Walnut Tree Quotes

The nutcracker sits under the holiday tree, a guardian of childhood stories. Feed him walnuts and he will crack open a tale...

My toaster could have a soul,and the walnut grove to the east of my house could be just a bunch of trees or could be made from the atoms of Elvis or Mussolini.Why not?

A thing which I regret, and which I will try to remedy some time, is that I have never in my life planted a walnut. Nobody does plant them nowadays—when you see a walnut it is almost invariably an old tree. If you plant a walnut you are planting it for your grandchildren, and who cares a damn for his grandchildren?

All of us , I believe , carry about in our heads places and landscapes we shall never forget because we have experienced such intensity of life there :places where, like the child that 'feels its life in every limb' in Wordsworth's poem'We are seven' ,our eyes have opened wider, and all our senses have somehow heightened.By way of returning the compliment , we accord these places that have given us such joy a special place in our memories and imaginations. They live on in us, wherever we may be, however far from them.

Walnut trees must live in fear of private aviation.

A dog, a woman, an’ a walnut tree, Th’ more yeh beat ’em, th’ better they be! That’s like us.

Colonel Matterson reading from wrinkled scripture of that long yellow hand: The flag is America. America is the plum. The peach. The watermelon. America is the gumdrop. The pumpkin seed. America is television. Now, the cross is Mexico. Mexico is the walnut. The hazelnut. The acorn. Mexico is the rainbow. The rainbow is wooden. Mexico is wooden. Now, the green sheep is Canada Canada is the fir tree. The wheat field. The calendar. The night is the Pacific Ocean.

Walnut Trees of Altenburg: The greatest mystery is not that we have been flung at random between the profusion of the earth and the galaxy of the stars, but that in this prison we can fashion images of ourselves sufficiently powerful to deny our nothingness.2

I need someone to fold the sheet, someone to take the other end of the sheet and walk towards me and fold once , then step back , fold and walk towards me again .We all need someone to fold the sheet.Someone to hitch on the coat at the neck .Someone to put on the kettle. Someone to dry up while I wash.

This here is a black walnut tree. Grow deep in the woods, so you gotta know where to look. Cure for most everything. Ever unsure, come seek this tree.

At night you write out of guilt, but in the morning you write out of hope.

Happiness is free, Mama says, as sure as the blinkin' stars, the withered arms the trees throw down for our fires, the waterproofin' on our skin, and the tongues of wind curlin' the walnut leaves before slidin' down our ears.

My house was once an acorn.

A dog, a woman, an' a walnut tree, Th' more yeh beat 'em, th' better they be! That's like us.

A spaniel, a woman, and a walnut tree, the more they're beaten the better they be.

Under the Walnut Tree When I face what has left my life, I bow. I walk outside into the cold, rain nesting in my hair. All the houses near me have their lights on. Somewhere, there is a deep listening. I stand in the dark for a long time under the walnut tree, unable to tell anyone, not even the night, what I know. I feel the darkness rush towards me, and I open my arms.

You could be as nuts as a walnut tree, babble like a loon, chew on furniture, set fire to cats, and talk to brick walls, and as long as you were still a kid, the worst they’d say about you —in public, at least—was that you were “emotionally disturbed,

Once my father told me: When a Jew prays, he is asking God a question that has no end. Darkness fell. Rain fell. I never asked: What question? And now it's too late. Because I lost you, Tateh. One day, in the spring of 1938, on a rainy day that gave way to a break in the clouds, I lost you. You'd gone out to collect specimens for a theory you were hatching about rainfall, instinct, and butterflies. And then you were gone. We found you lying under a tree, your face splashed with mud. We knew you were free then, unbound by disappointing results. And we buried you in the cemetery where your father was buried, and his father, under the shade of the chestnut tree. Three years later, I lost Mameh. The last time I saw her she was wearing her yellow apron. She was stuffing things in a suitcase, the house was a wreck. She told me to go into the woods. She'd packed me food, and told me to wear my coat, even though it was July. "Go," she said. I was too old to listen, but like a child I listened. She told me she'd follow the next day. We chose a spot we both knew in the woods. The giant walnut tree you used to like, Tateh, because you said it had human qualities. I didn't bother to say goodbye. I chose to believe what was easier. I waited. But. She never came. Since then I've lived with the guilt of understanding too late that she thought she would have been a burden to me. I lost Fitzy. He was studying in Vilna, Tateh—someone who knew someone told me he'd last been seen on a train. I lost Sari and Hanna to the dogs. I lost Herschel to the rain. I lost Josef to a crack in time. I lost the sound of laughter. I lost a pair of shoes, I'd taken them off to sleep, the shoes Herschel gave me, and when I woke they were gone, I walked barefoot for days and then I broke down and stole someone else's. I lost the only woman I ever wanted to love. I lost years. I lost books. I lost the house where I was born. And I lost Isaac. So who is to say that somewhere along the way, without my knowing it, I didn't also lose my mind?

Once he saw her shaking a walnut tree, he saw her sitting on the lawn knitting a blue sweater, three or four times he found a bouquet of late flowers on his porch, or a handful of chestnuts in a little sack, or some autumn leaves neatly pinned to a sheet of white paper and thumb-tacked to his door.

The real wages of potters are in the daily silent appreciations of each of their customers as they pour the morning tea from their teapot, or drink coffee from their mug, or eat dinner off their plate. To be this involved in the daily lives of people who appreciate and admire your work enough to buy it must bring deep reassurance. It is a kind of immortality you can enjoy while still living. The same goes for the woodworker. You are part of the community.

Essex raised its ugly head. When i was a scholarship boy at the local grammar, son of a city-hall toiler on the make, this country was synonymous with liberty, success, and Cambridge. Now look at it. Shopping malls and housing estates pursue their creeping invasion of our ancient land. A North Sea wind snatched frilly clouds in its teeth and scarpered off to the midlands. The countryside proper began at last. My mother had a cousin out here, her family had a big house. I think they moved to Winnipeg for a better life. There! There, in the shadow of that DIY warehouse, once stood a row of walnut trees where me and Pip Oakes - a childhood chum who died aged thirteen under the wheels of an oil tanker - varnished a canoe one summer and sailed it alone the Say. Sticklebacks in jars,. There, right there, around that bend we lit a fire and cooked beans and potatoes wrapped in silver foil! Come back, oh, come back! Is one glimpse all I get?

She began to hear her own blood hissing in her ears. She looked at the edge of the woods, the field going over the hill, the stand of walnut trees around the bedrock at the top, and none of it scratched out any sound to match the seething in her veins. Her aliveness was monumental and the world was faint and distant and dark

He found at the foot of a large walnut-tree a fountain of clear and running water. He dismounted, fastened his

So he raced from dogwood to blossoming peach. When they thinned out he headed for the cherry blossoms, then magnolia, chinaberry, pecan, walnut and prickly pear. At last he reached a field of apple trees whose flowers were just becoming tiny knots of fruit. Spring sauntered north, but he had to run like hell to keep it as his traveling companion. From February to July he was on the lookout for blossoms. When he lost them, and found himself without so much as a petal to guide him, he paused, climbed a tree on a hillock and scanned the horizon for a flash of pink or white in the leaf world that surrounded him. He did not touch them or stop to smell. He merely followed in their wake, a dark ragged figure guided by the blossoming plums.

Black walnut trees dropped their green-black fuzzy bulbs on Aunt Ruth’s matted lawn, past where their knotty roots rose up out of the ground like the elbows and knees of dirty children suntanned dark and covered with scars. Weeping willows marched across the yard, following every wandering stream and ditch, their long whiplike fronds making tents that sheltered sweet-smelling beds of clover.

Howard had a pine display case, fastened by fake leather straps and stained to look like walnut. Inside, on fake velvet, were cheap gold-plated earrings and pendants of semiprecious stones. He opened this case for haggard country wives when their husbands were off chopping trees or reaping the back acres. He showed them the same half-dozen pieces every year the last time he came around, when he thought, This is the season - preserving done, woodpile high, north wind up and getting cold, night showing up earlier every day, dark and ice pressing down from the north, down on the raw wood of their cabins, on the rough-cut rafters that sag and sometimes snap from the weight of the dark and the ice, burying families in their sleep, the dark and the ice and sometimes the red in the sky through trees: the heartbreak of a cold sun. He thought, Buy the pendant, sneak it into your hand from the folds of your dress and let the low light of the fire lap at it late at night as you wait for the roof to give out or your will to snap and the ice to be too thick to chop through with the ax as you stand in your husband's boots on the frozen lake at midnight, the dry hack of the blade on ice so tiny under the wheeling and frozen stars, the soundproof lid of heaven, that your husband would never stir from his sleep in the cabin across the ice, would never hear and come running, half-frozen, in only his union suit, to save you from chopping a hole in the ice and sliding into it as if it were a blue vein, sliding down into the black, silty bottom of the lake, where you would see nothing, would perhaps feel only the stir of some somnolent fish in the murk as the plunge of you in your wool dress and the big boots disturbed it from its sluggish winter dreams of ancient seas. Maybe you would not even feel that, as you struggled in clothes that felt like cooling tar, and as you slowed, calmed, even, and opened your eyes and looked for a pulse of silver, an imbrication of scales, and as you closed your eyes again and felt their lids turn to slippery, ichthyic skin, the blood behind them suddenly cold, and as you found yourself not caring, wanting, finally, to rest, finally wanting nothing more than the sudden, new, simple hum threading between your eyes. The ice is far too thick to chop through. You will never do it. You could never do it. So buy the gold, warm it with your skin, slip it onto your lap when you are sitting by the fire and all you will otherwise have to look at is your splintery husband gumming chew or the craquelure of your own chapped hands.

Everything had become song. The curve of the road beneath the clouds here, and there the strokes of dark earth, the green and the gray, the torn pink of clay and gravel under fingertips. The consonance was above all that of the muffled shadow and grass to the depths of sky, where a flutter of cheerful feathers quivered. In these dreams there are also black walnut trees, and then a forest that opens in a breeze. Nothing. Nothing more than the obstinate sound of wind.

Greenville, South Carolina, in 1955 was the most beautiful place in the world. Black walnut trees dropped their green-black fuzzy bulbs on Aunt Ruth’s matted lawn, past where their knotty roots rose up out of the ground like the elbows and knees of dirty children suntanned dark and covered with scars. Weeping willows marched across the yard, following every wandering stream and ditch, their long whiplike fronds making tents that sheltered sweet-smelling beds of clover.

BOWLS OF FOOD Moon and evening star do their slow tambourine dance to praise this universe. The purpose of every gathering is discovered: to recognize beauty and love what’s beautiful. “Once it was like that, now it’s like this,” the saying goes around town, and serious consequences too. Men and women turn their faces to the wall in grief. They lose appetite. Then they start eating the fire of pleasure, as camels chew pungent grass for the sake of their souls. Winter blocks the road. Flowers are taken prisoner underground. Then green justice tenders a spear. Go outside to the orchard. These visitors came a long way, past all the houses of the zodiac, learning Something new at each stop. And they’re here for such a short time, sitting at these tables set on the prow of the wind. Bowls of food are brought out as answers, but still no one knows the answer. Food for the soul stays secret. Body food gets put out in the open like us. Those who work at a bakery don’t know the taste of bread like the hungry beggars do. Because the beloved wants to know, unseen things become manifest. Hiding is the hidden purpose of creation: bury your seed and wait. After you die, All the thoughts you had will throng around like children. The heart is the secret inside the secret. Call the secret language, and never be sure what you conceal. It’s unsure people who get the blessing. Climbing cypress, opening rose, Nightingale song, fruit, these are inside the chill November wind. They are its secret. We climb and fall so often. Plants have an inner Being, and separate ways of talking and feeling. An ear of corn bends in thought. Tulip, so embarrassed. Pink rose deciding to open a competing store. A bunch of grapes sits with its feet stuck out. Narcissus gossiping about iris. Willow, what do you learn from running water? Humility. Red apple, what has the Friend taught you? To be sour. Peach tree, why so low? To let you reach. Look at the poplar, tall but without fruit or flower. Yes, if I had those, I’d be self-absorbed like you. I gave up self to watch the enlightened ones. Pomegranate questions quince, Why so pale? For the pearl you hid inside me. How did you discover my secret? Your laugh. The core of the seen and unseen universes smiles, but remember, smiles come best from those who weep. Lightning, then the rain-laughter. Dark earth receives that clear and grows a trunk. Melon and cucumber come dragging along on pilgrimage. You have to be to be blessed! Pumpkin begins climbing a rope! Where did he learn that? Grass, thorns, a hundred thousand ants and snakes, everything is looking for food. Don’t you hear the noise? Every herb cures some illness. Camels delight to eat thorns. We prefer the inside of a walnut, not the shell. The inside of an egg, the outside of a date. What about your inside and outside? The same way a branch draws water up many feet, God is pulling your soul along. Wind carries pollen from blossom to ground. Wings and Arabian stallions gallop toward the warmth of spring. They visit; they sing and tell what they think they know: so-and-so will travel to such-and-such. The hoopoe carries a letter to Solomon. The wise stork says lek-lek. Please translate. It’s time to go to the high plain, to leave the winter house. Be your own watchman as birds are. Let the remembering beads encircle you. I make promises to myself and break them. Words are coins: the vein of ore and the mine shaft, what they speak of. Now consider the sun. It’s neither oriental nor occidental. Only the soul knows what love is. This moment in time and space is an eggshell with an embryo crumpled inside, soaked in belief-yolk, under the wing of grace, until it breaks free of mind to become the song of an actual bird, and God.

Luna moths have no mouths or stomachs. They do not eat, and only live about one week. Where to Find It As soon as the female comes out of the cocoon in April or June, she searches for a tree with leaves her offspring can eat. Many different trees could be food for her caterpillars. So you may find her on walnut, hickory, oak, birch, alder, sweet gum or persimmon trees.

The squirrel leapt back to the tree, and ran down it, towards the roots, and then, in seconds, or minutes, or hours, Shadow could not tell which (all the clocks in his mind were broken, he thought, and their gears and cogs and springs were simply a jumble down there in the writhing grass), the squirrel returned with its walnut-shell cup, climbing carefully, and Shadow drank the water it brought to him.

The key to this risotto is Japanese peppers of all things?!" "It's sharp, refreshing aroma highlights the mellow body of the cheese... while making the eel's umami flavor flash like an explosion!" "And that one key ingredient that quietly ties it all together... ... is garlic!" "Garlic?! In traditional Japanese cuisine?! That's almost unheard of!" "Those are special smoked garlic chips a junior of mine made. They were smoked using wood from a walnut tree, which is known to emphasize seafood flavors well. By lightly crushing those chips and sprinkling them on as a topping, I added a pleasantly crunchy texture to the dish. But the most critical feature of my dish... is that I broiled the eel using the Kansai region Kabayaki style. Unlike the Kanto region style, there's no steaming step. Leaving all that oil in gives the eel a more fragrant aroma with a heavier texture and stronger flavor... ... meaning it pairs much more naturally with a flavor as powerful as garlic. *Steaming the eel makes much of its natural oil seep out, leaving the flesh light and fluffy.* But what makes these chips so extraordinary... is that they're infused with Ibusaki's earnest passion and the pure sweat of his helpers, Aoki and Sato. There's no way they could not be delicious!" "Ew! Don't say they're infused with sweat! That's gross!" "This much alone is already an impressively polished gourmet course. What's in store for us in that teapot?" "That is eel-liver broth, my lady. I dressed the eel's liver and then sautéed it in olive oil with some smoked garlic chips. Then I poured the sake Sakaki and Marui made over the top and let the alcohol cook off before adding bonito stock to make a broth. It matches beautifully with the cheese that Yoshino and Nikumi made, creating a soft flavor with a splendid aftertaste.

A Sweet Woman from a War-Torn Country" In her exile, they often describe her as that “sweet woman from a war-torn country” … They don’t know that she loved smelling roses … That she enjoyed picking spring wildflowers and bringing them home after long walks… They don’t know about that first kiss her first lover stole from her during a power outage at church on that Easter evening Before the generators were turned on… They don’t know anything about the long hours she spent contemplating life under the ancient walnut tree in her village, while waiting for her grandfather to call her to eat her favorite freshly baked pita bread with ghee and honey… They don’t know anything about her grandmother’s delicious mixed grains that she prepared every year before Easter fasting began… In exile, they try to be nice to her… They keep repeating that she is now in a “safe haven”… They attribute her silence is either to her poor language skills, or perhaps because she agrees with them… They don’t know that the shocks of life have silenced her forever… All she enjoys doing now is pressing her ears against the cold window glass in her apartment listening to the wailing wind outside … They repeatedly remind her that she is now in a place where all values, beliefs, religions, and ethnicities are honored, but life has taught her that all of that is too late… She no longer needs any of that… All she needs, occasionally, is a sincere hand to be placed on her shoulder or around her neck To remind her that nothing lasts That this too shall pass… [Published on April 7, 2023 on CounterPunch.org]

Arthur Moore describes the results: “Whole forests of oak, beech, poplar, maple, and walnut, standing since Columbus, collapsed … from girdling and deadening with fire. There was in the heart of the new race no more consideration for the trees than for the game until the best of both were gone; steel conquered the West but chilled the soul of the conqueror. This assault on nature, than which few more frightful spectacles could be imagined, owed much to sheer need, but something also to a compelling desire to destroy conspicuous specimens of the fauna and flora of the wilderness. The origin of this mad destructiveness may be in doubt, but there is no question about its effect. The Ohio Valley today has neither trees nor animals to recall adequately the splendor of the garden of the Indian which the white man found and used so profligately.

... the exotic spices arriving daily from the East Indies and the Americas, the crates of sweet oranges and bitter lemons from Sicily, the apricots from Mesopotamia, the olive oil from Naples, the almonds from the Jordan valley... I have seen and smelled these delicacies at market. But does any English person know how to cook with such foods? I think back to my time in France and Italy, of all the delicacies that passed across my tongue. And then to the gardens I've seen in Tonbridge with their raised beds of sorrel, lettuce, cucumbers, marrows, pumpkins. Already the banks are starred bright with blackberries and rose hips, with damsons and sour sloes, the bloom still upon them. Trees are weighted down with green apples and yellow mottled pears and crab apples flushed pink and gold. Soon there will be fresh cobnuts in their husks, and ripe walnuts, and field mushrooms, and giant puffballs.

When I was nineteen years old, I discovered a collection of books in the Harvard library written by Jacob Boehme. Do you know of him?" Naturally she knew of him. She had her own copies of these works in the White Acre library. She had read Boehme, though she never admired him. Jacob Boehme was a sixteenth-century cobbler from Germany who had mystical visions about plants. Many people considered him an early botanist. Alma's mother, on the other hand, had considered him a cesspool of residual medieval superstition. So there was considerable conflict of opinion surrounding Jacob Boehme. The old cobbler had believed in something he called "the signature of all things"- namely, that God had hidden clues for humanity's betterment inside the design of every flower, leaf, fruit, and tree on earth. All the natural world was a divine code, Boehme claimed, containing proof of our Creator's love. That is why so many medicinal plants resembled the diseases they were meant to cure, or the organs they were able to treat. Basil, with its liver-shaped leaves, is the obvious ministration for ailments of the liver. The celandine herb, which produces a yellow sap, can be used to treat the yellow discoloration brought on by jaundice. Walnuts, shaped like brains, are helpful for headaches. Coltsfoot, which grows near cold streams, can cure the coughs and chills brought on by immersion in ice water. 'Polygonum,' with its spattering of blood-red markings on the leaves, cures bleeding wounds of the flesh.

University Hospital, Boston The trees on the hospital lawn are lush and thriving. They too are getting the best of care, like you, and the anonymous many, in the clean rooms high above this city, where day and night the doctors keep arriving, where intricate machines chart with cool devotion the murmur of the blood, the slow patching-up of bone, the despair of the mind. When I come to visit and we walk out into the light of a summer day, we sit under the trees- buckeyes, as sycamore and one black walnut brooding high over a hedge of lilacs as old as the red-brick building behind them, the original hospital built before the Civil War. We sit on the law together, holding hands while you tell me: you are better. How many young men, I wonder, came here, wheeled on cots off the slow trains from th red and hideous battlefields to lie all summer in the small and stuffy chambers while doctors did what they could, longing for tools still unimagined, medicines still unfound, wisdoms still unguessed at, and how many died staring at the leaves of the trees, blind to the terrible effort around them to keep them alive? I look into your eyes which are sometimes green and sometimes gray, and sometimes full of humor, but often not, and tell myself, you are better, because my life without you would be a place of parched and broken trees. Later, walking the corridors down to the street, I turn and step inside an emty room. Yesterday someone was here with a gasping face. Now the bed is made all new, the machines have been rolled away. The silence continues, deep and neutral, as I stand there, loving you.

The cuisine of Northern Iran, overlooked and underrated, is unlike most Persian food in that it's unfussy and lighthearted as the people from that region. The fertile seaside villages of Mazandaran and Rasht, where Soli grew up before moving to the congested capital, were lush with orchards and rice fields. His father had cultivated citrus trees and the family was raised on the fruits and grains they harvested. Alone in the kitchen, without Zod's supervision, he found himself turning to the wholesome food of his childhood, not only for the comfort the simple compositions offered, but because it was what he knew so well as he set about preparing a homecoming feast for Zod's only son. He pulled two kilos of fava beans from the freezer. Gathered last May, shucked and peeled on a quiet afternoon, they defrosted in a colander for a layered frittata his mother used to make with fistfuls of dill and sprinkled with sea salt. One flat of pale green figs and a bushel of new harvest walnuts were tied to the back of his scooter, along with two crates of pomegranates- half to squeeze for fresh morning juice and the other to split and seed for rice-and-meatball soup. Three fat chickens pecked in the yard, unaware of their destiny as he sharpened his cleaver. Tomorrow they would braise in a rich, tangy stew with sour red plums, their hearts and livers skewered and grilled, then wrapped in sheets of lavash with bouquets of tarragon and mint. Basmati rice soaked in salted water to be steamed with green garlic and mounds of finely chopped parsley and cilantro, then served with a whole roasted, eight kilo white fish stuffed with barberries, pistachios, and lime. On the farthest burner, whole bitter oranges bobbed in blossom syrup, to accompany rice pudding, next to a simmering pot of figs studded with cardamom pods for preserves.

Of pumpkins and parsnips and walnut tree chips.

You must be prepared to step into the darkness if you want to live in the light.' (from The Walnut Tree)

has a standing invitation for Stump to come for Tuesday night dinner. Those two are a sight to behold.” He paused for a moment, looking down across the yard where Stump and Gristle were still piling the tree logs. “But Tracey . . .” When he paused, both Noah and Tracey looked up at him. Noah could see the moisture in his eyes and the slight tremble of his lips. “Tracey, what that woman has done for that big giant of a man—well, I can hardly find words for it. He came from such an awful background. No daddy. A mom who didn’t want him. Kicked around from one orphanage to another. And you can only imagine how all the other kids treated him, like he was some kind of freak. A horrible life from the day he was born. Stuff I won’t share because I consider it confidential as his friend and pastor, but also because it’s the stuff of nightmares.

She stood on packed earth; the grass grew knee-high beside the bare patch, and each blade of it, each angled stem and puff of seed, was perfectly still. She began to hear her own blood hissing in her ears. She looked at the edge of the woods, the field going over the hill, the stand of walnut trees around the bedrock at the top, and none of it scratched out any sound to match the seething in her veins. Her aliveness was monumental and the world was faint and distant and dark. She had been like that for most of her adolescence, vivid to herself with the world muted and blurred around her. Now the world was thunderous. She pulled up a blade of grass and chewed on the end of it. The world was loud and close, and her heart and lungs and brain were a tinny afterthought.

Paradox Walnut: Burbank took a slow growing Walnut tree and made it grow fast, thus the name "Paradox". Museum thought it was dead and cut off a branch. It was alive. OOPS!

As soon as the female comes out of the cocoon in April or June, she searches for a tree with leaves her offspring can eat. Many different trees could be food for her caterpillars. So you may find her on walnut, hickory, oak, birch, alder, sweet gum or persimmon trees.

All winter she has struggled to describe the joy of her life’s work and the discoveries that have solidified in a few short years: how trees talk to one another, over the air and underground. How they care and feed each other, orchestrating shared behaviors through the networked soil. How they build immune systems as wide as a forest. She spends a chapter detailing how a dead log gives life to countless other species. Remove the snag and kill the woodpecker who keeps in check the weevils that would kill the other trees. She describes the drupes and racemes, panicles and involucres that a person could walk past for a lifetime and never notice. She tells how the woody-coned alders harvest gold. How an inch-high pecan might have six feet of root. How the inner bark of birches can feed the starving. How one hop hornbeam catkin holds several million grains of pollen. How indigenous fishermen use crushed walnut leaves to stun and catch fish. How poplars clean soils of chlorinated solvents and willows remove heavy metals. She lays out how fungal hyphae—countless miles of filaments folded up in every spoon of soil—coax open tree roots and tap into them. How the wired-up fungi feed the tree minerals. How the tree pays for these nutrients with sugars, which the fungi can’t make.

you get forests of almond and walnut trees, casting shade as cool as a well, thick battalions of spear-like cypress and silver-trunked fig trees with leaves as large as a salver.

Near our old apartment in Auburn, there is a trail of trees called the George Bengtson Historic Tree Trail, named after a white research forester and plant physiologist at the University of Auburn, Alabama. A great man, I’m sure. These trees are grafted from scions of heritage trees. Among the trees planted: Lewis & Clark Osage Orange. Trail of Tears Water Oak. General Jackson Black Walnut. General Robert E. Lee Sweetgum. Southern Baldcypress. Johnny Appleseed Apple Tree. Mark Twain Bur Oak. Lewis & Clark Cottonwood. Helen Keller Southern Magnolia. Amelia Earhart Sugar Maple. Chief Logan American Elm. Lincoln’s Tomb White Oak. John F. Kennedy Crabapple. John James Audubon Japanese Magnolia. No trees are named for Muskogee, the First People who died in the millions during epidemics, displacement, and land raids. Under the buildings and homes and replanted forests are remnants of Muskogee earthwork mounds, temples, and trenches, a complex network of pre-American cities. There is a single scion named for a northern Indian Iroquois, Chief Logan, another for the Trail of Tears, the only nod to the suffering of Indigenous people. There is no mention of Sacajawea, never mind that Lewis and Clark would’ve been lost in the American wilderness without her. George Washington Carver Green Ash is the only scion named after the Black inventor and scientist. No Black or Native women or femmes are named. No mention of a single civil rights leader, which Alabama birthed aplenty: Coretta Scott King, Rosa Parks, Angela Y. Davis. Imagine a Zora Neale Hurston Sweetgum or a Margaret Walker Poplar.

of the most delicious Cox’s Orange Pippins each autumn leaning precariously on the garden wall, the tree like a corner boy up to no good, her mother used to joke. Harp ran around the back – the front door hadn’t been opened in years at that stage – and let herself in. The kitchen was just the same, the delph from breakfast drying on the rack beside the big, deep Belfast sink, the large black flags on the floor, the table cleared and scrubbed, ready for dinner preparations, the big black enamel range that never went out heating the room, winter and summer, the tea cloths hanging on the line over it. Everything neat and tidy. She scurried out the door of the kitchen into the wide bright hallway, almost skidding on the silk carpet runner as she rounded the ornate bannister to bound up the stairs, taking two at a time. The landing overlooked the hallway and was home to a huge walnut sideboard on which sat all the china dolls Mrs Devereaux had loved. Harp thought they were a bit creepy with their glass eyes, real hair and fancy handmade clothes, and thankfully she’d never felt the

There were myrtle berries to pick and then to serve gratinéed with a topping of mascarpone. There were blackberries to gather, to make into pastries and sorbets. Chestnuts and walnuts added their sweet richness to pasta sauces and stews. The walnut trees were surrounded with bibs of white netting, to catch any prematurely falling fruit, and whole families climbed the trees to pick or walked down the rows of grapes in the vineyards with baskets on their backs, picking the fruit that would become the local wine.

Walnuts Philosophers have said that we love music because it resembles the sphere-sounds of union. We've been part of a harmony before, so these moments of treble and bass keep our remembering fresh. But how does this happen within these dense bodies full of forgetfulness and doubt and grieving? It's like water passing through us. It becomes acidic and bitter, but still as urine it retains watery qualities. It will put out a fire! So there is this music flowing through our bodies that can dowse restlessness. Hearing the sound, we gather strength. Love kindles with melody. Music feeds a lover composure, and provides form for the imagination. Music breathes on personal fire and makes it keener. The waterhole is deep. A thirsty man climbs a walnut tree growing next to the pool and drops walnuts one by one into the beautiful place. he listens carefully to the sound as they hit and watches the bubbles. A more rational man gives advice, "You'll regret doing this. You're so far from the water that by the time you get down to gather walnuts, the water will have carried them away." He replies, "I'm not here for walnuts, I want the music they make when they hit.

garden lovers are often advised to put a bench under a canopy of walnuts if they want a comfortable place to relax in the garden, because this is where they will have the least chance of being bitten by mosquitoes.

In Nizhny Novgorod, there are not simply apple trees scattered about the countryside; there are forests of apple trees — forests as wild and ancient as Russia itself — in which apples grow in every color of the rainbow and in sizes ranging from a walnut to a cannonball.

soon as the female comes out of the cocoon in April or June, she searches for a tree with leaves her offspring can eat. Many different trees could be food for her caterpillars. So you may find her on walnut, hickory, oak, birch,

It is satisfying, of course, to build up a supply of winter warmth, free except for the labor. But there is also something heady about becoming a part of the forest process. It sounds straightforward enough to say that when I cut firewood I cull and thin my woods, but that puts me in the business of deciding which trees should be encouraged and which should be taken. I like my great tall black walnut, so I have cut the trees around it to give it the space and light it needs to grow generously. Dogwoods don’t care. They frost the woods with white blossoms in the spring, and grow extravagantly in close company. If I clear a patch, within a year or two pine seedlings move in, grow up exuberantly, compete and thin themselves to tolerable spacing. If I don’t cut a diseased tree, its neighbors may sicken and die. If I cut away one half of a forked white oak, the remaining trunk will grow straight and sturdy. Sap gone, a standing dead tree like the one I cut today will make good firewood, and so invites cutting. But if I leave it, it will make a home for woodpeckers, and later for flying squirrels and screech owls. Where I leave a brush pile of top branches, rabbits make a home. If I leave a fallen tree, others will benefit: ants, spiders, beetles and wood roaches will use it for shelter and food, and lovely delicate fungi will grow out of it before it mixes with leaf mold to become a part of a new layer of soil. One person with a chain saw makes a difference in the woods, and by making a difference becomes part of the woodland cycle, a part of the abstraction that is the forest community.

Anna Kate I was lost. Truthfully, it wasn’t the worst place to lose one’s way. I stood in the middle of a rutted golden-orange dirt-and-gravel lane riddled with fissures that resembled cracks on an overbaked gingerbread cake. A breeze swooping through the valley cut the humidity and brought with it a burst of pure, clean air swirling with pine scent. Soaring oaks, pines, and black walnut trees cast long shadows. Butterflies skimmed colorful wildflowers standing brightly among the tall weeds and grasses that hugged the lane. I often found peace in the woods, thanks to Zee. For as long as I could remember, whenever she would visit, she’d find a way to sneak me out to the woods to teach me the magic of nature. She lovingly shared how plants, shrubs, trees, and flowers offered alternatives to traditional medicine—all things my mother had also forbidden. “Callows have always been healers and nurturers, Anna Kate, but you must remember that there are many ways to doctor people, physically and emotionally.

The leading patriots of Bedford County, Virginia, with Colonel Charles Lynch presiding, conducted trials and meted out harsh sentences; typically, a prisoner received thirty-nine lashes, and those who refused to shout “Liberty Forever” were suspended by their thumbs until they did so. These were the first “lynchings,” administered from a large walnut tree in Judge Lynch’s own yard. As with many latter-day lynchings, government officials knew about the proceedings but did not care to stop them.

the signature of all things”—namely, that God had hidden clues for humanity’s betterment inside the design of every flower, leaf, fruit, and tree on earth. All the natural world was a divine code, Boehme claimed, containing proof of our Creator’s love. This is why so many medicinal plants resembled the diseases they were meant to cure, or the organs they were able to treat. Basil, with its liver-shaped leaves, is the obvious ministration for ailments of the liver. The celandine herb, which produces a yellow sap, can be used to treat the yellow discoloration brought on by jaundice. Walnuts, shaped like brains, are helpful for headaches. Coltsfoot, which grows near cold streams, can cure the coughs and chills brought on by immersion in ice water. Polygonum, with its spattering of blood-red markings on the leaves, cures bleeding wounds of the flesh. And

Write your routine, Ronan. Now. While I watch. I want to see it." 7:45 A.M.: The most important meal of the day. 8:00 A.M.: Feed animals. 9:30 A.M.: Repair barns or house. 12:00 P.M.: Lunch @ that weird gas station. 1:30 P.M.: Ronan Lynch's marvelous dream emporium. "What does this one mean, Ronan?" It meant practice makes perfect. It meant ten thousand hours to mastery, if at first you don't succeed, there is no try only do. Ronan had spent hours over the last year dreaming ever more complex and precise objects into being, culminating in an intricate security system that rendered the Barns largely impossible to find unless you knew exactly where you were going. After Cambridge, though, it felt like all the fun had run out of the game. "I don't ask what you do at work, Declan." 6:00 P.M.: Drive around. 7:15 P.M.: Nuke some dinner, yo. 7:30 P.M.: Movie time. 11:00 P.M.: Text Parrish. Adam's most recent text had said simply: $4200. It was the amount Ronan had to send to cover the dorm room repairs. *11:30 P.M.: Go to bed. *Saturday/Sunday: Church/DC *Monday: Laundry & Grocery *Tuesday: Text or call Gansey These last items were in Declan's handwriting, his addendums subtly suggesting all the components of a fulfilling grown-up life Ronan had missed when crafting it. They only served to depress Ronan more. Look how you can predict the next forty-eight hours, seventy-two hours, ninety-six hours, look how you can predict the rest of your life. The entire word routine depressed Ronan. The sameness. Fuck everything. Gansey texted: Declan told me to tell you to get out of bed. Ronan texted back: why He watched the morning light move over the varied black-gray shapes in his bedroom. Shelves of model cars; an open Uilleann pipes case; an old scuffed desk with a stuffed whale on it; a metal tree with wondrously intricate branches; heaps of laundry curled around beet-read wood shavings. Gansey texted back: don't make me get on a plane I'm currently chained to one of the largest black walnut trees in Oregon

Write your routine, Ronan. Now. While I watch. I want to see it." 7:45 A.M.: The most important meal of the day. 8:00 A.M.: Feed animals. 9:30 A.M.: Repair barns or house. 12:00 P.M.: Lunch @ that weird gas station. 1:30 P.M.: Ronan Lynch's marvelous dream emporium. "What does this one mean, Ronan?" It meant practice makes perfect. It meant ten thousand hours to mastery, if at first you don't succeed, there is no try only do. Ronan had spent hours over the last year dreaming ever more complex and precise objects into being, culminating in an intricate security system that rendered the Barns largely impossible to find unless you knew exactly where you were going. After Cambridge, though, it felt like all the fun had run out of the game. "I don't ask what you do at work, Declan." 6:00 P.M.: Drive around. 7:15 P.M.: Nuke some dinner, yo. 7:30 P.M.: Movie time. 11:00 P.M.: Text Parrish. Adam's most recent text had said simply: $4200. It was the amount Ronan had to send to cover the dorm room repairs. *11:30 P.M.: Go to bed. *Saturday/Sunday: Church/DC *Monday: Laundry & Grocery *Tuesday: Text or call Gansey These last items were in Declan's handwriting, his addendums subtly suggesting all the components of a fulfilling grown-up life Ronan had missed when crafting it. They only served to depress Ronan more. Look how you can predict the next forty-eight hours, seventy-two hours, ninety-six hours, look how you can predict the rest of your life. The entire word routine depressed Ronan. The sameness. Fuck everything. Gansey texted: Declan told me to tell you to get out of bed. Ronan texted back: why He watched the morning light move over the varied black-gray shapes in his bedroom. Shelves of model cars; an open Uilleann pipes case; an old scuffed desk with a stuffed whale on it; a metal tree with wondrously intricate branches; heaps of laundry curled around beet-red wood shavings. Gansey texted back: don't make me get on a plane I'm currently chained to one of the largest black walnut trees in Oregon

Suleiman made al-Ramla the political capital of Palestine, and for a time it became more important than Jerusalem. The town lay halfway between Damascus and Cairo, and soon it was a stopover for camel caravans hauling leather, swords, buckets, walnuts,

Perhaps under the influence of too much Filipino palm wine, Pigafetta marveled at the coconut and all its uses. “This palm bears a fruit, named cocho, which is as large as the head or thereabouts, and its first husk is green and two fingers thick, in which are found certain fibers of which those people make the ropes by which they bind their boats. Under this husk is another, very hard and thicker than that of a nut. . . . And under the said husk there is a white marrow of a finger’s thickness, which they eat with meat and fish, as we do bread, and it has the flavor of an almond. . . . From the center of this marrow there flows a water which is clear and sweet and very refreshing, like an apple.” The Filipinos taught their visitors how to produce milk from the coconut, “as we proved by experience.” They pried the meat of the coconut from the shell, combined it with the coconut’s liquor, and filtered the mixture through cloth. The result, said the chronicler, “became like goat’s milk.” Pigafetta was so moved by the coconut’s versatility that he declared, with some exaggeration, that two palm trees could sustain a family of ten for a hundred years. Their idyll lasted a week, each day bringing with it new discoveries and a growing intimacy with their genial Filipino hosts. “These people entered into very great familiarity and friendship with us, and made us understand several things in their language, and the name of some islands which we saw before us,” Pigafetta commented. “We took great pleasure with them, because they were merry and conversable.” But Magellan nearly destroyed the idyll when he invited the Filipinos aboard Trinidad. He incautiously showed his guests “all his merchandise, namely cloves, cinnamon, pepper, walnut, nutmeg, ginger, mace, gold, and all that was in the ship.” Clearly

Autumn has come, bringing its blood-drop berries, its acorns and walnuts, its spiders' webs. The sap is falling, as the trees draw their nutrients back inside, readying themselves for their long, enchanted sleep, whilst their leaves--- which in their youth were simply green--- each seem to become unique, in their last hours: blotched, spotted, blush-tipped, pocked, crinkled; the colors of gingerbread, bearskin, pumpkin, ram's fur, porridge, a bloodstained key.

In the corner of the field under some walnut trees, a heavily camouflaged cook-house is operating, and by the screams they are operating without an anaesthetic.

The greatest mystery is not that we have been flung at random between the profusion of the earth and the galaxy of stars, but that in this prison we can fashion images of ourselves sufficiently powerful to deny our nothingness.

But where did he come from?” asked Klara. “He was once a handsome young boy,” said Drosselmeier. “But he didn’t find love in time, and this is what happens to some of us.” “Can he really crack nuts?” asked Fritz, and dove around the room to various crystal dishes. But they were filled with softly yielding marzipan fruits. “Why is he so ugly?” asked Klara. Drosselmeier thought about that. “He was going to marry your doll, Pirlipat, when he was a very young and handsome prince.” “Even though the Mouse Queen bit her and her head went limp?” “Oh, is that what happened? Ach: But even the ugly deserve rescue. He was going to rescue her. He was a handsome young prince and he searched the wide world until he found a tree with a magic walnut hanging on it, called Krakatuk, which would restore her to her health and vigor. But before he could give it to her, he tripped over backward and dropped it, and a curse caused him to turn old and wooden. So then Pirlipat wouldn’t marry him, and sent him away.” “I never liked her very much. She’s upstairs under the bed. She can’t come down tonight. Is the Nutcracker really old or does he only look old?” “Nobody is ever really old,” said Drosselmeier.

Black walnut-Juglans nigra trees are not really cultivated on the same scale of English walnuts. They mostly grow wild across central and eastern parts of the Kashmir. Jammu and Kashmir Medicinal Plants Introduction Centre is a company that's dedicated to preserving the legacy and availability of the Black Walnut. jkmpic@gmail.com

The two young men walked up and down under the walnut trees for nearly an hour, Gerald Goring playing the unaccustomed part of consoler. He liked Edgar Turchill with an honest liking. There was a shade of condescension, of unconscious patronage in the feeling; but it was thoroughly sincere. The Saxon squire was distinctly on a lower intellectual level than the man of mixed race – the man whose father had thrust himself into the front walks of life by sheer force of will and brains, unaided by any conventional training of any kind; whose mother had been the last development of a family reared in courts and palaces. Compared with the quicksilver that flowed in his own veins, Edgar Turchill's blood was a fluid that smacked of the vegetable kingdom – watery stuff that oozes out of a turnip or cabbage when the cook-maid cuts it. Yet the man could feel, and so keenly, that Gerald was touched with tender pity.

As the Count refilled their glasses, he was struck by a memory of his own that seemed in keeping with the conversation. “I spent a good part of my youth in the province of Nizhny Novgorod,” he said, “which happens to be the world capital of the apple. In Nizhny Novgorod, there are not simply apple trees scattered about the countryside; there are forests of apple trees—forests as wild and ancient as Russia itself—in which apples grow in every color of the rainbow and in sizes ranging from a walnut to a cannonball.” “I take it you ate your fair share of apples.” “Oh, we’d find them tucked in our omelets at breakfast, floating in our soups at lunch, and stuffed in our pheasants at dinner. Come Christmas, we had eaten every single variety the woods had to offer.” The Count was about to lift his glass to toast the comprehensiveness of their apple eating, when he waved a self-correcting finger. “Actually, there was one apple that we did not eat. . . .” The actress raised one of her bedeviling eyebrows. “Which?” “According to local lore, hidden deep within the forest was a tree with apples as black as coal—and if you could find this tree and eat of its fruit, you could start your life anew.” The Count took a generous drink of the Montrachet, pleased to have summoned this little folktale from the past. “So would you?” the actress asked. “Would I what?” “If you found that apple hidden in the forest, would you take a bite?” The Count put his glass on the table and shook his head. “There’s certainly some allure to the idea of a fresh start; but how could I relinquish my memories of home, of my sister, of my school years.” The Count gestured to the table. “How could I relinquish my memory of this?” And Anna Urbanova, having put her napkin on her plate and pushed back her chair, came round the table, took the Count by the collar, and kissed him on the mouth.

Needless to say, all the poet really sees is a tree in a meadow; he is not thinking of a legendary Yggdrasill that would concentrate the entire cosmos, uniting heaven and earth, within itself. But the imagination of round being follows its own law: since, as the poet says, the walnut tree is "proudly rounded," it can feast upon "heaven's great dome." The world is round around the round being. And from verse to verse, the poem grows, increases its being. The tree is alive, reflective, straining toward God. Dieu lui va apparaitre Or, pour qu'il soit sur Il developpe en rond son etre Et lui tend des bras murs. Arbre qui peut-etre Pense au-dedans. Arbre qui se domine Se donnant lentement La forme qui elimine Les hasards du vent! (One day it will see God And so, to be sure, It develops its being in roundness And holds out ripe arms to Him. Tree that perhaps Thinks innerly Tree that dominates self Slowly giving itself The form that eliminates Hazards of wind!

So they went to a place that only they knew-- the mixed-nut forest where the mixed-nut trees grew. As the cubs picked almonds and walnuts, pistachios, too, which Papa Bear claimed as his Thanksgiving due, the entire forest started to lurch. The cubs fell like stones from their top-lofty perch. But they landed not with a bone-jarring bump. They landed instead with a comfortable “whump.” For you see, the cubs had been caught in mid-air in the dumpster-sized paw of a monster-sized bear. It was Bigpaw, of course. The monster HAD come. Talk about scared! The normally talkative cubs were struck dumb. Suffice it to say, Something surprising Happened that day. With a bit of a smile and nary a sound, he gently placed them down on the ground. What a shock! What a surprise! For despite his manner and imposing size, Bigpaw was nice, gentle, and shy-- a friendly, helpful sort of a guy. Those cubs knew what they had to do-- tell that only part of the legend was true. Though he was powerful, fearsome, and tall, the monster called Bigpaw was no monster at all. It was important news, so off they hurried, leaving Bigpaw looking a little worried. “Little cubs! Little cubs! You forgot your mixed nuts!” This certainly was true, no ifs, ands, or buts.

The day before Christmas came. Mama made her clove apple and began baking pies. Papa brought in a fresh pine tree and they decorated it with the beautiful apples. But to Katrina it just didn’t feel like Christmas. Even when she went to bed on Christmas Eve, Papa was still sawing away at the apple tree. On Christmas morning their stocking were filled with oranges, wild hickory nuts, black walnuts, and peppermint sticks. Josie gave Papa and Mama their scarves, and Katrina gave Mama the pincushion. But it still didn’t feel like Christmas to Katrina. Then Papa said, “Now my little ones, turn around and close your eyes. No peeking.” First Katrina heard Papa ask Mama to help him. Then she heard him hammering something to the beam, then he dragged something across the floor. “All right, you can look now,” said Mama. They whirled around. There, hanging from the beam, was Josie’s swing, the very same vine swing from the apple tree. Sitting on the swing was a little rag doll that Mama had made. Near the swing was a drawing board made from the very same limb that had been Katrina’s studio. On the drawing board were real charcoal paper and three sticks of willow charcoal. Katrina softly touched the drawing board. She wanted to say, How wise and wonderful you are, Papa and Thank you, Papa and I’ll always love you, Papa. But all she could say was, “Oh, Papa.” Papa didn’t say anything either. He just handed her the three sticks of charcoal. Josie began to swing with her doll and Katrina started to draw. Now she could see how beautiful Mama’s clove apple looked on the white tablecloth and how shiny red the apples were on the Christmas tree. Now she could smell the fresh winter pine tree and the warm apple pies. Now it felt like Christmas. Katrina gave her first drawing to Papa. It was a picture of the day when Papa picked the apples and Mama made apple butter and Katrina and Josie sorted the apples. In the corner Papa wrote: This picture was drawn by Katrina Ansterburg on Christmas Day 1881. Then he hung it in his woodshop and there it stayed for many long years.

The walnut tree told me when Emeline Margulies turned eighteen. Law-wise in Pennsylvania, a girl burns her ships at eighteen. Her daddy was dead and she was alone, so I bound her with spells, talk of blue spruce situated off the front porch, small-mouth bass jumping bugs at the lake, and how sunshine bounces from the water to the orchard and turns pear blossoms gold. She bought every word and wiggled close. I took her wrist and got my hand on her neck and I couldn’t think of nothing save the bones inside her.

41. Among the Rewards of My Sloth . . . . . . is that the tree in our backyard that we had cut down because it was mostly dead and waiting to pierce the asphalt-shingled roof and, more urgently maybe, the neighbor’s (and always, yes, mourn a tree by my hand felled, for it is a home, dead or not) is still, about three and a half months later, sprawled in many parts of the backyard. Probably about one hundred little and not so little logs chucked in a pile out near the black walnut tree, very much alive. And a brush pile about the size of a Cadillac Escalade leaning up against the building you’d be very generous to call a garage, twisting slowly apart on its cracked foundation. Sometimes the brush pile and logs would make me feel like a piece of shit, perhaps especially when Stephanie looked wistfully out into that yard, remembering, I imagine, when she could visualize a garden there. Not to mention my mother, who, when I first got this house in Bloomington, Indiana, in a kind of terror I have to think is informed by some unspoken knowledge (black husband, brown kids in the early seventies kind of knowledge), pleaded with my brother and uncle to convince me to mow my grass lest the neighbors burn my house down. (Of which, let it be known, there was no danger in my case. Despite the Confederate flags in the windows three doors down. You should see his yard. By the way, if you haven’t seen the movie A Man Named Pearl, you should.) Anyway, I’d think, very much pervious to all of the above despite my affect to the contrary, we’ll get a splitting maul and wood chipper and turn a lot of that wood into good mulch, which turns into good soil, trying to make myself feel better about myself. But today, going out back to grab some wood for the stove, past my mess, there was a racket blasting from that thicket like the most rambunctious playground you’ve ever heard, and getting closer, looking inside, I saw maybe one hundred birds hopping around in this enormous temporary nest, sharing a song I never would’ve heard and been struck dumb with glee by had I had my shit more together.

And indeed I have often thought that the susceptibilities of furniture and china have never been sufficiently allowed for by families. Even a much-used saucepan must have its dreary little memories when put into the dustbin at last, and as for chairs! Is it inconceivable that, apart from their feeling for their room and their owners, the tree-life persists in them? Have not seeds buried with mummies for two thousand years sprouted under the very eye of the excavator? You cannot live with a thing and use it without humanizing it to a certain extent, and those men who bluffly announce that their pipe is their ‘friend’ have hit upon a truth more subtle than they know; and perhaps those women who (always contemptuously) get called ‘slaves to their household goods and chattels’ are only, in their turn, more unconsciously susceptible to the dormant life in oak, mahogany and walnut?

Do the boys and girls still go to Siever's For Cider, after school, in late September? or gather hazel nuts among the thickets On Aaron Hatfield's farm when the forsts begin? For many times with the laughing girls and boys Played I along the road and over the hills When the sun was low and the air was ool Stopping to club the walnuts tree Standing leafless against a flaming west. Now, the smell of the autumn smoke, And the dropping acorns, And the echoes about the vales Bring reams of life. They hover over me.

men showed. I’d grown up on the tales of feuds and clan

They sat under a walnut tree on wooden benches draped with kilims and soon the table was covered with small dishes of yogurt, olives cured with angelica, eggplant and whey cooked to a silky paste, piles of basil, cilantro, and tarragon, and a pitcher of doogh, the tangy yogurt drink spiked with mint

Atiye — that was her name — was delivered of another son as big as a yearling sheep. And so she continued to bear children bu she gave them no peace. The village children roamed about wearing nothing but a greasy bib, but she clothed her own in a very odd manner. Young Nuğber gambolled about in the village dust and dirt dressed in nylon garments, with a ribbon in her hair and a dummy in her mouth. The boys climbed into the topmost branches of the walnut trees wearing dungarees held up with braces, and they chased the oxen and donkeys with colored whirligigs in their hands. ... On top of all that, their mother had invented something called 'soap,' and once every two days she nearly flayed them alive scrubbing them with it.

The broccoli says 'I look like a small tree', the mushroom says 'I look like an umbrella', the walnut says 'I look like a brain', and the banana says 'Can we please change the subject?” -- Anonymous

On the way back to Nádori, the driver stopped at Emerence’s old home. It was still apparently referred to as the Szeredás house. It stood out clearly in the gathering dusk of one of those improbable summer evenings when the sun doesn’t linger but withdraws its rays suddenly, leaving variegated streaks of orange, blue and violet glowing behind the grey. We took a good look at this scene from the past. It was just as Emerence had described it — the painted façade, the trees round the side, the general line and height of the building. She had neither embellished nor understated. What was most surprising was her perfect recall of the proportions. She hadn’t dreamed up a fairy-tale castle in place of her charming old home. It was quite beautiful enough the way József Szeredás had built it, a house designed not just with affection but with love. It had all the force of a timeless statement. There was still a workshop where the old one had stood, but this one had a power saw standing inside, and chained dogs that barked a warning. The little garden was still there. The roses had aged into trees, someone had planted a pair of maples near the sycamore and the walnut had filled out and shot up. A swing hung from one of its branches and there were children playing beneath it. I didn’t find the farmyard.

Managing a walnut orchard requires making numerous economic decisions over the long productive life of the trees.

If barley be wanting to make into malt, We must be content and think it no fault, For we can make liquor to sweeten our lips, Of pumpkins, and parsnips, and walnut tree chips. —Edward Johns on, 1630

In layers. The ones I did had seven. They all work in tandem with one another—a symbiotic relationship.” They started making their way toward the house, and Nick glanced at the forest tree line in the distance. “So, I’m assuming one of the layers is the tall trees.” “Right. It’s considered the canopy and, ideally, consists of large fruit and nut trees. On the farm I worked with, they had a lot of black walnut and black locust trees that served as the tall tree layer. The next layer would be the low tree layer—we had dwarf and semi-dwarf apple trees, among others. The third layer is the shrub layer.

Dreaming Of Hair" Ivy ties the cellar door in autumn, in summer morning glory wraps the ribs of a mouse. Love binds me to the one whose hair I've found in my mouth, whose sleeping head I kiss, wondering is it death? beauty? this dark star spreading in every direction from the crown of her head. My love's hair is autumn hair, there the sun ripens. My fingers harvest the dark vegtable of her body. In the morning I remove it from my tongue and sleep again. Hair spills through my dream, sprouts from my stomach, thickens my heart, and tangles from the brain. Hair ties the tongue dumb. Hair ascends the tree of my childhood--the willow I climbed one bare foot and hand at a time, feeling the knuckles of the gnarled tree, hearing my father plead from his window, _Don't fall!_ In my dream I fly past summers and moths, to the thistle caught in my mother's hair, the purple one I touched and bled for, to myself at three, sleeping beside her, waking with her hair in my mouth. Along a slippery twine of her black hair my mother ties ko-tze knots for me: fish and lion heads, chrysanthemum buds, the heads of Chinamen, black-haired and frowning. Li-En, my brother, frowns when he sleeps. I push back his hair, stroke his brow. His hairline is our father's, three peaks pointing down. What sprouts from the body and touches the body? What filters sunlight and drinks moonlight? Where have I misplaced my heart? What stops wheels and great machines? What tangles in the bough and snaps the loom? Out of the grave my father's hair bursts. A strand pierces my left sole, shoots up bone, past ribs, to the broken heart it stiches, then down, swirling in the stomach, in the groin, and down, through the right foot. What binds me to this earth? What remembers the dead and grows towards them? I'm tired of thinking. I long to taste the world with a kiss. I long to fly into hair with kisses and weeping, remembering an afternoon when, kissing my sleeping father, I saw for the first time behind the thick swirl of his black hair, the mole of wisdom, a lone planet spinning slowly. Sometimes my love is melancholy and I hold her head in my hands. Sometimes I recall our hair grows after death. Then, I must grab handfuls of her hair, and, I tell you, there are apples, walnuts, ships sailing, ships docking, and men taking off their boots, their hearts breaking, not knowing which they love more, the water, or their women's hair, sprouting from the head, rushing toward the feet.

man’s will towards exceptionality. His quest for superiority and mastery over all other beings, including women. Until a human fetus is viable and can live and breathe in the world, it is a thing synonymous with woman, just as the walnut is part of the walnut tree. I know I’m working this tree metaphor a little hard here but, seriously . . . it is just so damn simple! The woman is the tree, dude! Her branches have been waving and waving all this time, shouting, “Up here!” while the patriarchal gaze looks right past her, unseeing, and projects its ego like a laser into her gut. War is mass murder, capital punishment is murder, murder is murder. Abortion is part of the eternal process of natural selection, one that women have been engaging in since