Weed Jokes Quotes

Anyone and everyone taking a writing class knows that the secret of good writing is to cut it back, pare it down, winnow, chop, hack, prune, and trim, remove every superfluous word, compress, compress, compress... Actually, when you think about it, not many novels in the Spare tradition are terribly cheerful. Jokes you can usually pluck out whole, by the roots, so if you're doing some heavy-duty prose-weeding, they're the first to go. And there's some stuff about the whole winnowing process I just don't get. Why does it always stop when the work in question has been reduced to sixty or seventy thousand words--entirely coincidentally, I'm sure, the minimum length for a publishable novel? I'm sure you could get it down to twenty or thirty if you tried hard enough. In fact, why stop at twenty or thirty? Why write at all? Why not just jot the plot and a couple of themes down on the back of an envelope and leave it at that? The truth is, there's nothing very utilitarian about fiction or its creation, and I suspect that people are desperate to make it sound manly, back-breaking labor because it's such a wussy thing to do in the first place. The obsession with austerity is an attempt to compensate, to make writing resemble a real job, like farming, or logging. (It's also why people who work in advertising put in twenty-hour days.) Go on, young writers--treat yourself to a joke, or an adverb! Spoil yourself! Readers won't mind!

The park sustained them, the green harbor they preserved as the town extended itself outward, block by block and house by house. Cora thought of her garden back on Randall, the plot she cherished. Now she saw it for the joke it was - a tiny square of dirt that had convinced her she owned something. It was hers like the cotton she seeded, weeded, and picked was hers. Her plot was a shadow of something that lived elsewhere, out of sight. The way poor Michael reciting the Declaration of Independence was an echo of something that existed elsewhere. Now that she had run away and seen a bit of the country, Cora wasn't sure the document described anything real at all. America was a ghost in the darkness, like her.

I wasn’t always a debater, but if I hadn’t become one four years ago, no joke, I would probably be addicted to weed. Or erotic fan fiction. Or something like that. Let

I’d found my niche. Since I belonged to no group I learned to move seamlessly between groups. I floated. I was a chameleon, still, a cultural chameleon. I learned how to blend. I could play sports with the jocks. I could talk computers with the nerds. I could jump in the circle and dance with the township kids. I popped around to everyone, working, chatting, telling jokes, making deliveries. I was like a weed dealer, but of food. The weed guy is always welcome at the party. He’s not a part of the circle, but he’s invited into the circle temporarily because of what he can offer. That’s who I was. Always an outsider. As the outsider, you can retreat into a shell, be anonymous, be invisible. Or you can go the other way. You protect yourself by opening up. You don’t ask to be accepted for everything you are, just the one part of yourself that you’re willing to share. For me it was humor. I learned that even though I didn’t belong to one group, I could be a part of any group that was laughing. I’d drop in, pass out the snacks, tell a few jokes. I’d perform for them. I’d catch a bit of their conversation, learn more about their group, and then leave. I never overstayed my welcome. I wasn’t popular, but I wasn’t an outcast. I was everywhere with everybody, and at the same time I was all by myself.

Maybe it begins the day you pledge allegiance, face the flag and suddenly clutch your left clavicle because you find a tender puff of breast where yesterday your heart was Or maybe it happens later when you're walking home from school and they rush you on the street-- those boys who reach out fast, disgrace your blouse with rubs of dirt, their laughter stinging hot against your face. And you bite your rage, swallow your tears because the fact is, your territory's up for grabs and somehow it's your own damned fault. And one day you stand at your mirror armed with jars and razor blades against the scents and grasses of your shameless bleeding body, and you see what you've become--a freak manufactured to disguise the real one, the one who sometimes still recalls your innocence, the time before you became a dirty joke. And maybe it begins to end the day you try against the odds to love yourself again. Even though you know the worst thing you can call someone is cunt, you try to love the flesh and fur you are, that convoluted, prehistoric flower, petals dripping weeds and echoing vaguely fragrant odors of the sea.

I’m not sure how the ponies happened, though I have an inkling: “Can I get you anything?” I’ll say, getting up from a dinner table, “Coffee, tea, a pony?” People rarely laugh at this, especially if they’ve heard it before. “This party’s ‘sposed to be fun,” a friend will say. “Really? Will there be pony rides?” It’s a nervous tic and a cheap joke, cheapened further by the frequency with which I use it. For that same reason, it’s hard to weed it out of my speech – most of the time I don’t even realize I’m saying it. There are little elements in a person’s life, minor fibers that become unintentionally tangled with your personality. Sometimes it’s a patent phrase, sometimes it’s a perfume, sometimes it’s a wristwatch. For me, it is the constant referencing of ponies. I don’t even like ponies. If I made one of my throwaway equine requests and someone produced an actual pony, Juan-Valdez-style, I would run very fast in the other direction. During a few summers at camp, I rode a chronically dehydrated pony named Brandy who would jolt down without notice to lick the grass outside the corral and I would careen forward, my helmet tipping to cover my eyes. I do, however, like ponies on the abstract. Who doesn’t? It’s like those movies with the animated insects. Sure, the baby cockroach seems cute with CGI eyelashes, but how would you feel about fifty of her real-life counterparts living in your oven? And that’s precisely the manner in which the ponies clomped their way into my regular speech: abstractly. “I have something for you,” a guy will say on our first date. “Is it a pony?” No. It’s usually a movie ticket or his cell phone number. But on our second date, if I ask again, I’m pretty sure I’m getting a pony. And thus the Pony drawer came to be. It’s uncomfortable to admit, but almost every guy I have ever dated has unwittingly made a contribution to the stable. The retro pony from the ‘50s was from the most thoughtful guy I have ever known. The one with the glitter horseshoes was from a boy who would later turn out to be straight somehow, not gay. The one with the rainbow haunches was from a librarian, whom I broke up with because I felt the chemistry just wasn’t right, and the one with the price tag stuck on the back was given to me by a narcissist who was so impressed with his gift he forgot to remover the sticker. Each one of them marks the beginning of a new relationship. I don’t mean to hint. It’s not a hint, actually, it’s a flat out demand: I. Want. A. Pony. I think what happens is that young relationships are eager to build up a romantic repertoire of private jokes, especially in the city where there’s not always a great “how we met” story behind every great love affair. People meet at bars, through mutual friends, on dating sites, or because they work in the same industry. Just once a coworker of mine, asked me out between two stops on the N train. We were holding the same pole and he said, “I know this sounds completely insane, bean sprout, but would you like to go to a very public place with me and have a drink or something...?” I looked into his seemingly non-psycho-killing, rent-paying, Sunday Times-subscribing eyes and said, “Sure, why the hell not?” He never bought me a pony. But he didn’t have to, if you know what I mean.

You don't know this yet but most people you thank for their service joke about killing babies and fucking their mothers. They have wet dreams about pink mist, about shake 'n' bakes, about enfilade fire. They're chronic masturbators, philanderers, and alcoholics. They wish for five hundred-pounders to drop on mosques just so the call to prayer will stop, they take bumps of coke before they get behind the gun, and smoke weed in the corners of FOB's to even out. They shoot dogs out of boredom.

So I learned about life,” said Oryx. “Learned what?” said Jimmy. He shouldn’t have had the pizza, and the weed they’d smoked on top of that. He was feeling a little sick. “That everything has a price.” “Not everything. That can’t be true. You can’t buy time. You can’t buy . . .” He wanted to say love, but hesitated. It was too soppy. “You can’t buy it, but it has a price,” said Oryx. “Everything has a price.” “Not me,” said Jimmy, trying to joke. “I don’t have a price.” Wrong, as usual.

lucky.” I didn’t like his joke, not at all. “I’m serious, Fritz. Something bad is going to happen.” “It’s only leftover worries from yesterday.” Fritz stared at me a moment too long, as if trying to convince himself of his own words. “Now let’s get to work.” Things went fine for a few hours. I was in the garden, clearing more weeds, and had already emptied out a lot of the dirt from the basement. But then I saw Fritz at the basement window, hissing at me to come inside, and to hurry. His eyes were so wide, I could see the whites from here. The reason for the pit in my gut. I dropped the spade and hurried for the building, careful not to make it look like anything was unusual, if anyone was watching. But when I ducked inside, Fritz had already returned to the shelter, and I breathlessly raced to follow. “What’s the matter?” I called while descending the ladder. My answer came as soon as I entered the tunnel. Water trickled beneath my feet and sank into the soil, creating a dense mud. The farther I walked, the more water there was. At the back of the tunnel, Fritz had exposed a pipe that was now spurting out pressurized water like a fireman’s hose. The hole in it wasn’t large, but it was enough to cause significant damage and was getting worse. The streams of water tore dirt from the walls and sent it in chunks to the ground. Our tunnel was flooding, and if we didn’t find a way to stop the water, it would collapse entirely. “How

The Pillowcase" is printed with iridescent fish, each facing a different direction. I bought it for you at the Portland Goodwill our last semester in college. Spring break we brought it camping. I pretended I’d eaten sardines before, pretended I liked them. I don’t remember what you said when the condom broke. Probably ‘Oh, shit.’ The next day we drove into town. I took a pill and another pill and it was over. I couldn’t tell the difference, could have told my friends but didn’t, just made lots of dead baby jokes and went to bed in your dorm room. You’d put painter’s tape on all the edges. With the pillowcase, it was like living in the blueprint of an aquarium. I slept there the night I smoked Sasha’s weed and you stayed up for hours rubbing my back, telling fairytales so I wouldn’t totally lose it. I slept there the night I tried reading you Haruki Murakami’s Sleep but fell asleep. I slept there the night after the day I lost the bet and had to wear a lampshade on my head and your professor said ‘Nice hat.’ Later I learned she owns a lamp in the shape of a woman. I slept there the night you said ‘I think I’m falling in love with you,’ igniting a great unendurable belongingness, like a match in a forest fire. I burned so long so quiet you must have wondered if I loved you back. I did, I did, I do.

SOMETIMES ON A PORCH in June, a girl begins to plunk her banjo; and after a spell of stillness, while the sound travels down their ear crinkles into their inmost feeling-chambers, the music starts to dance the people passing by. They toss like puppets on a bouncing sheet; like boys without a boat; they swing like weeds in the wind; they leap heptangularly about, dancing eccentric saltarellos, discovering that their springs are not so rusty. For even if you have built masterful aspen castles in your mind, have toppled whole forests to throttle the writhing elements into a liveably serene personal pond; if you have longtime sculled your ingenious fins to withstand the tumble-crazy currents; there is music that will dissolve your anchors, your sanctuaries, floating you off your feet, fetching you away with itself. And then you are a migrant, and then you are amuck; and then you are the music’s toy, juggled into its furious torrents, jostled into its foamy jokes, assuming its sparklyblue or greenweedy or brownmuddy tinges, being driven down to the dirgy bottom where rumble-clacking stones are lit by waterlogged and melancholy sunlight, warping back up to the surface, along with yew leaves and alewives and frog bones and other strange acquisitions snagged and rendered willy-nilly by the current, straggling away on its rambling cadenzas, with ever-changing sights—freckled children on the bank, chicken choirs, brewing thunderclouds, june bugs perched in wild parsley—until it spills you into a place whose dimensions make nonsense of your heretofore extraordinary spatial intelligence.

I tell Jack by accident. We’re talking on the phone about unprotected sex, how it isn’t good for people with our particular temperament, our anxiety like an incorrigible weed. He asks if I’ve had any sex that was “really stressful,” and out the story comes, before I can even consider how to share it. Jack is upset. Angry, though not at me. I’m crying, even though I don’t want to. It’s not cathartic, or helping me prove my point. I still make joke after joke, but my tears are betraying me, making me appear clear about my pain when I’m not. Jack is in Belgium. It’s late there, he’s so tired, and I’d rather not be having this conversation this way. “It isn’t your fault,” he tells me, thinking it’s what I need to hear. “There’s no version of this where it’s your fault.” I feel like there are fifty ways it’s my fault. I fantasized. I took the big pill and the small pill, stuffed myself with substances to make being out in the world with people my own age a little bit easier. To lessen the space between me and everyone else. I was hungry to be seen. But I also know that at no moment did I consent to being handled that way. I never gave him permission to be rough, to stick himself inside me without a barrier between us. I never gave him permission. In my deepest self I know this, and the knowledge of it has kept me from sinking. I curl up against the wall, wishing I hadn’t told him. “I love you so much,” he says. “I’m so sorry that happened.” Then his voice changes, from pity to something sharper. “I have to tell you something, and I hope you’ll understand.” “Yes?” I squeak. “I can’t wait to fuck you. I hope you know why I’m saying that. Because nothing’s changed. I’m planning how I’m going to do it.” “You’re going to do it?” “All different ways.” I cry harder. “You better.” I have to go put on a denim vest for a promotional appearance at Levi’s Haus of Strauss. I tell Jack I have to hang up now, and he moans “No” like I’m a babysitter wrenching him from the arms of his mother who is all dressed up for a party. He’s sleepy now. I can hear it. Emotions are exhausting to have. “I love you so much,” I tell him, tearing up all over again. I hang up and go to the mirror, prepared to see eyeliner dripping down my face, tracks through my blush and foundation. I’m in LA, so bring it on, universe: I can only expect to go down Lohan style. But I’m surprised to find that my face is intact, dewy even. Makeup is all where it ought to be. I look all right. I look like myself.

Celebrated the evening with one of my building’s valets— a twenty-one-year-old kid who only made it five pumps, but brought some good weed and laughed at my jokes. It was a sad start to my new life. Torre, Alessandra (2014-08-24). Black Lies (Kindle Locations 143-145). Alessandra Torre. Kindle Edition.

Do you have a weed eater?" "No." "Then you're gay.

Off To See The Races Whitey Out Bud Light To Feeder Lawn Mower Weed Eater...

No, my greatest nightmare is the one where I learn I've been repeating myself for years, telling the same tired jokes, the same stories—energetically wearing a path through people's patience and fondness until even the weeds upon it are dead.

No, my greatest nightmare is the one where I learn I’ve been repeating myself for years, telling the same tired jokes, the same stories—energetically wearing a path through people’s patience and fondness until even the weeds upon it are dead.

Yeah." "Then logically speaking, because you own a weed eater, I presume

bar, drinking beer. Jim turns to Bob and says, "You know, I'm tired of going through life without an education. Tomorrow, I think I'll go to the community college and sign up for some classes." The next day, Jim goes down to the college and meets the Dean of Admissions, who signs him up for the four basic classes: Math, English, History, and Logic. "Logic?" Jim says. "What's that?" The dean says, "I'll give you an example. Do you own a weed eater?" "Yeah." "Then logically speaking, because you own a weed eater, I presume you have a yard." "That's true, I do have a yard." "I'm not done," the dean says. "Because you have a yard, I think that

logically speaking, you have a house." "Yes, I do have a house." "And because you have a house, I think that you might logically have a family." "Yes, I have a family." "So, because you have a family, then logically you must have a wife. And because you have a wife, then logic tells me you must be a heterosexual." "I am a heterosexual. That's amazing! You were able to find out all of that just because I have a weed eater." Excited to take the class, Jim shakes the dean's hand and leaves to go meet Bob at the bar. He tells Bob about his classes, and how he is signed up for Math, English, History, and Logic. "Logic?" Bob says, "What's that?" "I'll give you an example," says Jim. "Do you have a weed eater?" "No." "Then you're gay." ♦◊♦◊♦◊♦

Two Texas farmers, Jim and Bob, are sitting at the bar, drinking beer. Jim turns to Bob and says, "You know, I'm tired of going through life without an education. Tomorrow, I think I'll go to the community college and sign up for some classes." The next day, Jim goes down to the college and meets the Dean of Admissions, who signs him up for the four basic classes: Math, English, History, and Logic. "Logic?" Jim says. "What's that?" The dean says, "I'll give you an example. Do you own a weed eater?" "Yeah." "Then logically speaking, because you own a weed eater, I presume you have a yard." "That's true, I do have a yard." "I'm not done," the dean says. "Because you have a yard, I think that logically speaking, you have a house." "Yes, I do have a house." "And because you have a house, I think that you might logically have a family." "Yes, I have a family." "So, because you have a family, then logically you must have a wife. And because you have a wife, then logic tells me you must be a heterosexual." "I am a heterosexual. That's amazing! You were able to find out all of that just because I have a weed eater." Excited to take the class, Jim shakes the dean's hand and leaves to go meet Bob at the bar. He tells Bob about his classes, and how he is signed up for Math, English, History, and Logic. "Logic?" Bob says, "What's that?" "I'll give you an example," says Jim. "Do you have a weed eater?" "No." "Then you're gay.

I'll give you an example. Do you own a weed eater?" "Yeah." "Then logically speaking, because you own a weed eater, I presume you have a yard." "That's true, I do have a yard." "I'm not done," the dean says. "Because you have a yard, I think that logically speaking, you have a house." "Yes, I do have a house." "And because you have a house, I think that you

I want to do a line of toys called ‘The Better Tomorrow Toys.’ They’re going to be designed so that if a child had an IQ below a certain level, they wouldn’t survive the toy. So you weed out the gene pool at a young age. Stupid kids are not nearly as dangerous as stupid adults, so let’s take them out when they’re young. I know it sounds cruel, but it’s a reasonable expectation.” He laughs and says, “Of course that’s all a joke. Just like the line of toys I want to do for blind kids, called ‘Out of Sight Toys’ …

On the day we’re born, most of us are celebrated and called beautiful. But something happens between that joyful day when every inch, every ounce, every roll, and every bump of a girl’s body is celebrated as perfect and lovable precisely as it is… and the day she hits puberty. What happens is she absorbs messages about what is or is not lovable about her body. The seeds of body self-criticism are planted and nurtured, and body self-confidence and self-compassion are neglected, punished, and weeded out. Students laugh like I made a joke when I ask, “What would happen if you met your friends at dinner and said, ‘I feel so beautiful today!’?” “Really, what would happen?” I insist. “No one would do that,” they tell me. “But… how often would someone meet friends at dinner and say, ‘I feel so fat today’?” “All the time,” they say. All the time.