with — and there were rolls and rolls of brain tape stacked on top. There were razors lying beside them, waiting to cut the boxes and me back open. “Mom,” I whispered. I wasn’t looking at Beck, but out of the corner of my eye, I saw him swallow. “What else?” he asked, barely loud enough for me to hear. “The water,” I said. I closed my eyes. I could see it, right there, and I had to force out the next word. “My …” My fingers were on my scars. Beck reached out a hand toward my shoulder, hesitant. When I didn’t move away, he put an arm around my back and I leaned against his chest, feeling small and eight and broken. “Me,” I said.
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
This poem is very long So long, in fact, that your attention span May be stretched to its very limits But that’s okay It’s what’s so special about poetry See, poetry takes time We live in a time Call it our culture or society It doesn’t matter to me cause neither one rhymes A time where most people don’t want to listen Our throats wait like matchsticks waiting to catch fire Waiting until we can speak No patience to listen But this poem is long It’s so long, in fact, that during the time of this poem You could’ve done any number of other wonderful things You could’ve called your father Call your father You could be writing a postcard right now Write a postcard When was the last time you wrote a postcard? You could be outside You’re probably not too far away from a sunrise or a sunset Watch the sun rise Maybe you could’ve written your own poem A better poem You could have played a tune or sung a song You could have met your neighbor And memorized their name Memorize the name of your neighbor You could’ve drawn a picture (Or, at least, colored one in) You could’ve started a book Or finished a prayer You could’ve talked to God Pray When was the last time you prayed? Really prayed? This is a long poem So long, in fact, that you’ve already spent a minute with it When was the last time you hugged a friend for a minute? Or told them that you love them? Tell your friends you love them …no, I mean it, tell them Say, I love you Say, you make life worth living Because that, is what friends do Of all of the wonderful things that you could’ve done During this very, very long poem You could have connected Maybe you are connecting Maybe we’re connecting See, I believe that the only things that really matter In the grand scheme of life are God and people And if people are made in the image of God Then when you spend your time with people It’s never wasted And in this very long poem I’m trying to let a poem do what a poem does: Make things simpler We don’t need poems to make things more complicated We have each other for that We need poems to remind ourselves of the things that really matter To take time A long time To be alive for the sake of someone else for a single moment Or for many moments Cause we need each other To hold the hands of a broken person All you have to do is meet a person Shake their hand Look in their eyes They are you We are all broken together But these shattered pieces of our existence don’t have to be a mess We just have to care enough to hold our tongues sometimes To sit and listen to a very long poem A story of a life The joy of a friend and the grief of friend To hold and be held And be quiet So, pray Write a postcard Call your parents and forgive them and then thank them Turn off the TV Create art as best as you can Share as much as possible, especially money Tell someone about a very long poem you once heard And how afterward it brought you to them
Colleen Hoover (This Girl (Slammed, #3))