Charlie Utter Quotes

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Beauty is just like a book. Some will not bother to look beyond the cover; others will find the entire tome utterly captivating.
Charlie N. Holmberg (Keeper of Enchanted Rooms (Whimbrel House, #1))
So, she said. You met your brother. You know, said Fat Charlie, you could have warned me. I did warn you that he is a god. You didn't mention that he was a complete and utter pain in the arse, though.
Neil Gaiman (Anansi Boys)
...My dad, may he rest in peace, taught me many wonderful things. And one of the things he taught me was never ask a guy what you do for a living. He said "If you think about it, when you ask a guy, what do you do you do for a living," you’re saying "how may I gauge the rest of your utterances." are you smarter than I am? Are you richer than I am, poorer than I am?" So you ask a guy what do you do for a living, it’s the same thing as asking a guy, let me know what your politics are before I listen to you so I know whether or not you’re part of my herd, in which case I can nod knowingly, or part of the other herd, in which case I can wish you dead.
David Mamet
You think I’ve got brains?’ he said, awed. ‘Not confusing me with Charlie?’ ‘Charlie?’ uttered Miss Charing contemptuously. ‘I daresay he has book-learning, but you have—you have address, Freddy!’ ‘Well, by Jove!’ said Mr Standen, dazzled by this new vision of himself.
Georgette Heyer (Cotillion)
Thought moved so much faster than speech. A person could think a hundred things in the time it took for him to utter a single word.
Charlie N. Holmberg (Spellbreaker (Spellbreaker Duology, #1))
Pretty sure of yourself, aren't you?" I tease. His joking manner stops suddenly and turns serious. "Charlie, I'm not worried because when you want to be with someone, you will do everything in your power to make it happen. I will have dinner with your parents tomorrow night, and they will love me. Do you know why?" All I could do was shake my head. "Because all it will take is to have dinner with me for one evening, to see that I am completely and utterly lost and crazy about their daughter, and that I would never, ever do anything to hurt her.
Heather Gunter (Love Notes (Love Notes, #1))
He seemed confused. “Do you prefer Isabella?” “No, I like Bella,” I said. “But I think Charlie—I mean my dad—must call me Isabella behind my back—that’s what everyone here seems to know me as,” I tried to explain, feeling like an utter moron.
Stephenie Meyer (Twilight (Twilight, #1))
You have to believe in yourself, that's the secret. Even when I was in the orphanage, when I was roaming the street trying to find enough to eat, even then I thought of myself as the greatest actor in the world. I had to feel the exuberance that comes from utter confidence in yourself. Without it, you go down to defeat.
Charlie Chaplin
You’re going to pay the bill,” said Grahame. “Then I’ll escort you and the young lady out to the car. And we’ll go back to my place, for a proper talk. Any funny business, and I shoot you both. Capiche? “ Fat Charlie capiched. He also capiched who had been driving the black Mercedes that afternoon and just how close he had already come to death that day. He was beginning to capiche how utterly cracked Grahame Coats was and how little chance Daisy and he had of getting out of this alive.
Neil Gaiman (Anansi Boys)
Dialogue in the works of autobiography is quite naturally viewed with some suspicion. How on earth can the writer remember verbatim conversations that happened fifteen, twenty, fifty years ago? But 'Are you playing, Bob?' is one of only four sentences I have ever uttered to any Arsenal player (for the record the others are 'How's the leg, Bob?' to Bob Wilson, recovering from injury the following season; 'Can I have your autograph, please?' to Charlie George, Pat Rice, Alan Ball and Bertie Mee; and, well, 'How's the leg, Brian?' to Brian Marwood outside the Arsenal club shop when I was old enough to know better) and I can therefore vouch for its absolute authenticity.
Nick Hornby (Fever Pitch)
I would like that,” I said to Charlie, and I genuinely meant it. “I’ll show you around the city.” “Then I won’t disappoint you.” No words more magical could have been uttered to a girl who’d just dumped a man who disappointed her left and right.
Eliza Knight (Starring Adele Astaire)
Charlie stood there like a stone monolith, blinking at his friend. Former friend? Christ. Eventually, he managed to utter, “So it’s like that, then?” Sean visibly swallowed, stood up straight, and seemed to force himself to meet Charlie’s provoking gaze. “It is exactly like that,” he replied, brave as can be.
Kristen Casey (Lost in Love (Second Chances, #2.5))
TSHEMBE (Closing his eyes, wearily) I said racism is a device that, of itself, explains nothing. It is simply a means. An invention to justify the rule of some men over others. CHARLIE (Pleased to have at last found common ground) But I agree with you entirely! Race hasn’t a thing to do with it actually. TSHEMBE Ah—but it has! CHARLIE (Throwing up his hands) Oh, come on, Matoseh. Stop playing games! Which is it, my friend? TSHEMBE I am not playing games. (He sighs and now, drawn out of himself at last, proceeds with the maximum precision and clarity he can muster) I am simply saying that a device is a device, but that it also has consequences: once invented it takes on a life, a reality of its own. So, in one century, men invoke the device of religion to cloak their conquests. In another, race. Now, in both cases you and I may recognize the fraudulence of the device, but the fact remains that a man who has a sword run through him because he refuses to become a Moslem or a Christian—or who is shot in Zatembe or Mississippi because he is black—is suffering the utter reality of the device. And it is pointless to pretend that it doesn’t exist—merely because it is a lie! CHARLIE
Lorraine Hansberry (Les Blancs: The Collected Last Plays: The Drinking Gourd/What Use Are Flowers?)
I had this book when I was a little kid," Eddie said at last. He spoke in the flat tones of utter surety. "Then we moved from Queens to Brooklyn--I wasn't even four years old--and I lost it. But I remember the picture on the cover. And I felt the same way you do, Jake. I didn't like it. I didn't trust it." Susannah raised her eyes to look at Eddie. "I had it, too--how could I ever forget the little girl with my name...although of course it was my middle name back in those days. And I felt the same way about the train. I didn't like it and I didn't trust it." She tapped the front of the book with her finger before passing it on to Roland. "I thought that smile was a great big fake." Roland gave it only a cursory glance before returning his eyes to Susannah. "Did you lose yours, too?" "Yes." "And I'll bet I know when," Eddie said. Susannah nodded. "I'll bet you do. It was after that man dropped the brick on my head. I had it when we went north to my Aunt Blue's wedding. I had it on the train. I remember, because I kept asking my dad if Charlie the Choo-Choo was pulling us. I didn't WANT it to be Charlie, because we were supposed to go to Elizabeth, New Jersey, and I thought Charlie might take us anywhere. Didn't he end up pulling folks around a toy village or something like that, Jake?" "An amusement park." "Yes, of course it was. There's a picture of him hauling kids around that place at the end, isn't there? They're all smiling and laughing, except I always thought they looked like they were screaming to be let off." "Yes!" Jake cried. "Yes, that's right! That's JUST right!" "I thought Charlie might take us to HIS place--wherever he lived--instead of to my aunt's wedding, and never let us go home again." "You can't go home again," Eddie muttered, and ran his hands nervously through his hair. "All the time we were on that train I wouldn't let go of the book. I even remember thinking, 'If he tries to steal us, I'll rip out his pages until he quits.' But of course we arrived right where we were supposed to, and on time, too. Daddy even took me up front, so I could see the engine. It was a diesel, not a steam engine, and I remember that made me happy. Then, after the wedding, that man Mort dropped the brick on me and I was in a coma for a long time. I never saw Charlie the Choo-Choo after that. Not until now." She hesitated, then added: "This could be my copy, for all I know--or Eddie's." "Yeah, and probably is," Eddie said.
Stephen King (The Waste Lands (The Dark Tower, #3))
Ulbricht began pressuring the Soviet leader for a solution to the growing problem of the refugee crisis, too. On June 15, 1961, in an international press conference, he uttered the prophetic words “Niemand hat die Absicht, eine Mauer zu errichten!” (“No one has the intention to erect a wall!”) Perhaps he was telling the truth, but in reality he had, in January of that year, already set up a secret commission on finding a way to close the borders. It was also the first time the term “Mauer” (“Wall”) had publicly been used by anyone.
Iain MacGregor (Checkpoint Charlie: The Cold War, the Berlin Wall and the Most Dangerous Place on Earth)
Her mother’s decline was gradual, turning her into a recluse who never left the cabin and relied utterly on her daughter until the day she died. But then Charlie came along, and her days filled with hikes and people, dinners with neighbors and strolls around town, and everything she’d come to believe wasn’t for someone like her. The surprising thing was that she liked it, but mostly because it involved being with Charlie. She loved spending any amount of time with him.
Melissa Payne (The Night of Many Endings)
It's such a unique experience to take your grandchild to Disneyland. You're not doing it that often. And there are lots of people in the country. And Disney found that it could raise those prices a lot, and the attendance stayed right up.So a lot of the great record of Eisner and Wells was utter brilliance but the rest came from just raising prices at Disneyland and Disneyworld and through video cassette sales of classic animated movies. At Berkshire Hathaway, Warren and I raised the prices of See's Candy a little faster than others might have. And, of course, we invested in Coca- Cola-which had some untapped pricing power.
Peter D. Kaufman (Poor Charlie's Almanack: The Wit and Wisdom of Charles T. Munger, Expanded Third Edition)
...David Mich is the Hollywood genius who produced and wrote much of the HBO series Deadwood. Mr. Milch's story was an interesting one to me, at least as it emerged from maybe half a dozen profiles written about him back when Deadwood was in its heyday, and it goes like this: Mr. Milch had pined to do a western ever since he was an important writer on an Emmy-winning network cop series and could just as easily have been a novelist, if I remember the story correctly, and after years of research and reading everything available on the old west decided to focus his talents on the town of Deadwood in the 1870s. But hold your horses, Tex. As Mr. Milch explained it, he didn't read everything after all, he read everything except the novel Deadwood, and was not only able on his own to come up with the same setting and feel and characters that populated the novel, but somehow intuited a footnote-in-history sort of character named Charlie Utter into pretty much the same human being who is the central character of the novel. Except Mr. Milch gave him an English accent, and if that's not Hollywood genius I don't know what is. ... --Acknowledgments
Pete Dexter (Spooner)
As for Sturridge, he comes across as quite possibly the most likable man to ever wear the Liverbird. The chicken teriyaki enthusiast has been defying expectations and unfounded prejudice since he arrived at the club to a lukewarm fan response. He was a troublemaker, you see. He had a poor attitude and was a he Big Time Charlie, don't you know? The Chelsea guys said so and Jose Mourinho has never been anything other than ethical and sincere, right? Right? "The England front man was quick to disabuse dubious fans of their misguided assumptions. From his first interview he spoke with a candour and earnest enthusiasm that were utterly endearing. His performance on the pitch has been nothing short of remarkable and his prodigious tally of 35 goals in 49 appearances to date is worthy of far more adulation than he has received. Doubtless the dancing striker has suffered by comparison with the frankly unequalled brilliance of a certain now-departed flesh gourmand, but the Birmingham native is worthy of so much more praise and, with time on his side, he has the potential to become the nonpareil of Liverpool's recent strikers.
Trevor Downey
help him make his point. “It was kind of cute, when I thought I was dealing with a half-sentient kitchen or armoire. It is utterly horrid that there is an actual walking spirit from the grave floating around, watching me dress, breathing down my neck, and dropping me into pits!
Charlie N. Holmberg (Keeper of Enchanted Rooms (Whimbrel House, #1))
he wasn’t utterly devoid of emotion—but he’d grown up poor and had no illusions about it.
John Connolly (The Instruments of Darkness (Charlie Parker #21))
To quote His Grace, ‘Shut up.’” Charlie uttered the last two words in an absolutely perfect imitation of the Dangerous Duke.
Sarah M. Eden (The Best of Friends (The Huntresses, #4))
I took a last look at the miserable property, with its faded lettering and grim facade. It was a suitable outpost for the malignancy that Bobby Ocean represented, but he was the voice of the minority, whatever he might have believed to the contrary. The world was filled with better people than that. He and his kind would never utterly disappear, with an influence disproportionate to their numbers—because such was the way with loud, prejudiced men—but they would always be outnumbered by the rest, and fundamental decency had a habit of prevailing. Ultimately Bobby, like all his species, was a frightened creature: fearful of change; fearful of anyone whose color, creed, or language was different from his own; and most of all, fearful of those who refused to follow his path. Bobby Ocean was destined to die scared. But then, so were most of us.
John Connolly (The Instruments of Darkness (Charlie Parker #21))
He and his kind would never utterly disappear, with an influence disproportionate to their numbers—because such was the way with loud, prejudiced men—but they would always be outnumbered by the rest, and fundamental decency had a habit of prevailing. Ultimately Bobby, like all his species, was a frightened creature: fearful of change; fearful of anyone whose color, creed, or language was different from his own; and most of all, fearful of those who refused to follow his path.
John Connolly (The Instruments of Darkness (Charlie Parker #21))
English Lit is utterly useless in the real world, Nicholas. Utterly useless.
Alice Oseman (Nick and Charlie)
The G&G, at 1106 Blue Hill Avenue, stood almost exactly midway between the Jewish district’s northern border in Grove Hall and its southern border in Mattapan Square. If asked to free-associate about Jewish Boston, former residents invariably utter “the G&G,” referring to Irving Green and Charlie Goldstein’s eatery.
Lawrence Harmon (The Death of an American Jewish Community: A Tragedy of Good Intentions)
Zhoi nodded. ‘Puny Yahweh.’ Mel Tash remembered Charlie Marlowe’s facetious conversation – on Blink Day itself? She’d used those words then. And she’d repeated the phrase in many conversations and broadcasts since. But Yamanaka said now, ‘It would help us all greatly if the Astronomer Royal did not utter those words publicly again. Not on my watch anyhow. Nothing good ever came from provocation . . . I leave that with you.
Stephen Baxter (Galaxias)
Now, swept along by the crowd before him and glancing at his index card where he had scribbled the correct phonetic pronunciation he desired, the president uttered his famous words: All free men, wherever they may live, are citizens of Berlin, and therefore, as a free man, I take pride in the words, “Ich bin ein Berliner.
Iain MacGregor (Checkpoint Charlie: The Cold War, the Berlin Wall and the Most Dangerous Place on Earth)
Beauty is just like a book. Some will not bother to look beyond the cover; others will find the entire tome utterly captivating
Charlie N. Holmberg (Keeper of Enchanted Rooms (Whimbrel House, #1))
I scowled. “Attu has been of utterly no importance to anybody since May 1943. Is this your version of sending me to Siberia? What are my transgressions?
Brian Garfield (Checkpoint Charlie: Stories (Atlantic large print))
Anne sprang to her feet, knowing at once what that paper contained. The pass list was out! Her head whirled and her heart beat until it hurt her. She could not move a step. It seemed an hour to her before Diana came rushing along the hall and burst into the room without even knocking, so great was her excitement. “Anne, you’ve passed,” she cried, “passed the very first—you and Gilbert both—you’re ties—but your name is first. Oh, I’m so proud!” Diana flung the paper on the table and herself on Anne’s bed, utterly breathless and incapable of further speech. Anne lighted the lamp, oversetting the match safe and using up half a dozen matches before her shaking hands could accomplish the task. Then she snatched up the paper. Yes, she had passed—there was her name at the very top of a list of two hundred! That moment was worth living for. “You did just splendidly, Anne,” puffed Diana, recovering sufficiently to sit up and speak, for Anne, starry eyed and rapt, had not uttered a word. “Father brought the paper home from Bright River not ten minutes ago—it came out on the afternoon train, you know, and won’t be here till tomorrow by mail—and when I saw the pass list I just rushed over like a wild thing. You’ve all passed, every one of you, Moody Spurgeon and all, although he’s conditioned in history. Jane and Ruby did pretty well—they’re halfway up—and so did Charlie. Josie just scraped through with three marks to spare, but you’ll see she’ll put on as many airs as if she’d led. Won’t Miss Stacy be delighted? Oh, Anne, what does it feel like to see your name at the head of a pass list like that? If it were me I know I’d go crazy with joy. I am pretty near crazy as it is, but you’re as calm and cool as a spring evening.” “I’m just dazzled inside,” said Anne. “I want to say a hundred things, and I can’t find words to say them in. I never dreamed of this—yes, I did too, just once! I let myself think once, ‘What if I should come out first?’ quakingly, you know, for it seemed so vain and presumptuous to think I could lead the Island. Excuse me a minute, Diana. I must run right out to the field to tell Matthew. Then we’ll go up the road and tell the good news to the others.
L.M. Montgomery (Anne of Green Gables)
CHARLIE (Incredulous) Matoseh, I don’t believe it—that you can sit here, under this very roof where you learned to read and write—and deny the dedication of those who came here— TSHEMBE (Utter dismissal) I do not deny it. It is simply that the conscience, such as it is, of imperialism is … irrelevant.
Lorraine Hansberry (Les Blancs: The Collected Last Plays: The Drinking Gourd/What Use Are Flowers?)
I’ll always remember everything about you,” Hugo said. The smile on his face filled my heart with joy. How had I found someone so utterly perfect?
Charlie Novak (Cheese & Kisses (Off the Pitch, #2.1))