“
We're going to listen music in my room.'
'Fine,' his dad said from underneath the sink. 'Just don't get anybody pregnant.
”
”
Rainbow Rowell (Eleanor & Park)
“
You know, somebody actually complimented me on my driving today. They left a little note on the windscreen, it said 'Parking Fine.
”
”
Tommy Cooper
“
Oh, fine, Eleanor thought. The children of hell shan’t go hungry on my watch.
”
”
Rainbow Rowell (Eleanor & Park)
“
Has anyone provided proof of God’s inexistence? Not even close. Has quantum cosmology explained the emergence of the universe or why it is here? Not even close. Have our sciences explained why our universe seems to be fine-tuned to allow for the existence of life? Not even close. Are physicists and biologists willing to believe in anything so long as it is not religious thought? Close enough. Has rationalism and moral thought provided us with an understanding of what is good, what is right, and what is moral? Not close enough. Has secularism in the terrible 20th century been a force for good? Not even close, to being close. Is there a narrow and oppressive orthodoxy in the sciences? Close enough. Does anything in the sciences or their philosophy justify the claim that religious belief is irrational? Not even in the ball park. Is scientific atheism a frivolous exercise in intellectual contempt? Dead on.
”
”
David Berlinski (The Devil's Delusion: Atheism and Its Scientific Pretensions)
“
To sit in the shade on a fine day and look upon verdure is the most perfect refreshment.
”
”
Jane Austen (Mansfield Park)
“
Fine. Let Ranger get someone else. Trust me, you don't want to be out looking for a parking place on Sloane in the middle of the night."
"I won't have to look for a parking place. Tank's picking me up."
"Your working with a guy name Tank?"
"He's big."
"Jesus", Morelli said. "I had to fall in love with a woman who works with a guy named Tank."
"You love me?"
"Of course I love you. I just don't want to marry you.
”
”
Janet Evanovich (High Five (Stephanie Plum, #5))
“
Matthew, confess now. Are you a closeted font nerd? Do you go to these conferences? I promise I won't respect you any less if you are. OK, fine, secretly I will, but it's better to get this off your chest and be who you are, than to live in deception. Hiding the truth will only cripple your emotional development"
"Well, I'm sorry to dissapoint you. I'm not a font nerd. You can email me in Papyrus and I won't care.
”
”
Jessica Park (Flat-Out Love (Flat-Out Love, #1))
“
The park was littered with couples kissing behind trees and making out on park benches. And paper stars were everywhere; in trees, on the ground, above heads, inside mouths…
It was like Valentine’s Day.
On crack.
”
”
Chelsea Fine (Awry (The Archers of Avalon, #2))
“
For they might be parted for hundreds of years, she and Peter; she never wrote a letter and his were dry sticks; but suddenly it would come over her, If he were with me now what would he say? --some days, some sights bringing him back to her calmly, without the old bitterness; which perhaps was the reward of having cared for people; they came back in the middle of St. James's Park on a fine morning--indeed they did.
”
”
Virginia Woolf (Mrs. Dalloway)
“
Because I hate the ocean, theme parks and airplanes, talking with strangers, waiting in line. I'm through with these pills that make me sit still, are you feeling fine? Yes, I feel just fine.
”
”
Aurelien Budynek (Best of Motion City Soundtrack (Guitar Recorded Versions))
“
When I reached him, I anchored my hands on my hips and glared. "Do not get into anymore fights on my behalf." I didn't want him suspended-or worse. "Now give me your keys."
He gently flicked the end of my nose. "Haven't you heard? I do what I want, when I want, and there's nothing anyone can do to stop me."
I could knee him between the legs and simply steal his keys, proving otherwise, but all I said was, "Believe me, I've witnessed that firsthand," and held out my hands. "Now be a good boy and do what I want you to do."
He lifted the sunglasses and I saw a bright gleam in those violet eyes. "And what is it, exactly, that Little Ali wants?"
Little Ali. Ugh. "I said give me your keys." No reason to play nice. He certainly wasn't. "And if you call me Little Ali again, I'll smash your trachea the way I hear you like to to others."
Suddenly suspicious, he snapped out a quick "Why?"
"Because I hate it."
"Not the name. The keys."
"Hello. Because I want to stab you with them, why else?"
"Why?"He insisted.
Fine. "Because I need to practice my driving, and I promised my grandparents I would."
"You're telling me..." The glasses slid back into place as he cupped the back of my neck and dragged me closer to him, peering down at me sternly. "That you Don't know how to drive?"
"Of course I know how to drive. Now, if you ask me if I know how to drive well, the answer will be different."
He choked out a laugh, but backed away and tossed me the keys. "Just wait until the parking lot is empty before putting my precious life in danger.
”
”
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
“
What is there to see if I go outside? Don't tell me. I know. I can see other people. I don't want to see other people. They look awful. The men look like slobs and the women look like men. The men have mush faces framed by long hair and the women have big noses, big jaws, big heads, and stick-like bodies. That depresses me. Its no fun to people-watch anymore because there's so little variety in types.
You say it's good to get a change of scenery. What scenery? New buildings? New cars? New freeways? New shopping malls? Go to the woods or a park? I saw a tree once. The new ones look the same, which is fine. I even remember what the old ones look like. My memory isn't that short. But it's not worth going to see a squirrel grab a nut, or fish swimming around in a big tank if I must put up with the ugly contemporary human pollution that accompanies each excursion. The squirrel may enliven me and remind me of better vistas but the price in social interaction isn't worth it. If, on my way to visit the squirrel, I encounter a single person who gains stimulation by seeing me, I feel like I have given more than I've received and I get sore.
If every time I go somewhere to see a fish swimming, I become someone else's stimulation, I feel shortchanged. I'll buy my own fish and watch it swim. Then, I can watch the fish, the fish can watch me, we can be friends, and nobody else interferes with the interaction, like trying to hear what the fish and I are talking about. I won't have to get dressed a certain way to visit the fish. I needn't dress the way my pride dictates, because who's going to see me? I needn't wear any pants. The fish doesn't care. He doesn't read the tabloids. But, if I go out to see a fish other than my own, I'm right back where I started: entertaining others, which is more depleting than visiting the new fish is entertaining.
Maybe I should go to a coffee house. I find no stimulation in watching ordinary people trying to put the make on other uninteresting people. I can fix my own cup of coffee and not have to look at or talk to other people. No matter where I go, I stimulate others, and have been doing so all my life. It used to be I'd sometimes get stimulated back.
”
”
Anton Szandor LaVey
“
The crematorium was a busy place and the parking spaces were needed, I supposed. I’m not sure I’d like to be burned. I think I might like to be fed to zoo animals. It would be both environmentally friendly and a lovely treat for the larger carnivores. Could you request that? I wondered. I made a mental note to write to the WWF in order to find out.
”
”
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
“
Parking himself on the chaise lounge, he stared at the gown that Lassiter had handled so roughly. The fine satin was bunched up in waves, the disorder creating a wonderful, shimmering display over on the bed.
“My beloved is dead,” he said out loud.
As the sound of the words faded, something was suddenly, stupidly clear: Wellesandra, blooded daughter of Relix, was never filling out that bodice again. She was never going to put the skirting over her head and wriggle into the corset, or free the ends of her hair from the lace-ups in the back. She wasn’t going to look for matching shoes, or get pissed off because she sneezed right after she put her mascara on, or worry about whether she was going to spill on the skirting.
She was… dead.
”
”
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
“
...we haven't had any accidents for months now...Everything on that island is perfectly fine.
”
”
Michael Crichton (Jurassic Park (Jurassic Park, #1))
“
Myers was not a neighborhood to visit on a lark.
Hi reached over and hit the door locks.
“Next right,” Shelton said. Then, “There, on the left. Bates Pawn-and-Trade.”
“Are we one hundred percent sure about exiting the vehicle?” Hi’s voice was a bit high. “It might not be here when we get back.”
“I’ll park right in front.” Ben also sounded tense.
“We’ll be fine,” I said. “In and out.”
“That’s what she said,” Hi mumbled, hauling himself from the car.
”
”
Kathy Reichs (Seizure (Virals, #2))
“
[Traveling] makes you realize what an immeasurably nice place much of America could be if only people possessed the same instinct for preservation as they do in Europe. You would think the millions of people who come to Williamsburg every year would say to each other, "Gosh, Bobbi, this place is beautiful. Let's go home to Smellville and plant lots of trees and preserve all the fine old buildings." But in fact that never occurs to them. They just go back and build more parking lots and Pizza Huts.
”
”
Bill Bryson (The Lost Continent: Travels in Small-Town America)
“
Well, Stan, the truth is marijuana probably isn't gonna make you kill people, and it most likely isn't gonna fund terrorism, but, well son, pot makes you feel fine with being bored, and it's when you're bored that you should be learning some new skill or discovering some new science or being creative. If you smoke pot you may grow up to find out that you aren't good at anything.
”
”
NOT A BOOK
“
There are even some stars so remote that their light will reach the Earth only when Earth itself is a dead planet, as they themselves are dead, so that the living Earth will never be visited by that forlorn ray of light, without a living source, without a living destination. Often on fine nights when the park of this establishment is vacant, I amuse myself with this marvelous instrument (telescope). I go upstairs, walk across the grass, sit on a bench in the Avenue of Oaks – and there, in my solitude, I enjoy the pleasure of weighing the rays of dead stars.
”
”
Auguste de Villiers de l'Isle-Adam (Tomorrow's Eve)
“
Take it from cats
If someone moves to make room for you, take up more room. If someone is looking over there, there’s something to see. If somebody sneezes, run. If someone brings a bag into your home, look inside it. If you don’t want someone to leave, sit on his suitcase. Clean between your toes. Flaunt your full figure. Hide loose change. Even though you can take care of yourself, it’s okay to let someone be nice to you. It’s fine to take a nap on the laundry. If you stand in a kitchen long enough, someone will feed you. If you’re alone in bed, use all the pillows. Just because it’s gorgeous outside doesn’t mean you have to go outside. Just because you can fit into something tight doesn’t mean that you belong in it. If you trust someone, open yourself like a cheap umbrella. If you want to be left alone, park yourself in a closet. If you want to surprise someone, lie in a bathtub and then jerk back the curtain when he sits on the toilet. If you’re not interested, don’t look interested. You don’t have to chase every bird that you see.
”
”
Helen Ellis (American Housewife)
“
Since she's discovered
men would rather drown
than nibble,
she does just
fine.
”
”
Rita Dove (On the Bus With Rosa Parks)
“
A lake so vibrant in color that it looks like a fine art painting.
”
”
Stefanie Payne (A Year in the National Parks: The Greatest American Road Trip)
“
She walked away without bothering to look further. She knew he’d be fine. Her specialty was subduing without causing any real damage. He’d lie there for a few minutes. He’d be sore, maybe bruised tomorrow. He’d brush the cobwebs off his imagination to invent a story for his buddies about how three seven-foot, three-hundred-pound male karate black belts attacked him in the park.
But she would bet her life on the fact that he would never sneak up on another fragile-looking woman without remembering this night. And that was the point. That was what Gaia lived for.
”
”
Francine Pascal (Fearless (Fearless, #1))
“
The Limberlost is life. Here it is a carefully kept park. You motor, sail and golf, all so secure and fine. But what I like is the excitement of choosing a path carefully, in the fear that the quagmire may reach out and suck me down; I even enjoy seeing an old canny vulture eyeing me as if it were saying, ‘ware the sting of the rattler, lest I pick your bones as I did old Limber’s. I like sufficient danger to put an edge on things. This is all so tame.
”
”
Gene Stratton-Porter (A Girl of the Limberlost (Limberlost, #2))
“
Suppose we were planning to impose a dictatorial regime upon the American people—the following preparations would be essential: 1. Concentrate the populace in megalopolitan masses so that they can be kept under close surveillance and where, in case of trouble, they can be bombed, burned, gassed or machine-gunned with a minimum of expense and waste. 2. Mechanize agriculture to the highest degree of refinement, thus forcing most of the scattered farm and ranching population into the cities. Such a policy is desirable because farmers, woodsmen, cowboys, Indians, fishermen and other relatively self-sufficient types are difficult to manage unless displaced from their natural environment. 3. Restrict the possession of firearms to the police and the regular military organizations. 4. Encourage or at least fail to discourage population growth. Large masses of people are more easily manipulated and dominated than scattered individuals. 5. Continue military conscription. Nothing excels military training for creating in young men an attitude of prompt, cheerful obedience to officially constituted authority. 6. Divert attention from deep conflicts within the society by engaging in foreign wars; make support of these wars a test of loyalty, thereby exposing and isolating potential opposition to the new order. 7. Overlay the nation with a finely reticulated network of communications, airlines and interstate autobahns. 8. Raze the wilderness. Dam the rivers, flood the canyons, drain the swamps, log the forests, strip-mine the hills, bulldoze the mountains, irrigate the deserts and improve the national parks into national parking lots. Idle speculations, feeble and hopeless protest. It was all foreseen nearly half a century ago by the most cold-eyed and clear-eyed of our national poets, on California’s shore, at the end of the open road. Shine, perishing republic.
”
”
Edward Abbey (Desert Solitaire)
“
You already know I love you,” Park said, shaking his head impatiently. “So today I promise, I vow that I know you love me, too. I never doubt it. How could I when I feel it all the time? I feel it when you make me laugh and then watch with that pleased little look on your face. I feel it when you touch me like I’m special and when you can’t touch me anymore because you’re over-full of sensations, but let me stay by you anyway. I feel so safe in loving you, because I know you love me, too. And it’s the greatest gift of my life.”
“You love me,” Cooper said.
“Obviously.” And it was, wasn’t it? Park pulled Cooper closer, arms around his waist. “So if you’re the Moon, fine. I’m the sky. If you’re a human, I’m your wolf. If you’re a prickly, sarcastic, awkward, independent, randy-as-hell, secretly good-hearted porcupine, well, then I’m Oliver Park.”
“I can’t believe I’m being slandered in my own vows.”
“Whatever happens next, whoever we are or whoever they think we are, it doesn’t matter. Because the way we love is already the stuff of legends.”
Cooper couldn’t help smiling. “Well. I guess if you say it like that, it doesn’t sound like such a bad life,” he said, leaning in to kiss him, and felt Park’s body sigh into his like it was coming home.
No, not a bad life at all.
”
”
Charlie Adhara (Cry Wolf (Big Bad Wolf, #5))
“
Yesterday it was sun outside. The sky was blue and people were lying under blooming cherry trees in the park. It was Friday, so records were released, that people have been working on for years. Friends around me find success and level up, do fancy photo shoots and get featured on big, white, movie screens. There were parties and lovers, hand in hand, laughing perfectly loud,
but I walked numbly through the park, round and round,
40 times for 4 hours
just wanting to make it through the day.
There's a weight that inhabits my chest some times. Like a lock in my throat, making it hard to breathe. A little less air got through
and the sky was so blue I couldn’t look at it because it made me sad, swelling tears in my eyes and they dripped quietly on the floor as I got on with my day. I tried to keep my focus, ticked off the to-do list, did my chores. Packed orders, wrote emails, paid bills and rewrote stories,
but the panic kept growing, exploding in my chest. Tears falling on the desk
tick tick tick
me not making a sound
and some days I just don't know what to do. Where to go or who to see and I try to be gentle, soft and kind,
but anxiety eats you up and I just want to be fine.
This is not beautiful. This is not useful. You can not do anything with it and it tries to control you, throw you off your balance and lovely ways
but you can not let it.
I cleaned up. Took myself for a walk. Tried to keep my eyes on the sky. Stayed away from the alcohol, stayed away from the destructive tools we learn to use.
the smoking and the starving, the running, the madness,
thinking it will help but it only feeds the fire
and I don't want to hurt myself anymore.
I made it through and today I woke up, lighter and proud because I'm still here. There are flowers growing outside my window. The coffee is warm, the air is pure. In a few hours I'll be on a train on my way to sing for people who invited me to come, to sing, for them. My own songs, that I created. Me—little me. From nowhere at all.
And I have people around that I like and can laugh with, and it's spring again.
It will always be spring again.
And there will always be a new day.
”
”
Charlotte Eriksson
“
Everything on that island is perfectly fine.
”
”
Michael Crichton (Jurassic Park (Jurassic Park, #1))
“
It’s pretty here all right, so pretty that you can get stupid looking at it and forget to pay attention to Death, who walks up wearing Yosemite as if it were a fine suit of clothes, and while you’re admiring the cloth and color, there’s Death standing in front of you and smiling, considering all the ways he’s got to kill you. Yeah, death hides in beauty. * * *
”
”
Mark Woods (Lassoing the Sun: A Year in America's National Parks)
“
It's like this, Bunny Boy, if you walk up to an oak tree or a bloody elm or something - you know, one of those big bastards - one with a thick, heavy trunk with giant roots that grow deep in the soil and great branches that are covered in leaves, right, and you walk up to it and give the tree a shake, well, what happens?' (...)
'I really don't know, Dad,' (...)
'Well, nothing bloody happens, of course!' (...) 'You can stand there shaking it till the cows come home and all that will happen is your arms will get tired. Right?'
(...)
'Right, Dad,' he says.
(...)
'But if you go up to a skinny, dry, fucked-up little tree, with a withered trunk and a few leaves clinging on for dear life, and you put your hands around it and shake the shit out of it - as we say in the trade - those bloody leaves will come flying off! Yeah?'
'OK, Dad,' says the boy (...)
'Now, the big oak tree is the rich bastard, right, and the skinny tree is the poor cunt who hasn't got any money. Are you with me?'
Bunny Junior nods.
'Now, that sounds easier than it actually is, Bunny Boy. Do you want to know why?'
'OK, Dad.'
'Because every fucking bastard and his dog has got hold of the little tree and is shaking it for all that it's worth - the government, the bloody landlord, the lottery they don't have a chance in hell of winning, the council, their bloody exes, their hundred snotty-nosed brats running around because they are too bloody stupid to exercise a bit of self-control, all the useless shit they see on TV, fucking Tesco, parking fines, insurance on this and insurance on that, the boozer, the fruit machines, the bookies - every bastard and his three-legged, one-eyed, pox-riden dog are shaking this little tree,' says Bunny, clamping his hands together and making like he is throttling someone.
'So what do you go and do, Dad?' says Bunny Junior.
'Well, you've got to have something they think they need, you know, above all else.'
'And what's that, Dad?'
'Hope... you know... the dream. You've got to sell them the dream.
”
”
Nick Cave (The Death of Bunny Munro)
“
But suddenly it would come over her, if he were with me now what would he say? Some days, some sights bringing him back to her calmly, without the old bitterness; which perhaps was the reward of having cared for people; they came back in the middle of St. James's Park on a fine morning–indeed they did.
”
”
Virginia Woolf (Mrs. Dalloway)
“
Sexually active? Sexually active? Patrick and I hadn't even learned the fine points of kissing yet!
I marched on down. 'For your information,' I said from the doorway, as both Dad and Lester jerked to attention, 'I am about as sexually active as a bag of spinach, and if you want to keep me on the porch and not out in the park somewhere behind the bushes, you'll keep the stupid porch light off when I come home with a boy.
”
”
Phyllis Reynolds Naylor (Alice on the Outside (Alice, #11))
“
The day was uncommonly lovely. It was really March; but it was April in its mild air, brisk soft wind, and bright sun, occasionally clouded for a minute; and every thing looked so beautiful under the influence of such a sky, the effects of the shadows pursuing each other, on the ships at Spithead and the island beyond, with the ever-varying hues of the sea now at high water, dancing in its glee and dashing against the ramparts with so fine a sound, produced altogether such a combination of charms for Fanny, as made her gradually almost careless of the circumstances under which she felt them.
”
”
Jane Austen (Mansfield Park)
“
He says, "It's just a hat."
But it's not just a hat. It makes Jess think of racism and hatred and systemic inequality, and the Ku Klux Klan, and plantation-wedding Pinterest boards, and lynchings, and George Zimmerman, and the Central Park Five, and redlining, and gerrymandering and the Southern strategy, and decades of propaganda and Fox News and conservative radio, and rabid evangelicals, and rape and pillage and plunder and plutocracy and money in politics and the dumbing down of civil discourse and domestic terrorism and white nationalists and school shootings and the growing fear of a nonwhite, non-English-speaking majority and the slow death of the social safety net and conspiracy theory culture and the white working class and social atomism and reality television and fake news and the prison-industrial complex and celebrity culture and the girl in fourth grade who told Jess that since she--Jess--was "naturally unclean" she couldn't come over for birthday cake, and executive compensation, and mediocre white men, and the guy in college who sent around an article about how people who listen to Radiohead are smarter than people who listen to Missy Elliott and when Jess said "That's racist" he said "No,it's not," and of bigotry and small pox blankets and gross guys grabbing your butt on the subway, and slave auctions and Confederate monuments and Jim Crow and fire hoses and separate but equal and racist jokes that aren't funny and internet trolls and incels and golf courses that ban women and voter suppression and police brutality and crony capitalism and corporate corruption and innocent children, so many innocent children, and the Tea Party and Sarah Palin and birthers and flat-earthers and states' rights and disgusting porn and the prosperity gospel and the drunk football fans who made monkey sounds at Jess outside Memorial Stadium, even though it was her thirteenth birthday, and Josh--now it makes her think of Josh.
”
”
Cecilia Rabess (Everything's Fine)
“
I smack into him as if shoved from behind. He doesn't budge, not an inch. Just holds my shoulders and waits. Maybe he's waiting for me to find my balance. Maybe he's waiting for me to gather my pride. I hope he's got all day.
I hear people passing on the boardwalk and imagine them staring. Best-case scenario, they think I know this guy, that we're hugging. Worst-case scenario, they saw me totter like an intoxicated walrus into this complete stranger because I was looking down for a place to park our beach stuff. Either way, he knows what happened. He knows why my cheek is plastered to his bare chest. And there is definite humiliation waiting when I get around to looking up at him.
Options skim through my head like a flip book.
Option One: Run away as fast as my dollar-store flip flops can take me. Thing is, tripping over them is partly responsible for my current dilemma. In fact, one of them is missing, probably caught in a crack of the boardwalk. I'm getting Cinderella didn't feel this foolish, but then again, Cinderella wasn't as clumsy as an intoxicated walrus.
Option two: Pretend I've fainted. Go limp and everything. Drool, even. But I know this won't work because my eyes flutter too much to fake it, and besides, people don't blush while unconscious.
Option Three: Pray for a lightning bolt. A deadly one that you feel in advance because the air gets all atingle and your skin crawls-or so the science books say. It might kill us both, but really, he should have been paying more attention to me when he saw that I wasn't paying attention at all.
For a shaved second, I think my prayers are answered because I go get tingly all over; goose bumps sprout everywhere, and my pulse feels like electricity. Then I realize, it's coming from my shoulders. From his hands.
Option Last: For the love of God, peel my cheek off his chest and apologize for the casual assault. Then hobble away on my one flip-flop before I faint. With my luck, the lightning would only maim me, and he would feel obligated to carry me somewhere anyway. Also, do it now.
I ease away from him and peer up. The fire on my cheeks has nothing to do with the fact that it's sweaty-eight degrees in the Florida sun and everything to do with the fact that I just tripped into the most attractive guy on the planet. Fan-flipping-tastic.
"Are-are you all right?" he says, incredulous. I think I can see the shape of my cheek indented on his chest.
I nod. "I'm fine. I'm used to it. Sorry." I shrug off his hands when he doesn't let go. The tingling stays behind, as if he left some of himself on me.
"Jeez, Emma, are you okay?" Chloe calls from behind. The calm fwopping of my best friend's sandals suggests she's not as concerned as she sounds. Track star that she is, she would already be at my side if she thought I was hurt. I groan and face her, not surprised that she's grinning wide as the equator. She holds out my flip-flop, which I try not to snatch from her hand.
"I'm fine. Everybody's fine," I say. I turn back to the guy, who seems to get more gorgeous by the second. "You're fine, right? No broken bones or anything?"
He blinks, gives a slight nod.
Chloe setts her surfboard against the rail of the boardwalk and extends her hand to him. He accepts it without taking his eyes off me. "I'm Chloe and this is Emma," she says. "We usually bring her helmet with us, but we left it back in the hotel room this time.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
Tim watched until he was sure the velociraptor was coming toward the kitchen. Was it following their scent? All the books said dinosaurs had a poor sense of smell, but this one seemed to do just fine. Anyway, what did books know? Here was the real thing.
”
”
Michael Crichton (Jurassic Park (Jurassic Park, #1))
“
The grassy park was lined with dozens of kissing booths. Twinkle lights draped back-and-forth between tall trees, making a canopy of stars above the red and pink tables below. People were lined up at each booth, applying lipstick and perfume as they readied for their purchased kisses.
Behind the booths stood a large white gazebo housing a group of musicians. As a love song filled the air, couples intertwined their bodies and swayed to the melody.
Here and there, children ran about wearing red hats and eating lip-shaped chocolates, while women waited impatiently for quickie makeovers under a flashy pink tent.
The park was littered with couples kissing behind trees and making out on park benches. And paper stars were everywhere; in trees, on the ground, above heads, inside mouths….
It was like Valentine’s Day.
On crack.
”
”
Chelsea Fine
“
You are the opposite of romantic. Did anyone ever tell you that?"
"I am full of romance. I like sunsets and the ocean and beaches and flowers and love songs and Shakespeare in the park and all that kind of shit." Eli's cheeks flushed. It was adorable on him. "I don't get what any of that has to do with sex."
"I'm not talking about sex, Eli. I'm talking about a kiss."
"Fine. I'll kiss the romantic fuck out of you.
”
”
K.A. Mitchell (Bad Boyfriend (Bad in Baltimore, #2))
“
There’s not a stone or leaf or life that men won’t put a name to. It gives them a nice safe box to collect things in. They get in the habit of collecting things and end up surprised at the weight they’re carrying. A dream they thought might fit someday, something bright and sweet like a woman, picked up for her shine and somehow never left or at least never forgotten. Or an ambition! There’s a fine item in any man’s bag. A great, glowing ambition. They never fade, never wear even when you’ve outgrown them. Always there to look at and remember and play might-have-been.
”
”
Parke Godwin (Firelord (Firelord, #1))
“
There was a low growling sound and the Munstermobile came gliding up out of the parking garage, dripping water from its gleaming surface like some lantern-eyed leviathan rising from the depths. There were still a few dents and dings in it, but the broken glass had all been replaced, and the engine sounded fine.
Okay, I'm not like a car fanatic or anything - but the guitar riff from "Bad to the Bone" started playing in my head.
”
”
Jim Butcher (Cold Days (The Dresden Files, #14))
“
As a leftover sixties liberal, I believe that the long arm and beady eyes of the government have no place in our bedrooms, our kitchens, or the backseats of our parked cars. But I also feel that the immediate appointment of a Special Pastry Prosecutor would do much more good than harm. We know the free market has totally failed when 89 percent of all the tart pastry, chocolate-chip cookies, and tuiles in America are far less delicious than they would be if bakers simply followed a few readily available recipes. What we need is a system of graduated fines and perhaps short jail sentences to discourage the production of totally depressing baked goods. Maybe a period of unpleasant and tedious community service could be substituted for jail time.
”
”
Jeffrey Steingarten (It Must've Been Something I Ate: The Return of the Man Who Ate Everything)
“
Mr Bennet pointed a finger at him. “I will not have my daughter’s head turned by a pack of dandies in Hyde Park or fine carriages and an earl’s sons calling at Gracechurch Street.
”
”
L.M. Romano (Without Vanity or Pride)
“
The government regulates them, or chooses not to, approves or blocks their mergers and acquisitions, and sets their tax policies (often turning a blind eye to the billions parked in offshore tax havens). This is why tech companies, like the rest of corporate America, inundate Washington with lobbyists and quietly pour hundreds of millions of dollars in contributions into the political system. Now they’re gaining the wherewithal to fine-tune our political behavior—and with it the shape of American government—just by tweaking their algorithms.
”
”
Cathy O'Neil (Weapons of Math Destruction: How Big Data Increases Inequality and Threatens Democracy)
“
Now that we know that Spring Roll is a girl, we should probably think about setting up her room. Gabriel kept his eyes on the road as he drove the Volvo one Saturday morning in May. We should also talk about names.
That sounds good.
Maybe you should think about what you want and we can go shopping.
Julia turned to look at him. Now?
I said I'd take you to lunch, and we can do that. But afterward, we need to start thinking about Spring Roll's room. We want it to be attractive, but functional. Something comfortable for you and for her, but not juvenile.
She's a baby, Gabriel. Her stuff is going to be juvenile.
You know what I mean. I want it to be elegant and not look like a preschool.
Good grief. Julia fought a grin as she began imagining what the Professor would design.
(Argyle patterns, dark wood, and chocolate brown leather immediately came to mind.)
He cleared his throat. I might have done some searching on the Internet.
Oh, really? From where? Restoration Hardware?
Of course not. He bristled. Their things wouldn't be appropriate for a baby's room.
So where then?
He gazed at her triumphantly. Pottery Barn Kids.
Julia groaned. We've become yuppies.
Gabriel stared at her in mock horror. Why do you say that?
We're driving a Volvo and talking about shopping at Pottery Barn.
First of all, Volvos have an excellent safety rating and they're more attractive than a minivan. Secondly, Pottery Barn's furniture happens to be both functional and aesthetically pleasing. I'd like to take you to one their stores so you can see for yourself.
As long as we get Thai food first.
Now it was Gabriel's turn to roll his eyes. Fine. But we're ordering takeout and taking it to the park for a picnic. And I'm having Indian food, instead. If I see another plate of pad Thai, I'm going to lose it.
Julia burst into peals of laughter.
”
”
Sylvain Reynard (Gabriel's Redemption (Gabriel's Inferno, #3))
“
The Janus Guard will also be out that night,” he said, one hand reaching out to squeeze her shoulder. “Just as we have been and will be for every night of the Nine.”
“Good.”
“Speaking of which—Kelley…” Sonny seemed suddenly exhausted. He turned his face to the west, and she could see the fatigue etched into the lines and planes of his face. “It’s getting late. You need to leave the park. Please. Don’t argue with me this time. Just go. The sun will set soon, and I have to go to work.”
He squared his shoulders as though he expected her to put up a fight. She did—a little—but only out of actual concern for him. “Shouldn’t you be taking it easy? I mean, you try to hide it with the whole tough-guy-swagger thing and all, but I saw the bandages. You’re really hurt. Aren’t you?”
“It’s not so bad.”
“Wow. You are a terrible liar.”
He frowned fiercely at her.
“You also look like you haven’t slept in a week.” She took a tentative step toward him and put a hand on his chest, looking up into his silver-gray eyes. He put his hand over the top of hers, and she could feel the rhythm of his heart beating under her palm, through his shirt and the bandages.
“I’m fine.”
“Are you sure?”
With his other hand, Sonny reached up and brushed a stray auburn curl out of her eyes.
“I’m sure.”
He smiled down at her, and she felt her insides melt a little. His whole face changed when he smiled. It was like the sun coming out.
“But,” he continued, “I’ll be even better if you are safe at home and I don’t have to worry about you for tonight.”
“I can take care of myself, Sonny Flannery,” she bristled, halfheartedly.
“Please?” He turned up the wattage on his smile.
“I…okay.” She felt her own lips turn up in a shy, answering smile. “I’ll be good. This once.”
“That’s my girl.”
Kelley was silent. Those three words of Sonny’s had managed to render her utterly speechless.
”
”
Lesley Livingston (Wondrous Strange (Wondrous Strange, #1))
“
It had a small park, with a fine old oak here and there, and an avenue of limes towards the southwest front, with a sunk fence between park and pleasure-ground, so that from the drawing-room windows the glance swept uninterruptedly along a slope of greensward till the limes ended in a level of corn and pastures, which often seemed to melt into a lake under the setting sun.
”
”
George Eliot (Middlemarch)
“
He laughs and pushes some hair behind my ears, looking at me in a way that, if I didn’t know it was fake, might have made my heart go funny but my heart is just fine, thanks. Maybe just a murmur.
”
”
Jessa Hastings (Magnolia Parks (The Magnolia Parks Universe, #1))
“
I had married an environmentalist and didn’t know it.
I knew without having to look that there was no tree hugging indemnity clause even in the fine print of our marriage certificate. But we’d been manacled together in the Catholic Church. I wondered if I could get some leverage with the religious institution if I pinned my wife with the label of nature-worshipping Wiccan or possibly even Druid.
”
”
Michael Gurnow (Nature's Housekeeper)
“
The charming island of Rock Island, three miles long and half a mile wide, belongs to the United States, and the Government has turned it into a wonderful park, enhancing its natural attractions by art, and threading its fine forests with many miles of drives. Near the center of the island one catches glimpses, through the trees, of ten vast stone four-story buildings, each of which covers an acre of ground.
”
”
Mark Twain (Life on the Mississippi)
“
Having to amuse myself during those earlier years, I read voraciously and widely. Mythic matter and folklore made up much of that reading—retellings of the old stories (Mallory, White, Briggs), anecdotal collections and historical investigations of the stories' backgrounds—and then I stumbled upon the Tolkien books which took me back to Lord Dunsany, William Morris, James Branch Cabell, E.R. Eddison, Mervyn Peake and the like. I was in heaven when Lin Carter began the Unicorn imprint for Ballantine and scoured the other publishers for similar good finds, delighting when I discovered someone like Thomas Burnett Swann, who still remains a favourite.
This was before there was such a thing as a fantasy genre, when you'd be lucky to have one fantasy book published in a month, little say the hundreds per year we have now. I also found myself reading Robert E. Howard (the Cormac and Bran mac Morn books were my favourites), Lovecraft, Clark Ashton Smith and finally started reading science fiction after coming across Andre Norton's Huon of the Horn. That book wasn't sf, but when I went to read more by her, I discovered everything else was. So I tried a few and that led me to Clifford Simak, Roger Zelazny and any number of other fine sf writers.
These days my reading tastes remain eclectic, as you might know if you've been following my monthly book review column in The Magazine of Fantasy & Science Fiction. I'm as likely to read Basil Johnston as Stephen King, Jeanette Winterson as Harlan Ellison, Barbara Kingsolver as Patricia McKillip, Andrew Vachss as Parke Godwin—in short, my criteria is that the book must be good; what publisher's slot it fits into makes absolutely no difference to me.
”
”
Charles de Lint
“
On December the twenty-third, the park was hazy from clammy mists that muted and softened all color and distance. Michael had not set off for Whitelow after breakfast, so I bundled myself into my redingote that was as thick and warm as a man's, and pulled on my sable hat and muff. Even so, the chill pinched my nose as I hurried along paths of mushy leaves, sending startled birds pink-pinking up into the air. Claw-like seed pods clung to my skirts; the fine flowers of summer drooped slimy and black. I collected a few posies of evergreens to paint: stiff pine cones, jewel-like berries of black and scarlet, and oval seed pods as lustrous as pearl.
”
”
Martine Bailey (A Taste for Nightshade)
“
Early in March the crocuses crept alight, then blazed yellow and purple in the park. In fact it is about five o'clock in the evening that the first hour of spring strikes - autumn arrives in the early morning, but spring at the close of a winter day. The air, about to darken, quickens and is run through with mysterious white light; the curtain of darkness is suspended, as though for some unprecedented event. There is perhaps no sunset, the trees are not yet budding - but the senses receive an intimation, an intimation so fine, yet striking in so directly, that this appears a movement in one's own spirit. This exalts whatever feeling is in the heart.
”
”
Elizabeth Bowen (The Death of the Heart)
“
Shortly before school started, I moved into a studio apartment on a quiet street near the bustle of the downtown in one of the most self-conscious bends of the world. The “Gold Coast” was a neighborhood that stretched five blocks along the lake in a sliver of land just south of Lincoln Park and north of River North. The streets were like fine necklaces and strung together were the brownstone houses and tall condominiums and tiny mansions like pearls, and when the day broke and the sun faded away, their lights burned like jewels shining gaudily in the night.
The world’s most elegant bazaar, Michigan Avenue, jutted out from its eastern tip near The Drake Hotel and the timeless blue-green waters of Lake Michigan pressed its shores. The fractious make-up of the people that inhabited it, the flat squareness of its parks and the hint of the lake at the ends of its tree-lined streets squeezed together a domesticated cesspool of age and wealth and standing. It was a place one could readily dress up for an expensive dinner at one of the fashionable restaurants or have a drink miles high in the lounge of the looming John Hancock Building and five minutes later be out walking on the beach with pants cuffed and feet in the cool water at the lake’s edge.
”
”
Daniel Amory (Minor Snobs)
“
Judge Carter sat in stony silence, completely unmoved. At the end of the trial, he pronounced King guilty of conspiracy to violate the 1921 law and ordered him to pay a five-hundred-dollar fine or serve a year at hard labor. Like Judge Carter, the national newspaper and magazine reporters waiting outside for the ruling ignored the black women's testimonies that detailed decades of mistreatment and denied King's leadership in the boycott. Instead, the media turned King into an apostle of civil rights.
”
”
Danielle L. McGuire (At the Dark End of the Street: Black Women, Rape, and Resistance--A New History of the Civil Rights Movement from Rosa Parks to the Rise of Black Power)
“
As for any society in Portsmouth, that could at all make amends for deficiencies at home, there were none within the circle of her father's and mother's acquaintance to afford her the smallest satisfaction: she saw nobody in whose favour she could wish to overcome her own shyness and reserve. The men appeared to her all coarse, the women all pert, everybody underbred; and she gave as little contentment as she received from introductions either to old or new acquaintance. The young ladies who approached her at first with some respect, in consideration of her coming from a baronet's family, were soon offended by what they termed "airs"; for, as she neither played on the pianoforte nor wore fine pelisses, they could, on farther observation, admit no right of superiority.
”
”
Jane Austen (Mansfield Park)
“
Introductory paragraph incorporating the thesis: After a challenging childhood marked by adversity, Adam Parrish has become a successful freshman at Harvard University. In the past, he had spent his time doubting himself, fearing he would become like his father, obsessing that others could see his trailer-park roots, and idealizing wealth, but now he has built a new future where no one has to know where he's come from. Before becoming a self-actualized young man at Harvard, Adam had been deeply fascinated by the concept of the ley lines and also supernaturally entangled with one of the uncanny forests located along one, but he has now focused on the real world, using only the ghost of magic to fleece other students with parlor trick tarot card readings. He hasn't felt like himself for months, but he is going to be just fine.
Followed by three paragraphs with information that supports the thesis. First: Adam understands that suffering is often transient, even when it feels permanent. This too shall pass, etc. Although college seems like a lifetime, it is only four years. Four years is only a lifetime if one is a guinea pig.
Second paragraph, building on the first point: Magic has not always been good for Adam. During high school, he frequently immersed himself in it as a form of avoidance. Deep down, he fears that he is prone to it as his father is prone to abuse, and that it will eventually make him unsuitable for society. By depriving himself of magic, he forces himself to become someone valuable to the unmagic world, i.e. the Crying Club.
Third paragraph, with the most persuasive point: Harvard is a place Ronan Lynch cannot be, because he cannot survive there, either physically or socially. Without such hard barriers, Adam will surely continue to return to Ronan Lynch again and again, and thus fall back in with bad habits. He will never achieve the life of financial security and recognition he planned.
Thesis restated, bringing together all the information to prove it: Although life is unbearable now, and Adam Parrish seems to have lost everything important to him in the present by pursuing the things important to him in the past, he will be fine.
Concluding paragraph describing what the reader just learned and why it is important for them to have learned it: He will be fine. He will be fine. He will be fine. He will be fine.
”
”
Maggie Stiefvater (Greywaren (Dreamer Trilogy, #3))
“
He thought how wonderful it would be if he could take off his shoes and walk barefooted in the grass the way he used to do in the park when he was a boy. What a fine picture that would be—the President walking barefooted on the White House lawn—and he knew if he did it the picture would be reproduced in one hundred million homes across the nation and the world and it would win him votes. The people liked to think of the President being a bit impulsive when it came to matters of the heart, a bit comic in domestic affairs, a bit inferior to each of them in some way....
”
”
James E. Gunn (The Listeners)
“
Months later, when I rarely saw the Angels, I still had the legacy of the big machine -- four hundred pounds of chrome and deep red noise to take out on the Coast Highway and cut loose at three in the morning, when all the cops were lurking over on 101. My first crash had wrecked the bike completely and it took several months to have it rebuilt. After that I decided to ride it differently: I would stop pushing my luck on curves, always wear a helmet and try to keep within range of the nearest speed limit ... my insurance had already been canceled and my driver's license was hanging by a thread.
So it was always at night, like a werewolf, that I would take the thing out for an honest run down the coast. I would start in Golden Gate Park, thinking only to run a few long curves to clear my head ... but in a matter of minutes I'd be out at the beach with the sound of the engine in my ears, the surf booming up on the sea wall and a fine empty road stretching all the way down to Santa Cruz ... not even a gas station in the whole seventy miles; the only public light along the way is an all-night diner down around Rockaway Beach.
There was no helmet on those nights, no speed limit, and no cooling it down on the curves. The momentary freedom of the park was like the one unlucky drink that shoves a wavering alcoholic off the wagon. I would come out of the park near the soccer field and pause for a moment at the stop sign, wondering if I knew anyone parked out there on the midnight humping strip.
”
”
Hunter S. Thompson
“
We’re too weak as a nation. If we were hardened, like Afghanis or Kurds―or even our grandparents who made it through the Great Depression―a failure of the stock market wouldn’t be such a game changer. We would go back to growing food in our yards and raising goats in city parks. But we’re the weakest society the world has ever seen. If the system fails, people will go ape shit. Any cop will tell you: there is a fine line between civility and savagery. When Costco closes in the middle of the day, that’ll be our cue that the credit card machines aren’t running and we’re screwed.” “I hope you’re wrong.” Jason shook his head.
”
”
Jeff Kirkham (Black Autumn (Black Autumn, #1))
“
Likewise—now don’t laugh—cars and trucks should view the bike lanes as if they are sacrosanct. A driver would never think of riding up on a sidewalk. Most drivers, anyway. Hell, there are strollers and little old ladies up there! It would be unthinkable, except in action movies. A driver would get a serious fine or maybe even get locked up. Everyone around would wonder who that asshole was. Well, bike lanes should be treated the same way. You wouldn’t park your car or pull over for a stop on the sidewalk, would you? Well then, don’t park in the bike lanes either—that forces cyclists into traffic where poor little meat puppets don’t stand a chance.
”
”
David Byrne (Bicycle Diaries)
“
The snow was still drifting from the sky when we stepped out into the parking lot. The Hellcat was covered with a fine layer of the white stuff because it’d been parked there for so long. Beside me, Rimmel shivered, and I felt like an ass because she’d been out in this cold half the day and then stood in the drafty tunnel and had to wait on me.
The engine was already purring; I’d hit the electronic start as soon as it came into sight. I pulled off my varsity jacket as we walked around to the passenger side, and I draped it around her shoulders.
“Pretty soon I’m gonna have your entire wardrobe.” She smiled and pulled my coat farther around her.
“You can have whatever you want, baby.
”
”
Cambria Hebert (#Hater (Hashtag, #2))
“
Oh, America the Beautiful, where are our standards? How did Europeans, ancestral cultures to most of us, whose average crowded country would fit inside one of our national parks, somehow hoard the market share of Beautiful? They’ll run over a McDonald’s with a bulldozer because it threatens the way of life of their fine cheeses. They have international trade hissy fits when we try to slip modified genes into their bread. They get their favorite ham from Parma, Italy, along with a favorite cheese, knowing these foods are linked in an ancient connection the farmers have crafted between the milk and the hogs. Oh. We were thinking Parmesan meant, not “coming from Parma,” but “coming from a green shaker can.” Did they kick us out for bad taste?
No, it was mostly for vagrancy, poverty, or being too religious. We came here for the freedom to make a Leaves of Grass kind of culture and hear America singing to a good beat, pierce our navels as needed, and eat whatever we want without some drudge scolding: “You don’t know where that’s been!” And boy howdy, we do not.” (p.4)
”
”
Barbara Kingsolver (Animal, Vegetable, Miracle: A Year of Food Life)
“
The morning grass was damp and cool with dew. My yellow rain slicker must have looked sharp contrasted against the bright green that spring provided. I must have looked like an early nineteenth century romantic poet (Walt Whitman, perhaps?) lounging around a meadow celebrating nature and the glory of my existence. But don’t make this about me. Don’t you dare. This was about something bigger than me (by at least 44 feet).
I was there to unselfishly throw myself in front of danger (nothing is scarier than a parked bulldozer), in the hopes of saving a tree, and also procuring a spot in a featured article in my local newspaper. It’s not about celebrity for me, it’s about showing that I care. It’s not enough to just quietly go about caring anymore. No, now we need the world to see that we care. I was just trying to do my part to show I was doing my part.
But no journalists or TV news stations came to witness my selfless heroics. In fact, nobody came at all, not even Satan’s henchmen (the construction crew). People might scoff and say, “But it was Sunday.” Yes, it was Sunday. But if you’re a hero you can’t take a day off.
I’d rather be brave a day early than a day late. Most cowards show up late to their destiny. But I always show up early, and quite often I leave early too, but at least I have the guts to lay down my life for something I’d die for. Now I only laid down my life for a short fifteen-minute nap, but I can forever hold my chin high as I loudly tell anyone who will listen to my exploits as an unsung hero (not that I haven’t written dozens of songs dedicated to my bravery).
Most superheroes hide anonymously behind masks. That’s cowardly to me. I don’t wear a mask. And the only reason I’m anonymous is that journalists don’t respond to my requests for interviews, and when I hold press conferences nobody shows up, not even my own mother.
The world doesn’t know all the good I’ve done for the world. And that’s fine with me. Not really. But if I have to go on being anonymous to make this world a better place, I will. But that doesn’t mean I’m not thinking about changing my hours of altruism from 7-8 am Sunday mornings to 9-5 am Monday through Friday, and only doing deeds of greatness in crowded locations.
”
”
Jarod Kintz (Gosh, I probably shouldn't publish this.)
“
Yes, there it is again. Come!” Buksa began walking very quickly. Salva struggled to keep up. Twice Buksa paused to listen, then kept going even faster. “What—” Salva started to ask. Buksa stopped abruptly in front of a very large tree. “Yes!” he said. “Now go call the others!” By now Salva had caught the feeling of excitement. “But what shall I tell them?” “The bird. The one I was listening to. He led me right here.” Buksa’s smile was even bigger now. “You see that?” He pointed up at the branches of the tree. “Beehive. A fine, large one.” Salva hurried off to call the rest of the group. He had heard of this, that the Jur-chol could follow the call of the bird called the honey guide! But he had never seen it done before. Honey! This night, they would feast!
”
”
Linda Sue Park (A Long Walk to Water: Based on a True Story)
“
La vita, ogni momento, ogni goccia, lì, in quell'istante, al sole in Regent's Park, era fine a se stessa. Troppa grazia! Un'esistenza intera era troppo poco per trarne - ora che se n'era acquistata la facoltà- tutto il profumo; per farne scaturire ogni oncia di piacere, spremerne ogni sottinteso: cose assai più sentite di quanto non fossero una volta, ma anche assai meno personali.
”
”
Virginia Woolf (Mrs. Dalloway)
“
It’s estimated that more than forty thousand RVers dwell in the desert near Quartzsite from December through February. Bill Alexander has watched them come and go for what seems like forever. The outdoor recreation planner and lead park ranger at the Bureau of Land Management’s Yuma Field Office, he’s been working in this region for seventeen years. And after all that time, he says, he’s still impressed by the campers’ neighborliness. “We can have that guy who rides up on a bike with his dog on a leash and throws down his tent next to a guy in a $500,000 custom-built motorhome, and they get along just fine,” Bill told me. “That ability to coexist is based simply on their desire to enjoy the public land, and the fact that it belongs equally to the guy riding the bicycle as to the guy in the motorhome.
”
”
Jessica Bruder (Nomadland: Surviving America in the Twenty-First Century)
“
I remember hating him for doing this to us. I remember hating him for dying before we had a chance to be okay again, because I always thought we would be. I thought we’d be fine, I thought one day we’d sort our shit out and I’d forgive him for everything he’s done, and we’d grow old together and we’d finally get that house in Tobermory, but then he was dying of a coke overdose because I looked happy the night before with another man I don’t give a fucking shit about.
”
”
Jessa Hastings (Magnolia Parks (The Magnolia Parks Universe, #1))
“
We take the stairs down to the first level of the parking garage and I lead us toward the area reserved for doctors. She makes her way toward a black Audi, turns, and waits for me to join her.
I smirk. “That’s not my car.”
She nods. “Right, of course. I see it now.”
She goes to a bright yellow Ferrari that belongs to one of the plastic surgeons. The vanity license plate reads: SXY DOC88. “Here we are.”
“Not even close.”
“Oh, okay. I get it. You aren’t flashy. Maybe that gray Range Rover over there?”
I press the unlock button on my key fob and my rear lights flash. There she is, the car I’ve driven since I was in medical school.
“You’re kidding. A Prius?! Satan himself drives a Prius?!” She turns around as if hoping to find someone else she can share this moment with. All she’s got is me.
I shrug. “It gets good gas mileage.”
She blinks exaggeratedly. “I couldn’t be more shocked if you’d hitched a horse to a buggy.”
I chuckle and open the back door to toss in her backpack. “Get in. Traffic is going to be hell.”
We buckle up in silence, back up and leave the parking garage in silence, pull out into traffic in silence.
Finally, I ask, “Where do you live?”
“On the west side. Right across from Franklin Park.”
“Good. I have an errand I need to run that’s right by there. Mind if I do that before I drop you off?”
“Well seeing as how you stole my backpack and forced me into your car, I don’t really think it matters what I want.”
I see. She’s still pouting. That’s fine. “Good. Glad we’re on the same page.”
She doesn’t think I’m funny.
”
”
R.S. Grey (Hotshot Doc)
“
Is he going to be okay?” I asked his doctor. He nodded. “He’s going to be fine.” Relief flooded me as quickly as I found myself smacking him in the face. The whole room gasped, then froze. Both his parents, Henry, Jonah and a doctor. Beej looked wide-eyed, confused, still a bit dazed. “If you ever,” I started, my voice shaking, “do that to me, ever again—” I shook my head. “I will never forgive you.” “Okay.” He blinked, kind of teary. “Promise me.” “I promise.” He barely nodded. Then I climbed out of his bed and walked out of his room.
”
”
Jessa Hastings (Magnolia Parks (The Magnolia Parks Universe, #1))
“
In olden times, you'd wander down to Mom's Cafe for a bite to eat and a cup of joe, and you would feel right at home. It worked just fine if you never left your home-own. But if you went to the next town over, everyone would look up and stare at you when you came in the door, and the Blue Plate Special would be something you didn't recognize. If you did enough traveling, you'd never feel at home anywhere. But when a businessman from New Jersey goes to Dubuque, he knows he can walk into a McDonald's and no one will stare at him. He can order without having to look at the menu, and the food will always taste the same. McDonald's is Home, condensed into a three-ring binder and xeroxed. “No surprises” is the motto of the franchise ghetto, its Good Housekeeping seal, subliminally blazoned on every sign and logo that make up the curves and grids of light that outline the Basin. The people of America, who live in the world's most surprising and terrible country, take comfort in that motto. Follow the loglo outward, to where the growth is enfolded into the valleys and the canyons, and you find the land of the refugees. They have fled from the true America, the America of atomic bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree killers, space walks, buffalo jumps, drive-bys, cruise missiles; Sherman's March, gridlock, motorcycle gangs, and bungee jumping. They have parallel-parked their bimbo boxes in identical computer-designed Burbclave street patterns and secreted themselves in symmetrical sheetrock shitholes with vinyl floors and ill-fitting woodwork and no sidewalks, vast house farms out in the loglo wilderness, a culture medium for a medium culture.
”
”
Neal Stephenson (Snow Crash)
“
down the street to the station.” “I’ll be fine, I promise. I love you.” I say those three words to him every day now, and part of me still curses myself for not saying them the night Percy was parked outside Meadow Hill. I felt it then, but I was still pissy that Shane went off with Lynsey. Now I realize how childish that was. If you love someone, you should always tell them. Life is too short, and you never know what tomorrow will bring. What if I kept my feelings to myself that night and something had happened to him the next morning? I can’t even imagine living with that kind of regret. “I love you too,” Shane says before kissing me again.
”
”
Elle Kennedy (The Dixon Rule (Campus Diaries, #2))
“
From his corner office on the ground floor of the St. Cyril station house, Inspector Dick has a fine view of the parking lot. Six Dumpsters plated and hooped like iron maidens against bears. Beyond the Dumpsters a subalpine meadow, and then the snow¬ capped ghetto wall that keeps the Jews at bay. Dick is slouched against the back of his two-thirds-scale desk chair, arms crossed, chin sunk to his chest, star¬ing out the casement window. Not at the mountains or the meadow, grayish green in the late light, tufted with wisps of fog, or even at the armored Dumpsters. His gaze travels no farther than the parking lot—no farther than his 1961 Royal Enfield Crusader. Lands¬man recognizes the expression on Dick's face. It's the expression that goes with the feeling Landsman gets when he looks at his Chevelle Super Sport, or at the face of Bina Gelbfish. The face of a man who feels he was born into the wrong world. A mistake has been made; he is not where he belongs. Every so often he feels his heart catch, like a kite on a telephone wire, on something that seems to promise him a home in the world or a means of getting there. An American car manufactured in his far-off boyhood, say, or a motor¬cycle that once belonged to the future king of England, or the face of a woman worthier than himself of being loved.
”
”
Michael Chabon (The Yiddish Policemen's Union)
“
They seemed to radiate warmth into his mother’s smile, warmth she seemed to desperately need, for she often shivered with the absence of her husband and the tears would lie frozen upon her cheeks. So, Sebastian would walk with his mother to the park, and he would admire those flowers for the warmth they gave his mother. And her tears did thaw. And her smile did endure for a while. Then, one day, they walked to the park, and Sebastian noticed that the flowers were not so yellow, and the petals sulked. And he feared his mother’s tears would return. “But I’m fine,” she replied to her child, “I enjoyed them while they were here. Now it is time for them to go.
”
”
Jeremiah Cobra (Beauty and Perspective: a collection of short stories and poetry)
“
And as soon as I had recognised the taste of the piece of madeleine soaked in her decoction of lime-blossom which my aunt used to give me (although I did not yet know and must long postpone the discovery of why this memory made me so happy) immediately the old grey house upon the street, where her room was, rose up like a stage set to attach itself to the little pavilion opening on to the garden which had been built out behind it for my parents (the isolated segment which until that moment had been all that I could see); and with the house the town, from morning to night and in all weathers, the streets along which I used to run errands, the country roads we took when it was fine. And in the game wherein the Japanese amuse themselves by filling a porcelain bowl with water and steeping in it little pieces of paper which until then are without character or form, but, the moment they become wet, stretch and twist and take on colour and distinctive shape, become flowers or houses or people, solid and recognisable, so in that moment all the flowers in our garden and in M. Swann's park, and the water-lilies on the Vivonne and the good folk of the village and their little dwellings and the parish church and the whole of Combray and its surroundings, taking shape and solidity, sprang into being, town and gardens alike, from my cup of tea.
”
”
Marcel Proust (Swann’s Way (In Search of Lost Time, #1))
“
I think I have done you a disservice,” my father finally said, looking me in the eye. “I told you from such a young age that you could be the very best. But I never explained to you that it’s about aiming for excellence, not about stats.” “What?” “I am just saying that when you were a child, I spoke in…grandiosities. But, Carrie, there is no actual unequivocal greatest in the world. Tennis doesn’t work like that. The world doesn’t work like that.” “I’m not going to sit here and be insulted.” “How am I insulting you? I am telling you there is no one way to define the greatest of all time. You’re focusing right now on rankings. But what about the person who gets the most titles over the span of their career? Are they the greatest? How about the person with the fastest recorded serve? Or the highest paid? I’m asking you to take a minute and recalibrate your expectations.” “Excuse me?” I said, standing up. “Recalibrate my expectations?” “Carrie,” my father said. “Please listen to me.” “No,” I said, putting my hands up. “Don’t use your calm voice and act like you’re being nice. Because you’re not. Having someone on this planet who is as good as me—or better—means I have not achieved my goal. If you would like to coach someone who is fine being second, go coach someone else.” I threw my napkin down and walked out of the restaurant. I made my way through the lobby to the parking lot. I was still furious by the time my father caught up to me by my car. “Carolina, stop, you’re making a scene,” he said. “Do you have any idea how hard it is?” I shouted. It felt shocking to me, to hear my own voice that loud. “To give everything you have to something and still not be able to grasp it! To fail to reach the top day after day and be expected to do it with a smile on your face? Maybe I’m not allowed to make a scene on the court, but I will make a scene here, Dad. It is the very least you can give me. Just for once in my life, let me scream about something!” There were people gathering in the parking lot, and each one of them, I could tell, knew my name. Knew my father’s name. Knew exactly what they were witnessing. “WHAT ARE YOU ALL LOOKING AT? GO ON ABOUT YOUR SAD LITTLE DAYS!” I got in my convertible and drove away. —
”
”
Taylor Jenkins Reid (Carrie Soto Is Back)
“
Violet felt so free. She could hear Jay laughing from behind her as he held on tight. She spun the craft first sharply to the right and then quickly to the left. He knew she was trying to buck him free, testing him to see how long he could hold on to her before being tossed into the frigid water of the lake as she maneuvered the miniature speedboat back and forth. But he was stronger now than ever before, and his reflexes were sharper. He seemed to know which way she was going to go even before she did.
After a while, Violet slowed down near a floating dock in the lake and parked the Wave Runner.
“Do you want to jump in?” she asked as she pulled the key from the ignition without waiting for an answer, making it more of a statement than a question.
Jay stood up and hopped from the Wave Runner onto the dock. Violet joined him and instead of diving into the water, she sat down and dangled her feet in.
“It’s quiet here,” he commented absently. He sat down beside her.
“Mm-hmm,” she sighed, kicking her feet and splashing up water.
“How are your knees?” He reached out and brushed his fingers across the damp bandages.
Violet shrugged. “They’re fine . . .” and then she added with mock adoration, “. . . thanks to you, of course.” And to show her gratitude, she kicked water in his direction.
He nudged her with his shoulder but didn’t say anything. They stayed like that for a while, enjoying the silence of being alone and enjoying each other’s presence. It was easy . . . and comfortable.
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))
“
-Now the paperwork –
-What if I don’t want to do the Ultimate, right away? Maybe I want to ease into this thing gently.
-No you don’t.
-I might. I might just want to ease into the activity, the idea of it.
-it’ll be fine, said Rebecca.
-you will be fine, and no regrets, honestly. Jillian took me over to the desk.
-No possible regrets, said Rebecca, just sign this, she handed me a sheaf of forms.
-Jesus I don’t want to buy the place, I scanned the pages – 45 pages.
-just fill in page 25 through28 and sign.
-Pages 25 through 28, what is this?
Rebecca took the pages of forms from my hand – look its simple stuff, here we’ll read it through. Jillian looked over her shoulder at the pages
-weight?
-what?
- Say 110, Jillian said.
-Height?
-5’ 8’’, Jillian again.
-Hair length?
-What? Why?
-Long, Jillian again.
-Cup size?
- O come on.
- say C
-how about say nothing, I was getting angry
-Shaved or bikini or natural?
-Fuck off
Rebecca ticked a box anyway – well she was at the waxing too. Why ask in fact?
-Last menstrual cycle?
- enough, enough, give me those papers
-Yes ignore that, said Rebecca taking the pages away from my grasping hand
-Tested? she said this to Jillian
-Tested? What tested? What do you mean tested?
-Yes, said Jillian, I forwarded a blood sample from the main island
-You what!
-You were sleeping.
-Great now sign here, Rebecca handed me a page and a pen
-Who has blood samples for a theme park?
-Everyone
-especially the staff, can’t have mi’lady getting STDs
I took a breath
-This is getting a bit weird guys are you sure? I mean, well this is a bit, weird.
-We’re 100 and a million per cent sure, said Jillian
- 100 million per cent, said Rebecca
”
”
Germaine Gibson (Theme Park Erotica)
“
It took the sun a long while to come over the mountains and until it did my vision was bound to the few gray yards around the trailer. It was day but not day, dim but not night, a fugue of half-thoughts and disconnected images, pulsing with power beyond easy meaning—a crow flapping, glowing black against the gray—a shadow like a man crouched with a knife—parking lots aching with pink blur—so overwhelmed by thought I’d have to sit back, set down the pen, set down my coffee, and it goes on—glass towers gleaming out of gray cityscapes, blinding silver—an old man with a red guitar—the booming flame of rockets trailing smoke—a girl’s face, her freckled cheek downy with fine hairs, fleshy lips spread in a smile over crooked teeth. I sink in reverie—and what, what does it mean?—then scrape a few more lines with my pen. Nothing even approximate. Another failure.
”
”
Roy Scranton (War Porn)
“
They think it's what we need to hear, but it's the opposite. Inviting glamorous people to school, asking them to parade their glamorous lives onstage, getting them to inspire us with their message that anything is possible if only we believe. Dream. Reach for the stars. Well, no thanks. That's not for me. I'm not going to get there, and neither are most people that I know, and that's fine by me. It is. It really is. When did it stop being fine for everyone else? The normal stuff. Sunday dinners and, I don't know , taking a walk in the park and listening to music and working in an ordinary job for an ordinary wage that will allow you to maybe go on holiday once a year, and really look forward to it too because you're are not a greedy bastard wanting more, more, more all the time. That's who should be doing a talk at school. Seriously. Show me someone happy with a life like that, because it's enough. It should be enough. All that other stuff is meaningless.
”
”
Annabel Pitcher (Silence is Goldfish)
“
William Stead recognized the power of the fair immediately. The vision of the White City and its profound contrast to the Black City drove him to write If Christ Came to Chicago, a book often credited with launching the City Beautiful movement, which sought to elevate American cities to the level of the great cities of Europe. Like Stead, civic authorities throughout the world saw the fair as a model of what to strive for. They asked Burnham to apply the same citywide thinking that had gone into the White City to their own cities. He became a pioneer in modern urban planning. He created citywide plans for Cleveland, San Francisco, and Manila and led the turn-of-the-century effort to resuscitate and expand L’Enfant’s vision of Washington, D.C. In each case he worked without a fee. While helping design the new Washington plan, Burnham persuaded the head of the Pennsylvania Railroad, Alexander Cassatt, to remove his freight tracks and depot from the center of the federal mall, thus creating the unobstructed green that extends today from the Capitol to the Lincoln Memorial. Other cities came to Daniel Burnham for citywide plans, among them Fort Worth, Atlantic City, and St. Louis, but he turned them down to concentrate on his last plan, for the city of Chicago. Over the years many aspects of his Chicago plan were adopted, among them the creation of the city’s lovely ribbon of lakefront parks and Michigan Avenue’s “Miracle Mile.” One portion of the lakefront, named Burnham Park in his honor, contains Soldier Field and the Field Museum, which he designed. The park runs south in a narrow green border along the lakeshore all the way to Jackson Park, where the fair’s Palace of Fine Arts, transformed into a permanent structure, now houses the Museum of Science and Industry. It looks out over the lagoons and the Wooded Island, now a wild and tangled place that perhaps would make Olmsted smile—though no doubt he would find features to criticize.
”
”
Erik Larson (The Devil in the White City)
“
After the plates are removed by the silent and swift waiting staff, General Çiller leans forward and says across the table to Güney, ‘What’s this I’m reading in Hürriyet about Strasbourg breaking up the nation?’
‘It’s not breaking up the nation. It’s a French motion to implement European Regional Directive 8182 which calls for a Kurdish Regional Parliament.’
‘And that’s not breaking up the nation?’ General Çiller throws up his hands in exasperation. He’s a big, square man, the model of the military, but he moves freely and lightly ‘The French prancing all over the legacy of Atatürk? What do you think, Mr Sarioğlu?’
The trap could not be any more obvious but Ayşe sees Adnan straighten his tie, the code for, Trust me, I know what I’m doing,
‘What I think about the legacy of Atatürk, General? Let it go. I don’t care. The age of Atatürk is over.’
Guests stiffen around the table, breath subtly indrawn; social gasps. This is heresy. People have been shot down in the streets of Istanbul for less. Adnan commands every eye.
‘Atatürk was father of the nation, unquestionably. No Atatürk, no Turkey. But, at some point every child has to leave his father. You have to stand on your own two feet and find out if you’re a man. We’re like kids that go on about how great their dads are; my dad’s the strongest, the best wrestler, the fastest driver, the biggest moustache. And when someone squares up to us, or calls us a name or even looks at us squinty, we run back shouting ‘I’ll get my dad, I’ll get my dad!’ At some point; we have to grow up. If you’ll pardon the expression, the balls have to drop. We talk the talk mighty fine: great nation, proud people, global union of the noble Turkic races, all that stuff. There’s no one like us for talking ourselves up. And then the EU says, All right, prove it. The door’s open, in you come; sit down, be one of us. Move out of the family home; move in with the other guys. Step out from the shadow of the Father of the Nation.
‘And do you know what the European Union shows us about ourselves? We’re all those things we say we are. They weren’t lies, they weren’t boasts. We’re good. We’re big. We’re a powerhouse. We’ve got an economy that goes all the way to the South China Sea. We’ve got energy and ideas and talent - look at the stuff that’s coming out of those tin-shed business parks in the nano sector and the synthetic biology start-ups. Turkish. All Turkish. That’s the legacy of Atatürk. It doesn’t matter if the Kurds have their own Parliament or the French make everyone stand in Taksim Square and apologize to the Armenians. We’re the legacy of Atatürk. Turkey is the people. Atatürk’s done his job. He can crumble into dust now. The kid’s come right. The kid’s come very right. That’s why I believe the EU’s the best thing that’s ever happened to us because it’s finally taught us how to be Turks.’
General Çiller beats a fist on the table, sending the cutlery leaping.
‘By God, by God; that’s a bold thing to say but you’re exactly right.
”
”
Ian McDonald (The Dervish House)
“
Yes.” I sniff.
I love him like you might love a star.
“Yes, you did?” He stares over at me.
I nod. “Yes.”
His eyes go funny, sort of blurry—he blinks twice and then he yells
“Fuck!” way too loudly to be anything close to discreet.
My head pulls back and I tense up.
“Shit.” He breathes out, shaking his head. “Fuck—”
I watch on in mild horror. “Are you ok—”
“Say it.”
“What?” I stare over at him.
“Can you, please? Say it?” he asks. “Now. Out loud—” He shakes his
head at himself. “Just so I’ve heard you say it one time.”
I open my mouth to protest for a reason I don’t know why and then I stop
myself, swallow and look him in the eye.
“I loved you.”
He nods a couple of times then closes his eyes for a few seconds, blows
some air out of his mouth.
“I have to ask—” He looks back over at me, eyes all heavy now. “Was I
ever in with a shot?”
He is a star. Not the shooting kind. Not some flash-in-the-pan meteorite
that burns up on entry into the atmosphere. And stars, they’re undeniably
beautiful, kind of magical. Only come out at the nighttime. Easy enough to
ignore. In a sky full of them, a single star can be difficult to tell apart from
the others. They don’t affect our day-to-day lives, really. You might see it
one night and not the next, and it bears no real consequence other than
perhaps the sky is a little less wonderful on that particular evening. A star is
a star.
“In this world,” I give him a delicate look, “with BJ?” I shake my head.
“I’m sorry.”
“That’s—” He trails, letting out this hollow laugh that I kind of hate. It
doesn’t suit him. His regular laugh is so wonderful. “—fine.” He nods.
“That’s good to know, actually—”
“I’m sorry,” I tell him.
He shakes his head again. “No, don’t be.”
But you see, the thing about stars is that in another galaxy, that star is
also a sun.
“If it wasn’t him, it would be you,” I tell him, for better and for worse.
He blows some more air out of his mouth and catches my eye.
“In another life, yeah?”
I nod and offer him a weak smile. “I’ll meet you there.
”
”
Jessa Hastings (Magnolia Parks Universe Series 5 Books Collection Set by Jessa Hastings (Magnolia Parks, Daisy Haites, The Long Way Home, The Great Undoing, and Into the Dark))
“
At first piecemeal, then point-blank, he let his attention be drawn to a little scene that was being acted out sublimely, unhampered by writers and directors and producers, five stories below the window and across the street. A fair-sized maple tree stood in front of the girls' private school--one of four or five trees on that fortunate side of the street--and at the moment a child of seven or eight, female, was hiding behind it. She was wearing a navy-blue reefer and a tam that was very nearly the same shade of red as the blanket on the bed in van Gogh's room at Aries. Her tam did, in fact, from Zooey's vantage point, appear not unlike a dab of paint. Some fifteen feet away from the child, her dog--a young dachshund, wearing a green leather collar and leash--was sniffing to find her, scurrying in frantic circles, his leash dragging behind him. The anguish of separation was scarcely bearable for him, and when at last he picked up his mistress's scent, it wasn't a second too soon. The joy of reunion, for both, was immense. The dachshund gave a little yelp, then cringed forward, shimmying with ecstasy, till his mistress, shouting something at him, stepped hurriedly over the wire guard surrounding the tree and picked him up. She said a number of words of praise to him, in the private argot of the game, then put him down and picked up his leash, and the two walked gaily west, toward Fifth Avenue and the Park and out of Zooey's sight. Zooey reflexively put his hand on a cross-piece between panes of glass, as if he had a mind to raise the window and lean out of it to watch the two disappear. It was his cigar hand, however, and he hesitated a second too long. He dragged on his cigar. "God damn it," he said, "there are nice things in the world--and I mean nice things. We're all such morons to get so sidetracked. Always, always, always referring every goddam thing that happens right back to our lousy little egos." Behind him, just then, Franny blew her nose with guileless abandon; the report was considerably louder than might have been expected from so fine and delicate-appearing an organ. Zooey turned around to look at her, somewhat censoriously.
”
”
J.D. Salinger (Franny and Zooey)
“
We'd reached the parking lot. Alex stopped.
"You drive to school?" I demanded.
He gestured me ahead of him through the break in the chain fence. "We don't all live five blocks away," he shot back.
"It's eight, actually."
"Fine,eight. And sometimes I walk."
I pictured the stretch between Willing and Society Hill, where I knew he lived somewhere near Sadie. It was quite a distance, and not a particularly scenic one, especially at seven thirty in the morning. "Yeah? When was the last time?"
He didn't answer immediately, leading the way now between the parked cars. He passed a big Jeep that still had its dealer plates, a low-slung-two-door Lexus, and a sick black BMW that all looked like just the sort of cars he would own. "April of last year," he admitted finally. "But it pissed rain on me the whole time, so that's gotta count for something." He stopped by the dented passenger door of an old green Mustang. "Your carriage, my lady."
"Really? This is your car?"
The door made a very scary sound when he opened it. "It's clean," he snapped, and I realized he'd totally missed my point.
"It's amazing.
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
And another thing that makes Moscow different from Chicago or Cleveland, or New York, is that in the cities at home Negroes--like me--must stay away from a great many places--hotels, clubs, parks, theatres, factories, offices, and union halls--because they are not white. And in Moscow, all the doors are open to us just the same of course, and I find myself forgetting that the Russians are white folks. They're too damn decent and polite. To walk into a big hotel without the doorman yelling at me (at my age), "Hey, boy, where're you going?" Or to sit at the table in any public restaurant and not be told, "We don't serve Negroes here." Or to have the right of seeking a job at any factory or in any office where I am qualified to work and never be turned down on account of color or a WHITE ONLY sign at the door. To dance with a white woman in the dining room of a fine restaurant and not be dragged out by the neck--is to wonder if you're really living in a city full of white folks (as is like Moscow).
But then the papers of the other lands are always calling the Muscovites red. I guess it's the red that makes the difference. I'll be glad when Chicago gets that way, and Birmingham.
”
”
Langston Hughes (Good Morning, Revolution: Uncollected Social Protest Writings)
“
Dad's in D.C. all week," he said as we climbed out, "so I get to use the garage. Parking's a bitch around here."
I didn't know whether to roll my eyes or sympathize.
"Is your mom home?" I really didn't know how I felt about seeing Karina Romanova in her own home. Well,no.
Truth: I was worried how she would feel about seeing me in it.
"Will she mind my being here?"
"Why would she?" Alex gave me an odd look as he pushed open a small door onto a wide brick patio. "But no, she's at the studio until midnight. It's just you,me,and the lacrosse team."
I could see myself with amazing clarity in the huge glass wall that was the entire back of the house. I was small, dark, and frozen. "You're kidding, right?"
Next to mine, Alex's reflection looked twice as big and ust as still. "You're kidding. Right?"
I nodded. Clearly not emphatically enough.
"Christ,Ella. Who do you think I am?"
I sighed. Honestly, I didn't know. "I think you're probably a terrific guy, Alex. But let's be truthful here.We don't really know each other."
"Oh,come one.We've gone to school together for two and a half years. I've been to Marino's..." He stopped. Sighed. "Okay.Fine.So let's change it. Now." And he unlocked the door to his house.
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
Honest to God, I hadn’t meant to start a bar fight.
“So. You’re the famous Jordan Amador.” The demon sitting in front of me looked like someone filled a pig bladder with rotten cottage cheese. He overflowed the bar stool with his gelatinous stomach, just barely contained by a white dress shirt and an oversized leather jacket. Acid-washed jeans clung to his stumpy legs and his boots were at least twice the size of mine. His beady black eyes started at my ankles and dragged upward, past my dark jeans, across my black turtleneck sweater, and over the grey duster around me that was two sizes too big.
He finally met my gaze and snorted before continuing. “I was expecting something different. Certainly not a black girl. What’s with the name, girlie?”
I shrugged. “My mother was a religious woman.”
“Clearly,” the demon said, tucking a fat cigar in one corner of his mouth. He stood up and walked over to the pool table beside him where he and five of his lackeys had gathered. Each of them was over six feet tall and were all muscle where he was all fat.
“I could start to examine the literary significance of your name, or I could ask what the hell you’re doing in my bar,” he said after knocking one of the balls into the left corner pocket.
“Just here to ask a question, that’s all. I don’t want trouble.”
Again, he snorted, but this time smoke shot from his nostrils, which made him look like an albino dragon. “My ass you don’t. This place is for fallen angels only, sweetheart. And we know your reputation.”
I held up my hands in supplication. “Honest Abe. Just one question and I’m out of your hair forever.”
My gaze lifted to the bald spot at the top of his head surrounded by peroxide blonde locks. “What’s left of it, anyway.”
He glared at me. I smiled, batting my eyelashes. He tapped his fingers against the pool cue and then shrugged one shoulder.
“Fine. What’s your question?”
“Know anybody by the name of Matthias Gruber?”
He didn’t even blink. “No.”
“Ah. I see. Sorry to have wasted your time.”
I turned around, walking back through the bar. I kept a quick, confident stride as I went, ignoring the whispers of the fallen angels in my wake. A couple called out to me, asking if I’d let them have a taste, but I didn’t spare them a glance. Instead, I headed to the ladies’ room. Thankfully, it was empty, so I whipped out my phone and dialed the first number in my Recent Call list.
“Hey. He’s here. Yeah, I’m sure it’s him. They’re lousy liars when they’re drunk. Uh-huh. Okay, see you in five.”
I hung up and let out a slow breath. Only a couple things left to do.
I gathered my shoulder-length black hair into a high ponytail. I looped the loose curls around into a messy bun and made sure they wouldn’t tumble free if I shook my head too hard. I took the leather gloves in the pocket of my duster out and pulled them on. Then, I walked out of the bathroom and back to the front entrance.
The coat-check girl gave me a second unfriendly look as I returned with my ticket stub to retrieve my things—three vials of holy water, a black rosary with the beads made of onyx and the cross made of wood, a Smith & Wesson .9mm Glock complete with a full magazine of blessed bullets and a silencer, and a worn out page of the Bible.
I held out my hands for the items and she dropped them on the counter with an unapologetic, “Oops.”
“Thanks,” I said with a roll of my eyes. I put the Glock back in the hip holster at my side and tucked the rest of the items in the pockets of my duster.
The brunette demon crossed her arms under her hilariously oversized fake breasts and sent me a vicious sneer. “The door is that way, Seer. Don’t let it hit you on the way out.”
I smiled back. “God bless you.”
She let out an ugly hiss between her pearly white teeth. I blew her a kiss and walked out the door. The parking lot was packed outside now that it was half-past midnight. Demons thrived in darkness, so I wasn’t surprised. In fact, I’d been counting on it.
”
”
Kyoko M. (The Holy Dark (The Black Parade, #3))
“
To pass the time, he hunted through the apartment, patting surfaces down with his palms in an attempt to find computers, extra phones, more goddamn guns. He’d just returned to the second bedroom when something ricocheted off the window.
Wrath unholstered his forty again and back-flatted it on the wall next to the window. With his hand, he sprang the lock and pushed the sheet of glass open a crack.
The cop’s Boston accent was about as subtle as a loudspeaker. “Yo, Rapunzel, you going to let down your frickin’ hair, there?”
“Shh, you wanna wake the neighbors?”
“Like they can hear anything over that TV? Hey, this is the bat epi…”
Wrath left Butch to talk to himself, putting his gun back on his hip, pushing the window wide, then heading for the closet.
The only warning he gave the cop as he winged the first two-hundred-pound crate out of the building was, “Brace yourself, Effie.”
“Jesus Ch—” A grunt cut off the swearing.
Wrath poked his head out of the window and whispered, “You’re supposed to be a good Catholic. Isn’t that blasphemy?”
Butch’s tone was like someone had pissed out a fire on his bed. “You just threw half a car at me with nothing but a quote from Mrs. fucking Doubtfire.”
“Put on your big-girl pants and deal.”
As the cop cursed his way over to the Escalade, which he’d managed to park under some pine trees, Wrath headed back to the closet.
When Butch returned, Wrath heaved again. “Two more.”
There was another grunt and a rattle. “Fuck me.”
“Not on your life.”
“Fine. Fuck you.”
-Butch & Wrath
”
”
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
“
But once the work was done, we sat down in a warm patch of Sunlight outside his house where the peonies were slowly coming into bloom, and the whole world seemed covered in a fine layer of gold leaf. “What have you done in life?” Boros suddenly asked. This question was so unexpected that I instantly let myself be carried away by memories. They began to sail past my eyes, and typically for memories, everything in them seemed better, finer, and happier than in reality. It’s strange, but we didn’t say a word. For people of my age, the places that they truly loved and to which they once belonged are no longer there. The places of their childhood and youth have ceased to exist, the villages where they went on holiday, the parks with uncomfortable benches where their first loves blossomed, the cities, cafés and houses of their past. And if their outer form has been preserved, it’s all the more painful, like a shell with nothing inside it anymore. I have nowhere to return to. It’s like a state of imprisonment. The walls of the cell are the horizon of what I can see. Beyond them exists a world that’s alien to me and doesn’t belong to me. So for people like me the only thing possible is here and now, for every future is doubtful, everything yet to come is barely sketched and uncertain, like a mirage that can be destroyed by the slightest twitch of the air. That’s what was going through my mind as we sat there in silence. It was better than a conversation. I have no idea what either of the men was thinking about. Perhaps about the same thing.
”
”
Olga Tokarczuk (Drive Your Plow Over the Bones of the Dead)
“
Today Ramon defended the garbage bin by Plumpy’s back door, and I defended a shiny silver Mercedes because, according to Ramon, it represented the privileged white aristocracy of America trying to keep the Latino man down.
“Our duel,” Ramon said, spinning his broom like a bo staff, “will represent the struggle our nation’s currently engaged in.”
“Please, we both know you’re just going for home team advantage.”
“You wound me, Sam. I can’t help it if your crackerlike oppression gives me the better playing field.” He did a quick hamstring stretch. “Suck it up.”
“Fine,” I said, “then I get the handicap.”
“Sam, you’re Texas. Texas always gets the handicap.”
“I’m Team Texas again?”
He grinned, rolled his shoulders, and wiggled his arms, loosening them.
I gave up and nodded at the Mercedes. It looked old and expensive, especially in our parking lot. “Shiny.”
Ramon snorted. “Classic. Check out the gullwing doors.”
“Fine. Classic Shiny.”
Ramon tossed an empty Plumpy’s cup into the Dumpster. “Sometimes, Sammy, I question your manhood.”
“A car is to get you from place to place. That’s it.”
Ramon shook his head at my ignorance.
“Whatever. Just try not to dent the car, Team Mexico.”
“It’s Team South America,” he said.
“You do know that Mexico is in North America, right?”
“Yeah, but I have the whole continent behind me.” He held up his fist dramatically. “They support their cousin to the north.” I laughed and he dropped his hand back down. “And it’s that guy’s own fault for parking in our lot so he could sneak over to Eddie Bauer or Starbucks or whatever.
”
”
Lish McBride (Hold Me Closer, Necromancer (Necromancer, #1))
“
The men in grey were powerless to meet this challenge head-on. Unable to detach the children from Momo by bringing them under their direct control, they had to find some roundabout means of achieving the same end, and for this they enlisted the children's elders. Not all grown-ups made suitable accomplices, of course, but plenty did. [....] 'Something must be done,' they said. 'More and more kids are being left on their own and neglected. You can't blame us - parents just don't have the time these days - so it's up to the authorities.' Others joined in the chorus. 'We can't have all these youngsters loafing around, ' declared some. 'They obstruct the traffic. Road accidents caused by children are on the increase, and road accidents cost money that could be put to better use.' 'Unsupervised children run wild, declared others.'They become morally depraved and take to crime. The authorities must take steps to round them up. They must build centers where the youngsters can be molded into useful and efficient members of society.' 'Children,' declared still others, 'are the raw material for the future. A world dependent on computers and nuclear energy will need an army of experts and technicians to run it. Far from preparing children from tomorrow's world, we still allow too many of them to squander years of their precious time on childish tomfoolery. It's a blot on our civilization and a crime against future generations.' The timesavers were all in favor of such a policy, naturally, and there were so many of them in the city by this time that they soon convinced the authorities of the need to take prompt action. Before long, big buildings known as 'child depots' sprang up in every neighborhood. Children whose parents were too busy to look after them had to be deposited there and could be collected when convenient. They were strictly forbidden to play in the streets or parks or anywhere else. Any child caught doing so was immediately carted off to the nearest depot, and its parents were heavily fined. None of Momo's friends escaped the new regulation. They were split up according to districts they came from and consigned to various child depots. Once there, they were naturally forbidden to play games of their own devising. All games were selected for them by supervisors and had to have some useful, educational purpose. The children learned these new games but unlearned something else in the process: they forgot how to be happy, how to take pleasure in the little things, and last but not least, how to dream. Weeks passed, and the children began to look like timesavers in miniature. Sullen, bored and resentful, they did as they were told. Even when left to their own devices, they no longer knew what to do with themselves. All they could still do was make a noise, but it was an angry, ill-tempered noise, not the happy hullabaloo of former times. The men in grey made no direct approach to them - there was no need. The net they had woven over the city was so close-meshed as to seem inpenetrable. Not even the brightest and most ingenious children managed to slip through its toils. The amphitheater remained silent and deserted.
”
”
Michael Ende, Momo
“
some older people who need to sit down, Barb. We can’t put chairs out. I don’t want them to get too comfy or we’ll never get rid of them.’ ‘Oh, you’re being ridiculous.’ Henry is thinking that this is a fine time to call him ridiculous. He never wanted the stupid vigil. In bed last night they had another spit-whispered row about it. We could have it at the front of the house, Barbara had said when the vicar called by. Henry had quite explicitly said he would not support anything churchy – anything that would feel like a memorial service. But the vicar had said the idea of a vigil was exactly the opposite. That the community would like to show that they have not given up. That they continue to support the family. To pray for Anna’s safe return. Barbara was delighted and it was all agreed. A small event at the house. People would walk from the village, or park on the industrial estate and walk up the drive. ‘This was your idea, Barbara.’ ‘The vicar’s, actually. People just want to show support. That is what this is about.’ ‘This is ghoulish, Barb. That’s what this is.’ He moves the tractor across the yard again, depositing two more bales of straw alongside the others. ‘There. That should be enough.’ Henry looks across at his wife and is struck by the familiar contradiction. Wondering how on earth they got here. Not just since Anna disappeared, but across the twenty-two years of their marriage. He wonders if all marriages end up like this. Or if he is simply a bad man. For as Barbara sweeps her hair behind her ear and tilts up her chin, Henry can still see the full lips, perfect teeth and high cheekbones that once made him feel so very differently. It’s a pendulum that still confuses him, makes him wish he could rewind. To go back to the Young Farmers’ ball, when she smelled so divine and everything seemed so easy and hopeful. And he is wishing, yes, that he could go back and have another run. Make a better job of it. All of it. Then he closes his eyes. The echo again of Anna’s voice next to him in the car. You disgust me, Dad. He wants the voice to stop. To be quiet. Wants to rewind yet again. To when Anna was little and loved him, collected posies on Primrose Lane. To when he was her hero and she wanted to race him back to the house for tea. Barbara is now looking across the yard to the brazier. ‘You’re going to light a fire, Henry?’ ‘It will be cold. Yes.’ ‘Thank you. I’m doing soup in mugs, too.’ A pause then. ‘You really think this is a mistake, Henry? I didn’t realise it would upset you quite so much. I’m sorry.’ ‘It’s OK, Barbara. Let’s just make the best of it now.’ He slams the tractor into reverse and moves it out of the yard and back into its position inside the barn. There, in the semi-darkness, his heartbeat finally begins to settle and he sits very still on the tractor, needing the quiet, the stillness. It was their reserve position, to have the vigil under cover in this barn, if the weather was bad. But it has been a fine day. Cold but with a clear, bright sky, so they will stay out of doors. Yes. Henry rather hopes the cold will drive everyone home sooner, soup or no soup. And now he thinks he will sit here for a while longer, actually. Yes. It’s nice here alone in the barn. He finds
”
”
Teresa Driscoll (I Am Watching You)
“
With a scowl, he turned from the window, but it was too late. The sight of Lady Celia crossing the courtyard dressed in some rich fabric had already stirred his blood. She never wore such fetching clothes; generally her lithe figure was shrouded in smocks to protect her workaday gowns from powder smudges while she practiced her target shooting.
But this morning, in that lemon-colored gown, with her hair finely arranged and a jeweled bracelet on her delicate wrist, she was summer on a dreary winter day, sunshine in the bleak of night, music in the still silence of a deserted concert hall.
And he was a fool.
"I can see how you might find her maddening," Masters said in a low voice.
Jackson stiffened. "Your wife?" he said, deliberately being obtuse.
"Lady Celia."
Hell and blazes. He'd obviously let his feelings show. He'd spent his childhood learning to keep them hidden so the other children wouldn't see how their epithets wounded him, and he'd refined that talent as an investigator who knew the value of an unemotional demeanor.
He drew on that talent as he faced the barrister. "Anyone would find her maddening. She's reckless and spoiled and liable to give her husband grief at every turn." When she wasn't tempting him to madness.
Masters raised an eyebrow. "Yet you often watch her. Have you any interest there?"
Jackson forced a shrug. "Certainly not. You'll have to find another way to inherit your new bride's fortune."
He'd hoped to prick Masters's pride and thus change the subject, but Masters laughed. "You, marry my sister-in-law? That, I'd like to see. Aside from the fact that her grandmother would never approve, Lady Celia hates you."
She did indeed. The chit had taken an instant dislike to him when he'd interfered in an impromptu shooting match she'd been participating in with her brother and his friends at a public park. That should have set him on his guard right then.
A pity it hadn't. Because even if she didn't despise him and weren't miles above him in rank, she'd never make him a good wife. She was young and indulged, not the sort of female to make do on a Bow Street Runner's salary.
But she'll be an heiress once she marries.
He gritted his teeth. That only made matters worse. She would assume he was marrying her for her inheritance. So would everyone else. And his pride chafed at that.
Dirty bastard. Son of shame. Whoreson. Love-brat. He'd been called them all as a boy. Later, as he'd moved up at Bow Street, those who resented his rapid advancement had called him a baseborn upstart. He wasn't about to add money-grubbing fortune hunter to the list.
"Besides," Masters went on, "you may not realize this, since you haven't been around much these past few weeks, but Minerva claims that Celia has her eye on three very eligible potential suitors."
Jackson's startled gaze shot to him. Suitors? The word who was on his lips when the door opened and Stoneville entered. The rest of the family followed, leaving Jackson to force a smile and exchange pleasantries as they settled into seats about the table, but his mind kept running over Masters's words.
Lady Celia had suitors. Eligible ones. Good-that was good. He needn't worry about himself around her anymore. She was now out of his reach, thank God. Not that she was ever in his reach, but-
"Have you got any news?" Stoneville asked.
Jackson started. "Yes." He took a steadying breath and forced his mine to the matter at hand.
”
”
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
“
The extreme consolidation in the corporate world over the past three decades has produced a playing field so rigged against consumers that pursuing the basics of life can feel like navigating a never-ending series of scams. It’s as if everyone is trying to trick us in the fine print of pages and pages of terms of service agreements they know we will never read. The black box is not just the algorithms running our communication networks—almost everything is a black box, an opaque system hiding something else. The housing market isn’t about homes; it’s about hedge funds and speculators. Universities aren’t about education; they’re about turning young people into lifelong debtors. Long-term care facilities aren’t about care; they’re about draining our elders in the last years of life and real estate plays. Many news sites aren’t about news; they’re about tricking us into clicking on autoplaying ads and advertorials that eat up the bottom half of nearly every site. Nothing is as it seems. This kind of predatory, extractive capitalism necessarily breeds mistrust and paranoia. In this context, it’s not surprising that QAnon, a conspiracy theory that tells of elites harvesting the young for their lifeblood (adrenochrome), has gone viral. Elites are sucking us dry—our money, our labor, our time, our data. So dry that large parts of our planet are beginning to spontaneously combust. The Davos elite aren’t eating our children, but they are eating our children’s futures, and that is plenty bad. QAnon believers imagine secret tunnels underneath pizza parlors and Central Park, the better to traffic children. This is fantasy, but there are tunnels—literal Shadow Lands—under some major cities, and they do house and hide the poor, the sick, the drug-dependent, the discarded. Under the flashing lights of Las Vegas, hundreds or even thousands of people really do live in a sprawling network of storm tunnels.
”
”
Naomi Klein (Doppelganger: a Trip into the Mirror World)
“
Did you eat?” he asked as he backed out of the parking lot.
“No.”
“Do you want to stop somewhere?”
“Like Burger King?”
“I was thinking something a little nicer.”
“I’m wearing sweaty clothes and sneakers.”
Briefly taking his eyes off the road, he glanced at her. “I think you look nice.”
“Says the man in a dress shirt and tie.”
“Trust me, you could wear a sack and I’d still be the inappropriate factor in the equation. Let’s stop and have dinner. We’ll go someplace small and quiet.”
She sighed. “Fine. But you have to take off your tie and un-tuck your shirt.”
“What?”
“Either that or I’m not going. I look like a slob.”
His fingers noticeably tightened on the wheel. “Fine.”
When they arrived at the restaurant, a little corner place with outdoor seating and Italian cuisine, Elliot stood at the car door and loosened his tie. After unclasping the top button of his shirt, he frowned at his hips.
“My shirttails will be wrinkled. Can’t this be enough?”
She laughed at how uncomfortable the idea of wrinkles made him. “Fine.”
Untwisting the clip in her hair, she flipped her head over and shook out her waves, hoping to hide the fact that she was in an old tank top with a bleach stain on the side.
Flipping back, she paused as she caught him staring. “What?”
His eyes were wide behind his glasses. “Nothing.” He shook his head and looked away.
He took her hand and escorted her into the restaurant. The smell of delicious pasta cranked up her hunger. The hostess greeted them, and before Nadia could manage a word, Elliot asked for a private table in the back. They were escorted to the rear of the restaurant, far away from all other patrons.
“Do they know you here?” He seemed to have some pull.
“No, but if you make a direct request people don’t often tell you no.”
She raised a brow. “I’ll have to remember that trick.”
For as gentle as he was, he had a knack for being equally commanding. His clout was subtle but undeniable. She wondered if he even realized the influence he held over others. He wore authority very well.
”
”
Lydia Michaels (Untied (Mastermind, #2))
“
Ken Wharfe
Before Diana disappeared from sight, I called her on the radio. Her voice was bright and lively, and I knew instinctively that she was happy, and safe. I walked back to the car and drove slowly along the only road that runs adjacent to the bay, with heath land and then the sea to my left and the waters of Poole Harbour running up toward Wareham, a small market town, to my right. Within a matter of minutes, I was turning into the car park of the Bankes Arms, a fine old pub that overlooks the bay. I left the car and strolled down to the beach, where I sat on an old wall in the bright sunshine. The beach huts were locked, and there was no sign of life. To my right I could see the Old Harry Rocks--three tall pinnacles of chalk standing in the sea, all that remains, at the landward end, of a ridge that once ran due east to the Isle of Wight. Like the Princess, I, too, just wanted to carry on walking.
Suddenly, my radio crackled into life: “Ken, it’s me--can you hear me?” I fumbled in the large pockets of my old jacket, grabbed the radio, and said, “Yes. How is it going?”
“Ken, this is amazing, I can’t believe it,” she said, sounding truly happy. Genuinely pleased for her, I hesitated before replying, but before I could speak she called again, this time with that characteristic mischievous giggle in her voice. “You never told me about the nudist colony!” she yelled, and laughed raucously over the radio. I laughed, too--although what I actually thought was “Uh-oh!” But judging from her remarks, whatever she had seen had made her laugh.
At this point, I decided to walk toward her, after a few minutes seeing her distinctive figure walking along the water’s edge toward me. Two dogs had joined her and she was throwing sticks into the sea for them to retrieve; there were no crowd barriers, no servants, no police, apart from me, and no overattentive officials. Not a single person had recognized her. For once, everything for the Princess was “normal.” During the seven years I had worked for her, this was an extraordinary moment, one I shall never forget.
”
”
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
“
After the Grand Perhaps”
After vespers, after the first snow
has fallen to its squalls, after New Wave,
after the anorexics have curled
into their geometric forms,
after the man with the apparition
in his one bad eye has done red things
behind the curtain of the lid & sleeps,
after the fallout shelter in the elementary school
has been packed with tins & other tangibles,
after the barn boys have woken, startled
by foxes & fire, warm in their hay, every part
of them blithe & smooth & touchable,
after the little vandals have tilted
toward the impossible seduction
to smash glass in the dark, getting away
with the most lethal pieces, leaving
the shards which travel most easily
through flesh as message
on the bathroom floor, the parking lots,
the irresistible debris of the neighbor’s yard
where he’s been constructing all winter long.
After the pain has become an old known
friend, repeating itself, you can hold on to it.
The power of fright, I think, is as much
as magnetic heat or gravity.
After what is boundless: wind chimes,
fertile patches of the land,
the ochre symmetry of fields in fall,
the end of breath, the beginning
of shadow, the shadow of heat as it moves
the way the night heads west,
I take this road to arrive at its end
where the toll taker passes the night, reading.
I feel the cupped heat
of his left hand as he inherits
change; on the road that is not his road
anymore I belong to whatever it is
which will happen to me.
When I left this city I gave back
the metallic waking in the night, the signals
of barges moving coal up a slow river north,
the movement of trains, each whistle
like a woodwind song of another age
passing, each ambulance would split a night
in two, lying in bed as a little girl,
a fear of being taken with the sirens
as they lit the neighborhood in neon, quick
as the fire as it takes fire
& our house goes up in night.
After what is arbitrary: the hand grazing
something too sharp or fine, the word spoken
out of sleep, the buckling of the knees to cold,
the melting of the parts to want,
the design of the moon to cast
unfriendly light, the dazed shadow
of the self as it follows the self,
the toll taker’s sorrow
that we couldn’t have been more intimate.
Which leads me back to the land,
the old wolves which used to roam on it,
the one light left on the small far hill
where someone must be living still.
After life there must be life.
”
”
Lucie Brock-Broido (A Hunger)
“
Mr Casaubon’s behaviour about settlements was highly satisfactory to Mr Brooke, and the preliminaries of marriage rolled smoothly along, shortening the weeks of courtship. The betrothed bride must see her future home, and dictate any changes that she would like to have made there. A woman dictates before marriage in order that she may have an appetite for submission afterwards. And certainly, the mistakes that we male and female mortals make when we have our own way might fairly raise some wonder that we are so fond of it. On a grey but dry November morning Dorothea drove to Lowick in company with her uncle and Celia. Mr Casaubon’s home was the manor-house. Close by, visible from some parts of the garden, was the little church, with the old parsonage opposite. In the beginning of his career, Mr Casaubon had only held the living, but the death of his brother had put him in possession of the manor also. It had a small park, with a fine old oak here and there, and an avenue of limes towards the south-west front, with a sunk fence between park and pleasure-ground, so that from the drawing-room windows the glance swept uninterruptedly along a slope of greensward till the limes ended in a level of corn and pastures, which often seemed to melt into a lake under the setting sun. This was the happy side of the house, for the south and east looked rather melancholy even under the brightest morning. The grounds here were more confined, the flower-beds showed no very careful tendance, and large clumps of trees, chiefly of sombre yews, had risen high, not ten yards from the windows. The building, of greenish stone, was in the old English style, not ugly, but small-windowed and melancholy-looking: the sort of house that must have children, many flowers, open windows, and little vistas of bright things, to make it seem a joyous home. In this latter end of autumn, with a sparse remnant of yellow leaves falling slowly athwart the dark evergreens in a stillness without sunshine, the house too had an air of autumnal decline, and Mr Casaubon, when he presented himself, had no bloom that could be thrown into relief by that background. ‘Oh dear!’ Celia said to herself, ‘I am sure Freshitt Hall would have been pleasanter than this.’ She thought of the white freestone, the pillared portico, and the terrace full of flowers, Sir James smiling above them like a prince issuing from his enchantment in a rosebush, with a handkerchief swiftly metamorphosed from the most delicately-odorous petals—Sir James, who talked so agreeably, always about things which had common-sense in them, and not about learning! Celia had those light young feminine tastes which grave and weather-worn gentlemen sometimes prefer in a wife; but happily Mr Casaubon’s bias had been different, for he would have had no chance with Celia.
”
”
George Eliot (Middlemarch)
“
So it was always at night, like a werewolf, that I would take the thing out for an honest run down the coast. I would start in Golden Gate Park, thinking only to run a few long curves to clear my head. . . but in a matter of minutes I'd be out at the beach with the sound of the engine in my ears, the surf booming up on the sea wall and a fine empty road stretching all the way down to Santa Cruz. . . not even a gas station in the whole seventy miles; the only public light along the way is an all-night diner down around Rockaway Beach.
There was no helmet on those nights, no speed limit, and no cooling it down on the curves. The momentary freedom of the park was like the one unlucky drink that shoves a wavering alcoholic off the wagon. I would come out of the park near the soccer field and pause for a moment at the stop sign, wondering if I knew anyone parked out there on the midnight humping strip.
Then into first gear, forgetting the cars and letting the beast wind out. . . thirty-five, forty-five. . . then into second and wailing through the light at Lincoln Way, not worried about green or red signals, but only some other werewolf loony who might be pulling out, too slowly, to start his own run. Not many of these. . . and with three lanes on a wide curve, a bike coming hard has plenty of room to get around almost anything. . . then into third, the boomer gear, pushing seventy-five and the beginning of a windscream in the ears, a pressure on the eyeballs like diving into water off a high board.
Bent forward, far back on the seat, and a rigid grip on the handlebars as the bike starts jumping and wavering in the wind. Taillights far up ahead coming closer, faster, and suddenly -- zaaapppp -- going past and leaning down for a curve near the zoo, where the road swings out to sea.
The dunes are flatter here, and on windy days sand blows across the highway, piling up in thick drifts as deadly as any oil-slick. . . instant loss of control, a crashing, cartwheeling slide and maybe one of those two-inch notices in the paper the next day: “An unidentified motorcyclist was killed last night when he failed to negotiate a turn on Highway I.”
Indeed. . . but no sand this time, so the lever goes up into fourth, and now there's no sound except wind. Screw it all the way over, reach through the handlebars to raise the headlight beam, the needle leans down on a hundred, and wind-burned eyeballs strain to see down the centerline, trying to provide a margin for the reflexes.
But with the throttle screwed on there is only the barest margin, and no room at all for mistakes. It has to be done right. . . and that's when the strange music starts, when you stretch your luck so far that fear becomes exhilaration and vibrates along your arms. You can barely see at a hundred; the tears blow back so fast that they vaporize before they get to your ears. The only sounds are wind and a dull roar floating back from the mufflers. You watch the white line and try to lean with it. . . howling through a turn to the right, then to the left and down the long hill to Pacifica. . . letting off now, watching for cops, but only until the next dark stretch and another few seconds on the edge. . . The Edge. . . There is no honest way to explain it because the only people who really know where it is are the ones who have gone over. The others -- the living -- are those who pushed their control as far as they felt they could handle it, and then pulled back, or slowed down, or did whatever they had to when it came time to choose between Now and Later.
But the edge is still Out there. Or maybe it's In. The association of motorcycles with LSD is no accident of publicity. They are both a means to an end, to the place of definitions.
”
”
Hunter S. Thompson (Hell's Angels)
“
In my youth . . . my sacred youth . . . in eaves sole sparowe sat not more alone than I . . . in my youth, my saucer-deep youth, when I possessed a mirror and both a morning and an evening comb . . . in my youth, my pimpled, shame-faced, sugared youth, when I dreamed myself a fornicator and a poet; when life seemed to be ahead somewhere like a land o’ lakes vacation cottage, and I was pure tumescence, all seed, afloat like fuzz among the butterflies and bees; when I was the bursting pod of a fall weed; when I was the hum of sperm in the autumn air, the blue of it like watered silk, vellum to which I came in a soft cloud; O minstrel galleons of Carib fire, I sang then, knowing naught, clinging to the tall slim wheatweed which lay in a purple haze along the highway like a cotton star . . . in my fumbling, lubricious, my uticated youth, when a full bosom and a fine round line of Keats, Hart Crane, or Yeats produced in me the same effect—a moan throughout my molecules—in my limeade time, my uncorked innocence, my jellybelly days, when I repeated Olio de Oliva like a tenor; then I would touch the page in wonder as though it were a woman, as though I were blind in my bed, in the black backseat, behind the dark barn, the dim weekend tent, last dance, date's door, reaching the knee by the second feature, possibly the thigh, my finger an urgent emissary from my penis, alas as far away as Peking or Bangkok, so I took my heart in my hand, O my love, O my love, I sighed, O Christina, Italian rose; my inflated flesh yearning to press against that flesh becoming Word—a word—words which were wet and warm and responsive as a roaming tongue; and her hair was red, long, in ringlets, kiss me, love me up, she said in my anxious oral ear; I read: Milton! thou shouldst be living at this hour; for I had oodles of needs, if England didn't; I was nothing but skin, pulp, and pit, in my grapevine time, during the hard-on priesthood of the poet; because then—in my unclean, foreskinned, and prurient youth—I devoutly believed in Later Life, in Passion, in Poetry, the way I thought only fools felt about God, prayer, heaven, foreknowledge, sin; for what was a poem if not a divine petition, a holy plea, a prophecy: [...] a stranger among strangers, myself the strangest because I could never bring myself to enter adolescence, but kept it about like a bit of lunch you think you may eat later, and later come upon at the bottom of a bag, dry as dust, at the back of the refrigerator, bearded with mold, or caked like sperm in the sock you've fucked, so that gingerly, then, you throw the mess out, averting your eyes, just as Rainer complained he never had a childhood—what luck!—never to have suffered birthpang, nightfear, cradlecap, lake in your lung; never to have practiced scales or sat numb before the dentist's hum or picked your mother up from the floor she's bled and wept and puked on; never to have been invaded by a tick, sucked by a leech, bitten by a spider, stung by a bee, slimed on by a slug, seared by a hot pan, or by paper or acquaintance cut, by father cuffed; never to have been lost in a crowd or store or parking lot or left by a lover without a word or arrogantly lied to or outrageously betrayed—really what luck!—never to have had a nickel roll with slow deliberation down a grate, a balloon burst, toy break; never to have skinned a knee, bruised a friendship, broken trust; never to have had to conjugate, keep quiet, tidy, bathe; to have lost the chance to be hollered at, bullied, beat up (being nothing, indeed, to have no death), and not to have had an earache, life's lessons to learn, or sums to add reluctantly right up to their bitter miscalculated end—what sublime good fortune, the Greek poet suggested—because Nature is not accustomed to life yet; it is too new, too incidental, this shiver in the stone, never altogether, and would just as soon (as Culp prefers to say) cancer it; erase, strike, stamp it out— [...]
”
”
William H. Gass (The Tunnel)