“
First of all, love is a joint experience between two persons — but the fact that it is a joint experience does not mean that it is a similar experience to the two people involved. There are the lover and the beloved, but these two come from different countries. Often the beloved is only a stimulus for all the stored-up love which had lain quiet within the lover for a long time hitherto. And somehow every lover knows this. He feels in his soul that his love is a solitary thing. He comes to know a new, strange loneliness and it is this knowledge which makes him suffer. So there is only one thing for the lover to do. He must house his love within himself as best he can; he must create for himself a whole new inward world — a world intense and strange, complete in himself. Let it be added here that this lover about whom we speak need not necessarily be a young man saving for a wedding ring — this lover can be man, woman, child, or indeed any human creature on this earth.
Now, the beloved can also be of any description. The most outlandish people can be the stimulus for love. A man may be a doddering great-grandfather and still love only a strange girl he saw in the streets of Cheehaw one afternoon two decades past. The preacher may love a fallen woman. The beloved may be treacherous, greasy-headed, and given to evil habits. Yes, and the lover may see this as clearly as anyone else — but that does not affect the evolution of his love one whit. A most mediocre person can be the object of a love which is wild, extravagant, and beautiful as the poison lilies of the swamp. A good man may be the stimulus for a love both violent and debased, or a jabbering madman may bring about in the soul of someone a tender and simple idyll. Therefore, the value and quality of any love is determined solely by the lover himself.
It is for this reason that most of us would rather love than be loved. Almost everyone wants to be the lover. And the curt truth is that, in a deep secret way, the state of being beloved is intolerable to many. The beloved fears and hates the lover, and with the best of reasons. For the lover is forever trying to strip bare his beloved. The lover craves any possible relation with the beloved, even if this experience can cause him only pain.
”
”
Carson McCullers (The Ballad of the Sad Café and Other Stories)
“
What kind of wedding would you like?" he asked, and stole another kiss before she could reply.
"The kind that turns you into my husband." She touched the firm line of his mouth with her fingers. "What kind would you like?"
He smiled ruefully. "A fast one.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
Sarai had treasured every stage of Rachel's childhood, enjoying the day-to-day normalcy of things; a normalcy which she quietly accepted as the best of life. She had always felt that the essence of human experience lay not primarily in the peak experiences, the wedding days and triumphs which stood out in the memory like dates circled in red on old calendars, but, rather, in the unself-conscious flow of little things - the weekend afternoon with each member of the family engaged in his or her own pursuit, their crossings and connections casual, dialogues imminently forgettable, but the sum of such hours creating a synergy which was important and eternal.
”
”
Dan Simmons (Hyperion (Hyperion Cantos, #1))
“
We'd hoped vaguely to fall in love but hadn't worried much about it, because we'd thought we had all the time in the world. Love had seemed so final and so dull -- love was what ruined our parents. Love had delivered them to a life of mortgage payments and household repairs; to unglamorous jobs and the flourescent aisles of a supermarket at two in the afternoon. We'd hoped for love of a different kind, love that knew and forgave our human frailty but did not miniaturize our grander ideas of ourselves. It sounded possible. If we didn't rush or grab, if we didn't panic, a love both challenging and nurturing might appear. If the person was imaginable, then the person could exist.
”
”
Michael Cunningham
“
There were the endless birthday nights and New Year's Eves of just you in your bed and no one else. There was the welling up at weddings, the glittery eye-prick, when all the couples would get up to dance. Sometimes it felt like your heart was crazed with cracks like your grandmother's old saucers. Sometimes the sight of a Saturday afternoon couple laughing in a park would splinter it completely.
”
”
Nikki Gemmell (The Bride Stripped Bare (Bride Trilogy, #1))
“
As I get older, the tyranny that football exerts over my life, and therefore over the lives of people around me, is less reasonable and less attractive. Family and friends know, after long years of wearying experience, that the fixture list always has the last word in any arrangement; they understand, or at least accept, that christenings or weddings or any gatherings, which in other families would take unquestioned precedence, can only be plotted after consultation. So football is regarded as a given disability that has to be worked around. If I were wheelchair-bound, nobody close to me would organise anything in a top-floor flat, so why would they plan anything for a winter Saturday afternoon.
”
”
Nick Hornby (Fever Pitch)
“
The Wrath is what Peter named my mood before eight in the morning. Our marriage might’ve survived if we’d only had to do afternoons.
”
”
Hugh Howey (Glitch)
“
Old Spice
Every Sunday afternoon he dresses in his old army uniform,
tells you the name of every man he killed.
His knuckles are unmarked graves.
Visit him on a Tuesday and he will describe
the body of every woman he could not save.
He’ll say she looked like your mother
and you will feel a storm in your stomach.
Your grandfather is from another generation–
Russian degrees and a school yard Cuban national anthem,
communism and religion. Only music makes him cry now.
He married his first love, her with the long curls down
to the small of her back. Sometimes he would
pull her to him, those curls wrapped around his hand
like rope.
He lives alone now. Frail, a living memory
reclining in a seat, the room orbiting around him.
You visit him but never have anything to say.
When he was your age he was a man.
You retreat into yourself whenever he says your name.
Your mother’s father,
“the almost martyr,
can load a gun under water
in under four seconds.
Even his wedding night was a battlefield.
A Swiss knife, his young bride,
his sobs as he held Italian linen between her legs.
His face is a photograph left out in the sun,
the henna of his beard, the silver of his eyebrows
the wilted handkerchief, the kufi and the cane.
Your grandfather is dying.
He begs you Take me home yaqay,
I just want to see it one last time;
you don’t know how to tell him that it won’t be
anything like the way he left it.
”
”
Warsan Shire (Teaching My Mother How to Give Birth)
“
A wedding gown entails multilayering of expensive specialty fabrics for an outfit whose useful lifespan may come and go in a single afternoon. Much like a bomb suit.
”
”
Mary Roach (Grunt: The Curious Science of Humans at War)
“
Fairmont wasn’t a place where we’d usually spend the afternoon. It was full of overpriced boutiques, overpriced coffee, and Mossley Academy, which was full of overpriced assholes.
”
”
Stephanie Perkins (My True Love Gave to Me: Twelve Holiday Stories)
“
There’s lots to do; we have a very busy schedule—— “At 8 o’clock we get up, and then we spend “From 8 to 9 daydreaming. “From 9 to 9:30 we take our early midmorning nap. “From 9:30 to 10:30 we dawdle and delay. “From 10:30 to 11:30 we take our late early morning nap. “From 11:30 to 12:00 we bide our time and then eat lunch. “From 1:00 to 2:00 we linger and loiter. “From 2:00 to 2:30 we take our early afternoon nap. “From 2:30 to 3:30 we put off for tomorrow what we could have done today. “From 3:30 to 4:00 we take our early late afternoon nap. “From 4:00 to 5:00 we loaf and lounge until dinner. “From 6:00 to 7:00 we dillydally. “From 7:00 to 8:00 we take our early evening nap, and then for an hour before we go to bed at 9:00 we waste time. “As you can see, that leaves almost no time for brooding, lagging, plodding, or procrastinating, and if we stopped to think or laugh, we’d never get nothing done.
”
”
Norton Juster (The Phantom Tollbooth)
“
Sometimes, when I’m bored, I can’t help but think what my life would be like if I hadn’t written the book. Monday, I would’ve played bridge. And tomorrow
night, I’d be going to the League meeting and turning in the newsletter. Then on Friday night, Stuart would take me to dinner and we’d stay out late and I’d
be tired when I got up for my tennis game on Saturday. Tired and content and . . . frustrated.
Because Hilly would’ve called her maid a thief that afternoon, and I would’ve just sat there and listened to it. And Elizabeth would’ve grabbed her child’s
arm too hard and I would’ve looked away, like I didn’t see it. And I’d be engaged to Stuart and I wouldn’t wear short dresses, only short hair, or consider
doing anything risky like write a book about colored housekeepers, too afraid he’d disapprove. And while I’d never lie and tell myself I actually changed
the minds of people like Hilly and Elizabeth, at least I don’t have to pretend I agree with them anymore.
”
”
Kathryn Stockett (The Help)
“
...We recognize that smile when we see it in the mirror, or on the faces of our friends, at weddings, anniversaries, christenings, or ordinary afternoons. It's the smile of a man realizing he is no longer a kid, and although he has no idea how it happened, he's pretty sure it would make a cool story if he ever gets a spare minute to piece it all together.
”
”
Rob Sheffield (Turn Around Bright Eyes: The Rituals of Love & Karaoke)
“
My childhood home in Coeur-de-Lune was now a vacation rental, managed by efficient strangers. I'd never gone back. But my mother kept a buzzing gossip line into her church women from town, and gave me sporadic updates on Casey's life.
She always brought Casey up when I was lulled into complacency. When we'd had a surprisingly peaceful afternoon together. When we were outside on her balcony, or sharing a piece of her peach pie like other mothers and daughters did.
Only then would she jab, a master fencer going for the unprotected sliver of my heart.
”
”
Amy Mason Doan (The Summer List)
“
The picture would remind Oliver of the morning when I first spoke out. Or of the day when we rode by the berm pretending not to notice it. Or of that day we'd decided to picnic there and had vowed not to touch each other, the better to enjoy lying in bed together the same afternoon. I wanted him to have the picture before his eyes for all time, his whole life, in front of his desk, of his bed, everywhere. Nail it everywhere you go, I thought.
”
”
André Aciman (Call Me by Your Name)
“
So she knew she ought to leave the town and go to some place far away. For the late spring, that year, was lazy and too sweet. The long afternoons flowered and lasted and the green sweetness sickened her. The town began to hurt Frankie. Sad and terrible happenings had never made Frankie cry, but this season many things made Frankie suddenly wish to cry. Very early in the morning she would sometimes go out into the yard and stand for a long time looking at the sunrise sky. And it was as though a question came into her heart, and the sky did not answer.
”
”
Carson McCullers (The Member of the Wedding)
“
For almost a decade I was haunted by the memory of Deborah Black, I was about to claim. But the memory didn't haunt me; I haunted the memory. Went to it, at night or in the deadened hours of empty afternoons, woke it up, reminded it of all the fun we'd had, made it do things with me.
”
”
Glen Duncan
“
Call me Ishmael. Some years ago--never mind how long precisely--having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off--then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this.
If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.
There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs--commerce surrounds it with her surf. Right and left, the streets take you waterward. Its extreme downtown is the battery, where that noble mole is washed by waves, and cooled by breezes, which a few hours previous were out of sight of land. Look at the crowds of water-gazers there.
Circumambulate the city of a dreamy Sabbath afternoon. Go from Corlears Hook to Coenties Slip, and from thence, by Whitehall, northward. What do you see?--Posted like silent sentinels all around the town, stand thousands upon thousands of mortal men fixed in ocean reveries. Some leaning against the spiles; some seated upon the pier-heads; some looking over the bulwarks of ships from China; some high aloft in the rigging, as if striving to get a still better seaward peep. But these are all landsmen; of week days pent up in lath and plaster--tied to counters, nailed to benches, clinched to desks. How then is this? Are the green fields gone? What do they here?
But look! here come more crowds, pacing straight for the water, and seemingly bound for a dive. Strange! Nothing will content them but the extremest limit of the land; loitering under the shady lee of yonder warehouses will not suffice. No. They must get just as nigh the water as they possibly can without falling in. And there they stand--miles of them--leagues. Inlanders all, they come from lanes and alleys, streets and avenues--north, east, south, and west. Yet here they all unite. Tell me, does the magnetic virtue of the needles of the compasses of all those ships attract them thither?
Once more. Say you are in the country; in some high land of lakes. Take almost any path you please, and ten to one it carries you down in a dale, and leaves you there by a pool in the stream. There is magic in it. Let the most absent-minded of men be plunged in his deepest reveries--stand that man on his legs, set his feet a-going, and he will infallibly lead you to water, if water there be in all that region. Should you ever be athirst in the great American desert, try this experiment, if your caravan happen to be supplied with a metaphysical professor. Yes, as every one knows, meditation and water are wedded for ever.
”
”
Herman Melville (Moby-Dick or, The Whale)
“
Touching the copper of the ankh reminded me of another necklace, a necklace long since lost under the dust of time. That necklace had been simpler: only a string of beads etched with tiny ankhs. But my husband had brought it to me the morning of our wedding, sneaking up to our house just after dawn in a gesture uncharacteristically bold for him.
I had chastised him for the indiscretion. "What are you doing? You're going to see me this afternoon... and then every day after that!"
"I had to give you these before the wedding." He held up the string of beads. "They were my mother's. I want you to have them, to wear them today.”
He leaned forward, placing the beads around my neck. As his fingers brushed my skin, I felt something warm and tingly run through my body. At the tender age of fifteen, I hadn't exactly understood such sensations, though I was eager to explore them. My wiser self today recognized them as the early stirrings of lust, and . . . well, there had been something else there too. Something else that I still didn't quite comprehend. An electric connection, a feeling that we were bound into something bigger than ourselves. That our being together was inevitable.
"There," he'd said, once the beads were secure and my hair brushed back into place. "Perfect.” He said nothing else after that. He didn't need to. His eyes told me all I needed to know, and I shivered. Until Kyriakos, no man had ever given me a second glance. I was Marthanes' too-tall daughter after all, the one with the sharp tongue who didn't think before speaking. (Shape-shifting would eventually take care of one of those problems but not the other.) But Kyriakos had always listened to me and watched me like I was someone more, someone tempting and desirable, like the beautiful priestesses of Aphrodite who still carried on their rituals away from the Christian priests.
I wanted him to touch me then, not realizing just how much until I caught his hand suddenly and unexpectedly. Taking it, I placed it around my waist and pulled him to me. His eyes widened in surprise, but he didn't pull back. We were almost the same height, making it easy for his mouth to seek mine out in a crushing kiss. I leaned against the warm stone wall behind me so that I was pressed between it and him. I could feel every part of his body against mine, but we still weren't close enough. Not nearly enough.
Our kissing grew more ardent, as though our lips alone might close whatever aching distance lay between us. I moved his hand again, this time to push up my skirt along the side of one leg. His hand stroked the smooth flesh there and, without further urging, slid over to my inner thigh. I arched my lower body toward his, nearly writhing against him now, needing him to touch me everywhere.
"Letha? Where are you at?”
My sister's voice carried over the wind; she wasn't nearby but was close enough to be here soon.
Kyriakos and I broke apart, both gasping, pulses racing. He was looking at me like he'd never seen me before. Heat burned in his gaze.
"Have you ever been with anyone before?" he asked wonderingly.
I shook my head.
"How did you ... I never imagined you doing that...”
"I learn fast.”
He grinned and pressed my hand to his lips. "Tonight," he breathed. "Tonight we ...”
"Tonight," I agreed.
He backed away then, eyes still smoldering. "I love you. You are my life.”
"I love you too." I smiled and watched him go.
”
”
Richelle Mead (Succubus Blues (Georgina Kincaid, #1))
“
Buela fiddles with her wedding band before looking at me. “I’m not sick, Emoni. I’ve lied to you. I haven’t had all those doctor’s appointments. I just needed a private afternoon with my thoughts where I’m not in this house. Where I’m Gloria again, and not only ’Buela. I don’t know how to explain it. And I don’t want to talk about it.
”
”
Elizabeth Acevedo (With the Fire on High)
“
Fitz had listened to me speak a truth we'd taken great pains never to say out loud, plus a newer, magnificent, frightening one.
I can't do this alone, I told him.
He had looked at my belly, still flat. You aren't.
There was no denying Eric's magnetism, but that afternoon I realized that, united, Fitz and I were a force to be reckoned with as well.
”
”
Jodi Picoult (Vanishing Acts)
“
Our apartment was filled with photos of us, notes I wrote to myself about us, holos of us on Hyperion, but … you know. In the morning he would be an absolute stranger. By afternoon I began to believe what we’d had, even if I couldn’t remember. By evening I’d be crying in his arms … then, sooner or later, I’d go to sleep. It’s better this way.” Rachel
”
”
Dan Simmons (Hyperion (Hyperion Cantos, #1))
“
They always ate and made tea on the alcohol lamp before going to bed. This was quite in the German tradition, Tilda said. Germans in their homes ate six meals a day: breakfast, second breakfast, dinner, afternoon coffee, supper and in the evening tea or beer with sandwiches and kuchen. Betsy, in the cherry-red bathrobe, and Tilda in a blue one, feasted merrily.
”
”
Maud Hart Lovelace (Betsy and the Great World / Betsy's Wedding (Betsy-Tacy #9-10))
“
All afternoon we'd been performing the little acts that women must perform when they come together after high school. The extreme politeness of gesture. The focus on being both feminine and its opposite.
”
”
Taddeo Lisa (Animal)
“
That's the beauty of being friends with us, Bunny. There don't have to be words sometimes. You could text us a whale tomorrow afternoon and we'd be like, We know. We'd know exactly what it is you were feeling
”
”
Mona Awad
“
Agapanthus and peonies in June. Scented stock and sweet peas in July. Sunflowers and sweet William in August. By the time September's oriental lilies and ornamental cabbages appeared, she wasn't hiding upstairs in the workroom anymore. She was spending more time in the shop, answering the phone, dealing with the customers. One Sunday she spent the afternoon at an allotment belonging to a friend of Ciara's, picking lamb's ear and dusty miller and veronica for a wedding, and didn't think about Michael once, but she kept remembering a Patrick Kavanagh poem she'd learned at school, the one about how every old man he saw reminded him of his father.
”
”
Ella Griffin (The Flower Arrangement)
“
the essence of human experience lay not primarily in the peak experiences, the wedding days and triumphs which stood out in the memory like dates circled in red on old calendars, but, rather, in the unselfconscious flow of little things – the weekend afternoon with each member of the family engaged in his or her own pursuit, their crossings and connections casual, dialogues imminently forgettable, but the sum of such hours creating a synergy which was important and eternal.
”
”
Dan Simmons (Hyperion (Hyperion Cantos, #1))
“
She had always felt that the essence of human experience lay not primarily in the peak experiences, the wedding days and triumphs which stood out in the memory like dates circled in red on old calendars, but, rather, in the unself-conscious flow of little things—the weekend afternoon with each member of the family engaged in his or her own pursuit, their crossings and connections casual, dialogues imminently forgettable, but the sum of such hours creating a synergy which was important and eternal.
”
”
Dan Simmons (Hyperion (Hyperion Cantos, #1))
“
You say that about everything,” I complained, trailing after him. “Everything is a long story, too long to tell me. I suppose after two hundred years, or whatever, things get a little convoluted, but can’t you paraphrase? How do you know the Rectors?”
When we rounded the corner, it became apparent there wouldn’t be time for any stories at all, paraphrased or not. Not because the gray clouds that were hanging so threateningly overhead had burst open, the way I was half expecting them to, but because the family we’d seen earlier, along with Mr. Smith and the people holding the clipboards, were climbing into their various vehicles in the parking lot right in front of us.
It shouldn’t have been a big deal. We were just an ordinary young couple, taking a late afternoon stroll through the cemetery.
I’d forgotten that, due to the “vandalism” that had occurred there earlier in the week, the cemetery gates (which John had kicked apart in a fit of temper) had been ordered locked twenty-four hours a day by the chief of police.
So it kind of was a big deal.
Still, that didn’t explain why one of the women-the grandmother, if her gray hair was any indication-took one look at my face, made the sign of the cross, cried, “Dios mio!” then passed out cold right in front of us.
”
”
Meg Cabot (Underworld (Abandon, #2))
“
You know, we still have like, half an hour down here. Seems a shame to waste it.”
I poked him in the ribs, and he gave an exaggerated wince. “No way, dude. My days of cellar, mill, and dungeon lovin’ are over. Go castle or go home.”
“Fair enough,” he said as we interlaced our fingers and headed for the stairs. “But does it have to be a real castle, or would one of those inflatable bouncy things work?”
I laughed. “Oh, inflatable castles are totally out of-“
I skidded to a stop on the first step, causing Archer to bump into me.
“What the heck is that?” I asked, pointing to a dark stain in the nearest corner.
“Okay, number one question you don’t want to hear in a creepy cellar,” Archer sad, but I ignored him and stepped off the staircase. The stain bled out from underneath the stone wall, covering maybe a foot of the dirt floor. It looked black and vaguely…sticky. I swallowed my disgust as I knelt down and gingerly touched the blob with one finger.
Archer crouched down next to me and reached into his pocket. He pulled out a lighter, and after a few tries, a wavering flame sprung up.
We studied my fingertip in the dim glow.
“So that’s-“
“It’s blood, yeah,” I said, not taking my eyes off my hand.
“Scary.”
“I was gonna go with vile, but scary works.”
Archer fished in his pockets again, and this time he produced a paper napkin. I took it from him and gave Lady Macbeth a run for her money in the hand-scrubbing department. But even as I attempted to remove a layer of skin from my finger, something was bugging me. I mean, something other than the fact that I’d just touched a puddle of blood.
“Check the other corners,” I told Archer.
He stood up and moved across the room. I stayed where I was, trying to remember that afternoon Dad and I had sat with the Thorne family grimoire. We’d looked at dozens of spells, but there had been one-
“There’s blood in every corner,” Archer called from the other side of the cellar. “Or at least that’s what I’m guessing it is. Unlike some people, I don’t have the urge to go sticking my fingers in it.
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
I worry I am coming perilously close to violating both of those promises. But still. It is our third wedding anniversary and I am alone in our apartment, my face all mask-tight from tears because, well, because: Just this afternoon, I get a voice mail from Nick, and I already know it’s going to be bad, I know
”
”
Gillian Flynn (Gone Girl)
“
The afternoon nap, my mother used to say, is the best of all kinds of sleep. One has the best dreams after eating lunch. Yes. I would perspire a little at first and then relax until I felt light as a swallow. Afterward, we’d open the window to let out the stale air and let the fresh air in, together with the green branches of the trees in the garden in Nisantasi, and also to let my dreams escape, because I used to believe that my dreams continued on without me from wherever I left off with them. Maybe the same thing happens when we die, my thoughts floating around the room, inside the furniture, between the shutters closed tight, swirling around and brushing against my table and bed, over the walls and the ceiling, so that somebody slowly cracking open the door would think they saw the shadows of my memories: Shut the door, I don’t want my memories tainted, don’t poison them, just let my thoughts float in here like angels until Judgment Day, beneath my ceiling, in the hush of this house.
”
”
Orhan Pamuk (Silent House)
“
Alfie was consistent, and, because of that, I wasn't crazy. I was calm, I was chill - I was all the things you wanted me to be, Reese. But I was incapable of being those things with you. The more you wanted me to be that "chill" girl - the more you made it clear that your love for me depended on it - the less chill and more crazy I got. Because you weren't consistent.
One day you’d be all over me, making my anxiety disappear, being kind and considerate and amazing and everything I’d always wanted. “God I love you, I love you so much,” you’d tell everyone at the lunch table, and the rest of the band would groan while I glowed. But then, later that afternoon, we’d walk past a girl and you’d say, “Wow, she’s so pretty,” then get in a mood with me if I dared to be upset.
I’m starting to realize that craziness may not always come from within. I’m starting to think lows aren’t worth the highs - not in love. Not in something where the most important thing is to feel safe. Consistency is underrated.
”
”
Holly Bourne (The Places I've Cried in Public)
“
Behind those doors was, in a stunning anticlimax, another set of doors, which slid open. A lift. They descended for many floors, until it was clear that they were several stories beneath the ground. Neither of them said anything, but Myfanwy took the opportunity to eye her secretary in the mirrored walls. Ingrid was tall, in her late forties, and her auburn hair was immaculately coiffed. She was slim and fit-looking, as if she spent every afternoon playing tennis. She wore a few pieces of discreet gold jewelry, including a wedding ring. Myfanwy breathed in gently through her nose and smelled Ingrid’s good perfume. The business suit she wore was of a light purple, and exquisitely cut.
”
”
Daniel O'Malley (The Rook (The Checquy Files, #1))
“
Madame, there is no remedy for anything in life. Death is a sovereign remedy for all misfortunes and we'd do best to leave all discoursing now and get a table.---Within our time scientists may well abolish these old diseases and we'll live to see the end of all morality. But meantime I would rather dine on suckling pig at Botin's than to sit and think of the casualties my friends have suffered.
”
”
Ernest Hemingway (Death in the Afternoon)
“
Marissa pushes the uncomfortable thought of Candy’s ghosting out of her mind and focuses on the positive as she pulls her BMW through the gate, tossing a wave to the security guard, admiring the way the afternoon sun catches on her new wedding ring, and then turning away as if he doesn’t matter. But of course, it matters. What good are her accomplishments if there is no one there to bear witness?
”
”
Shane Hawk (Never Whistle at Night: An Indigenous Dark Fiction Anthology)
“
We had a strict routine that nothing could change: we'd get up at six, and it would be my job or Meinhard's to get milk from the farm door. When w were a little older and starting to play sports, exercises were added to the chores, and we had to earn our breakfast by doing sit-ups. In the afternoon, we'd finish our homework and chores, and my father would make us practice soccer no matter how bad the weather was.
”
”
Arnold Schwarzenegger (Total Recall: My Unbelievably True Life Story)
“
Working at Starbucks was an eye-opening experience, and not always in a good way. Our location was next to a private high school, and every afternoon we’d be subject to a steady stream of privileged teenagers messing around with their iPhones as they paid for their vanilla bean Frappuccinos with Starbucks cards. A thought I had not infrequently was I’m (basically) a college graduate working forty hours a week serving milkshakes to teens who have more money in their bank accounts than I do.
”
”
Chasten Glezman Buttigieg (I Have Something to Tell You)
“
My wedding day took place on a non-descript afternoon in the middle of January, well away from any big deal occasions like Christmas or Valentine’s Day. I was thirty-five and I’d never even lived with a man before. Not because I was the last nun in the convent – too late to pull that stunt with my ten-year-old son, Sam, in tow – but because I was addicted to wrong ’uns. The sort of men who would have dads bundling their daughters into basements and throwing burning oil out of the top window. But
”
”
Kerry Fisher (The Silent Wife)
“
She had always felt that the essence of human experience lay not primarily in the peak experiences, the wedding days and triumphs which stood out in the memory like dates circled in red on old calendars, but, rather in the unselfconscious flow of little things - the weekend afternoon with each member of the family engaged in his or her own pursuit, their crossings and connections casual, dialogues imminently forgettable, but the sum of such hours creating a synergy which was important and eternal.
”
”
Dan Simmons (Hyperion (Hyperion Cantos, #1))
“
That Easter Monday evening, Mrs Miggs, in her ninety-sixth year, rolled up her crochet, and took in her chair, at the end of the afternoon, and closed her door and went to bed, early, as she always did, in the room that used to be the parlour, for she had not been able to climb the stairs since breaking her hip five years before, and in the night, in her sleep, died.
And so there was a funeral service at the church to follow the farrier’s wedding, and people in Barley felt saddened, for Mrs Miggs was so well-known and liked, such a familiar figure, she had seemed immortal, and another link with the old days, the old village life, was severed. Sad too, we said, that she did not reach her hundredth year, to which she was looking forward. There would have been a party for her and the children would have made posies and taken them, and sung to her outside her window in the early morning.
But a good funeral service, at the peaceful end of a long life, is not altogether an occasion for mourning. This one felt fitting, and things were in their proper order.
”
”
Susan Hill (The Magic Apple Tree: A Country Year)
“
I had meant to take her to my favorite pastry shop after dinner. I'd known happiness there once, or maybe not happiness, but the vision of it. I wanted to see whether the place had changed at all, or whether I had changed, or whether, just by sitting with her I could make up for old loves I'd gotten so close to but had never been bold enough to seize. Always got so very close, and always turned my back when the time came. Manfred and I had dessert here so many times, especially after the movies, and before Manfred, Maud and I, because it was so hot on summer nights that we'd stop to drink fizzy lemonades here, night after night, happy to be together drinking nothing stronger. And Chloe, of course, on those cold afternoons on Rivington Street so many years ago. My life, my real life, had not even happened yet, and all of this was rehearsal still. Tonight, I thought, relishing Joyce's words and feeling exquisitely sorry for myself, the time has come for me to set out on my journey westward. Then I thought of Saint Augustine's words: "Sero te amavi! Late have I loved you!
”
”
André Aciman (Enigma Variations)
“
Parents and TV? They would watch at night. It’s weird, because I realize I had advantages my students didn’t. Like, before dinner, um, there was just this weird hour, late in the afternoon, when, you know, dinner was more or less simmering. And there’d be music on, and they’d be reading, and we’d be reading. We’d all sit around the living room, and we’d each be reading our own thing. And every once in a while, we’d talk about what we were reading. And I for a long time, I think, thought all families were like that. And didn’t realize that …
”
”
David Lipsky (Although Of Course You End Up Becoming Yourself: A Road Trip with David Foster Wallace)
“
Her mother had once explained to her, “We’d been married fifteen years and I’d given up hope of ever having a baby, but when I was thirty-seven I knew you were on the way. Like a gift. Then eight years later when Laurie was born—oh, Sarah, it was a miracle!”
When she was in the second grade, Sarah remembered asking Sister Catherine which was better, a gift or a miracle?
“A miracle is the greatest gift a human being can receive,” Sister Catherine had said. That afternoon, when Sarah suddenly began to cry in class, she fibbed and said it was because her stomach was sick.
”
”
Mary Higgins Clark (All Around the Town)
“
We burnt paper-money – we thought it was our fault, that we hadn’t done enough to appease the heavens. Everyone said, If we were richer, we could make more donations to the temple, we’d have better catches. They didn’t realise that there was nothing they could do about all the pollution flushing down the river that went right through the cities and emptied into the sea in front of our houses. Or from the offshore prawn farms that had started further up the coast where the water was deeper – you could smell the chemicals sometimes, late in the afternoon when the wind was blowing in the right direction
”
”
Tash Aw (We, the Survivors)
“
He arranged the ceremony for two o'clock in the afternoon a week before she was to leave. The exam had gone well and she was almost certain that she would qualify. Because other couples to be married came with family and friends, their ceremony seemed brisk and over quickly and caused much curiosity among those waiting because they had come alone.
On their journey to Coney Island on the train that afternoon Tony raised the question for the first time of when they might marry in church and live together.
'I have money saved,' he said, 'so we could get an apartment and then move to the house when it's ready.'
'I don't mind,' she said. 'I wish we were going home together now.'
He touched her hand.
'So do I,' he said. 'And the ring looks great on your finger.'
She looked down at the ring.
'I'd better remember to take it off before Mrs Kehoe sees it.'
The ocean was rough and grey and the wind blew white billowing clouds quickly across the sky. They moved slowly along the boardwalk and down the pier, where they stood watching the fishermen. As they walked back and sat eating hot dogs at Nathan's, Eilis spotted someone at the next table checking out her wedding ring. She smiled at herself.
'Will we ever tell our children that we did this?' she asked.
”
”
Colm Tóibín (Brooklyn (Eilis Lacey, #1))
“
Additional flowers had been piled into a pair of massive baskets that were strapped across the back of Beatrix's mule, Hector. The little mule led the crowd at a dignified pace, while the women walking beside him reached into the baskets and tossed fresh handfuls of petals and blossoms to the ground. A straw hat festooned with flowers had been tied to Hector's head, his ears sticking out at crooked angles through the holes at the sides.
"Good God, Albert," Christopher said ruefully to the dog beside him. "Between you and the mule, I think you got the best of the bargain." Albert had been freshly washed and trimmed, a collar of white roses fastened around his neck.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
That night, Marlboro Man and I had a date. It was the Thursday night before our wedding, and the rehearsal dinner was the following night. It would be our last night alone together before we’d say I do. I couldn’t wait to see him; it had been two whole days. Forty-eight excruciating hours. I missed him fiercely.
When he arrived on my parents’ doorstep, I opened the door and smiled. He looked gorgeous. Solid. Irresistible.
Grinning, he stepped forward and kissed me. “You look good,” he said softly, stepping back. “You got some sun today.”
I gulped, flashing back to the agony of my facial that afternoon and fearing for the future of my face. I should have just stayed home and packed all day.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
You know those sedative things you hate so much?” he asked. “We’d slip one into the Forklenator’s lunch when school’s back in session and he’s in Magnate Leto mode. Then you and Fitz would ditch your afternoon sessions, let me work my mad skills on the lock to his office, and ta-da! One conked-out Forkle drooling on his giant desk, just waiting to have his memories explored. You guys would have plenty of time to do your Telepath thing and slip back to study hall before he wakes up. I doubt he’d even know anything happened.” “Absolutely not!” Sandor snapped. “No one will be ditching sessions or drugging anybody!” Sophie had to agree, even if the less-than-noble part of herself couldn’t deny that the plan was solid.
”
”
Shannon Messenger (Legacy (Keeper of the Lost Cities, #8))
“
Smart people suffered; dumb people didn’t. Mother had said this back in Texas all the time. We’d be driving past some guys in blue overalls selling watermelons off their truck bed and grinning like it was as good a way as any to pass an afternoon. She’d wag her head as if this were the most unbelievable spectacle, saying God, to be that blissfully ignorant. Daddy had always countered that message, for he took big pleasure in the small comforts—sugar in his coffee, getting the mockingbird in our chinaberry tree to answer his whistle. Without him, Mother’s misery was seeping in. Happiness was for boneheads, a dumb fog you sank into. Pain, low-level and constant, was a vigil you kept. The vigil had something to do with looking out for your own death, and with living in some constant state of watchful despair.
”
”
Mary Karr (The Liars' Club)
“
In case you didn’t know
I too went home after the ceremony
And replayed the silent pauses of our failed encounter.
I thought of a new clever thing I wish I said
And you’ll never know it and I won’t know yours.
In case you didn’t know
I imagine weddings within the first hour of meeting you
I felt your peek, but pretended not to look your way
I looked you up online and now don’t know where to start
That you whispered in my ear and I’ll masturbate
To the once hot air on my neck.
In case you didn’t know
When I turned the corner, I cried.
I thought I heard you, too.
Maybe both our loved ones
Share the same hospital.
In case you didn’t know
I wore bright colors and made the afternoon men laugh,
But tonight I’ll drink to darkness
because I have no one.
They pay me well, but I only want that other thing—
Your poetry, in case I didn’t know.
”
”
Kristian Ventura (The Goodbye Song)
“
Don’t be upset,” he whispered.
“I couldn’t stop it from happening,” she said in a plaintive voice.
“You weren’t supposed to,” he said tenderly. “I was playing with you. Teasing you.”
“But I wanted it to last longer. It’s our wedding night, and it’s already over.” Pausing, Beatrix added glumly, “At least my part of it is.”
Christopher averted his face, but she could see that he was struggling to contain a laugh. When he had mastered himself, he looked down at her with a slight smile and smoothed her hair back from her face. “I can make you ready again.”
Beatrix was quiet for a moment as she evaluated her spent nerves and limp body. “I don’t think so,” she said. “I feel like a wrung-out kitchen mop.”
“I promise to make you ready again,” he said, his voice threaded with amusement.
“It will take a long time,” Beatrix said, still frowning.
Gathering her into his arms, Christopher crushed his mouth over hers. “I can only hope so.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
When we arrived in England, we could almost feel the excitement in the air. Banners, pictures, and other decorations hung everywhere, and the streets were packed with people waiting to celebrate the wedding of the century. The formal party in honor of the royal match was held on the evening of Monday, July 27--two nights before the wedding. That day I felt nervous with anticipation as I lunched with a friend and went to the hairdresser. Pat met Exxon colleagues for lunch near their office in Mayfair. As he described our plans for the upcoming ball and wedding, Pat began to feel totally overwhelmed by the importance and glamour of these royal events. So my darling husband excused himself, walked over to Green Park just across from the palace, and simply collapsed with nervous strain to nap on a quiet patch of grass for the afternoon. I’ve always envied his ability to tune out and relax when he’s under stress; I get tense and can’t eat or sleep.
”
”
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
“
The Four Courts Irish pub was where we held all our memorials. It had a unique place in my heart because a bunch of assassins had tried to kill me inside the place a long time ago. Bryce wasn’t read into our program, but he believed in what we did, even if he didn’t know what that was. We’d shown up one day toasting a fallen soldier, and then we’d kept showing up, until he’d pulled me aside one afternoon. He’d seen us keeping to ourselves, knowing we didn’t want to be disturbed, and had told me if we wanted privacy the next time, the bar was ours. He’d never asked any questions, and being located so close to the CIA, I’m sure he thought that was where we worked, and I didn’t disabuse him of the notion. All I knew was that when I showed up, he shut down the bar. He flipped the sign on the door to closed and said, “I’ll be serving the drinks.” “I appreciate that. I really do.” I’d initially tried to pay to rent the place, but he was having none of it. He didn’t even let us pay for our drinks.
”
”
Brad Taylor (The Devil's Ransom (Pike Logan, #17))
“
I like rainbows.
We came back down to the meadow near the steaming terrace and sat in the river, just where one of the bigger hot streams poured into the cold water of the Ferris Fork. It is illegal – not to say suicidal – to bathe in any of the thermal features of the park. But when those features empty into the river, at what is called a hot pot, swimming and soaking are perfectly acceptable. So we were soaking off our long walk, talking about our favorite waterfalls, and discussing rainbows when it occurred to us that the moon was full. There wasn’t a hint of foul weather. And if you had a clear sky and a waterfall facing in just the right direction…
Over the course of a couple of days we hked back down the canyon to the Boundary Creek Trail and followed it to Dunanda Falls, which is only about eight miles from the ranger station at the entrance to the park. Dunanda is a 150-foot-high plunge facing generally south, so that in the afternoons reliable rainbows dance over the rocks at its base. It is the archetype of all western waterfalls. Dunenda is an Indian name; in Shoshone it means “straight down,” which is a pretty good description of the plunge.
...
…We had to walk three miles back toward the ranger station and our assigned campsite. We planned to set up our tents, eat, hang our food, and walk back to Dunanda Falls in the dark, using headlamps. We could be there by ten or eleven. At that time the full moon would clear the east ridge of the downriver canyon and would be shining directly on the fall.
Walking at night is never a happy proposition, and this particular evening stroll involved five stream crossings, mostly on old logs, and took a lot longer than we’d anticipated. Still, we beat the moon to the fall.
Most of us took up residence in one or another of the hot pots. Presently the moon, like a floodlight, rose over the canyon rim. The falling water took on a silver tinge, and the rock wall, which had looked gold under the sun, was now a slick black so the contrast of water and rock was incomparably stark. The pools below the lip of the fall were glowing, as from within, with a pale blue light. And then it started at the base of the fall: just a diagonal line in the spray that ran from the lower east to the upper west side of the wall.
“It’s going to happen,” I told Kara, who was sitting beside me in one of the hot pots.
Where falling water hit the rock at the base of the fall and exploded upward in vapor, the light was very bright. It concentrated itself in a shining ball. The diagonal line was above and slowly began to bend until, in the fullness of time (ten minutes, maybe), it formed a perfectly symmetrical bow, shining silver blue under the moon. The color was vaguely electrical.
Kara said she could see colors in the moonbow, and when I looked very hard, I thought I could make out a faint line of reddish orange above, and some deep violet at the bottom. Both colors were very pale, flickering, like bad florescent light.
In any case, it was exhilarating, the experience of a lifetime: an entirely perfect moonbow, silver and iridescent, all shining and spectral there at the base of Dunanda Falls. The hot pot itself was a luxury, and I considered myself a pretty swell fellow, doing all this for the sanity of city dwellers, who need such things more than anyone else. I even thought of naming the moonbow: Cahill’s Luminescence. Something like that. Otherwise, someone else might take credit for it.
”
”
Tim Cahill (Lost in My Own Backyard: A Walk in Yellowstone National Park (Crown Journeys))
“
The same song was playing the second I met my ex–best friend and the moment I realized I’d lost her.
I met my best friend at a neighborhood cookout the year we would both turn twelve. It was one of those hot Brooklyn afternoons that always made me feel like I'd stepped out of my life and onto a movie set because the hydrants were open, splashing water all over the hot asphalt. There wasn't a cloud in the flawless blue sky. And pretty black and brown people were everywhere.
I was crying. ‘What a Wonderful World’ was playing through a speaker someone had brought with them to the park, and it reminded me too much of my Granny Georgina. I was cupping the last snow globe she’d ever given me in my small, sweaty hands and despite the heat, I couldn’t help imagining myself inside the tiny, perfect, snow-filled world. I was telling myself a story about what it might be like to live in London, a place that was unimaginably far and sitting in the palm of my hands all at once. But it wasn't working. When Gigi had told me stories, they'd felt like miracles. But she was gone and I didn't know if I'd ever be okay again.
I heard a small voice behind me, asking if I was okay. I had noticed a girl watching me, but it took her a long time to come over, and even longer to say anything. She asked the question quietly.
I had never met anyone who…spoke the way that she did, and I thought that her speech might have been why she waited so long to speak to me. While I expected her to say ‘What’s wrong?’—a question I didn’t want to have to answer—she asked ‘What are you doing?’ instead, and I was glad.
“I was kind of a weird kid, so when I answered, I said ‘Spinning stories,’ calling it what Gigi had always called it when I got lost in my own head, but my voice cracked on the phrase and another tear slipped down my cheek. To this day I don’t know why I picked that moment to be so honest. Usually when kids I didn't know came up to me, I clamped my mouth shut like the heavy cover of an old book falling closed. Because time and taught me that kids weren't kind to girls like me: Girls who were dreamy and moony-eyed and a little too nice. Girls who wore rose-tonted glasses. And actual, really thick glasses. Girls who thought the world was beautiful, and who read too many books, and who never saw cruelty coming. But something about this girl felt safe. Something about the way she was smiling as she stuttered out the question helped me know I needn't bother with being shy, because she was being so brave. I thought that maybe kids weren't nice to girls like her either.
The cookout was crowded, and none of the other kids were talking to me because, like I said, I was the neighborhood weirdo. I carried around snow globesbecause I was in love with every place I’d never been. I often recited Shakespeare from memory because of my dad, who is a librarian. I lost myself in books because they were friends who never letme down, and I didn’t hide enough of myself the way everyone else did, so people didn’t ‘get’ me. I was lonely a lot. Unless I was with my Gigi.
The girl, she asked me if it was making me feel better, spinning the stories. And I shook my head. Before I could say what I was thinking—a line from Hamlet about sorrow coming in battalions that would have surely killed any potential I had of making friends with her. The girl tossed her wavy black hair over her shoulder and grinned. She closed her eyes and said 'Music helps me. And I love this song.'
When she started singing, her voice was so unexpected—so bright and clear—that I stopped crying and stared at her. She told me her name and hooked her arm through mine like we’d known each other forever, and when the next song started, she pulled me up and we spun in a slow circle together until we were both dizzy and giggling.
”
”
Ashley Woodfolk (When You Were Everything)
“
There was also a package wrapped in pale blue paper and tied with a matching ribbon. Picking up a small folded note that had been tucked under the ribbon, Beatrix read:
A gift for your wedding night, darling Bea. This gown was made by the most fashionable modiste in London. It is rather different from the ones you usually wear, but it will be very pleasing to a bridegroom. Trust me about this.
-Poppy
Holding the nightgown up, Beatrix saw that it was made of black gossamer and fastened with tiny jet buttons. Since the only nightgowns she had ever worn had been of modest white cambric or muslin, this was rather shocking. However, if it was what husbands liked...
After removing her corset and her other underpinnings, Beatrix drew the gown over her head and let a slither over her body in a cool, silky drift. The thin fabric draped closely over her shoulders and torso and buttoned at the waist before flowing to the ground in transparent panels. A side slit went up to her hip, exposing her leg when she moved. And her back was shockingly exposed, the gown dipping low against her spine. Pulling the pins and combs from her hair, she dropped them into the muslin bag in the trunk.
Tentatively she emerged from behind the screen.
Christopher had just finished pouring two glasses of champagne. He turned toward her and froze, except for his gaze, which traveled over her in a burning sweep. "My God," he muttered, and drained his champagne. Setting the empty glass aside, he gripped the other as if he were afraid it might slip through his fingers.
"Do you like my nightgown?" Beatrix asked.
Christopher nodded, not taking his gaze from her. "Where's the rest of it?"
"This was all I could find." Unable to resist teasing him, Beatrix twisted and tried to see the back view. "I wonder if I put it on backward..."
"Let me see." As she turned to reveal the naked line of her back, Christopher drew in a harsh breath.
Although Beatrix heard him mumble a curse, she didn't take offense, deducing that Poppy had been right about the nightgown. And when he drained the second glass of champagne, forgetting that it was hers, Beatrix sternly repressed a grin. She went to the bed and climbed onto the mattress, relishing the billowy softness of its quilts and linens. Reclining on her side, she made no attempt to cover her exposed leg as the gossamer fabric fell open to her hip.
Christopher came to her, stripping off his shirt along the way. The sight of him, all that flexing muscle and sun-glazed skin, was breathtaking. He was a beautiful man, a scarred Apollo, a dream lover. And he was hers.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
What the-“ he began, already heading toward the house, with Elizabeth walking quickly behind him.
Ian opened the front door just as Jake came hurrying in from the back of the cottage.
“I got some milk-“ Jake began, then he stopped abruptly as the stench hit him. His gaze snapped from Ian and Elizabeth, who were just rushing inside, to Lucinda, who was sitting exactly where she had been, serenely indifferent to the smell of burning bacon and incinerated eggs as she fanned herself with a black silk fan. “I took the liberty of removing the utensil from the stove,” she informed them. “However, I was not in time to save its contents, which I sincerely doubt were worth saving in any case.”
“Couldn’t you have moved ‘em before they burned?” Jake burst out.
“I cannot cook, sir.”
“Can you smell?” Ian demanded.
“Ian, there’s nothing for it-I’ll have to ride to the village and hire a pair o’ wenches to come up here and get this place in order for us or we’ll starve.”
“My thoughts exactly!” Lucinda seconded promptly, already standing up. “I shall accompany you.”
“Whaat?” Elizabeth burst out.
“What? Why?” Jake echoed, looking balky.
“Because selecting good female servants is best done by a woman. How far must we go?”
If Elizabeth weren’t so appalled, she’d have laughed at Jake Wiley’s expression. “We can be back late this afternoon, assumin’ there’s anyone in the village to do the work. But I-“
“Then we’d best be about it.” Lucinda paused and turned to Ian, passing a look of calculating consideration over hum; then she glanced at Elizabeth. Giving her a look that clearly said “Trust me and do not argue,” she said, “Elizabeth, if you would be so good as to excuse us, I’d like a word alone with Mr. Thornton.” With no choice but to do as bidden, Elizabeth went out the front door and stared in utter confusion at the trees, wondering what bizarre scheme Lucinda might have hatched to solve their problems.
In the cottage Ian watched through narrowed eyes as the gray-haired harpy fixed him with her basilisk stare. “Mr. Thornton,” she said finally, “I have decided you are a gentleman.”
She made that pronouncement as if she were a queen bestowing knighthood on a lowly, possibly undeserving serf. Fascinated and irritated at the same time, Ian leaned his hip against the table, waiting to discover what game she was playing by leaving Elizabeth alone here, unchaperoned. “Don’t keep me in suspense,” he said coolly. “What have I done to earn your good opinion?”
“Absolutely nothing,” she said without hesitation. “I’m basing my decision on my own excellent intuitive powers and on the fact that you were born a gentleman.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
I saw her as soon as I pulled into the parking lot. This beautiful woman with a gigantic smile on her face was just about bouncing up and down despite the orthopedic boot she had on her foot as she waved me into a parking space. I felt like I’d been hit in the gut. She took my breath away. She was dressed in workout clothes, her long brown hair softly framing her face, and she just glowed. I composed myself and got out of the car. She was standing with Paul Orr, the radio host I was there to meet. Local press had become fairly routine for me at this point, so I hadn’t really given it much thought when I agreed to be a guest on the afternoon drive-time show for WZZK. But I had no idea I’d meet her.
Paul reached out his hand and introduced himself. And without waiting to be introduced she whipped out her hand and said, “Hi! I’m Jamie Boyd!” And right away she was talking a mile a minute. She was so chipper I couldn’t help but smile. I was like that little dog in Looney Toons who is always following the big bulldog around shouting, “What are we going to do today, Spike?” She was adorable. She started firing off questions, one of which really caught my attention.
“So you were in the Army? What was your MOS?” she asked.
Now, MOS is a military term most civilians have never heard. It stands for Military Occupational Specialty. It’s basically military code for “job.” So instead of just asking me what my job was in the Army, she knew enough to specifically ask me what my MOS was. I was impressed.
“Eleven Bravo. Were you in?” I replied.
“Nope! But I’ve thought about it. I still think one day I will join the Army.”
We followed Paul inside and as he set things up and got ready for his show, Jamie and I talked nonstop. She, too, was really into fitness. She was dressed and ready for the gym and told me she was about to leave to get in a quick workout before her shift on-air.
“Yeah, I have the shift after Paul Orr. The seven-to-midnight show. I call it the Jammin’ with Jamie Show. People call in and I’ll ask them if they’re cryin’, laughin’, lovin’, or leavin’.”
I couldn’t believe how into this girl I was, and we’d only been talking for twenty minutes. I was also dressed in gym clothes, because I’d been to the gym earlier. She looked down and saw the rubber bracelet around my wrist.
“Is that an ‘I Am Second’ bracelet? I have one of those!” she said as she held up her wrist with the band that means, “I am second after Jesus.”
“No, this is my own bracelet with my motto, ‘Train like a Machine,’ on it. Just my little self-motivator. I have some in my car. I’d love to give you one.”
“Well, actually, I am about to leave. I have to go work out before my shift,” she reminded me.
“You can have this one. Take it off my wrist. This one will be worth more someday because I’ve been sweating in it,” I joked.
She laughed and took it off my wrist. We kept chatting and she told me she had wanted to do an obstacle course race for a long time. Then Paul interrupted our conversation and gently reminded Jamie he had a show to do. He and I needed to start our interview. She laughed some more and smiled her way out the door.
”
”
Noah Galloway (Living with No Excuses: The Remarkable Rebirth of an American Soldier)
“
Mal’s calm, the surety he seemed to carry in his steps. “Do you think it’s out there?” I asked one afternoon when we’d taken shelter in a dense cluster of pines to wait out a storm. “Hard to say. Right now, I could just be tracking a big hawk. I’m going on my gut as much as anything, and that always makes me nervous.” “You don’t seem nervous. You seem completely at ease.” I could hear the irritation in my voice. Mal glanced at me. “It helps that no one’s threatening to cut you open.” I said nothing. The thought of the Darkling’s knife was almost comforting—a simple fear, concrete, manageable. He squinted out at the rain. “And it’s something else, something the Darkling said in the chapel. He thought he needed me to find the firebird. As much as I hate to admit it, that’s why I know I can do it now, because he was so sure.” I understood. The Darkling’s faith in me had been an intoxicating thing. I wanted that certainty, the knowledge that everything would be dealt with, that someone was in control. Sergei had run to the Darkling looking for that reassurance. I just want to feel safe again. “When the time comes,” Mal asked, “can you bring the firebird down?” Yes. I was done with hesitation. It wasn’t just that we’d run out of options, or that so much was riding on the firebird’s power. I’d simply grown ruthless enough or selfish enough to take another creature’s life. But I missed the girl who had shown the stag mercy, who had been strong enough to turn away from the lure of power, who had believed in something more. Another casualty of this war. “It still doesn’t seem real to me,” I said.
”
”
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
“
He smiled and lifted a finger to stroke her cheek. Meredith’s stomach roiled. “Oh dear.” She quickly covered her mouth with one hand and her stomach with the other, thanking God for the excuse to cut their time together short. “I think something from lunch may not be agreeing with me.” That something being Roy Mitchell. An impatient frown darkened Roy’s face before he quickly replaced it with a look of concern. “Would you like to sit and rest for a moment? There’s a bench outside the drugstore across the street.” “No. I think I should lie down.” She hunched herself over and added a quiet moan for good measure. “Can you take me home, please?” “Are you sure?” Meredith nodded vigorously, keeping her hand over her mouth. “Very well.” Roy took her arm and helped her navigate the three blocks back to her uncle’s house. When they reached the front gate, however, he used his grip to slow her to a halt. “I’m so sorry to have ruined our afternoon,” she blurted, not wanting to give him the chance to ask her anything. Besides, the longer she thought about what he planned for Travis, the more ill she truly became. She looked up at the brick house, longing for the escape it promised. “Meredith, darling,” Roy said, turning her to face him, “please, just tell me that I can move ahead with our wedding plans.” The idea was so nauseating, Meredith didn’t have to prevaricate. Her stomach began to heave all on its own. Roy must have seen the truth in her face as she bent forward, for his eyes widened and he quickly stepped back. Meredith covered her mouth and ran for the house. “I’ll come by later this evening,” Roy called after her, but Meredith didn’t slow until she was safely inside.
”
”
Karen Witemeyer (Short-Straw Bride (Archer Brothers, #1))
“
Perhaps you’re not aware of it, Mrs. Phelan, but according to Rifle Brigade wedding tradition, every man on the groom’s honor guard gets to kiss the bride on her wedding night.”
“What rot,” Christopher retorted amiably. “The only Rifles wedding tradition I know of is to avoid getting married in the first place.”
“Well, you bungled that one, old fellow.” The group chortled.
“Can’t say as I blame him,” one of them added. “You are a vision, Mrs. Phelan.”
“As fair as moonlight,” another said.
“Thank you,” Christopher said. “Now stop wooing my wife, and take your leave.”
“We started the job,” one of the officers said. “It’s left to you to finish it, Phelan.”
And with cheerful catcalls and well wishes, the Rifles departed.
“They’re taking the horse with them,” Christopher said, a smile in his voice. “You’re well and truly stranded with me now.” He turned toward Beatrix and slid his fingers beneath her chin, nudging her to look at him. “What’s this?” His voice gentled. “What’s the matter?”
“Nothing,” Beatrix said, seeing him through a shimmer of tears. “Absolutely nothing. It’s just…I spent so many hours in this place, dreaming of being with you someday. But I never dared to believe it could really happen.”
“You had to believe, just a little,” Christopher whispered. “Otherwise it wouldn’t have come true.” Pulling her between his spread thighs, he wrapped her in a comforting hug. After a long time, he spoke quietly into her hair. “Beatrix. One of the reasons I haven’t made love to you since that afternoon is that I didn’t want to take advantage of you again.”
“You didn’t,” she protested. “I gave myself to you freely.”
“Yes, I know.” Christopher kissed her head. “You were generous, and beautiful, and so passionate that you’ve ruined me for any other woman. But it wasn’t what I had intended for your first time. Tonight I’m going to make amends.”
Beatrix shivered at the sensual promise of his tone. “There’s no need. But if you insist…”
“I do insist.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
When I finally calmed down, I saw how disappointed he was and how bad he felt. I decided to take a deep breath and try to think this thing through.
“Maybe it’s not that bad,” I said. (I think I was trying to cheer myself up as much as I was trying to console Chip.) “If we fix up the interior and just get it to the point where we can get it onto the water, at least maybe then we can turn around, sell it, and get our money back.”
Over the course of the next hour or so, I really started to come around. I took another walk through the boat and started to picture how we could make it livable--maybe even kind of cool. After all, we’d conquered worse. We tore a few things apart right then and there, and I grabbed some paper and sketched out a new layout for the tiny kitchen. I talked to him about potentially finishing an accent wall with shiplap--a kind of rough-textured pine paneling that fans of our show now know all too well.
“Shiplap?” Chip laughed. “That seems a little ironic to use on a ship, doesn’t it?”
“Ha-ha,” I replied. I was still not in the mood for his jokes, but this is how Chip backs me off the ledge--with his humor.
Then I asked him to help me lift something on the deck, and he said, “Aye, aye, matey!” in his best pirate voice, and slowly but surely I came around.
I can’t believe I’m saying this, but by the end of that afternoon I was actually a little bit excited about taking on such a big challenge. Chip was still deflated that he’d allowed himself to get duped, but he put his arm around me as we started walking back to the truck. I put my head on his shoulder. And the camera captured the whole thing--just an average, roller-coaster afternoon in the lives of Chip and Joanna Gaines.
The head cameraman came jogging over to us before we drove away. Chip rolled down his window and said sarcastically, “How’s that for reality TV?” We were both feeling embarrassed that this is how we had spent our last day of trying to get this stinkin’ television show.
“Well,” the guy said, breaking into a great big smile, “if I do my job, you two just landed yourself a reality TV show.”
What? We were floored. We couldn’t believe it. How was that a show? But lo and behold, he was right. That rotten houseboat turned out to be a blessing in disguise.
”
”
Joanna Gaines (The Magnolia Story)
“
HER HUSBAND’S ALMOST HOME. He’ll catch her this time. There isn’t a scrap of curtain, not a blade of blind, in number 212—the rust-red townhome that once housed the newlywed Motts, until recently, until they un-wed. I never met either Mott, but occasionally I check in online: his LinkedIn profile, her Facebook page. Their wedding registry lives on at Macy’s. I could still buy them flatware. As I was saying: not even a window dressing. So number 212 gazes blankly across the street, ruddy and raw, and I gaze right back, watching the mistress of the manor lead her contractor into the guest bedroom. What is it about that house? It’s where love goes to die. She’s lovely, a genuine redhead, with grass-green eyes and an archipelago of tiny moles trailing across her back. Much prettier than her husband, a Dr. John Miller, psychotherapist—yes, he offers couples counseling—and one of 436,000 John Millers online. This particular specimen works near Gramercy Park and does not accept insurance. According to the deed of sale, he paid $3.6 million for his house. Business must be good. I know both more and less about the wife. Not much of a homemaker, clearly; the Millers moved in eight weeks ago, yet still those windows are bare, tsk-tsk. She practices yoga three times a week, tripping down the steps with her magic-carpet mat rolled beneath one arm, legs shrink-wrapped in Lululemon. And she must volunteer someplace—she leaves the house a little past eleven on Mondays and Fridays, around the time I get up, and returns between five and five thirty, just as I’m settling in for my nightly film. (This evening’s selection: The Man Who Knew Too Much, for the umpteenth time. I am the woman who viewed too much.) I’ve noticed she likes a drink in the afternoon, as do I. Does she also like a drink in the morning? As do I? But her age is a mystery, although she’s certainly younger than Dr. Miller, and younger than me (nimbler, too); her name I can only guess at. I think of her as Rita, because she looks like Hayworth in Gilda. “I’m not in the least interested”—love that line. I myself am very much interested. Not in her body—the pale ridge of her spine, her shoulder blades like stunted wings, the baby-blue bra clasping her breasts: whenever these loom within my lens, any of them, I look away—but in the life she leads. The lives. Two more than I’ve got.
”
”
A.J. Finn (The Woman in the Window)
“
The first signal of the change in her behavior was Prince Andrew’s stag night when the Princess of Wales and Sarah Ferguson dressed as policewomen in a vain attempt to gatecrash his party. Instead they drank champagne and orange juice at Annabel’s night club before returning to Buckingham Palace where they stopped Andrew’s car at the entrance as he returned home. Technically the impersonation of police officers is a criminal offence, a point not neglected by several censorious Members of Parliament. For a time this boisterous mood reigned supreme within the royal family. When the Duke and Duchess hosted a party at Windsor Castle as a thank you for everyone who had helped organize their wedding, it was Fergie who encouraged everyone to jump, fully clothed, into the swimming pool. There were numerous noisy dinner parties and a disco in the Waterloo Room at Windsor Castle at Christmas. Fergie even encouraged Diana to join her in an impromptu version of the can-can.
This was but a rehearsal for their first public performance when the girls, accompanied by their husbands, flew to Klosters for a week-long skiing holiday. On the first day they lined up in front of the cameras for the traditional photo-call. For sheer absurdity this annual spectacle takes some beating as ninety assorted photographers laden with ladders and equipment scramble through the snow for positions. Diana and Sarah took this silliness at face value, staging a cabaret on ice as they indulged in a mock conflict, pushing and shoving each other until Prince Charles announced censoriously: “Come on, come on!” Until then Diana’s skittish sense of humour had only been seen in flashes, invariably clouded by a mask of blushes and wan silences. So it was a surprised group of photographers who chanced across the Princess in a Klosters café that same afternoon. She pointed to the outsize medal on her jacket, joking: “I have awarded it to myself for services to my country because no-one else will.” It was an aside which spoke volumes about her underlying self-doubt. The mood of frivolity continued with pillow fights in their chalet at Wolfgang although it would be wrong to characterize the mood on that holiday as a glorified schoolgirls’ outing. As one royal guest commented: “It was good fun within reason. You have to mind your p’s and q’s when royalty, particularly Prince Charles, is present. It is quite formal and can be rather a strain.
”
”
Andrew Morton (Diana: Her True Story in Her Own Words)
“
There’s a tap on my shoulder. I turn around and get lost in a sea of blue. A Jersey-accented voice says, “It’s about time, kid,” and Frank Sinatra rattles the ice in his glass of Jack Daniel’s. Looking at the swirling deep-brown liquid, he whispers, “Ain’t it beautiful?” This is my introduction to the Chairman of the Board. We spend the next half hour talking Jersey, Hoboken, swimming in the Hudson River and the Shore. We then sit down for dinner at a table with Robert De Niro, Angie Dickinson and Frank and his wife, Barbara. This is all occurring at the Hollywood “Guinea Party” Patti and I have been invited to, courtesy of Tita Cahn. Patti had met Tita a few weeks previous at the nail parlor. She’s the wife of Sammy Cahn, famous for such songs as “All The Way,” “Teach Me Tonight” and “Only the Lonely.” She called one afternoon and told us she was hosting a private event. She said it would be very quiet and couldn’t tell us who would be there, but assured us we’d be very comfortable. So off into the LA night we went. During the evening, we befriend the Sinatras and are quietly invited into the circle of the last of the old Hollywood stars. Over the next several years we attend a few very private events where Frank and the remaining clan hold forth. The only other musician in the room is often Quincy Jones, and besides Patti and I there is rarely a rocker in sight. The Sinatras are gracious hosts and our acquaintance culminates in our being invited to Frank’s eightieth birthday party dinner. It’s a sedate event at the Sinatras’ Los Angeles home. Sometime after dinner, we find ourselves around the living room piano with Steve and Eydie Gorme and Bob Dylan. Steve is playing the piano and up close he and Eydie can really sing the great standards. Patti has been thoroughly schooled in jazz by Jerry Coker, one of the great jazz educators at the Frost School of Music at the University of Miami. She was there at the same time as Bruce Hornsby, Jaco Pastorius and Pat Metheny, and she learned her stuff. At Frank’s, as the music drifts on, she slips gently in on “My One and Only Love.” Patti is a secret weapon. She can sing torch like a cross between Peggy Lee and Julie London (I’m not kidding). Eydie Gorme hears Patti, stops the music and says, “Frank, come over here. We’ve got a singer!” Frank moves to the piano and I then get to watch my wife beautifully serenade Frank Sinatra and Bob Dylan, to be met by a torrent of applause when she’s finished. The next day we play Frank’s eightieth birthday celebration for ABC TV and I get to escort him to the stage along with Tony Bennett. It’s a beautiful evening and a fitting celebration for the greatest pop singer of all time. Two years later Frank passed away and we were generously invited to his funeral. A
”
”
Bruce Springsteen (Born to Run)
“
On a break from the tour, I went south to Bali, a place the choreographer Toni Basil, whom Eno and I had met during the Bush Of Ghosts sessions, had recommended as being transporting and all about performance. I rented a small motorcycle and headed up into the hills, away from the beach resort. I soon discovered that if one saw offerings of flowers and fruit being brought to a village temple compound in the afternoon, one could be pretty certain that some sort of ritual performance would follow there at night.
Sure enough, night after night I would catch dances accompanied by gamelan orchestras and shadow-puppet excerpts from the Hindu Ramayana--epic and sometimes ritual performances that blended religious and theatrical elements. (A gamelan is a small orchestra made up mainly of tuned metallic gongs and xylophone-like instruments--the interplay between the parts is beautiful and intricate.) In these latter events some participants would often fall into a trance, but even in trance there were prescribed procedures. It wasn't all thrashing chaos, as a Westerner might expect, but a deeper kind of dance.
As In Japanese theater, the performers often wore masks and extreme makeup; their movements, too, were stylized and "unnatural." It began to sink in that this kind of "presentational" theater has more in common with certain kinds of pop-music performance that traditional Western theater did.
I was struck by other peripheral aspects of these performances. The audiences, mostly local villagers of all ages, weren't paying attention half the time. People would wander in and out, go get a snack from a cart or leave to smoke a bidi cigarette, and then return to watch some more. This was more like the behavior of audiences in music clubs than in Western theaters, where they were expected to sit quietly and only leave or converse once the show was over.
The Balinese "shows" were completely integrated into people's daily lives, or so it seemed to me. There was no attempt to formally separate the ritual and the show from the audience. Everything seemed to flow into everything else. The food, the music, and the dance were all just another part of daily activity. I remembered a story about John Cage, who, when in Japan, asked someone what their religion was. The reply was that they didn't have a strict religion--they danced. Japanese do, of course, have Buddhist and Shinto rituals for weddings, funerals, and marriages, but a weekly thing like going to church or temple doesn't exist. The "religion" is so integrated into the culture that it appears in daily gestures and routines, unsegregated for ordinary life. I was beginning to see that theatricality wasn't necessarily a bad thing. It was part of life in much of the world, and not necessarily phony either.
”
”
David Byrne (How Music Works)
“
The pièce de résistance was the aisle and spot where the couple would say their vows. The aisle itself was made of white plexiglass, and above it were draped lush, dimensional bouquets of white flowers with silver and blue accents. At a glance, it looked like fluffy clouds in a blue sky. The planners had managed to rig up other mirrors at angles to reflect the afternoon sky outside of the hangar. It would be like Jacqueline was walking on clouds to meet her groom. My internal wedding planner gave a silent slow clap. Bravo.
”
”
Mary Hollis Huddleston (Piece of Cake: A Novel)
“
This morning was about a quarter of the patrol we’d regularly fly, so normally we’d just be getting back about now and reporting our findings to the commander. But for the sake of killing time, since we’re in this room as the reaction flight for this afternoon, let’s pretend we’d come across a newly fortified enemy outpost crossing our border”—she turns to the map and sticks a pin with a small crimson flag near one of the peaks about two miles from the Cygnisen borderline—“here.” “We’re supposed to pretend it just popped up overnight?” Emery asks, openly skeptical. “For the sake of argument, third-year.” Mira narrows her eyes on him, and he sits up a little straighter.
”
”
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
“
That’s the difference between us,” grumbled the Master, unheeding. “Every normal woman adores big weddings. Every normal man loathes them. A good lively ten-round prize-fight is better worth watching than all the weddings since the one at Cana. I’ve a good mind to quit, cold, and go fishing off our point that afternoon in a scow, and sit there with a pipe and a torn flannel suit and a straw hat with a hole in it, and watch the sweating guests up here on the lawn and——What’s the joke?” he broke off. “The joke,” she explained, swallowing her laughter with difficulty—“the joke is that you said exactly the same thing before our own wedding, nearly twenty-five years ago.
”
”
Albert Payson Terhune (Lad of Sunnybank)
“
overcompensated and next thing the buggers aren’t dropping far enough, so they’re hanging there strangling!’ He waved a dismissive hand. ‘Gave the Yanks their cards, packed them off home, and Albert and me took over their quota.’ ‘What’s the most you ever done in a session at Nuremberg, Harry?’ someone asked. We were all quiet as we watched him and waited for his answer. ‘Mmmm, one afternoon we did twenty-seven in two hours forty minutes.’ ‘Bloody hell! So they weren’t left to hang for very long.’ ‘No, hadn’t the time. As soon as we put four down, the doc would go underneath the scaffold, ’ave a listen with his stethoscope, feel for a pulse. “Right, okay,” he’d say. We had these soldier orderlies. They’d go underneath and lift them up, take the weight, we’d take the ropes and bags off, the soldiers would put them onto trolleys and whisk them away to the temporary morgue. A couple of minutes later the next four were marching in.’ That had been the craic last night. As Ken and I sit having breakfast with the hangmen, I can’t rid myself of the contradictory feeling that, somehow, I’m letting Russell down by breakfasting with the men who are about to hang him. ‘How was he last night?’ Allen looks rather bleary-eyed. He’s on his second mug of hot, sweet tea. And at least his third cigarette. We tell him. He takes a deep draw. ‘I think this lad will go without any bother.’ As he speaks, the blue smoke spills out of his mouth. Just after ten to eight, from the kitchen door at the end of the mess, Ken, the two hangmen, Teddy Bear and I, watch as the Governor, Lord Lieutenant of the County and other official witnesses file quietly into the block. They enter the empty execution chamber. At three
”
”
Robert Douglas (At Her Majesty's Pleasure)
“
All afternoon we'd been performing the little acts that women must perform when they come together after high school. The extreme politeness of gesture. The focus on being both feminine and its opposite.
”
”
Lisa Taddeo (Animal)
“
Sometimes I almost believe her soul looks out
of the photograph, almost clears the sill
Of the eyes & comes near; though it does not ever
Move, it holds me while I look at it.
But even today, I can’t conceive of a soul
Without seeing a woman’s body. Specifically,
Yours, undoing the straps of an evening dress
In a convertible, & then lying back, your breasts
Holding that hint of dusk mixed with mint
And the emptiness of dusk. Someone put it
Crudely: to fuck is to know. If that is true,
There’s a corollary: the soul is a canary sent
Into the mines. The convertible is white, & parked
Beneath the black trees shading the river,
Mile after mile. Your dress is off by now,
And when you come, both above & below me,
When you vanish into that one cry which means
Your body is no longer quite your own
And when your face looks like a face stricken
From this world, a saint’s face, your eyes closing
On some final city made entirely
Of light, & only to be unmade by light
Again—at that moment I’m still watching
You—half out of reverence & half because
The scene is distant, like a landscape, & has
Nothing to do with me. Beneath the quiet
Of those trees, & that sky, I imagine
I’m simply a miner in a cave; I imagine the soul
Is something lighter than a girl’s ribbon
I witnessed, one afternoon, as it fell—blue,
Tossed, withered somehow, & singular, at
A friend’s wedding—& then into the river
And swirled away. Do I chip away with my hammer?
Do I, sometimes, sing or recite? Even though
I have to know, in such a darkness, all
The words by heart, I sing. And when I come,
My eyes are closed fast. I smile, under
The earth. They loved fast horses. And someone else
Will have to watch them, grazing on short tufts
Of spring grass beside the riverbank,
When we are gone, when we are light, & grass. .
— Larry Levis, from “A Letter,” Winter Stars (University of Pittsburgh Press, 1985)
”
”
Larry Levis (Winter Stars)
“
When Nick started the label, he put us in Pink Floyd’s studio in Britannia Row,” says Del incredulously. “It was massive, and when you went upstairs, they still had that big pink pig up there. It was phenomenally expensive, about £500 a day, maybe more, which was a lot of money in 1983. We had the studio block-booked for a month, and we never used to go. It was always empty; we’d be back in Brighton doing loads of mushrooms and acid! I’d be tripping all night, get up about 4 o’clock in the afternoon, go to the pub, and suddenly remember I should be in the studio doing guitars, and I’d just blow it out and go back to bed.
”
”
Ian Glasper (Burning Britain: The History of UK Punk 1980-1984)
“
From the Saturday afternoon Piper and her mother had gone to the animal shelter and spotted the little white dog with the floppy ears and a big brown patch around his left eye, they were goners. Piper had still been working on A Little Rain Must Fall, and it was the week before she attended her first---and last---Daytime Emmy Awards ceremony. She'd named the terrier Emmett in honor of the occasion, only later realizing how appropriate the moniker would be. The dog could just as easily have been named for world-famous clown Emmett Kelly.
Happy-go-lucky and friendly, Emmett was very smart and responded exceptionally well to the obedience training Piper's father had insisted upon. But it was Piper's mother who cultivated the terrier's special talents, teaching him a series of tricks using food as a reward.
The dog had already provided the Donovan family and their neighbors with hours and hours of delight and laughter when Terri came up with the idea of having Emmett featured in commercials for the bakery, which ran on the local-access cable channel. As a result, Emmett had become something of a celebrity in Hillwood.
”
”
Mary Jane Clark (To Have and to Kill (Wedding Cake Mystery, #1))
“
Agnes Rose had been spending time in Fiddleback too. She’d been flirting with and flattering the bagman, one Alexander Bixby, for a matter of weeks. She had convinced him that she was a virginal young woman from a poor family who had been jilted by her fiancé after he got another woman pregnant. Punished for her virtue—her mama had taught her not to sleep with a man before her wedding night—and far from home, she was forced to take in piecework and live at a ladies’ boardinghouse near Crooked Creek, coming to Fiddleback only to sell her quilts and doilies. Bixby was taken with her sad story and her habit of telling him how impressed she was with the importance of his work. He liked to visit Veronica’s for a single drink on his way back from the bank, and this time Agnes Rose had given him to understand that if he wanted to take her upstairs, she might be willing to forget her mama’s lesson for the duration of an afternoon
”
”
Anna North (Outlawed)
“
Annabeth knit her eyebrows. “We’ll have to talk to Tantalus, get approval for a quest. He’ll say no.” “Not if we tell him tonight at the campfire in front of everybody. The whole camp will hear. They’ll pressure him. He won’t be able to refuse.” “Maybe.” A little bit of hope crept into Annabeth’s voice. “We’d better get these dishes done. Hand me the lava spray gun, will you?” That night at the campfire, Apollo’s cabin led the sing-along. They tried to get everybody’s spirits up, but it wasn’t easy after that afternoon’s bird attack. We all sat around a semicircle of stone steps, singing halfheartedly and watching the bonfire blaze while the Apollo guys strummed their guitars and picked their lyres. We did all the standard camp numbers: “Down by the Aegean,” “I Am My Own Great-Great-Great-Great-Grandpa,” “This Land is Minos’s Land.” The bonfire was enchanted, so the louder you sang, the higher it rose, changing color and heat with the mood of the crowd. On a good night, I’d seen it twenty feet high, bright purple, and so hot the whole front row’s marshmallows burst into the flames. Tonight, the fire was only five feet high, barely warm, and the flames were the color of lint. Dionysus left early. After suffering through a few songs, he muttered something about how even pinochle with Chiron had been more exciting than this. Then he gave Tantalus a distasteful look and headed back toward the Big House. When the last song was over, Tantalus said, “Well, that was lovely!” He came forward with a toasted marshmallow on a stick and tried to pluck it off, real casual-like. But before he could touch it, the marshmallow flew off the stick. Tantalus made a wild grab, but the marshmallow committed suicide, diving into the flames. Tantalus turned back toward us, smiling coldly. “Now then! Some announcements about tomorrow’s schedule.” “Sir,” I said. Tantalus’s
”
”
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
“
As children, we played cowboys and Indians through the fields and forests, looking for foes as though being set upon was the worst we’d face. As children we found horseshoes, dusty hidden treasures buried in dirt, and we’d take them home and hang them on our walls alongside our Farrah and football posters. Innately we knew that someday we’d grow out of this, so mornings and afternoons we’d carry on, content, a real word in our small vocabulary.
”
”
Scott C. Holstad
“
AM: You know [my mother] could read a novel in an afternoon. She was the fastest reader I’ve ever met in my life. Not only that she’d remember it for the rest of her life.
JM: She was a very complicated woman. Very complex…
AM: She had the energy of a dynamo.
KM: she could sing, she could play the piano…
JC: She could be quite flamboyant.
AM: She used to dance on the table on New Year’s Eve.
KM: … she could draw, she could… she was a helluva bridge player.
JC: She was funny.
JM: … very bitchy.
KM: She had an attitude about most things.
AM: Oh well, yeah [we kept kosher]… until she started making bacon. Loved bacon.
JM: I think she tried to rule and divide the kids.
JC: Yeah, you see I always consider myself the favourite.
AM: Yeah, I think I was [the favourite].
…
AM: See I would, for example if I didn’t want to go to school, I would start limping around. My mother immediately caught on and she said ‘You don’t want to have to go to school today, you’re limping.’ And we’d both go to some place and have oysters.
RM: You said that she saw portents in a lot of things, she saw signs.
AM: She saw… mysterious things in the air from time to time. She’d have feelings from people. She once sat up in bed in the middle of the night, she suddenly said ‘My mother died’. And indeed at that moment her mother had died.
RM: How d’you think that translated into you though?
AM: Well, I used to think that the way… that a play was not about what was spoken but what was between the spoken lines. That the world is essentially is not what we call real. And these arts are attempting to approach that world. And it all comes from my mother. Y’know, its always coming from somewhere. She was that way.
She idiolised artists, pianists, writers and so on. My father had no knowledge of any of that.
”
”
Rebecca Miller
“
After thirty-plus years as a latter-day robber baron and almost as many as a fiercely acquisitive retiree, the old man clapped both hands to his head, made a sound like a peevish crow, and collapsed to the floor. He landed in the middle of the immense Aubusson carpet in the Great Room of Galtonbrook Hall, the pile of marble that had been his home and would be his memorial. Galtonbrook Hall loomed less than half a mile from Columbia Presbyterian Hospital, and an ambulance got there in minutes, but they didn’t have to rush. Martin Greer Galton, born March 7, 1881, in Latrobe, Pennsylvania, was almost certainly dead by the time he hit the floor. Now, fifty years later, his house lived on. He’d devoted the first half of his life to making money and the second half to spending it, collecting art and artifacts in great profusion, and building Galtonbrook Hall to house himself for his lifetime and his treasures for all eternity. That at least was the plan, and he’d funded the enterprise sufficiently to see it carried out. What had been a home was now a museum, open to the public six days a week. Out-of-towners rarely found their way to the Galtonbrook; it didn’t get star treatment in the guidebooks, and it was miles from midtown, miles from the Upper East Side’s Museum Mile. As a result it was rarely crowded. You had to know about it and you had to have a reason to go there, and if you were in the neighborhood you’d probably wind up at the Cloisters instead. “We’ll go to the Galtonbrook the next time,” you’d tell yourself, but you wouldn’t. Neither Carolyn nor I had been there until our visit five days earlier, on a Thursday afternoon. We’d stood in front of a portrait of a man in a plumed hat, and its brass label identified it as the work of Rembrandt. The guidebook I’d consulted had its doubts, and repeated an old observation: Rembrandt painted two hundred portraits, of which three hundred are in Europe and four hundred in the United States of America. “So it’s a fake,” she said. “If it is,” I said, “we only know
”
”
Lawrence Block (The Burglar Who Counted the Spoons (Bernie Rhodenbarr, #11))
“
Sarai had treasured every stage of Rachel’s childhood, enjoying the day-to-day normalcy of things; a normalcy which she quietly accepted as the best of life. She had always felt that the essence of human experience lay not primarily in the peak experiences, the wedding days and triumphs which stood out in the memory like dates circled in red on old calendars, but, rather, in the unself-conscious flow of little things—the weekend afternoon with each member of the family engaged in his or her own pursuit, their crossings and connections casual, dialogues imminently forgettable, but the sum of such hours creating a synergy which was important and eternal.
”
”
Dan Simmons (Hyperion (Hyperion Cantos, #1))
“
To insist you’re a man without ever having ridden a horse! At least Jem would eventually serve a vital purpose whether he liked it or not—and surely he would not. Cador ignored the twinge of guilt. It was for the greater good. As they neared a cart, Jem leaned closer to it, peering carefully. He’d done so all afternoon, and Cador knew he was searching for his belongings. His books. Books were a luxury. Books didn’t put food in hungry bellies. Which was why he’d dumped them out of Jem’s trunk before they left the Holy Place. Hunters of Ergh traveled light, not with useless lodestones. Jem himself was enough of a burden.
”
”
Keira Andrews (Wed to the Barbarian (Barbarian Duet, #1))
“
She had always felt that the essence of human experience lay not primarily in the peak experiences, the wedding days and triumphs which stood out in the memory like dates circled in red on old calendars, but, rather, in the unself-conscious flow of little things - the weekend afternoon with each member of the family engaged in his or her own pursuit, their crossings and connections casual, dialogues imminently forgettable, but the sum of such hours creating a synergy which was important and eternal.
”
”
Dan Simmons (Hyperion (Hyperion Cantos, #1))
“
Judy Pilger—and we followed them, crossing back and forth in a rowboat. But it was Frankie and Chris Nucci my sisters and I had crushes on, and mostly Frankie. Frankie had a speedboat and took his friends waterskiing up and down the creek. He sat on the top of the seat back to drive, one leg propped on the dash, coolly checking the skier behind him. He had silky hair and brown eyes and trickled a sultry cool through our world. The boys were more interested in my older sister than in me. She knew how to smoke and inhale. But I tagged along anyway wherever they went. We hiked down the falls to Tarzan’s Pit and spent the afternoon jumping off the cliff into the water. Then we’d climb up to the rickety wooden trestle that hung over the tiny waterfall to drink beer and wait for the trains to come. We’d show off for one another and stand up as the trains came roaring by with their whistles screaming in our ears. We hung
”
”
Carole Radziwill (What Remains: A Memoir of Fate, Friendship, and Love)
“
Listen,” he whispered.
As the thrumming of her own heart quieted, Beatrix heard music. Not instruments, but human voices joined in harmony. Bemused, she went to the window and looked out. A smile lit her face.
A small group of officers from Christopher’s regiment, still in uniform, were standing in a row and singing a slow, haunting ballad.
Were I laid on Greenland’s coast,
And in my arms embrac’d my lass;
Warm amidst eternal frost,
Too soon the half year’s night would pass.
And I would love you all the day.
Ev’ry night would kiss and play,
If with me you’d fondly stray.
Over the hills and far away…
“Our song,” Beatrix whispered, as the sweet strains floated up to them.
“Yes.”
Beatrix lowered to the floor and braced her folded arms on the windowsill…the same place where she had lit so many candles for a soldier fighting in a faraway land.
Christopher joined her at the window, kneeling with his arms braced around her. At the conclusion of the song, Beatrix blew the officers a kiss. “Thank you, gentlemen,” she called down to them. “I will treasure this memory always.”
One of them volunteered, “Perhaps you’re not aware of it, Mrs. Phelan, but according to Rifle Brigade wedding tradition, every man on the groom’s honor guard gets to kiss the bride on her wedding night.”
“What rot,” Christopher retorted amiably. “The only Rifles wedding tradition I know of is to avoid getting married in the first place.”
“Well, you bungled that one, old fellow.” The group chortled.
“Can’t say as I blame him,” one of them added. “You are a vision, Mrs. Phelan.”
“As fair as moonlight,” another said.
“Thank you,” Christopher said. “Now stop wooing my wife, and take your leave.”
“We started the job,” one of the officers said. “It’s left to you to finish it, Phelan.”
And with cheerful catcalls and well wishes, the Rifles departed.
“They’re taking the horse with them,” Christopher said, a smile in his voice. “You’re well and truly stranded with me now.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
A gift for your wedding night, darling Bea. This gown was made by the most fashionable modiste in London. It is rather different from the ones you usually wear, but it will be very pleasing to a bridegroom. Trust me about this.
--Poppy
Holding the nightgown up, Beatrix saw that it was made of black gossamer and fastened with tiny jet buttons. Since the only nightgowns she had ever worn had been of modest white cambric or muslin, this was rather shocking. However, if it was what husbands liked…
After removing her corset and her other underpinnings, Beatrix drew the gown over her head and let it slither over her body in a cool, silky drift. The thin fabric draped closely over her shoulders and torso and buttoned at the waist before flowing to the ground in transparent panels. A side slit went up to her hip, exposing her leg when she moved. And her back was shockingly exposed, the gown dipping low against her spine. Pulling the pins and combs from her hair, she dropped them into the muslin bag in the trunk.
Tentatively she emerged from behind the screen.
Christopher had just finished pouring two glasses of champagne. He turned toward her and froze, except for his gaze, which traveled over her in a burning sweep. “My God,” he muttered, and drained his champagne. Setting the empty glass aside, he gripped the other as if he were afraid it might slip through his fingers.
“Do you like my nightgown?” Beatrix asked.
Christopher nodded, not taking his gaze from her. “Where’s the rest of it?”
“This was all I could find.” Unable to resist teasing him, Beatrix twisted and tried to see the back view. “I wonder if I put it on backward…”
“Let me see.” As she turned to reveal the naked line of her back, Christopher drew in a harsh breath.
Although Beatrix heard him mumble a curse, she didn’t take offense, deducing that Poppy had been right about the nightgown. And when he drained the second glass of champagne, forgetting that it was hers, Beatrix sternly repressed a grin.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
Christopher fondled her cheek, his knuckles sliding delicately against the side of her throat. There was understanding in his eyes, and sympathy, and something else that caused her skin to flush.
“Whatever your happiness requires,” he said, “you’ll have it.” Easing her closer, he kissed her forehead, working down to the tip of her nose. “Beatrix. Now I have something to ask you.” His lips found the curve of her smiling mouth. “My love…I would choose the small sum of hours I’ve spent with you over a lifetime spent with another woman. You never needed to write that note, asking me to find you. I’ve wanted to find you my entire life. I don’t think there’s a man alive who could be all the things you deserve in a husband…but I beg you to let me try. Will you marry me?”
Beatrix pulled his head down to hers, and brought her lips close to his ear. “Yes, yes, yes,” she whispered, and for no reason at all other than she wanted to, she caught the edge of his ear lightly with her teeth.
Startled by the love nip, Christopher looked down at her. Beatrix’s breath quickened as she saw the promise of retribution and pleasure in his eyes. He pressed a hard kiss against her lips.
“What kind of wedding would you like?” he asked, and stole another kiss before she could reply.
“The kind that turns you into my husband.” She touched the firm line of his mouth with her fingers. “What kind would you like?”
He smiled ruefully. “A fast one.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
Cecy, this is hardly the time and place for—” “A tryst?” She laughed. “You think I mean to trap you in this secluded cottage and have my wicked way with you? You should be so lucky. No, remove your shirt. I want a look at your arm.” “My arm?” His eyes narrowed. “Which one?” “Which one do you think?” She crossed to him and began unknotting the cravat at his neck. “The one you injured while wrestling the boar last night.” Oh, the look on his face . . . Cecily wanted to kiss him. He was so adorably befuddled. At last, he’d let slip that hard mask of indifference he’d been wearing since his arrival at Swinford Manor. And in its place—there was Luke. Engaging green eyes, touchable dark brown hair, those lips so perfectly formed for roguish smiles and tender kisses alike. This was the man she’d fallen in love with. The man she still loved now. Yes, he’d changed, but she had too. She was older, wiser, stronger than the girl she’d been. This time, she wouldn’t let him go. “You knew?” She smiled. “I knew.” His breath hitched as she slipped the cravat from his neck. Attempting to ignore the wedge of bare chest it revealed, and the mad pounding of her blood that view inspired, Cecily set to work on his waistcoat buttons. “How?” he asked, obeying her silent urgings to shed the garment. “How did you know?” “It’s a fortunate thing you weren’t assigned to espionage. You’ve no talent for disguise whatsoever. If I hadn’t suspected already, I would have figured it out this afternoon. My stocking was found in this remote cottage, and you just happen to know the secrets of the door latch? Then there’s the fact that you’ve been favoring your arm since breakfast.” She undid the small closure of his shirtfront before turning her attention to his cuffs. “But I knew you last night. I’d know your voice anywhere, not to mention your touch.” She gave a shaky sigh, unable to meet his questioning gaze. “It’s like you said, Luke. You still make me tremble, even after all these years.” His voice was soft. “I don’t even know why I followed you. The way we’d parted so angrily . . . I just couldn’t let you go, not like that.” “And I’m glad of it. You saved my life.
”
”
Tessa Dare (How to Catch a Wild Viscount)
“
That is my least favorite Stony Cross wedding custom,” Beatrix said ruefully, brushing at the remaining few crumbs that clung to her arms. “On the other hand, it’s probably made more than a few birds happy.”
“Speaking of birds, dear…” Amelia waited until the maid had gone to draw a bath. “That brings to mind the line from Samuel Coleridge’s poem about spring, ‘The bees are stirring--birds are on the wing--’”
Beatrix gave her a quizzical glance. “Why do you mention that? It’s autumn, not spring.”
“Yes, but that particular poem mentions birds pairing. I thought you might have some questions for me on that topic.”
“About birds? Thank you, but I know far more about birds than you.”
Amelia sighed, giving up the attempt to be delicate. “Forget the blasted birds. It’s your wedding night--do you want to ask me anything?”
“Oh. Thank you, but Christopher has already, er…provided the information.”
Amelia’s brows lifted. “Has he?”
“Yes. Although he used a different euphemism than birds or bees.”
“Did he? What did he reference, then?”
“Squirrels,” Beatrix said. And she turned aside to hide a grin at her sister’s expression.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
It’s your wedding night--do you want to ask me anything?”
“Oh. Thank you, but Christopher has already, er…provided the information.”
Amelia’s brows lifted. “Has he?”
“Yes. Although he used a different euphemism than birds or bees.”
“Did he? What did he reference, then?”
“Squirrels,” Beatrix said. And she turned aside to hide a grin at her sister’s expression.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
Once we'd balled up our burrito wrappers and tossed them into the trash, Jake and I walked several blocks from El Farolito to the home of Gus, a rescued shepherd mix that I walked a few afternoons each week. Jake sat on the stoop while I ran upstairs. As usual, Gus was waiting for me at the door of his apartment,; I could hear his tail pounding the floor as I turned the key in the lock. Once I got inside, he hopped around me, nipping delicately at my fingers, nails clackety-clacking at the floor, his tail an ecstatic black blur. I knelt down in front of him, pressed his floppy, expressive ears flat back against his head, and planted a kiss on the side of his long, black schnoz. He whined happily, his whole body shimmying. Gus was one of those dogs who had an entirely different personality at home, where his sense of security gave him the confidence to be joyous and goofy. Out on the street, the shelter pup in him came out and he turned skittish and sorrowful, his tan quotation mark eyebrows pressing together to turn his forehead into a series of of anxious wrinkles. Needless to say, I was gaga for Gus and his layered personality.
Downstairs, I could see right away that Jake loved dogs as much as I did. I had to warn him not to try too hard with Gus; too much attention from a stranger would only make Gus more nervous out there in the big loud world. Jake managed to restrain himself for half a block, but soon was cooing down to Gus, running his hand down the length of his silky black-and-tan coat, and passing him a little piece of chorizo from a napkin that he'd somehow slipped into his pocket at El Farolito without me noticing. Gus pressed himself against Jack's leg and looked adoringly up at him as he gobbled the meat, his tail for a moment wagging as freely as it did at home.
”
”
Meg Donohue (How to Eat a Cupcake)
“
Taylor’s head was pounding. The dry air of Captain Price’s office coupled with the stress of finding Frank Richardson executed was going to drive her mad. She dug into her pocket, dry swallowed three Advil covered in lint. Being debriefed by her boss was not the way she’d planned to spend the afternoon before her wedding. She was sick to her stomach, the desiccated pills stuck in her throat.
”
”
J.T. Ellison (14 (Taylor Jackson, #2))
“
I love you, Kitty. I love your virtue, your passion for good, your kindness and strength. I love the fire in your spirit and your yearning for right. I want to spend the rest of my days with you. And more than anything I want you to know that you being a Tory—” “Stop.” Kitty placed a hand on his chest. A light from within glowed, warming her body with the brightness of truth. “Nathaniel, that’s what I wanted to tell you—one of the things I wanted to tell you after church this past Sunday. God spoke to me. He showed me the errors of my thinking and I know now, without a grain of doubt remaining, that your cause, the cause of freedom, is God’s cause.” She paused, and lifted her chin. “I’m a patriot.” Nathaniel’s dark brow narrowed and his head tipped slightly. He never moved his gaze and his mouth tightened. Kitty licked her lips and shifted her feet. She smiled, hoping such would coax a response from him. “Are you not pleased?” His expression didn’t change and a surge of panic inched up her back. “I do hope you are not upset. Nathaniel, you must know I wouldn’t jest about something like this to entice you to say you love me—” Nathaniel swooped down, cutting off her words with a kiss that turned her knees to liquid. His warm breath on her face mixed with her own and she clung to his chest to keep from melting to the ground. He pressed her to him, smoothing his hands down her back and gripping her as if he wished to mold her to him forever. He broke away, breathing heavy. The brightness in his eyes matched the glistening of his lips. “Nay, I am not upset. I’m delighted to the point of utter disbelief. Though I do believe you Kitty, completely.” A deep, quiet chuckle rattled in his chest as he lowered his head. “And I must ask you to stop your bewitching ways, or I won’t be able to resist you as I should.” His eyes wandered to her mouth and he shook his head. “You never answered me.” “Never answered you?” “I asked you to be my wife. Am I to believe my feelings are not returned?” Kitty’s heart grew wings. “Do you believe they are not?” He stepped closer and nuzzled her ear with his nose as he whispered. “Marry me tomorrow, and let me begin to cherish you the way I desire to for the rest of my days. For I can no longer withhold my longing for you Kitty, not when I am consumed by so true a love.” Ever so slowly, he trailed kisses at the edge of her hair and down to her mouth. His warm, possessive kiss removed every other thought from her mind. He directed her face upward and continued sharing his passion until he finally pulled away, staring at her with parted lips and hooded eyes. “Marry me?” His voice carried no louder than a prayer. She nodded, her throat too thick to make a sound. He must have seen the unspoken answer in her tear-filled eyes. Tucking the stray hair around her ear he leaned closer. “Are you opposed to an afternoon wedding?” “Nay,” she whispered. Trailing a finger around her ear and down her neck, Nathaniel’s mouth twitched upward into a smile that whispered of delicious secrets to come. “I am glad to hear it. As of tomorrow night you will no longer be Miss Katherine Campbell. You will be my Mrs. Nathaniel Smith.
”
”
Amber Lynn Perry (So True a Love (Daughters of His Kingdom #2))
“
We continued our drive, not making any permanent decisions that day about where we’d live. We’d been engaged less than twenty-four hours, after all; there was no huge rush. When we finally returned to his house, we curled up on his couch and watched a movie. Gone With the Wind, of all things. He was a fan. And as I lay there that afternoon and watched the South crumble around Scarlett O’Hara’s knees for what had to have been the 304th time in my life, I touched the arms that held me so sweetly and securely…and I sighed contentedly, wondering how on earth I’d ever found this person.
When he walked me to my car late that afternoon, minutes after Scarlett had declared that tomorrow is another day, Marlboro Man rested his hands lightly on my waist. He caressed my rib cage up and down, touching his forehead to mine and closing his eyes--as if he were recording the moment in his memory. And it tickled like crazy, his fingertips on my ribs, but I didn’t care; I was engaged to this man, I told myself, and there’ll likely be much rib caressing in the future. I needed to toughen up, to be able to withstand such displays of romance without my knees buckling beneath me and without my forgetting my mother’s maiden name and who my first grade teacher had been. Otherwise I had lots of years of trouble--and decreased productivity--ahead. So I stood there and took it, closing my eyes as well and trying with all my might to will away the ticklish sensations. They had no place here. Begone, Satan! Ree, hold strong.
My mind won, and we stood there and continued to thumb our nose at the reality that we were two separate bodies…and the western sun behind us changed from yellow to orange to pink to a brilliant, impossible red--the same color as the ever-burning fire between us.
On the drive home, my whole torso felt warm. Like when you’ve awakened from the most glorious dream you’ve ever had, and you’re still half-in, half-out, and you still feel the dream and it’s still real. I forced myself to think, to look around me, to take it all in. One day, I told myself as I drove down that rural country road, I’m going to be driving down a road like this to run to the grocery store in town…or pick up the mail on the highway…or take my kids to cell lessons.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Nerissa.” Startled, her gaze flashed to his, found him quietly watching her. “Nerissa,” he repeated, looking up to her. “Why do ye cry? We don’t have to do this if ye aren’t ready… I’d never force ye, y’know.” The tears ran harder and again she saw the blood beneath his leg, mixed with seawater and rolling back and forth with the motion of the ship, and she could not speak. “I’m sorry I’m not the man ye might’ve chosen… sorry I’m just a sailor, sorry ye didn’t have the grand weddin’ ye deserved—” “I’m crying,” she choked out, “because I keep thinking of you lying in your own blood, and how I’d thought this heart I feel beneath my hand had stopped… and that you were dead.” His gaze softened. “Don’t think about it,” he said, reaching up to thumb away her tears. “I’m very much alive. Weak as a kitten, I’m afraid, but ’twill take far more than an English musketball to do me in.” She gave a jerky little nod without speaking, and his hand drifted down to anchor hers against his breastbone. Against his heart. For a long moment they just stayed like that, she trying to get her sobs under control, he quietly covering her hand with his own. “The best way to forget things we wish we’d never seen is to make new memories,” he said quietly. “We have our weddin’ night—or rather, afternoon—and the rest of our lives to make those memories.” He gazed up into her eyes, willing her to hear what he was saying, to forget the dreadful things that she had seen. “Now, love, since ye’re so concerned about my heart, lean down and kiss me again but keep your hand there, and feel it beat harder, feel it beat stronger… feel it beat just for you and you alone.
”
”
Danelle Harmon (The Wayward One (The de Montforte Brothers, #5))
“
The Connecticut River
March 2, 1704
Temperature 10 degrees
“My theory,” said Eben, “is that being a captive is an honor for the strong and the uncomplaining.”
Sarah and Mercy considered this.
“Then why is Ruth alive? She complains all day long,” said Sarah.
“But she isn’t sobbing,” Mercy pointed out, “and she isn’t actually complaining. She’s calling them names. She attacked her own Indian this afternoon, did you see? She was going to stab him with his own knife.”
They giggled. It was scary to watch Ruth, and impossible not to. Instead of a blow to the head, though, Ruth was usually given food. It wasn’t a method anybody else wanted to try.
“But Eliza doesn’t fit your theory, Eben,” said Mercy. “She hasn’t spoken since they killed Andrew. If you let go her arm, she stops walking. Yet they’re patient with her.”
“I admit Eliza isn’t brave,” said Eben. “She’s in a stupor. Maybe they respect her for caring about her husband so deeply.”
Mercy had never liked thinking about Eliza marrying an Indian. But what was her own future now? Would she, would Sarah, would Ruth, end up marrying an Indian?
The image of Ruth Catlin agreeing to obey an Indian as her lawfully wedded husband made Mercy laugh.
”
”
Caroline B. Cooney (The Ransom of Mercy Carter)
“
The Connecticut River
March 2, 1704
Temperature 10 degrees
“My theory,” said Eben, “is that being a captive is an honor for the strong and the uncomplaining.”
Sarah and Mercy considered this.
“Then why is Ruth alive? She complains all day long,” said Sarah.
“But she isn’t sobbing,” Mercy pointed out, “and she isn’t actually complaining. She’s calling them names. She attacked her own Indian this afternoon, did you see? She was going to stab him with his own knife.”
They giggled. It was scary to watch Ruth, and impossible not to. Instead of a blow to the head, though, Ruth was usually given food. It wasn’t a method anybody else wanted to try.
“But Eliza doesn’t fit your theory, Eben,” said Mercy. “She hasn’t spoken since they killed Andrew. If you let go her arm, she stops walking. Yet they’re patient with her.”
“I admit Eliza isn’t brave,” said Eben. “She’s in a stupor. Maybe they respect her for caring about her husband so deeply.”
Mercy had never liked thinking about Eliza marrying an Indian. But what was her own future now? Would she, would Sarah, would Ruth, end up marrying an Indian?
The image of Ruth Catlin agreeing to obey an Indian as her lawfully wedded husband made Mercy laugh.
“And they let Sally Burt live,” Sarah went on, “and she’s about to give birth right on the trail. They’re letting her husband walk with her, and he’s the only one they let do that.”
Sally’s courage was inspiring. Eight months pregnant, big as a horse, and she bounded along like a twelve-year-old boy. She had even taken part in the snowball fight. “I’m having this baby,” she had said when Mercy complimented her. “It’s my first baby, I know it’s going to be a boy, I know he’ll be strong and healthy, and I know I will be a good mother. That’s that.”
In Mercy’s opinion, Sally Burt was holding her husband up and not the other way around. If she could be half as brave as Sally Burt, she would be satisfied.
”
”
Caroline B. Cooney (The Ransom of Mercy Carter)
“
George, please sit down,” Luke said. “Visit a while.” “Thanks, don’t mind if I do.” George pulled a chair over from an empty table and sat right beside Maureen so that she was sandwiched between himself and Art. “What brings you back to town so soon?” he asked her. “I’m, ah, visiting.” “Fantastic,” he said. “A long visit, I hope.” Luke took his seat, chuckling as he did so. “I have a brother here right now—Sean. You might remember him as my best man. He just discovered he has a young daughter in the area. Mom is visiting us and getting to know her first granddaughter, Rosie, three and a half and smart as a whip.” “How wonderful!” George said enthusiastically. “You must be having the time of your life!” Maureen lifted a thin brow, wary of his reaction. “I am enjoying her, yes.” “First one? I suppose before too much longer the other boys will be adding to the flock.” “Only the married ones, I hope,” Maureen said. “Do you have grandchildren, Mr. Davenport?” “Oh, let’s not be so formal—I’m George. Only step-grandchildren. I had no children of my own, in fact. Noah’s the closest thing to a son I’ve ever had, but I started out as his teacher. I’m a professor at Seattle Pacific University. I’ve known him quite a few years now. I’m here to be his best man on Friday night. I hope you’re all coming to the wedding.” “Wouldn’t miss it,” Luke said, grabbing Shelby’s hand. “And…Maureen?” George asked pointedly. “I’m not sure,” she said evasively. “Well, try to come,” he said. “These Virgin River people know how to have a good time. In fact, I have an idea. Once I have my best-man duties out of the way, I suggest we go to dinner. I’ll take you someplace nice in one of the coast towns, though it’ll be hard to improve on Preacher’s cooking. But we deserve some time away from all these young people, don’t you think?” “Excuse me, George?” she asked. “I assume you were married?” “Twice, as a matter of fact. Divorced a long time ago and, more recently, widowed. My wife died a few years ago. Maybe we should pick an evening and exchange phone numbers,” he suggested. “That’s very nice of you, but no. I don’t go out with men.” “Really?” he asked, surprised by her immediate refusal. “And why is that?” “I’m a widow,” she said. “A single woman.” “What a coincidence. And I’m a single man. I’m all for free thinking, but I wouldn’t ask you to dinner were I married. Are you recently widowed?” Out of the corner of his eye, George saw Luke snicker and look away. “Yes,” Maureen said. “Oh, I’m sorry,” he said. “I was under the impression it had been years. When did you lose your husband, Maureen?” She looked a bit shocked to be put on the spot like that. It was apparent she was trying to gather her wits. She put out her hand. “It was so nice to see you again, Mr….George. I’m glad you sat and visited awhile. Maybe I’ll see you at the wedding this weekend if I’m not needed for anything else. I should probably get on the road—I have to drive to Eureka.” She stood and George did, as well. “Eureka? You’re not staying here in Virgin River with your son?” “I’m staying with a friend just down the street from my granddaughter so I’m free to pick her up after preschool. We spend most afternoons together. Really, nice seeing you.” She turned to Luke. “I’m going to head back to Viv’s, Luke. Good night, Shelby. ’Night, Art. Thanks for dinner, it was great as usual.” “Wonderful seeing you, too,” George said. “Try to come to Noah’s wedding. I guarantee you’ll enjoy yourself.” Luke
”
”
Robyn Carr (Angel's Peak (Virgin River #10))
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George, I probably owe you an apology,” Maureen said. “I don’t think I was as friendly as I could have been when we ran into each other at Jack’s a week or so ago. The fact is, I do remember meeting you at Luke’s wedding. I don’t know why I was acting as if I couldn’t remember you. It isn’t like me to play coy like that.” “I knew that, Mrs. Riordan,” he said. She was stunned. “You knew?” He smiled gently. Kindly. “I saw it in your eyes,” he explained, then shifted his own back and forth, breaking eye contact, demonstrating what he saw. “And the moment I met you I knew you were more straightforward than that. I’m sorry if I made you uncomfortable.” She was a little uncomfortable now, in fact. She felt vulnerable, being found out before she even had a chance to confess. “And I was widowed quite a while ago.” “Yes, I know that, too. Twelve years or so?” he asked. She put her hands on her hips. “And you know this how?” she asked, not trying too hard to keep the indignant tone from her voice. “Well, I asked,” he said with a shrug. “That’s what a man does when he has an interest in a woman. He asks about her.” “Is that so? Well, what else did you find out?” “Nothing embarrassing, I swear. Just that you’ve been widowed quite a while now, all five sons are in the military, you live in Phoenix and, as far as anyone knows, you’re not currently seeing anyone special.” Special? she thought. Not seeing anyone period with absolutely no intention of doing so. “Interesting,” she said. “Well, I don’t know a thing about you.” “Of course you do. I’m a friend of Noah’s. A teacher.” He chuckled. “And obviously I have time on my hands.” “That’s not very much information,” she said. He took a rag out of his back pocket and wiped some of the sawdust and sweat off his brow. “You’re welcome to ask me anything you like. I’m an open book.” “How long have you been a teacher?” she asked, starting with a safe subject. “Twenty years now, and I’m thinking of making some changes. I’m seventy and I always thought retirement would turn me into an old fuddy-duddy, but I’m rethinking that. I’d like to have more time to do the things I enjoy most and, fortunately, I have a small pension and some savings. Besides, I’m tired of keeping a rigid schedule.” “You would retire?” “Again.” He laughed. “I retired the first time at the age of fifty and, after twenty years at the university, I could retire again. There are so many young professors who’d love to see a tenured old goat like me leave an opening for them.” “And before you were a teacher?” “A Presbyterian minister,” he said. “Oh! You’re joking!” she said. “I’m afraid it’s the truth.” “I’m Catholic!” He laughed. “How nice for you.” “You’re making fun of me,” she accused. “I’m making fun of your shock,” he said. “Don’t you have any non-Catholic friends?” “Of course. Many. But—” “Because I have quite a few Catholic friends. And Jewish and Mormon and other faiths. I used to play golf with a priest friend every Thursday afternoon for years. I had to quit. He was a cheat.” “He was not!” “You’re right, he wasn’t. I just threw that in there to see if I could rile you up. No one riles quite as beautifully as a redhead.
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Robyn Carr (Angel's Peak (Virgin River #10))
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I would have offered you refuge,” St. Just said, but he wasn’t willing to hide behind that fig leaf. “I would have offered you my adulterous bed, my coin, my home, my anything, Emmie. I know that now.” Another silence, which left him thinking perhaps his heedless abandonment of dignity had gone quite far enough, because Emmie looked more confused than thrilled with his proclamations. “I don’t understand, St. Just. I have lied to you and to my daughter. I was under your roof under false pretenses. I have taken advantage of your kindness, and I nearly succeeded in foisting my daughter off on you under the guise of my mendacity. Why would you want to have anything more to do with me?” “Do you recall my telling you once upon a time that I love you?” St. Just asked, rising, and leaning against the counter, hands in his pockets. “I do.” She stared at her hands. “It was not under circumstances where such declarations are made with a cool head.” “We’re in the kitchen now, Emmie,” he said very clearly. “It is late in the afternoon, a pot of tea on the table, and I am of passably sound mind, and sound, if somewhat tired, body. I am also fully clothed, albeit to my regret, as are you: I love you.” That was not an exercise in sacrificing dignity, he realized. It was an exercise in truth and honesty and regaining dignity. Perhaps for them both. As romantic declarations went, however, it was singularly unimpressive. “I see.” Emmie got up, chafing her arms as if cold, though the kitchen was the coziest room in the house. “You don’t believe me,” he said flatly. “You cannot believe me, more like.” “I am…” Emmie met his eyes fleetingly. “I do not trust myself very far these days, St. Just. You mustn’t think I am attributing my own capacity for untruth to you.” “I know how your mind works,” he said, advancing on her. “You think it a pity I believe myself to be in love with you, but you can’t help but notice that in some regards, we’d suit, and it would allow us both to have Winnie in our lives. That’s not good enough, Emmie Farnum.” ***
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Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))